Page 1

Jumping the Broom

Eb Instrument

Swung, Half-time feel h = 90 D¨%

C¨%

      

[A¨7]

Ben Norton

D¨% D¨7½

GŒ„Š7

DŒ„Š7

                         

mf

Double-time feel q = 180

                  

6

E¨%

F¨‹7

D¨% D¨7½

A7

GŒ„Š7

DŒ„Š7

DŒ„Š7

D¨%

                 

11

D¨%

D¨%

C¨%

[A¨7]

    

E¨%

     

 1.

F¨‹7

     

15

A FŒ„Š7 E¨Œ„Š7                   

A7

DŒ„Š7

D¨Œ„Š7

G7

D‹7

F¨‹7

G¨‹7

                            

18

 FŒ„Š7 E¨Œ„Š7 D¨Œ„Š7 G7   D‹7 F¨‹7                                         

21

μ

                

25

G¨‹7

G¨7½

 C¨Œ„Š7[âÀ]C¨Œ„Š7[âÀ]/B¨ C¨Œ„Š7[âÀ]             

Copyright 2012 Ben Norton

 


2.

2

Solos Half-time feel h = 90 1stX Double-time feel q = 180 2ndX

B D¨% C¨%             

27

D¨%

E¨%

GŒ„Š7

   

mp 1stX; f 2ndX

D¨%

D¨7½

F¨‹7

A7

   

DŒ„Š7

                 

31

C¨%

D¨% D¨7½

D¨%

   

GŒ„Š7 DŒ„Š7 D¨%

          

36

DŒ„Š7

       

E¨%

 

C DŒ„Š7 C¨Œ„Š7 F¨Œ„Š7 D¨Œ„Š7                              

41

F¨‹7

A7

DŒ„Š7

G¨Œ„Š7

G¨‹7

p

cresc.

D¨Œ„Š7

B¨Œ„Š7

E¨Œ„Š7

CŒ„Š7

                            

47

f

mp

FŒ„Š7

F‹7

        

53

1.

   

f

2. C¨Œ„Š7

        

56

f

cresc.

C¨‹7

  

              μ

         

C¨Œ„Š7[âÀ] C¨Œ„Š7[âÀ]/B¨ C¨Œ„Š7[âÀ]

 


3

D D¨Œ„Š7 59 B¨Œ„Š7 E¨Œ„Š7 CŒ„Š7                           mf

E FŒ„Š7 E¨Œ„Š7 D¨Œ„Š7 G7 D‹7 F¨‹7 G¨‹7                                  

63

 FŒ„Š7 E¨Œ„Š7 D¨Œ„Š7 G7                                    

67

μ

F¨‹7 G¨‹7 G¨7½ C¨Œ„Š7[âÀ] C¨Œ„Š7[âÀ]/B¨ C¨Œ„Š7[âÀ]                                     

70

D‹7

Half-time feel h = 90

F FŒ„Š7 E¨Œ„Š7 D¨Œ„Š7 G7              

D‹7

FŒ„Š7 E¨Œ„Š7

D¨Œ„Š7

G7

F¨‹7

G¨‹7

        

73

D‹7

F¨‹7

G¨‹7 G¨7½

                       

77

G GŒ„Š7      

81

GŒ„Š7 FŒ„Š7

FŒ„Š7

E¨Œ„Š7

A7

F¨‹7

G¨‹7

A¨‹7

                  E¨Œ„Š7

A7

F¨‹7

G¨‹7

A¨‹7 A¨7½

                         

85

  

  


H Double-time feel q = 180

4

D¨Œ„Š7[âÀ] D¨Œ„Š7[âÀ]/C D¨Œ„Š7[âÀ] E¨Œ„Š7 D¨Œ„Š7

     

89

F¨‹7

      

93



E¨Œ„Š7 D¨Œ„Š7

C¨Œ„Š7

F7

C‹7

D‹7

          C¨Œ„Š7

F7

C‹7

D‹7

                

I FŒ„Š7 E¨Œ„Š7 D¨Œ„Š7 G7 D‹7 F¨‹7                           

97

F¨‹7

F¨7½

G¨‹7

       

101

FŒ„Š7

E¨Œ„Š7

D¨Œ„Š7

G7

D‹7

F¨‹7

                 rit.

