ISSUE 6 - YEAR 9 | FUA/PALAZZI | SEPT 2019
OLD TRADITION, NEW PARTICIPANT. BY CHELBIE SMITH
PHOTO BY G_U ON FLICKER
On Sept. 7, the Festa della Rificolona was held throughout the streets of Florence. There were many events preceding the parade, but the main event began at 8 p.m. in Piazza Santa Felicita and made its way up to Piazza della Santissima Annunziata to conclude with bonfires and songs. The Renaissance city of Firenze is one that is known for
colored paper lanterns of various sizes that they carried
its rich traditions and culture. One of these traditions
to Florence to light the way. Besides celebrating the
is the Festa della Rificolona, held every September 7th,
birth of the Madonna in the Basilica of the Santissima
which can be dated back to the mid-seventeenth century.
Annunziata, the pilgrims brought their fresh products
This important Florentine festival celebrates the birth
such as cheese and vegetables and also yarns and fabrics,
of the Virgin Mary, September 8th. This four century
in hopes of selling at the fair trade market the next
old event is derived from the arrival of the peasants
morning. While this was a beautiful celebration of one
and mountaineers from the nearby countryside. Their
of the most prolific religious figures, this did not take
pilgrimage through the day and night was guided by
away the fact that there were many differences between
NEWSLETTER SEPT - OCT 2019
the residents of Florence and the peasants. Allegedly
Fast forward to today, I was given the chance to embrace
the young Florentines made fun of these people, teasing
the wonderful tradition as I took part in the parade of
DANCE STEPS AT VILLA BARDINI
them after their long journey and oftentimes preventing
Rificolone. There were so many events that lead up
BY RUBY ANDERSON AND ELISA PALUMBA
them from sleeping. Another part of this alleged tale
to this very special moment and even an award show
was that the Florentines would especially target the
following to honor the best paper lantern. The energy
women because of their clumsy and unkept appearance.
and beauty of Florence was simply breathtaking. As the
The name “Rificolona” comes from the distortion of the
paper lanterns whirled by me and the sounds of children
word “Fierucolane,” which they would call the women
laughing rang in my ear it finally set in; this place full of
because of their participation and rounded sides. The
rich tradition and culture was mine to call home. I stood
Florentines would build lanterns that resembled the
there frozen, taking it all in. I encourage all students to
peasants, in particular the women’s shapes and their
stay updated with what events are going on in Florence
rounded skirts. This term is still used to describe
and truly indulge in this beautiful culture while you can.
PHOTO BY AUTHORS
women dressed in an unconventional, eccentric way.
FROM MODIGLIANI TO SCHIELE, FROM DE CHIRICO TO LICINI
BY TONETTO ANNA GIULIA ANEL TULEGENOVA NATALIA HRYNIUK
PHOTOS BY THE AUTHOR
The Museo Novocento will hold an exhibition titled
It is evident that in order to achieve great painting
From Modigliani to Schiele, from De Chirico to Licini,
dexterity, an artist must go through the process of
until Thursday, October 17, 2019. This exhibition gives
continuous study. There may be finished and unfinished
you an inside look into the creative eye of various artists
sketches that pile up in arid drawers but the flowers that
such as Gustave Klimt, Oskar Kokoschka, and Egon
blossom out of the seed of constant creation are worth
Schiele, primarily through their preliminary sketches
the effort. And suddenly, what once was considered
of painted works they created throughout their careers.
a simple study of human reality, takes in the role of
Held in the stunning Villa Bardini, Dance Steps is the
photographs and oil paintings of figures that dominated
The exhibition is on loan from the National Gallery of
first Italian exhibition dedicated to the prolific American
the walls. The last work we saw was a black and white
Modern and Contemporary Art in Rome, which owns
What the Museo Novocento did with this exhibition
dancer Isadora Duncan. The show is comprised of 175
video of a performance entitled Bacchanal in which
over 13,000 initial sketches from 19th and 20th century
is give voice to all of those unheard sketches, to allow
paintings and sculptures, entirely figurative works
dancers’ movements were seemingly improvised but
artists. When you initially walk into the exhibition the
them to become the great artwork they already were,
depicting dancers suspended in motion. The pieces are
upon closer inspection were executed with extreme skill.
walls are covered in quotes by the artists being displayed
but were not perceived as such.
from the early twentieth century leading into the Avant-
From the perspective of an international student, it
that pertain to their identity and creative process.
