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Making the future since 1992

MAKE BETTER

MUSIC IN 2019 Creative sound design // Better, faster mixing // Essential artist tips & more!

IN-DEPTH INTERVIEWS

TREVOR JACKSON

PIG & DAN ECTOMORPH AFRODEUTSCHE

DANNY BYRD AND MANY MORE…

REVIEWED

Cubase 10 UA Apollo X FabFilter Pro-Q 3 Mutable Marbles


Future PLC Quay House, The Ambury, Bath BA1 1UA

FM | WELCOME

Editor Si Truss, simon.truss@futurenet.com Reviews Editor/Online Content Manager Simon Arblaster, simon.arblaster@futurenet.com Managing Editor Kate Puttick, kate.puttick@futurenet.com Art Editor Phil Cheesbrough, philip.cheesbrough@futurenet.com BIG THANKS TO… Joe Rossitter, Jono Buchanan, Danny Turner, Leo Maymind, Bruce Aisher, Dan ‘JD73’ Goldman, James Russell, Roy Spencer, Oli Bell, Ben Wilson, Joe Branston, Phil Wise, Kevin Lake, Mark Gyver, Adam Lee, Catherine Hood, Olly Curtis, Robbie Stamp, Neil Godwin, Peter J Walsh, Tom Jones ADVERTISING For Ad enquiries please contact: Steven Pyatt, steven.pyatt@futurenet.com Steve Hymas, steve.hymas@futurenet.com MARKETING Direct Marketing Executive: Will Hardy PRODUCTION & DISTRIBUTION Production Controller: Fran Twentyman Production Manager: Mark Constance​ Printed in the UK by: William Gibbons & Sons Ltd on behalf of Future Distributed in the UK by:​ Marketforce (UK), 2nd Floor, 5 Churchill Place, Canary Wharf, London, E14 5HU Tel: +44 (0) 203 787 9001 CIRCULATION Head of Newstrade: Tim Mathers SUBSCRIPTIONS UK reader order line and enquiries: 0844 848 2852 Overseas reader order line and enquiries: +44 (0)1604 251045 Online enquiries: www.myfavouritemagazines.co.uk Email: futuremusic@myfavouritemagazines.co.uk INTERNATIONAL LICENSING Future Music is available for licensing. Contact the Licensing team to discuss partnership opportunities. Head of Print Licensing: Rachel Shaw, licensing@futurenet.com MANAGEMENT Chief Content Officer: Aaron Asadi Brand Director, Music: Stuart Williams Group Editor-In-Chief: Daniel Griffiths Head of Art & Design: Rodney Dive Group Art Editor: Graham Dalzell

2019 workout plan

The holiday season is great; a time to get together with your loved ones to eat, drink and be sociable. A time for sharing memories and creating new experiences. A time to be with, and think of others… That’s all behind us now though, and if you’re anything like me, the moment January 1st hits, you’re pretty much done with other people for another year. Time to shut yourself in that windowless basement studio and work on those kick drum transients in peaceful solitude. There’s no better time to give your production skills an overhaul, which is where this bumper Make Better Music issue comes in. From sound design ideas to mixing skills and artist advice, we’ve got plenty of fresh techniques for you to try. Dig in and make 2019 the year you make your best tracks ever.

We are committed to only using magazine paper which is derived from responsibly managed, certified forestry and chlorine-free manufacture. The paper in this magazine was sourced and produced from sustainable managed forests, conforming to strict environmental and socioeconomic standards. The manufacturing paper mill holds full FSC (Forest Stewardship Council) certification and accreditation All contents © 2018 Future Publishing Limited or published under licence. All rights reserved. No part of this magazine may be used, stored, transmitted or reproduced in any way without the prior written permission of the publisher. Future Publishing Limited (company number 2008885) is registered in England and Wales. Registered office: Quay House, The Ambury, Bath BA1 1UA. All information contained in this publication is for information only and is, as far as we are aware, correct at the time of going to press. Future cannot accept any responsibility for errors or inaccuracies in such information. You are advised to contact manufacturers and retailers directly with regard to the price of products/services referred to in this publication. Apps and websites mentioned in this publication are not under our control. We are not responsible for their contents or any other changes or updates to them. This magazine is fully independent and not affiliated in any way with the companies mentioned herein.

Si Truss, Editor simon.truss@futurenet.com

If you submit material to us, you warrant that you own the material and/or have the necessary rights/ permissions to supply the material and you automatically grant Future and its licensees a licence to publish your submission in whole or in part in any/all issues and/or editions of publications, in any format published worldwide and on associated websites, social media channels and associated products. Any material you submit is sent at your own risk and, although every care is taken, neither Future nor its employees, agents, subcontractors or licensees shall be liable for loss or damage. We assume all unsolicited material is for publication unless otherwise stated, and reserve the right to edit, amend, adapt all submissions.

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Contents | This Issue

FM | CONTENTS

40

IN THE STUDIO WITH: Trevor Jackson A kingpin of the electronic music world for nearly three decades, Trevor Jackson has helped launch more esteem-worthy careers than some people have had hot dinners. FM caught up with him in his London studio

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This Issue | Contents

82 96

100 90

60

INTERVIEW: Ectomorph BMG and Erika let us in on the secrets behind their raw, hardware-powered take on the Detroit techno sound

reviews

TECHNIQUE

78 Steinberg Cubase 10

28

In-depth tests of all the latest gear

Essential production advice and ideas

82 Universal Audio Apollo x6

INCLUDES VIDEOl

Creative Sound Design Tips

86 Akai Fire 88 Expressive E Touché SE

55

90 Mutable Instruments Marbles

Producer’s Guide Mix better!

