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Proudly Introduce

‫ﺧﻂ‬

‫ﻋﻨﻮان‬ The All-New Redesigned

ONWAN Font Family


About

Onwan Arabic typeface has evolved from the ambition to produce text-fonts with unique semantics that are not identified with the Arabic traditional ’Naskhy’ styles. When compared to the markets mainstream headlines fonts, Onwan stands-out with its peculiar shapes and neat-casted letterforms. Onwan exhibits high flexibility through a combination of long texts by thinner weights, and solidity of "Display type” by havier weights.

Font family Onwan Display name: AVT-ar-Onwan Weights/Styles 250/400/ 500/700 Available Formats: TrueType (TTF) OpenType (OTF) WebFonts (WOFF, EOT, SVG) Language Support: Arabic Persian Urdo Designer: Habib Khoury © All rights reserved

A long process of meticulous design with high end refinements, were invested in each glyph of Onwan; The result provides high legibility through all weights and almost in any typesetting layout.

Playfair Latin typeface used in this Pdf was designed by: Claus Eggers Sørensen https://github.com/clauseggers/Playfair-Display


‫‪Specimens‬‬

‫ﺗﺒﻠﻮرت ﻣﻌـــَـــــﺎﻟﻢ ﻓﻮﻧﺖ ”ﻋﻨﻮان“ﻣﻦ‬ ‫اﻟﻄﻤﻮح ﻹﻧﺘـــﺎج ﻋﺎﺋﻠﺔ ذات ﺳـــﻴﻤﺎت‬ ‫ﺗﺨﺘﻠـــﻒ ﻋـــﻦ }اﻟﺨﻄـــﻮط اﻟﻨﺴـــﺨﻴﺔ‬ ‫اﻟﺘﻘﻠﻴﺪﻳـــﺔ اﻟﻄﺒﺎﻋﻴـــﺔ{ ﰲ اﻟﻨﺼﻮص‬ ‫ّ‬ ‫ﻟﻜﻨﻬﺎ ﺗﻨﺘﻤﻲ ﺑﺄوزاﻧﻬـــــﺎ اﻟﺜﻘﻴﻠﺔ ﻟﻔﺌﺔ‬

‫ﺧﻄﻮط اﻟﻌﻨﺎوﻳﻦ‬

‫اﻻﺳﺘﻌﺮاﺿﻴﺔ!‬ ‫اﻟﻨﺘﻴﺠــــﺔ ﳏﺎرف ﺗﺠﻤــــﻊ ﺑﲔ اﻟﻠﻴﻮﻧﺔ اﳋﻄﻴــــﺔ‬ ‫ٍ‬ ‫وﺗﺜﻘﻴﻒ ﻟﻠﻜﺜﺎﻓﺔ اﳌﻄﻠﻮﺑﺔ ﰲ ﺣﺮوف اﻟﻌﻨـﻮﻧﺔ‪.‬‬