Garde. They vary in medium however their energy is
could have very well been intimidating to walk through
These walls act as a verbal representation of the artists’
an exhibit unable to understand the description of the
idiosyncrasies, where they can be understood on a more
The walls feature stunning larger than life photographs of
art due to it being written in Italian.
rational level by all viewers. This allows the viewers to
Isadora Duncan, furthering the visual connection of her
But, in this case, there was no intimidation. The beauty
be completely aligned with both thought processes and
performances with the works. The exhibition also shows
of this exhibit was that the art spoke for itself. The
visual representations resulting from such thinking.
a glimpse into Duncan's life through original documents
movement of the sculptures moved us exactly where we
Schiele’s Girl Standing with Green Dress and Red Bow
such as photographs and letters. In addition to artworks
were supposed to go.
(1910), illustrates a young girl keenly smiling at the
created in direct inspiration of Duncan, works focus on
The soul carried in the sculptures was reflected in the
viewer. Throughout his career, Schiele has painted
the style of modern dance that she pioneered which
paintings and vice versa. In every room the story was
numerous women in intimate settings; where the soft,
shows her influence on an international scale. The
clearly interwoven between every work. The positioning
curved lining of their bodies mirrored his fondness of
exhibition emphasizes Duncan’s connection to Florence,
of the displays were not all placed straight forward, so
the human flesh. It is almost as if a poem was slowly
having performed here several times during her life,
it challenged the eyes of the viewer and required us to
unfolding in front of his eyes and with his brush he
multiple Italian artists whose works are included in the
think about why it was placed in that specific way. Once
attempted at representing, as delicately as possible,
exhibition, viewed Duncan as a muse.
we looked around to the next work the reasoning was
these irregularities of the human composition.
Fittingly, as we weaved through the gallery’s maze
explained through a natural discovery. Dancers have
Kokoschka’s Girl Who Reads (1913), illustrates an older
of rooms, the windows of the villa looked out onto a
a way of communicating without words, therefore a
woman who appears melancholic and thoughtful as
panoramic view of Florence. Another turn led us back
connection was made easily.
she flips through a book. The artist’s choice to portray
into another richly filled room full of dancers suspended
A breathtaking tribute to one of modern dance pioneers,
her face with bolder and more stable lines appears to
in graceful movements, arms raised above their heads
it was clear that Isadora Duncan had made quite an
demonstrate a certain stability gained with experience
and dresses flowing away from their figures.
impact. Duncan was a free flowing spirit, with a colorful
of life. Her hands have more dynamic, active lines and
As we navigated through the labyrinth of brass sculptures,
personality. There was a connection to the earth and self
makes one wonder about the agility of this woman to
female figures that recall classical antiquity occupied the
being that left us feeling refreshed and as though we had
work with her hands.
open space of the rooms. We became absorbed in the
just took an inside tour of someone's entire life work.
NEWSLETTER SEPT - OCT 2019
BY ELIZABETH AVINA
PAINTING BY ANDREA MANCINI
FOLLOWING THE SIGNS: PASTICCERIE ONE HUNDRED YEARS LATER
The famous photograph, An American Girl in Italy, taken
around the city. Notably, having two women collaborate
by Ruth Orkin, stirs up various emotions for anyone that
enabled for the depiction of a woman created by another
comes across it. For many, the photo emulates ideas
woman. Their collaboration allowed Orkin and Craig to
PHOTO BY AUTHOR
of feminism and the discussion of street harassment.
challenge the gender roles of the 1950s, simultaneously, having fun with it. Although the 1950s were a different
The streets of Florence have remained constant for hundreds of years. They’ve led millions of travelers by foot, bike,
Judging by the American woman photographed, Ninalee Craig's tight grip on her shawl and handbag makes it
time than the twenty-first century, Craig believed that
seem that there may be a certain degree of discomfort
"Public admiration shouldn't fluster you. Ogling the
a place to eat, shop, or spend the night faster, easier, and freer than ever before. A century ago, it was anything but.
or even fear.
ladies is a popular, harmless, and flattering past time."
Some travelers read guide books, like the Italy Handbook for Travellers by Karl Baedeker, to find their way around.
