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INTERNATIONAL ARTS MAGAZINE D ISSUE NO.6

HEART

SKIN


from the EDITOR


Dear HEART readers, the theme we have chosen for our second issue of the year is SKIN and no doubts you are going to see something innovative and unique from our featured artists! This time we open the issue with an interview to a sardinian fashion-beauty photographer, who has been able to cross the “barriers� of the beautiful mediterranean sea and gain success with a hair-style top brand. Our co-editor - photographer Dave Campbell is the absolute protagonist of the fashion and photography sections, with two stunning yet different editorials. Then we talk of architecture with a project in Barcelona where the function meets aesthetics in a surprising way! Hold your breath, we fly to Sydney in Australia to discover an innovative solution for revitalizing an ugly office building, heritage from the past, that suggests a possible new path for other similar cases. Before the latest news from the heART world, we still have the time to stop in London to admire the inspiring work of a young graphic design and illustration company. Enjoy! Davide De Visdomini (Editor in Chief)


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COVER PAGE PHOTOGRAPHER: DAVE CAMPBELL

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FEATURED ARTISTS IVAN CAPRA

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FASHION

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YOU CAN LEAVE YOUR HAT ON PHOTOS BY DAVE CAMPBELL

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PHOTOGRAPHY

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BODYSCAPES PHOTOS BY DAVE CAMPBELL

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ARCHITECTURE

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DOUBLE SKIN b720 ARCHITECTS NEW (TOWER) SKIN LAVA ARCHITECTS

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NEW BLOOD

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TIDY INK DESIGN TIDY INK DESIGN

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ON THE PULSE

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LOS ANGELES BEAT TEXT BY MARIA VIDALEPP LONDON BEAT TEXT BY DAVE CAMPBELL TOKIO BEAT TEXT BY AYANA KOBAYASHI

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CONTENTS


BY STEFANIA RUIU.

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I VA N C A P R A


8 D FEATURED ARTIST IVAN CAPRA, BORN 1969, IS A SARDINIAN FASHION PHOTOGRAPHER WHO HAS BEEN ABLE TO CROSS THE BARRIERS OF THE ISLAND TRAVELLING IN THE WORLD OF FASHION AND BEAUTY. WITH A FLAME FOR PHOTOGRAPHY SINCE HE WAS A KID, HE LIVES HIS LIFE AND HIS INTERESTS WITH SUCH INSTINCT AND ENTHUSIASM THAT, WHEN CHATTING WITH HIM, YOU WOULD LIKE TO SEE THE WORLD THROUGH HIS OWN EYES, OR BETTER, THROUGH THE LENS OF HIS CANON. OVER THE LAST THREE YEARS, HIS IMAGES HAVE BECOME PROTAGONIST OF L´ORÉAL´S DEGRADÉ CONSEIL CENTERS CAMPAIGNS AND HAVE BEEN PUBLISHED IN PRESTIGIOUS MAGAZINES SUCH AS “ELLE”, “MARIE CLAIRE” AND “COSMOPOLITAN”. HEART: WHAT IS PHOTOGRAPHY FOR YOU? IVAN CAPRA: PHOTOGRAPHY IS THE WORLD OF EMOTIONS FROZEN IN A SINGLE SHOT. AN EXTRAORDINARY INSTRUMENT TO TELL WHAT EVEN WORDS CAN´T. H: YOUR FAVOURITE PHOTOGRAPHER?   IC: NO DOUBTS: RICHARD AVEDON. HE HAS BEEN AN EXTRAORDINARY AND FINE INTERPRETER OF BLACK AND WHITE FASHION PHOTOGRAPHY. ELEGANT. EXCITING. EVERY WORD IS SUPERFLUOUS. WATCHING HIS IMAGES LEAVES YOU WORDLESS. AMONGTHE ONES STILL LIVING, DAVID LACHAPELLE, A JUBILATION OF COLORS ALWAYS IN THE BALANCE BETWEEN THE REAL WORLD AND THE SURREAL ONE OF FAIRY TALES. FAIRY TALES FOR ADULTS. HIS BAROQUE IS A SKILLFULLY ORCHESTRATED ONE.    H: YOUR MYTH...   IC: MANY. ALL THOSE WHO, THROUGH THEIR ART, THEIR WORKS, HAVE GIVEN US NEW OPPORTUNITIES  FOR KNOWLEDGE AND HAVE GIVEN RISE TO FRESH THOUGHTS. H: YOUR MOTTO...   IC: NOT LONG TIME AGO I STILL HAD WRITTEN IT IN ENORMOUS LETTERS IN A WALL AT HOME: “TAKEN AS A WHOLE, THE WORLD IS A MONSTER


FEATURED ARTIST D 9 FULL OF PREJUDICES, BUNDLING OF PRECONCEPTIONS, CORRUPTED BY SO-CALLED VIRTUE, IT IS A PURITAN AND A FATUOUS. THE SECRET OF LIFE IS THE ART TO CHALLENGE HIM. CHALLENGING THE WORLD - THAT’S WHAT SHOULD BE OUR GOAL, INSTEAD OF LIVING FOR CONDESCENDS TO HIS CLAIMS, AS WE DO MOSTLY” OSCAR WILDE   H: LIFE...   IC: LIFE IS MADE OF A NEVER-ENDING SERIES OF IMAGES: TOO MANY OF US ARE ABLE TOO GET JUST A FEW. AND I´M NOT TALKING OF PHOTOGRAPHY HERE. H: WHEN CAN WE DEFINE AN “ARTISTIC IMAGE”, BEYOND THE OLD FASHIONED CONCEPT OF SEXY CHICKS THAT WE FIND IN SO MANY CALENDARS OUT THERE?   IC: WHEN YOU FEEL LIKE FRAMING THAT PHOTOGRAPH TO PROUDLY DISPLAY IT TO EVERYONE IN YOUR HOME´S LIVING ROOM. H: WHERE IS THE BORDER BETWEEN SENSUALITY AND PORNOGRAPHY?   IC: SENSUALITY SMELLS LIKE FRESH FLOWERS AND FINE WOOD. ART IS TRUE SENSUALITY. PORNOGRAPHY WITH ITS SCATOLOGICAL SCENTS IS VIOLENCE. COMMERCIALIZATION OF THE FLESH. MORTIFICATION OF EMOTIONS.

