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calendar Glenbow

Museum

WINTER 2013


thank you Program Support

WINTER 2013 Exhibition Sponsors

Corporate Patrons

ARC Financial Corp. Beaver Drilling Ltd. Catalyst LLP Edco Financial Holdings

MEDIA SPONSORS

Emma Grace May, Real Estate Franklin Templeton Investments Mawer Investment Management Ltd.

Moodys LLP Murphy Oil Company Ltd. Odgers Berndtson RedPoint Media Rush Restaurant & Lounge

Solvera Solutions Spectra Energy West Canadian Industries

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contents

This print, Butterflies (1963), by Marion Nicoll, is featured in the exhibition Made in Calgary: The 1960s. When her arthritis became too painful for painting, Nicoll turned to a more active pursuit of printmaking. Working with non-drying putty, Marion pressed everyday objects, including a knife, fork and spoon, into the matrix to make the image.

Marion Nicoll, Butterflies, 1963, Collection of Glenbow Museum

4–11 this winter at glenbow 2 President’s Letter 4 No Roads Here: Corb Lund’s Alberta 7 Launch Party 8 Fred Herzog: Street Photography 10 Made in Calgary: The 1960s 12 Discovery Room 13 Weekend at the Museum 14 Adult Programming 16 Upcoming Exhibitions 17 SCHMANCY

Corb Lund considers a pair of chaps – made from grizzly bear hide – for inclusion in his exhibition No Roads Here.

Front cover clockwise from right: Corb Lund; Fred Herzog, Hastings at Columbia, 1958, Ink jet print, 96.7 x 71.2 cm; image: 76 x 50.9 cm, Canadian Museum of Contemporary Photography, Ottawa; Ken Esler, Dark Nights and Sunny Days, 1965, Collection of Glenbow Museum

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president’s letter

mainly through a computer screen actually “get” the power of an artifact. Michèle Gallant, who heads our Museum School, smiled. “You should watch the kids’ faces when they get to touch a buffalo robe or see a Samurai sword up close. You can see a whole new window of learning opening up for them.” Guest curators are also opening windows of learning for us. They bring fresh eyes and enthusiasm to our collections and make surprising connections. Corb Lund’s sudden recognition of an old craps table brought new meaning to an artifact we had been walking past for years. Mary-Beth Laviolette, guest curator of Made in Calgary: The 1960s, has combed our collections (and many others) to kick off a celebration of five decades of artmaking in Calgary. She has uncovered artistic legacies from these early artists that are still being felt today. It is energizing to have cultural colleagues from the community work with us in presenting our programs and exhibitions. It is heartwarming for me to be back at Glenbow as Interim President and CEO and to see so many great things happening. This is a tremendous time to be involved with Glenbow. We are taking the time to really focus our efforts on the priorities that will make us strong for the future, and on refining the unique and crucial role we play in this city.  Every day our floors are alive with students developing their higher thinking skills as they decide the fate of Emperor Picarellio or sketch a Buddha sculpture. I was curious whether children who now read the world

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We continue to learn from our volunteers. The energy and commitment of our SCHMANCY team is creating a spectacular event on February 9 that will have Glenbow sparkling with excitement. We are already exceeding our targets and SCHMANCY tickets are the hottest items in town. The feedback from our Asian art gallery volunteers will help us develop new ways to utilize this remarkable space, and every day dedicated volunteers ensure that our collections are research-ready, and our programs engaging and welcoming. We appreciate the steadfast support of our many partners and value their input and the


engagement of their employees. Our energetic Pivot membership group is celebrating its second anniversary in January and is already looking ahead to another busy year of igniting Calgary with conversations on art and culture. It is also wonderful to see our membership increasing and to see so many new faces at our popular launch parties. I am very proud of our remarkable staff whose hard work and passion continues to make marvelous programs and exhibitions come to life at Glenbow. I am also particularly grateful to our Board of Governors, whose deep and impressive commitment to Glenbow is guiding us into a bold future and opening up new windows of learning and opportunities for us all.