However, for Craig, nothing could be farther from her
Emphasizing that "the gentlemen are usually louder
Written in 1903, the book provides directions, specific locations and even recommendations for Italian cities under
feelings of excitement and the feeling that she could
and more demonstrative than American men, but they
a variety of categories, such as hotels, restaurants, and even doctor’s offices. In Florence, Baeker located five pastry
conquer the world at twenty-three. Looking back at
mean no harm." It feels candid and amusing to think of
shops, or pasticcerie. With my GPS and a little help from my friends, I found each one - or at least where they used
1951, the year the photo of Craig was taken, Americans
being Craig or Orkin in that instance of setting out to
to be - and later researched its origins to learn where they went, why they’re gone, or if they’re still around today.
traveling in Europe was rare, much less, traveling alone as
capture images that reveal how it truly is to travel alone.
a woman. When Ruth Orkin and Craig crossed paths, they
The feeling as if you run the world in a sense. However,
The cafe belongs to the Association
rooms, but today a Crédit Agricole
spoke of what it was like to travel alone. They spent two
understanding today's reality of how some men will
shops had homes on this street in the
of Historical Places of Italy and
Italia bank sits in its place.
hours photographing in Florence in the morning. Some
brutally abuse women every day for merely rejecting
20th century according to Baedeker.
continues to produce pastries and
shots included the famous photo, An American Girl in
them can almost tarnish that dream of excitement and
Doney et Neveur resided on Tornabuoni
confectionery sweets to this day.
Italy, and other photos of Craig flirting with men in cafes,
thrill of accepting the long ogling of men in so-called
16, which was “recommended to
In its former store location resides
asking guards for directions, and other playful images
ladies,” while Giacosa on Tornabuoni
home goods store Jo Malone London
11 apparently sold “good coffee for
BY EMMA VALLELUNGA
car, and Vespa to destinations across the city. Using a guidebook of Italy, written in 1903, I visited four streets to find the storefronts that used to be pasticcerie and see what they are today. In the Information Age, any tourist can find
70 cents.” Doney et Neuveur, or Gran Caffé Doney, was established at the end of the 19th century. While its original location was in Palazzina Reale, it moved to Tornabuoni, close to the British Consulate at that time, where it attracted many higher-class British citizens living in Florence. It closed in 1986, and today the Italian luxury
takes up about three
storefront windows on the street. Caffé Giacosa was founded in 1815
4.Via della Vigna Nuova: Baedeker
writes the pasticceria Balboni and Müller as having “English bakers” at this time, but there is little history associated with it. With both an Italian
and German name attached to the
Digerini and Marinai was famous for
business, the mystery continues in a
its shortbread biscuits and wafers on
post from the Facebook group My Old
this street during the 20th century.
Florence. It shows a picture of an old
The pastry shop operated out of
flier from the bakery that advertises
themselves as a biscuit and sweets
on Vecchietti and the factory on
factory with a “continuous steam
Via Piagentina. Cookies that were
oven,” “speciality in gluten bread for
“broken” were sold at the production
diabetes”, and “awarded with medal at
factory in small bags at an affordable
the Hygiene Exhibitions of Florence
price for people to enjoy. Baeker
and Padua.” A Gucci store location is
writes that the shop also had tea
now in the old bakery’s place.
on Tornabuoni and was restored in 2001 by Florentine fashion designer Roberto Cavilli for his headquarters. The cafe moved to Piazza della Libertà under a new name, Caffé Lietta, and new ownership in the summer of 2017. Currently in its place on the street is five-star hotel Antica Torre. 2.Via degli Speziali: The oldest cafe
in the city of Florence since 1733, Caffé Gilli, called this street home in the mid-1800s before moving to its current location on Via Roma near Piazza della Repubblica in the 1900s.
NEWSLETTER SEPT - OCT 2019
WANDERING FORTE DI BELVEDERE
THE TRAMVIA BY MIA LICHTENWALTER
BY ALEXANDRA POPE
PHOTOS BY AUTHOR
PHOTOS BY AUTHOR
I left 30 minutes earlier than I should have. I knew I
it together. As we shuffled onto the tram, it was a mad
Looking down on the major landmarks of Florence sits
would arrive before my friends, but I was going stir-
dash looking for seats. I scanned the aisles until I found
Forte di Belvedere: a 16th-century star on the hill. A
crazy waiting. As I walked to the tram, I wasn’t sure
one and quickly sat down. I instinctually smiled at the
morning walk to the fortress was a great way to escape
what to expect. I had taken a train out of Florence, but I
man sitting across from me and although I was not
the crowded, tourist-filled streets of Florence. After
had never experienced a train going from one end of the
expecting a response, he gave me a cheeky, thin lined
climbing the steep path, I was able to rest and take in
city to another.
smile in return. It was a calming reminder that people in
the incredible view. The Duomo’s red dome contrasted
general are kind and warm.