96 Roland AX-Edge

68

98 Group Test: Fuzz/drive pedals 100 Mode Machines SEQ12 102 Fabfilter Pro-Q 3 104 Sounds & Samples

INCLUDES VIDEOl

78

INCLUDES VIDEOl

REVIEW: Steinberg Cubase 10 Pro We find out what’s new in the world of Cubase as the DAW hits version 10

88 86

Modular Monthly FEEDBACK Modules 1BIT Multitap Delay

74

INCLUDES VIDEOl

The Explainer Modulation effects

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Contents The Vault | This YourIssue Bonus Content

FM | FILESILO

Your bonus content…

filesilo.co.uk/futuremusic This issue’s bonus samples, videos, audio and bonus archive samples are all available to access via FileSilo. At the link above, log in or register, then unlock over 10GB of goodies!

Sample Packs

Exclusive new sounds with every issue groove criminals present…

Broken Piano

We’re kicking off 2019 with a double-bill celebrating the humble piano. First up, a pack of ‘prepared’ and modified loops, multis and FX.

VIDEO & AUDIO

Hear the gear first with our demos video AND AUDIO

> Creaeative Sound design > Explainer: Modulation effects demystified > Modular Monthly: FEEDBACK 1BIT

plus

> Producer’s Guide: Mix better! > The Track: Afrodeutsche > Q&A: Pig & Dan > FM Sample Archive

cyclick samples present…

Processed Piano

For part two we get creative with the effect units for a bundle of extreme, reworked one-shots dripping in reverb and modulation.

PLUS

ACCESS THE FM SAMPLE ARCHIVE!

Download the ‘Sample Archive’ packs and get over 10GB of loops, hits and instruments from our back catalogue of high-quality and royalty-free samples. From vintage synths and beats to esoteric sounds and FX – think of it as our best of. All the samples you need to create great music!

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48 INCLUDES VIDEOl

THE TRACK: Afrodeutsche, WASP – Henrietta Smith-Rolla takes us into her Manchester studio


This Issue | Contents

28

FEATURE: Creative Sound Design Take your music to the next level with our guide to creating ear-catching sounds

70

INTERVIEW: Clouds The Scottish duo give us an insight into the dystopian soundscapes of new LP Heavy The Eclipse

12 20 16 68

14

features

Expert tips, techniques and tutorials

48

20 Classic Album: Danny Byrd, Supersized

55 Producer’s Guide: Mix better!

26 Album Reviews

66 Q&A: Pig & Dan

28 Creative Sound Design Tips

74 Explainer: Modulation effects

40 Trevor Jackson

110 Gear Guide

The Track: Afrodeutsche

FILTER

Find us online at www.futuremusic.co.uk

Watch our videos www.youtube.com/ futuremusicmagazine

All the latest gear from around the world 12 Arturia Pigments 14 NanoStudio 2

Follow us on Twitter @futuremusicmag

15 SampleTank 4 16 Essential artist tips 20 Classic Album: Danny Byrd

Join us on Facebook www.facebook.com/ futuremusicmagazine 9


Contents | This Issue

BONUS samples

See this month’s selection of free demos at filesilo.co.uk/futuremusic

01

02 03

04

05 06 loopmasters.com 01 02 03 04 05 06 07 08

Loopmasters Dope Ammo & Serial Killaz Junglist Workout Loopmasters Jamie Anderson Analogue Tech Class A Samples Edxed Sounds Volume 2 Loopmasters Pres. Chilled Trap 2 Rawcutz Raw Skillz Ghost Syndicate Breach Lo-Fi House Loopmasters Tech Therapy 2 TD Audio Rawstyle vs Psytrance

07 08

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Filter | The Future Of Music

FM | FILTER

Hands-on with Pigments

Arturia have released their first (mostly) original synth plugin. Let’s find out what it’s got to offer

B

efore their analogue Brute range was ever released into the wild, French brand Arturia made their name in the realm of software synthesis. With their ever growing – and still excellent – V Collection range, Arturia have turned in emulations of many of the most famous electronic instruments of all time, including the Minimoog Model D, Oberheim Matrix 12, ARP 2600 and tons more. Going into 2019, Arturia have something new on their hands: Pigments, a fully-featured softsynth that (at least for the most part) isn’t an emulation of something that’s come before. With a multi-part synth engine, sequencer and lots of creative tools, there’s a lot going on in this latest synth powerhouse. We’ve been getting hands-on, so let’s take a whistle-stop tour of our favourite elements...

Wavetables

9000

Wavetable synths are everywhere these days – from plugins like Serum to hardware instruments such as the Polyend-powered Medusa, and even in the stock tools of DAWs such as

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Live and Logic. Guess what? Pigments is another addition to the wavetable party. In many ways, Pigments’ wavetable capabilities are pretty similar to its powersynth plugin rivals, but there’s plenty of depth here, coupled with sleek implementation. Naturally, users can modulate wavetable position and there’s an impressive set of tools on offer to do so (see below). Pigments has a neat Morph mode too, which affects how smooth or abrupt changes between wavetable positions are. There’s an excellent stock of wavetables onboard as well, with classic synth samples, real-world instruments and esoteric sounds all covered. Users can upload their own wavetables too, to expand the sound set. The wavetable engine is equipped for an assortment of modulation synthesis techniques too, with both linear and exponential FM on offer, as well as phase modulation, phase distortion and wavefolding. Arturia have paired Pigments’ wavetable engine with a threeoscillator virtual analogue. As you’d expect, given their history of emulations, this sounds great, and pairing the two elements together gives Pigments its unique character. There are two synth slots and the two engine types can be used in any

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Future Music 340 (Sampler)  

You can subscribe to this magazine @ www.myfavouritemagazines.co.uk

Future Music 340 (Sampler)  

You can subscribe to this magazine @ www.myfavouritemagazines.co.uk