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free! Over 210 resources ✔ Textures ✔ actions ✔ Filters ✔ Brushes ✔ Photos + 100s of tutorial files

The magazine for Adobe® Photoshop® professionals 175 Create art on the move

INstant Artistry Master Adobe’s mobile apps to make incredible art wherever you are ILLUSTRATION SKILLS

Perfect symmetry Learn to create abstract symmetrical art with our step-by-step tutorial

PLUS!

12 pages of Elements guides

master the brush Celebrate sporting brilliance with the Brush Tool

PHOTO EDITING

ALSO INSIDE!

Win big in our Challenge More reviews than ever! Use Fill layers in Elements

fearsome 3D skills Merge 3D tools, Fuse and masks for a juicy artwork

text masks

Combine portraits with bold text overlays

fantasy animals Start making glorious

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Future PLC Richmond House, 33 Richmond Hill, Bournemouth, Dorset, BH2 6EZ

Editorial Editor Erlingur Einarsson

erlingur.einarsson@futurenet.com 07944 322499

Techniques Editor Mark White Senior Designer Sarah Bellman Group Editor in Chief Chris George Group Senior Art Editor Rebecca Shaw Contributors Jonathan Bail, Ignacio Candel, Abbi Castle, Jo Cole, Sarah Cousens, Peter Fenech, Rebecca Greig, Rebekka Hearl, Harriet Knight, Rodrigo Marinelli, Sarah Maynard, Daniel Sinoca, Simon Skellon, Andre Villanueva Advertising Media packs are available on request Commercial Director Clare Dove clare.dove@futurenet.com Advertising Manager Mike Pyatt michael.pyatt@futurenet.com 01225 687538 Account Director George Lucas george.lucas@futurenet.com Advertising Sales Executive Chris Mitchell chris.mitchell@futurenet.com International Photoshop Creative is available for licensing. Contact the International department to discuss partnership opportunities. International Licensing Director Matt Ellis matt.ellis@futurenet.com Subscriptions Email enquiries contact@myfavouritemagazines.co.uk UK orderline & enquiries 0344 848 2852 Overseas order line and enquiries +44 (0)344 848 2852 Online orders & enquiries www.myfavouritemagazines.co.uk Head of subscriptions Sharon Todd FileSilo.co.uk Assets and resource files for this magazine can be found on this website. Register now to unlock thousands of useful files Support: filesilohelp@futurenet.com Circulation Head of Newstrade Tim Mathers

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Production Head of Production Mark Constance Production Project Manager Clare Scott Advertising Production Manager Joanne Crosby Digital Editions Controller Jason Hudson Production Manager Frances Twentyman Management Chief of Operations Aaron Asadi Commercial Finance Director Dan Jotcham Group Content Director Paul Newman Head of Art & Design Rodney Dive Printed by William Gibbons, 28 Planetary Road, Willenhall, WV13 3XT Distributed by Marketforce, 5 Churchill Place, Canary Wharf, London, E14 5HU www.marketforce.co.uk Tel: 0203 787 9060 ISSN 1747-7816 We are committed to only using magazine paper which is derived from responsibly managed, certified forestry and chlorine-free manufacture. The paper in this magazine was sourced and produced from sustainable managed forests, conforming to strict environmental and socioeconomic standards. The manufacturing paper mill holds full FSC (Forest Stewardship Council) certification and accreditation All contents Š 2018 Future Publishing Limited or published under licence. All rights reserved. No part of this magazine may be used, stored, transmitted or reproduced in any way without the prior written permission of the publisher. Future Publishing Limited (company number 2008885) is registered in England and Wales. Registered office: Quay House, The Ambury, Bath BA1 1UA. All information contained in this publication is for information only and is, as far as we are aware, correct at the time of going to press. Future cannot accept any responsibility for errors or inaccuracies in such information. You are advised to contact manufacturers and retailers directly with regard to the price of products/services referred to in this publication. Apps and websites mentioned in this publication are not under our control. We are not responsible for their contents or any other changes or updates to them. This magazine is fully independent and not affiliated in any way with the companies mentioned herein. Photoshop is either a registered trademark or trademark of Adobe Systems Incorporated in the United States and/or other countries and is used with express permission. If you submit material to us, you warrant that you own the material and/ or have the necessary rights/permissions to supply the material and you automatically grant Future and its licensees a licence to publish your submission in whole or in part in any/all issues and/or editions of publications, in any format published worldwide and on associated websites, social media channels and associated products. Any material you submit is sent at your own risk and, although every care is taken, neither Future nor its employees, agents, subcontractors or licensees shall be liable for loss or damage. We assume all unsolicited material is for publication unless otherwise stated, and reserve the right to edit, amend, adapt all submissions.