against the blueish Tuscan hills beyond. Not only did the
After my friends arrived we located the ticket line for
fort provide beautiful scenery and open spaces, but it was
the tram, and our hearts sunk. The line was painfully
I settled into my seat and reflected that while I felt
also home to a captivating contemporary art exhibition.
long and we weren’t prepared. I felt annoyed as I was
similar to the people, this location was so different
The current exhibition features Davide Rivalta’s bronze
ready to get going, but I realized this was simply part of
from anything I had ever experienced. I watched the
sculptures. The art installation is spread out over the
the experience. As I changed my perspective, we took
city zip past me and enjoyed seeing the sun lower over
entire fort. Rivalta’s sculptures dotted the medieval
our place in line. Then, suddenly, we realized we could
the landscape, orange rays filling streets that only got
bastions: a contrast of ancient and contemporary. Frozen,
use a self- help station to purchase the tickets. I was so
busier as the day turned to night. As we got closer to the
metallic animals began to emerge. The sculptures caught
excited that I almost skipped to the kiosk. We made our
hospital, I noticed that the city seemed to expand and
me off guard at first. Otherworldly, yet familiar creatures
purchases and exited the station to wait for our train.
the streets opened. Seeing all of the wide streets and spaced out buildings was a breath of fresh air I didn’t
The hectic energy from the line inside did not compare
know I needed. There were parks and trees and it was
to the chaos reigning outside. As we tried to politely push
refreshing to see the landscape of the city change so
our way to our platform, multiple people were shoving
drastically, despite still being within Firenze.
past us and yelling. We finally found our platform, but the frenzy continued as the train arrived. Everyone
I have found the more I explore this city, the more I fall
began pushing past each other once more, fighting to
in love with it. Riding the tramway, I started obsessing
get on the tram. Eventually, we bit the bullet and shoved
over the history of the buildings we passed and the
our way through. Not only did we easily make it aboard,
stories of the people sitting beside me. I realized that
but I felt a sense of comradery with the strangers, as if
without even leaving Firenze I can experience a whole
saying, yes, we are pushing each other, but we’re doing
new journey full of surprises.
haunted the grounds. Unmoving, they watched over the fort's visitors. The art exhibition continued inside the building, and I was greeted by a life-size gray rhino. In the two adjacent rooms, the artist covered the walls with beautifully drawn flocks of birds. The Murmuration stretched across the three rooms. Upstairs, was another exhibition
interior spaces. Mounted on green walls, the pieces by Massimo Listri represented iconic Florentine sites. Forte di Belvedere was full of surprises. I enjoyed getting lost and wandering between towering stone walls, up and down steps, around grassy lawns, and inside the mazelike complex. The fantastic views of Florence and the engaging art installations were worth a trek up to Forte di Belvedere. 6
NEWSLETTER SEPT - OCT 2019
POLIGNANO A MARE
ISOLA POVEGLIA ISOLA DI FANTASMI?
BY ERICKA FERNANDEZ
PHOTO FROM CHRIS 73 ON WIKIPEDIA
Poveglia consiste di due piccole isole situate tra Venezia e
l'isola, rimasta così fino ad oggi disabitata, senza contare,
Lido. L'isola ha servito vari scopi, ma è più conosciuta per
presumibilmente, un’intera popolazione di fantasmi
il suo passato macabro. Nel 1347 la peste bubbonica colpì
che vi dimorano in eterno.
l'Europa, uccidendo un terzo della popolazione europea.
ospedale, una chiesa e un rifugio per le barche - si stanno
Gli ufficiali veneziani capirono che dovevano separare le
congelando nel tempo. I residenti dicono che Poveglia è
vittime della peste dalle persone sane, così i malati furono
una '"isola di fantasmi" e uno dei luoghi più infestati sulla
portati sull’Isola e create via via numerose sepolture per
terra. Come arrivare? Non è facile raggiungere l’isola.
i cadaveri. Le autorità di Venezia decisero di incenerire
Ogni giorno milioni di turisti visitano Venezia e altre isole
buona parte dei corpi per prevenire un'ulteriore
popolari come Burano, Murano e Lido, ma praticamente
diffusione della malattia, tuttavia, durante uno scavo
nessuno va a Poveglia. È comunque possibile noleggiare
sull'Isola, gli archeologi hanno rivelato 1.500 scheletri di
una barca (Veneziainbarca.it) che ci porta sull’isola da
vittime della peste bubbonica. Gli scienziati ritengono
Venezia, anche se si tratta di un viaggio piuttosto costoso.
che ci siano ancora altre migliaia di corpi ancora sepolti.
