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© Florian Kunde
“Depth of field is one of the most vital methods we can use to express our creativity” Creativity itself isn’t finite, but the tools and techniques that we have available to us arguably are. There are only so many ways in which we can shape or control the light, and only so many ways in which we can capture a familiar subject in an intriguing or compelling way. As photographers, depth of field is, without a doubt, one of the most vital methods that we can use to express our creativity. It’s one of the key ways in which you can make your images look truly professional. Starting on p34 of this issue, you’ll find our guide to creative depth of field, looking at the numerous ways in which this optical concept can be explored and exploited. Talking of professional techniques, on p48 of the magazine portrait specialist Holly Wren has taken a look at how to use flash discreetly, employing it so
that, to the untrained eye, it’s virtually impossible to detect the use of artificial light. Additionally, Lee Frost has explored how to work with patterns in the environment for truly creative, abstract results. You’ll find his feature on p62, while over on p78 he’s found time to tackle the world of infrared photography in this issue’s creative project. As always in the magazine, we’ve got a broad selection of in-depth shooting tutorials, fascinating interviews with leading professionals, product reviews and industry news to keep you abreast of the latest developments, and to help inform your future kit purchases. We would still love to see your own images of course, so please upload them to our Facebook page at www.facebook.com/DigitalPhotographerUK. Matt Bennett, Editor email@example.com
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Kelsie was recently named British Wedding Photographer of the Year at The British Wedding Awards at The Royal Horseguards Hotel in Westminster. In this issue’s pro column, she discusses how it’s possible to achieve the unexpected as long as you work hard and run with your passion.
Matthew is our regular group test reviewer, and knows all there is to know about photography gear. In this issue’s group review, he has looked at an essential optic that every photographer should have in their kit bag – the standard prime lens. Turn to p94 of the magazine to begin reading his thoughts.
Very few people know photography in as much depth as Lee Frost, and in this issue he has covered the art of capturing patterns in the environment in the feature that starts on p62, while in this issue’s shoot and edit project he’s delved into the world of infrared, examining the various considerations involved. Turn to p78 to read it.
Portrait specialist Holly Wren is a master when it comes to using flash, and in the feature that starts on p48 of the magazine, she reveals the shooting techniques and kit that she uses to employ flash as discreetly as possible and create her striking, perfectly composed images. She also looks at how to edit for perfect results.
Digital Camera World’s stalwart Matt is a camera expert and our regular camera reviewer, and in this issue he reviews two very intriguing new models: the Sony RX100 VI and the Fujifilm X-T100. Turn to p102 for his review of the Sony camera and turn to p106 for his review of the Fujifilm.
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In this issue, our Staff Writer has been taking a look at the ins and outs of being creative with depth of field. You’ll find his feature on p34 of the magazine. He has also taken a look at in-camera cropping in this issue’s shooting tutorial on p84, and tackled maximising your success in the career feature on p86. dphotographer.co.uk
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Distributed by Marketforce, 5 Churchill Place, Canary Wharf, London, E14 5HU www.marketforce.co.uk Tel: 0203 787 9060 ISSN 1477-6650 We are committed to only using magazine paper which is derived from responsibly managed, certified forestry and chlorine-free manufacture. The paper in this magazine was sourced and produced from sustainable managed forests, conforming to strict environmental and socioeconomic standards. The manufacturing paper mill holds full FSC (Forest Stewardship Council) certification and accreditation All contents © 2018 Future Publishing Limited or published under licence. All rights reserved. No part of this magazine may be used, stored, transmitted or reproduced in any way without the prior written permission of the publisher. Future Publishing Limited (company number 2008885) is registered in England and Wales. Registered office: Quay House, The Ambury, Bath BA1 1UA. All information contained in this publication is for information only and is, as far as we are aware, correct at the time of going to press. Future cannot accept any responsibility for errors or inaccuracies in such information. You are advised to contact manufacturers and retailers directly with regard to the price of products/services referred to in this publication. Apps and websites mentioned in this publication are not under our control. We are not responsible for their contents or any other changes or updates to them. This magazine is fully independent and not affiliated in any way with the companies mentioned herein. If you submit material to us, you warrant that you own the material and/ or have the necessary rights/permissions to supply the material and you automatically grant Future and its licensees a licence to publish your submission in whole or in part in any/all issues and/or editions of publications, in any format published worldwide and on associated websites, social media channels and associated products. Any material you submit is sent at your own risk and, although every care is taken, neither Future nor its employees, agents, subcontractors or licensees shall be liable for loss or damage. We assume all unsolicited material is for publication unless otherwise stated, and reserve the right to edit, amend, adapt all submissions.
