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Photographs & Photobooks including Works From the Avon Collection 09/10/13


Photographs & Photobooks including Works From the Avon Collection 09/10/13

Auction:

Exhibition:

Bidding:

Sale 1467 Tuesday September 10, 2013 at 11am

Friday September 6 10am-5pm Saturday September 7 12pm-5pm Monday September 9 10am-5pm

Bridgette Bonner 267.414.1208 fax: 215.599.2240 bbonner@freemansauction.com

Inquiries: Aimee Pflieger 267.414.1221 apflieger@freemansauction.com

Catalogue: $25 in the gallery Fred Frederick 267.414.1231 ffrederick@freemansauction.com

Inside Front Cover: Lot 160 (detail) Inside Back Cover: Lot 162 (detail) Color images of every lot are available at www.freemansauction.com

Printing by Brilliant Studio Exton, Pennsylvania


Important Information for Buyers Registration All potential buyers must register for the sale prior to placing a bid. Registration information may be submitted in person at our reception desk, by fax or through our website at www.freemansauction.com. We will require proof of identification and residence and may require a credit card and/or a bank reference. By registering for the sale, the buyer acknowledges that he or she has read, understood and accepted Freeman’s Terms and Conditions of Sale. Buyer’s Premium A Buyer’s Premium will be added to the successful bid price and is payable by the buyer as part of the total purchase price. The Buyer’s Premium shall be: 25% on the first $50,000 of the hammer price of each lot, 20% on the portion from $50,001 through $1,000,000, and 12% thereafter. Sales Tax All items in the catalogue are subject to the 8% Pennsylvania and Philadelphia sales tax. Dealers purchasing for resale must register their tax numbers on current PA forms. Forms should be submitted to our Client Services office on the second floor. Catalogue Descriptions All item descriptions, dimensions and estimates are provided for guidance only. It is the buyer’s responsibility to inspect all lots prior to bidding to ensure that the condition is to their satisfaction. If potential buyers are unable to inspect lots in person, our specialists will be happy to prepare detailed Condition Reports on individual lots as quickly as possible. These are for guidance only, and all lots will be sold “as is” as per our Terms and Conditions of Sale.

Bidding At the sale Registered bidders will be assigned a bidder number and given a paddle for use at the sale. Once the first bid has been placed, the auctioneer asks for higher bids in increments determined by the auctioneer. To place your bid, simply raise your paddle until the auctioneer acknowledges you. The auctioneer will not mistake a random gesture for a bid. By phone A limited number of telephone lines are available for bidding by phone through a Freeman’s representative. Phone lines must be reserved in advance. Requests must be submitted no later than 24 hours prior to the scheduled start of the sale. In writing Bid forms are available in the sale room and at the back of the catalogue. These should be submitted in person, by mail or by fax no later than one hour prior to the scheduled start of the sale. The auctioneer will bid on your behalf up to the limit. On the internet A fully-illustrated catalogue is available on-line at www.freemansauction.com. Registered bidders may leave absentee bids through the web site and will receive email confirmation of their bid. Freeman’s is not responsible for errors or failure to execute bids. Payment Payment is due within ten (10) working days of the sale. Lots purchased will not be released until we have received full payment. Payment may be made in cash, by check, money order, or debit card. Payments by check must clear the bank before goods will be released. Removal of Purchases Deliveries will not be made during the time of the sale unless otherwise indicated by the auctioneer. All items must be paid for and removed within ten (10) working days of the sale. Purchases not so removed may be turned over to a licensed warehouse at the expense and risk of the purchaser. Shipping and Packing Responsibility for packing, shipping and insurance shall be exclusively that of the purchaser. Upon request, Freeman’s will provide the purchaser with names of professional packers and shippers known to us.


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Works from the Avon Collection lots 1–87

Avon, with its well known, popular beauty products and long history of empowering women with a means for financial independence, began compiling an art collection in the late 1990s with a focus almost entirely on photographs. The collection was quickly recognized as an exemplary model of corporate citizenship for supporting female artists and displaying the collection in their global headquarters in New York for staff and clients to enjoy. Curated by prominent photographer Sandi Fellman and art historian and critic, Shelly Rice, it was built around the thesis of beauty through the eyes of women, and contains significant pieces by some of the most important female artists of the twentieth century. The Avon Collection consists of over ninety works by female photographers and was exhibited at the International Center for photography in 1997. The artists represented come from diverse backgrounds and philosophical approaches, with work covering a range of photographic processes and styles. Although the group was assembled and curated to fit the objectives of Avon’s corporate mission, it must be regarded objectively as a cohesive, carefully considered collection that showcases some of the most striking examples of photographs of the twentieth century. A portion of the proceeds from the sale of The Avon Collection will benefit the Avon Foundation for Women, the world’s largest corporate-affiliated philanthropy focused on issues that matter most to women including breast cancer research and access to care through the Avon Breast Cancer Crusade, and efforts to reduce domestic and gender violence through its Speak Out Against Domestic Violence program.

Please note that all lots from the Avon Collection noted with a red bullet point ( ) after the lot number will be sold without reserve.


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1 BERENICE ABBOTT (american, 1898-1991) “NIGHTVIEW, NEW YORK” 1932, printed later, signed bottom right and with artist’s stamp verso. Gelatin silver print. 13 1/8 x 10 3/8 in. (33.3 x 26.4cm) provenance: Howard Greenberg Gallery, New York, New York. The Avon Collection, New York, New York. exhibited: International Center of Photography, New York, “Eye of the Beholder: Photographs from the Avon Collection,” September 12-November 16, 1997. literature: Berenice Abbott, Volume II: New York, Steidl, Göttingen, 2008, illustrated on frontispiece and on p. 35. $6,000-8,000

2 BARBARA MORGAN (american, 1900-1992) “SPRING ON MADISON SQUARE” 1938, printed later, signed and dated bottom right corner and titled bottom left corner. Gelatin silver print. 18 1/8 x 22 1/4 in. (46 x 56.5cm) provenance: Howard Greenberg Gallery, New York, New York. The Avon Collection, New York, New York. exhibited: International Center of Photography, New York, “Eye of the Beholder: Photographs from the Avon Collection,” September 12-November 16, 1997. $2,500-3,500


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3 LOIS GREENFIELD (american, b. 1949) “DANIEL EZRALOW & ASHLEY ROLAND, ISO DANCE CO.” 1986. Gelatin silver print. 14 1/2 x 14 1/2 in. (36.8 x 36.8cm) provenance: The Avon Collection, New York, New York. exhibited: International Center of Photography, New York, “Eye of the Beholder: Photographs from the Avon Collection,” September 12-November 16, 1997. $600-800

This lot sold without reserve


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4 INGE MORATH (austrian/american, 19232002) “CLASS IN LENINGRAD, STATE BALLET SCHOOL” 1965. Gelatin silver print. sight: 12 1/2 x 8 3/8 in. (31.8 x 21.3cm) provenance: Howard Greenberg Gallery, New York, New York. The Avon Collection, New York, New York. exhibited: International Center of Photography, New York, “Eye of the Beholder: Photographs from the Avon Collection,” September 12-November 16, 1997. $800-1,200


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5 OLIVIA PARKER (american, b. 1941) “FORM AND SUBSTANCE” 1993. Gelatin silver print. sight: 15 x 19 in. (38.1 x 48.3cm) provenance: The Avon Collection, New York, New York. exhibited: International Center of Photography, New York, “Eye of the Beholder: Photographs from the Avon Collection,” September 12-November 16, 1997. $400-600

This lot sold without reserve

6 LOTTE JACOBI (german/american, 1896-1990) “ABSTRACTION (PHOTOGENIC)” Ca. 1946, inscribed ‘original photogenic’ verso. Gelatin silver print. 14 x 11 in. (35.6 x 27.9cm) provenance: Howard Greenberg Gallery, New York, New York. The Avon Collection, New York, New York. exhibited: International Center of Photography, New York, “Eye of the Beholder: Photographs from the Avon Collection,” September 12-November 16, 1997. $1,500-2,500


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7 CLARA SIPRELL (american/canadian, 1885-1975) “FLOATING ROSE” Ca. 1920, signed on mount. Gelatin silver print. 9 1/4 x 7 1/4 in. (23.5 x 18.4cm) provenance: Howard Greenberg Gallery, New York, New York. The Avon Collection, New York, New York. exhibited: International Center of Photography, New York, “Eye of the Beholder: Photographs from the Avon Collection,” September 12-November 16, 1997. $600-800

8 WYNN RICHARDS (american, 1888-1960) “GLASSWARE” Ca. 1930. Gelatin silver print. 9 5/8 x 7 5/8 in. (24.4 x 19.4cm) provenance: Howard Greenberg Gallery, New York, New York. The Avon Collection, New York, New York exhibited: International Center of Photography, New York, “Eye of the Beholder: Photographs from the Avon Collection,” September 12-November 16, 1997. $800-1,200


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9 DOROTHY NORMAN (american, 1905-1997) “TARA AND RITA PAUDIT, WOODS HOLE” 1943, inscribed with title and date on mount verso and with artist’s stamp. Gelatin silver print. 3 5/8 x 2 7/8 in. (9.2 x 7.3cm) provenance: The Avon Collection, New York, New York. exhibited: International Center of Photography, New York, “Eye of the Beholder: Photographs from the Avon Collection,” September 12-November 16, 1997. $1,000-1,500


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10 IMOGEN CUNNINGHAM (american, 1883-1976) “DATURA” Ca. 1940, printed later. Gelatin silver print. 10 x 12 7/8 in. (25.4 x 32.7cm) provenance: The Avon Collection, New York, New York. exhibited: International Center of Photography, New York, “Eye of the Beholder: Photographs from the Avon Collection,” September 12-November 16, 1997. $4,000-6,000


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11 LOUISE DAHL-WOLFE (american, 1895-1989) “NUDE IN DESERT” 1948, printed later, signed verso. Gelatin silver print. 10 1/2 x 10 in. (26.7 x 25.4cm) provenance: The Avon Collection, New York, New York. exhibited: International Center of Photography, New York, “Eye of the Beholder: Photographs from the Avon Collection,” September 12-November 16, 1997. $5,000-7,000


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12 LOUISE DAHL-WOLFE (american, 1895-1989) “JAPANESE BATH” 1954/1985, signed verso. Gelatin silver print. 19 x 15 in. (48.3 x 38.1cm) provenance: Staley-Wise Gallery, New York, New York. The Avon Collection, New York, New York. exhibited: International Center of Photography, New York, “Eye of the Beholder: Photographs from the Avon Collection,” September 12-November 16, 1997. $5,000-7,000


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13 SARAH MOON (french, b. 1941) “SASHA FOR THE NEW YORK TIMES” 1995, signed, titled and numbered 1/30 verso. Color pigment transfer print. image: 13 7/8 x 10 5/8 in. (35.2 x 27cm) sheet: 15 x 12 in. (38.1 x 30.5cm) provenance: Staley-Wise Gallery, New York, New York. The Avon Collection, New York, New York. exhibited: International Center of Photography, New York, “Eye of the Beholder: Photographs from the Avon Collection,” September 12-November 16, 1997. $4,000-6,000