Donna Livingstone Interim President and CEO Members’ Appreciation Day Sunday, February 24 12:00pm–5:00pm Glenbow members are invited to join us for a special afternoon of refreshments, activities and exhibition tours. Bring a friend for free and introduce them to all the great benefits Glenbow has to offer! Take advantage of exclusive discounts in the Museum Shop and on the purchase of new or renewed memberships.

In memory of GEOFF BURTONSHAW Several years ago, a young man stepped into the Glenbow Library’s reading room. I smiled at him as he hesitantly approached the reference desk. “Good morning. Can I help you find something?” “Uh, yes,” he replied tentatively. “Can you tell me if I’m related to Gabriel Dumont?” I couldn’t answer his question, but fortunately for both of us, it was Wednesday morning and help, otherwise known as Geoff Burtonshaw, was sitting close by. Geoff was born and raised in a rural area of Manitoba that was home to a large community of Metis. As he lived and worked among them, he developed an understanding of the Metis struggles for individual identity and community recognition. When he moved to Calgary, he began to collect resources on Metis genealogy and, after his retirement, became a volunteer with the Glenbow Archives. Over the years, he assisted hundreds of Metis as they researched their heritage. Geoff died last November. His funeral was attended by many of the people to whom he had been both confidant and counselor. Maybe, somewhere in that crowd, was the young man I had spoken to that morning. His story? Well, it turned out he wasn’t related to Dumont – but after talking with Geoff I can guarantee he had a much clearer picture of the lives and contributions of those who came before him and made him who he was. Geoff’s true legacy can be found in the pride and understanding that he encouraged that day. Lindsay Moir, Senior Librarian

Facing page: Photo by Dave Brown

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feature exh

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hibition

January 26–April 28, 2013

Inspired by his music, framed by his interest in Alberta’s history and drawn from his family’s, and Glenbow’s, collections of art, artifacts and historical imagery, songwriter Corb Lund has curated a unique exhibition that brings new twists to established Alberta themes. From gambling to Mormonism, foothills ranching to early prohibition, and the early days of oil drilling to the toils of veterinary medicine on the prairies, Lund’s exhibition is a personal exploration into the sometimes familiar but often unexpected details of Alberta’s heritage. As Glenbow’s artist-in-residence, Lund began with a visit behind-the-scenes at Glenbow, looking at the museum’s collections to spark a direction for his residency. The links between the Lund family history and Glenbow’s collections were immediate. Lund’s own experience of growing up on horseback and raising cattle with his parents and grandparents in southern Alberta’s foothills and prairies was reflected by artifacts highlighting Alberta’s rich ranching past. And images of his grandfather, two great uncles and an aunt in Glenbow’s Archives illustrate only a few of the Lund family’s contributions to Alberta’s rodeo history.

Lund himself is a fourth-generation cowboy. He rodeoed as a youngster and won his first prize money riding steers at age 10. Though Lund and his band, The Hurtin’ Albertans, play everywhere from small clubs to large arenas, his Western heritage stays with him, no matter where he roams. “My whole life is sort of a dichotomy between being a cowboy kid and living in a city,” says Lund. “I guess that informs my music too.” Nine songs written by Lund, culled from four of his albums, provided the inspiration for the exhibition. Chosen because they best represent Lund’s unique take on Alberta, its history and its character, each song connects to a larger theme. The song “Five Dollar Bill,” about bootlegging from southern Alberta into the United States, provided links to prohibition in Alberta – to both the first period in the North-West Territories from 1870 to 1891 and the more well-known period of prohibition in the early twentieth century