‫ﻣﻘﺮوﺋﻴﺔ‬ ‫﴿ﻳﺆدي ﻓﻮﻧﺖ ﻋﻨﻮان﴾‬

‫ﻣﺘﻨﺎﻫﻴـــﺔ ﰲ ﻛﻞ اﳌﻘﺎﺳـــﺎت‬ ‫وﺗﻤـﲒا ﻻ ﺗﻨـــﺎ ُزل ﺑﻪ ﻋﻦ رزاﻧــﺔ‬ ‫ّ‬

‫اﻟﻌﺮﰊ‬ ‫اﳊﺮف‬


‫اﻟﺘﻨﻀـــﻳﺪ‬ ‫اﻟﻄﺒـﺎﻋﻲ‬

‫ﺗﺼﻤﻴﻢ‬ ‫ﺗﺼﻤﻴﻢ‬ ‫داﺧﻞ‬

‫ِ‬ ‫ﻟﺴـــﻴﻤﺎت ذات اﻟﻨﺺ‬ ‫ﻐﲑ‬ ‫ﺘ‬ ‫ﻣ‬ ‫ﻛﻴﺎن‬ ‫إﻧـــﻪ‬ ‫َ‬ ‫ٌ ُ ٌّ‬ ‫ﻌﺮف ﻫﻮﻳﺔ‬ ‫)ﻳ‬ ‫ﻪ‬ ‫وﺟ‬ ‫ﻟﻪ‬ ‫وﻛﻠﻤﺎت‪،‬‬ ‫ﺎ‬ ‫ﺣﺮوﻓ‬ ‫ً‬ ‫ٌ‬ ‫ُ ِّ‬ ‫)ﻳ َﻌ َّﺮ ُف ﺑﻤﻘﺎﺳـــﺎت‬ ‫ﺣﺠـــﻢ‬ ‫ﻟـــﻪ‬ ‫اﻟﺨـــﻂ(‪،‬‬ ‫ٌ ُ‬ ‫وزن )ﻳﺤـــﺪِّد ﺳـــﻤﺎﻛﺔ‬ ‫ﻟـــﻪ‬ ‫ﻣﺘﻐﻴـــﺮة(‬ ‫ٌ‬ ‫وﻟﻪ ﻧﻮع )ﻳﻤﻴﺰ‬ ‫ﺎ(‬ ‫ﺑﺼﺮﻳ‬ ‫وﺛﻘﻠﻬـــﺎ‬ ‫اﻟﻜﺘﻠﺔ‬ ‫ًّ‬ ‫ُ‬ ‫أﻓـــﺮاد اﻟﻌﺎﺋﻠـــﺔ اﻟﻮاﺣﺪة ﻋﻦ ﺑﻌﻀــــﻬﺎ(‪.‬‬ ‫ُﻳﻀــﺎف إﱃ ذﻟﻚ اﻟﻔﻀﺎءات اﳌُﻜﺘَﻨَﻔﺔ داﺧﻞ اﳊﺮوف اﻟﱵ ﻟﻬﺎ‬ ‫أﺛﺮ ﻋﲆ اﻟﻬﻴﺌﺔ‬ ‫اﻟﺴﻄﻮر‬ ‫ﺑﲔ‬ ‫وﻟﻠﻤﺴﺎﻓﺎت‬ ‫ﺗﺼﻤﻴﻤﻬﺎ‪،‬‬ ‫ﰲ‬ ‫دور‬ ‫ٌ‬ ‫ٌ‬ ‫ﺗﺒﺎﻋــﺎ ﻟﻠﻔﻮﻧﺘﺎت اﳌﺴــﺘﺨﺪﻣﺔ وﻃﺮازﻫﺎ‪.‬‬ ‫ﻮص‬ ‫ﻟﻠﻨﺼ‬ ‫اﻟﻌﺎﻣــﺔ‬ ‫ُ‬ ‫ً‬