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14 LILLIAN BASSMAN (american, 1917-2012) “DORIAN LEIGH, HARPER’S BAZAAR” 1948/1992, signed, titled, dated, and inscribed ‘Archival Print / series of 25 print no. 4’ verso. Gelatin silver print. 12 x 12 in. (30.5 x 30.5cm) provenance: Howard Greenberg Gallery, New York, New York. The Avon Collection, New York, New York. exhibited: International Center of Photography, New York, “Eye of the Beholder: Photographs from the Avon Collection,” September 12-November 16, 1997. $5,000-7,000


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15 COLLEEN KENYON (american, b. 1951) “COLLEEN, SHADY, NEW YORK” 1984/1997. Gelatin silver print and oil paint. 15 x 22 in. (38.1 x 55.9cm) provenance: The Avon Collection, New York, New York. exhibited: International Center of Photography, New York, “Eye of the Beholder: Photographs from the Avon Collection,” September 12-November 16, 1997. $800-1,200


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16 DEBORAH TURBEVILLE (american, b. 1938) “FASHION” Ca. 1980. Polaroid transfer print. sight: 7 1/2 x 9 1/2 in. (19 x 24.1cm) provenance: Staley-Wise Gallery, New York, New York. The Avon Collection, New York, New York. exhibited: International Center of Photography, New York, “Eye of the Beholder: Photographs from the Avon Collection,” September 12-November 16, 1997. $800-1,200

17 JOYCE TENNESON (american, b. 1945) “SUZANNE” 1986. Silver dye bleach print. sight: 19 3/4 x 15 1/2 in. (50.2 x 39.4cm) provenance: The Avon Collection, New York, New York. exhibited: International Center of Photography, New York, “Eye of the Beholder: Photographs from the Avon Collection,” September 12-November 16, 1997. see: Joyce Tenneson and Vicki Goldberg, Joyce Tenneson: A Life in Photography, 1968-2008, Bullfinch Press, New York, 2008, illus. p. 73. $800-1,200


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18 four photographs LILO RAYMOND (american, b. 1922) “CUP ON MANTLE”, “OYSTERS”, “UNMADE BED, ROXBURY” AND “DRESS” 1971. Gelatin silver prints. Various sizes, largest: 13 x 8 5/8 in. (33 x 21.9cm) (4) provenance: The Avon Collection, New York, New York. exhibited: International Center of Photography, New York, “Eye of the Beholder: Photographs from the Avon Collection,” September 12-November 16, 1997. $1,000-1,500


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19 KUNIÉ SUGIURA (japanese, b. 1942) “4 NECKS POSITIVE” 1995. Toned gelatin silver print. sight: 40 x 30 in. (101.6 x 76.2cm) provenance: The Avon Collection, New York, New York. exhibited: International Center of Photography, New York, “Eye of the Beholder: Photographs from the Avon Collection,” September 12-November 16, 1997. $800-1,200


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20 two photographs AMANDA MEANS (american, b. 1945) “FLOWER #33” AND “CHRYSANTHEMUM #1” 1995. Gelatin silver prints. sight: 16 1/2 x 14 1/2 in. (41.9 x 36.8cm) and 17 1/2 x 17 1/2 in. (44.5 x 44.5cm) (2) provenance: The Avon Collection, New York, New York. exhibited: International Center of Photography, New York, “Eye of the Beholder: Photographs from the Avon Collection,” September 12-November 16, 1997. $600-800

This lot sold without reserve


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21 RUTH THORNE-THOMSEN (american, b. 1943) “MESSENGER #4” Gelatin silver print. sight: 40 x 28 in. (101.6 x 71.1cm) provenance: Laurence Miller Gallery, New York, New York. The Avon Collection, New York, New York. exhibited: International Center of Photography, New York, “Eye of the Beholder: Photographs from the Avon Collection,” September 12-November 16, 1997. $800-1,200

This lot sold without reserve

22 ELLEN CAREY (american, b. 1952) UNTITLED 1990/91, signed, titled, dated and numbered 1/3 on mount. Gelatin silver print. 22 3/4 x 17 1/8 in. (57.8 x 43.5cm) provenance: Ricco/Maresca Gallery, New York, New York. The Avon Collection, New York, New York. exhibited: International Center of Photography, New York, “Eye of the Beholder: Photographs from the Avon Collection,” September 12-November 16, 1997. $600-800


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23 SUSAN DERGES (british, b. 1955) “THE OBSERVER AND THE OBSERVED, #12” 1991. Gelatin silver print. 37 1/2 x 30 in. (94.3 x 76.2cm) provenance: The Avon Collection, New York, New York. exhibited: International Center of Photography, New York, “Eye of the Beholder: Photographs from the Avon Collection,” September 12-November 16, 1997. $10,000-15,000


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24 PETAH COYNE (american, b. 1953) UNTITLED #833 1995. Gelatin silver print. 35 1/2 x 23 1/4 in. (90.2 x 59.1cm) provenance: Laurence Miller Gallery, New York, New York. The Avon Collection, New York, New York. exhibited: International Center of Photography, New York, “Eye of the Beholder: Photographs from the Avon Collection,” September 12-November 16, 1997. $1,500-2,500


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25 three photographs JEANNETTE MONTGOMERY BARRON (american, b. 1956) “THE HOT DAY” Gelatin silver print. sight: 13 x 13 in. (33 x 33cm) and “TULIP LEAVES” 1996. Gelatin silver print. sight: 13 x 13 in. (33 x 33cm) and “WIRES” Gelatin silver print. sight: 13 x 13 in. (33 x 33cm) provenance: Staley-Wise Gallery, New York, New York. The Avon Collection, New York, New York. exhibited: International Center of Photography, New York, “Eye of the Beholder: Photographs from the Avon Collection,” September 12-November 16, 1997. $600-800

This lot sold without reserve


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26 SHEILA METZNER (american, b. 1939) “GALVANO” 1988/1991, signed, dated and inscribed ‘ONE OF A KIND’ verso. Unique direct carbon print. sight: 24 1/2 x 16 in. (62.2 x 40.6cm) provenance: The Avon Collection, New York, New York. exhibited: International Center of Photography, New York, “Eye of the Beholder: Photographs from the Avon Collection,” September 12-November 16, 1997. $2,000-3,000


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27 two prints DIANA SCHOENFELD (american, b. 1949) “RHYTHMIC ARRANGEMENT: WITHERED IRIS AND TEETH” AND “RHYTHMIC ARRANGEMENT: LUMINOUS PODS” 1979, signed, titled and dated verso. Gelatin silver prints. (each): 7 x 5 in. (17.8 x 12.7cm) (2) provenance: The Avon Collection, New York, New York. exhibited: International Center of Photography, New York, “Eye of the Beholder: Photographs from the Avon Collection,” September 12-November 16, 1997. $600-800

This lot sold without reserve


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28 JAN GROOVER (american, b. 1943) UNTITLED 1979. C-print. sight: 18 1/4 x 14 1/2 in. (46.4 x 36.8cm) provenance: The Avon Collection, New York, New York. exhibited: International Center of Photography, New York, “Eye of the Beholder: Photographs from the Avon Collection,” September 12-November 16, 1997. $1,500-2,500

29 JAN GROOVER (american, b. 1943) UNTITLED 1980. C-print. sight: 17 7/8 x 13 3/4 in. (45.4 x 34.9cm) provenance: Janet Borden, New York, New York. The Avon Collection, New York, New York. exhibited: International Center of Photography, New York, “Eye of the Beholder: Photographs from the Avon Collection,” September 12-November 16, 1997. $1,500-2,500


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30 JOANN CALLIS (american, b. 1940) “GOLDFISH AND STRINGBEANS” 1980. C-print. sight: 17 x 21 3/4 in. (43.2 x 55.3cm) provenance: The Avon Collection, New York, New York. exhibited: International Center of Photography, New York, “Eye of the Beholder: Photographs from the Avon Collection,” September 12-November 16, 1997. $400-600

This lot sold without reserve


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31 two photographs DIANE COOK (american, b. 1954) “COLUMNAR BASALT, LATOURELL FALLS” Gelatin silver print. sight: 14 3/4 x 21 1/2 in. (37.5 x 54.6cm) and “MOONRISE OVER FISHING CONE, YELLOWSTONE NATIONAL PARK, WYOMING” Gelatin silver print. sight: 14 3/4 x 21 1/2 in. (37.5 x 54.6cm) (2) provenance: Yancey Richardson, New York, New York. The Avon Collection, New York, New York. exhibited: International Center of Photography, New York, “Eye of the Beholder: Photographs from the Avon Collection,” September 12-November 16, 1997. $500-800

This lot sold without reserve


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32 LYNN DAVIS (american, b. 1944) “ICEBERG 20, DISKO BAY, GREENLAND, 1988” 1988, signed, dated 1997, numbered 8/10 in ink and with credit reproduction limitation stamp and printer’s mark on the reverse of the flush-mount. Gelatin silver print. 28 x 28 in. (71.1 x 71.1cm) provenance: Houk Friedman, New York, New York. The Avon Collection, New York, New York. exhibited: International Center of Photography, New York, “Eye of the Beholder: Photographs from the Avon Collection,” September 12-November 16, 1997. $4,000-6,000


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33 MARILYN BRIDGES (american, b. 1948) “YIN YANG POOL, CALEDONIA, NY” 1981. Gelatin silver print. sight: 14 5/8 x 18 1/2 in. (37.2 x 47cm) provenance: The Avon Collection, New York, New York. exhibited: International Center of Photography, New York, “Eye of the Beholder: Photographs from the Avon Collection,” September 12-November 16, 1997. $300-500

This lot sold without reserve


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34 MARILYN BRIDGES (american, b. 1948) “OASIS, HUACACHINA, PERU” 1989. Gelatin silver print. sight: 14 1/2 x 18 1/2 in. (36.8 x 47cm) provenance: The Avon Collection, New York, New York. exhibited: International Center of Photography, New York, “Eye of the Beholder: Photographs from the Avon Collection,” September 12-November 16, 1997. $300-500


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35 LINDA CONNOR (american, b. 1944) “ENTWINED BUDDHA, AYUTHAYA, THAILAND” 1988. Gelatin silver print on printing-out paper. sight: 17 3/4 x 22 1/2 in. (45.9 x 57.2cm) provenance: The Avon Collection, New York, New York. exhibited: International Center of Photography, New York, “Eye of the Beholder: Photographs from the Avon Collection,” September 12-November 16, 1997. $300-500

36 GAIL SKOFF (american, b. 1949) “BALINESE DANCERS” Hand colored gelatin silver print. sight: 12 1/2 x 12 1/4 in. (31.8 x 31.1cm) provenance: The Avon Collection, New York, New York. exhibited: International Center of Photography, New York, “Eye of the Beholder: Photographs from the Avon Collection,” September 12-November 16, 1997. $800-1,200

This lot sold without reserve


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37 ROSAMOND PURCELL (american, b. 1942) “VOLUTES ON A BOOK” 1996. Silver dye bleach print. sight: 14 1/2 x 16 3/4 in. (36.8 x 42.5cm) provenance: The Avon Collection, New York, New York. exhibited: International Center of Photography, New York, “Eye of the Beholder: Photographs from the Avon Collection,” September 12-November 16, 1997. $500-800