www.sardiniafashion.com

H: YOU ARE A FASHION AND A BEAUTY PHOTOGRAPHER. WHEN DID YOU CHOOSE THIS FIELD? IS THERE ANYONE WHO (DIRECTLY OR INDIRECTLY) HAS SUGGESTED YOU THIS PATH? IC: I FOLLOW MY INSTINCT, MY HEART. I DO EXACTLY WHAT I LIKE THE MOST. WHEN I STARTED TO DIRECT ATTENTION TO FASHION AND BEAUTY I DID EXACTLY THIS: I FOLLOW MY INSTINCT. FOLLOWING NO-ONE. H: EVERY PHOTOGRAPHER HAS HIS OWN STYLE, EASILY RECOGNISABLE AS IN EVERY ARTIST´S WORKS. WHAT DO YOU LOOK FOR IN YOUR SHOTS?   IC: EMOTIONS. H: LIGHTS AND SHADOWS. DIFFERENT KIND OF LOOKS AND CLOSE-UPS. BEAUTY PHOTOGRAPHY DOESN´T ADMIT


10 D FEATURED ARTIST ERRORS, UNLESS PAYING THE DUE OF A LONG POST-PRODUCTION WORK. GIVEN THAT A BEAUTIFUL MODEL HELPS IN REACHING THE FINAL RESULT, CAN YOU TELL US YOUR STRATEGIES FOR A “PERFECT” SHOT? IC: YOU CANNOT LEAVE ASIDE THE HUMAN SIDE. IN FRONT OF YOUR CAMERA THERE IS NOT AN OBJECT, YOU ARE NOT WORKING AT A STILL-LIFE WHERE EVERYTHING IS UNDER CONTROL. IN FRONT OF YOUR LENS THERE´S A HUMAN BEING AND YOU HAVE TO RELATE TO HER.YOU HAVE TO CREATE AN EMPATHY, THAT´S WHY BEFORE BEING A GOOD PHOTOGRAPHER YOU HAVE TO BE ABLE TO COME INTO CONTACT WITH PEOPLE. HUMAN RELATIONS. WHEN I CAN, I TRY TO MEET THE MODEL BEFOREHAND. SPEAKING WITH HER IS VITAL. THE BIGGER THE MUTUAL ESTEEM, THE HIGHER THE POSSIBILITY TO GO HOME WITH A NUMBER OF GOOD SHOTS. EVERYTHING ELSE IS TECHNIQUE, FROM THE CAMERA TO THE PC FOR THE POST-PRODUCTION. NUMBERS AND NUMBERS ONLY. THAT´S WHY, FOR ME, PHOTOGRAPHY IS HEART. FEELINGS.   H: DO YOU ALREADY HAVE IN YOUR BOOK AN IMAGE THAT DESCRIBES YOU?   IC: EVERY PHOTO PICTURES A MOMENT OF MY LIFE. AN INSTANT. HERE IT IS: EVERY PHOTO PICTURES EXACTLY THAT INSTANT. I´M CONSTANTLY EVOLVING, AS MY WAY OF INTERPRETING LIFE AND BEAUTY THROUGH IMAGES. H: WHICH ADVICES YOU GIVE BEFORE STARTING A PHOTO-SHOOT? IC: TO BE THEIRSELVES. THE MODEL HAS TO SHOW EMOTIONS, THROUGH HER LOOK, HER FACE, HER WAY OF POSING. AND THEN IT´S A CONTINUOUS DIALOGUE. I DON´T WANT TO HAVE A PUPPET IN FRONT OF ME, OF WHOM I PULL THE STRINGS. I CAN GIVE SMALL ADVICES, BUT NOT TWIST THE PERSONALITY AND THE WAY TO “ACT” OF THE GIRL IN FRONT OF MY LENS. H: CDC PHOTOS. IVAN STYLE OR L´ORÉAL STYLE? IC: NICE QUESTION. WORKING FOR SUCH AN IMPORTANT GROUP AS L´ORÉAL´S DEGRADÉ CONSEIL´S CENTERS MEANS NOT ONLY INCREASING THE VALUE OF A FIRST QUALITY-HAIRSTYLE PRODUCTS-BRAND (NUMBER ONE IN THE WORLD)

AS L´ORÉAL IS, BUT FIRST OF ALL IT MEANS HIGHLIGHTING THE FINE WORK OF HAIRSTYLE DESIGNERS. PROFESSIONALS THAT EVERY DAY IN THEIR SALOONS ENHANCE THE HEADS OF MILLIONS OF PEOPLE AROUND THE WORLD. THAT´S WHY I ALWAYS TRY TO HAVE A SYMBIOTIC RELATIONSHIP WITH THE CDC BUSINESS PHILOSOPHY, TAKING PART TO ALL KIND OF TECHNICAL MEETINGS. I WANT TO SMELL THE SCENT OF THE PRODUCTS, HOLD THE BOTTLES, WATCH THE MODEL´S MAKEOVER -BEFORE ENTERING THE POSING ROOM- UNDER THE BRUSHES AND THE ALUMINIUM FOILS. TRULY UNDERSTANDING WHAT YOU WANT TO CONVEY TO THE BIG PUBLIC MEANS TELLING THE STORY HONESTLY, TRULY BELIEVING IN THE PRODUCT YOU´RE PICTURING. IN THE END, WHEN YOU SEE YOUR IMAGE INSIDE A MAGAZINE,YOU KNOW NOT ONLY TO HAVE CONVEYED YOUR STYLE, BUT ALSO TO HAVE GIVEN TRUE VALUE AND DIGNITY TO THE WORK OF MANY PROFESSIONALS. H: YOUR UNREALIZABLE DREAM? IC: TO TRANFORM THE WORLD IN A BIG FAIRY TALE. IN THE ISLAND THAT DOESN´T EXIST. NO HATE, NOR VIOLENCE, SOLDIERS, WEAPONS.. EXACTLY AS EDOARDO BENNATO USED TO SING.

STEFANIA RUIU


FEATURED ARTIST D 11


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FEATURED ARTIST D 15


ENJOY.


FAS ION

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Y OU CAN L EAVE YOUR H AT ON

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PHOTOGRAPHY BY

DAVE CAMPBELL


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PREVIOUS AND THIS PAGE INNA WEARS BRA, FASHION PANTY AND DRESSING GOWN BY BONBON.

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PREVIOUS PAGE INNA WEARS ANIMAL PRINT BRA, HIGH WAIST PANTY BY BONBON AND CORSET BY MARTA KONOVALOV. THIS PAGE AND NEXT SHE WEARS BUSTIER, KNICKERS AND STOCKINGS BY BONBON.


