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The publisher cannot accept responsibility for any unsolicited material lost or damaged in the post. All text and layout is the copyright of Future Publishing Ltd. Nothing in this magazine may be reproduced in whole or part without the written permission of the publisher. All copyrights are recognised and used specifically for the purpose of criticism and review. Although the magazine has endeavoured to ensure all information is correct at time of print, prices and availability may change. This magazine is fully independent and not affiliated in any way with the companies mentioned herein. Photoshop is either a registered trademark or trademark of Adobe Systems Incorporated in the United States and/or other countries and is used with express permission. If you submit material to Future Publishing via post, email, social network or any other means, you automatically grant Future Publishing an irrevocable, perpetual, royalty-free licence to use the material across its entire portfolio, in print, online and digital, and to deliver the material to existing and future clients, including but not limited to international licensees for reproduction in international, licensed editions of Future Publishing products. Any material you submit is sent at your risk and, although every care is taken, neither Future Publishing nor its employees, agents or subcontractors shall be liable for the loss or damage.
© 2017 Future Publishing Ltd ISSN 1747-7816
It’s easy to take a good artwork and ruin it with a garish overapplication of a filter. However, you can also turn a good image into a great one with just the right filter. This issue, our mission is to show you exactly how you can use filters to your advantage and make your image stand out from the crowd, whether it’s a digital illustration or a nature photo. Our panel of experts should inspire you to try out their master techniques, using their excellent guidance. We also have some really exciting tutorials for you, including a majestic, colourful character portrait (p38), otherworldly sci-fi scenes (p48), using filters in a waterlogged world (p22) and applying layers to take a herd of animals to another world (p28). We also feature a range of reviews and interviews, as well as showing you how to make the most of the mobile Adobe Spark app. We hope you enjoy the issue!
Erlingur Einarsson Editor email@example.com
Contents Co www.photoshopcreative.co.uk
Essentials 06 FileSilo This issue there are over 290 free resources for you to use
challenge 07 Readers’ Win the great AKVIS AirBrush software worth $69!
gallery 08 Trending Check out some of the most stunning artworks trending this month
gallery 10 Readers’ Take a look at what your fellow
readers have been making this issue
Make your art stand 14 Feature: out with filters Make the impossible possible using the awesome filters in Photoshop
I Made 36 How Pierre Kleinhouse shows us how his amazing Welder and Bear was born
I Made 53 How How Justin Peters made the
fascinating Mountain Whale artwork
focus 60 Project Ngoc Do used his inspiration by the Sydney Opera House to create stunning 3D renders
Combine photos and use filters to create an underwater effect
fantasy scene 28 Photorealistic with layers
Learn to use layers to create a scene mixing the photorealistic with the otherworldly
a colourful 38 Create portrait illustration
How to make a stylish, atmospheric character portrait
98 Marta Alvarez has made some great Reader interview
images using the Oil Paint filter
YOUR FREE photoshop resources are here! ✔ This issue: frame mockups, overlays,
textures and more ✔ Plus files to follow the tutorials ✔ Free and ready for you to download today!
Mix a sports image with gritty textures and cool adjustments
clipping and 48 Combine layer masks
Enter the sci-fi realm with a mix of masking techniques
photos with brushes 54 Edit Create a monochrome composition with only brushes and adjustments
visual stories with 88 Create Adobe Spark
Make a post, page or video with this new CC companion app
software and book reviews fantastic poster artworks
Turn to page 34 to get this amazing deal. US page 74
through water 22 Riding with filters
90 Reviews Check out our latest hardware, interview 96 Portfolio Jokin Fernández talks to us about his
12 This issue we chat to the great people 44 Grungify with textures and adjustments at Conduit, a small but ambitious Studio interview
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a majestic 62 Create landscape scene
Use masks and photomanipulation techniques to compose a beautiful landscape
professional 68 Achieve double exposures
Create a double-exposure portrait with some simple techniques, multiple elements and blend modes
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objects with 82 Create double exposures 76 Embellish Get to grips with double layer styles How to help your layers stand out when they need to grab attention
a printable 78 Design cake topper
Elements and edible inks combine in a tasty tutorial
exposures, using blend modes, layers and masks
your own 84 Make isometric type art
Set your digital creativity loose with this geometric poster
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200 Photoshop actions 12 Grunge backgrounds 24 Grunge brushes: Vol 1 24 Grunge brushes: Vol 2 5 Vibrancy actions Abyssopelagic font A total of 266 great resources
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N misesver is an Subsc sue ribe on pa now ge 34
Readers’ Challenge We challenged you... In Issue 158, we challenged you to get creative with the theme of Science Fiction. You were allowed to create whatever you wanted, so long as it incorporated the theme somehow.
This issue’s challenge... Think you can do better? Prove it! The next challenge theme is Human. We don’t mind how you incorporate it into your image, just be as creative as you possibly can! Head to www.photoshopcreative. co.uk and hit the Challenge link. Closing date: 1 February 2018.
Upload your images to
The Dark Side This was a composition exploring the concept of artificial intelligence, space exploration and a high power watching over. Blend modes and layers were key in bringing this final composition together.
THE PRIZE… AKVIS AirBrush
Reader Challen s’ winnege r
The lucky winner of our Readers’ Challenge will win a copy of AKVIS’ awesome AirBrush software!
Honourable mentions See some honourable mentions from this issue’s challenge at http://facebook.com/photoshopcreative
Check out some of the most popular artwork that’s been rocking the internet over the last few weeks, and take inspiration from what’s currently trending There’s nothing more inspiring than surfing the internet and seeing what other artists are creating, and we encourage you to do so. Here are some of our favourite pictures that caught our attention recently, created by some of the world’s most exciting artists and designers.