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no roads here

(1916-1924). Similarly, Lund’s “Roughest Neck Around,” a lyrical ode to oil workers then and now, has a clear connection to Alberta’s oil history. But Lund has expanded this topic to include coal mining artifacts that tell the stories of those who have mined this other massive energy resource in our province. Objects that could highlight “wrinkles in history,” or interesting stories not often told, are what Lund was after. With an artist such as Lund looking for artifacts with a different perspective from that of a museum curator, Glenbow has an opportunity to exhibit artifacts and historical imagery that have rarely (or even never) been exhibited. For example, our collection of early veterinary equipment used by vets working on the prairies in the early-to-mid 1900s has rarely been on display. However, paired with Lund’s song “Horse Doctor Come Quick” and exhibited alongside veterinary tools used and collected by his father, Dr. D.C. Lund, these artifacts help illustrate the importance of veterinarians to the settlement, transportation and economy of Alberta. No Roads Here: Corb Lund’s Alberta blends Alberta’s history with Lund’s strengths as a songwriter and storyteller to create an exhibition that is both innovative and traditional – much like Corb Lund, his music and the province he knows so well.

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Saturday, March 2, 2013 No Roads Here: Corb Lund’s Alberta A Musical Performance Inspired by his music and framed by his interest in Alberta’s history, songwriter Corb Lund has curated a unique exhibition that brings new twists to old Alberta themes. Nine songs written by Lund provided the inspiration for the exhibition. Lund will perform these and other songs that represent his unique take on Alberta, its history and its character. ConocoPhillips Theatre Two show times: 6pm and 9pm Tickets: $40 also includes admission to the exhibition Tickets go on sale February 8, 2013 Tickets are limited

Think Glenbow, it’s Friday Open until 7:30pm


launch party Saturday, February 23, 2013

Listen to the music of DJ Tubbs, spinning the best of Doo Wop, Soul and R&B, followed by Calgary’s own bubblegumgarage band The Gooeys and the funk dance collective Freak Motif. Launch Party Saturday, February 23, 2013 Welcome the arrival of our winter exhibitions which provide insight into particular times and places, be it street life in Vancouver, Alberta’s past as seen through the eyes, and lyrics, of songwriter Corb Lund or the art scene in Calgary in the 1960s. For inspiration we looked to the art and music of the Sixties … so come and join us for a Mad Men themed Launch Party. Clockwise from top: Freak Motif; Frugging at the Beaux Arts Ball... Francesca Walton matches the psychedelic theme, 1968, Glenbow Museum Archives; The Gooeys

Pose for a photograph in the Discovery Room – set amidst a backdrop of the best (or worst?) of 1960s kitsch. Indulge by dressing in your 1960s vintage best and watch for smart cocktails, cigarette girls and cool cats making some sweet sounds. 7:00–10:00 pm Pay-what-you-can at the door, cash bar Please RSVP by February 22 to rsvp@glenbow.org or 403.268.4110 Supported by:

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feature exhibition

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January 26–April 28, 2013

Since the 1950s, Fred Herzog has photographed the street life of Vancouver and other cities, looking for the unexpected events that define city life.

For more than 50 years, Vancouver photographer Fred Herzog has been documenting the colourful, vibrant, sometimes gritty world of the inner city. Since 1953, shortly after he arrived in Canada from Germany, Herzog has documented the downtown streets and workingclass neighbourhoods of Vancouver and other cities in his colour photographs. Herzog was employed as a medical photographer but his artistic career has focused on the vitality of urban life. He views urban spaces as a kind of theatre where the buildings provide a framework for his explorations of social interaction. Herzog’s images eloquently capture the people and scenes of the urban landscape. He prefers not to pose the people in his photographs, but rather to freeze them in time as they go about their own private business, seemingly unaware of the photographer. In his images of shabby second-hand shops and seedy cafés, vibrant neon signs and billboards add colour and texture to city streetscapes. As he explored the sometimes ugly side of life in the inner city, Herzog became interested in our society’s obsession with the acquisition of consumer goods. Through his photographs of working people and their clothing and tools he reflects on what is kept and what is left behind as our lives continue to change.

