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European Art & Old Masters 06/17/14


European Art & Old Masters

Auction

Exhibitions

Sale 1496 Tuesday June 17, 2014 at 10am 1808 Chestnut Street, Philadelphia PA 19103

Thursday June 12 and Friday June 13 10am-5pm Saturday June 14 12pm-5pm Sunday June 17 Closed Monday June 16 10am-5pm Viewing on day of sale by appointment only

Catalogue

$37 in the gallery $42 domestic mail $47 international mail Inside Front Cover: Lot 72 (detail) Inside Back Cover: Lot 126(detail) Visit www.freemansauction.com/catalogues or call 267.414.1256 to purchase a catalogue. Complimentary digital catalogues may be viewed online along with color images of every lot in the auction.


Important Information for Buyers Registration

All potential buyers must register for the sale prior to placing a bid. Registration information may be submitted in person at our reception desk, by fax or through our website at www.freemansauction.com. We will require proof of identification and residence and may require a credit card and/or a bank reference. By registering for the sale, the buyer acknowledges that he or she has read, understood and accepted Freeman’s Terms and Conditions of Sale.

Buyer’s Premium

A Buyer’s Premium will be added to the successful bid price and is payable by the buyer as part of the total purchase price. The Buyer’s Premium shall be: 25% on the first $50,000 of the hammer price of each lot, 20% on the portion from $50,001 through $1,000,000, and 12% thereafter.

Sales Tax

All items in the catalogue are subject to the 8% Pennsylvania and Philadelphia sales tax. Dealers purchasing for resale must register their tax numbers on current PA forms. Forms should be submitted to our Client Services office on the second floor.

Catalogue Descriptions

All item descriptions, dimensions and estimates are provided for guidance only. It is the buyer’s responsibility to inspect all lots prior to bidding to ensure that the condition is to their satisfaction. If potential buyers are unable to inspect lots in person, our specialists will be happy to prepare detailed Condition Reports on individual lots as quickly as possible. These are for guidance only, and all lots will be sold “as is” as per our Terms and Conditions of Sale.

Bidding

At the sale Registered bidders will be assigned a bidder number and given a paddle for use at the sale. Once the first bid has been placed, the auctioneer asks for higher bids in increments determined by the auctioneer. To place your bid, simply raise your paddle until the auctioneer acknowledges you. The auctioneer will not mistake a random gesture for a bid. By phone A limited number of telephone lines are available for bidding by phone through a Freeman’s representative. Phone lines must be reserved in advance. Requests must be submitted no later than 24 hours prior to the scheduled start of the sale. In writing Bid forms are available in the sale room and at the back of the catalogue. These should be submitted in person, by mail or by fax no later than one hour prior to the scheduled start of the sale. The auctioneer will bid on your behalf up to the limit. On the internet A fully-illustrated catalogue is available on-line at www.freemansauction.com. Registered bidders may leave absentee bids through the web site and will receive email confirmation of their bid. Freeman’s is not responsible for errors or failure to execute bids.

Payment

Payment is due within ten (10) working days of the sale. Lots purchased will not be released until we have received full payment. Payment may be made in cash, by check, money order, or debit card. Payments by check must clear the bank before goods will be released.

Removal of Purchases

Deliveries will not be made during the time of the sale unless otherwise indicated by the auctioneer. All items must be paid for and removed within ten (10) working days of the sale. Purchases not so removed may be turned over to a licensed warehouse at the expense and risk of the purchaser.

Shipping and Packing

Responsibility for packing, shipping and insurance shall be exclusively that of the purchaser. Upon request, Freeman’s will provide the purchaser with names of professional packers and shippers known to us.


European Art & Old Masters Department

David Weiss Vice Pesident, Specialist dweiss@freemansauction.com 267.414.1214

Alasdair Nichol Vice Chairman, Specialist anichol@freemansauction.com 267.414.1211

Andrew Huber Associate Specialist ahuber@freemansauction.com 267.414.1210

Cara Bishoff Bids Department cbishoff@freemansauction.com 267.414.1208

Bethany Mobbs Shipping & Receiving bmobbs@freemansauction.com 267.414.1242

Client Services

Mary Maguire Carroll Director, Client Services mmaguire@freemansauction.com 267.414.1236


European Art & Old Masters lots 1-190

Lot 36


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1 1 11427/1 REMBRANDT VAN RIJN (dutch 1606-166 ”JAN LUTMA, GOLDSMITH” 1656. (19th century impression). Etching and drypoint 7 3/4 x 5 3/4 in. (19.7 x 14.6cm) [Bartsch 276] provenance: Galerie Michael, Beverly Hills, California. Private Collection, New Jersey. $1,000-1,500 2 141013/1 REMBRANDT VAN RIJN (dutch 1606-1669) “ADORATION OF THE SHEPHERDS: A NIGHT PIECE” c. 1652. Etching and drypoint 5 7/8 x 7 3/4 in. (14.9 x 19.7cm) [Bartsch 46] together with: “NUDE MAN SEATED ON THE GROUND WITH ONE LEG EXTENDED” 1646. Etching and drypoint 3 15/16 x 6 5/8 in. (10 x 16.8cm) [Bartsch 196] together with: “THE TRIUMPH OF MORDECAI” 1641. Etching and drypoint 6 13/16 x 8 3/8 in. (17.3 x 21.3cm) [Bartsch 40] Later Impressions. (3) provenance: Private Collection, Philadelphia, Pennsylvania. $1,200-1,800

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3 132430/14 MANNER OF ABRAHAM BLOEMAERT (dutch c. 1564-1651) LANDSCAPE Red chalk on paper 9 3/8 x 12 1/2 in. (23.9 x 31.7cm) provenance: Private Collection, Princeton, New Jersey. $800-1,200

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4 141353/11 CORNELIS VISSCHER (dutch 1629-1658) THREE QUARTER LENGTH PORTRAIT OF A GENTLEMAN Signed ‘C. de Visscher fecit’ bottom left; also inscribed ‘Visscher’ on mount, black chalk, heightened with white on paper laid down on card, unframed 13 3/16 x 10 1/8 in. (33.4 x 25.7cm) provenance: William H. Schaub, New York, New York. Private Collection, Oklahoma. $5,000-8,000

5 141194/7 NORTHERN EUROPEAN SCHOOL (18th century) SHEET OF STUDIES Pen and gray ink and gray washes, with pen and brown ink over charcoal on paper 8 1/8 x 13 3/16 in. (20.5 x 33.5cm) provenance: Private Collection, Princeton, New Jersey. $1,500-2,500


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6 141194/12 ATTRIBUTED TO JAN FRANS VAN BLOEMEN (flemish 1662-1749) ITALIANATE LANDSCAPE WITH BRIDGE Bearing inscription ‘J. van Blomen’ bottom left; with Wolfhart Bürgi [Lugt 3400] collector’s mark bottom right, brush and gray ink with gray washes on paper laid down to old mount 10 3/8 x 15 15/16 in. (26.7 x 40.5cm) provenance: Wolfhart Bürgi [Lugt 3400]. Private Collection, Princeton, New Jersey. $800-1,200

7 141353/20 CIRCLE OF SIR PETER PAUL RUBENS (flemish 1577-1640) STUDY FOR ‘THE DEATH OF ACTAEON’ Pen and brown ink, brown washes on paper, unframed 7 3/4 x 11 1/2 in. (19.5 x 29.3cm) provenance: Private Collection, Oklahoma. note: The present composition follows the right side of ‘The Death of Actaeon’ given variously to Rubens, Frans Snynders and Frans Wouters. Burchard lists nine variations of this work, eight of which are paintings (see Arnout Balis, Corpus Rubenianum Ludwig Burchard, Part XVIII, vol II, Hunting Scenes, New York, 1986, no. 23; with copies number 1, 2 and 23a illustrated, relating directly to the present work). The story of Actaeon is from Ovid Metamorphoses 3.13 in which Diana turns Actaeon into a stag who is attacked by his own hounds as a punishment for the latter’s glimpsing Diana and her companions bathing in a grotto. $3,000-5,000

8 141353/33 GIOVANNI BATTISTA SPINELLI (italian 1585-1647) ST. JOHN PREACHING IN THE WILDERNESS Pen and brown ink, framing lines with brown wash on paper, unframed 10 x 14 1/16 in. (25.4 x 35.7cm) provenance: Private Collection, Oklahoma. note: See the etching and aquatint by Stefano Mulinari (Italian c.1741-c.1791) after the original drawing by Spinelli. One of three drawings on plate XXXVI (of 50) part of “Disegni originali d’eccellenti pittori esistenti nella Real Galleria di Firenze incisi ed intagliati nella loro grandezza e colori” published in 1774, dedicated to Pietro Leopoldo Grand Duke of Tuscany. $1,200-1,800


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10 9 141353/6 GERMAN SCHOOL (19th century) ECCE HOMO Graphite squared on paper laid down to card, unframed 12 1/2 x 9 1/4 in. (31.7 x 23.4cm) provenance: Private Collection, Oklahoma. note: The drawing comes with an old attribution to Moritz von Schwind (Austrian 1804-1871). $1,000-1,500

11 141194/9 FRENCH SCHOOL (late 17th century) SAINT CECILIA WITH PUTTO Pen and brown ink with brown wash over black chalk on paper laid down to card 6 5/8 x 5 1/4 in. (16.7 x 12.9cm) provenance: Private Collection, Princeton, New Jersey. $1,000-1,500 11

10 141353/28 CIRCLE OF SIMON VOUET (french 1590-1649) NATIVITY Bearing inscription ‘Vouet fecit’ lower center right; also bearing inscription ‘Simon Vouet fecit/geborooren de Parys 1582/gastorum 1641/Discipilum Zyn Vader’ and ‘H. 18d/B13d’ verso, black chalk, brown wash, and framing lines on paper laid down to card 18 3/8 x 13 in. (46.7 x 32.8cm) provenance: Private Collection, Oklahoma. exhibited: “Oklahoma Treasures: Paintings, Drawings and Watercolors.” Oklahoma Art Center, Oklahoma City, Oklahoma, April 18 - May 30, 1986; The Thomas Gilcrease Museum, Tulsa, Oklahoma, June 7 - July 6, 1986. note: This finished drawing was executed after a now lost painting by Vouet, an altarpiece of the Nativity painted for the church of the Carmelites on rue Chapon, Paris. The painting was destroyed in 1944. It is only recorded in an engraving by Pierre Daret, 1639. $2,500-4,000


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12 141373/8 FRENCH SCHOOL (19th century) MALE NUDE Black chalk heightened with white chalk on paper 11 x 15 9/16 in. (27.7 x 39.6cm) provenance: Private Collection, Washington DC. $1,000-1,500

13 141373/5 FRENCH SCHOOL (late 17th century) CLASSICAL SCENE FROM A SARCOPHAGUS Brush and brown ink, brown wash on paper 8 x 10 1/4 in. (22.3 x 25.6cm) provenance: Private Collection, Washington DC. note: The verso bears an old attribution to Jan de Bisschop. $1,000-1,500

14 141194/3 FRENCH SCHOOL (18th century) TWO PUTTI Red chalk on paper with: TWO PUTTI verso, red chalk 3 7/8 x 5 3/8 in. (9.2 x 13.6cm) provenance: Private Collection, Princeton, New Jersey. $800-1,200


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15 141194/8 FRENCH SCHOOL (late 16th early 17th century) TRIBUTE TO APOLLO Bearing inscription ‘G. Romano’ lower left; with Nicolas Lanier [Lugt 2885] collector’s mark lower right, black chalk on paper laid to card 6 6/8 x 9 3/4 in. (17.1 x 24.8cm) provenance: Nicolas Lanier [Lugt 2885]. John Hampden Collection, possibly his sale, London, June 27, 1827. Dr. Cranian (?), possibly his sale, Oxford, 1847, lot 55. Private Collection, Princeton, New Jersey. note: This drawing is based, with variations, on the left side of Giulio Romano’s fresco Tribute to Apollo, Sala di Psiche, Palazzo del Tè (152628), Mantua. $2,000-3,000

16 141353/12 FRENCH SCHOOL (17th century) CLASSICAL SCENES Pair of pen and black ink and gray washes, heightened with white on paper in the oval, unframed Each: 3 3/4 x 3 in. (9.6 x 7.5cm) (2) provenance: Spencer Samuels & Co., New York, New York (as Charles Joseph Natoire). Private Collection, Oklahoma. $1,000-1,500


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17 141353/9 GEORGE JULES VICTOR CLARIN (french 1843-1919) SARAH BERNHARDT BEING COIFFED Pencil on paper, unframed 9 1/4 x 7 3/8 in. (23.5 x 18.6cm) provenance: Cass Canfield. Private Collection, Oklahoma. $1,000-1,500

