Page 1

Gabriel Mトネトハcioiu

for flute, clarinet, bass clarinet, violin and cello


This score is protected by S.A.C.E.M. and U.C.M.R.-A.D.A. Before any public performance a declaration must be sent to your national author’s society.

© Gabriel Mãlãncioiu www.gabrielmalancioiu.org


Sublimation I

Score in C

Flute

 

Clarinet in Bb

 q.=40  ff slap

 

Violin

Violoncello

air

Fl.

 

     

 

   

 

Vc.

Fl.

 

air

 

Vc.

Fl.

 



 

 

Vln.

Vc.

 

. iss gl

f

    IN EX



ss. gl i

 

 

 

audible ingrasive or exgrasive sound

  

   

non arpeg.

          

  

     



f

 

ss.

       

air

 

 



IN EX

  

       

non arpeg.

             

non arpeg.

. iss gl

air

EX

 

    

   

 

 

 

ff

     

  

 

  

     

EX

            

© Gabriel Mãlãncioiu

 



 

 

f

air

       

 

     

ff

     

         

 

 

air

ff

 

 

 

 

   

 

     

ff

 

    

 poco a poco accel.    

 

   

 

air

 

air

     

 

             

ff

ff

  

air

 

ff

      

  

gli

     

EX

air

 

     

non arpeg.

 

Gabriel Mălăncioiu 2009

       

   

 

 

     

 

      





 

 

 air  air      

ff

  

   

 

B. Cl.

f

ss.



. ss

 

ff

 

ff

 

ff

 

 

ff

f

Cl.

gli

air

19

 

 

     

     

 

gli

 

air

 

             

   air

ss.

simile

f

 

     

non arpeg.

 

ff Vln.

f

ff

 

B. Cl.

gli

 

     

Cl.

air

      

13

 

 

     

       

 

ff



   

ff

air

Vln.

f

ff

      

B. Cl.

ff

pizz.

Cl.

. ss

 

 

ff harsh sound

7

gli

simile

     

ff

whistle jet

   air

 

air gliss. with extreme pressure

ff

Bass Clarinet in Bb

 

 

 

. iss gl

 

   

 



f

 

 

             

  

non arpeg.

   

            


25

arco

f

Vc.

 

Fl.

 

 

 

 

   

 

 





    

    IN EX   

mf

 

          

   

 

 

 

mf

 

  

EX IN EX

           

   





  

 

 

 

 



non cresc.





 

EX

EX IN EX

f

 

 

 

 

 

 

  

 



    EX IN EX

    

 tabla on A



 

  glis  

mf

s.



gliss.

 



 

gliss.

 



IN EX

 

 

 

       

mf

 

  ord.

mp

ord.

      mf non cresc.

EX IN

 

EX IN EX

mf

 

mp



IN EX

IN EX



 

 

    

   



 

           

non cresc.



   

mf

 

mf

ord.

EX IN EX

 



   

  

 

 

sempre accel.

IN EX



 

  

       

 

 mf 

mf

        

mf

slap

   

 

audible ingrasive or exgrasive sound

     

EX IN

 

   

 

 IN EX



ord.

mf

 

       

     

 

 

EX IN EX

grip the string with the thumb and index finger from the right hand and with the thumb and the index finger from the left hand; the right hand picks the string in pizz. Bartok and the left hand makes immediately a glissando

Vc.

              

 

   

    

EX IN EX

  

 

mp Vln.

 

   



EX IN EX

mf

 

  

 

                 

B. Cl.

 

   

mp

Cl.

 

. iss gl

 

s.

 

43

 

  

Vln.

Vc.

 

B. Cl.

          

         

Cl.

 

 

37

Fl.

 



   

 

 

mf

f

 

Vln.

    IN EX   

   



B. Cl.

 

 

. iss gl

 

f

 

Cl.

 

   

31

Fl.

 

 

gli s

 

gli ss.

Vln.

 

mf

f

B. Cl.

. iss gl

 

Cl.

Vc.



gli ss.

Fl.