38 ELAINE MAYES (american, 1938-2011) “RAINBOW AND CANE, OLOWALU, MAUI” 1990. C-print. sight: 14 3/4 x 22 in. (37.5 x 55.9cm) provenance: The Avon Collection, New York, New York. exhibited: International Center of Photography, New York, “Eye of the Beholder: Photographs from the Avon Collection,” September 12-November 16, 1997. $600-800


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39 KAREN TWEEDY-HOLMES (american, b. 1942) “PAUL AND MATTHIAS” 1967. Gelatin silver print. sight: 12 1/8 x 8 3/8 in. (30.8 x 21.3cm) provenance: The Avon Collection, New York, New York. exhibited: International Center of Photography, New York, “Eye of the Beholder: Photographs from the Avon Collection,” September 12-November 16, 1997. $400-600

40 GAIL SKOFF (american, b. 1949) “TONIO” 1991. Gelatin silver print with oil paint. 18 1/2 x 18 1/2 in. (47 x 47cm) provenance: The Avon Collection, New York, New York. exhibited: International Center of Photography, New York, “Eye of the Beholder: Photographs from the Avon Collection,” September 12-November 16, 1997. $800-1,200

This lot sold without reserve


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41 SABINE WEISS (swiss, b. 1924) “LITTLE GIRL, LITTLE TREE, SPAIN” 1981. Gelatin silver print. sight: 11 3/4 x 7 3/4 in. (29.8 x 19.7cm) provenance: The Avon Collection, New York, New York. exhibited: International Center of Photography, New York, “Eye of the Beholder: Photographs from the Avon Collection,” September 12-November 16, 1997. $800-1,200


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42 MARY ELLEN MARK (american, b. 1941) “ACROBATS REHEARSING THEIR ACT AT THE GREAT GOLDEN CIRCUS, AHMEDABAD, INDIA” 1989, signed, titled, dated and numbered 15/25 verso. Platinum print. 19 x 19 in. (48.3 x 48.3cm) provenance: The Avon Collection, New York, New York. exhibited: International Center of Photography, New York, “Eye of the Beholder: Photographs from the Avon Collection,” September 12-November 16, 1997. $3,000-5,000

This lot sold without reserve


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43 SABINE WEISS (swiss, b. 1924) UNTITLED (GIRL IN CHAIR) 1954. Gelatin silver print. sight: 11 1/2 x 7 3/4 in. (29.2 x 19.7cm) provenance: Howard Greenberg Gallery, New York, New York. The Avon Collection, New York, New York. exhibited: International Center of Photography, New York, “Eye of the Beholder: Photographs from the Avon Collection,” September 12-November 16, 1997. $800-1,200

44 CHERYL YOUNGER (american, b. 1946) “MY DAUGHER IS THE ONE IN THE TUTU WITHOUT SEQUINS” 1980. Gelatin silver print. sight: 11 1/2 x 17 3/4 in. (29.2 x 45.1cm) provenance: The Avon Collection, New York, New York. exhibited: International Center of Photography, New York, “Eye of the Beholder: Photographs from the Avon Collection,” September 12-November 16, 1997. $400-600


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45 two photographs KATHERINE TURCZAN (american, b. 1965) “CHILD AT CAMP FOR CHILDREN OF CHERNOBYL” 1991, signed, dated, titled and numbered 2/15 verso. Gelatin silver print. 22 3/4 x 18 in. (57.8 x 45.7cm) and “CHILDREN AT CAMP FOR CHILDREN OF CHERNOBYL” 1991. Gelatin silver print. sight: 17 1/2 x 22 1/2 in. (44.5 x 57.2cm) (2) provenance: The Avon Collection, New York, New York. exhibited: International Center of Photography, New York, “Eye of the Beholder: Photographs from the Avon Collection,” September 12-November 16, 1997. $600-1,000


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46 ANDREA MODICA (american, b. 1960) “TREADWELL, NEW YORK” 1992. Platinum/palladium print. sight: 9 1/8 x 7 1/4 in. (23.2 x 18.4cm) provenance: Houk Friedman Gallery, New York, New York. The Avon Collection, New York, New York. exhibited: International Center of Photography, New York, “Eye of the Beholder: Photographs from the Avon Collection,” September 12-November 16, 1997. $800-1,200


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47 ABIGAIL HEYMAN (american, 1942-2013) THREE PORTRAITS from “dreams & schemes” 1979-82/1997. Gelatin silver prints. sight (each): 10 1/2 x 16 in. (26.7 x 40.6cm) (3) provenance: The Avon Collection, New York, New York. exhibited: International Center of Photography, New York, “Eye of the Beholder: Photographs from the Avon Collection,” September 12-November 16, 1997. $600-800

This lot sold without reserve


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48 SALLY MANN (american, b. 1951) “THE VIRTUOUS GIRL” 1994, signed, titled, dated and numbered 5/25 verso. Gelatin silver print. 18 3/8 x 22 3/4 in. (46.7 x 57.8cm) provenance: Houk Friedman Gallery, New York, New York. The Avon Collection, New York, New York. exhibited: International Center of Photography, New York, “Eye of the Beholder: Photographs from the Avon Collection,” September 12-November 16, 1997. $8,000-12,000


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49 TERESA CASELLE HACK (american, 1912-2002) “MARCELLE LABAUDT” 1995. C-print with acrylic paint. sight: 9 1/2 x 13 3/8 in. (24.1 x 34cm) provenance: Julie Saul Gallery, New York, New York. The Avon Collection, New York, New York. exhibited: International Center of Photography, New York, “Eye of the Beholder: Photographs from the Avon Collection,” September 12-November 16, 1997. $400-600

50 BECKY YOUNG (american, b. 1939) “MYRA AND MOTHER” 1979. C-print. sight: 10 1/4 x 10 1/4 in. (26 x 26cm) provenance: The Avon Collection, New York, New York. exhibited: International Center of Photography, New York, “Eye of the Beholder: Photographs from the Avon Collection,” September 12-November 16, 1997. $400-600

This lot sold without reserve


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51 two photographs MARY FREY (american, b. 1948) “MAN FASTENING PEARLS” 1979-1983. Gelatin silver print. sight: 14 1/2 x 18 in. (36.8 x 45.7cm) and “GIRLS FIXING HAIR ON BEACH” from “domestic rituals” 1979-83, signed, titled and dated verso. Gelatin silver print. 14 1/2 x 19 1/4 in. (36.8 x 48.9cm) (2) provenance: The Avon Collection, New York, New York. exhibited: International Center of Photography, New York, “Eye of the Beholder: Photographs from the Avon Collection,” September 12-November 16, 1997. $400-600


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52 ABIGAIL HEYMAN (american, 1942-2013) UNTITLED from “growing up female” 1971/1997. Gelatin silver print. 15 3/4 x 10 1/2 in. (40 x 26.7cm) provenance: The Avon Collection, New York, New York. exhibited: International Center of Photography, New York, “Eye of the Beholder: Photographs from the Avon Collection,” September 12-November 16, 1997. $400-600

53 JUDY DATER (american, b. 1941) “LAURA MAE” 1973. Gelatin silver print. sight: 17 1/2 x 14 in. (44.5 x 35.6cm) provenance: The Avon Collection, New York, New York. exhibited: International Center of Photography, New York, “Eye of the Beholder: Photographs from the Avon Collection,” September 12-November 16, 1997. $600-800

This lot sold without reserve


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54 MARSHA BURNS (american, 20th century) “HELEN, FIREFIGHTER” 1992. Gelatin silver print. sight: 19 1/4 x 15 1/4 in. (48.9 x 38.7cm) provenance: The Avon Collection, New York, New York. exhibited: International Center of Photography, New York, “Eye of the Beholder: Photographs from the Avon Collection,” September 12-November 16, 1997. $300-500

55 ANNE NOGGLE (american, 1922-2007) “ALMOST A LADY- A SELF-PORTRAIT” 1996, signed, titled and dated verso. Gelatin silver print. 17 1/2 x 11 5/8 in. (44.5 x 29.5cm) provenance: The Avon Collection, New York, New York. exhibited: International Center of Photography, New York, “Eye of the Beholder: Photographs from the Avon Collection,” September 12-November 16, 1997. $400-600


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56 JOANNE LEONARD (american, b. 1940) “IN MY MOTHER’S GARDEN” 1991, signed center right. Mixed media collage. sight: 8 1/4 x 11 in. (21 x 27.9cm) provenance: The Avon Collection, New York, New York. exhibited: International Center of Photography, New York, “Eye of the Beholder: Photographs from the Avon Collection,” September 12-November 16, 1997. $600-800

57 ERICA UHLENBECK (indonesian/dutch, b. 1947) “INTERIOR WITH BIRD” 1994. C-print. sight: 23 3/4 x 16 3/4 in. (60.3 x 42.5cm) provenance: The Avon Collection, New York, New York. exhibited: International Center of Photography, New York, “Eye of the Beholder: Photographs from the Avon Collection,” September 12-November 16, 1997. $400-600

This lot sold without reserve


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58 TOMIE ARAI (american, 2oth century) “LAUNDRYMAN’S DAUGHTER” 1988. Color screenprint. 27 x 20 in. (68.6 x 50.8cm) provenance: The Avon Collection, New York, New York. exhibited: International Center of Photography, New York, “Eye of the Beholder: Photographs from the Avon Collection,” September 12-November 16, 1997. $200-400

59 JOYCE NEIMANAS (american, b. 1944) “BABY TALE” 1995. Ink jet print. sight: 18 1/2 x 12 3/4 in. (47 x 32.4cm) provenance: The Avon Collection, New York, New York. exhibited: International Center of Photography, New York, “Eye of the Beholder: Photographs from the Avon Collection,” September 12-November 16, 1997. $200-400


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60 DEBORAH WILLIS (american, 20th century) “CHRISTMAS 1995” Mixed media. overall: 69 x 42 in. (175.3 x 106.7cm) provenance: The Avon Collection, New York, New York. exhibited: International Center of Photography, New York, “Eye of the Beholder: Photographs from the Avon Collection,” September 12-November 16, 1997. $1,000-1,500


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61 three collages ELAINE LUSTIG-COHEN (american, b. 1927) “ESPANA”, “CONFIRM BY TELEGRAM” AND “CORTINA” 1994-1996. Mixed media collages. Various sizes, largest: 9 1/4 x 7 1/4 in. (23.5 x 18.4cm) (3) provenance: Julie Saul Gallery, New York, New York. The Avon Collection, New York, New York. exhibited: International Center of Photography, New York, “Eye of the Beholder: Photographs from the Avon Collection,” September 12-November 16, 1997. $600-1,000


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62 two photographs SANDI FELLMAN (american, b. 1952) “LA DORMEUSE” C-print. 24 x 20 in. (61 x 50.8cm) and “THE WHITE HOTEL” C-print. 24 x 20 in. (61 x 50.8cm) (2) provenance: The Avon Collection, New York, New York. exhibited: International Center of Photography, New York, “Eye of the Beholder: Photographs from the Avon Collection,” September 12-November 16, 1997. $400-600