Anano Miminoshvili https://dribbble.com/Anano
To create a beautiful texture and colour palette for my illustration, I used Photoshop’s default soft round brush in Dissolve mode while experimenting with Color Lookup, Curves and different blend modes.
Over 50,000 people have seen Anano’s series of pictures painted in Photoshop with limited colour palettes. The best thing about this one, though, is that it doesn’t feel limited; it’s still, bright, vibrant and has beautiful detail on the fish’s scales.
After starting with 3D software, a black-and-white image was rendered. Then the real fun started with Photoshop: colouring layers, adding gradients, creating effects – almost every available tool has been used during a playful workflow.
but this series has with an audience, t always connect showcased by Behance. The use of sn’ doe rk wo act n Abstr hin one piece. 000 times and bee been seen over 15, to anyone looking to mix styles wit brushes is a lesson
Sebastian Onufszak http://www.onufszak.com/
This is one of a series of abstract graphic posters. The experimental typography is mixed with expressive patterns, and was completely designed in Photoshop with a Wacom Intuos tablet, using diverse brush presets to create a handmade, artistic look.
As Peter says, Photoshop has the power to inject fun into 3D projects, and with over 1.7 million views on Behance, he knows a thing or two about how to create stunning work like this, before using Photoshop for post-production.
This minimalistic sketch was inspired by Game of Thrones and racked up over 3,500 views when it uploaded. The contrast of blues with red gives a really strong overall look to the picture, and we love the framing of the composition.
In this piece, I experimented with the different brushes that Photoshop offers to create a simple, flat and yet unique style of illustration.
We love how natural this image looks; the textured brush really looks realistic, and the pastel shades complement it nicely. This was showcased by Behance’s Illustration Gallery.
the almost threeWe’re huge fans of ic in Martí’s work, and dimensional dynamh features from Wacom we’re not alone. Witow, his artwork has and The Student Sh online. captured audiences
I used a personalised textured Photoshop brush to draw with, replicating a pastel on canvas. With rough lines and a soft, playful colour palette, I detailed lighting and environment, merging elements of innocence and experience.
This image is a handmade illustration originally created in pen, before being scanned onto the computer and coloured in Photoshop. This is a new process to me, which I am exploring to create new pieces of art.
Readersâ€™ Images Welcome to an inspirational round-up of great Photoshop artwork created by none other than your fellow readers
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Send us your images now for the chance to appear in future galleries Create your own gallery online PhotoshopCreative.co.uk Upload your images to Facebook Search PhotoshopCreative Tweet us your creative artwork @PshopCreative
Alternatively, you can email: email@example.com
Image of the issue I used a bulb with a layer mask with which I could then add the scenery. Using the Multiply blend mode to make the image appear 3D, I then copied the grouped image and flipped it to create a reflection with a shadow created using Gaussian Blur.
https://www. photoshopcreative.co.uk/ user/Elissandro
I did this piece inspired by artists Stefano & Luna and Mpaolo Almeida. Lens flares were important in creating the sciencefiction theme in this image, and adjustments helped to bring this composition together.
I started off with the elephant image, then added the gears to his body, giving it a machine vibe. Then came assembling the tree; this tree consists of 15 different images blended together, making it look like one.
This was a study focused on concern for the environment, about climate change. This was a personal challenge I set myself to manipulate images, using techniques like matte painting, light and shading.
I cut the base picture and created many copies of it. I blurred the lowest one, as the base of the background. I applied Multiply watercolour patches to it to reach the desired effect. At the end, white and black spatters were added.
https:// www. photoshop creative.co.uk/user/Gallus
I started by searching for individual images, modifying them and giving them the right shading. In the end, I balanced the tone and colours to give it the right visual impact.
Inside the studio The Conduit family consists of Ryan Mitchell, Sally Herman, Ross Berens, Aaron Vanderzwan, Jessica Meade and John O’Neill
hen John O’Neill founded Conduit in 2001, he had one key goal: to do a great job. Working out of his Michigan apartment, the budding designer took on various freelance projects, even giving client presentations in local coffee shops. Over time, “the projects and studio grew,” he explains, and Conduit now has clients across the US and Europe. However, although the studio has its own premises and seven full-time employees, John – now creative director – tells us that it “will never become too big” and an open environment is “core to our culture.” The open-plan setup certainly seems like a favourable decision. With everyone working in the same room, apart from the off-site developer, senior designer Jessica Meade feels “this leads to many informal critiques, often sparked by someone walking by and noticing what a fellow designer is working on.” In fact, collaboration is key to Conduit’s projects. “Everyone in the studio has input on
Step inside the inspirational space of Conduit, where a laid-back environment nurtures hard-working creatives
the final result,” Jessica explains. Fellow senior designer, Ryan Mitchell, agrees that this layout means “everyone is constantly bouncing ideas off each other, and trying out new things.” Conduit focuses on working with the design and cultural communities. “Rather than having a typical type of project, we specialise in the non-typical – projects with clear goals but no predetermined path,” John tells us. And Photoshop is an important part
of the workflow, from sketching to mockups to final production. “We mock-up tons of ideas in Photoshop to help our clients get a clear sense of where the concept could go in the future,” explains John, who has used Photoshop since version 2.0. The program is involved in almost every project. “With branding projects, we use Photoshop to create mockups for the client. In the case of web work, Photoshop is our go-to for pixel-perfect layouts. And of course, it is the
About the studio Conduit
www.conduitstudio.com @conduitstudio Founded in 2001, Conduit is a design and technology studio that creates stunning experiences for people and brands. Based in the United States, it works with forward-looking brands to communicate their stories in new and meaningful ways.
John O’Neill Principal / creative director
Jessica Meade Senior designer
Ryan Mitchell Senior designer
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