 

accel.  sempre f

gl i ss .

2

EX

 

EX IN EX

 

 



 ord.     

mf

     

    

non cresc.

mp

slap

mp

mf

  simile





gliss.









gliss.

 





gliss.

  EX IN EX IN


49

Fl.

 

 

 

 

        

            



      

B. Cl.

non cresc.

 

 g

gliss.

liss.

 

EX IN

IN

EX IN

  

63

 

 



gliss.

   g

liss.

IN





EX



gliss.

 

IN

Vln.

EX

B. Cl.

EX



 



gliss.

IN

 gl

 

iss.

 g

liss.

IN EX

 

 

EX

       

p

EX

IN



 

EX

EX

arco



 

 

IN



 g

liss.

whistle jet

glis

s.



 g

liss.

 

 

p





IN



    

slap

EX

mp



mp

   

slap



EX IN

p audible ingrasive or exgrasive sound

EX



 

whistle jet



ss. g li

 

p

 

slap

IN

EX

p

mp

 



EX

 

 

 

 



simile



  

 

EX

IN

EX

IN



EX

EX

IN

EX





           

mp



 





 

mp

liss.

IN

gliss.

 

IN EX



EX IN EX

bow on open strings while left hand muffles them without creating harmonics

Vc.

gliss.

mp

 g

IN

EX IN

 

ord.

 

   

mf

  sempre accel.         mp



EX

IN

non cresc.

               

  

Cl.

EX

   

Vln.

   

slap

EX

mp

B. Cl.

Fl.

Cl.

Vc.

 

56

Fl.

EX IN

EX IN

      

Vln.

Vc.

mp

3

      

     

mf non cresc.

Cl.

 

ord.

EX IN EX IN

IN

  EX

          p



EX

IN

IN

EX

 



 

  

slap

 

mp as a breath

Fl.

 

Cl.

 

 IN

 EX

whistle jet

gl iss .

69

p

 



 

  

EX

p

B. Cl.

Vln.

Vc.



EX

IN EX



slap

    mp EX IN

           

       

 



 



EX IN

 



EX IN

IN

EX

 

 

   

EX

EX IN

EX

IN

EX

       

p

  

 

IN

  

EX IN

 

 

    







slap

 

EX

EX

slap

p

   mp

EX IN

EX

           

IN



   

 


4 76

Fl.

 

Cl.

p

EX

 

  slap

p

 

mp

slap

IN

  

    

EX

IN

 





IN

EX

IN

  

IN

EX

IN

  

IN

 slap

p

 

EX

 



 



IN

 



EX

 

 

EX

 

EX

IN

EX

EX

slap

p

 

IN

IN

mp EX

       



 

 

 3 sec.

10 sec.

25 sec.

pp As fast as possible repeat pattern

each player will have a different tempo

IN

EX

















p as a breath

q=60 ppp

 

 

breath silently throughout

ppp possibile

ppp possibile

 

ppp possibile

 

 

 



breath silently throughout

 

ppp possibile

 

breath silently throughout

  

ppp possibile

ppp possibile

natural harmonic on E

 

Vln.

Vc.

Fl.

ppp possibile



 

ord. tune down silently A to Ab from the fine tuner



 

 

 

 

 

 

 

 

 

Vc.



     

 molto sul pont. fast harmonics gliss. on F

tune down silently G to F

pp possibile

 

ppp possibile

Vln.

ppp possibile

B. Cl.

 

101   

Cl.

 

    pp  p  repeat pattern EX IN    pp p  repeat pattern EX IN      pp  p natural harmonic on E non trem.   repeat pattern              gliss.      p very even pp very even  repeat pattern       pp 

 

B. Cl.

 

mp IN

            

  

Cl.

 

EX

EX

 

EX

      

Senza misura Vivo sempre accel. p 

IN

EX



IN



      

 

EX



Cl.

Vln.

 

EX

 

Fl.

Fl.

IN

 

B. Cl.

EX

Vln.

Vc.

 

B. Cl.

Vc.