18 141192/77 CONSTANTIN GUYS (french 1802-1892) “ELEGANTE” Watercolor and ink on paper laid to card Sight size: 11 1/4 x 7 1/4 in. (28.6 x 18.4cm) provenance: Hotel Drouot, November 10, 1954, lot 25. Property of a Delancey Place, Philadelphia, Pennsylvania Estate. $800-1,200

19 132580/16 GUSTAVE DORÉ (french 1832-1883) PORTRAIT OF AN ELEGANT LADY HOLD FAN Signed ‘G. Doré lower right, ink heightened with wash over traces of pencil on thin card 14 3/8 x 10 7/8 in. (36.5 x 27.6cm) provenance: Ben Wolf, Philadelphia, Pennsylvania. By descent in the family. University of Michigan, William Clements Library, Ann Arbor, Michigan. $1,000-1,500


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20 141407/2 EUGENE DELACROIX (french 1798-1863) EUGENE DELACROIX. 33 DESSINS (CHEVAUX) A cloth covered folio of 33 pencil drawings on paper/tissue paper, each of horses (one of dogs), some with horsemen, mounted on sheets. Some sheets inscribed, including: ‘et gravure de Puritains (?)’ ‘chevaux au detresse sur un champ de bataille’ and ‘cheval de labour’ Various sizes, largest: 6 3/4 x 10 3/8 in. (17.1 x 26.4cm) provenance: Private Collection, Washington DC. $10,000-15,000

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21 141353/8 SIR JAMES THORNHILL (british 1675-1734) APOLLO AND DAPHNE Pen and brown ink, brown wash over charcoal on paper laid down to card, unframed 6 1/2 x 4 1/2 in. (16.4 x 11.5cm) together with: CLASSICAL SCENE Pen and brown ink, brown wash over black chalk on paper laid down to card, unframed 6 9/16 x 4 1/2 in. (16.4 x 11.5cm) (2) provenance: Private Collection, Oklahoma $1,000-1,500

22 141373/4 BRITISH SCHOOL (early 19th century) BATTLE SCENE Pen and brown ink on paper 5 1/4 x 11 1/2 in. (12.9 x 29cm) together with: ATTRIBUTED TO LUCA GIORDANO (italian 1634-1705) PRESENTATION IN THE TEMPLE Pen and brown ink with brown wash over black chalk on paper laid down to card 13 1/2 x 10 5/8 in. (34.5 x 27cm) (2) provenance: Private Collection, Washington DC. $1,200-1,800

23 132580/28 BRITISH SCHOOL (early 19th century) ITALIAN LANDSCAPE With Anton Raugh [Lugt 2182a & 3834] collectors marks bottom left and unidentified collector’s mark bottom right, pen and ink on paper laid down to card 6 x 11 3/4 in. (15.3 x 29.8cm) provenance: Anton Raugh [Lugt 2182a & 3834]. Ben Wolf, Philadelphia, Pennsylvania. By descent in the family. University of Michigan, William Clements Library, Ann Arbor, Michigan. $1,000-1,500


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24 141353/15 FOLLOWER OF JACOPO ROBUSTI TINTORETTO (italian 1519-1594) THE RAISING OF LAZARUS Bearing inscription ‘No 95 Ecole Italie’ verso, pen and brown ink, brown and gray washes, heightened with white on paper laid down to card, unframed 10 1/8 x 12 3/8 in. (25.6 x 31.3cm) provenance: Private Collection, Oklahoma. note: This drawing is after Tintoretto’s composition of 1573, residing in the Kimbell Art Museum, Fort Worth, Texas. $2,000-3,000

25 141373/1 ATTRIBUTED TO VINCENZO DI BENEDETTO TAMAGNI (italian 1492-c.1530) RETURN OF THE PRODIGAL SON Inscribed ‘Ventura Salimbeni’ on mount; with Joshua Reynolds [Lugt 2364] collector’s mark bottom right, pen and brown ink on paper laid down to 18th century mount 5 x 7 in. (12.7 x 17.7cm) provenance: Joshua Reynolds [Lugt 2364]. Private Collection, Washington DC. note: This drawing is connected with Raphael’s project in the Loggia at the Vatican, where Tamagni worked after his time in Sodoma’s studio. $1,200-1,800

26 141353/13 ROMAN/TUSCAN SCHOOL (late 16th century) VIRGIN AND CHILD WITH SAINTS Pen and brown ink, red and sepia washes, heightened with white on paper laid down to card, unframed 8 x 11 3/4 in. (20.4 x 29.8cm) provenance: Private Collection, Oklahoma. $1,200-1,800


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27 141353/10 ITALIAN SCHOOL (late 18th early 19th century) BUST OF A ROMAN SOLDIER IN PROFILE Pen and brown ink, brown washes over charcoal on paper, unframed with: GERMAN SCHOOL (19th century) BUST OF A ROMAN SOLDIER IN PROFILE verso, inscribed ‘Aus dem zeiss(?) alter des Theseus’ pen and brown ink over charcoal 5 3/4 x 6 3/8 in. (14.5 x 16.2cm) together with: ATTRIBUTED TO SIR EDWIN HENRY LANDSEER (british 1802-1873) NEPTUNE Pen and brown ink with brown wash on paper laid down to card, unframed 5 1/2 x 3 5/8 in. (13.9 x 9.2cm) (2) provenance: Private Collection, Oklahoma. $1,200-1,800

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28 141353/1 ITALIAN SCHOOL (16th century) MALE SAINT Bearing inscription ‘32 H’ bottom right, pen and brown ink, rubbed with red chalk on paper laid down on old blue mount, unframed 6 1/4 x 5 1/8 in. (15.9 x 13cm) provenance: Private Collection, Oklahoma. note: The mount is from an 18th century French collector, inscribed with an attribution to Correggio. $800-1,200 28 29 141353/3 ITALIAN SCHOOL (17th century) CLERICAL FIGURE Bearing inscription verso, red chalk on paper, unframed 7 13/16 x 5 5/8 in. (19.8 x 14.3cm) provenance: Private Collection, Oklahoma. $800-1,200

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30 132580/11 GIOVANNI BENEDETTO CASTIGLIONE (italian 1609-1664) FIGURES, HORSE, SHEEP AND DOG Ink and wash on paper laid to card, unframed 15 1/4 x 12 1/2 in. (38.7 x 31.8cm) provenance: Ben Wolf, Philadelphia, Pennsylvania. By descent in the family. University of Michigan, William Clements Library, Ann Arbor, Michigan. $5,000-8,000

31 141194/13 ROMAN SCHOOL (late 17th century) THE EXPULSION OF HAGAR Pen and brown ink with brown washes and gray wash, squared in graphite on paper 10 3/16 x 11 7/8 in. (25.9 x 30cm) provenance: Private Collection, Princeton, New Jersey. $2,000-3,000

32 141194/10 GIROLAMO DA CARPI (italian 1501-1556) SHEET OF STUDIES: DRUNKEN SILENUS, WOMAN WITH VASE, URN Pen and brown ink with framing lines on paper laid down to card 7 5/8 x 9 9/16 in. (19.3 x 24.2cm) provenance: Private Collection, Princeton, New Jersey. $2,000-3,000


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33 141353/5 GIOVANNI BATTISTA CIPRIANI (italian 1727-1785) MARY MAGDALENE Pen and brown ink with brown wash on paper laid to mount, unframed 4 3/4 x 7 1/2 in. (11.9 x 19cm) provenance: Private Collection, Oklahoma. $800-1,200

34 141194/11 VENETIAN SCHOOL (early 16th century) THE ANNUNCIATION Pen and brown ink with brown washes on paper laid down to card, lunette 6 9/16 x 12 13/16 in. (16.5 x 32.5cm) provenance: Skippe Collection (per annotation on sheet). Private Collection, Princeton, New Jersey. $1,200-1,800

35 141194/6 ATTRIBUTED TO JACOPO PALMA IL GIOVANE (italian c.1548-1628) MOSES AND THE BRAZEN SERPENT Pen and brown ink with brown wash over black chalk on paper 10 x 17 in. (25.4 x 43.1cm) provenance: A recordo (or perhaps finished modello) for Palma Giovane’s painting, executed 1592-1593, commissioned for the Chiesa di Santa Maria Assunta, now in Santa Maria dei Crociferi. A compositional drawing by Palma is in the Royal Collection, Windsor Castle. $2,500-4,000


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36 141194/4 GIULIO ROMANO (italian c.1499-1546) VENUS BEFORE JUPITER With Prosper Henry Lankrink [Lugt 2090] and Richard Cosway [Lugt 628] collector’s marks bottom right, pen and brown ink with brown washes on paper laid down to old mount 6 3/8 x 8 15/16 in. (16.2 x 22.6cm) provenance: Prosper Henry Lankrink, his sale, London, 1693 or 1694. Richard Cosway, his sale February 14-22, 1822. Samuel Woodburn. Private Collection, Princeton, New Jersey. note: This drawing is preparatory for Giulio’s fresco, Venus Before Jupiter in the Sala di Psiche, Palazzo del Tè, Mantua (1526-28). $6,000-10,000


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37 141353/4 ATTRIBUTED TO GIOVANNI DOMENICO TIEPOLO (italian 1727-1804) DEATH OF A SAINT Pen and brown ink with gray wash on paper, unframed 11 1/4 x 7 5/16 in. (28.9 x 18.5cm) provenance: Private Collection, Oklahoma. note: For a similar example, see ‘Catalogue of Drawings by Giovanni Domenico Tiepolo, The Property of the Earl Beauchamp.’ Christie’s, London, June 15, 1965, no 6, $1,000-1,500

38 141373/3 CIRCLE OF BACCIO BANDINELLI (italian 1493-1560) STUDIES OF A MALE NUDE WITH PUTTI Inscribed ‘Baccio Bandinelli’ lower right, pen and brown ink over charcoal on paper laid down on an 18th century mount 12 1/4 x 8 1/4 in. (31.1 x 21cm) provenance: Private Collection, Washington DC. $1,500-2,500

39 132580/42 ITALIAN SCHOOL (18th century) SEATED SAINT WITH ANGEL Black chalk on paper laid down to card 8 15/16 x 6 1/8 in. (23.6 x 15.5cm) together with: NORTHERN EUROPEAN SCHOOL (17th century) CARTOUCHE WITH PUTTI Black chalk with touches of white chalk on paper 5 x 6 1/8 in. (12.7 x 15.5cm) (2) provenance: Ben Wolf, Philadelphia, Pennsylvania. By descent in the family. University of Michigan, William Clements Library, Ann Arbor, Michigan. $1,000-1,500


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40 132580/9 ATTRIBUTED TO GIOVANNI BATTISTA TIEPOLO (italian 1696-1770) TWO FIGURES SEEN DA SOTTO IN SU Pen and brown ink with brown wash on paper laid down to card 8 1/2 x 6 1/4 in. (21.5 x 15.5cm) provenance: Ben Wolf, Philadelphia, Pennsylvania. By descent in the family. University of Michigan, William Clements Library, Ann Arbor, Michigan. note: This drawing was probably part of an album of drawings such as the album entitled Sole Figure per Soffitti (now dismantled). In that album each sheet typically had a seated figure, legs dangling, his face half hidden and was often preparatory for a ceiling composition, used in both paintings and frescoes. $2,500-4,000

41 132430/20 NORTHERN ITALIAN SCHOOL (18th century) LA CRESIMA Inscribed ‘Cresima’ in ink at bottom center, brown and black ink with gray washes over pencil on paper 12 7/8 x 17 7/16 in. (32.7 x 44.3cm) provenance: Private Collection, Princeton, New Jersey. $800-1,200

42 141194/5 ATTRIBUTED TO PIETRO ANTONIO DE PIETRI (italian 1663-1716) RIVER SCENE WITH PRELATES FISHING Pen and brown ink with gray washes on paper 8 1/4 x 12 3/16 in. (21 x 25.9cm) provenance: Private Collection, Princeton, New Jersey. note: The subject of this drawing appears to be a commentary on the hypocrisy of the election to the papacy. $800-1,200


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43 141353/16 GENOESE SCHOOL (17th century) SEATED FIGURE WITH PUTTI Charcoal and brown washes on paper, unframed 14 3/4 x 9 1/4 in. (37.9 x 23.5cm) provenance: Private Collection, Oklahoma. $1,000-1,500

45 141353/18 ATTRIBUTED TO GIACOMO FARELLI (italian 1624-1706) HEAD OF THE MADONNA Graphite, touch of black and red chalk on paper, unframed 15 1/2 x 11 1/16 in. (39.3 x 28cm) provenance: Private Collection, Oklahoma. $1,000-1,500