G¨‹7

G¨7½

J D¨Œ„Š7          

C¨Œ„Š7[âÀ] C¨Œ„Š7[âÀ]/B¨ C¨Œ„Š7[âÀ]

            

105

B¨Œ„Š7

E¨Œ„Š7

D¨Œ„Š7

B¨Œ„Š7

CŒ„Š7

                     

108

         

111

E¨Œ„Š7

CŒ„Š7

              

 


Quarter-time Feel, Ballad h = 45

115 K D¨%      

p

     

125

     

133

   

142



    

149

DŒ„Š7

   

152







   



GŒ„Š7





F¨‹7











DŒ„Š7

E¨%



A7

   



 





D¨%



 



 





D¨%







    

D¨7½

 

C¨%

5

Half-time q = 90

L D¨%     

157

     

166

A7

     

174



C¨%



DŒ„Š7

     

    

 D¨%

  

D¨%

 

D¨7½

 E¨%



  

GŒ„Š7

    F¨‹7

  

M FŒ„Š7 E¨Œ„Š7             

DŒ„Š7


6

D¨Œ„Š7

     

182

     

         

189

E¨Œ„Š7



D‹7

    

206

        

  

G¨7½

 

   

G¨‹7

D¨Œ„Š7

    

201

D‹7

                

F¨‹7

       

195

       

G7



F¨‹7

 

G¨‹7





Double-time q = 180

 



C¨Œ„Š7[âÀ]/B¨

  

 

C¨Œ„Š7[âÀ]

 

G7

FŒ„Š7

  

D¨Œ„Š7 B¨Œ„Š7 E¨Œ„Š7 N                             

211

C¨Œ„Š7[âÀ]

mf

CŒ„Š7

     

216

B¨Œ„Š7

     

218

 

 

 E¨Œ„Š7

 

D¨Œ„Š7

  

 

 

 CŒ„Š7

 

 

  


7

221 O DŒ„Š7 C¨Œ„Š7 F¨Œ„Š7 D¨Œ„Š7 G¨Œ„Š7 G¨‹7                          

p

D¨Œ„Š7

cresc.

f

B¨Œ„Š7

1. FŒ„Š7

E¨Œ„Š7

CŒ„Š7

F‹7

                            

227

mp

f

cresc.

 C¨‹7 C¨Œ„Š7[âÀ] C¨Œ„Š7[âÀ]/B¨ C¨Œ„Š7[âÀ]                                         f

233

2. C¨Œ„Š7

μ

P D¨Œ„Š7 B¨Œ„Š7 E¨Œ„Š7 CŒ„Š7                            

237

mf

D¨Œ„Š7

B¨Œ„Š7

E¨Œ„Š7

CŒ„Š7

                         

241

Half-time feel h = 90

Q C¨%      

245

C¨%

    

249

C¨% C¨7½ FŒ„Š7 CŒ„Š7 [G¨7]                  

A%

D¨%

 



 

               

D‹7

G7

CŒ„Š7


8

Double-time feel q = 180 C¨%

      

253

C¨%

     

257

 

[G¨7]     

A%

                 

C¨%

C¨7½

FŒ„Š7

CŒ„Š7

G7 CŒ„Š7     D‹7                     

D¨%

R E¨Œ„Š7 D¨Œ„Š7 C¨Œ„Š7 F7 C‹7 D‹7 F¨‹7                                  265 μ  E¨Œ„Š7 D¨Œ„Š7 C¨Œ„Š7 F7   C‹7 D‹7                                          261

 F¨‹7 F¨7½ 269               

               AŒ„Š7[âÀ] AŒ„Š7[âÀ]/A¨ AŒ„Š7[âÀ]

C¨Œ„Š7[âÀ] C¨Œ„Š7[âÀ]/B¨ C¨Œ„Š7[âÀ]

             

274

D¨Œ„Š7[âÀ] D¨Œ„Š7[âÀ]/C

 

S

AŒ„Š7[âÀ] AŒ„Š7[âÀ]/A¨ AŒ„Š7[âÀ]                                 273 C¨Œ„Š7[âÀ] C¨Œ„Š7[âÀ]/B¨ C¨Œ„Š7[âÀ]                 271

 

   

D¨Œ„Š7[âÀ]

 

sffz



 

Jumping the Broom (Eb Instrument)  

The lead sheet for Ben Norton's 2012 composition "Jumping the Broom." Eb instrument.

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