 

p molto sul pont.  fast harmonics gliss. on G#

  p

 

    


5

Scordatura

II

Violin G->F Violoncello A->Ab

Flute

 

Clarinet in Bb

Bass Clarinet in Bb

 q=20 

 

 

+ voice

   

pp

   

Violoncello

   

   

and back

   

       

   

6

Fl.

Cl.

   

 

 

   

   

   

   

ord.

   



    

   

   

sempre pp

    

  

  



 

 

  

 

 

pp

 

- voice

 

mp

  

      

pp

 

  

mp

  

 

p

       

very light bow pressure molto sul tasto

pp

- voice

          

   

p

 

mp

 





pp unstable

pp

 

very light bow pressure molto sul tasto

  



  

 



mp

- voice

pp

 

natural harmonic on E



pp very light bow pressure molto sul tasto

 

+ voice

 p

natural harmonic on F

+ voice

 

pp

mp

 

 

pp

 

   

pp

+ voice ('o' vowel)

ord.

multiphonics

molto sul pont fast harmonics gliss. on F

pp





pp

   

molto sul pont fast harmonics gliss. on G#

 

  

pp



 

 

 

multiphonics

p

Vc.

 

  

pp

pp

p

  

pp

 

mp





+ voice

  

III played IV

ord.

Vln.

  

multiphonics

 

B. Cl.

 

pp

mp

     

very light bow pressure molto sul tasto

   

  

12

Cl.

pp

pp

Fl.

 

very light bow pressure molto sul tasto

Vc.

   

  just a bit lower or higher

pp

+ voice

mp

Vln.

 

pp

 

B. Cl.

 

pp

pp

pp

 

pp

mp and back

very light bow pressure molto sul tasto bow gliss. towards left hand fingers

   

 

very light bow pressure molto sul tasto bow gliss. towards left hand fingers

Violin

 

    pp

  

  

ord.

+ voice

 

p

mp


6 17

Fl.

 

 

 

  

 

Cl.

 





 

 

p

 

     

 

gliss.







ord.

gliss.

p



pp non cresc. air sound

 

ord.

  

p

pp

multiphonics

 

pp

B. Cl.

air sound

pp

pp



pp non cresc.

 



mp

p

fast harmonics gliss. on E natural harmonic on F

Vln.

 

    

very light bow pressure molto sul tasto

     

pp unstable

   

very light bow pressure molto sul tasto

Vc.

- voice

   

 

 

molto sul pont fast harmonics gliss. on F

 

Fl.

  

 

  

B. Cl.

         

Vln.



   

     

           

 

 



  

 

 

air sound

gliss.

p air sound

     

gliss.

p

     

p

mf

 

    

 

  

mp



mp

   

sempre pp

pp

 

 

ord.

 

 p

  

ord.

mp

pp

mp

very light bow pressure molto sul tasto

 

 

p

sempre pp

 



ord.

pp non cresc.

pp

multiphonics

+ voice

 

 

p

sempre pp

Cl.

 

p

   

 

  

molto sul pont fast harmonics gliss. on G#

pp

21

 

p

   

   

      

molto sul pont fast harmonics gliss. on F very light bow pressure molto sul tasto 

     

     pp

p

molto sul pont.fast harmonics gliss. on G#

Vc.

    

26

Fl.

 

 

+ voice

 

 

 

 

mf

 

 

B. Cl.



p

mp

Vln.

Vc.

   

air sound

p ord.

p

pp

mp

   

  

 

p

 

ord.

pp

 

air sound

pp

 pp

 pp

 pp

pp

 

   

 

molto sul pont. fast harmonics gliss. on E

very light bow pressure molto sul tasto

p molto sul pont fast harmonics gliss. on D very light bow pressure molto sul tasto

      



 

mp

 

p

 

 

air sound



gliss.

gliss.

p

 

pp Cl.

     

p

   

pp



ord. natural harmonic on F

   

pp

   

   

   

   

   

pp unstable

   

   

   

   


Flute

q.=40

 

s.

  

 

f

gl iss .