44 141353/17 CIRCLE OF MARCANTONIO FRANCESCHINI (italian 1648-1729) BACCHANTE Pen and red ink with red wash over red chalk on paper, oval, unframed 8 5/8 x 6 1/4 in. (21.2 x 15.7cm) together with: GERMAN SCHOOL (17th century) TEMPTATION OF ADAM Charcoal on paper, unframed 8 1/4 x 15 13/16 in. (21 x 14.8cm) (2) provenance: Private Collection, Oklahoma. $2,000-3,000


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46 132430/10 ROMAN SCHOOL (17th century) MINERVA Inscribed ‘Carro de Minerva p. a o Painel (?) lateral (?) top right, Pen and gray ink with gray washes on paper 8 3/4 x 6 in. (22.2 x 15.2cm) provenance: Private Collection, Princeton, New Jersey. $800-1,200

48 141353/22 NEAPOLITAN SCHOOL (late 17th century) STUDY FOR A CEILING DECORATION Bearing inscription ‘Scuolo Tiepolo’ lower left, pen and gray ink, gray washes heightened with white on paper, unframed 22 3/4 x 17 in. (55.6 x 43cm) provenance: Private Collection, Oklahoma. $1,200-1,800

47 141353/14 ATTRIBUTED TO JACOPO PALMA IL GIOVANE (italian c.1548-1628) MARTYRDOM OF SAINT LAWRENCE With Joshua Reynolds [Lugt 2364] collector’s mark, lower left and William Bates [Lugt 2604] collector’s mark lower right and bearing inscription ‘Palme’ on old mount, pen and brown ink with touches of white heightening on paper laid down to old mount, unframed 11 1/8 x 10 1/16 in. (28.1 x 25.4cm) provenance: Joshua Reynolds [Lugt 2364]. William Bates [Lugt 2604]. With William S. Schaub Gallery, New York New York (as Palma Giovanni) Private Collection, Oklahoma. $1,500-2,500


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49 141478/1 GEORGE GROSZ (german 1893-1959) “WEIBLACHER AKT” Dated ‘14’ bottom right, with stamped signature; also with estate stamp and number ‘2-28-7’ verso, ink on paper 11 7/8 x 7 15/16 in. (30.2 x 20.2cm) provenance: Atelier des Künstlers, Berlin, 1914. Galleria Giulla, Rome, 1959. Galleria Marescalchi, Bologna, Italy. Private Collection, Europe. note: This drawing will be included in Ralph Jentsch’s forthcoming catalogue raisonné on the artist. $3,000-5,000

50 132580/19 WALTER RICHARD SICKERT (british 1860-1942) “MORNINGTON CRESCENT” Inscribed ‘45’ in red ink upper right, conte crayon heightened with white chalk and ink on paper 10 1/4 x 14 7/8 in. (26 x 37.8cm) 1907. [Baron 335.4] provenance: M. Knoedler & Co. New York, New York. Ben Wolf, Philadelphia, Pennsylvania. By descent in the family. University of Michigan, William Clements Library, Ann Arbor, Michigan. literature: Lillian Browse. Sickert, Faber & Faber, London. 1943, plate 29a (as whereabouts unknown). Wendy Baron. Sickert: Paintings & Drawings. Yale University Press, New Haven, 2006. pg 360, cat #335.4 (as whereabouts unknown). $2,500-4,000


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51 141415/3 PAUL GAUGUIN (french 1848-1903) “GODDESS” Pencil on paper laid to paper, oval 2 3/16 x 2 1/15 in. (5.6 x 5.2cm) provenance: Private Collection, Europe. ‘Valuable Printed Books Autograph Letters and Historical Documents.’ Sotheby’s, London, November 8th, 1966, lot 541. L.C. Afron. Private Collection, New Jersey. Acquired from the above. Private Collection, New Jersey. exhibited: “Paul Gauguin: Documents Tahiti 1891, 1892, 1893.” Galerie Marcel Guiot, May 15 - June 13, 1942, no. 73. note: This lot will be accompanied by the Sotheby’s London, 1966 auction catalogue and the 1942 Galerie Marcel Guiot exhibition catalogue. $5,000-8,000


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52 141353/23 GEORGES ROUAULT (french 1871-1958) 12 ETCHINGS AND AQUATINTS From “MISERE” Editions de l’Etoile Filante, Paris, watermark ‘Ambroise Vollard’, all unframed, each with title page “Toujours Flagellé...” plate 3 “Qui Ne Se Grime Pas” plate 8 “Au Vieux Faubourg de Longus Peines” plate 10 “Le Dur Métier de Vivre...” plate 12 “Sous un Jésus Encroix Oublié La” plate 20 “Chantez Matines, le Jour Renaît” plate 29 “Seigneur, C’est Vous, Je Vous Reconnais” plate 32 “Ce Sera La Derniere, Petit Père!” plate 36 “Mon Doux Pays, Ou Êtes-Vous?” plate 44 “Au Pressoir, Le Raisin Fut Foulé” plate 48 together with: GIRL MARGO AND CLOWN PIERRE Pair color aquatints Various Sizes (12) provenance: Private Collection, Oklahoma. $3,000-5,000 53 141353/27 KÄTHE KOLLWITZ (german 1867-1945) NINE UNFRAMED PRINTS (Later Impressions) “ZERTRETENE - LEICHNAM UN FRAUENAKT AM PFAL” 3/8 x 24 5/8 in. (23.8 x 62.5cm). [Klipstein 48] “TOD UND FRAU” Etching, drypoint and soft-ground etching, O. Felsing printer. 17 3/4 x 17 7/16 in. (45.1 x 44.3cm) [Klipstein 103] ENDE from Ein Weberaufstand” Etching and aquatint, Von Der Becke publisher. 9 5/8 x 12 1/8 in. (24.4 x 30.8cm) [Klipstein 37]

“AUS VIELEN WUNDEN BLUTEST DU, O VOLK from Ein Weberaufstand” Drypoint and etching, Von Der Becke, publisher. 5 1/8 x 13 3/16 in. (13 x 33.5cm) [Klipstein 29] “AN DER KIRCHENMAUER” Etching and drypoint, Von Der Becke publisher. 10 x 5 3/16 in. (25.4 x 13.2cm) [Klipstein 19] “SELBSTBILDNIS AM TISCH” Etching and aquatint, Von Der Becke publisher. 7 x 5 1/8 in. (17.8 x 13cm) [Klipstein 14] “FRAUENKOPF” Softground etching, Von Der Becke publisher. 9 1/4 x 5 1/2 in. (23.5 x 14cm) [Klipstein 76] “TOD UND FRAU UM DA KIND RINGEND” Etching, drypoint and softground etching, Von Der Becke publisher. 8 15/16 x 11 1/4 in. (22.7 x 28.6cm) [Klipstein 118] “WEBERZUG” Etching, Von Der Becke publisher. 8 1/4 x 11 5/8 in. (21 x 29.5cm) [Klipstein 32] (9) provenance: Private Collection, Oklahoma. $1,500-2,500 54 132580/25 ANTOINE-LOUIS BARYE (french 1796-1875) “LOUP QUI MARCHE” Signed ‘Barye’ bronze, brown patina Length: 13 in. (33cm) provenance: Ben Wolf, Philadelphia, Pennsylvania. By descent in the family. University of Michigan, William Clements Library, Ann Arbor, Michigan. literature: M. Poletti and A. Richarme, Barye Catalogue Raisonne des Sculptures, Paris, pg 159, no. A39 (another cast illustrated). $1,000-1,500

52 - one of 12

53 - one of 9

54


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55 141076/6 ANGLO-FLEMISH SCHOOL (16th century) PORTRAIT OF A LADY, HALF LENGTH IN A BLACK DRESS WITH A LACETRIMMED RUFF Oil on cradled panel 34 3/4 x 26 3/4 in. (88.3 x 67.9cm) provenance: The Architect, Clarence Mack, Palm Beach, Florida. Given as a gift to the present owners. Private Collection, Florida. note: The painting carries an old attribution to Nicholas Hillard, as a portrait of the Duchess of Pembroke. $2,500-4,000

56 131555/8 ATTRIBUTED TO SALOMON KONINCK (dutch 1609-1656) JEREMIAH LAMENTING THE DESTRUCTION OF JERUSALEM Oil on canvas 46 x 37 in. (116.8 x 94cm) provenance: Private Collection, Miami, Florida. Private Collection, Atlanta, Georgia. Acquired from the above to the present owner. $2,000-3,000

57 141484/1 AFTER ADRIAEN VAN DER WERFF (dutch 1659-1722) “EXPELLED FROM THE HOUSE OF ABRAHAM” Oil on cradled panel 19 1/4 x 14 7/8 in. (48.9 x 37.8cm) provenance: Private Collection, Philadelphia, Pennsylvania. note: After the original in the Gemaldegalerie Alte Meister, Dresden. $1,500-2,500


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58 148051/1 CIRCLE OF ANDREA LOCATELLI (italian 1693-c.1741) EXTENSIVE LANDSCAPE WITH FIGURES Oil on canvas 41 1/2 x 51 in. (105.4 x 129.5cm) provenance: Collection of Christopher Soames, son-in-law of Winston Churchill (according to typed stretcher label). Private Collection, Virginia. $2,500-4,000

59 OWNED/697 AFTER SIR PETER PAUL RUBENS (flemish 1577-1640) “THE JUDGMENT OF SOLOMON” Inscribed ‘ZAMPIERI d DOMINICHI,’ verso, oil on copper 11 1/4 x 14 3/8 in. (28.6 x 36.5cm) provenance: Private Collection, New York. $1,000-1,500

60 141165/8 S. EIKELENBERG (dutch 18th century) CAPRICCIO WITH MAIDENS Signed ‘S. Eikelenberg’ bottom left on rock, oil on panel 13 7/16 x 16 5/16 in.(34.1 x 41.4cm) provenance: Private Collection, Philadelphia, Pennsylvania. $1,200-1,800


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61 148022/1 FOLLOWER OF ANDRIES VERMEULEN (dutch 1763-1814) WINTER SKATING SCENE Oil on panel 11 1/4 x 14 1/4 in. (28.6 x 36.2cm) provenance: Private Collection, Virginia. $1,000-1,500

62 141438/2 DUTCH SCHOOL (18th century) WINTER LANDSCAPE Signed with indistinct initials bottom left, oil on copper 8 1/8 x 9 1/8 in. (20.6 x 23.2cm) provenance: An Estate, Boston, Massachusetts. $1,500-2,500

63 141408/1 DUTCH SCHOOL (17th century) THE CAVALIER’S ENTRANCE Oil on panel, unframed 17 3/4 x 24 3/8 in. (45.1 x 61.9cm) provenance: Private Collection, Maryland. $1,000-1,500


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64 141050/131 MANNER OF PHILIPS WOUWERMAN (dutch 1619-1668) LANDSCAPE WITH FALCONERS AND TOWNSPEOPLE With initials ‘P.W.’ bottom left, oil on canvas 19 1/4 x 25 3/4 in. (48.9 x 65.4cm) provenance: The collection of Dr. Alex Titomirov, Great Falls, Virginia. $1,000-1,500

65 141050/160 MANNER OF BAREND GAEL (dutch 1620-c.1687) ELEGENT COMPANY ON A HILLSIDE Oil on canvas 24 1/2 x 35 7/8 in. (62.2 x 86cm) provenance: The collection of Dr. Alex Titomirov, Great Falls, Virginia. $1,000-1,500

66 141050/134 MANNER OF JAN VAN KESSEL THE YOUNGER (flemish 1626-1679) MIXED FLOWERS IN AN URN WITH BUTTERFLY ON A STONE LEDGE Oil on canvas 30 x 24 1/8 in. (76.2 x 61.3cm) provenance: The collection of Dr. Alex Titomirov, Great Falls, Virginia. $1,000-1,500


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67 131555/3 DAVID TENIERS THE YOUNGER (flemish 1610-1690) PEASANTS OUTSIDE AN INN Signed with monogram ‘DT.F.” bottom right, oil on panel 6 3/4 x 9 5/8 in. (17.1 x 24.4cm) provenance: Sotheby’s, New York (n.d.) Private Collection, Norfolk, Virginia. Acquired from the above by present owner. $6,000-10,000

68 141408/2 CONTINENTAL SCHOOL (18th - 19th century) STILL LIFE Signed with monogram ‘F.C.’ upper center left on container, and bottom right on bookmark, oil on panel, unframed 7 1/16 x 9 5/8 in. (17.9 x 24.4cm) provenance: Private Collection, Maryland. $1,000-1,500


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69 141076/2 JOHANNES HUIBERT (HENDRIC) PRINS (dutch 1757-1806) TOWN SCENE WITH FIGURES Oil on canvas 24 3/8 x 30 in. (61.9 x 76.2cm) provenance: The Architect, Clarence Mack, Palm Beach, Florida. Given as a gift to the present owners. Private Collection, Florida. note: We would like to thank the Rijksbureau voor Kunsthistorische Documentatie for lending their opinion to the attribution of this painting on the basis of an electronically transmitted image. $10,000-15,000