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PREVIOUS AND THIS PAGE INNA WEARS BRA, KNICKERS AND DRESSING GOWN BY BONBON.


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PHOTOGRAPHY: DAVE CAMPBELL davecampbellphoto@yahoo.com MAKE-UP: MERIKE PETRI merikepetri@yahoo.com STYLING: MARTA KONOVALOV martakonovalov@hotmail.com MODEL: INNA www.livingmodels.com

LINGERIE: BONBON www.bonbonlingerie.com HATS: KÜBARAÄRI HAT BOUTIQUE www.pileum.com SHOT ON LOCATION AT CHICAGO 1933 RESTAURANT, TALLINN. www.chicago.ee

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ARC ITECTURE

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ARCHITECTURE

EXTERIOR VIEW, DAY-TIME

OFICINAS INDRA

DOUBLE SKIN THE INNOVATIVE FAÇADE OF THIS OFFICE BUILDING IN BARCELONA´S POBLENOU DISTRICT CHANGES ITS APPEARANCE WITH THE LIGHT AND THE HOUR OF THE DAY, LIKE A CHAMELEON FERMÍN VÁZQUEZ - b720 ARQUITECTOS


EXTERIOR VIEW, NIGHT-TIME

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INDRA.

CORPORATE BUILDING IN 22@. BARCELONA BY Fermín Vázquez b720 arquitectos A N OFFICE BUILDING ON A TRAPEZOIDAL SITE WHICH FORMS PART OF THE ACTIONS FOR SECTOR 22@ IN BARCELONA. THE 22@ PROJECT IS TRANSFORMING TWO HUNDRED HECTARES OF INDUSTRIAL LAND OF POBLENOU.THIS IS AN INITIATIVE OF URBAN RENEWAL AND TRANSFORMATION IN THE CITY OF BARCELONA, WHERE MANY IMPORTANT COMPANIES ARE FIXING THEIR HEADQUARTERS. INDRA THE SLENDER OFFICE TOWER FOR THE ENTERPRISE INFORMATION TECHNOLOGY INDRA IS LOCATED THERE, WITH A TOTAL HEIGHT OF FIFTY-TWO METERS AND A MINIMUM WIDTH OF ONLY FOURTEEN METERS.THE TOTAL BUILT SURFACE AREA IS 10,375 M2 AND IT CONSISTS OF A GROUND FLOOR PLUS 12 MORE FLOORS. THE HEADQUARTERS IS LOCATED IN A SOLAR TRAPEZOIDAL APPRECIABLY PLANE AND ITS FLOOR IS RECTANGULAR, EXCEPTIONALLY INTERRUPTED BY THE CORNER OF THE INTERSECTION OF STREETS. THE FLOORS LOCATED ABOVE GRADE ARE DEVOTED TO OFFICES, AND THOSE BELOW GRADE TO PARKING FOR 40 VEHICLES AND SERVICE ROOMS FOR PRIVATE USE. THE PROPOSAL IS FOR A TOWER RISING ABOVE A MORE SOLID AND COMPACT THREE-STOREY PLINTH, ALIGNED WITH CARRER TÀNGER. THE TOWER SECTION, WITH A RHOMBOID FLOOR PLAN, FOLLOWS THE LINE OF THE CHAMFERED CORNER, WITHOUT SLAVISHLY REPRODUCING IT, TO REINFORCE THE SLENDER COMPLEXITY OF THE RESULTING VOLUME. ITS TEN STOREYS ARE SEPARATED FROM THE PLINTH BY A SERVICE FLOOR, RECESSED WITH RESPECT TO THE PLANE OF THE FACADE, SO THAT IT SEEMS TO FLOAT ABOVE THE BASE, LENDING IT LIGHTNESS. ON THE GROUND FLOOR IS LOCATED THE MAIN ENTRANCE AND THE LOBBY OF THE BUILDING, WHICH IS ACCESSED FROM THE CORNER. THE VERTICAL STRUCTURE CONSISTS OF A CORE PILLARS SHIELDED AND WHICH LIES AT THE HEART OF THE PLANT, TRIMMING BACK THE FACADE OF THE BUILDING.THIS NUCLEUS WHICH HOUSES COMMUNICATIONS VERTICAL BUILDING STABILIZES HORIZONTAL FORCES OF WIND AND CONTROLS THE NATURAL EFFECT OF OVERTURNING THE SHEER VOLUME BUILT. THE FACADE IS MADE WITH A GLASS CURTAIN WALL OF PANELS 1.30 METERS THAT ALLOW THE VISION OR OPAQUE IT DEPENDING ON THE AREAS LOCATED IMMEDIATELY BEHIND. THE INSIDE GLASS SKIN IS HOUSED WITHIN THE CURTAIN WALL OF ANODIZED ALUMINUM PROFILES.THESE PROFILES ARE REDUCED AND THE PANELS ARE LIMITED TO A

SITE PLAN


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SINGLE SHEET METAL IN ITS WAKE IN FRONT OF THE SCREEN WALLS OF CONCRETE AND MAINTAIN, THUS,THE SAME DISTANCE TO THE EXTERNAL FRONT. TOWARDS THE OUTSIDE, THIS IS CLOSED WITH A SECOND SKIN OF GLASS GLUED ON THE ALUMINUM FRAME CONSTRUCTION ONLY IN AREAS OF VISION. MOREOVER, IN SOME AREAS, THE GLASS WAS REPLACED BY LAMELLAES, ALSO GLASS, ALLOWING VENTILATION OF THE PREMISES INTERIOR. IN RECEASE THAT LEADS TO THE MAIN ENTRANCE, FACADE PANELS HAVE A SPECIAL OUTER SURFACE OF STAINLESS STEEL. THE TECHNICAL PLANT, IN THE FOURTH LEVEL, PRESENTS AN OPEN ENCLOSURE OF METAL

NORTH ELEVATION

SLATS TO ALLOW VENTILATION COMBINED WITH INTERNAL OPAQUE PARTS. THE EXTERNAL SKIN OF THE FACADE IS MADE UP OF PANELS OF STAINLESS STEEL METAL FABRIC THAT ACT AS PERIMETRAL SOLAR PROTECTION (WITH A SHADE COEFFICIENT OF 50%) FOR THE INTERIOR OF THE BUILDING AS WELL AS CONTRIBUTING TO THE OVERALL LIGHTNESS OF APPEARANCE.A QUARTER OF THESE PANELS HAVE A 90 CM DIAMETER SPHERICAL IMPRESSION CREATED BY DRAWING. THESE ARE LOCATED IN TWO POSITIONS ON THE HEIGHT OF THE PANEL, AND ALTERNATELY FACE INWARDS AND OUTWARDS .IT IS AN ECONOMICAL BUT EFFECTIVE