   

  

 

 

 

Gabriel Mălăncioiu 2009

 

 

f

 

  

gl iss .

8

simile gl iss .

air gliss. with extreme pressure whistle jet gl is

 

Sublimation I

f

 

  

ss. gli

f

15

 

 

f

poco a poco accel.

 

 

 

 



. iss gl

 

 

ss.

 

 

 

 

 

 

  

 

   

ss. gli

  

 

mf

sempre accel. IN EX



          ord.

IN EX

mp

mf

 

 



52

 

          

EXIN EX

non cresc.

         

IN EX

mf

mp

  ord.

ord.

            ord.

 

f

mp

 

mf

 

        

mf

   

audible ingrasive or exgrasive sound EX IN EX

ord.

47 EX IN EX

 

mf

 

mf 37

     

mf

ss.

 

   

 

gl iss .

s. gli s

  

mf

31



f

mf

41

  

f

25 sempre accel.

   

 

gl iss .

f

gli

.

.

gl iss .

iss gl

gli

 

gl iss .

20

gl iss

f

             

mp

EX IN EX IN

mf non cresc.

            non cresc.


2

Flute 56

 

60 IN EX

EX

IN

  

IN EX

 

mp

IN

sempre accel.             ord.



whistle jet s. g lis

 

  

IN

EX

 

EX IN

EX IN

 

p

65

whistle jet . iss gl p

70

 

   

 

 

 

76

 

 

EX IN EX IN

EX IN

 

 

 

 

 

 

EX IN EX IN

IN EX

IN EX

   

 

EX IN

IN

   

  

  

IN EX IN

 

whistle jet . iss gl p



 



IN

  

EX

IN

 

EX IN EX IN

Senza misura Vivo sempre accel.





 repeat pattern 25 sec. EX IN       p 3 sec.

10 sec.

As fast as possible

88

  pp

   q=60

 

 

 

breath silently throughout

ppp possibile

 

 

 

 

ppp possibile

  101

 

 

 

 

 

 


Clarinet in Bb

Sublimation I

q.=40

       

 

slap

ff

7

 

 

 

 

   

13

       

  

simile

 

         

    

 

    

 

   

 

25 sempre accel.

    f

 

30

  

 

 





 

  

    

35

   

 

 

38

   

 

 

     

  

 

 

 

 

  

 

    

       

21

 

  

17 poco a poco accel.

 

 

  

         

Gabriel Mălăncioiu 2009

 

 

 

  

  

 

 

  

 

 

 

    

                                    

 

 

   

  

 

 

 

    

  

 

 

 

    

 

 

   

 

  

 

 

   

  

 

 

 


2

Clarinet in Bb 41sempre accel. ord.

 

           

 

    

non cresc.

      

54

 

non cresc.

non cresc.

mf non cresc.

47

      

             

 

        

mp

sempre accel. audible ingrasive or exgrasive sound   EX IN EX IN EX              

mp 63

 

 

70

   

EX

p

 

 

IN EX

  

    

IN

 

       

slap

76

 

EX

   

EX IN EX IN

 

 

EX IN

EX IN

 

EX IN

 

IN EX

 

     

IN EX

 

EX



mp

   

slap

mp

p slap

EX

p

      slap

EX

mp

p

  

IN EX IN

  

EX

mp

EX

slap

p

 

mp

Senza misura Vivo sempre accel.





25 sec.  repeat pattern EX IN     p 88 As fast as possible

10 sec.

3 sec.

  pp

q=60

  

ppp possibile

breath silently throughout

 

ppp possibile

101

 




Bass Clarinet in Bb

Sublimation I

sound major 9th below

q.=40

         air

ff

7

        

air

air

ff

ff

        air

ff

 

 

ff

air

   

 

   

ff

23 EX

           air

air

ff

 

air

ff

  

      

         

 

ff

sempre accel.

 

EX

29

 

        

 

EX IN

 

IN EX

        

  

EX IN EX

IN EX

 

EX IN EX

  



EX IN

   

EX IN EX

EX

mp

mf



EX

        

EX IN EX

        

41 sempre accel.