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70 141050/162 SCHOOL OF PROVENCE (15th century) ST. LOUIS D’ANJOU Oil on cradled panel 48 5/8 x 24 in. (123.5 x 61cm) provenance: The collection of Dr. Alex Titomirov, Great Falls, Virginia. $12,000-18,000

71 141353/30 HISPANO-FLEMISH SCHOOL (17th century) SALVATOR MUNDI; AND THE VIRGIN Pair oils on copper Each: 8 7/8 x 6 13/16 in. (22.5 x 17.3cm) provenance: Private Collection, Oklahoma. $1,200-1,800


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72 141466/1 SPANISH SCHOOL (probably 16th century) ST. GEORGE AND THE DRAGON Oil on panel 33 7/8 x 28 in. (86 x 71.1cm) provenance: Collection of George Kaftal (by repute). ‘Stoball, The Property of Viscount Strathallan’ Bonhams, Edinburgh, May 2, 2012, lot 239. Private Collection, Oregon. $10,000-15,000


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73 141473/7 SPANISH SCHOOL (17th century) STANDOFF Oil on canvas 32 1/2 x 41 3/8 in. (82.6 x 105cm) provenance: Private Collection, New York, New York. $4,000-6,000

74 141192/65 MANNER OF GIOVANNI PAOLO PANINI (italian c.1692-1765) CAPRICCIO Oil on canvas 36 1/2 x 59 in. (92.7 x 149.9cm) provenance: Property of a Delancey Place, Philadelphia, Pennsylvania Estate. $2,500-4,000


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75 141174/1 AFTER CARLO DOLCI (italian 1616-1686) THE MARTYRDOM OF ST. ANDREW Oil on canvas 49 1/2 x 40 in. (125.7 x 101.6cm) provenance: Private Collection, Pennsylvania. note: After the original painted by Dolci in 1646 at the Palazzo Pitti, Florence, Italy. $1,000-1,500

77 141343/2 AFTER DOMENICO ZAMPIERI (IL DOMENICHINO) (italian 1581-1641) THE RAPTURE OF SAINT PAUL Oil on copper 19 11/16 x 14 15/16 in. (49.7 x 37.9cm) provenance: Collection of Cardinal Lambruschini. Collection of M. Forbin-Janson, Director of the Louvre. Acquired from the above by Thomas J. Bryan, London his inventory 'B-57'; (verso of copper with painted inventory number '1867.57'). New York Historical Society, collection of Thomas J. Bryan Sale, Parke Bernet, New York, December 2, 1971.

76 141283/9 AFTER ANDREA DEL SARTO (italian 1486-1530) MADONNA AND CHILD WITH ST. ELIZABETH AND ST. JOHN THE BAPTIST Oil on canvas 50 x 40 in. (127 x 101.6cm) provenance: Private Collection, New Jersey. note: After the original painting from c.1529 in the Palazzo Pitti, Florence, Italy. $1,000-1,500

(with) Selected Artists Galleries, Inc, New York.(Property of Henry I. Levine, Hewlett, Long Island, New York). William Doyle Galleries, New York. Private Collection, Philadelphia, Pennsylvania. literature: Henry Abbott, Catalogue of the Museum and Gallery of Art of the New York Historical Society., 1881, pg 27, #232.. note: After the original by Domenichino, 1607, in The Louvre, Paris. $1,500-2,500


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78 148052/1 AFTER SANDRO BOTTICELLI (italian 1444-1510) “MADONNA OF THE MAGNIFICAT” Oil on octagonal-shaped canvas, framed as a tondo 45 x 45 3/8 in. (114.3 x 115.3cm) provenance: Private Collection, Virginia. note: After the original painted by Botticelli, 1480-81 in the Uffizi Gallery, Florence. $10,000-15,000


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79 141473/5 FOLLOWER OF MARCELLO VENUSTI (italian 1512-1579) FLAGELLATION OF CHRIST Oil on copper 16 x 12 7/8 in. (40.6 x 32.7cm) provenance: Private Collection, New York, New York. $3,000-5,000

80 141477/1 ATTRIBUTED TO GIOVANNI BATTISTA CRESPI (IL CERANO) (italian c. 1575-1633) SAINT JEROME Oil on canvas 23 3/4 x 19 3/4 in. (60.3 x 50.2cm) provenance: The Talenti Family, Rome. By descent in the family. Private Collection, North Carolina. literature: Marco Rosci, Il Cerano. Electa, Milan, 2000. pp 137-138, nos 76 & 77 (related examples). $4,000-6,000

81 148022/2 ROMAN SCHOOL (17th - 18th century) THE HOLY FAMILY WITH A YOUNG JOHN THE BAPTIST Oil on canvas laid to panel 11 x 8 1/2 in. (27.9 x 21.6cm) provenance: Private Collection, Virginia. $1,000-1,500


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82 141476/2 FOLLOWER OF CARLO INNOCENZO CARLONE (italian 1686-1775) BOZZETTO FOR A CEILING FRESCO Stamped ‘12’ in red at center right, oil on board (?) 25 1/2 x 22 1/2 in. (64.8 x 57.2cm) provenance: Private Collection, Georgia. $2,000-3,000

83 148022/3 AFTER IGNAZ STERN (italian 1680-1748) MADONNA AND CHILD Oil on canvas 16 1/4 x 14 1/2 in. (41.3 x 36.8cm) provenance: Private Collection, Virginia. $1,200-1,800

84 148052/2 EMILIAN SCHOOL (17th century) CLERIC IN ADORATION Oil on canvas 21 x 15 3/8 in. (53.3 x 39.1cm) provenance: Private Collection, Virginia. $2,000-3,000


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85 141092/1 AFTER LUCA GIORDANO (italian 1634-1705) THE JUDGEMENT OF PARIS Oil on canvas, unframed 14 1/4 x 20 in. (36.8 x 50.8cm) provenance: Private Collection, Ohio. note: This painting is after the original in the Hermitage Museum, St. Petersburg, Russia. $1,000-1,500

86 141473/6 CIRCLE OF FRANCESCO SIMONINI (italian 1686-1753) GATHERING OF THE CAVALRY Oil on canvas, unframed 34 1/8 x 44 1/2 in. (86.7 x 113cm) provenance: Private Collection, New York, New York. $3,000-5,000

87 141408/3 ITALIAN SCHOOL (18th century) FIGURES IN AN EXTENSIVE LANDSCAPE Oil on canvas 21 1/16 x 25 7/8 in. (53.5 x 65.7cm) provenance: Private Collection, Maryland. $1,000-1,500


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88 141343/1 AFTER JACOPO PALMA IL VECCHIO (italian c.1479-1528) ST. BARBARA Oil on canvas, in an arch-form architectural frame 29 1/4 x 12 3/8 in. (74.3 x 31.4cm) provenance: Private Collection, Philadelphia, Pennsylvania. note: After the original part of the polyptych of St. Barbara in Santa Maria Formosa, Venice. $1,000-1,500

89 131555/2 BOLOGNESE SCHOOL (early 17th century) PORTRAIT OF A GENTLEMAN Oil on canvas 23 1/2 x 19 3/4 in. (59.7 x 50.2cm) provenance: Osuna Gallery, Washington DC. Private Collection, Washington DC. exhibited: ‘Wealth of Cities: Italian Painting in the 17 and 18th centuries.’ Osuna Gallery, Washington, DC. February March 1987, no 10. as ‘Agostino Carracci.’ $1,000-1,500

90 141473/2 CIRCLE OF PIETER SNAYERS (flemish 1592-1667) THE SACKING OF A VILLAGE IN WINTER Oil on canvas, unframed 27 3/8 x 21 7/8 in. (69.5 x 55.5cm) provenance: Private Collection, New York, New York. $2,500-4,000


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91 141383/10 ATTRIBUTED TO OCTAVIANUS MONFORT (italian 1646-1696) STILL LIFES WITH MIXED FRUIT Three temperas on vellum Each: 11 x 15 in. (27.9 x 38.1cm) (3) provenance: Chenue, Paris. Private Collection, Philadelphia, Pennsylvania. $5,000-8,000

92 141383/12 ATTRIBUTED TO GIOVANNA GARZONI (italian 1600-1670) STILL LIFE WITH MIXED FRUITS IN A RETICULATED BASKET Tempera on paper 14 x 19 3/8 in. (35.6 x 49.2cm) provenance: Private Collection, Philadelphia, Pennsylvania. $6,000-10,000


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93 141473/4 ITALIAN SCHOOL (18th century) PIGEONS Oil on canvas 19 7/8 x 23 7/8 in. (50.5 x 60.6cm) provenance: Private Collection, New York, New York. $1,500-2,500

94 131555/5 NEAPOLITAN SCHOOL (late 17th century) STILL LIFE WITH FLOWERS AND URN Oil on canvas laid on tin 18 x 13 1/4 in. (45.7 x 33.7cm) provenance: Private Collection, Miami, Florida. Acquired from the above by present owner. $1,000-1,500

95 132497/2 CIRCLE OF NICOLAS LANCRET (french 1690-1743) STUDY OF “WINTER, FROM THE CHATEAU OF LA MUETTE” Pair oils on canvas laid to board Each: 12 3/4 x 8 in. (30.5 x 20.3cm) (2) provenance: Private Collection, Massachusetts. note: The present oil sketches are related to the finished work Winter, From the Chateau of la Muette by Nicolas Lancret, found in the Louvre, Paris. $1,000-1,500


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96 141214/4 ATTRIBUTED TO CARLE VAN LOO (french 1705-1765) PORTRAIT OF A GENTLEMAN IN ARMOR; BELIEVED TO BE LOUIS XV Oil on canvas, framed in the oval 32 3/8 x 25 1/2 in. (82.2 x 64.8cm) provenance: Private Collection, Rhode Island. $2,000-3,000

97 132539/13 MANNER OF ROSALBA CARRIERA (italian 1675-1757) PORTRAIT OF A LADY; SAID TO BE CATHERINE THE GREAT Pastel on linen 34 3/4 x 27 1/4 in. (88.3 x 69.2cm) provenance: Duck & Dolphin Antiques, Florida. Private Collection, The Main Line, Pennsylvania. $1,000-1,500

98 131555/7 FRENCH SCHOOL (18th century) THE SIEGE OF LILLE Oil on canvas 42 x 52 1/2 in. (106.7 x 133.3cm) provenance: Private Collection, New England. Acquired from the above by present owner. $3,000-5,000


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99 141161/6 SIR MARTIN ARCHER SHEE (irish 1769-1850) PORTRAIT OF LIEUTENANT GENERAL DANIEL BURR Oil on canvas 55 3/4 x 44 1/2 in. (141.6 x 113cm) provenance: Sotheby’s, London, sale of July 9, 1980, lot 119. Private Collection. ‘Interior Sale’ Christie’s, New York, December 11-12, 2012, lot 111. Private Collection, New York. $4,000-6,000

101 141459/4 BRITISH SCHOOL (late 18th early 19th century) PORTRAIT OF AN OFFICER Oil on canvas, oval 30 3/8 x 24 3/8 in. (77.2 x 61.9cm) provenance: Private Collection, Washington DC. $1,000-1,500

100 148060/1 BRITISH SCHOOL (18th century) PORTRAIT OF A GENTLEMAN Inscribed ‘93’ in oil verso, oil on canvas 25 1/2 x 21 in. (64.8 x 53.3cm) provenance: Private Collection, Virginia. $1,000-1,500


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102 141165/11 E. BRADLEY (british 19th century) ALONG THE RIVERBANK, POSSIBLY TWICKENHAM Signed and dated ‘E. Bradley 18*9’ bottom left, oil on panel 9 3/8 x 13 15/16 in. (23.8 x 35.4cm) provenance: Private Collection, Philadelphia, Pennsylvania. $1,000-1,500

103 141123/5 ROBERT B. JOHNSTON (british 1840-1914) “URCHINS” Signed ‘R.B. Johnston’ bottom left; also inscribed ‘Urchins/R. Johnston/Jane Lodge/Newbattle Terrace/Edinburgh’ on stretcher label verso, oil on canvas 24 x 36 in. (61 x 91.4cm) provenance: Private Collection, New York, New York. $2,500-4,000

104 141283/12 NORTHERN EUROPEAN SCHOOL (19th century) YOUNG LADY AND GENTLEMAN AT REST IN AN EXTENSIVE MOUNTAIN LANDSCAPE Signed indistinctly bottom right, oil on canvas 45 x 70 in. (114.3 x 177.8cm) provenance: Private Collection, New Jersey. $5,000-8,000