WAY OF REDUCING THE AMOUNT OF RADIATION INCIDENT ON THE FACADE WITHOUT SACRIFICING LARGE TRANSPARENT GLASS FACADES. IT IS THE RESULT OF RESEARCH INTO WAYS OF CONTEMPORARY ARCHITECTURAL DECORATION THAT SERVES TO REINFORCE THE CORPORATE IDENTITY OF THE COMPANY (INDRA’S LOGO CONSISTS OF LOTS OF CIRCUMFERENCES). THIS BEING A CORPORATE BUILDING, DIAPHANOUS FLOORS ARE PROPOSED, ALTHOUGH THE POSSIBILITY HAS BEEN CONSIDERED THAT IN THE FUTURE THEY COULD BE DIVIDED UP INTO SEVERAL UNITS.


EXTERIOR VIEW, NIGHT-TIME

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TYPICAL FLOOR PLAN


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INTERIOR VIEW

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ARCHITECTURE

DETAIL OF THE FAÇADE SYSTEM


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FAÇADE DETAIL


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LONGITUDINAL SECTION - SCALE 1:300

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ARCHITECTURE

EXTERIOR VIEWS


ARCHITECTURE

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ALL THE PHOTOGRAPHS OF THE OFICINAS INDRA IN THIS ARTICLE HAVE BEEN REALIZED BY (AND THE INTELLECTUAL PROPERTY BELONGS TO): RAFAEL VARGAS comunicacion@rafaelvargas.com contact: Mª José Luna tel. 932 46 36 02 fx. 932 32 41 51 Passatge Vintró, 3 D Barcelona 08026 España

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ARCHITECTURE

INDRA’S. CORPORORATE BUILDING IN 22@. BARCELONA. SPAIN LOCATION: C/TÁNGER 110-120 – SECTOR 22@ PROGRAM: CORPORATE BUILDING (GF+12) FOR OFFICE USE AND PARKING IN THE SECTOR 22@ GROSS FLOOR AREA: 10.375m2 (8.533m2 ABOVE GROUND AND 1.842m2 UNDER GROUND) PROJECT PHASES PROJECT: 2004 REALIZATION: 2004-2006 ARCHITECTS: FERMÍN VÁZQUEZ (B720 ARQUITECTOS) CARLOS RUBIO Y ENRIQUE ALVAREZ-SALA (R&AS ARQUITECTOS) b720 TEAM: CRISTINA ALGÁS ANA CAFFARO, LAIA ISERN, PIETRO PEYRON, PECO MULET, ALEXA PLASENCIA, ANDREA RODRÍGUEZ, MIQUEL SANTOS

PLINTH - FLOOR PLAN


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INTERIORISM: MERCEDES ISASA QUANTITY SURVEYOR:Tècnics G-3 (Josep Maria Forteza y Victor Forteza) STRUCTURAL ENGINEERING: BOMA SERVICES ENGINEERING: PGI GRUP CLIENT: INDRA DEVELOPER COMPANY: GRUPO CASTELLVÍ GENERAL CONTRACTOR: G&O - Guinovart&Oshsa RENDERINGS: b720 ARQUITECTOS PHOTOGRAPHER: RAFAEL VARGAS

www.b720.com

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ARCHITECTURE

UTS TOWER IN SYDNEY, SNW, AUSTRALIA

NEW (TOWER) SKIN A FACELIFT FOR ONE OF THE MOST CRITICIZED BUILDING IN SYDNEY SHOWS A POSSIBILITY OF RE-GENERATING THE INEHERITANCE FROM THE PAST IN A SUSTAINABLE WAY LAVA ARCHITECTS


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TOWER VIEW, DAY-TIME

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RE-SKIN / MORE WITH LESS BY LAVA - Laboratory for Visionary Architecture WHAT INITIALLY BEGAN AS A SPECULATIVE PROPOSAL TO RESHAPE THE UTS TOWER ON BROADWAY HAS EVOLVED INTO A BROADER ARCHITECTURAL IDEA FOR RE-PURPOSING INEFFICIENT OR OUTDATED BUILDINGS AS AN ALTERNATIVE TO DEMOLISHING AND REBUILDING ( WHICH COMES WITH A HUGE FINANCIAL AND ENVIRONMENTAL EXPENSE) LAVA HAS DEVELOPED A SIMPLE, COST EFFECTIVE AND EASILY CONSTRUCTED BUILDING SKIN THAT CAN POTENTIALLY TRANSFORM THE IDENTITY, SUSTAINABILITY AND INTERIOR COMFORT OF AN EXISTING STRUCTURE SUCH AS THE UTS TOWER. THE ‘SKIN’ IS A TRANSLUCENT COCOON THAT CAN CREATE ITS OWN ‘MICRO CLIMATE’. IT CAN GENERATE ITS OWN ENERGY WITH PHOTO-VOLTAIC CELLS, COULD COLLECT RAIN WATER, IMPROVE THE DISTRIBUTION OF NATURAL DAYLIGHT AND IT CAN USE AVAILABLE CONVECTIVE ENERGY TO POWER THE BUILDING’S VENTILATION REQUIREMENTS.  A PRE-EXISTING BUILDING IS WRAPPED WITH THREEDIMENSIONAL LIGHTWEIGHT, HIGH PERFORMANCE COMPOSITE MESH TEXTILE. SURFACE TENSION ALLOWS THE MEMBRANE TO FREELY STRETCH OVER A LIGHT STEEL FRAME AROUND WALLS AND ROOF ELEMENTS ACHIEVING MAXIMUM VISUAL IMPACT WITH MINIMAL MATERIAL EFFORT.  THE SKIN WITH EMBEDDED LED STRIPS COULD ACT AS AN INTELLIGENT MEDIA SURFACE AND BE USED FOR DYNAMIC ANIMATION AND  TO COMMUNICATE INFORMATION INTO THE PUBLIC REALM – EFFECTIVELY INTEGRATING PRINCIPLES OF ARCHITECTURE, FASHION, MEDIA AND COMMUNICATION DESIGN INTO A NEW HYBRID TYPOLOGY.  “A RE-SKINNED UTS TOWER COULD BE AN EXAMPLE OF SUSTAINABILITY, INNOVATION, CUTTING EDGE DE-