In a departure from the accepted practice of his time, Herzog was one of the first photographers to use colour film. In the 1950s, the art community associated the use of colour with the world of advertising and dismissed its application in fine art photography. Unfortunately for Herzog, just as colour film gained acceptance, realism and documentary photography fell out of favour and so, again, Herzog seemed to be out of step with the practices of the broader artistic community. Today, however, Herzog’s work has received wider critical recognition and its value as a record of Vancouver’s growth over a half-century has been hailed by both the artistic and heritage communities. As he revisited the same neighbourhoods over the course of many years, taking his shots from the same street corners, his photographs document the changes in the architectural and social environments of many of the older sections of Vancouver. Herzog’s realistic images offer more than an opportunity for a nostalgic journey into Vancouver’s past, however, as he encourages us to reflect on both the positive and the negative effects of a city in constant change.

Fred Herzog, Man with Bandage, 1968, printed 2009, Ink jet print, 70.9 x 96.3 cm; image: 50.9 x 75.5 cm, Canadian Museum of Contemporary Photography, Ottawa

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feature exhibition

The 1960s

As Calgary continues to enjoy its Cultural Capital designation for 2012-2013, Glenbow is celebrating 50 years of visual art by city artists. In this decade-by-decade overview, we begin with the 1960s and a rich showcase of works depicting artistic and cultural change in the city.

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February 23–April 28, 2013

Made in Calgary is a five-part exhibition series that will explore the character of Calgary’s artistic community from 1960 to 2000. Each exhibition will reflect the contributions of individual artists in the context of the social and cultural factors that influenced their work.

At the beginning of the Sixties, Calgary had a population of close to a quarter-million people; by the end of the decade its population was approaching 400,000. The city’s visual arts community was a multi-generational one where connections ran deep between its senior artists, many of whom were born before 1918, and a younger generation. Joining this cadre of artists were the newcomers who brought new influences and approaches to the making of art in the city. Together, these communities would create a rich art scene – a scene that was current, in touch with developments in the Canadian and international art worlds, and in tune with the cultural and social ferment that defines the decade. Its members would exhibit beyond the provincial borders, winning the attention of a wider audience. Despite Calgary and Alberta’s location on the periphery of the art world, some artists did not see this as a handicap. As the painter and art instructor George Wood observed, “We here are in some ways fortunate in that we lie well off the much travelled cultural routes. We are left alone to weave our own aesthetic tread.” Organized into three separate themes – Couples, Newcomers, and Friends and Colleagues — Made in Calgary: The 1960s surveys the decade through paintings, original prints, sculpture, ceramics and textile art created by local artists. Works by Marion Nicoll, W.L. Stevenson, Janet Mitchell, John Hall, Luke Lindoe, Greg Arnold and many others resonate with the artistic and cultural

flavour of the Sixties in Calgary. The exhibit also examines the efforts of the Glenbow Foundation (Glenbow’s predecessor) to support the visual arts in Calgary in that period by encouraging and supporting the development of artists such as Gerald Tailfeathers, Annora Brown and Alex Janvier. This first installment of Made in Calgary, which includes works drawn from Glenbow’s collection, other public collections such as the Alberta Foundation for the Arts, the Nickle Arts Museum, The City of Calgary’s collection and the Art Gallery of Alberta as well as private collections, begins to unveil the uniqueness of the visual arts community in our city. The curator of this exhibition is independent writer and curator, Mary-Beth Laviolette. in conversation: Made in Calgary: The 1960s THURSDAY, APRIL 4, 2013 Join us for a discussion about Calgary’s art community in a decade known for its social, cultural and artistic turmoil. How did the city’s explosive growth ripple through the community? How were local artists influenced by the international artworld? These and other questions are tackled by five individuals familiar with the artistic environment in Calgary at the time. See page 15 for more details. ConocoPhillips Theatre 7:00–8:30pm Members $10/General Public $12 Call 403.268.4110 to reserve your tickets

Facing page left to right: Illingworth Kerr, Spring Break-up, 1966; Vivian Lindoe, Summer, 1970, Collection of Glenbow Museum

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discovery room Art in the City Ever wanted to see your artwork on display in Calgary? Now is your chance. Be encouraged by the photography of Fred Herzog and choose from a variety of Calgary images to provide the backdrop for an original sculpture that you create! Explorations in Art Follow the clues in our exploration guide to discover some truly amazing facts about Calgary and the artists who are influenced by the city. Pick up your activity sheet in the Discovery Room and trade it in once it’s completed for a prize. Perfect for family visits!