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105 141414/4 FREDERICK WILLIAM HULME (british 1816-1884) “WAYSIDE GOSSIP, SURREY” Signed and dated ‘F.W. Hulme 1862’ bottom left, oil on canvas 27 3/4 x 40 in. (70.5 x 101.6) provenance: Private Collection, New Jersey. $2,000-3,000

106 141349/6 BRITISH SCHOOL (19th century) “THE YOUNG FISHERMAN” Oil on canvas 14 1/4 x 21 1/8 in. (36.2 x 53.7cm) provenance: Private Collection, Montreal, Canada. Private Collection, Connecticut. $1,000-1,500

107 141349/7 BRITISH SCHOOL (19th century) “THE MILL STREAM” Oil on canvas 14 x 21 in. (35.6 x 53.3cm) provenance: Private Collection, Montreal, Canada. Private Collection, Connecticut. $1,000-1,500

108 141287/22 JOHN HORACE HOOPER (british c.1850-c.1899) HARVEST TIME Signed ‘Horace Hooper’ bottom right, oil on canvas 24 x 36 in. (61 x 91.4cm) provenance: Private Collection, Pennsylvania. $1,000-1,500


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109 141412/1 ATTRIBUTED TO MCNEIL ROBERT MCLEAY (british 1802-1878) BALMORAL CASTLE Also with ‘Robert R. Nelson, Edinr’ preparer’s stencil verso, oil on canvas 27 7/8 x 35 7/8 in. (70.8 x 91.1cm) provenance: Private Collection, New Jersey. $2,000-3,000

110 148016/2 BRITISH SCHOOL (19th century) “KENILWORTH CASTLE, WARWICKSHIRE, ENGLAND” Located verso, oil on canvas laid to panel 22 x 34 in. (55.9 x 86.4cm) provenance: Private Collection, Virginia. $1,000-1,500

111 141123/1 ALFRED POLLENTINE (british 1836-1890) DOGE’S PALACE, VENICE Signed in ligature ‘A Pollentine’ bottom right; also inscribed ‘The Dog***/A Pollentine’ verso, oil on canvas 13 7/8 x 24 in. (35.2 x 61cm) provenance: Private Collection, New York, New York. $1,500-2,500


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112 141459/1 JAMES BARNES (british died c.1923) “A ROUGH ROAD THROUGH THE WOOD” Signed ‘Jas Barnes’ bottom left, oil on canvas 30 x 20 in. (76.2 x 50.8cm) provenance: Private Collection, Washington DC. exhibited: Royal Academy, London, 1878 (per affixed plaque). $3,000-5,000

113 141252/1 JAMES DROMGOLE LINTON (british 1840-1916) “THE LORD CHAMBERLAIN” Signed with initials ‘JDL’ bottom left; also inscribed on label verso, oil on canvas laid to board 18 x 12 in. (45.7 x 30.5cm) provenance: Private Collection, New Jersey. $1,000-1,500

114 141192/21 FOLLOWER OF SIR GODFREY KNELLER (british 1646-1723) PORTRAIT OF A GENTLEMAN; SAID TO BE JAMES SCOTT, THE DUKE OF MONMOUTH AND BUCCLEUCH Oil on canvas 30 x 25 in. (76.2 x 63.5cm) provenance: Property of a Delancey Place, Philadelphia, Pennsylvania Estate. $1,000-1,500


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115 141459/8 JOHN ANKCORN (british fl. 1864-1868) “CHIEFFENCH NEST;” AND A COMPANION Each signed ‘J. Ankcorn’ and inscribed on stretcher Each: 6 x 8 in. (15.2 x 20.3cm) provenance: Private Collection, Washington DC. $1,500-2,500

116 141459/6 ARTHUR HENRY JENKINS (british 1871-1940) SWIMMING HOLE Signed ‘A.H. Jenkins’ twice, bottom left, oil on canvas 23 7/8 x 19 3/8 in. (60.6 x 49.2cm) provenance: Private Collection, Washington DC. $2,500-4,000


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117 141459/10 PERCY HARLAND FISHER (british 1867-1944) YOUNG SHEPHERD Signed ‘Harland Fisher’ bottom left, oil on canvas 24 x 36 in. (61 x 91.4cm) provenance: Private Collection, Washington DC. $3,000-5,000

118 141459/7 DAVID LONGSDON (british 1863-1937) “WHITMAN’S OR NORTH MILL MIDHURST SUSSEX” Signed ‘D. Longsdon’ bottom left; also titled on stretcher verso, oil on canvas 28 x 36 in. (71.1 x 91.4cm) provenance: Private Collection, Washington DC. $2,000-3,000

119 141343/3 HENRY STANIER (british c.1830-1892) INSIDE THE ALHAMBRA Pair watercolors, each signed, located and dated ‘H. Stanier Granada 1890’ bottom center Each: 20 x 13 3/8 in. (50.8 x 34cm) (2) provenance: Private Collection, Philadelphia, Pennsylvania. $2,000-3,000


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120 148022/5 FOLLOWER OF SIR GEORGE CHAMBERS (british 1803-1840) NAVAL ENGAGEMENT Oil on canvas 13 7/8 x 17 7/8 in. (35.2 x 45.4cm) provenance: Private Collection, Virginia. $1,200-1,800

121 148022/4 FOLLOWER OF THOMAS LUNY (british 1759-1837) SHIPS OFF BERRY HEAD, APPROACHING STORM Inscribed ‘Berry Head’ verso, oil on panel 7 5/8 x 10 1/8 in. (19.4 x 25.7cm) provenance: Private Collection, Virginia. $1,000-1,500

122 148022/8 JOHN BENTHAM DINSDALE (british 1927-2008) “ACTION BETWEEN THE AMERICAN BRIG YANKEE HERO AND THE BRITISH FRIGATE MILFORD OFF CAPE ANN, 7th JUNE 1776” Signed ‘John Bentham Dinsdale’ bottom left,; also inscribed on attached sheet verso, oil on panel 12 x 16 in. (30.5 x 40.6cm) provenance: Private Collection, Virginia. $1,000-1,500


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123 141067/1 CIRCLE OF THOMAS WHITCOMBE (british 1763-1824) NAVAL ENGAGEMENT BETWEEN HMS WOLVERINE AND THE FRENCH LUGGERS FURET AND RUSE Pair oils on canvas Each 19 1/2 x 28 in. (49.5 x 71.1cm) (2) provenance: Private Collection, Massachusetts. $4,000-6,000

124 141122/1 ATTRIBUTED TO THOMAS BUTTERSWORTH (british 1768-1842) THE ARRIVAL OF GEORGE IV IN THE ROYAL GEORGE OFF LEITH HARBOR, SCOTLAND Oil on canvas 23 x 35 1/4 in. (58.4 x 89.5cm) provenance: ‘Nineteenth Century European Paintings, Drawings and Watercolors.’ Christie’s East, New York, May 22, 1989, lot 33 (as English School, 19th Century) $2,500-4,000


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125 141474/1 MONTAGUE DAWSON (british 1890-1973) “THE SIR LANCELOT” Signed ‘Montague Dawson’ bottom left, oil on canvas 24 x 36 in. (61 x 91.4cm) provenance: Private Collection, Pennsylvania. $40,000-60,000


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126 148023/1 MONTAGUE DAWSON (british 1890-1973) “WHITE SQUALL - CLIPPER SHIP ANN MCKIM” Signed ‘Montague Dawson’ bottom left; titled verso, oil on canvas 24 x 36 in. (61 x 91.4cm) provenance: Private Collection, Virginia. $40,000-60,000


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127 141474/2 MONTAGUE DAWSON (british 1890-1973) “THE SOUTHERN CROSS” Signed ‘Montague Dawson’ bottom left; also inscribed in pencil on stretcher ‘The winner in sunlit seas/the ‘Southern Cross/950 tons built at Boston in 1851’ and inscribed ‘15316’ verso, oil on canvas 20 x 30 in. (50.8 x 76.2cm) provenance: Newman Galleries, Philadelphia, Pennsylvania. Private Collection, Pennsylvania. $15,000-25,000


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128 141293/3 WILLIAM T. COOPER (australian b. 1934) “MANED DUCKS OR AUSTRALIAN WOOD DUCKS” Signed and dated ‘© William T. Cooper 91’ bottom left; also with artist’s label verso, oil on board 35 1/4 x 28 1/4 in. (89.5 x 71.6cm) provenance: The Artist. Acquired from the above by the present owner, 1993. Private Collection, Pennsylvania. $3,000-5,000

129 141389/1 EDWIN ROPER STOCQUELER (australian 19th century) RIVER WITH RUINS IN DISTANCE Signed ‘Stocqueler’ bottom left, oil on board 11 3/4 x 8 5/8 in. (29.8 x 21.9cm) provenance: Private Collection, New Jersey. $1,500-2,500


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130 122213/2 FREDERIK HENDRIK KAEMMERER (dutch 1839-1902) ELEGANT WOMAN WITH BONNET IN A LANDSCAPE Signed ‘FH KAEMMERER’ bottom right, oil on canvas 22 x 15 in. (55.9 x 38.1cm) provenance: Private Collection, Pennsylvania. $5,000-8,000

131 122213/1 FREDERIK HENDRIK KAEMMERER (dutch 1839-1902) THE GIFT Signed ‘FH KAEMMERER’ bottom left, oil on canvas 12 x 9 5/8 in. (30.5 x 24.4) provenance: Private Collection, Pennsylvania. $1,200-1,800

132 141076/3 PIETER CORNELIS DOMMERSEN (dutch 1834-1908) TOWNSCAPE WITH FIGURES; AND A COMPANION Each signed and dated ‘PC Dommersen 187*’ pair oils on canvas Each: 16 x 13 in. (40.6 x 33cm) provenance: The Architect, Clarence Mack, Palm Beach, Florida. Given as a gift to the present owners. Private Collection, Florida. note: We would like to thank the Rijksbureau voor Kunsthistorische Documentatie for confirming the authenticity of this painting on the basis of an electronically transmitted image. $4,000-6,000


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133 141309/1 EUGÈNE VERBOECKHOVEN (belgian 1799-1881) HORSE AND CHICKENS Signed ‘E. Verboeckhoven’ on log lower right; also with unidentified label verso, oil on panel 23 3/16 x 18 1/2 in. (58.9 x 47cm) provenance: Private Collection, Kansas. note: We would like to thank the Rijksbureau voor Kunsthistorische Documentatie for confirming the authenticity of this painting on the basis of an electronically transmitted image. $12,000-18,000


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134 141288/3 JOHAN PONSIOEN (dutch 1900-1969) “STILLEVEN MET DE SPANEN” Signed ‘Joh. Ponsioen’ bottom left, oil on board 11 1/4 x 15 1/4 in. (28.6 x 38.7cm) provenance: Private Collection, Pennsylvania. $2,000-3,000

135 141379/3 RODOLPHE PAUL WYTSMAN (belgian 1860-1927) DOCK VIEW Signed ‘R. Wytsman’ bottom right, oil on panel 10 1/2 x 14 in. (26.7 x 35.6cm) provenance: Private Collection, New Jersey. $1,000-1,500

136 141482/1 MAURITZ FREDERICK HENDRICK DE HAAS (american/dutch 1832-1895) SHIP AT DUSK Signed ‘MFH de Haas’ bottom right, oil on canvas laid to board 24 x 22 in. (61 x 55.9cm) provenance: Private Collection, Pennsylvania. $3,000-5,000


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137 141402/1 CHARLES HENRI JOSEPH LEICKERT (belgian 1818-1907) FIGURES IN A WINTER LANDSCAPE AT TWILIGHT Signed ‘Ch Leickert fe’ bottom right, oil on canvas 25 3/16 x 17 3/8 in. (64 x 44.1cm) provenance: A Private Southern Collection. note: We would like to thank the Rijksbureau voor Kunsthistorische Documentatie for confirming the authenticity of this painting on the basis of an electronically transmitted image. $5,000-8,000

138 141379/1 ARY PLEYSSIER (dutch 1809-1879) SHIPPING IN A CALM Signed ‘A. Pleijsier ft.’ bottom right, oil on canvas 22 3/4 x 31 7/8 in. (57.8 x 81cm) provenance: Private Collection, New Jersey. $5,000-8,000


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139 132101/1 FRIEDRICH HIDDEMAN (german 1829-1892) “THE SCHOOL EXAMINATION” Inscribed ‘ ‘The School Examination’ by T.H. Hildeman Purchased by W.J. Hoestman from the Penna. Academy of Fine Arts Sept. 1863,’ verso, oil on canvas 21 1/2 x 24 in. (54.6 x 61cm) provenance: W.J. Horstman. Private Collection, Massachusetts. exhibited: “Annual Exhibition.” Pennsylvania Academy of the Fine Arts, Philadelphia, Pennsylvania, 1863. $2,000-3,000