IN

        

EX IN EX

 

       

IN EX

f

       

35

   

ff

ff

audible ingrasive or exgrasive sound EX IN EX IN EX

        

45

air

         

ff

air

 

ff

ff

 

poco a poco accel. air

ff

air

air

ff 17

air

ff

air

ff

12

        

air

         

air

Gabriel Mălăncioiu 2009 air

  

EX

mp

slap

       mf



 

 

EX IN EX

slap

     mf

EX IN EX IN

 


2

Bass Clarinet in Bb 49

 

 

EX IN

 

EX IN

EX

mp 54

  59

 

 

EX IN

sempre accel. EX

p 65

 

 

 

EX IN

slap

    

 

      

mp

p

   

EX slap

EX IN EX

   

 

slap

 

      

EX

p 78 IN

 

EX

 

   



Senza misura Vivo sempre accel. 

EX IN

 

  

IN EX

IN

 

 

 



 

EX IN EX

  

 

EX IN EX

 

IN

 

EX

  

EX

  

    

  

 

EX

IN

mp

IN

 

EXIN EX

EX

p

 

slap

EX

p

  

 

EX IN

mp

p 72

EX IN EX

mf

 



 

    

EX IN

slap

EX

slap

slap

     EX

25 sec.

repeat pattern

      IN

EX

p 88 As fast as possible

10 sec.

3 sec.

   pp

q=60

  

ppp possibile

breath silently throughout

  

ppp possibile

101

 

 


Violin

Sublimation I

Gabriel Mălăncioiu 2009

q.=40

                                           ff pizz.

7

non arpeg.

                                           non arpeg.

12

                                      non arpeg.

17 poco a poco accel.

             21

           sempre accel.

                     non arpeg.

                         non arpeg.

25

arco

31

                

non arpeg.

                                                 f  

                   

36

                                           41 sempre accel.

            mf

            

 


2

Violin

               

     

45

 

                62

       

67

       

   

      

72

   

  

   

 

 

      

 





sempre accel.

 

56

78

            

                   

50

           



mp

 

 





   

   

         





 

 

 

 

 

 

 

 

  

 

 

      

 

 

                      

 

Senza misura Vivo sempre accel.





natural harmonic on E  25 sec.         repeat pattern    p very even

As fast as possible





88

non trem.     

 

   10 sec.

3 sec. gliss.

pp very even natural harmonic on E

q=60

  100

ppp possibile

tune down silently G to F

pp possibile

 molto sul pont. fast harmonics gliss. on F

  p

   

 


Violoncello

Sublimation I

Gabriel Mălăncioiu 2009

q.=40

                                        ff harsh sound

                                    5

                                         9

                                             13

                                        17 poco a poco accel.

                                       21

sempre accel.

                                                       25

f

                                               31

                                                        36


2

Violoncello

sempre accel. 41

 

 

 

grip the string with the thumb and index finger from the right hand and with the thumb and the index finger from the left hand; the right hand picks the string in pizz. Bartok and the left hand makes immediately a glissando ss. ss. s. s. simile gli gli tabla glis gliss. gliss. glis on A

 

s. . glis gliss

       

48

  s. glis

 

56

 

mf s. . glis gliss. gliss gliss.

           

. s. gliss gliss. glis

 

        

 

. s. glis gliss liss. g

  

 

 

 

bow on open strings while left hand muffles them without creating harmonics arco

sempre accel.

 

        

 

 

      

 

mp as a breath

        

        

72

  78    

  

 





Senza misura Vivo sempre accel. 

   

                 

     

simile

65

  

 

        



 

  



             

   

 

 

25 sec.

 repeat pattern

p as a breath

As fast as possible

3 sec.

10 sec.

   88

pp

   q=60

ppp possibile

106



ord. tune down silently A to Ab from the fine tuner

ppp possibile

     

molto sul pont. fast harmonics gliss. on G#

p



 


Flute

 

q=20

 

II 

 

           9

  

pp

  

  

 

multiphonics            

 

 

pp

pp

pp

                   15

pp

       



   

   

pp

air sound . gliss p

 

pp

          20

ord.