‫اﻟﻄﱪﻓ ّﻴﺔ‬ ‫اﻟﻨﻮر‬ ‫ﺟﻼلاﻟﺰﻫﺮةاﻟﺪﻳﻦ‬ ‫اﻟﺠﻤﺎل‬ ‫اﻟﺮوﱊ‬ ‫‪T y p o g r a p h y‬‬

‫ﻛﻨﺎﻳﺔ ﻟـ ”اﻟﻄﺒﻊ‪-‬ﺣﺮوﻓﻴــّــﺔ“‬

‫أﻳﻨﻤﺎ ﻛﺎن‬

‫وأﻳﻨﻤﺎ ﻛﺎﻧﺖ‬

‫ﻓﺄﻧﺎ اﻟﺸﻐﻮف ﺑﻪ‬

‫ﻓﺄﻧﺎ اﻟﻔﺮاﺷﺔ‬

‫وأﻳﻨﻤﺎ ﻛﺎن‬

‫ﻓﺄﻧﺎ اﻟﻌﺎﺷﻖ‬


‫ِ‬ ‫ِ‬ ‫ِ‬ ‫ِ‬ ‫اﻟﺮﺣﻴـــــﻢ‬ ‫ﻦ‬ ‫ﻤ‬ ‫ﺣ‬ ‫اﻟﺮ‬ ‫ﷲ‬ ‫ﻢ‬ ‫ـــــ‬ ‫ﺴ‬ ‫ﺑ‬ ‫َّ ْ ٰ‬ ‫ْ‬ ‫َّ‬ ‫ِ‬ ‫ِ‬ ‫ِ‬ ‫ِ‬ ‫اﻟﺮﺣﻴـــــﻢ‬ ‫ﻦ‬ ‫ﻤ‬ ‫ﺣ‬ ‫اﻟﺮ‬ ‫ﷲ‬ ‫ﻢ‬ ‫ـــــ‬ ‫ﺴ‬ ‫ﺑ‬ ‫َّ ْ ٰ‬ ‫ْ‬ ‫َّ‬ ‫ِ‬ ‫ِ‬ ‫ِ‬ ‫ِ‬ ‫اﻟﺮﺣﻴـــــﻢ‬ ‫ﻦ‬ ‫ﻤ‬ ‫ﺣ‬ ‫اﻟﺮ‬ ‫ﷲ‬ ‫ﻢ‬ ‫ـــــ‬ ‫ﺴ‬ ‫ﺑ‬ ‫َّ ْ ٰ‬ ‫ْ‬ ‫َّ‬ ‫ِ‬ ‫ِ‬ ‫ِ‬ ‫ِ‬ ‫اﻟﺮﺣﻴـــــﻢ‬ ‫ﻦ‬ ‫ﻤ‬ ‫ﺣ‬ ‫اﻟﺮ‬ ‫ﷲ‬ ‫ﻢ‬ ‫ـــــ‬ ‫ﺴ‬ ‫ﺑ‬ ‫َّ ْ ٰ‬ ‫ْ‬ ‫َّ‬