140 141283/10 FRANZ KNEBEL (swiss 1809-1877) TEMPLE OF VESTA, ROME SIgned, located and dated ‘F. Knebel fecit’ bottom left and ‘Roma 1872’ bottom right; with ‘Old Fountain and Temple of Vesta Rome/F Knebel fere (?) 1872’ on label verso, oil on canvas 28 x 41 1/2 in. (71.1 x 105.4cm) provenance: Private Collection, New Jersey. $2,000-3,000

141 141458/2 NEL (NELIUS) GRÖNLAND (german 1859-1918) AFTER THE HUNT Signed and dated ‘Nel Grönland 1899’ bottom left, oil on canvas 26 x 46 in. (66 x 116.8cm) provenance: Private European Collection. Acquired from the above, c.1920s. By descent in the family. Private Collection, Virginia. $2,000-3,000


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142 141287/14 WILHELM FRIEDENBERG (german 1845-1911) HUNTER WITH FOX Signed and dated ‘W. Friedenberg 75’ bottom left, oil on canvas 29 5/8 x 24 in. (75.2 x 61cm) provenance: Pook & Pook, Downingtown, Pennsylvania, sale of October 27, 2006, lot 78. Private Collection, Pennsylvania. $1,000-1,500

144 141192/23 DIETZ EDZARD (german 1893-1963) ‘FEMME AUX FLEURS’ Signed ‘D. Edzard’ bottom right and inscribed verso, oil on canvas 24 x 19 3/4 in. (61 x 50.2cm) provenance: E.J. Van Wisselingh & Co., Amsterdam. Property of a Delancey Place, Philadelphia, Pennsylvania Estate. $1,500-2,500

143 141379/2 LEOPOLD SCHMUTZLER (german 1864-1941) COURTING SCENE Signed and located ‘Leo Schmutzler / Paris’ bottom left, oil on canvas 30 x 20 1/8 in. (76.2 x 51.1cm) provenance: Private Collection, New Jersey. $2,500-4,000


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145 141458/1 DIMITRI EMIL’EVICH MARTEN (russian 1860-1918) BLACK FOREST Signed in Cyrillic and dated ‘1901’ bottom left, oil on canvas 36 x 61 in. (91.4 x 154.9cm) provenance: Private European Collection. Acquired from the above, c.1920s. By descent in the family. Private Collection, Virginia. $30,000-50,000


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146 141284/2 ATTRIBUTED TO JOHANN WILHELM JANKOWSKI (czech c.1825-1870) SALZBURG Oil on canvas 20 1/2 x 37 1/8 in. (52 x 94.3cm) provenance: Private Collection, California. $2,000-3,000

147 141430/1 W. POLONSKY (russian 19th century) TROIKA Signed ‘W. Polonsky’ bottom left, oil on canvas 11 3/4 x 18 1/4 in. (29.8 x 46.4cm) provenance: Private Collection, Maryland. $1,000-1,500

148 141283/11 AFTER CARL GEORG ADOLPH HASENPFLUG (german 1802-1858) ENTRANCE TO TOWN IN SNOW Signed and inscribed ‘after Hassenpflug by Lewis E Wells’ bottom right, oil on canvas 36 x 31 in. (91.4 x 87.7cm) provenance: Private Collection, New Jersey. $1,000-1,500


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149 141192/3 ALEXIS PAUL ARAPOV (russian 1904-1948) FIGURES ALONG THE PROMENADE Signed, dated and located, ‘Arapoff 28 Paris’ upper left, oil on canvas 25 1/2 x 31 7/8 in. (64.8 x 81cm) provenance: Property of a Delancey Place, Philadelphia, Pennsylvania Estate. $5,000-8,000

150 141034/5 ALEXIS PAUL ARAPOV (russian 1904-1948) VILLAGE Signed ‘Arapoff’ bottom right, oil on canvas 23 3/8 x 28 3/8 in. (59.3 x 72.1cm) provenance: Private Collection, Pennsylvania. $4,000-6,000


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151 141459/5 H.A. PERVOVSKAYA (russian 20th century) STILL LIFE WITH FLOWERS Signed in Cyrillic bottom left; also signed, titled and located ‘Kostroma’ in Cyrillic verso, oil on canvas 27 1/2 x 24 in. (69.8 x 61cm) provenance: Private Collection, Washington DC. $2,000-3,000

153 141192/11 CONSTANTIN TERECHKOVITCH (russian 1902-1978) WOMAN WITH FLOWERS Signed and dated ‘C. Terechkovitch 37’ center right, oil on canvas 24 x 20 in. (61 x 50.8cm) provenance: Property of a Delancey Place, Philadelphia, Pennsylvania Estate. $1,000-1,500

152 141192/18 SIGMUND JOSEPH MENKES (ukranian 1896-1986) VASE OF FLOWERS Signed ‘Menkes’ bottom right, oil on canvas 24 x 15 in. (61 x 38.1cm) provenance: Property of a Delancey Place, Philadelphia, Pennsylvania Estate. $3,000-5,000


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154 148046/1 LUIGI NONO (italian 1850-1918) TRAMP AT REST Signed with initials ‘L.N.’ bottom left, oil on panel 9 1/2 x 11 3/8 in. (24.1 x 28.9cm) provenance: Florence Art Gallery, Florence, Italy. Private Collection, Virginia. $20,000-30,000


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155 141237/6 MARIA MARTINETTI (italian 1864-1921) MOSQUE INTERIOR Signed, located and dated ‘Maria Martinetti Roma 1899’ bottom right, watercolor on paper 29 1/2 x 21 in. (74.9 x 53.3cm) provenance: Private Collection, Florida. $5,000-8,000

156 141237/5 FRANCESCO BERGAMINI (italian 1815-1883) THE PROCESSION Signed in ligature and located ‘F Bergamini Roma’ lower left, oil on canvas 26 1/2 x 17 1/8 in. (67.3 x 43.5cm) provenance: Private Collection, Florida. $5,000-8,000


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157 141465/1 SCIPIONE SIMONI (italian 1853-1918) IN ST. MARK’S BASILICA Signed and located ‘Scipioni Simoni Venezia’ bottom right, watercolor Sight size:29 1/2 x 21 1/2 in. (74.9 x 54.1cm) provenance: Private Collection, Delaware. $1,000-1,500

159 132581/19 GUIDO VANNI (italian 19th century) INTERIOR OF ST. PETERS BASILICA, ROME Signed ‘Guido Vanni’ and dated indistinctly bottom right, oil on panel 10 x 7 7/8 in. (25.4 x 20cm) provenance: Private Collection, Philadelphia, Pennsylvania $1,000-1,500

158 141165/12 CARLO GILIO (italian d.1841) CATHEDRAL INTERIORS Three watercolors, two signed ‘C. Gilio’ bottom right Largest sight size: 9 3/4 x 7 3/4 in. (24.8 x 19.7cm) together with: R. MULLER (german 19th century) FIGURES OUTSIDE AN ITALIAN TOWN Signed ‘R. Muller’ and dated indistinctly bottom right Sight Size: 6 1/4 x 8 5/8 in. (14.5 x 16.2cm) (4) provenance: Christie’s, New York, sale of May 21, 1986, lots 151 & 156. $1,000-1,500


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160 141091/1 GIUSEPPE MAGNI (italian 1869-1956) THE HAPPY FAMILY Signed and located ‘G. Magni Firenze’ bottom left, oil on canvas 28 x 41 1/2 in. (71.1 x 105.4cm) provenance: Private Collection, Ohio. $10,000-15,000

161 141470/1 PIETRO GABRINI (italian 1856-1926) IN PRAYER Signed ‘P. Gabrini’ bottom right, watercolor Sight Size: 24 5/8 x 38 1/4 in. (62.5 x 97.2cm) In fine carved and gilded Florentine style frame. provenance: Private Collection, Pennsylvania. $1,000-1,500


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162 141405/1 ERNESTO SERRA (italian 1860-1915) EXOTIC YOUTH Signed ‘E. Serra’ bottom right, oil on canvas 28 x 16 1/2 in. (71.1 x 41.9cm) provenance: Private Collection, New Jersey. $1,200-1,800 163 148027/1 KARL THEODOR VON PILOTY (german 1826-1886) PORTRAIT OF A BOY Signed and located ‘C. Piloty Rom(e)’ bottom right, oil on canvas 18 1/2 x 15 in. (47 x 38.1cm) provenance: Private Collection, Virginia. $1,000-1,500

164 132594/2 FEDERICO FERNANDEZ Y GIMENEZ (spanish 1846-1873) SPANISH BEAUTY Signed ‘F Fernandez Gimenez’ bottom right, oil on canvas 23 1/4 x 17 in. (59.1 x 43.2cm) provenance: Private Collection, New York, New York. $2,000-3,000

165 141283/13 AFTER CONSTANT JOSEPH BROCHART (french 1816-1899) PORTRAIT OF A YOUNG LADY Inscribed ‘Berthe Fobre d’apres (?) Brochart (?) 1859’ along left, pastel, oval 29 1/2 x 23 1/2 in. (74.9 x 59.7cm) provenance: Private Collection, New Jersey. $1,000-1,500


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168 132580/1 FOLLOWER OF JEAN LOUIS PRÉVOST (french c.1760-after 1810) STILL LIFE WITH GRAPES Oil on canvas 33 1/8 x 27 1/8 in. (84.1 x 68.9cm) provenance: Newman Galleries, Philadelphia, Pennsylvania. Ben Wolf, Philadelphia, Pennsylvania. By descent in the family. University of Michigan, William Clements Library, Ann Arbor, Michigan. $1,000-1,500

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166 141373/6 CONTINENTAL SCHOOL (19th century) LOVERS AT THE WELL Signed ‘Le Gous (?)’ bottom right, oil on canvas 31 x 22 3/4 in. (78.7 x 57.8cm) provenance: Private Collection, Washington DC. $1,000-1,500

167 141050/161 NORTHERN EUROPEAN SCHOOL (19th century) THE BLUE SASH Oil on canvas 28 3/4 x 23 1/2 in. (73 x 59.7cm) provenance: The collection of Dr. Alex Titomirov, Great Falls, Virginia. $1,200-1,800

169 141459/2 FRANCIS MOLTINO (british 1818-1874) VENICE SIgned ‘F (?) Moltino’ bottom right, oil on canvas 24 x 36 1/4 in. (61 x 92.1cm) provenance: Private Collection, Washington DC. $3,000-5,000


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170 132598/1 ENRIQUE SERRA Y AUQUE (spanish 1859-1918) NUDE Signed ‘Enrique Serra’ bottom right, oil on canvas 30 x 21 in. (76.2 x 53.3cm) provenance: Private Collection, Florida. $3,000-5,000

171 141439/1 MANUEL JIMENEZ PRIETO (spanish 1848-1904) THE MORNING NEWS Signed and located ‘Manuel Jim Prieto/Paris’ bottom right, oil on panel 16 x 10 3/8 in. (40.6 x 26.4cm) provenance: Private Collection, Pennsylvania. $1,200-1,800

172 141383/11 MARCELLIN JEAN LAPORTE (french 1839-1891) THE PAINTING CONNOISSEUR Signed ‘M Laporte’ bottom right, oil on canvas 18 x 15 in. (45.7 x 38.1cm) provenance: Private Collection, Philadelphia, Pennsylvania. $1,000-1,500


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173 141473/1 CHARLES FRANÇOIS DAUBIGNY (french 1817-1878) “LE BORDS DE L’OISE” Signed and indistinctly dated ‘Daubi ...’ bottom left; also with old printed catalogue label verso, inscribed in ink (signé) ‘Daubigny 1874’ verso, oil on panel 8 7/8 x 14 3/8 in. (22.5 x 36.5cm) provenance: Private Collection, Long Island. $4,000-6,000

174 132580/20 ADOLPHE JOSEPH THOMAS MONTICELLI (french 1824-1886) FÊTE CHAMPÊTRE Signed ‘Monticelli’ bottom left, oil on canvas 32 1/8 x 25 3/4 in. (81.6 x 65.4cm) provenance: Ben Wolf, Philadelphia, Pennsylvania. By descent in the family. University of Michigan, William Clements Library, Ann Arbor, Michigan. ‘Fine 19th Century European Art,’ Christie’s, New York. April 23, 2002, lot 86. $4,000-6,000


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175 141226/1 JULES FREDERIC BALLAVOINE (french c. 1855-1901) YOUNG WOMAN HOLDING MASK Signed ‘J. Ballavoine’ bottom right, oil on cradled panel 13 3/4 x 10 1/2 in. (34.9 x 26.7cm) provenance: Private Collection, Philadelphia, Pennsylvania. $1,000-1,500