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Contents 34 C apture creative depth of field
20 Story Behind the Still
Find out how to use DOF techniques for creative, engaging landscapes, portraits and video with this in-depth guide
Chris See Casas discusses her fascinating water droplets image
48 Discover discreet flash
Holly Wren delivers her expert advice on how to hide the presence of flash when shooting portraits
The latest product announcements and industry developments
62 P atterns in the environment
Learn from Lee Frost how to find and shoot the most captivating patterns anywhere you go
Ashraful Arefin takes beautiful miniature photography, and in this issue’s interview he discusses his inspirations, favourite kit and the key to successful imagery
86 Maximise assignment value How can we ensure maximum value for each job we undertake? Read some pro advice to find out
114 Pro Column Wedding photographer Kelsie Low on how to embrace your individual style and personality in your photography
© Holly Wren
10 The Gallery Some of our favourite images from the Digital Photographer website
Discover discreet flash
Print & Share 76 C hoose the perfect paper size How to select the best dimensions
Shooting Skills 78 Explore digital infrared Discover how easy it is to create successful infrared images using a converted DSLR
84 U se in-camera crops Utilise your camera’s aspect options for more precise compositions © Lee Frost
Patterns in the environment
Reviews 94 Group Test: standard primes We test out four popular standard prime lens offerings and compare their image quality, handling and value for money to reach a final verdict
Explore digital infrared
© Peter Krocka
Maximise assignment value
© Peter Medlicott
© Lee Frost
© Ashraful Arefin
Capture creative depth of field
roup Test: G standard primes
102 Sony Cyber-shot RX100 Mark IV Is the price tag justified by what this camera offers?
106 Fujifilm X-T100 It’s great value for money, but how does it perform?
Kevin Carter reviews and rates two optics
110 Accessories A roundup of products for photographers to consider
© James Sheppard
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The Gallery 2x © Erick Castellón
Some of the best images from our website Erick Castellón DP Gallery address: ecastellon Image title: Oneonta Gorge What camera, lens and settings did you use to capture this stunning shot? Canon 60D, 10-22mm at 15mm, 1/5sec, f9, ISO 100, RRS TVC-33 tripod, BH-55 ballhead, two-stop Singh-Ray grad filter. How did you decide on the composition? I wanted to capture the waterfall and to frame it around the tree that was near the foreground. What do you like most about the image? I love the tones and textures this scene had as the sun became lower on the horizon behind me. The sunlight provided beautiful colours and the clouds were just wonderful to reflect the light. I used the grad filter to provide correct exposure for both the sky and the foreground. Did you do much post-processing? Not much post-processing involved really, just a few tweaks to make the most of the late afternoon colours.
Upload your images to our Facebook page now for your chance to be printed in the magazine. Go to www.facebook. com/DigitalPhotographerUK.
Win! Samsung 32GB MICROSDHC PRO PLUS WITH SD ADAPTER Every issue one reader gallery entry wins a 32GB MicroSDHC PRO Plus memory card with SD adapter worth £44.99, boasting blazing-fast read & write speeds of up to 100MB/s & 90MB/s respectively, which is ideal for professional shooting and 4K UHD recording. To find out more information visit samsung.com/ uk/memory-cards
2x © Vennie
Vennie DP Gallery address: Vennie Image title: In the Pink
“A fashion portrait of Sophie, a work colleague whose arm I have to twist every so often into modelling for me, as she refuses to believe how good she is. The shot was lit with a single strobe set off to the left. I used DxO to achieve the tone and then the Curves function in PS to get a matte finish, and for a small adjustment to the exposure and vibrancy.”
David Hixon DP Gallery address: PictureDevon Image title: Swan Dive
2x © David Hixon
“I always like to try and convey a sense of drama with my photography; in the case of this image that was achieved with a breathtaking display of aerobatic flying at the Torbay Airshow. My main concern was finding the ideal vantage spot for the best possible light conditions, to make the sun-struck biplane and its smoke trail stand out from the contrasting background.”
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