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08.

DAVID BYRNE: METAMORPHOSIS MACHINE

14.

LIVES OF THE ARTISTS: FROZEN IN TIME

16.

NEW WORLD ORDER: BAT FOR LASHES

18.

THE ORGAN: SONIC CATHEDRALS

24.

SOUND BITES: THE NOISE OF HISTORY

28.

ALASTAIR SEELEY: VICTORIOUS

30.

SILENCE: A HISTORY

34.

THE REV: TRANSFORM YOUR MUSIC INTO ART

36.

DUNGENESS: SOUNDS IN THE DARKNESS

42.

SCIENCE: THE MUSICAL BRAIN

48.

JOURNALS: LES PAUL

50.

VINCE RAY: ROCKABILLY VOODOO

54.

SURF ING: LET THEM CALL IT JAZZ

60.

POWERS OF THREE: WINTER TRIALS

62.

NEW MUSICAL AGE: THE ALT-CLASSICAL SCENE

70.

F ILM: LIVES OF THE ARTISTS

74.

JOURNALS: LÉON THEREMIN

76.

MOTOCROSS: THE SOUND AND THE F URY

84.

SCOTT BOURNE: PLUMEREL’S DOUBLE BASS

90.

WARP: PUSHING THE ENVELOPE FOR 20 YEARS

96.

JOURNALS: PYTHAGORAS

98.

TACTILE STILLNESS: LONDON’S SILENCE MAP

100. CYMATICS: SOUND GOES VISUAL 106: NEW WORLD ORDER: ANDREW SHOBEN 108. SONIC ELEMENTS: EARTH, AIR, F IRE, WATER 112.

NEW WORLD ORDER: PHILIPPE DUBREUILLE

114. LIVES OF THE ARTISTS: PUNK SOUL 116.

INSPIRATIONS: READING, MUSIC, F ILM, MORE

122.

PAGANINI: THE GRAPHIC NOVEL

MORE RELATED CONTENT AT RELENTLESSENERGY.COM THIS IS THE ORDER: ISSUE THREE

;J=9LAN=<AJ=;LGJK2JGKK;9AJFKJ=:=;;9OJA?@L+<=KA?F9F<9JL<AJ=;Lagf2J=:=;;9OJA?@L =<ALGJ2NAF;=E=<=AJGK+9KKG;A9L==<ALGJ2=<9F<J=OK+;GN=J9JL2FA;CJQ9FJ=:=;;9OJA?@L @=9<G>HJG<M;LAGF2NA;LGJA9:9J:=J+Ël`akakl`]gj\]jÌakHM:DAK@=<:Q=J9KEMKH9JLF=JK =<ALGJA9D=FIMAJA=K2=<ALGJA9D8=J9KEMKH9JLF=JK&;GE+ooo&]jYkemkhYjlf]jk&[ge The articles appearing within this publication reflect the opinions and attitudes of their respective authors and not necessarily those of the publishers, editorial team or sponsors.


6


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7


Ever changing and ever challenging, David Byrne has metamorphosed his way far beyond the paradigm of the Talking Heads frontman that made him a rock star of his day. Since then, he has morphed and changed and cross-pollinated across the worlds of design, dance, theatre, film, opera, ballet, politics and writing. His beautifully ambiguous approach to the banal and the obvious, with an incessant eye to pushing the cultural envelope, makes him one of the most fascinating artists of our time. To call him a Renaissance Man would be trivial. To say heâ&#x20AC;&#x2122;s a punk icon would be reductive. Byrne is More, he is much More. What follows is an idiosyncratic tribute from his long-time associate. By Vivien Goldman <

8


9


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“MOST OF THIS STUFF I DO, I THINK IT’S NOT MEANT TO BE OBSCURE OR DIFFICULT.

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IT’S MEANT TO BE SOMETHING THAT’S

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UNDERSTAND WHAT IT’S ABOUT.” <

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ACCESSIBLE TO KIND OF ORDINARY FOLKS. LIKE THESE BICYCLE RACKS THAT I DID FOR NEW YORK CITY – IT’S ALL MEANT TO BE VERY [EASY] FOR EVERYBODY TO

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10


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11


BYRNE IS A TOP GO-TO DUDE FOR LARGE-SCALE PERFORMANCE PIECES SUCH AS HIS NIFTY INTERACTIVE EXTRAVAGANZA â&#x20AC;&#x2DC;PLAYING THE BUILDINGâ&#x20AC;&#x2122;. A CATâ&#x20AC;&#x2122;S CRADLE OF LEADS CONNECT A VINTAGE ORGAN TO VARIOUS PIPES AND BEAMS THAT MAKE THE BUILDING TICK â&#x20AC;&#x201C; AND, WHEN PLAYED BY MEMBERS OF THE AUDIENCE, THUMP, RATTLE AND HISS AS WELL â&#x20AC;&#x201C; IN A CHARMINGLY ATONAL, EERILY LUGUBRIOUS ANTI-MELODY. < Xoc[cX[hie\j^[WkZ_[dY["j^kcf"hWjjb[WdZ^_iiWim[bbĂ&#x2026;_d WY^Whc_d]boWjedWb"[[h_bobk]kXh_ekiWdj_#c[beZo$Fh[i[dj_d] _jh[Y[djboWjj^[HekdZ^eki["_dBedZed":$8$dej[Z]b[[\kbbo j^Wj^[fbWo[Zj^[h[m_j^j^[JWba_d]>[WZiWdZj^[HWced[i m^[d fkda mWi `kij ijWhj_d] _d '/-,$ ?j mWi d_Y[bo Y_hYkbWh" h[jkhd_d] Wi W cki[kc#gkWb_jo Whj_ij je j^[ l[dk[ m^[h[ ^[Ă&#x160;Z b[Whd[ZĂ&#x201C;hij#^WdZWXekjĂ&#x2030;]eXX_d]Ă&#x160;Ă&#x2026;WdZj^[WZlWdjW][ie\j^[ HWced[iĂ&#x160;j^_Yab[Wj^[h`WYa[ji$

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