176 141050/143 CHARLES ANTOINE JOSEPH LOYEUX (french 1823-1898) AN OFFICER ENJOYING HIS PIPE Signed & dated ‘C Loyeux 1878’ center right; inscribed ‘I Gentil Bernard/Loyeux Chartes’ verso, oil on panel 15 7/8 x 12 5/16 in. (40.3 x 31.3cm) provenance: The collection of Dr. Alex Titomirov, Great Falls, Virginia. $1,000-1,500

177 141192/44 MAURICE LOBRE (french 1862-1951) FRENCH INTERIOR, SAID TO BE MARIE ANTOINETTE’S STUDY Signed and dated ‘M. Lobre 1895’ bottom right, oil on canvas 35 1/8 x 23 5/8 in. (89.2 x 60cm) provenance: Property of a Delancey Place, Philadelphia, Pennsylvania Estate. $1,200-1,800


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178 141409/6 HENRY LEROLLE (french 1848-1929) “THE GLEANERS” Signed ‘H Lerolle’ bottom left, oil on canvas 32 x 26 in. (81.3 x 66cm) provenance: Bullocks Antiques, St. Louis, Missouri. Acquired from the above, 1985. Private Collection, The Main Line, Pennsylvania. $4,000-6,000

179 141298/1 ÉTIENNE PROSPER BERNEBELLECOUR (french 1838-1910) AN IDLE MOMENT Signed ‘E Berne Bellecour’ bottom right, oil on panel 14 x 10 in. (35.6 x 25.4cm) provenance: Private Collection, New Jersey. $1,500-2,500


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180 141476/1 HENRY LEROLLE (french 1848-1929) HARVESTING Signed ‘H. Lerolle’ bottom right, oil on canvas 31 1/2 x 25 3/4 in. (80 x 65.4cm) provenance: Private Collection, Georgia. $3,000-5,000

181 141459/3 EMILE GODCHAUX (french 1860-1938) WOMAN WITH PARASOL ALONG WALKWAY Signed ‘Godchaux’ bottom left, oil on canvas 16 7/8 x 27 1/2 in. (42.9 x 69.9cm) provenance: Private Collection, Washington DC. $1,000-1,500

182 141407/1 JULES COIGNET (french 1798-1860) LANDSCAPE WITH FIGURES BY A CATHEDRAL Signed ‘J. Coignet’ bottom left, oil on canvas 9 1/2 x 16 in. (24.1 x 40.6cm) provenance: Private Collection, Washington DC. $1,000-1,500


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183 141349/9 PAUL DELTOMBE (french 1878-1971) NATURE MORTE A L’AIGUIERE Signed ‘Deltombe’ bottom left, oil on canvas 28 3/4 x 39 3/8 in. (73 x 100cm) provenance: Waterhouse & Dodd, London. Private Collection, Connecticut. $2,000-3,000

184 141192/2 LUCIEN ADRION (french 1889-1953) “LA MAIRIE DE BIEVRES SUD” Signed and dated ‘Adrion 40’ bottom right; also titled and inscribed ‘23’ verso, oil on canvas 26 3/4 x 46 in. (67.9 x 116.8cm) provenance: Property of a Delancey Place, Philadelphia, Pennsylvania Estate. $2,000-3,000

185 141192/20 LUCIEN ADRION (french 1889-1953) PARIS Signed ‘Adrion’ bottom left, oil on canvas 23 5/8 x 36 in. (60 x 91.4cm) provenance: Property of a Delancey Place, Philadelphia, Pennsylvania Estate. $2,000-3,000


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186 141192/41 SUZANNE EISENDIECK (french 1908-1998) WOMAN IN A LANDSCAPE Signed ‘Suzanne Eisendieck’ bottom right; also inscribed ‘No 479’ verso, oil on canvas 22 1/4 x 20 in. (56.5 x 50.8cm) provenance: Property of a Delancey Place, Philadelphia, Pennsylvania Estate. $1,200-1,800

187 141192/10 JEAN SOUVERBIE (french 1891-1981) TWO FIGURES IN LANDSCAPE WITH RUINS Signed ‘Souverbie’ bottom left, oil on canvas 18 x 24 in. (45.7 x 61cm) provenance: Property of a Delancey Place, Philadelphia, Pennsylvania Estate. $5,000-8,000


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188 141123/4 LOUIS VALTAT (french 1869-1952) HARBOR SCENE Signed ‘L. Valtat’ bottom right, oil on canvas 10 5/8 x 13 3/4 in. (27 x 34.9cm) provenance: Private Collection, New York, New York. $6,000-10,000

189 141412/2 ELISÉE MACLET (french 1881-1962) “TOUR DE L’HORLAGE A BAR LE DUC” Signed ‘Maclet’ bottom center right; also titled verso, oil on board 25 3/4 x 18 3/4 in. (65.4 x 47.6cm) provenance: Private Collection, New Jersey. $2,000-3,000


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190 141300/1 EDOUARD LÉON CORTÈS (french 1882-1969) “PLACE ST. MICHEL” Signed ‘Edouard Cortes’ bottom right; titled verso, oil on canvas 18 x 21 1/2 in. (45.7 x 54.6cm) provenance: R.S. Johnson Fine Art, Chicago, Illinois. Acquired from the above, 1961. By descent in the family. Private Collection, Vermont. $20,000-30,000 END OF SALE


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Index Adrion, L., 184,185 Anglo-Flemish School, 55 Ankcorn, J., 115 Arapov, A.P., 149, 150 Ballavoine, J.F., 175 Bandinelli, B., 38 Barnes, J., 112 Barye, A.L., 54 Bergamini, F., 156 Berne-Bellecour, E.P., 179 Bloemaert, A., 3 Bolognese School, 89 Botticelli, S., 78 Bradley, E., 102 British School, 22, 23, 100, 101, 106, 107, 110 Brochart, C.J., 165 Buttersworth, T., 124 Carlone, C.O., 82 Carriera, R., 97 Castiglione, G.B., 30 Chambers, G., 120 Cipriani, G.B., 33 Clarin, G.J.V., 17 Coignet, J., 182 Continental School, 68, 166 Cooper, W.T., 128 Cortès, E.L., 190 Crespi (Il Cerano), G.P., 80 da Carpi, G., 32 Daubigny, C.F., 173 Dawson, M., 125, 126, 127 de Haas, M.F.H., 136 de Pietri, P.A., 42 del Sarto, A., 76 Delacroix, E., 20 Deltombe, P., 183 Dinsdale, J.B., 122 Dolci, C., 75 Dommersen, P.C., 132 Doré, G., 19 Dutch School, 62, 63 Edzard, D., 144 Eikelenberg, S., 60

Eisendieck, S., 186 Emilian School 84 Farelli, G., 45 Fernandez Y Gimenez, F.,, 164 Fisher, P.H., 117 Franceschini, M., 44 French School, 11, 12, 13, 14, 15, 16, 98 Friedenberg, W., 142 Gabrini, P., 161 Gael, B., 65 Garzoni, G., 92 Gauguin, P., 51 Genoese School 43 German School 9, 27 Gilio, C., 158 Giordano, L., 22, 85 Godchaux, E., 181 Grönland, N.,, 141 Grosz,G., 49 Guys,C., 18 Hasenpflug, C.G.A., 148 Hiddeman, F., 139 Hispano-Flemish School, 71 Hooper, J.H., 108 Hulme, F.W., 105 Il Giovane, J.P., 35, 47 Il Vecchio, J.P., 88 Italian School, 27, 28, 29, 39, 87, 93 Jankowski, J.W., 146 Jenkins, A.H., 116 Johnston, R.B., 103 Kaemmerer, F.H., 130, 131 Knebel, F., 140 Kneller, G., 114 Kollwitz, K., 53 Koninck,S., 56 Lancret, N., 95 Laporte, M.J., 172 Leickert, C.H.J., 137 Lerolle, H., 178, 180

Linton, J.D., 113 Lobre, M., 177 Locatelli, A., 58 Longsdon, D.,, 118 Loyeux, C.A.J., 176 Luny, T., 121

Souverbie, J., 187 Spanish School 72, 73 Spinelli,G.B., 8 Stanier, H., 119 Stern, I., 83 Stocqueler, E.R., 129

Maclet, E., 189 Magni, G., 160 Marten, D.E., 145 Martinetti, M., 155 Mcleay, M.R., 109 Menkes, S.J., 152 Moltino, F., 169 Monfort, O., 91 Monticelli, A.J.T., 174 Neapolitan School, 48, 94 Nono, L., 154 Northern European School, 5, 104, 167 Northern Italian School 41

Tamagni, V.D.B., 25 Teniers The Younger, D., 67 Terechkovitch, C., 153 Thornhill, J., 21 Tiepolo,G.B., 40 Tiepolo,G.D., 37 Tintoretto, J.R., 24

Panini, G.P., 74 Pervovskaya, H.A., 151 Piloty, K.T.V., 163 Pleyssier, A., 138 Pollentine, A., 111 Polonsky, W., 147 Ponsioen, J., 134 Prévost, J.L., 168 Prieto, M.J., 171 Prins, J.H.H., 69 Roman School, 31, 46, 81 Roman/Tuscan School, 26 Romano, G., 36 Rouault, G., 52 Rubens, P.P., 7, 59 Schmutzler, L., 143 School Of Provence 70 Serra Y Auque, E., 170 Serra, E., 162 Shee, M.A., 99 Sickert, W.R., 50 Simoni, S., 157 Simonini, F., 86 Snayers, P., 90

Valtat, L., 188 van Bloemen, J.F., 6 van Der Werff, A., 57 van Kessel The Younger, J., 66 van Loo, C., 96 van Rijn, R., 1,2 Vanni, G., 159 Venetian School 34 Venusti, M., 79 Verboeckhoven, E., 133 Vermeulen, A., 61 Visscher, C.,, 4 Vouet, S., 10 Whitcombe, T., 123 Wouwerman, P., 64 Wytsman, R.P., 135 Zampieri (Il Domenichino), D., 77


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Glossary any statement as to authorship, attribution, origin, date, age, provenance and condition is a statement of opinion and is not to be taken as a statement or representation of fact. freeman’s reserves the right, in forming their opinion, to consult and rely upon any expert or authority considered by them to be reliable.

names

Forename(s) and surname of painter is in our opinion a work by that artist; e.g. Charles Willson Peale. When an artist’s forename(s) is not known, a series of asterisks followed by the surname of the artist, wether preceded by an initial or not, indicates that in our opinion the work is by the artist named.

attributed to

Refers to probably a work by the artist; e.g. Attributed to Charles Willson Peale.

studio of

Refers to a work from the studio of the artist which may or may not have been executed under his direction; e.g. Studio of Charles Willson Peale.

circle of

Circle of..... refers to a work of the period of the artist executed under his immediate influence; e.g. Circle of Charles Willson Peale.

follower of

Follower of..... refers to a work by a painter working in the artist’s style, contemporary or nearly contemporary, but not necessarily his pupil; e.g. Follower of Charles Willson Peale.

manner of

Manner of..... refers to a work in a style related to that of the artist, but of a later date; e.g. Manner of Charles Willson Peale.

school of

School accompanied by the name of a place or country and a date means that we believe the picture was executed at that time and in that location; e.g. Italian School, 18th Century.

after an artist

signatures & dates

After an artist is in our opinion a copy of any date after a work by that artist; e.g. After Charles Willson Peale. Signed and/or dated and/or inscribed means that we believe the signature and/or date and/or inscription are from the hand of the artist. Bears a signature and/or a date and/or an inscription means that we believe the artist’s name and/or date and/or inscription have been added by another hand. All references to signature, inscriptions and dates refer to the present state of the work.

measurements

Dimensions are given height before width.


www.freemansauction.com 85

Purchase removal, shipping and offsite storage information To ensure the safety of your property Freeman’s requests removal within 10 business days of the sale date. Collection hours are Monday–Friday, 9:30am–4:30pm. For larger items, please email bmobbs@freemansauction.com to schedule a loading dock appointment. For purchase release to persons not listed on your contract or invoice, 3rd party authorization is required. Please mail or fax, 215.599.2240, a signed letter stating receipt/item(s) or sale/lot(s) and name of third party collecting property. Freeman’s does not handle packing or shipping. The shippers listed have worked with Freeman’s clients in the past and will be happy to provide you with quotes for the packing and shipping of your property.