TOWER VIEW, NIGHT-TIME


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SIGN AND CREATIVE EDUCATION, WITHOUT DEMOLISHING AND REBUILDING THE 1960S ICON,” SAYS CHRIS BOSSE, DIRECTOR OF LAVA. ”WHEN IT WAS BUILT THE BROADWAY TOWER WAS CUTTING EDGE, WITH LATEST BUILDING TECHNOLOGIES AND PRINCIPLES THAT HAVE PARTIALLY BECOME OBSOLETE.” THE RESKINNING TECHNOLOGY COULD BE EASILY APPLIED TO OTHER BUILDINGS IN NEED OF A FACELIFT SUCH AS THE GOULBURN STREET CARPARK, SYDNEY. ONE QUICKLY AND COST-EFFICIENTLY ENHANCE THEIR PERFORMANCE AND AESTHETICS THROUGH THIS MINIMAL INTERVENTION. THE RE-SKIN CONCEPT CONTINUES LAVA’S RESEARCH INTO SUSTAINABLE PUBLIC ARCHITECTURE BY COMBINING LIGHTWEIGHT CONTEMPORARY MATERIALS WITH THE LATEST DIGITAL FABRICATION TECHNOLOGIES WITH THE AIM OF ACHIEVING MORE (ARCHITECTURE) WITH LESS (MATERIAL/ENERGY/TIME). 

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SITE PLAN


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AERIAL VIEW


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DIAGRAMS

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SECTION EAST-WEST

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LAVA-UTS TOWER BEFORE


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LAVA-UTS TOWER AFTER

BROADWAY ELEVATION CONTINUED

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ARCHITECTURE

UTS TOWER, SYDNEY, SOUTH NEW WALES, AUSTRALIA ALL IMAGES AND PHOTOGRAPHS BY LAVA LABORATORY FOR VISIONARY ARCHITECTURE ASIA PACIFIC CHRIS BOSSE,TOBIAS WALLISSER, ALEXANDER RIECK JARROD LAMSHED, ERIK ESCALANTE, ESAN RAHMANI, NIKLAS MUEHLICH, KIM NGYUEN NGOC, ANH-DAO TRINH, JONAS EPPER  STEFAN BASSING, SIMONE MARTIN,   MODEL WITH THE GREAT SUPPORT OF: ANDREW SOUTHWOOD-JONES, CATHERINE ZHUANG, CHRISTEN MELI, ALEXANDER KASHIN  

DIAGRAMS THERMAL CONCEPT


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ANIMATION BY LAVA FEAT.TIME-LAPSE BY PETER MURPHY SUSTAINABILITY CONCEPT: ROSS HARDING FROM ADVANCED ENVIRONMENTAL. STRUCTURAL ADVICE: PROF MAX IRVINE MEMBRANE ADVICE: DANIEL COOK, MAK MAX

www.l-a-v-a.net

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NEW BLOOD


TIDY INK DESIGN


TIDY INK DESIGN IS A GRAPHIC DESIGN AND ILLUSTRATION COMPANY, BASED IN GREATER LONDON, UK, CREATING TSHIRT, CD & LOGO DESIGNS FOR BANDS AND CLOTHING COMPANIES WORLDWIDE. OFFERING A PROFESSIONAL, FRIENDLY AND CREATIVE SERVICE, FROM 8 YEARS OF INDUSTRY EXPERIENCE, FOR READY TO PRINT ARTWORK. SEAN TIDY OF TIDYINK.COM IS A SELF CONFESSED DESIGNER AND MAC MONKEY WITH A PASSION FOR THE WORLD OF HARD ROCK MUSIC. WHAT BETTER WAY TO EXPRESS THAT PASSION THEN BY PRODUCING DESIGN IN THAT MOST EXPRESSIVE DESIGN MEDIUM - THE T-SHIRT. HAVING PRODUCED T-SHIRT DESIGNS FOR MANY UPCOMING AND ESTABLISHED BANDS, TIDY INK HAVE EXPERT KNOWLEDGE OF HOW CREATIVE DESIGN TRANSFERS TO THE RELEVANT DESIGN MEDIUM. ON THE FOLLOWING PAGES YOU WILL FIND EXAMPLES SUCH SUCCESSFUL DESIGN BUT DON’T THINK TIDY INK IS A ONE TRICK PONY. SEAN HAS ALSO SUCCESSFULLY BUILT UP AN IMPRESSIVE CORPORATE CLIENT BASE BY OFFERING A FULL RANGE OF GRAPHIC DESIGN SERVICES INCLUDING, BROCHURES, FLYERS, BUSINESS STATIONERY AND EXHIBITION MATERIALS. TIDY PROUD THEMSELVES ON BEING ABLE TO OFFER A FRIENDLY, PROFESSIONAL SERVICE THAT IS COST EFFECTIVE AND TAILORED TO THE INDIVIDUAL REQUIREMENTS, ENABLING TIDY INK TO GET THE JOB DONE, ON TIME AND WITHIN BUDGET. FOR MORE EXAMPLES OF WHAT TIDY INK CAN OFFER IN THE WORLDS OF THE CORPORATE MARKET OR THE BASEMENT MUSIC VENUE, GO TO:

www.tidyink.com


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ON the PULSE


ARTS ELITE FASHION ACADEMY OPENS IN LOS ANGELES! ELITE FASHION ACADEMY RECENTLY OPENED ITS DOORS IN LOS ANGELES, CALIFORNIA! ITS DISTINCTIVE VIRTUE IS A CLOSE COOPERATION WITH PROFESSIONALS FROM DIFFERENT FIELDS OF FASHION WHICH GIVES STUDENTS THE OPPORTUNITY TO ESTABLISH CONTACTS, AND THUS WORK TOWARDS DEVELOPING THEIR CAREER IN FASHION AND BEAUTY. “ELITE FASHION ACADEMY HAS BEEN DEVELOPED SPECIFICALLY AS A LAUNCH PAD FOR MODELING, FASHION, PHOTOGRAPHY, AND BEAUTY FOR AN INDUSTRY WHICH IS OFTEN PERCEIVED AS GLAMOROUS, BUT HIGHLY INACCESSIBLE,” AS STANDS ON THE ACADEMY’S WEBSITE WWW.ELITEFASHIONACADEMYLA.COM. “WE HAVE THE RIGHT CLASSES FOR EVERYBODY, FOR THOSE WHO WANT TO LEARN ABOUT THE FASHION INDUSTRY, BE A MODEL, FASHION PHOTOGRAPHER, MAKE-UP ARTIST, HAIR STYLIST, OR SIMPLY WANT TO IMPROVE THEIR AESTHETIC SENSE AND THEIR KNOWLEDGE OF THE FASHION BUSINESS.” “THE CULTIVATION AND NURTURING OF EACH STUDENT’S INDIVIDUAL CRAFT IS OUR MAIN FOCUS AT ELITE FASHION ACADEMY LOS ANGELES. WE WILL GUIDE THEM IN ACHIEVING SUCCESS BY OFFERING REAL INDUSTRY EXPERIENCE AND THE KNOW-HOW WITHIN OUR COM1 MUNITY,” COMMENTS RENEE ESEBAG, CEO OF ELITE FASHION ACADEMY LA