Quando ci si avvicina all’isola, la prima cosa che vedrai è
Nel 1922 a Poveglia fu costruito un ospedale psichiatrico
il campanile. È una delle strutture più antiche dell’isola.
dove si ritiene che molti pazienti siano stati brutalmente
Ovviamente questo posto non è per tutti. Oggi l’isola è
uccisi e torturati, dopo aver subito numerosi e disumani
una raccolta di edifici abbandonati ed è isolata. Ma se stai
esperimenti. Si dice che un medico si sia suicidato per il
cercando qualcosa di interessante, se sei un fan dei film
peso della responsabilità della terribile sperimentazione
dell’orrore e ami le storie di fantasmi Poveglia potrebbe
umana condotta sui pazienti. Nel 1968 gli ultimi pazienti,
essere il posto perfetto per te!
BY CAROLINE KACZYNSKI
PHOTO BY JUAN ANTONIO SEGAL ON FLICKR
Se hai bisogno di una vacanza al mare, considera di
Se non sai nuotare, è interessante scoprire quanto
visitare Polignano a Mare. Questo villaggio sulla spiaggia
l’acqua sia molto salata, rendendo così più facile lo stare
di Bari è il luogo perfetto per rilassarsi, esplorare,
a galla. Per cena, la Grotta Palazzese nell’hotel omonimo
e mangiare bene. Polignano a Mare non è mai stata
è spettacolare. Il ristorante è costruito nella scogliera,
una meta turistica, solo recentemente questa gemma
così, mentre mangi, guardi l’oceano. La cena è illuminata
nascosta è diventata più popolare, per i posti dove fare
da lanterne ed è bellissima di notte. La cena costa 180
shopping e per il mangiare e bere. La città è conosciuta
euro a persona per tre portate o 240 euro per quattro
soprattutto per la sua burrata e per la focaccia con i
pomodori. Sulla strada per la spiaggia, impossibile non
Dopo cena, la Casa del Mojito offre ottimi cocktail. Questo
fermarsi al mozzarella bar di Massarì, dove si può trovare
bar si trova nella “città vecchia” dove si possono trovare
una gran varietà di formaggi, alcuni ripieni persino di
tanti negozi e ristoranti che rimangono aperti fino a tardi.
Nutella. Dopo aver sostato tra le prelibatezze di Massarì
Di notte tutti a Polignano a Mare vanno in giro. La musica
si può scendere verso Cala Porto, una bellissima spiaggia
suona nelle piazze e le famiglie camminano per le strade.
proprio nel centro della città, con meravigliose scogliere
È molto divertente passeggiare per la città di notte.
che si affacciano sul mare. Per entrare in mare si può
In conclusione, Polignano a Mare è un posto bellissimo
passare dalla spiaggia, oppure camminare attraverso una
con le sue spiagge meravigliose, ottimi ristoranti, bei
grotta. Anche se è spesso affollato, la vista vale la pena.
negozi, e persone ospitali.
Gli edifici rimanenti - un
oltre al personale dell’ospedale, hanno abbandonato 8
NEWSLETTER SEPT - OCT 2019
NEW FALL COLORS
FLY LOOK OF THE MONTH
BY EMMA DAHMAN, HERMANCE LEBORGNE, ROXANNE LESAGE, ASHLI ROBERTS, SHELBY STANLEY, LAUREN STRAND
BY MIKAYLA GREEN AND ROBBIANN LEI CABANIERO BUENDIA
PHOTOS BY AUTHORS MODEL: HERMANCE LEBORGNE
PHOTOS BY ROBBIANN LEI CABANIERO-BUENDIA MODEL: MIKAYLA GREEN
Unfortunately, summer is coming
sophisticated look on top. For the
to an end, but you know what that
bottom, we decided to add some
means? It’s time for fall fashion! If
dimension to the look with a black
you’re wondering what the hottest
pleated skirt designed by Ter et
trends will be this fall don’t worry, we
Bantine. For shoes we have a Gucci
got you covered.
pump with a classic signature gold
Here at FLY, we have a wide variety of
different garments and accessories,
To accessorize this look we added
whether you are someone who likes
Fall is just around the corner, and though it’s still warm
This look will give you confidence when wearing bold
a more contemporary chic look or
Quartiere Tre, a local brand that
in Florence, we have some great transitional Fall outfits
colours. Pistachio green is another big trend this Fall,
someone who isn’t afraid of color and
specializes in handmade accessories.
for you. These looks can take you from day to night in
and we decided it would look nice in an elevated look. To
is always fashion-forward.