Aiston Fine Art Service P.O. Box 3434 Grand Central Station New York, NY 10163 212.715.0629 Fax: 718.361.8569 info@aistonart.com

The Packaging Store Duane Freed 2333 West Main Street Lansdale, PA 19446 215.361.6940 Fax: 215.361.6941 hello@packandshipnow.com

Atelier Art Services 103 East Sharpnack Street Philadelphia, PA 19144 215.842.3500 info@atelierartservices.com

UPS Store John Bohach 51 North 3rd Street Philadelphia, PA 19106 215.629.4990 Fax: 215.629.4992 store4242@theupsstore.com

Mr. C’s Charles Cohen 267.977.9567 mrcees61@gmail.com Cadogan Tate Fine Art Cadogan House, 41-20 39th Street Sunnyside, New York 11104 718.706.7999 Fax: 718.707.2847 michael@cadogantate.com A. Mastrocco Jr. Moving & Storage Roseanne Gebler 1060 Louis Drive Warminster, PA 18991 215.491.0346 Fax: 215.444.9327 r.gebler@mastroccomovers.com

VG Packaging LLC Gordon G Murray II 12 Salem Road Schwenksville, PA 19473 484.552.8741 Fax: 484.552.8744 quotes@vgpackagingllc.com Furniture & Larger Items For larger pieces where delivery time is not the primary concern, we suggest getting your items freighted. www.plyconvanlines.com www.nwdelivery.com www.freightquote.com

v1.2014


Terms & Conditions All property offered and sold (“property”) through samuel t. freeman & co, (“freeman’s”) shall be offered and sold on the terms and conditions set forth below which constitutes the complete statement of the terms and conditions on which all property is offered for sale. by bidding at the auction, whether present in person or by agent, by written bid, telephone, internet or other means, the buyer agrees to be bound by these terms and conditions.

1 Unless otherwise indicated, all Property will be offered by Freeman’s as agent for the Consignor. 2 Freeman’s reserves the right to vary the terms of sale and any such variance shall become part of these Conditions of Sale. 3 Buyer acknowledges that it had the right to make a full inspection of all Property prior to sale to determine the condition, size, repair or restoration of any Property. Therefore, all property is sold “ASIS”. Freeman’s is acting solely as an auction broker, and unless otherwise stated, does not own the Property offered for sale and has made no independent investigation of the Property. Freeman’s makes no warranty of title, merchantability or fitness for a particular purpose, or any other warranty or representation regarding the description, genuineness, attribution, provenance or condition to the Property of any kind or nature with respect to the Property. 4 Freeman’s in its sole and exclusive discretion, reserves the right to withdraw any property, at any time, before the fall of the hammer. 5 Unless otherwise announced by the auctioneer at the time of sale, all bids are per lot as numbered in the printed catalogue. Freeman’s reserves the right to determine any and all matters regarding the order, precedence or appropriate increment of bids or the constitution of lots. 6 The highest bidder acknowledged by the auctioneer shall be the buyer. The auctioneer has the right to reject any bid, to advance the bidding at his absolute discretion and in the event of any dispute between bidders, the auctioneer shall have the sole and final discretion either to determine the successful bidder or to re- offer and resell the article in dispute. If any dispute arises after sale, the Freeman’s sale record shall be conclusive in all respects. 7 If the auctioneer determines that any opening or later bid or any advance bid is not commensurate with the value of the Property offered, he may reject the same and withdraw the Property from sale.

8 Upon the fall of the hammer, title to any offered lot or article will immediately pass to the highest bidder as determined in the exclusive discretion of the auctioneer, subject to compliance by the buyer with these Conditions of Sale. Buyer thereupon assumes full risk and responsibility of the property sold, agrees to sign any requested confirmation of purchase, and agrees to pay the full price, plus Buyer’s Premium, therefore or such part, upon such terms as Freeman’s may require. 9 No lot may be removed from Freeman’s premises until the buyer has paid in full the purchase price therefor including Buyer’s Premium or has satisfied such terms that Freeman’s, in its sole discretion, shall require. Subject to the foregoing, all Property shall be paid for and removed by the buyer at his/her expense within ten (10) days of sale and, if not so removed, may be sold by Freeman’s, or sent by Freeman’s to a public warehouse, at the sole risk and charge of the buyer(s), and Freeman’s may prohibit the buyer from participating, directly or indirectly, as a bidder or buyer in any future sale or sales. In addition to other remedies available to Freeman’s by law, Freeman’s reserves the right to impose a late charge of 1.5% per month of the total purchase price on any balance remaining ten (10) days after the day of sale. If Property is not removed by the buyer within ten (10) days, a handling charge of 1% of the total purchase price per month from the tenth day after the sale until removal by the buyer shall be payable to Freeman’s by the buyer; Freeman’s shall charge 1.5% of the total purchase price per month for any property not so removed within 60 days after the sale. Freeman’s will not be responsible for any loss, damage, theft, or otherwise responsible for any goods left in Freeman’s possession after ten (10) days. If the foregoing conditions or any applicable provisions of law are not complied with, in addition to other remedies available to Freeman’s and the Consignor (including without limitation the right to hold the buyer(s) liable for the bid price) Freeman’s, at its option, may either cancel the sale, retaining as liquidated damages all payments made by the buyer(s), or resell the property. In such event, the buyer(s) shall remain liable for any deficiency in the original purchase price and

will also be responsible for all costs, including warehousing, the expense of the ultimate sale, and Freeman’s commission at its regular rates together with all related and incidental charges, including legal fees. Payment is a precondition to removal. Payment shall be by cash, certified check or similar bank draft, or any other method approved by Freeman’s. Checks will not be deemed to constitute payment until cleared. Any exceptions must be made upon Freeman’s written approval of credit prior to sale. In addition, a defaulting buyer will be deemed to have granted and assigned to Freeman’s, a continuing security interest of first priority in any property or money of, or owing to such buyer in Freeman’s possession, and Freeman’s may retain and apply such property or money as collateral security for the obligations due to due to Freeman’s. Freeman’s shall have all of the rights accorded a secured party under the Pennsylvania Uniform Commercial Code. 10 Unless the sale is advertised and announced as “without reserve”, each lot is offered subject to a reserve and Freeman’s may implement such reserves by bidding through its representatives on behalf of the Consignors. In certain instances, the Consignor may pay less than the standard commission rate where Freeman’s or its representative is a successful bidder on behalf of the Consignor. Where the Consignor is indebted to Freeman’s, Freeman’s may have an interest in the offered lots and the proceeds therefrom, other than the broker’s Commissions, and all sales are subject to any such interest. 11 No “buy” bids shall be accepted at any time for any purpose. 12 Any pre-sale bids must be submitted in writing to Freeman’s prior to commencement of the offer of the first lot of any sale. Freeman’s copy of any such bid shall conclusively be deemed to be the sole evidence of same, and while Freeman’s accepts these bids for the convenience of bidders not present at the auction, Freeman’s shall not be responsible for the failure to execute, or, to execute properly, any pre-sale bid. 13 A Buyer’s Premium will be added to the successful bid price and is payable by the buyer as part of the

total purchase price. The Buyer’s Premium shall be: 25% on the first $50,000 of the hammer price of each lot, 20% on the portion from $50,001 through $1,000,000, and 12% thereafter. 14 Unless exempted by law from the payment thereof, the buyer will be required to pay any and all federal excise tax and any state and/or local sales taxes, including where deliveries are to be made outside the state where a sale is conducted, which may be subject to a corresponding or compensating tax in another state. 15 Freeman’s may, as a service to buyer arrange to have purchased property posted and shipped at the buyer’s expense. Freeman’s is not responsible for any acts or omissions in packing or shipping of purchased lots whether or not such carrier recommended by Freeman’s. Packing and handling of purchased lots is at the responsibility of the buyer and is at the entire risk of the buyer. 16 In no event shall any liability of Freeman’s to the buyer exceed the purchase price actually paid. 17 No claimed modification or amendment of this Agreement on the part of any party shall be deemed extant, enforceable or provable unless it is in writing that has been signed by the parties to this Agreement. No course of dealing and no delay or omission on the part of Freeman’s in exercising any right under this Agreement shall operate as a waiver of such right or any other right and waiver on any one or more occasions shall not be construed as a bar to or waiver of any right or remedy of Freeman’s on any future occasion. 18 These Conditions of Sale and the buyer’s, the Consignor’s and Freeman’s rights under these Conditions of Sale shall be governed by, construed and enforced in accordance with the laws of the Commonwealth of Pennsylvania and Consignor and Buyer agree to the exclusive jurisdiction of the Philadelphia, Pennsylvania Court of Common Pleas and the United States District Court for the Eastern District of Pennsylvania.


bidding & registration form SALE NO

BIDDER NO

CLIENT NO

NAME

BUSINESS NAME

ADDRESS

CITY

STATE

ZIP CODE

E - MAIL

PHONE

PHONE

(Primary)

(Secondary)

RESALE

/

COUNTRY

FAX

TAX IDENTIFICATION

STATE

A Buyer’s Premium will be added to the successful bid price and is payable by the buyer as part of the total purchase price. The Buyer’s Premium shall be: 25% on the first $50,000 of the hammer price of each lot, 20% on the portion from $50,001 through $1,000,000, and 12% on that portion of the hammer price exceeding $1,000,000. All lots must be paid for and removed within 10 days.

LOT NO

DESCRIPTION

MAXIMUM BID

please adhere to the bidding increments $10 UNTIL $200 IS REACHED

$25 UNTIL $500 IS REACHED

$50 UNTIL $1,000 IS REACHED

$100 UNTIL $3,000 IS REACHED

$250 UNTIL $5,000 IS REACHED

$500 UNTIL $10,000 IS REACHED

$1,000 UNTIL $30,000 IS REACHED

$2,000 UNTIL $50,000 IS REACHED

$5,000 UNTIL $100,000 IS REACHED

OVER $100,000 AUCTIONEER ’ S DISCRETION

bank reference

BANK NAME

ACCOUNT NO

CONTACT NAME

TELEPHONE

I hereby confirm thet I have read and am bound by the “Terms of Sale” presented by the auction house and which govern all auction purchases made by me. Although every attempt is made to execute your bid(s), the auctioneer is not responsible for errors and omissions.

SIGNED

(signature required to execute your bids)

PLEASE SEND ME INFORMATION TO SUBSCRIBE TO FREEMAN ’S CATALOGS

Freeman’s 1808 Chestnut Street Philadelphia PA 19103 Tel-215.563.9275 Fax-215.599.2240 e-mail: info@freemansauction.com www.freemansauction.com

ID CONFIRMED


Directory Officers

Samuel M. Freeman II Chairman

Specialist Departments

Alasdair Nichol Vice Chairman

American Art & Pennsylvania Impressionists Alasdair Nichol anichol@freemansauction.com American Furniture, Folk & Decorative Arts Lynda Cain lcain@freemansauction.com

Margaret D. Freeman Vice Chairman Paul S. Roberts President

American Silver Samuel M. Freeman II beaufreeman@freemansauction.com

Hanna Dougher Chief Operating Officer

Asian Arts Richard Cervantes rcervantes@freemansauction.com Departments

Appraisals Amy Parenti aparenti@freemansauction.com

Books, Manuscripts, Maps & Ephemera David Bloom dbloom@freemansauction.com

Business Development Thomas B McCabe IV tmccabe@freemansauction.com

English & Continental Furniture & Decorative Arts David Walker dwalker@freemansauction.com

Client Services Mary Maguire Carroll mmaguire@freemansauction.com

European Art & Old Masters David M Weiss dweiss@freemansauction.com

Finance Mark Beckerman mbeckerman@freemansauction.com

Jewelry & Watches Michael Larsen mlarsen@freemansauction.com

Marketing & Communication Tara Theune Davis ttdavis@freemansauction.com

Modern & Contemporary Art Anne Henry ahenry@freemansauction.com

Museum Services Thomas B McCabe IV tmccabe@freemansauction.com

Oriental Rugs & Tapestries Richard Cervantes rcervantes@freemansauction.com

Photography Elizabeth Field efield@freemansauction.com

Photographs & Photobooks Aimee Pflieger apflieger@freemansauction.com

Press & Media Melissa Geller mgeller@freemansauction.com

Prints Anne Henry ahenry@freemansauction.com

Shipping & Receiving Bethany Mobbs bmobbs@freemansauction.com

Silver & Objets de Vertu David Walker dwalker@freemansauction.com

Trust & Estates Samuel T. Freeman III sfreeman@freemansauction.com

Representatives

Southeastern Colin Clarke cclarke@freemansauction.com

Mid-West William Rudd wrudd@freemansauction.com

West Coast Michael Larsen mlarsen@freemansauction.com

New England Kelly Wright kwright@freemansauction.com

Mid-Atlantic Matthew Wilcox mwilcox@freemansauction.com

Main Line Maya O’Donnell-Shah mshah@freemansauction.com

v3.2014


www.freemansauction.com

Samuel T Freeman & Co. 1808 Chestnut Street Philadelphia Pennsylvania 19103 Tel-215.563.9275 Fax-215.563.8236

1496  

The catalogue for the June 17 auction of European Art & Old Masters at Freeman's in Philadelphia. Exhibition for this sale opens to the publ...

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