ARC DISCOVERY ROOM

Snap Shot Skillfulness

OPEN DAILY The ARC Discovery Room is the perfect place for visitors of all ages to enjoy art activities and explore the ideas featured in Glenbow exhibitions.

Find out what motivates Fred Herzog to photograph the places he does. Perhaps there is something about these locations that speaks to him. What speaks to you? Are there places in Calgary that you find appealing and would like to record in a photograph?

The ARC Discovery Room is open to the public daily during museum hours, but may be closed for private groups and school bookings on weekdays. Please ask at the admission desk or call ahead to inquire about closures. The activities listed below will be available from January 26–April 28.

Celebrations of Style Create a tactile work of art inspired by the artists featured in Made in Calgary. Pick out a template and use a variety of materials to transform it into a colourful, textured masterpiece.

REEL ARTISTS FILM FESTIVAL THURSDAY, MARCH 21– SUNDAY, MARCH 24, 2013 The Glenbow and the Alberta College of Art & Design (ACAD) are pleased to co-present the Reel Artists Film Festival. The program features award-winning documentaries that challenge the conventional boundaries of art, design and pop culture. Admission is free; see ACAD’s and Glenbow’s web sites for film listings and show times.

The ARC Discovery Room is supported by:

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weekend at the museum

$32

Family admis sion (Includes 2 ad ults & up to 4 youth) Free for mem bers

Weekend at the Museum: Spirit of the City! March 9–10, 2013 Come join us as we celebrate art and culture in Calgary! Channel the artist inside you with Lynne Huras of Silly Goat Studio or take part in one of many activities from painting to sculpting. Enjoy some music and storytelling with Samantha Whelan Kotkas of Storyfair Productions. Make sure to bring your imagination and creativity for what will be a spectacular event! All activities, workshops and supplies are included with admission or membership.

9:00am–5:00pm $32 Family admission (Includes 2 adults and up to 4 youth) Free for members Please visit www.glenbow.org for details

Weekend at the Museum supported by

Above right: Edward John Hughes, Calgary, Alberta, 1955, Collection of Glenbow Museum

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0ut for lunch Out For Lunch Tours Special noon-hour programming for our feature exhibitions will satisfy your appetite for knowledge. Members Free/General Public $5 Tours begin at noon Meet in the second floor lobby

FRED HERZOG THURSDAY, FEBRUARY 7, 2013 Join Melanie Kjorlien, Glenbow’s VP of Access, Collections and Exhibitions, as she explores photographer Fred Herzog’s Vancouver and how his choice of content, methods and use of colour made him one of Canada’s most respected photographers. COUPLES in MADE IN CALGARY: THE 1960s THURSDAY, FEBRUARY 28, 2013 Guest curator Mary-Beth Laviolette discusses how the couples featured in Made in Calgary: The 1960s were influenced by the cultural and social changes of the 1960s. Artists include Marion and Jim Nicoll, Kay and George Angliss, John and Joice Hall, Katie Ohe and Harry Kiyooka, and George and Jean Mihalcheon. No Roads Here: Corb Lund’s Alberta Thursday, March 7, 2013 In this tour, Melanie Kjorlien, Glenbow’s VP of Access, Collections and Exhibitions, will discuss the unique process of creating this exhibition and some of the interesting stories in Alberta’s past that Corb Lund chose to highlight. FRIENDS AND COLLEAGUES in MADE IN CALGARY: THE 1960s THURSDAY, MARCH 21, 2013 Mary-Beth Laviolette examines the relationships between the artists featured in Made In Calgary: The 1960s. Enjoy learning how the trends of the time influenced their art, whether in paint, sculpture or ceramics. Artists covered include

Illingworth (Buck) Kerr, Greg Arnold, Maxwell Bates, William Leroy (Roy) Stevenson, Janet Mitchell, Walter Drohan, Ron Spickett and others. NEWCOMERS in MADE IN CALGARY: THE 1960s THURSDAY, APRIL 11, 2013 In this tour, Mary-Beth Laviolette focuses on some of the new artists who enriched and challenged Calgary’s artistic community during the Sixties. Artists include John Esler, Olle Holmsten, Velma Foster, ManWoman and others.