‫ﻣﻘـــﺎﻃﻊ ﻣﺨﺘــــﺎرة ﻣﻦ ﻗﺼـــــﺎﺋﺪ‬

‫ٱﺑﻦ زﻳﺪون‬ ‫ﻣﻦ ﺷـــُﻌﺮاء اﻷﻧﺪﻟﺲ‬

‫ِ‬ ‫ِ‬ ‫ﻫــــﺮاء ُﻣﺸـــﺘﺎﻗـ ًﺎ‬ ‫ﺰ‬ ‫ﺎﻟ‬ ‫ﺑ‬ ‫ﻚ‬ ‫ـ‬ ‫ﺗ‬ ‫ﺮ‬ ‫ﻛ‬ ‫ذ‬ ‫ﱐ‬ ‫إ‬ ‫ّ‬ ‫َ‬ ‫ِ‬ ‫َ‬ ‫ُ‬ ‫َ‬ ‫َ‬ ‫ُ‬ ‫ض َﻗ ْﺪ َر َاق‬ ‫ﻠﻖ َو َﻣﺮأَى اﻷَر ِ‬ ‫ﻃ‬ ‫ﻓﻖ‬ ‫َواﻷ ُ َ ٌ‬ ‫ـــــﻼل ﻓﻲ أَﺻــﺎﺋﻠِــــﻪِ‬ ‫ِ‬ ‫ِ‬ ‫ﺘ‬ ‫اﻋ‬ ‫ـﻢ‬ ‫ﻴ‬ ‫ﺴــــــ‬ ‫ﻨ‬ ‫ﻠ‬ ‫ﻟ‬ ‫و‬ ‫ْ‬ ‫َ‬ ‫ٌ‬ ‫َ‬ ‫ـﻞ إِﺷﻔـﺎﻗـﺎ‬ ‫ﺘ‬ ‫ﭑﻋ‬ ‫ﻓ‬ ‫ﱄ‬ ‫ق‬ ‫ر‬ ‫ـﻪ‬ ‫ﻧ‬ ‫ﺄ‬ ‫ﻛ‬ ‫َّ‬ ‫َّ‬ ‫َ‬ ‫َ‬ ‫َّ‬ ‫َ ُ َ‬ ‫ِ‬ ‫ِ‬ ‫ِ‬ ‫ِ‬ ‫ِ‬ ‫ﻣ‬ ‫ﴤ‬ ‫ﻔ‬ ‫اﻟ‬ ‫ﻪ‬ ‫ﺋ‬ ‫ﻣﺎ‬ ‫ﻦ‬ ‫ﻋ‬ ‫وض‬ ‫اﻟﺮ‬ ‫و‬ ‫ــﻢ‬ ‫ﺴ‬ ‫ﺘ‬ ‫ﺒ‬ ‫َ‬ ‫ُ‬ ‫َ‬ ‫ٌ‬ ‫ِّ ُ‬ ‫َ َ‬ ‫ﻘﺖ َﻋﻦِ اﻟﻠَ ّﺒ ِ‬ ‫ـﺎت أَﻃﻮاﻗـﺎ‬ ‫ﻘ‬ ‫ﺷ‬ ‫ﻤﺎ‬ ‫ﻛ‬ ‫َ‬ ‫َ‬ ‫َ‬ ‫َ‬ ‫ٍ‬ ‫َ‬ ‫ِ‬ ‫ّ‬ ‫اﻧﺼ َﺮ َﻣﺖ‬ ‫ــﺎ‬ ‫ـ‬ ‫ﻨــ‬ ‫ﻟ‬ ‫ات‬ ‫ﺬ‬ ‫ﻟ‬ ‫م‬ ‫ﺎ‬ ‫ﻳ‬ ‫ﺄ‬ ‫ﻛ‬ ‫ﻮم‬ ‫ﻳ‬ ‫َ‬ ‫َ‬ ‫َ‬ ‫ٌ‬ ‫َ‬ ‫ّ‬ ‫َ‬ ‫َ‬ ‫ِ‬ ‫ﻫـﺮ ُﺳ ّﺮاﻗـﺎ‬ ‫ﺪ‬ ‫اﻟ‬ ‫ﻧـــﺎم‬ ‫ﺣﻴـﻦ‬ ‫ﻬــﺎ‬ ‫ﻟ‬ ‫ﺘــــﻨﺎ‬ ‫ﺑ‬ ‫َ‬ ‫َ‬ ‫َ‬ ‫َ‬ ‫ُ‬ ‫ﲔ ﻣﻦ َز َﻫــــﺮ ٍ‬ ‫ِ‬ ‫اﻟﻌ‬ ‫ﻤﻴﻞ‬ ‫ﺘ‬ ‫ﺴــ‬ ‫ﻳ‬ ‫ﻤﺎ‬ ‫ﺑ‬ ‫ﻠﻬﻮ‬ ‫ﻧ‬ ‫َ‬ ‫َ‬ ‫ُ َ َ‬ ‫َ‬ ‫ِ‬ ‫ﻣـﺎل أَﻋﻨﺎﻗـﺎ‬ ‫ﺣﱴ‬ ‫ﻪ‬ ‫ﻓﻴــــ‬ ‫ﺪى‬ ‫ﻨ‬ ‫اﻟ‬ ‫ﺎل‬ ‫ﺟ‬ ‫َ‬ ‫َ‬ ‫َ َ‬ ‫َ‬ ‫َ‬ ‫ـــــــﻪ إِذ ﻋﺎﻳَﻨَﺖ أ َ َرﰶ‬ ‫ﻨ‬ ‫ﻴ‬ ‫ﻋ‬ ‫أ‬ ‫ن‬ ‫ﺄ‬ ‫ﻛ‬ ‫َ‬ ‫ُ‬ ‫َ َّ‬ ‫ُ‬ ‫ِ‬ ‫ﻣـﻊ َرﻗﺮاﻗــــﺎ‬ ‫ﺪ‬ ‫اﻟ‬ ‫ﻓﺠـﺎل‬ ‫ﰊ‬ ‫ﺎ‬ ‫ﳌ‬ ‫ﺑَ َﻜﺖ‬ ‫َ َ ُ‬