WEBSITE: www.elitefashionacademyla.com

1. LAURA WRIGHT’S PUBLICITY ABOUT THE GRAND OPENING OF EFALA


LOS ANGELES BEA INFO BROUGHT TO YOU BY MARIA VIDALEPP @LA.CA


ON THE PULSE

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ARTS IRVING PENN: PORTRAITS

IRVING PENN (1917-2009) WAS ONE OF THE GREAT PHOTOGRAPHERS OF OUR TIME. FOCUSING SPECIFICALLY ON HIS PORTRAITS OF MAJOR CULTURAL FIGURES OF THE LAST SEVEN DECADES, IRVING PENN PORTRAITS IS A GLORIOUS CELEBRATION OF HIS WORK IN THIS GENRE. THE EXHIBITION IS BROUGHT TOGETHER FROM MAJOR INTERNATIONAL COLLECTIONS AND INCLUDES OVER 120 SILVER AND PLATINUM PRINTS, MANY VINTAGE, RANGING FROM HIS PORTRAITS FOR VOGUE MAGAZINE IN THE 1940S TO SOME OF HIS LAST WORK. DATE: UNTIL 06 JUNE 2010 PLACE: THE NATIONAL PORTRAIT GALLERY, ST. MARTIN’S PLACE, WC2H 0HE PRICES: ADULT £10.00

WEBSITE: www. npg.co.uk THE REAL VAN GOGH: THE ARTIST AND HIS LETTERS

WAS HE BONKERS? EMPHATICALLY NO, SAYS THIS RECUPERATIVE EXHIBITION OF THE REAL VAN GOGH: HE WAS ERUDITE, SERIOUS, LEARNED AND STUDIOUS. NO COUNTRY BUMPKIN OR DERANGED SIMPLETON WOULD WRITE AS PASSIONATELY AND ENGAGINGLY ABOUT LITERATURE, ART AND THE PURSUIT OF TRUTH AS THE DUTCHMAN DID IN HIS CACHE OF ALMOST A THOUSAND LETTERS TO FRIENDS, COLLEAGUES AND HIS BELOVED BROTHER AND PATRON, THEO. DATE: UNTIL 18 APRIL 2010 PLACE: THE ROYAL ACADEMY OF ARTS, PICCADILLY, W1J 0BD PRICE: ADULT £12.00

WEBSITE: www.royalacademy.org.uk DEUTSCHE BÖRSE PHOTOGRAPHY PRIZE 2010

THE DEUTSCHE BÖRSE PHOTOGRAPHY PRIZE REWARDS A LIVING PHOTOGRAPHER, OF ANY NATIONALITY, WHO HAS MADE THE MOST SIGNIFICANT CONTRIBUTION, IN EXHIBITION OR PUBLICATION FORMAT, TO THE MEDIUM OF PHOTOGRAPHY OVER THE PREVIOUS YEAR. THIS YEARS FINALISTS INCLUDE ANNA FOX, ZOE LEONARD, SOPJIE RISTELHUEBER AND DONOVAN WYLIE. DATE: UNTIL 17 APRIL 2010 PLACE: PHOTOGRAPHER’S GALLERY, W1F 7LW PRICE: FREE

WEBSITE: www.photonet.org.uk

THEATRE A MIDSUMMER NIGHT’S DREAM

THIS PRODUCTION IS A DIFFERENT TAKE ON THE CLASSIC STORY IN THAT TITANIA IS PLAYED AS QUEEN ELIZABETH I STARING THE FABULOUS DAME JUDY DENCH. DATE: UNTIL 20 MARCH 2010 PLACE: ROSE THEATERE KINGSTON, KINGSTON, KT1 1HL PRICE: £9 - £37.50

WEBSITE: www.rosetheatrekingston.org PRIVATE LIVES

RICHARD EYRE DIRECTS A REVIVAL OF NOËL COWARD’S DELECTABLE COMEDY OF LOVE, LUST AND MARRIAGE. WITH MATTHEW ‘MR DARCY’ MACFAYDEN AND ‘SEX IN THE CITY’ STAR KIM CATTRALL HEADING THE CAST AS ELYOT AND AMANDA, THIS SHOULD BE A PRETTY STEAMY PROPOSITION. DATE: UNTIL 1 MAY 2010 PLACE: VAUDEVILLE THEATRE, THE STRAND, WC2R 0NH PRICE: £25 - £49.60

WEBSITE: www.vaudeville-theatre.co.uk


VENUE: ROYAL ALBERT HALL, KENSINGTON GORE, SW7 2AP BOX OFFICE TELEPHONE NUMBER: +44 (0)845 401 5045 WEBSITE: www. royalalberthall.com SUEDE

BRIT-POP LEGENDS SUEDE WILL REFORM FOR ONE NIGHT ONLY FOR TEENAGE CANCER TRUST’S 10TH SERIES OF CONCERTS AT THE ROYAL ALBERT HALL. DATE: 24 MARCH 2010 PRICE: £175

NOEL GALLAGHER

NOEL IS A LONG-TIME SUPPORTER OF TEENAGE CANCER TRUST, PLAYING AT THE VERY FIRST ROYAL ALBERT HALL SHOW IN 2000 ALONGSIDE ROGER DALTREY AND APPEARING AGAIN IN 2002, 2003 AND 2007. DATE: 25 &26 MARCH 2010 PRICE: £190