This lot sold without reserve


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63 MARCIA LIPPMAN (american, b. 1944) “SIRENETTA” 1993. Toned gelatin silver print. sight: 11 1/4 x 17 in. (28.6 x 43.2cm) provenance: The Avon Collection, New York, New York. exhibited: International Center of Photography, New York, “Eye of the Beholder: Photographs from the Avon Collection,” September 12-November 16, 1997. $600-800


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64 NANCY GOLDRING (american, b. 1945) “THE OCULAR PROOF: SLEEP” 1995. Silver dye bleach print. 23 1/4 x 18 3/4 in. (59.1 x 47.6cm) provenance: The Avon Collection, New York, New York. exhibited: International Center of Photography, New York, “Eye of the Beholder: Photographs from the Avon Collection,” September 12-November 16, 1997. $400-600

This lot sold without reserve

65 CHERYL YOUNGER (american, b. 1946) “MERCEDES AS ‘FLAMING JUNE’” 1996. C-print and mixed media. overall: 23 x 19 in. (58.4 x 48.3cm) provenance: The Avon Collection, New York, New York. exhibited: International Center of Photography, New York, “Eye of the Beholder: Photographs from the Avon Collection,” September 12-November 16, 1997. $400-600


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66 EILEEN COWIN (american, b. 1947) “MIRROR OF VENUS” 1988. Silver dye bleach print. 39 x 47 in. (99 x 119.4cm) provenance: The Avon Collection, New York, New York. exhibited: International Center of Photography, New York, “Eye of the Beholder: Photographs from the Avon Collection,” September 12-November 16, 1997. $1,000-1,500


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67 MARIE COSINDAS (american, b. 1925) “VIVIENNE” 1966, signed bottom right. Silver dye bleach print. sight: 19 1/4 x 15 in. (48.9 x 38.1cm) provenance: The Avon Collection, New York, New York. exhibited: International Center of Photography, New York, “Eye of the Beholder: Photographs from the Avon Collection,” September 12-November 16, 1997. $400-600

This lot sold without reserve

68 MARIE COSINDAS (american, b. 1925) “NICOLE” 1966, signed bottom right. Silver dye bleach print. sight: 19 1/4 x 15 in. (48.9 x 38.1cm) provenance: The Avon Collection, New York, New York. exhibited: International Center of Photography, New York, “Eye of the Beholder: Photographs from the Avon Collection,” September 12-November 16, 1997. $400-600


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69 BEA NETTLES (american, b. 1946) “BUTTERFLY” 1980. Unique gum bichromate print on vinyl. sight: 23 1/2 x 19 1/2 in. (59.7 x 49.5cm) provenance: The Avon Collection, New York, New York. exhibited: International Center of Photography, New York, “Eye of the Beholder: Photographs from the Avon Collection,” September 12-November 16, 1997. $400-600


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70 LORRAINE O’GRADY (american, b. 1934) “A MOTHER’S KISS” from “miscegenated family album” 1980/1994, titled and signed on mount verso. Silver dye bleach print. sight (each): 13 x 19 1/4 in. (33 x 48.9cm) provenance: The Avon Collection, New York, New York. exhibited: International Center of Photography, New York, “Eye of the Beholder: Photographs from the Avon Collection,” September 12-November 16, 1997. $500-800

71 CARRIE MAE WEEMS (american, b. 1953) “GOD BLESS THE CHILD” from the series “from here i saw what happened and i cried” 1996, signed, dated and numbered 6/10 verso. Monochrome c-print with sandblasted text on glass. overall: 23 3/8 x 16 1/2 in. (59.4 x 41.9cm) provenance: P.P.O.W. Gallery, New York, New York. The Avon Collection, New York, New York. exhibited: International Center of Photography, New York, “Eye of the Beholder: Photographs from the Avon Collection,” September 12-November 16, 1997. $8,000-12,000 This lot sold without reserve


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72 MARTHA ROSLER (american, b. 1943) “NEW YORK” 1996. C-print. 26 x 39 in. (66 x 99.1cm) provenance: The Avon Collection, New York, New York. exhibited: International Center of Photography, New York, “Eye of the Beholder: Photographs from the Avon Collection,” September 12-November 16, 1997. $4,000-6,000

This lot sold without reserve


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73 DIANE TANI (american, b. 1965) “COMMUNIQUÉ” 1989. C-print. approx. 15 1/2 x 19 1/2 in. (39.37 x 49.5cm) provenance: The Avon Collection, New York, New York. exhibited: International Center of Photography, New York, “Eye of the Beholder: Photographs from the Avon Collection,” September 12-November 16, 1997. $400-600

74 JUDITH GOLDEN (american, b. 1934) “HELLO FRESH FACE” from “magazine makeover series” 1976, signed and dated verso. Unique mixed media collage. 14 x 11 in. (35.6 x 27.9cm) provenance: The Avon Collection, New York, New York. exhibited: International Center of Photography, New York, “Eye of the Beholder: Photographs from the Avon Collection,” September 12-November 16, 1997. $1,000-1,500


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75 LORNA SIMPSON (american, b. 1960) “DETAILS” 1996, a portfolio of 21 photogravures on Somerset with text, 14/40 (there were 9 artist’s proofs); published by Sean Kelly, New York, New York and Karen McCready Fine Art, New York, New York. Title page signed by artist. each sheet: 10 x 8 in. (25.4 x 20.3cm) provenance: The Avon Collection, New York, New York. exhibited: International Center of Photography, New York, “Eye of the Beholder: Photographs from the Avon Collection,” September 12-November 16, 1997. $4,000-6,000


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76 KATHY GROVE (american, b. 1948) “THE OTHER SERIES: AFTER LANGE” 1989. Gelatin silver print. 19 x 18 in. (48.3 x 45.7cm) provenance: The Avon Collection, New York, New York. exhibited: International Center of Photography, New York, “Eye of the Beholder: Photographs from the Avon Collection,” September 12-November 16, 1997. $800-1,200


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77 two photographs NANCY BURSON (american, b. 1949) “FIRST AND SECOND BEAUTY COMPOSITES” 1982, each titled, signed, dated, numbered 9/15 and inscribed “with R.C. & D.K.” Gelatin silver prints. 7 15/16 x 8 7/8 in. (20.2 x 22.5cm) (2) provenance: Richard Carling and David Kramlich. The Avon Collection, New York, New York. exhibited: International Center of Photography, New York, “Eye of the Beholder: Photographs from the Avon Collection,” September 12-November 16, 1997.

note: First Beauty Composite depicts Betty Davis, Audrey Hepburn, Grace Kelly, Sophia Loren and Marilyn Monroe. Second Beauty Composite depicts Jane Fonda, Jacqueline Bisset, Diane Keaton, Brooke Shields and Maryl Streep. $4,000-6,000


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78 three photographs MARY BETH EDELSON (american, b. 1933) “LIGHT FEET: THE BURNED ONE PRAYS FOR LIGHT FEET” 1977, titled and with artist’s stamp verso. Gelatin silver prints mounted to board. each: 20 x 20 in. (50.8 x 50.8cm) (3) provenance: The Avon Collection, New York, New York. exhibited: International Center of Photography, New York, “Eye of the Beholder: Photographs from the Avon Collection,” September 12-November 16, 1997. $1,500-2,500


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79 MARINA ABRAMOVIC (serbian, b. 1946) “THE LOVERS” 1988. C-print with ink drawing. overall: 24 x 24 in. (61 x 61cm) provenance: The Avon Collection, New York, New York. exhibited: International Center of Photography, New York, “Eye of the Beholder: Photographs from the Avon Collection,” September 12-November 16, 1997. $3,000-5,000


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80 ELLEN BROOKS (american, b. 1946) UNTITLED (RED BALLS) 1987. Silver dye bleach print. 38 1/2 x 25 in. (97.8 x 63.5cm) provenance: The Avon Collection, New York, New York. exhibited: International Center of Photography, New York, “Eye of the Beholder: Photographs from the Avon Collection,” September 12-November 16, 1997. $400-600 This lot sold without reserve

81 SOPHIE RIVERA (american, 20th century) “BLIZZARD” Ca. 1980. Gelatin silver print. sight: 14 3/4 x 14 3/4 in. (37.5 x 37.5cm) provenance: The Avon Collection, New York, New York. exhibited: International Center of Photography, New York, “Eye of the Beholder: Photographs from the Avon Collection,” September 12-November 16, 1997. $400-600


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82 LORIE NOVAK (american, 20th century) UNTITLED 1990. C-print. 28 1/2 x 38 in. (72.4 x 96.5cm) provenance: The Avon Collection, New York, New York. exhibited: International Center of Photography, New York, “Eye of the Beholder: Photographs from the Avon Collection,” September 12-November 16, 1997. $400-600

This lot sold without reserve

83 PENELOPE UMBRICO (american, b. 1980) UNTITLED (OBJECT COLLECTION #2) 30 collaged 4 x 6 in. c-prints. overall: 23 1/2 x 29 in. (59.7 x 73.7cm) provenance: Julie Saul Gallery, New York, New York. The Avon Collection, New York, New York. exhibited: International Center of Photography, New York, “Eye of the Beholder: Photographs from the Avon Collection,” September 12-November 16, 1997. $500-800


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84 BARBARA KARANT (american, b. 1952) UNTITLED 1983. C-print. sight: 19 1/4 x 14 3/4 in. (48.9 x 37.5cm) provenance: The Avon Collection, New York, New York. exhibited: International Center of Photography, New York, “Eye of the Beholder: Photographs from the Avon Collection,” September 12-November 16, 1997. $400-600


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85 BARBARA ESS (american, b. 1948) UNTITLED 1991. C-print. 39 1/2 x 29 1/4 in. (100.3 x 74.3cm) provenance: Curt Marcus Gallery, New York, New York. The Avon Collection, New York, New York. exhibited: International Center of Photography, New York, “Eye of the Beholder: Photographs from the Avon Collection,” September 12-November 16, 1997. $500-800

This lot sold without reserve


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86 SANDY SKOGLUND (american, b. 1946) “THE GREEN HOUSE” 1990. Silver dye bleach print. 46 1/2 x 58 1/2 in. (118.1 x 149.9cm) provenance: The Avon Collection, New York, New York. exhibited: International Center of Photography, New York, “Eye of the Beholder: Photographs from the Avon Collection,” September 12-November 16, 1997. $20,000-25,000


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87 CINDY SHERMAN (american, b. 1954) UNTITLED FILM STILL 1978/1993, from the edition of 30, signed and dated verso. Gelatin silver print. 7 3/8 x 9 3/8 in. (18.7 x 23.8cm) note: This print was part of a benefit portfolio for October magazine in 1993. provenance: The Avon Collection, New York, New York. exhibited: International Center of Photography, New York, “Eye of the Beholder: Photographs from the Avon Collection,” September 12-November 16, 1997. $8,000-12,000


Photographs lots 88–238


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88 UNKNOWN ARTIST MILLSTEAD HOME, GERMANTOWN, PHILADELPHIA Quarter plate daguerreotype in embossed mat with rounded corners, missing cover. $200-400