‫ﺗﺼﺎﻣﻴﻢ‬ ‫َ‬

‫راﻗﻴﺔ‬

‫ـﻢ ﺗﻨﻔﻴــْــﺬﻫﺎ‬ ‫ـ‬ ‫ﺗـ‬ ‫َ ّ‬

‫ﺑﻤﻬﻨ ّﻴﺔ ﻋﺎﻟﻴﺔ‬ ‫ودﻗﺔ ﻣﺘﻨـــﺎﻫﻴﺔ!‬


‫﷽‬ ‫ِ‬ ‫ِ‬ ‫ﻳﻦ ﻫــَــــﺎ ُدوا‬ ‫ﺬ‬ ‫ﻟ‬ ‫ا‬ ‫و‬ ‫ــــﻮا‬ ‫ـ‬ ‫ﻨـ‬ ‫آﻣ‬ ‫ﻳﻦ‬ ‫ﺬ‬ ‫ﻟ‬ ‫ا‬ ‫ن‬ ‫إ‬ ‫َّ‬ ‫َّ‬ ‫ِ‬ ‫َ َ ُ‬ ‫َّ‬ ‫َ‬ ‫َ‬ ‫آﻣ َﻦ ﺑِﺎﻟﻠَّﻪِ‬ ‫ِ‬ ‫ِ‬ ‫ﻦ‬ ‫ﻣ‬ ‫ﲔ‬ ‫ﺌ‬ ‫ﺑ‬ ‫ﺎ‬ ‫اﻟﺼ‬ ‫و‬ ‫ى‬ ‫ﺎر‬ ‫ﺼ‬ ‫ﻨ‬ ‫اﻟ‬ ‫و‬ ‫َّ‬ ‫ْ‬ ‫َ َ َ ٰ َ َّ‬ ‫َ َ َ‬ ‫ِ‬ ‫ِ‬ ‫ِ‬ ‫ْ‬ ‫ْ‬ ‫ِ‬ ‫ﺻـﺎﳊﺎً َﻓﻠَﻬـ ُ ْﻢ‬ ‫ـﻞ‬ ‫ﻤ‬ ‫ﻋ‬ ‫و‬ ‫ﺮ‬ ‫ـ‬ ‫ﺧ‬ ‫اﻵ‬ ‫م‬ ‫ﻮ‬ ‫ـ‬ ‫ـ‬ ‫ﻴ‬ ‫ﻟ‬ ‫ا‬ ‫و‬ ‫ْ‬ ‫َ‬ ‫َ َ َ‬ ‫َ َ‬ ‫َ‬ ‫ِ‬ ‫ـــــﻢ َو َﻻ َﺧ ْﻮ ٌف‬ ‫ــــﻢ ﻋﻨــــﺪَ رَﺑِّ ِﻬ ْ‬ ‫أ ْﺟ ُﺮﻫـ ُ ْ‬ ‫ن ﴿‪﴾٢٦‬‬ ‫ـﻢ ﻳَ ْﺤ َﺰﻧُﻮ َ‬ ‫ـــﻢ َو َﻻ ُﻫ ْ‬ ‫َﻋﻠَ ْﻴ ِﻬ ْ‬


‫‪Weights/Styles‬‬

‫ﺟﻤﻌـــﺖ اﻟﻄﺒﻴﻌﺔ ﻋﺒﻘﺮﻳﺘﻬﺎ ﻓﻜﺎﻧﺖ اﳉﻤﺎل‪ ،‬وﻛﺎن أﺣﺴـــﻨﻪ وأﺷـــﺮﻓﻪ ﻣـــﺎ ﺣﻞ ﰲ اﻟﻬﻴﻜﻞ‬ ‫ﻓﺎﳉﻤﺎل اﻟﺒﺸﺮي ﺳﻴﺪ‬ ‫اﻟﻌﻘﻞ اﻟﺸـــﺮﻳﻒ واﻟﻨﻔﺲ اﻟﻠﻄﻴﻔﺔ واﳊﻴﺎة اﻟﺸﺎﻋﺮة‪.‬‬ ‫اﻵدﱊِّ‪ ،‬وﺟﺎور‬ ‫ُ‬ ‫َ‬ ‫اﳉﻤـــﺎل ﻛﻠﻪ‪ .‬ﻻ اﳌﺜﺎل اﻟﺒﺎرع اﺳـــﺘﻄﺎع أن ﻳﺨﻠﻌﻪ ﻋﲆ اﻟﺪﱊ اﳊﺴـــﺎن وﻻ ﻟﻠﻨﲑات اﻟﺰﻫﺮ ﰲ‬ ‫ﻟﻴـــﺎﱄ اﻟﺼﺤﺮاء ﻣﺎ ﻟﻪ ﻣﻦ ﳌﺤ ٍﺔ وﺑﻬﺎء‪ ،‬وﻻ ﻟﺒﺪﻳﻊ اﻟﺰﻫﺮ وﻏﺮﻳﺒ ِﻪ ﰲ ﺷـــﺒﺎب اﻟﺮﺑﻴﻊ ﻣﺎ ﻟﻪ ﻣﻦ‬ ‫ﺑﺸﺎﺷـــﺔ وﻃﻴﺐ‪ .‬وﻟﻴﺲ اﳉﻤـــﺎل ﺑﻠﻤﺤﺔ اﻟﻌﻴﻮن وﻻ ﺑﱪﻳﻖ اﻟﺜﻐـــﻮر‪ ،‬وﻻ ﻫﻴﻒ اﻟﻘﺪود وﻻ‬ ‫أﺳـــﺎﻟﺔ اﳋﺪود‪ .‬وﻻ ﻟﺆﻟﺆ اﻟﺜﻨﺎﻳﺎ وراء ﻋﻘﻴﻖ اﻟﺸـــﻔﺎه‪ ،‬وﻟﻜﻦ ﺷـــﻌﺎع ﻋﻠﻮي ﻳﺒﺴﻂ اﳉﻤﻴﻞ‬ ‫اﻟﺒﺪﻳﻊ ﻋﲆ ﺑﻌﺾ اﻟﻬﻴﺎﻛﻞ اﻟﺒﺸﺮﻳﺔ‪ ،‬ﻳﻜﺴﻮﻫﺎ روﻋﺔ وﻳﺠﻌﻠﻬﺎ ﺳﺤﺮا وﻓﺘﻨﺔ ﻟﻠﻨﺎس‪.‬‬