ARCTIC MONKEYS

ARCTIC MONKEYS ACHIEVED CHART SUCCESS WITH THEIR SECOND SINGLE, I BET YOU LOOK GOOD ON THE DANCEFLOOR, WHICH REACHED NUMBER ONE IN THE UK SINGLES CHART. THEIR DEBUT ALBUM WHATEVER PEOPLE SAY I AM, THAT’S WHAT I’M NOT, RELEASED IN JANUARY 2006, BECAME THE FASTEST-SELLING DEBUT ALBUM IN BRITISH MUSIC HISTORY, SURPASSING OASIS’S DEFINITELY MAYBE, AND REMAINS THE FASTESTSELLING DEBUT ALBUM FOR A BAND IN THE UK. IT RECEIVED CRITICAL ACCLAIM, WINNING BOTH THE 2006 MERCURY PRIZE AND THE 2007 BRIT AWARD FOR BEST BRITISH ALBUM. DATE: 27 MARCH 2010 PRICE: £175

THE CRANBERRIES

IRISH ROCK THE CRANBERRIES ROSE TO INTERNATIONAL FAME IN THE 1990S WITH THEIR DEBUT ALBUM, EVERYBODY ELSE IS DOING IT, SO WHY CAN’T WE?, WHICH BECAME A HIGH COMMERCIAL SUCCESS AND SOLD OVER FIVE MILLION COPIES IN THE UNITED STATES. THE GROUP WAS ONE OF THE MOST SUCCESSFUL ROCK ACTS OF THE ‘90S AND SOLD OVER 14.5 MILLION ALBUMS IN THE UNITED STATES ALONE. DATE: 31 MARCH 2010 PRICE: £140

PAOLO NUTINE

PAOLO NUTINI WAS THE BIGGEST SELLING MALE ARTIST OF 2009, SELLING OVER 500,000 COPIES OF HIS ACCLAIMED NO.1 ALBUM SUNNY SIDE UP. 2009 ALSO SAW HIM TOUR THE UK, US, EUROPE AND AUSTRALIA AND PERFORM EMPHATICALLY ACROSS THE FESTIVAL CIRCUIT, AND 2010 IS SET TO BE ANOTHER HUGE YEAR FOR HIM. DATE: 08 APRIL 2010 PRICE: £170

INFO BROUGHT TO YOU BY DAVE CAMPBELL @LONDON.UK

LONDON BEA

MUSIC


H

ARTS ROPPONGI ART NIGHT 2010 “A NIGHT OF DREAMS IN THE TOWN THE DOESN’T SLEEP” IN ROPPONGI AREA, THERE ARE SEVERAL GREAT BASES OF JAPANESE ART SCENE. FOR ONE NIGHT ONLY ROPPONGI COMES ALIVE WITH ART AND CREATIVITY THE HUGELY SUCCESSFUL “ROPPONGI ART NIGHT” IS BACK AGAIN THIS YEAR. ARTWORKS WILL BE CROPPING UP THROUGHOUT THE TOWN, TRANSFORMING IT INTO A LIVING, OPEN-AIR MUSEUM. IN PARTICULAR, DURING THE “CORE TIME” FROM SUNSET (5:58 PM) ON SATURDAY, MARCH 27, 2010, TILL SUNRISE (5:34AM) ON SUNDAY, THERE WILL BE A WIDE RANGE OF SPECIAL EVENTS TAKING PLACE. CHECK ALL WONDERFUL SITES AND THE PROGRAMME BELOW (IN ENGLISH): HTTP://WWW.ROPPONGIARTNIGHT.COM/EN/FACILITIES/INDEX.HTML HTTP://WWW.ROPPONGIARTNIGHT.COM/EN/PROGRAM/INDEX.HTML DATE: 2010-03-27 TO 2010-03-28 PLACE: ROPPONGI HILLS, MORI ART MUSEUM, TOKYO MIDTOWN, SUNTORY MUSEUM OF ART, 21_21 DESIGN SIGHT, THE NATIONAL ART CENTER,TOKYO, ROPPONGI SHOPPING STREET, PUBLIC SPACES, PARTICIPATING SHOPS AND RESTAURANTS IN THE ROPPONGI AREA, TOKYO OPENING HOURS: FROM 17:58 TO 05:34 (FROM SUNSET, 3/27, UNTIL SUNRISE THE FOLLOWING DAY) ADMISSION: FREE (SOME EXHIBITIONS AND PROGRAMS ARE SUBJECT TO FEES)

WEBSITE: www.roppongiartnight.com RENOIR “TRADITION & INNOVATION” MORE THAN 80 WORKS, COLLECTED FROM MAJOR MUSEUMS AROUND THE WORLD, BY THE IMPRESSIONIST MASTER WHO SOUGHT TO EXPLORE DIVERSE PICTORIAL POSSIBILITIES, DESPITE THE FAME HE HAD GAINED AS A PORTRAIT ARTIST. WITH THIS OCCASION, THEY STARTED ASCERTAINING RENOIR’S TECHNIQUE BY OPTICALLY-BASED RESEARCH. DATE: 2010.01.20 TO 2010.04.05 PLACE: THE NATIONAL ART CENTER, ROPPONGI, TOKYO OPENING HOURS: FROM 10:00 TO 18:00 - FRIDAYS CLOSING AT 20:00 ADMISSION: ADULTS ¥1500, UNIVERSITY STUDENTS ¥1200, HIGH SCHOOL STUDENTS ¥800

CHRISTO AND JEANNE-CLAUDE LIFE=WORKS=PROJECTS THEIR PROJECTS ARE OFTEN BASED ON UNYIELDING CONCEPTS, REQUIRING LONG PERIODS OF TIME TO CONVINCE PEOPLE BEFORE ADVANCING TO COMPLETION.WHILE JEANNE-CLAUDE SADLY PASSED AWAY ON NOVEMBER 18, 2009, CHRISTO CONTINUES TO THIS DAY TO PROCEED WITH THE REALIZATION OF VARIOUS PROJECTS THAT THEY ENVISIONED TOGETHER. IN THIS EXHIBITION, THEY PRESENT DRAWINGS THAT SHOW THE TRAJECTORY OF THEIR ACTIVITIES, AS WELL AS PHOTOGRAPHS AND DOCUMENTARY VIDEOS OF THEIR PROJECTS, IN ORDER TO OBSERVE THE PROCESS OF BRINGING COLOSSAL PROJECTS TO REALITY, AND THE PASSION AND HOPE THAT LIES AT THEIR FOUNDATIONS. THE EXHIBITION WILL ALSO INTRODUCE SOME ONGOING PROJECTS SUCH AS OVER THE RIVER, PROJECT FOR THE STATE OF COLORADO, AND THE MASTABA, PROJECT FOR THE UNITED ARAB EMIRATES. DATE: FROM 2010.02.13 TO 2010.04.06 PLACE: 21_21 DESIGN SIGHT, AKASAKA, TOKYO OPENING HOURS: 11:00-20:00 CLOSED ON TUESDAYS (EXCEPT APR. 6TH) ADMISSION: ADULTS ¥1000, UNIVERSITY STUDENT ¥800, HIGH AND JUNIOR HIGH SCHOOL STUDENT ¥500