89 25 CASED IMAGES Ninth to whole plate tintypes and ambrotypes depicting men, women, and children in various poses, including one postmortem portrait. Some with handcoloring. Some with partial cases. (25) $150-250


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90 FIFTEEN CASED IMAGES Quarter (3), ninth (3), and sixth (8) plate daguerreotypes, tintypes and ambrotypes depicting men and women in various poses. Most cased but some missing covers. Including works by Keely, Philadelphia and Jacob Shew, Sacramento. (15) $200-400


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91 three large format tintypes UNKNOWN ARTIST PORTRAITS 7 x 4 1/2 in. (17.8 x 11.4cm), 6 1/2 x 4 1/2 in. (16.5 x 11.4cm), 7 x 5 in. (17.8 x 12.7cm) (3) $400-600

92 two large format tintypes UNKNOWN ARTIST PORTRAITS 8 1/2 x 6 1/2 in. (21.6 x 16.5cm) (2) $600-800


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93 four tintypes CIVIL WAR SOLDIERS Quarter and sixth plate uncased tintypes. (4) $300-500


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94 TINTYPE COLLECTION Approximately 75 tintypes ranging from stamp size to whole plate, depicting children, couples, families, horse drawn wagons, and seaside scenes. Some handcolored. $600-800


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95 TINTYPE COLLECTION Approximately 75 tintypes ranging from stamp size to whole plate, depicting children, couples, families, horse drawn wagons and seaside scenes. Some handcolored. $600-800


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96 HENRI LE SECQ (french, 1818-1882) PORTRAIT OF A YOUNG BOY Ca. 1850. Salt print. 9 5/8 x 6 7/8 in. (24.4 x 17.5cm) $1,500-2,500


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97 twenty six photographs BEDFORD, FRITH, ROSLING, RICHARDS AND OTHERS VIEWS OF WALES AND ENGLAND Ca. 1880. Albumen and woodburytypes, some mounted to card. 6 3/8 x 8 1/4 in. (17.1 x 21cm) Unframed (26) $1,000-1,500


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98 three albumen prints BISSON FRÈRES (french, 1814-1876 and 18261900) ALPINE VIEWS Ca. 1860, each with red ‘Bisson Freres’ stamp on mount, embossed artist’s stamp on photograph bottom left, and titled in pencil bottom right. Albumen prints. including: “Vallée de Chamonix vue du Chapeau”: 13 1/8 x 17 3/4 in. (33.3 x 45cm) “Vue de l’Arveyron”(titled “source du l’Arveyron”in pencil): 9 1/2 x 15 5/8 in. (24.1 x 39.7cm) “Le serac du géant”: 9 3/8 x 15 5/8 in. (9 3/8 x 39.7cm) each sheet: 17 3/4 x 24 3/8 in. (45.1 x 61.9cm) Unframed (3) $3,000-5,000


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99 four albumen prints BISSON FRÈRES (french, 1814-1876 and 1826-1900) ALPINE VIEWS Ca. 1860, each with red artist’s stamp on mount, embossed artist’s stamp in photograph bottom left and titled in pencil bottom right. Albumen prints. including: “Le Mont-Blanc et glacier des Bossons”: 11 x 17 1/2 in. (27.9 x 44.5cm) “Mt. Blanc, Vue du Jardin”: 11 5/8 x 16 3/4 in. (29.5 x 42.5cm) “Mer de Glace vue de la Flégère et Château de Chillon”: 12 1/4 x 17 5/8 (31.1 x 44.8cm) Trees and Mont Blanc (titled indistinctly): 14 7/8 x 9 1/8 in. (37.8 x 23.2cm) Unframed (4) $3,000-5,000


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100 sixty photographs SOMMER, BROGI, PONTI, CAPITOLINO AND OTHERS ITALIAN VIEWS Ca. 1880, some inscribed and embossed with photographer’s name. Albumen prints mounted to card. each (approx): 7 x 9 in. (17.8 x 22.9cm) Unframed (60) $1,500-2,500


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101 “PANORAMAS DES ALPES-MARITIMES” Album of 23 albumen panoramic views of La Corniche, Nice, Monaco, Cannes, and Menton bound within red cover with gold embossed letters. each image approx. 5 1/2 x 11 in. (14 x 27.94cm) $400-600

102 “POMPEI” Album of approximately 50 albumen prints of Pompei bound within red leather cover with embossed decoration and gold letters on cover and spine. each image approx. 8 x 10 in. (20.3 x 25.4cm) $400-600


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103 FRANCIS FRITH (british, 1822-1898) “THE PYRAMIDS OF SAKKARAH FROM THE NORTH EAST” Ca. 1857. Mammoth plate albumen print mounted to card. 15 1/4 x 19 1/4 in. (38.7 x 48.9cm) see: Richard Lunn, Francis Frith’s Egypt and the Holy Land, The Francis Frith Collection, Salisbury, 2005, p. 143. $15,000-25,000

104 FRANCIS FRITH (british, 1822-1898) “SINAI AND PALESTINE” volume one Ca. 1862. 37 mounted albumen prints (including smaller 5 3/4 x 4 1/2 in. (14.6 x 11.4cm) mounted frontispiece photograph) bound within olive colored cloth boards with gilt lettering on cover and spine. London: William Mackenzie and Company, publisher. each: 6 1/2 x 9 in. (16.5 x 22.9cm) $4,000-6,000


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105 twenty six photographs BONFILS, BECHARD, SEBAH, DUMAS AND OTHERS MIDDLE EASTERN VIEWS Ca. 1880. Albumen prints mounted to card. each (approx.): 7 x 9 in. (17.8 x 22.9cm) Unframed (26) $1,000-1,500

106 two photograph albums BEATO, GARZON, BONFILS, ALINARI AND OTHERS Two photograph albums with approximately 150 albumen prints, 9 gelatin prints, 8 color photomechanical reproductions and 14 of unknown medium featuring scenes from Spain, Germany, Italy, Egypt, Greece, Syria, Jerusalem, and Bethlehem. Photographers include Rafael Garzon (2), Purger & Co. (8), Fabiani (1), Felix Bonfils (47), Antoine Beato (24), A. Reber (2), Fratelli Alinari (41), George und Constantine Zangaki (1), Fabiani (1), Unknown (58). (2). provenance: By family descent. Private Collection. note: This lot will be accompanied by a postcard dated Feb. 2, 1905. $2,000-3,000


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107 thirteen photographs ATTRIBUTED TO TANCRĂˆDE R. DUMAS (italian, 1830-1905) PORTRAITS (SYRIA, DAMASCUS, JERUSALEM) Ca. 1860s-1880s. Albumen prints mounted to card. Various sizes, each approx. 9 x 6 in. (22.9 x 15.24cm) Unframed (13) $1,000-1,500


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108 five albums SÉBAH, BEATO, BONFILS AND OTHERS CAIRO, EGYPT VOL. I, THE NILE, EGYPT, VOL. II, PALESTINE, VOL. I & II, PALESTINE & SYRIA VOL. III 5 albums contaning 128 albumen prints and collotypes, some handcolored. each image approx. 10 x 12 in. (25.4 x 30.5cm) (5) including: CAIRO, EGYPT VOL. I, J.P. Sebah, G. Sommer 22 photographs The NILE, EGYPT, VOL. II, J.P. Sebah, A. Beato, Zanganaki: 31 photographs PALESTINE, VOL. I, Bonfils (and possibly another photographer), 26 photographs PALESTINE, VOL. II, Bonfils (and possibly another photographer), 24 photographs PALESTINE & SYRIA VOL. III, Bonfils, 24 photographs note: This lot will be sold to benefit the Doylestown Historical Society. $4,000-6,000


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109 five travel albums FRITH, ZANGAKI BROTHERS AND OTHERS 5 albums containing photographs of the United Kingdom, France, Switzerland, Belgium, Malta, Australia and Egypt by various photographers. (5) $600-1,000


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110 fourty two photographs VARIOUS PHOTOGRAPHERS VIEWS OF INDIA Ca. 1880. Albumen prints mounted to card. each (approx): 7 x 9 in. (17.8 x 22.9cm) Unframed (42) $1,500-2,500


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111 KUSAKABE KIMBEI (japanese, 1841-1934) JAPANESE SCENES Ca. 1880. 23 hand colored albumen prints mounted to card and bound within coverless album. each approx.: 8 1/4 x 10 1/2 in. (21 x 26.7cm) (23) $1,500-2,500


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112 eight prints KUSAKABE KIMBEI (japanese, 1841-1934) JAPANESE SCENES Ca. 1880. Handcolored albumen prints mounted to card. each approx.: 8 x 10 1/2 in. (20.3 x 26.7cm) Unframed including: Miyanoshita (2) Atami (2) Tonosawa (2) and Hakone (2) $1,000-1,500


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113 KEYSTONE VIEW CO. “TOUR OF THE WORLD” STEREOGRAPH SET WITH VIEWER Complete set of volumes I-XII contained within navy blue faux book spine boxes. Includes the electrified “telebinocular” stereoviewer. $400-600

114 MAISON DE LA BONNE PRESSE 180 STEREOVIEWS OF ROME Ca. 1900. 15 sets of gelatin silver stereoviews of Rome. Including Series 124, 125, 128, 132-134, 136, 142-146, 148-150 (180) $400-600


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115 PERIER ÉDITEUR, PARIS 85 CABINET CARDS Albumen prints of Paris and environs mounted to card. (85) $300-500

116 GROUP OF STERESCOPIC VIEWERS AND CARDS (19th century) Walnut, rosewood and birds-eye maple tabletop stereoscopic viewer by NEGRETTI & ZAMBRA with multiple hinged, folding parts, fretwork decoration and ivory company tag. Together with three additional handheld stereoscopes, 7 Napolean stereoviews by G. Sommer, a group of 29 stereoviews by various artists, a set of views of Salt Lake City, and a set of 67 stereoviews of Egypt. $400-600


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117 41 cartes-de-visites VARIOUS ARTISTS NOTABLE AMERICAN STATESMEN AND SCHOLARS Albumen prints mounted to card. 3 3/4 x 2 1/4 in. (9.5 x 5.7cm) (41) including: Dwight Lyman (Ryther) Moody, Leonidas Polk, Andrew Gregg Curtin, Nathaniel Prentiss Banks, Charles Sumner, James Henry Lane, Abraham Oakey Hall, Lyman Trumbull, Oliver Perry Morton, Philip Paul Bliss, James McCosh, William Cassaday Cattell, Benjamin Tredwell Onderdonk, Edwin Hubbell Chapin, John McCloskey, Jonathan Mayhew Wainright, Charles O’Conor, Henry and Lucretia Clay, Thurlow Weed, Evangelinus Apostolides Sophocles, Cornelius Conway Felton, Julius Hawley Seelye, Theodore Dwight Woolsey, Lemuel Shaw, Leonard Bacon, Rufus Choate, Stephen Higgingson Tyng, Clement Laird Vallandigham, Solon Robinson, James Murray Mason, George Hunt Pendleton, Charles Slaughter Morehead, John Letcher, James Topham Brady, Daniel Webster, John Worth Edmonds, Stephen Arnold Douglas, John Minor Botts, Theodore Tilton, Benjamin Gratz Brown, Charles Elliott, and Frederick Augustus Tallmadge. $1,500-2,500