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As so many of us have a decent digital camera on our phone, our ambition and desire to shoot, edit and share high-quality media while on the go is higher than ever. And that includes being able to edit and manipulate photos and even create digital art on our mobile devices. That’s why our big feature this month is all about mobile artworking. From smartphone photography tips and guides on how to make your selfies look their best, to creating your own digital illustrations, we cover everything you can do on the go, which is quite a lot. In addition, we have expert tutorials on how to master text-mask portraits, vintage posters and create stunning 3D-style artworks. Also, make sure to check out our expert, insightful interviews and beautiful galleries. We hope you enjoy the issue!

Erlingur Einarsson Editor erlingur.einarsson@futurenet.com

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Contents Co www.photoshopcreative.co.uk

Essentials

Subscribe today and get a

FREE GIFT Turn to page 32 to get this amazing deal. US page 74

Tutorials

a sporting scene 06 FileSilo 20 Paint Download the wealth of resources on Use brushes and layers to build a offer to you this issue

challenge 07 Readers’ Win Escape Motions Rebelle 3 worth $89.99 in this issue’s challenge

gallery 08 Trending Check out some of our favourite art from around the web this month

gallery 10 Readers’ See what your fellow readers have been creating lately

Create on the go with 12 Feature: Photoshop’s mobile apps

Follow our expert guide for editing and illustrating on your mobile device

I Made 34 How Read how Greek artist Kostis

transformed fairytale inspiration into a stunning composition

I Made 51 How Patrizia Burra takes us through the process of her Surrealistic Dance

football portrait that’s truly out of this world

a gryphon freehand 26 Illustrate Draw mythical beasts with freehand techniques using brushes and textures

a line-art portrait 36 Craft Put your lighting skills to the test in this bright, creative tutorial

a vintage composition 42 Mask Take inspiration from the past to create something new in this masking tutorial

YOUR FREE photoshop resources are here! ✔ This issue: gradients, textures, filters and

much more ✔ Plus files to follow the tutorials ✔ Free and ready for you to download today!

a wild composition 46 Make Create a wild animal composition with our expert tutorial

portrait 52 Text-mask Learn to overlay a text mask on a

photo to create a gripping portrait with a message

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an illustration with I Made 60 Create 56 How colour palettes See how Paulo Otsuka built his Secret Towers with Photoshop

focus 58 Project Silvan Glanzmann has created an

Discover how to compose cool artwork with a colour palette created in Adobe Capture

alternative World Cup sticker book

88 Reviews Our verdict of the latest hardware, software and books

interview 96 Portfolio How a quick EP cover project turned into a life in digital art for Dixon Jong

focus 98 Reader Skateboarder Landon Nothnagel is also a pretty rad digital artist

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Follow us on

Twitter

@pshopcreative

Advanced Photoshop

a carnivorous 62 Create plant artwork

Use selections, masks and Adobe Fuse to grow your very own fearsome 3D carnivore plant

an HDR portrait 68 Create Combine Photoshop with Luminar to create a vibrant and energetic portrait

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12

create art on your

smartphone 46

42

20

36

52 62

Elements creative the Smart 76 Explore Brush

Learn to throw a little colour over your images using the gradient options

78

Make an out-of-bounds composition Create panda-monium with our surreal Elements tutorial

Fill layers 82 Master Make your photos look their

absolute best with the help of Fill layers

a watercolour 84 Create painting

Use Elements’ watercolour features and craft beautiful landscape art


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N misesver is an Subsc sue ribe on pa now ge 34


Readers’ Challenge We challenged you... In Issue 165, we challenged you to get creative with the set theme of Music. You were allowed to create whatever you wanted, so long as it incorporated the theme somehow.

Upload your images to

photoshopcreative.co.uk Alison Koller

Tribute Gibson This was an isometric composition that replicated each part of the guitar in a landscape. The speedboats along the neck created lines similar to guitar strings, and the island in the middle is in the same position as the guitar’s scratch plate.

rs’ Readen e Challe gr winne

This issue’s challenge...

Think you can do better? Prove it! Next issue, the theme is Darkness. We don’t mind how you incorporate it into your image, just be as creative as you possibly can! Head to www. photoshop creative.co.uk and simply hit the Challenge link. Closing date: 19/7/18.

THE PRIZE… Escape Motions Rebelle 3

Worth

$89.99!

If you’re a digital artist, you won’t want to miss this amazing prize. Rebelle 3 is capable of turning natural paint effects into beautiful digital paintings, with dynamic and reactive tools. It’s a unique software package and fantastic for artists of all levels!