WEBSITE: www.2121designsight.jp/program/christo_about.html


TOKIO BEA

TOKYO INTERNATIONAL ANIME FAIR 2010

IN TAF2010, “TRADE FAIR” HAS BOOTH EXHIBITS BY 231 ANIME-RELATED COMPANIES / 618 BOOTHS INCLUDING 59 FOREIGN COMPANIES / 60 BOOTHS.ON THE BUSINESS DAY, EXHIBITORS CAN PROMOTE OWN WORKS TO BUSINESS VISITORS. ON THE PUBLIC DAY, LIVE AND TALK SHOW PROGRAMS OF VOICE ACTORS AND ARTISTS WILL BE HELD ON THE STAGE. THESE PROGRAMS ARE INTENDED FOR ANIME FANS. THEY HAVE “OVERSEAS ROOM” AS THE SERVICE ROOM FOR FOREIGN BUYERS. IN THIS ROOM, BUYERS CAN COLLECT ENGLISH INFORMATION AND DOCUMENTS. ALSO, BUYERS CAN UTILIZE SCREENING ROOMS FOR WATCHING EXHIBITOR’S ANIMATION FILMS AND MEETING SPACES FOR BUSINESS MEETINGS. DATE: FROM 2010.03.25 TO 2010.03.28 PLACE: TOKYO BIG SIGHT, ARIAKE, TOKYO OPENING HOURS: BUSINESS DAY: 3.25-26 (VISITORS WITH BUSINESS PURPOSE ONLY) 10:00-17:00 PUBLIC DAY: 3.27-28 (OPEN TO THE GENERAL PUBLIC) 10:00-18:00 ADMISSION: ADULTS ¥1000, HIGH SCHOOL AND JUNIOR HIGH SCHOOL STUDENTS ¥500

WEBSITE: www.tokyoanime.jp

INFO BROUGHT TO YOU BY AYANA KOBAYASHI @TOKIO.JP


EDITORS IN CHIEF:

DAVIDE DE VISDOMINI

- FASHION EDITOR: KAI EICHEN; PHOTOGRAPHY EDITOR: DAVE CAMPBELL; AR - FASHION EDITOR: KAI EICHEN; PHOTOGRAPHY EDITOR: DAVE CAMPBELL; AR REPORTER FROM LOS ANGELES: VIIDALEPP; REPORTER NEW YOR -REPORTER FASHION EDITOR: KAI EICHEN;MARIA PHOTOGRAPHY EDITOR: DAVEFROM CAMPBELL; AR FROM LOS ANGELES: MARIA VIIDALEPP; REPORTER FROM NEW YOR -CAMPBELL; FASHION EDITOR: KAI EICHEN; PHOTOGRAPHY EDITOR: DAVE CAMPBELL; AR REPORTER FROM BARCELONA: DAVIDE DE VISDOMINI; BRAND MA REPORTER FROM LOS ANGELES: MARIA VIIDALEPP; REPORTER FROM NEW YOR -CAMPBELL; FASHION EDITOR: KAI EICHEN; PHOTOGRAPHY EDITOR: DAVE CAMPBELL; AR REPORTER FROM BARCELONA: DAVIDE DE VISDOMINI; BRAND MA REPORTER FROM LOS ANGELES: MARIA VIIDALEPP; REPORTER FROM NEW -YOR TALLINN: MARIT MIHKLEPP; REPORTER FROM TOKIO: AYANA KOBAYASHI CAMPBELL; REPORTER FROM BARCELONA: DAVIDE DE VISDOMINI; BRAND MA REPORTER FROM LOS ANGELES: MARIA VIIDALEPP; REPORTER FROM NEW -YOR TALLINN: MARIT MIHKLEPP; FROM TOKIO: AYANA KOBAYASHI CAMPBELL; REPORTER FROM REPORTER BARCELONA: DAVIDE DE VISDOMINI; BRAND TALLINN: MARIT MIHKLEPP; REPORTER FROM TOKIO: AYANA KOBAYASHI -MA CAMPBELL; REPORTER FROM BARCELONA: DAVIDE DE VISDOMINI; BRAND TALLINN: MARIT MIHKLEPP; REPORTER FROM TOKIO: AYANA KOBAYASHI -MA TALLINN: MARIT MIHKLEPP; REPORTER FROM TOKIO: AYANA KOBAYASHI -


KAI EICHEN

DAVE C AM

PBELL

RCHITECTURE EDITORS: DAVIDE DE VISDOMINI - PHILIP TIDWELL; RCHITECTURE EDITORS: DAVIDE DE VISDOMINI - PHILIP TIDWELL; RK AND BERLIN: VERONIKA BJARSCH; REPORTER FROM LONDON: RCHITECTURE EDITORS: DAVIDE DE VISDOMINI - PHILIP TIDWELL;DAVE RK AND BERLIN: VERONIKA BJARSCH; REPORTER FROM LONDON: DAVE RCHITECTURE EDITORS: DAVIDE DE VISDOMINI PHILIP TIDWELL; ANAGER AND REPORTER FROM BOLOGNA: MARCO SILVERII; REPORTER RK AND BERLIN: VERONIKA BJARSCH; REPORTER FROM LONDON: DAVEFROM RCHITECTURE EDITORS: DAVIDE DE VISDOMINI PHILIP TIDWELL; ANAGER AND REPORTER FROM BOLOGNA: MARCO FROM SILVERII; REPORTER RK AND BERLIN: VERONIKA BJARSCH; REPORTER LONDON: DAVEFROM ANAGER AND REPORTER FROM BOLOGNA: MARCO FROM SILVERII; REPORTER RK AND BERLIN: VERONIKA BJARSCH; REPORTER LONDON: DAVEFROM ANAGER AND REPORTER FROM BOLOGNA: MARCO SILVERII; REPORTER FROM ANAGER AND REPORTER FROM BOLOGNA: MARCO SILVERII; REPORTER FROM


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HEART

HEART - SKIN issue  

ISSUE NO.6

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