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118 VARIOUS ARTISTS INCLUDING CHARLES DUDLEY ARNOLD (late 19th century) PHOTO ALBUM: CANADA, ALASKA, NEW YORK, CHICAGO Ca. 1892. Album containing 62 albumen prints of Banff, Canada, Alaska, Yellowstone Park, Fishers Island, New York and the Chicago World’s Fair. $400-600 119 FAIRMAN R. DICK (american, 1886-1976) VIEWS OF THE PACIFIC COAST 1909. Album containing approximately 175 photographs created for employees of Lee, Higginson & Co. documenting a trip to the American Pacific coast. Fairman R. Dick was a successful investment counselor and an expert in railroad regulations. Born in Philadelphia, he rose to prominence while working with a number of investment firms (including Lee, Higginson & Co.) on Wall Street before organizing his own firm in 1915. This album documents the trip west for several members of Lee, Higginson & Co. and includes many photographs documenting railroad travel at the turn of the century, as well as documentation of dams, falls, pumping stations and mines in the Pacific Northwest region. $100-200


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120 J. ZYBACH, WILLIAM NOTMAN, I.W. TABER, FRANK J. HAYNES, BAILEY AND NEELANDS AND OTHERS (19th century) PHOTO ALBUM: CANADA, ALASKA, PACIFIC NORTHWEST 1888-89. Photo album containing approximately 75 albumen photographs of Niagara Falls, Quebec, Montreal, Vancouver, Alaska and Pacific Northwest. print sizes ranging from 2 x 4 in. to 10 x 13 in. (5 x 10.2cm to 25.4 x 33cm) $1,000-1,500


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James Cremer began his career selling supplies for Holmes, Booth and Haydens, a photographic supply manufacturer in New York City, becoming a partner in the firm in 1854. In 1855 he established his own photographic supply house in Philadelphia. In 1860 he opened a portrait studio on 8th Street, where he also sold stereoviews of Philadelphia. By 1872 he was the largest publisher of stereoviews in the city, and among the largest in the country. He documented the construction of City Hall from 1873-1875 and won the bronze medal at the Franklin Institute Industrial Exhibition for his views of Fairmount Park. At the Centennial Exhibition, he won a medal for his Graphoscope, an instrument for viewing photographs, which he patented in 1875. In 1882 he sold the stereoview business to John Wanamaker Department store and retired to Brooklyn, NY.

121 seventeen glass stereoscopic negatives JAMES CREMER (american, 1821-1893) EARLY VIEWS OF PHILADELPHIA Ca. 1871-1875. A group of 17 glass stereoscopic negatives and several matching stereoviews. each negative approx. 4 x 6 1/2 in. (10.2 x 16.5cm), mounted to another piece of glass measuring 5 x 8 in. (12.7 x 20.3cm) including: N. E. From Sixth and Chestnut, #846 Continental Hotel, #C25 Independence Hall, Interior, #97 Independence Hall Interior, #99 Farmer’s Market, #101 Spring Garden Street, Fairmount (Ellet) Bridge, #112 Independence Hall, Chamber, #375 Pennsylvania Hospital, #402 and 403 Philadelphia School for the Deaf, Broad Street and Pine (Currently University of the Arts Dorrance Hamilton Hall), #439 Merchant’s Exchange, Walnut and 3rd Streets, #637 Northeast from 6th and Chestnut Streets, #846 Quaker Almshouse, #923 Bank, Spring Garden & 12th Street City Hall Construction Birds eye view from Independence Hall Independence Hall interior (missing plate) Independence Hall, back (17) note: This lot will be accompanied by the photographer’s wooden storage box, two stereoscopic viewers and a contact printer. provenance: Private Collection. note: Images illustrated are inverted from the negatives. $2,000-3,000


108 www.freemansauction.com

122 ten glass stereoscopic negatives JAMES CREMER (american, 1821-1893) THE CENTENNIAL INTERNATIONAL EXPOSITION, PHILADELPHIA 1876. A group of 10 glass stereoscopic negatives documenting the Centennial International Exposition, held in Fairmount Park, Philadelphia, Pennsylvania. each negative approx. 4 x 6 1/2 in. (10.2 x 16.5cm), mounted to another piece of glass measuring 5 x 8 in. (12.7 x 20.3cm) including: Main building- South Entrance, #C5 Machinery Hall, #771 Birds eye view of Grounds, #C44 South from George’s Hill, #C42 (two views) Main Hall (non stereo) Operti’s Garden, #C28 and C29 Agricultural Hall (non stereo) Statue, #118-6 (10) provenance: Private Collection. note: Images illustrated are inverted from the negatives. $1,500-2,500


110 www.freemansauction.com

123 twenty glass stereoscopic negatives JAMES CREMER (american, 1821-1893) FAIRMOUNT PARK, PHILADELPHIA Ca. 1873-1875. A group of 20 glass stereoscopic negatives and several matching stereoviews (some handcolored). each negative approx. 4 x 6 1/2 in. (10.2 x 16.5cm), mounted to another piece of glass measuring 5 x 8 in. (12.7 x 20.3cm) including: Lover’s Walk, #16 Graff Mounument in Old Park, #121 Wissahickon at the Mouth, #139 Point Lookout, #22 Fairmount Park Brown Street Entrance, #32 General View of Old Park, #116 Boat on the Schuykill near Wissahickon Creek, #137 View in Old Park, #168 North from River Drive, #208 Rocky Path at Reservoir, #268 Belmont Dining Hall, #249 Turbine Wheel House, #238 Waterworks Engine House and Forebay, #496 Lookout Mountain East Park, #497 Summer House Near Fairmount Reservoir, #751 (2 similar views) Waterworks Dam The Solitude House (now part of the Philadephia Zoo) Edward Kerney’s Hudson Bay Wolves Statue, The Philadelphia Zoo Statue in Fairmount Park (20) provenance: Private Collection. note: Images illustrated are inverted from the negatives. $2,000-3,000


112 www.freemansauction.com

124 fourteen glass stereoscopic negatives JAMES CREMER (american, 1821-1893) MAUCH CHUNK (JIM THORPE), WILMINGTON, WASHINGTON, D.C., NIAGARA FALLS, SAN FRANCISCO Ca. 1873-1875. A group of 14 glass stereoscopic negatives and several matching stereoviews (some handcolored). each negative approx 4 x 6 1/2 in. (10.2 x 16.5cm), mounted to another piece of glass measuring 5 x 8 in. (12.7 x 20.3cm) including: Mauch Chunk, Broadway, #133 and 136 Mauch Chunk, Second Old Courthouse, #137 Mauch Chunk, Bridge and River Mauch Chunk, Mt. Jefferson Plane Washington, D.C., General Winfield Scott Statue, #150 Washington, D.C., Senate Front, U.S. Capitol Building, #2482 Washington, D.C., U.S. Treasury Building, #2304 Niagara Falls, Suspension Bridge, #2318 Wilmington, Old Swedes Church, #364 and 410 San Francisco, Metropolitan Theater Waterfall, #312 (unknown location) Rural town scene (unknown location) (14) provenance: Private Collection. note: Images illustrated are inverted from the negatives. $1,500-2,500


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125 EADWEARD MUYBRIDGE (american/british, 1830-1904) PLATE 63 from “animal locomotion” Collotype. 19 x 24 in. (48.3 x 61cm) Unframed $800-1,200

126 EADWEARD MUYBRIDGE (american/british, 1830-1904) PLATE 599 from “animal locomotion” Collotype. 19 x 24 in. (48.3 x 61cm) Unframed $800-1,200


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127 EADWEARD MUYBRIDGE (american/british, 1830-1904) PLATE 520 from “animal locomotion” Collotype. 19 x 24 in. (48.3 x 61cm) Unframed $800-1,200


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128 UNKNOWN ARTIST (french, 19th century) ROSES BARONNE DE ROTHSCHILD Ca. 1870’s. Albumen print mounted on blue card stock. 10 3/4 x 8 1/4 in. (27.3 x 21cm) Unframed $1,500-2,500

129 UNKNOWN ARTIST (french, 19th century) ROSES BARONNE DE ROTHSCHILD Ca. 1870’s. Albumen print mounted on blue card stock. 10 3/4 x 8 1/4 in. (27.3 x 21cm) Unframed $1,500-2,500


130 five photographs VICTORIAN NUDES Ca. 1900. Albumen and silver bromide prints. largest: 8 3/4 x 5 1/2 in. (22.2 x 14cm) (5) $600-1,000


118 www.freemansauction.com

The following four lots of Atget prints were once owned by Julien Levy, the legendary New York art dealer who championed Atget's photography in the 1930s and who helped photographer Berenice Abbott bring a large group of Atget's pictures to the United States. Lots 131-134 will be sold to benefit the Philadelphia Museum of Art.

131 six prints EUGENE ATGET (french, 1857-1927) VERSAILLES Ca. 1904. Each titled and numbered 6521 (2), 6471, 6477, 6490, 6469 verso. Albumen prints. each: 7 x 8 1/2 in. (17.8 x 21.6cm) Unframed (6) provenance: Julien Levy Philadelphia Museum of Art, Philadelphia, Pennsylvania. see: John Szarkowski, Atget, Museum of Modern Art, New York, 2000, appendix. Peter Barbarie, Looking at Atget, Philadelphia Museum of Art, 2005, similar examples illustrated p. 41-52. $2,000-3,000


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132 nine prints EUGENE ATGET (french, 1857-1927) TUILERIES GARDENS Ca. 1907. Each titled and numbered 5483, 5484, 5485, 5486 (3), 5478 and 29_7 verso. Albumen prints. each: 7 x 8 1/2 in. (17.8 x 21.6cm) Unframed (9) provenance: Julien Levy Philadelphia Museum of Art, Philadelphia, Pennsylvania. see: John Szarkowski, Atget, Museum of Modern Art, New York, 2000, appendix. Peter Barbarie, Looking at Atget, Philadelphia Museum of Art, 2005, another example of 5485 illustrated p. 16. $2,500-3,500


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133 eight prints EUGENE ATGET (french, 1857-1927) INTERIORS 1910-14. Each titled and numbered 709, 728, 758, 763, 745 (2), 765, 768 verso and one with Collection Berenice Abbott inkstamp verso. Albumen prints. each: 7 x 8 1/2 in. (17.8 x 21.6cm) Unframed (8) provenance: Julien Levy Philadelphia Museum of Art, Philadelphia, Pennsylvania. see: John Szarkowski, Atget, Museum of Modern Art, New York, 2000, similar examples illustrated p. 122, 124, and 125. Peter Barbarie, Looking at Atget, Philadelphia Museum of Art, 2005, other examples illustrated p. 24-25 and 36. $2,500-3,500


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134 five prints EUGENE ATGET (french, 1857-1927) VIEWS OF LUXEMBOURG GARDENS AND THE PALAIS ROYAL Ca 1910. Each titled and numbered 4434, 4918, 1587 (2), and 487 verso and one with artist’s ink stamp verso. Albumen and baryta clay-coated silver prints. each: 7 x 8 1/2 in. (17.8 x 21.6cm) Unframed (5) provenance: Julien Levy Philadelphia Museum of Art, Philadelphia, Pennsylvania. $2,000-3,000