‫‪¦ Maqsaf Light‬‬

‫ﺟﻤﻌﺖ اﻟﻄﺒﻴﻌﺔ ﻋﺒﻘﺮﻳﺘﻬﺎ ﻓﻜﺎﻧﺖ اﳉﻤﺎل‪ ،‬وﻛﺎن أﺣﺴـــﻨﻪ وأﺷـــﺮﻓﻪ ﻣـــﺎ ﺣﻞ ﰲ اﻟﻬﻴﻜﻞ‬ ‫ﻓﺎﳉﻤﺎل اﻟﺒﺸﺮي ﺳﻴﺪ‬ ‫اﻟﻌﻘﻞ اﻟﺸﺮﻳﻒ واﻟﻨﻔﺲ اﻟﻠﻄﻴﻔﺔ واﳊﻴﺎة اﻟﺸﺎﻋﺮة‪.‬‬ ‫اﻵدﱊِّ‪ ،‬وﺟﺎور‬ ‫ُ‬ ‫َ‬ ‫اﳉﻤﺎل ﻛﻠﻪ‪ .‬ﻻ اﳌﺜﺎل اﻟﺒﺎرع اﺳـــﺘﻄﺎع أن ﻳﺨﻠﻌﻪ ﻋﲆ اﻟﺪﱊ اﳊﺴـــﺎن وﻻ ﻟﻠﻨﲑات اﻟﺰﻫﺮ ﰲ‬ ‫ﻟﻴﺎﱄ اﻟﺼﺤﺮاء ﻣﺎ ﻟﻪ ﻣﻦ ﳌﺤ ٍﺔ وﺑﻬﺎء‪ ،‬وﻻ ﻟﺒﺪﻳﻊ اﻟﺰﻫﺮ وﻏﺮﻳﺒ ِﻪ ﰲ ﺷـــﺒﺎب اﻟﺮﺑﻴﻊ ﻣﺎ ﻟﻪ ﻣﻦ‬ ‫ﺑﺸﺎﺷـــﺔ وﻃﻴﺐ‪ .‬وﻟﻴﺲ اﳉﻤﺎل ﺑﻠﻤﺤﺔ اﻟﻌﻴﻮن وﻻ ﺑﱪﻳـــﻖ اﻟﺜﻐﻮر‪ ،‬وﻻ ﻫﻴﻒ اﻟﻘﺪود وﻻ‬ ‫أﺳـــﺎﻟﺔ اﳋﺪود‪ .‬وﻻ ﻟﺆﻟﺆ اﻟﺜﻨﺎﻳﺎ وراء ﻋﻘﻴﻖ اﻟﺸـــﻔﺎه‪ ،‬وﻟﻜﻦ ﺷﻌﺎع ﻋﻠﻮي ﻳﺒﺴﻂ اﳉﻤﻴﻞ‬ ‫اﻟﺒﺪﻳﻊ ﻋﲆ ﺑﻌﺾ اﻟﻬﻴﺎﻛﻞ اﻟﺒﺸﺮﻳﺔ‪ ،‬ﻳﻜﺴﻮﻫﺎ روﻋﺔ وﻳﺠﻌﻠﻬﺎ ﺳﺤﺮا وﻓﺘﻨﺔ ﻟﻠﻨﺎس‪.‬‬

