Baroque painting two centuries of masterpieces from the era preceding the dawn of modern art (art eb

Page 158

-

/ Rembrandt van

Rijn

Portrait of Jan Six

1654 on canvas, 44 x 40'/4 in. (112 x 102 cm) oil

Six Collection,

Amsterdam

At

the end of the sixteenth century, after a

long, grueling

war

against Philip

II

of Spain,

seven United Provinces of the Netherlands

won independence. Holland was one of these seven

areas, but

it

tration of cities and industries.

were the

a republic,

really only

had the largest concen-

The United Provinces

ruled by the stadtholders (governors) of

House of Orange, but they had

autonomy. Lacking

in great art

a great deal of local

and culture, except for

the outstanding figure of Erasmus of Rotterdam, Hol-

land almost unexpectedly

became one of the powers of

Europe. That small population, constantly battling against the sea, living in a

flat,

monotonous landscape

that the ingenious system of canals

and windmills had

transformed into rich agricultural land, emerged from

anonymity and won the envious admiration of the

whole continent

in

onlv a few decades. j

Thanks to the extraordinary enterprise of the East India

Companv,

at

the beginning of the seventeenth century,

the ports of Amsterdam and Rotterdam were the most flourishing financial and

and with

this

solid

commercial centers

basis

in

Europe,

of widespread wealth the

Dutch people found many reasons for cohesion and naThe Dutch language, which spread thanks

tional pride.

to an intensive and intelligent literacy campaign, be-

came completely autonomous and definitively separate from the German, and acquired literary dignity. Calvinism became the official religion that imposed a temperate lifestyle

and firm moral principles. However, strong

Catholic and Jewish minorities were

welcomed with

own

original cultural

unusual tolerance and

made

their

contributions to the society. The rapport between life

home

and moments of socialization was governed by

precise calendar in

a

which holidays and days of penance

alternated; love of the family and care of the household

was

offset

cial

exploits

by

compensated In other

a brilliant social life.

The

risky

commer-

on oceans throughout the world were for

by the peace and comfort of daily

life.

words, during the seventeenth century the

Dutch enjoved a private prosperity and social harmony were unique. Without a real court or an aristocra-

that cy,

and devoid of ecclesiastic privileges, seventeenth

century Holland saw the establishment of a bourgeoisie of entrepreneurs,

professionals,

merchants, and

nanciers, and can be considered the first

modern

fi-

capi-

talist

democracy.

Among

the

more

precise indicators of

from the

dai-

literacy figures,

was

the flourishing situation in Holland, apart ly

consumption of calories and the

the fact

it

had the highest ratio

art, particularly paintings, to

The Dutch school

in

Europe of works of

number of inhabitants.

perfectly followed the course of his-

tory and the creative development of the principal masters.

Between the end of the sixteenth and the begin-

ning of the seventeenth century,

came autonomous,

it

distinguishable as a school.

century,

it

when

During the

and pride taken

in a precise identity,

ed with the unusual

1660,

influences

when

availability

half of the

new

to the pleasure

but also connect-

of merchandise and of

brought by overseas trade. After

the greatest painters, Vermeer, Frans Hals,

and Rembrandt, had died, and

more

first

continued to become enriched by

themes and personages, mostly linked

exotic

the country be-

began to become independent and

tastes

ordinary, classicizing themes,

had swung to

Dutch

art

began to


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