135 EUGÈNE ATGET (french, 1857-1927) “VERSAILLES LE PARC” 1904. With Atget’s stamp and handwritten title and inventory number (6459) in pencil verso. Albumen print. 7 x 8 1/2 in. (17.8 x 21.6cm) see: John Szarkowski, Atget, Museum of Modern Art, New York, 2000, appendix. $4,000-6,000


124 www.freemansauction.com

136 four copies of “camera work” EDITED BY ALFRED STIEGLITZ NUMBERS 2, 5, 37 AND 39 NUMBER 2 (1903): Missing front cover and spine. Includes Edward Steichen’s “Rodin,” “The Pool,” “Self-portrait,” “Bartholomé,” “Dolor,” “Lenbach,” “Besnard” (halftone), “Portrait” (halftone), “Nude with Cat” (halftone), and “Judgment of Paris—A Landscape Arrangement” (halftone). NUMBER 5 (JANUARY 1904): Missing back cover and spine. Includes Robert Demachy’s “In Brittany,” “Street in Mentone,” “Severity” (halftone), “On the Lake” (halftone), “Contrasts,” “Struggle” (halftone), and Prescott Adamson’s “Smoke.” NUMBER 37 (JANUARY 1912): Missing back cover and spine. Includes David Octavius Hill’s “Sir Francis Grand, P.R.A,” “Lady in Flowered Dress,” “Girl in Straw Hat,” and “Mr. Rintoul, Editor “Spectator.” NUMBER 31 (JANUARY 1904) Cover intact but damaged. Includes Paul Haviland’s “The Spanish Shawl,” “The Japanese Lantern,” “Miss Doris Keane,” “Totote,” “Mr. Christian Brinton,” and “Passing Steamer.” Also includes John Marin’s “In the Tirol- No. 23” , Manolo’s “Reproduction of a Drawing” (halftone), H. Mortimer Lamb’s “Portrait Group” and M. De Zayas’ “L’Accoucheur d’Idées.” (4) $3,000-5,000


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137 seven prints EDWARD STEICHEN (american, 1879-1973) CARL SANDBERG Group of gelatin silver prints of various sizes (largest: 7 1/2 x 9 1/2 in. (19.1 x 24.1cm), one gelatin silver print by John Vachon and one by unknown photographer. Several inscribed with sitter’s and photographer’s names as well as stamps from Harcourt and Brace Publishers. (9) $6,000-10,000


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138 EMIL OTTO HOPPÉ (british, 1878-1972) WOMAN IN PATTERNED DRESS Ca. 1920, signed in ink bottom left on image and with artist’s stamp verso. Gelatin silver print. 8 x 4 3/4 in. (20.3 x 12.1cm) Unframed $1,000-1,500


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139 ANNE W. BRIGMAN (american, 1869-1950) FATHER AND DAUGHTER 1930, signed and dated bottom right. Double mounted gelatin silver print. 7 5/8 x 9 5/8 in. (19.4 x 24.4cm) Unframed $1,500-2,500


130 www.freemansauction.com

140 LENI RIEFENSTAHL (german, 1902-2003) “IN DER SAUNA” 1936, printed later, signed and titled recto, numbered 8/25 and with artist’s inkstamp verso. Gelatin silver print. 8 7/8 x 11 1/2 in. (22.5 x 29.2cm) Unframed $2,500-3,500


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141 LENI RIEFENSTAHL (german, 1902-2003) “APHRODITE UND FAUN” 1936, printed later, titled and signed on mount, numbered 5/25 and with arist stamp verso. Gelatin silver print. 10 1/8 x 8 3/4 in. (25.7 x 22.2cm) Unframed provenance: Wessel + O’Connor Gallery, New York, New York. $1,500-2,500

142 LENI RIEFENSTAHL (german, 1902-2003) “LEBENDIGE ANTIKE” 1936, signed and titled recto, numbered 9/25 and with artist stamp verso. Silver gelatin print. 8 7/8 x 10 1/8 in. (22.5 x 25.7cm) Unframed $1,500-2,500


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143 HERBERT LIST (german, 1903-1975) “GIPSABGÜSSE IN DER AKADEMIE I (PLASTER CASTS, ACADEMY I)” 1946, titled, inscribed with exposure notations and ‘à droit, enversée,’ and with artist’s copyright stamp verso. Vintage gelatin silver print. 11 3/4 x 9 in. (29.8 x 22.9cm) Unframed see: Max Scheler, “Herbert List: The Monograph,” The Monacelli Press, New York, 2000, similar example illustrated on p. 114 and 141. provenance: Robert Miller Gallery, New York, New York. $4,000-6,000


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144 HERBERT LIST (german, 1903-1975) “MATROSE 2 (SAILOR 2), VIAREGGIO, 1936” 1936, estate stamped and signed by Max Scheler verso. Vintage gelatin silver print. 6 7/8 x 9 in. (17.3 x 22.9cm) Unframed provenance: Robert Miller Gallery, New York, New York. $4,000-6,000


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145 GEORGE PLATT LYNES (american, 1907-1955) “TED STARKOWSKI” 1954, with artist’s ink stamp verso. Vintage gelatin silver print. 9 1/8 x 7 3/8 in. (23.2 x 18.7cm) Unframed provenance: Wessel O’Connor Gallery, New York, New York. $1,500-2,500

146 GEORGE PLATT LYNES (american, 1907-1955) “CHARLES ‘TEX’ SMUTNEY AND CHARLES ‘BUDDY’ STANLEY” 1941, stamped by artist verso. Vintage gelatin silver print. 8 x 10 in. (20.3 x 25.4cm) provenance: Wessel + O’Connor Gallery, New York, New York. $1,000-1,500


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147 GEORGE PLATT LYNES (american, 1907-1955) “NUDE, CALIFORNIA” Ca. 1947, with Paul Cadmus and Jon Anderson ink stamps verso. Vintage gelatin silver print. 7 1/2 x 7 in. (19 x 17.8cm) provenance: DC Moore Gallery, New York, New York. Jon Anderson. Paul Cadmus. $1,000-1,500

148 GEORGE PLATT LYNES (american, 1907-1955) “TONY SANSONE” 1932. Gelatin silver print. 6 3/4 x 4 7/8 in. (17.1 x 12.4cm) Unframed $800-1,200


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149 AKBAR PADAMSEE (indian, b. 1928) “NUDE STUDY 12 (L)” 2006, signed, dated and numbered 9/20. Digital gelatin silver print. 31 x 19 1/8 in. (78.7 x 48.6cm) provenance: Private Collection, New York. $1,500-2,500


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150 AKBAR PADAMSEE (indian, b. 1928) “NUDE STUDY 11” 2006, signed, dated and numbered 11/20. Digital gelatin silver print. 25 x 32 in. (63.5 x 81.3cm) provenance: Private Collection, New York. $1,500-2,500


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151 EDWARD WESTON (american, 1886-1958) “SHELL (NAUTILUS)” 1927, printed later, titled, dated and signed by Cole Weston verso. Gelatin silver print. 9 3/8 x 7 1/4 in. (23.8 x 18.4cm) see: Gilles Mora, Edward Weston: Forms of Passion, Harry Abrams, New York,1995, p. 151. $5,000-7,000


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152 EDWARD WESTON (american, 1886-1958) NUDE 1934, printed later, titled, dated and signed by Cole Weston verso. Gelatin silver print. 3 1/2 x 4 1/2 in. (8.9 x 10.2cm) $4,000-6,000


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153 ARTHUR ROTHSTEIN (american, 1915-1985) “FLOOD REFUGEE” 1937, printed later, signed bottom right, titled and dated verso. Gelatin silver print. 12 x 9 in. (30.5 x 22.9cm) Unframed provenance: Grace Rothstein. $2,000-3,000 154 MIKE DISFARMER (american, 1884-1959) SAILOR AND FRIEND from “heber springs portraits” Ca. 1939-46, printed later, with artist’s embossed stated stamp bottom right, and ink stamped twice and numbered 23/75 verso. Gelatin silver print. image: 7 x 11 3/4 in. (17.8 x 29.9cm) Unframed $1,000-1,500


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155 two prints WALKER EVANS (american, 1903-1975) “KENTUCKY” 1961, titled, dated and with artists’s stamp on mount verso. Gelatin silver print. 7 3/4 x 11 1/2 in. (19.7 x 29.2cm). and UNTITLED Ca. 1960. Gelatin silver print. 6 7/8 x 7 3/4 in. (17.5 x 19.7cm) each unframed (2) $1,000-1,500


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156 ANSEL ADAMS (american, 1902-1984) “MOONRISE FROM GLACIER POINT” 1948/ca. 1965, signed bottom right in ink on mount recto, with artist’s “Special Edition of Fine Prints/Photographs of Yosemite” ink stamp, inscribed title, and numbering 173 of S.E.Y. no. 18 verso. Gelatin silver print. 9 3/4 x 7 1/2 in. (24.8 x 19cm) $3,000-5,000

157 ANSEL ADAMS (american, 1902-1984) “JEFFREY PINE, SENTINEL DOME, YOSEMITE” 1940/ca. 1965, signed bottom right in ink on mount recto, with artist’s “Special Edition of Fine Prints/Photographs of Yosemite” ink stamp, inscribed title, and numbering 501 of S.E.Y. no. 7 verso. Gelatin silver print. 7 3/4 x 9 3/4 in. (19.7 x 24.8cm) $3,000-6,000


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158 IMOGEN CUNNINGHAM (american, 1883-1976) “RON AND MY FATHER, ISAAC BURNS CUNNINGHAM” 1936, with inscription presumably by artist verso ‘October 1936 / Ron & Father / 19-91’. Vintage gelatin silver print. 4 3/4 x 3 5/8 in. (12.1 x 9.2cm) Unframed note: This lot will be accompanied by a letter signed and dated by Rondal Partridge from the Imogen Cunningham trust. $1,500-2,500

159 ANSEL ADAMS (american, 1902-1984) FERNS Ca. 1945/ca. 1965, signed bottom right in ink on mount recto, with artist’s “Special Edition of Fine Prints/Photographs of Yosemite” ink stamp, inscribed title, and numbering 162 of S.E.Y. no. 14 verso. Gelatin silver print. 7 3/4 x 9 3/4 in. (19.7 x 24.8cm) $1,500-2,500


144 www.freemansauction.com

160 IRVING PENN (american, 1917-2009) CUZCO PORTERS IN WOOLLEN MASKS 1948, with photographer’s and Conde Nast stamps verso. Vintage gelatin silver print. 10 5/8 x 10 in. (27 x 25.4cm) Unframed $10,000-15,000


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161 LOUIS FAURER (american, 1916-2001) “BARNUM AND BAILEY DRESSING ROOMS, NYC” 1950/printed ca. 1981, signed and dated. Gelatin silver print. 8 1/8 x 12 1/8 in. (20.6 x 30.8cm) Unframed see: Anne Wilkes Tucker, “Louis Faurer,” Merrell Publishers Limited, London, England, in association with The Museum of Fine Arts, Houston, Texas, 2002, p. 138. provenance: The artist. Private Collection. $2,000-3,000