 

       

  

  

   

  

air sound gliss. p

 

air sound ord. gliss. p

pp

27

     

sempre pp

pp non cresc.

24

     

 

 

  pp

  

ord.

pp


Clarinet in Bb

II  

q=20

 

 

  

 

 

  

pp

pp

     

just a bit lower

9

  

multiphonics

13

  

 

 

pp

17

  

 

  

 

 

gliss.

  

   



 

pp

 



pp

 

  

 

p

multiphonics

                

 

sempre pp

air sound . gliss

p

ord.

 

just a bit lower

   

pp

p

 

air sound

pp

pp

 

air sound . gliss

pp

 

           

pp

 

 

27 air sound ord.

p



  

pp non cresc.

24

pp ord.

20

 

  

 pp

 pp


Bass Clarinet in Bb sound major 9th below

 

q=20

 

II 

 

voice also transposed + voice

    

  

pp

mp

8

 

 



pp

 

12

 



  

 p

  



 p



 

+ voice

          

  

 

mp

 

 

  

- voice

 

 

p

pp

 

 

+ voice

  pp

 

 

 

mp

         

 p

p 27

 

mp

           

mf

25

- voice

multiphonics

17

21

 

 

p

15

pp

mp

multiphonics

mp

   

+ voice

 

+ voice

mp

mp

mp

mp

 

 pp

mp

 mp


Violin

II Scordatura G->F very light bow pressure molto sul tasto q=20 bow gliss. towards left hand fingers

     

  

pp

     

   

5

8

   

    

   

   

  

    

III IV

 

sempre pp played

    

and back



   

  

    

     

  

   

  

molto sul pont fast harmonics gliss. on F 11

 

   

     

p

   14

 



 pp unstable

 

very light bow pressure molto sul tasto

 

       

pp

p

natural harmonic on F

just a bit lower

 

very light bow pressure molto sul tasto

   



pp

  


2

Violin

 

natural harmonic on E

   16

natural harmonic on F

      

  

pp unstable molto sul pont fast harmonics gliss. on F 

19

 

fast harmonics gliss. on E

    

 

p

21

bow pressure  very light molto sul tasto          

    

   

ord.

    



 

 

sempre pp



pp non cresc.

p

 



 

very light bow pressure molto sul tasto

   

 

pp

      25

molto sul pont fast harmonics gliss. on F

    

very light bow pressure molto sul tasto

   

    

pp

p

  

molto sul pont. fast harmonics gliss. on E  

27

   p

     

very light bow pressure molto sul tasto

    pp

       

       

ord. natural harmonic on F

 

 pp unstable


Violoncello

II

Scordatura A->Ab very light bow pressure molto sul tasto q=20 bow gliss. towards left hand fingers

    

   

   

   

  

and back

pp

   

  

4

   

ord.

 

 

mp

   

      9

pp pp

  

   

  

       

pp

     

  

15

pp

 

  

  pp

mp

pp



+ voice

 

  

 

   

  

   

pp

ord.

+ voice

 

p

mp

 

 

molto sul pont fast harmonics gliss. on G#

very light bow pressure molto sul tasto - voice

pp

 

 

 

+ voice ('o' vowel)

mp

very light bow pressure molto sul tasto

  



     

ord.

p

17

very light bow pressure molto sul tasto

mp

molto sul pont fast harmonics gliss. on G# - voice

12

very light bow pressure molto sul tasto ord.

   p

    



  


2

Violoncello

  

20

    p

 

mp

+ voice

 

  

 

   

 

 

mf

molto sul pont.fast harmonics gliss. on G#

23

  

p

           

  

26

  

 

   

 

very light bow pressure molto sul tasto

  

   

pp

   

 

p

p

    

p molto sul pont fast harmonics gliss. on D

28

   

   

   

 


Sublimation for flute, clarinet, bass clarinet, violin and cello (2009)  

Complete Score and Parts

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