We decided to pair a backpack with
the streets of the city. This season, purple and pistachio
make a bold statement this season, this look we created
For FLY’s look of the month, we styled
this outfit to evolve into a modern
green are colours we believe are necessary Fall staples
will do just that. We went with a simple white tee and
our model Mikayla in a “bourgeois”
“prep” school girl vibe.
for your wardrobe.
a beautiful pistachio green skirt, paired with a Pucci-
inspired look. Bourgeois stems from
Last but certainly not least, we decided
The FLY Mission is all about putting your own creative
inspired colourful printed jacket over the shoulder. Knee-
the French word “bourgeoise” which
to bring the look to life with a fun
spin on a current fashion trend, and we believe that
high black boots perfectly compliment the other colours,
translates to “middle class” during
cheetah print scarf from the next
you can love a trendy look while still being yourself.
while giving the look a fashion insider inspiration.
the 18th century. Bourgeois women
collection designed and crafted by
This month’s two trend highlights at FLY are all about
These trends can be worn from day to night if you pair
had a simple yet chic, polished,
colour. We’ve been seeing these two tones all over
them with plain and every day clothing like a white tee.
and elegant style. Join us on our
With this look, you are ready to take
the runways this season, and we think it’s the perfect
We think the first outfit is perfect for an every day outing.
journey as we take our modern-day
on the Florentine streets with a
moment to incorporate them into your wardrobe. These
For the second look, it’s a bit dressier, so we think it’s
interpretation of a Parisian inspired
classic, modern touch. Whether that
colours are so easy to work into your every day style,
a nice outfit for a situation that involves a more formal
outfit through the birthplace of the
be attending classes, a busy workday
and hopefully our two looks can give you guidance
dress code.We hope you try to incorporate these Fall
Renaissance. Inspired by bourgeois
full of meetings, or just sightseeing
for a smooth transition into Fall. For the first look, we
trends in your wardrobe this season. While bold colours
style, for this look we paired a white
around the city you will always look
paired a purple jacket with a simple white tee and jeans.
are not usually a staple in the Fall, these two colour
button-up blouse with white, gray,
and feel stylish.
For the shoes, we went with dark blue crocodile print
trends still make a statement while not being too bright.
and silver pleats designed by Anne
Stop by FLY for your trendy pieces
boots that match perfectly with the long clutch. We find
Try to mix it with your every day style for the most
Fontaine with a Fabrizio Lenzi black
and we will help yo enhance your
this purple trend in the jacket as well in the sunglasses,
personal and unique look. You can always stop by the FLY
single-breasted blazer for a clean
wardrobe for the fall session!
which compliment the rest of the look so effortlessly.
store for further inspiration on this season’s trends!
Coordinamento Editoriale | Managing Editor
Supplemento di |
Supplement to Blending Magazine Reg. Trib. di Firenze n° 5844 del 29 luglio 2011
Redattore Associato | Contributing Editor
Anno 9 - Numero 6 - Settembre 2019
Livia Sturlese Tosi
Year 9 - Issue 6 – September 2019
Redazione testi | Copy Editors Editore | Publisher
Florence Campus per INGORDA Editore
Via Alfonso Lamarmora, 39 50121 Firenze
Consulenti Accademici | Faculty Advisors Sede editoriale |
A ndrea M ancini
Blending is a newsletter created
Dario D’A mbrosia
with and for students of FUA-AUF.
Corso Tintori 21
The newsletter is published by
campus press Ingorda, a member
Tel. 055 2469016
of the non-profit Fondazione di Partecipazione Palazzi - FAIE,
Stampato in proprio |
which supports the experiential
Printed in house
Impaginazione | Page Layout
learning methodology of FUA-AUF.
A lexia Noble
For information contact:
R EDAZIONE | MASTHEAD
Direttore Responsabile | Editor in chief
M atteo Brogi Caporedattore | Editorial Director Grace Joh
palazziflorence.com fua.it 12
p e r F l ore n c e C a mpu s E d it ore
In the first Fall 2019 Issue of Blending Newsletter, we inaugurate the new academic season by featuring pieces about ancient Florentine past...
Published on Sep 30, 2019
In the first Fall 2019 Issue of Blending Newsletter, we inaugurate the new academic season by featuring pieces about ancient Florentine past...