BEHIND THE SCENES TOURS Space is limited Tours begin at 6:15pm, no latecomers Meet in the Glenbow’s main lobby Members $12/General Public $15 Call 403.268.4110 to reserve your spot

THE ART AND FASHION RUNWAY THURSDAY, MARCH 28, 2013 Take a revealing look at trends in clothing and accessories through time, as cultural history collection technician Marcia Slater takes you through “what to wear to where.” Have a look at the latest fashions, including evening gowns from the ‘40s, Parisian silks and dancing “slippers” for the stylish gentleman!

Above right: George Angliss, Road to the Mountain, 1960, Collection of Glenbow Museum

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adult programs EXPOSURE 2013 FILM FESTIVAL Glenbow is pleased to partner with Exposure 2013, the Calgary Banff Canmore Photography Festival, to present this film series celebrating the work of several acclaimed photographers. GREGORY CREWDSON: BRIEF ENCOUNTERS FRIDAY, FEBRUARY 1, 2013 A New York Times critics’ pick, this film represents acclaimed photographer Gregory Crewdson’s 10-year quest to create a series of haunting and surreal portraits of small-town American life. THE MEXICAN SUITCASE FRIDAY, FEBRUARY 8, 2013 Trisha Ziff’s film tells the story of three boxes, lost in the chaos of the Second World War and rediscovered in 2007, which contained thousands of negatives of the Spanish Civil War by legendary photographer Robert Capa. BORN INTO BROTHELS FRIDAY, FEBRUARY 15, 2013 Born into Brothels, by Ross Kauffman and Zana Briski, is a tribute to the resiliency of childhood and the restorative power of art. The film is a portrait of several unforgettable children who live in the red-light district of Calcutta, where their mothers work as prostitutes. BILL CUNNINGHAM NEW YORK FRIDAY, FEBRUARY 22, 2013 For decades, Bill Cunningham, a New York Times photographer, has been chronicling fashion trends and society events. Bill Cunningham New York is a funny and often poignant portrait of a dedicated artist as he documented uptown fixtures, downtown eccentrics and everyone in-between. ConocoPhillips Theatre Doors and bar service from 6:30–7:00pm Films start at 7:00pm Members $10/General Public $12

IN CONVERSATION: Made in Calgary: The 1960s THURSDAY, APRIL 4, 2013 Join us for a discussion about Calgary’s art community in a decade known for its social, cultural and artistic turmoil. How did the city’s explosive growth ripple through the community? How were local artists influenced by the international artworld? These and other questions are tackled by five individuals familiar with the artistic environment in Calgary at the time. Panel Participants

Les Graff: A painter who graduated from Calgary’s Alberta College of Art & Design (ACAD) in 1959, Graff spent 30 years as the leading figure in the provincial government’s Visual Arts Branch. Katie Ohe: A practicing artist and instructor as well as an ACAD graduate (1958), Ohe has distinguished herself as a pioneer in the field of sculpture in Alberta. Ron Moppett: A former curator and nationally recognized painter who was awarded the Gershon Iskowitz Prize in 1997, Moppett is a practicing artist and also a graduate of ACAD (1967). Thayre Angliss: Thayre is one of three daughters of George and Kay Angliss, whose work is featured in Made in Calgary: The 1960s. Thayre is a painting major from ACAD (1976) and works as a graphic artist and designer. Mary-Beth Laviolette is a Canmore-based writer and independent curator with three books about Alberta art to her credit. ConocoPhillips Theatre Doors and bar service from 6:30–7:00pm Program begins at 7:00pm Members $10/General Public $12 Call 403.268.4110 to reserve your tickets