‫‪¦ Onwan Normal‬‬

‫ﺟﻤﻌـــﺖ اﻟﻄﺒﻴﻌﺔ ﻋﺒﻘﺮﻳﺘﻬﺎ ﻓﻜﺎﻧﺖ اﳉﻤﺎل‪ ،‬وﻛﺎن أﺣﺴـــﻨﻪ وأﺷـــﺮﻓﻪ ﻣﺎ ﺣﻞ ﰲ اﻟﻬﻴﻜﻞ‬ ‫ﻓﺎﳉﻤﺎل اﻟﺒﺸﺮي ﺳﻴﺪ‬ ‫اﻟﻌﻘﻞ اﻟﺸﺮﻳﻒ واﻟﻨﻔﺲ اﻟﻠﻄﻴﻔﺔ واﳊﻴﺎة اﻟﺸﺎﻋﺮة‪.‬‬ ‫اﻵدﱊِّ‪ ،‬وﺟﺎور‬ ‫ُ‬ ‫َ‬ ‫اﳉﻤﺎل ﻛﻠﻪ‪ .‬ﻻ اﳌﺜﺎل اﻟﺒﺎرع اﺳـــﺘﻄﺎع أن ﻳﺨﻠﻌﻪ ﻋﲆ اﻟﺪﱊ اﳊﺴﺎن وﻻ ﻟﻠﻨﲑات اﻟﺰﻫﺮ ﰲ‬ ‫ﻟﻴﺎﱄ اﻟﺼﺤﺮاء ﻣﺎ ﻟﻪ ﻣﻦ ﳌﺤ ٍﺔ وﺑﻬﺎء‪ ،‬وﻻ ﻟﺒﺪﻳﻊ اﻟﺰﻫﺮ وﻏﺮﻳﺒ ِﻪ ﰲ ﺷﺒﺎب اﻟﺮﺑﻴﻊ ﻣﺎ ﻟﻪ ﻣﻦ‬ ‫ﺑﺸﺎﺷـــﺔ وﻃﻴﺐ‪ .‬وﻟﻴﺲ اﳉﻤﺎل ﺑﻠﻤﺤﺔ اﻟﻌﻴـــﻮن وﻻ ﺑﱪﻳﻖ اﻟﺜﻐﻮر‪ ،‬وﻻ ﻫﻴﻒ اﻟﻘﺪود وﻻ‬ ‫أﺳـــﺎﻟﺔ اﳋﺪود‪ .‬وﻻ ﻟﺆﻟﺆ اﻟﺜﻨﺎﻳﺎ وراء ﻋﻘﻴﻖ اﻟﺸـــﻔﺎه‪ ،‬وﻟﻜﻦ ﺷﻌﺎع ﻋﻠﻮي ﻳﺒﺴﻂ اﳉﻤﻴﻞ‬ ‫اﻟﺒﺪﻳﻊ ﻋﲆ ﺑﻌﺾ اﻟﻬﻴﺎﻛﻞ اﻟﺒﺸﺮﻳﺔ‪ ،‬ﻳﻜﺴﻮﻫﺎ روﻋﺔ وﻳﺠﻌﻠﻬﺎ ﺳﺤﺮا وﻓﺘﻨﺔ ﻟﻠﻨﺎس‪.‬‬