Honourable mentions See some honourable mentions from this issue’s challenge at http://facebook.com/photoshopcreative

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trending images

Check out some of the most popular artwork that’s been rocking the internet over the last few weeks, and take inspiration from what’s currently trending There’s nothing more inspiring than surfing the internet and seeing what other artists are creating, and we encourage you to do so. Here are some of our favourite pictures that caught our attention recently, from some of the world’s most exciting artists and designers.

Photoshop is still the original software option when it comes to editing photos, and Slava really proves in this image just what it’s capable of. With over 700,000 views online, we’re not the only ones impressed with his work.

Slava Semeniuta

www.instagram.com/thisset/

I was very inspired by the snow slopes and I took about 15 pictures on a digital camera that I borrowed from a friend. I really love bright colours so using a graphics tablet and a combination of overlay filters in Photoshop, I achieved a steep colour solution.

Pham’s work has been showcased by Adobe Illustrator for its beguiling, almost fairytale style. This is one piece that’s meticulously captured, and it’s been viewed nearly 25,000 times online.

Pham Quang Phuc

www.behance.net/phamquangphuc

Photoshop helps me to transform my imagination to my illustration easily. I just used the Lasso Tool and some of my favourite brushes. I think when you understand your art, you don’t need many tools to make it.

Mirko Càmia

www.mirkocamia.com

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With over 10,000 online views, Mirko’s city project has captured attention worldwide. Photoshop is a fantastic companion to Illustrator, and Mirko shows that here with his brushwork and colour adjusting.

London is part of a project called City of Colors. From sketch to Illustrator, I used Adobe Photoshop for post-production and details with custom dirty brushes. For colour correction I focused on gradients using layer masks together with the Curves and Levels adjustment layers.


Ewelina’s had over 5,000 views for this piece, and we’re among its biggest fans. The power of Photoshop is that it can make 3D work look real, and this is a wonderful example of that.

Ewelina Lekka

evelinaaa89.wix. com/eldesign

The final touches in this were made using Photoshop; I used Curves and Levels for a more expressive image. Adobe’s Camera Raw filter is very useful, too. It helped me to keep much better control over exposure, highlights and shadows. Gediminas’ ‘almost-butnot-quite’ 3D style is pretty much unique, and we love the attention to lighting and shade in this image. Behance’s Illustration gallery did too, and featured it on its site.

Natalie Murrow

natalie-murrow. com

I made my Swing Night series using a Wacom Cintiq. I started out by sketching the scene, and then I rendered the background and the foreground separately. I used chalky texture brushes to maintain a natural look and feel.

Gediminas Skyrius www.facebook. com/Gediminas SkyriusArt/

I work with vector tools in Photoshop, then add a lot of effects via digital painting, textures, blending modes, etc. This gives the piece a look of almost­-but­-not-­quite 3D, which I find original.

We love this illustration for its beautiful mix of warm and cool shades to complement and contrast. Natalie has been featured by Behance in the past, and we love the style of her artwork.

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Readers’ Images Welcome to an inspirational round-up of great Photoshop artwork created by none other than your fellow readers

get in touch

Send us your images now for the chance to appear in future galleries Upload your art to our Facebook community – Search: Photoshop Creative Reader Images Tweet us your creative artwork @PshopCreative Tag us in your art on Instagram @PshopCreative

Alternatively, you can email: markwhite03@futurenet.com

Claudio Tosi

I divided this in two phases: hand sketch and digital painting, and adding patterns and textures. The lines, sketches and strokes make the work look ‘confused’ but it was a rigorous graphic process.

Corine Spring

After isolating the saxophone, I integrated it on a background and added various brushes to achieve this effect. On a new layer I painted some shade. And finally I used Hue/Saturation to desaturate the saxophone.

Bob Parsi

I used stock photos with the tiger as the main theme. I blended all the images by masking and using blend modes. Then I used adjustment layers, filters and gradients to make the image pop.

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Jorge Miranda

I created this image with a lot of stock photos. Sometimes I take them from online sites, other times I feel inspired to create my own elements. Adjustments were key in finishing this piece off.

Aleleck Leck

I was inspired by the Alice in Wonderland story, and I had the idea to tell a dark side of it. Besides the stock images that I used, I used the effect of shadows, lighting and the Camera RAW filter.

Andy Dench

I created this image using Photoshop CC with Imagenomic Portraiture and a few of the Topaz plug-ins. The licensed model photo was from Colby Files and the rest were from Pixabay.

11


create art with your

smartphone

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Advanced Photoshop 175 (Sampler)  

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Advanced Photoshop 175 (Sampler)  

You can subscribe to this magazine @ www.myfavouritemagazines.co.uk