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feature exhibition upcoming exhibitions program Upcoming Exhibitions May 18 to August 18, 2013 Made in Calgary: The 1970s This installment, the second in Glenbow’s five-part series examining the visual arts in Calgary from the 1960s to the 2000s, looks at the 1970s. The artistic concerns of the decade shifted beyond the canvas to embrace broader societal issues related to everyday life, identity, politics, race, gender and the environment. Art could no longer be classified by style but rather by ideas, concepts and meaning. As the boundary between art and non-art became more ambiguous, traditional definitions of art had to make way for new media and different forms of expression. In Calgary, a new generation of home-grown artists emerged, along with new public art galleries and new teaching facilities with instructors from across Canada and abroad. Those factors, combined with the creation of the Alberta Art Foundation (1972) and a separate ministry of culture for the province, signalled new opportunities for the visual arts in Calgary and Alberta. Also in the summer of 2013: The Big Four – a multimedia installation by Kent Monkman commissioned by the Glenbow Museum. Above: John Will, Put Me in Your Art Bank, 1973, Collection of Glenbow Museum

CANADIAN ART FOUNDATION INTERNATIONAL SPEAKER SERIES: ZHENG SHENGTIAN “FROM CULTURAL REVOLUTION TO AVANT GARDE: THE RISE OF CONTEMPORARY CHINESE ART” THURSDAY, APRIL 18, 2013 Zheng Shengtian is a scholar, artist and independent curator. For more than 30 years, he worked as Professor and Chair of the Department of Oil Painting at the China Academy of Art. He co-founded the Vancouver International Centre for Contemporary Asian Art and is currently the Senior Curator of Asia for the 2013–2014 Vancouver Biennale.

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This talk is part of the Asia Contemporary Speaker Series which explores the continent’s rise on the international art scene. Presented by the Canadian Art Foundation, the Asia Pacific Foundation of Canada’s National Conversation on Asia and its sponsors and the Glenbow Museum. ConocoPhillips Theatre 7:00-8.30 PM Members $10/General Public $12 Call 403.268.4110 to reserve your tickets


mming

schmancy Limited tickets remaining!

a

r aucous

night

of

a r t s & c u lt u r e

February 9, 2013 • 7:00 pm til midnight Join us for a raucous night of culture, cuisine and cocktails in support of Glenbow Museum. Featuring special guest, television and radio personality George Stroumboulopoulos.

Tickets on sale now. Last year’s event sold out, so get your tickets now! For tickets and information, visit www.glenbow.org/schmancy or call 403.268.4188

PR E S E NTE D BY

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museum shop

Take home treasures that can only be discovered in the Glenbow Museum Shop

Museum Hours Monday: Closed Tuesday–Thursday: 9:00am–5:00pm Friday: 11:30am–7:30pm Saturday: 9:00am–5:00pm Sunday: 12:00–5:00pm

Admission Prices Glenbow Museum Members.........Free! Adult (18+).............................................. $14 Senior (65+)........................................... $10 Student (with valid ID).......................... $9 Youth (ages 7–17)................................... $9 Family (2 adults, up to 4 youth).......$32 Child (Ages 6 and under).................Free! Apply today’s admission toward an annual Glenbow Membership! Valid only on the day of ticket purchase. Separate pricing applies for school classes and large groups. Call 403.268.4110 for details.

Library and Archives HOURS Tuesday–Thursday: 10:00am–4:30pm

UPDATED Shop HOURS Monday–Thursday: 11:00am–6:00pm Friday: 11:00am–6:00pm Saturday: 11:00am–6:00pm Sunday: 12:00–5:30pm

Event Tickets and Registration

parking Palliser Square City Hall TELUS Convention Centre EPCOR Centre

transit Visit www.calgarytransit.com 403.974.4000 LRT Station: Centre Street (eastbound) City Hall (westbound & eastbound)

Please call 403.268.4110 or email: bookings@glenbow.org

GIVING & membership Phone: 403.268.4165 Email: memberships@glenbow.org Web: www.glenbow.org/involved

130–9 Avenue S.E. Calgary, Alberta, Canada T2G 0P3 403.268.4100 www.glenbow.org


Glenbow Winter 2013 Calendar of Events