‫‪¦ Onwan Bold‬‬

‫ﺟﻤﻌﺖ اﻟﻄﺒﻴﻌﺔ ﻋﺒﻘﺮﻳﺘﻬﺎ ﻓﻜﺎﻧﺖ اﳉﻤﺎل‪ ،‬وﻛﺎن أﺣﺴـــﻨﻪ وأﺷـــﺮﻓﻪ ﻣﺎ ﺣﻞ ﰲ اﻟﻬﻴﻜﻞ‬ ‫ﻓﺎﳉﻤﺎل اﻟﺒﺸﺮي ﺳﻴﺪ‬ ‫اﻟﻌﻘﻞ اﻟﺸﺮﻳﻒ واﻟﻨﻔﺲ اﻟﻠﻄﻴﻔﺔ واﳊﻴﺎة اﻟﺸﺎﻋﺮة‪.‬‬ ‫اﻵدﱊِّ‪ ،‬وﺟﺎور‬ ‫ُ‬ ‫َ‬ ‫اﳉﻤﺎل ﻛﻠﻪ‪ .‬ﻻ اﳌﺜﺎل اﻟﺒﺎرع اﺳﺘﻄﺎع أن ﻳﺨﻠﻌﻪ ﻋﲆ اﻟﺪﱊ اﳊﺴﺎن وﻻ ﻟﻠﻨﲑات اﻟﺰﻫﺮ ﰲ‬ ‫ﻟﻴﺎﱄ اﻟﺼﺤﺮاء ﻣﺎ ﻟﻪ ﻣﻦ ﳌﺤ ٍﺔ وﺑﻬﺎء‪ ،‬وﻻ ﻟﺒﺪﻳﻊ اﻟﺰﻫﺮ وﻏﺮﻳﺒ ِﻪ ﰲ ﺷﺒﺎب اﻟﺮﺑﻴﻊ ﻣﺎ ﻟﻪ ﻣﻦ‬ ‫ﺑﺸﺎﺷـــﺔ وﻃﻴﺐ‪ .‬وﻟﻴﺲ اﳉﻤﺎل ﺑﻠﻤﺤﺔ اﻟﻌﻴﻮن وﻻ ﺑﱪﻳﻖ اﻟﺜﻐﻮر‪ ،‬وﻻ ﻫﻴﻒ اﻟﻘﺪود وﻻ‬ ‫أﺳـــﺎﻟﺔ اﳋﺪود‪ .‬وﻻ ﻟﺆﻟﺆ اﻟﺜﻨﺎﻳﺎ وراء ﻋﻘﻴﻖ اﻟﺸﻔﺎه‪ ،‬وﻟﻜﻦ ﺷﻌﺎع ﻋﻠﻮي ﻳﺒﺴﻂ اﳉﻤﻴﻞ‬ ‫اﻟﺒﺪﻳﻊ ﻋﲆ ﺑﻌﺾ اﻟﻬﻴﺎﻛﻞ اﻟﺒﺸﺮﻳﺔ‪ ،‬ﻳﻜﺴﻮﻫﺎ روﻋﺔ وﻳﺠﻌﻠﻬﺎ ﺳﺤﺮا وﻓﺘﻨﺔ ﻟﻠﻨﺎس‪.‬‬

‫‪¦ Onwan Black‬‬


OT Features

Discretionary Ligatures


‫‪Discretionary Ligatures Samples‬‬

‫ﺧﺒﺮ وﺟﻴﺰ‬ ‫ﺧﱪ وﺟﲒ‬ ‫أﺑﻰ وأﺗﻰ‬ ‫أﰉ وأﰏ‬ ‫ﻣﻮﺳﻰ اﻟﻌﺸﻲ‬ ‫ﻣﻮﳻ اﻟﻌﴚ‬ ‫ﻣﺼﻴﺮ اﻟﻤﺮﺿﻰ‬ ‫ﻣﺼﲑ اﳌﺮﴇ‬ ‫ﺑﻴﺮوت واﻟﻤﺘﻦ‬ ‫ﺑﲑوت واﳌﱳ‬

‫‪OT Features‬‬


OT Features

Required Ligatures

OT Features

Multi-Script Numerals


‫‪Stylistic Alternates‬‬

‫‪OT Features‬‬

‫اﻟﻐﺰاﻟﺔ ﺗﻜﺒﻮ ﻣﻦ ﺣﺠﺮ ﻓﻲ اﻟﻤﺮوج‬ ‫اﻟﻐﺰاﻟﺔ ﺗﻜﺒﻮ ﻣﻦ ﺣﺠﺮ ﰲ اﻟﻤﺮوج‬


‫‪Compared sample‬‬

‫‪OT Features‬‬

‫اﳌﻮﺳﻮﻋﺔ اﻟﻜﺎﻣﻠﺔ‬ ‫ﻟﺠﺴــﻢ اﻹﻧﺴــــﺎن‬


Onwan

All Glyphs

Onwan  

ONWAN - Arabic fonts family

Onwan  

ONWAN - Arabic fonts family

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