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Gabriel Mălăncioiu

for tenor and guitar on Heraclit’s fragments


Tôi men theôi kala pánta kai díkaia, anthropoi de ha men ádika ypeileasin ha de díkaia Pentru Divinitate toate sunt frumoase, bune şi drepte: oamenii însã considerã cã unele sunt drepte, altele nedrepte To God all things are beautiful, good and right. Men, on the other hand, deem some things right and others wrong

Ho theos hemére euróne, cheimon théros, pólemos eiréne, kóros limós Divinitatea este zi-noapte, iarnã-varã, sãturare-foame God is day and night, winter and summer, war and peace, satiety and desire

Greek text and English translation - William Harris Romanian translation - Ion Banu


Duration about 6 min. This score is protected by S.A.C.E.M. and U.C.M.R.-A.D.A. Before any public performance a declaration must be sent to your national author’s society. © Gabriel Mãlãncioiu www.gabrielmalancioiu.org


Hommage à Aurel Stroe

 

T.

Gtr.

 T.

Gtr.

  

 

pp



 

mf

subito pp

         3

 

sul tasto

 

pp

timbral variations (change reinforced harmonic)

         

pp

f

© Gabriel Mãlãncioiu

       

  

ff

one finger     gliss.                        

mf improvvisando

sul pont.

mf pp



   

 

 

ord.

 

pp

                                  

                      

reinforced harmonic

o sul pont.

sul tasto

 

f

p

timbral variations (change reinforced harmonic)

       

3

mf

f

                     sul tasto

pp

 

 

sul pont.

   



sul pont.

                            

Guitar

sul tasto

sul pont.

f



sul tasto

   



 

 

q=50



Tenor

 

Gabriel Mălăncioiu 2012

ff

   

  

 


2

T.

 

 

pp



mf

    

             

T.

Gtr.

 T.

Gtr.

mf

 

mp

   

  

                 

sul pont.  

f

          

        ff

q=80 pp

 

pizz.

                                                    mp not synchronised with the guitar

 

  

reinforced harmonic

one finger gliss.

                      

ord.   

p

 

  

3

o

sul tasto

Gtr.



 

f

reinforced harmonic

m 3

 

  



 

a

i

3

                                                            

            


 

T.

  u

o

              

Gtr.

3

3

3

3

                                                                  f

T.

     a

  





reinforced harmonic



 

timbral variations (change reinforced harmonic)

ord.pizz.

      Gtr.                                        mp       ff  T.

Gtr.

 

ord.



ord.pizz.

                                                              pizz.

3

3

3


 

4

T.

 

m 3

Gtr.

 T.

  

                                                           mp         

 

o

e

               

a

 

ord.pizz.

                                                                         mp   ff

 

 

3

3



                            ord.pizz.

Gtr.

a

o 3

reinforced harmonic T.

3

3

Gtr.

ord.pizz. ord.





 

 

  

 

fff

 


T.

Gtr.

 T.

 

  q=50                                      

 

mf improvvisando

q=40

 

 

pólemos eiréne, kóros limós

ff

 

  

       

ff giubilante

a

tambora

Gtr.

                              mp implacabile

Gtr.

                   

pp

one finger

    

 

mp

mp

ff

                    ord.

gliss.                



tambora                       

                     a

Ho theos hemére euróne, cheimon théros

   

pp

  

recitando

ord.

ff giubilante T.



5

  

mp

 

 tambora

                                   ff mp


 

6

T.

  

 

the - ôi

 

              3

ka -la

pán - ta kai dí

-

kai - a

p

o ord. with nail sul pont.



 

 

 

ff harsh

                3

án - thro - poi

 

deha men á

-

 

 

di - ka

       

 

men

 



 

 

          

 



T.

3

 

               

q=50 p

Tôi

guitar player with voice

  Gtr.

 

f 3                    3

y -pei -lé - a -sin ha

de dí

-

kai a



f

 

     

        

     

  

  

   



  



 

  

 

  

Gtr.


Hommage a Aurel Stroe for tenor and guitar