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162 LOUIS FAURER (american, 1916-2001) “RAT RACE (42ND ST COLLAGE)” 1946-49/1980, signed and dated, inscribed, signed and dated again verso. Gelatin silver print. 9 7/8 x 7 3/8 in. (25.1 x 18.7cm) Unframed see: Anne Wilkes Tucker, “Louis Faurer,” Merrell Publishers Limited, London, England, in association with The Museum of Fine Arts, Houston, Texas, 2002, p. 87. provenance: The artist. Private Collection. $1,500-2,500

163 ELLIOT ERWITT (american, b. 1928) BRITISH RAILWAYS 1952, printed later, with printed signature recto, and titled, dated, signed and numbered 42/30 verso. Gelatin silver print. 12 1/4 x 18 in. (31.1 x 45.7cm) provenance: The artist. Private Collection. $800-1,200


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164 LOUIS FAURER (american, 1916-2001) “14TH STREET HORN & HARDART, NY, NY” 1947/1981, signed and dated. Gelatin silver print. 8 1/4 x 11 15/16 in. (21 x 30.3cm) Unframed see: Anne Wilkes Tucker, “Louis Faurer,” Merrell Publishers Limited, London, England, in association with The Museum of Fine Arts, Houston, Texas, 2002, p. 90. provenance: The artist. Private Collection. $2,500-3,500


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165 LARRY CLARK (american, b. 1943) UNTITLED from “tulsa” 1979, signed, dated and inscribed ‘TL 74’ in pencil verso. Gelatin silver print. 8 x 12 in. (20.3 x 30.5cm) Unframed $1,000-1,500

166 LISETTE MODEL (american, 1901-1983) “SAMMY’S, NEW YORK” 1940-44, printed later, signed in ink verso. Gelatin silver print. 19 3/4 x 15 7/8 in. (50.2 x 40.3cm) Unframed $1,500-2,500


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167 DIANE ARBUS (american, 1923-1971) “THE HOUSE OF HORRORS, CONEY ISLAND, NY, 1962” 1962/1978, titled, signed by Doon Arbus, numbered 3/75 and dated verso. Gelatin silver print. 20 x 16 in. (50.8 x 40.6cm) provenance: Robert Miller Gallery, New York, New York. $6,000-10,000


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168 portfolio of twelve prints HERMAN LEONARD (american, 1923-2010) “IN MEMORIUM (SIC)” 1948-91, published 1992. A portfolio of 12 halftone prints, each titled and signed. Title page signed, dated, numbered 38/300 and dedicated by the photographer. Each print wrapped in glassine sleeve and contained within black silk moire bound clamshell case with gilt title as issued. each sheet: 14 x 11 in. (35.6 x 27.9cm) $2,000-3,000

169 four photographs OLE BRASK (danish, 1935-2009) RAY CHARLES, DUKE ELLINGTON, LOUIS ARMSTRONG & BUDDY TATE AND ROY ELDRIDGE Gelatin silver prints. each approx: 13 1/4 x 9 in. (33.7 x 22.9cm) Unframed (4) Accompanied by first edition copy of “Jazz People” with text by Dan Morgenstern and photographs by Ole Brask, Harry N. Abrams, Inc., New York, 1976. $1,000-1,500


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170 LOUIS FAURER (american, 1916-2001) OSCAR PETERSON 1950, signed, dated and inscribed ‘NYC’ and signed, dated, inscribed and stamped with date and artist’s name verso. Vintage gelatin silver print. 9 1/2 x 7 1/2 in. (24.1 x 19cm) Unframed $5,000-7,000

171 ROBIN CARSON (american, 20th century) BILLIE HOLIDAY Ca. 1936, signed on mount. Vintage gelatin silver print. 13 1/2 x 10 3/4 in. (34.3 x 27.3cm) Unframed $500-800


152 www.freemansauction.com

172 HORST P. HORST (american/german, 19061999) RITA HAYWORTH 1941, signed in red crayon on mat recto, signed and dated verso. Gelatin silver print. 14 x 11 in. (35.6 x 27.9cm) $3,000-5,000

173 EDWARD PFIZENMAIER (american, b. 1926) KATHERINE HEPBURN, TURTLE BAY, N.Y.C. 1967, signed, dated, inscribed and with artist’s stamp verso. Vintage gelatin silver print. 13 5/8 x 10 5/8 in. (34.6 x 27cm) Unframed $1,500-2,500


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174 ROBERT RIGER (american, 1924-1995) WILLIE MAYS, NEW YORK GIANTS, TRIPLES IN EBBETS FIELD 1955, printed later, signed, dated and numbered 4/24. Gelatin silver print. 10 1/4 x 13 1/2 in. (26 x 34.3cm) $800-1,200

175 KASHIO AOKI (japanese, 20th century) MARILYN MONROE AND JOE DIMAGGIO ON HONEYMOON 1954/1998, dated 1998 and with Edward Weston Collection inkstamp verso. Gelatin silver print. sheet: 8 x 10 in. (20.3 x 25.4cm) $400-600


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176 MILTON GREENE (american, 1922-1985) MARILYN MONROE 1956/1979, signed, dated and with photographer’s stamp verso. Gelatin silver print. 16 x 20 in. (40.6 x 50.8cm) $500-700

177 BRUNO BERNARD (BERNARD OF HOLLYWOOD) (german, 1912-1987) NORMA JEAN, FIRST SITTING 1946/1993, numbered 30/300 bottom left, signed by Susan Bernard and dated 6/29/93 verso. Gelatin silver print. sheet: 14 x 11 in. (35.6 x 27.9cm) $400-600 178 GEORGE BARRIS (american, b. 1928) “WHITE ROBE AT BEACH” from “the last pictures” 1962/1987, signed bottom right in black ink, stamped ‘COPYRIGHT 1987 GEORGE BARRIS / MARILYN MONROE/WESTON EDITIONS LTD.’ verso in red ink. C-print. sheet: 14 x 11 in. (35.6 x 27.9cm) $800-1,200


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179 BERT STERN (american, 1929-2013) THE LAST SITTING With gray cloth cover and pictorial dustjacket. Signed by artist on title page. William Morrow and Company, Inc., New York, 1982. $100-150 180 TOM KELLEY (american, 1914-1984) “MARILYN MONROE ON RED VELVET, POSE #10” 1949/1990, initialed by Hugh Hefner, numbered 198/300. Cprint. 38 1/2 x 30 in. (97.8 x 76.2cm) $2,500-3,500 181 TOM KELLEY (american, 1914-1984) “MARILYN MONROE, POSE #2” 1949/1980, signed bottom right and numbered 133/300 bottom left. C- print. 37 x 29 in. (94 x 73.7cm) sheet: 39 1/2 x 30 in. (100.3 x 76.2cm) $2,500-3,500


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182 BERT STERN (american, b. 1929) “MARILYN MONROE: THE LAST SITTING” the complete set of ten photographs 1962, each signed and numbered 170/250 (there were 20 artist’s proofs), each signed and dated verso; New York: Shorewood Atelier for Woodbine Books Inc., publisher. The complete set of ten color coupler prints, accompanied by portfolio case with signed and numbered colophon. each approx. 19 x 19 in. (48.3 x 48.3 cm) (10) see: Bert Stern, The Last Sitting, William Morrow and Company, Inc., New York, 1982, p. 30, 76, 77, 138, 139. $10,000-15,000


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183 three prints WILLIAM CHRISTENBERRY (american, b. 1936) ALABAMA AND MISSISSIPPI, 1964-1976 1964-1976/2006-2007, each signed, titled, dated and numbered verso. Digital c-prints. each image approx.: 12 x 18 in. (30.5 x 45.7cm) Unframed (3) including: Magenta Car, Havana, Alabama, 1967/2006, 5/25 “Do You Believe In Jesus, I Do,” Stephen Sykes Place, Near Aberdeen, Mississippi, 1996/2007, 9/25 Guinea Church, near Moundville, Alabama, 1964/2006, 3/25 $6,000-8,000


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184 DANNY LYON (american, b. 1942) “THE COTTON PICKERS, TEXAS” 1968/1987, signed, titled and dated bottom right and with the printer’s stamp and date verso. Gelatin silver print. 12 1/4 x 18 1/4 in. (31.1 x 46.4cm) Unframed $4,000-6,000

185 WILLIAM EGGLESTON (american, b. 1939) UNTITLED (TWO BOYS WALKING ON RAILROAD TRACKS) 1970’s. Unique C-print. 5 3/8 x 8 1/4 in. (13.7 x 21cm) Unframed provenance: Fay Gold Gallery, Atlanta, Georgia. $2,000-4,000


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186 EDWARD PFIZENMAIER (american, b. 1926) “SALVADOR DALI, ST. REGIS, N.Y.C.” 1964, signed, titled, dated and with artist’s stamp verso. Vintage gelatin silver print. 10 7/8 x 9 3/8 in. (27.6 x 23.8cm) Unframed $1,500-2,500 187 PHILLIP HALSMAN (american, 1906-1979) “DALI’S LEOPARD SKULL” 1951/1978, signed, numbered 12/500, titled and with artist’s stamp verso. Gelatin silver print. 13 x 10 1/4 in. (33 x 26cm) $400-600 188 DUANE MICHALS (american, b. 1932) “MAGRITTE” 1979, titled, signed and numbered 9/100; Insitute of Contemporary Art, Philadelphia, publisher. Gelatin silver print. image: 4 7/8 x 7 1/4 in. (12.4 x 18.4cm) Unframed $1,000-1,500


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189 JEAN JACQUES BUGAT (french, b. 1948) ANDY WARHOL AND RABBIT, RUE PRINCESSE 1966, later impression, signed, titled, dated and with Galerie Grace Radziwill and artist’s stamp verso. Gelatin silver print. 18 3/4 x 13 in. (47.6 x 33cm) Unframed $400-600

190 EDWARD PFIZENMAIER (american, b. 1926) ANDY WARHOL 1960, signed, dated, and with artist’s stamp verso. Vintage gelatin silver print. 13 3/4 x 10 1/2 in. (34.9 x 26.7cm) Unframed $1,500-2,500


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191 PAUL FUSCO (american, b. 1930) “JANIS JOPLIN SAN FRANCISCO CONCERT, NOVEMBER 21, 1969” 1969, signed, titled and stamp-dated November 21, 1969 twice verso. Dye transfer print. 13 1/4 x 18 1/2 in. (33.7 x 47cm) Unframed $1,000-1,500


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192 JEAN-PIERRE FIZET (french, b. 1942) JOHN LENNON AND YOKO ONO 1971, printed later, signed and numbered 14/20, and with the Galerie Grace Radziwill ink stamp and signed again verso. Gelatin silver print. 15 7/8 x 11 7/8 in. (40.3 x 30.2cm) Unframed $800-1,200

193 GERARD MALANGA (american, b. 1943) WILLIAM S. BURROUGHS 1975, with artist’s embossed stamp at bottom right in margin. Gelatin silver print. 7 7/8 x 11 1/2 in. (20 x 29.2cm) $600-800


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194 five portraits ARTHUR MONES (american, 1919-1998) STEPHEN ANTONAKOS, BRUCE NAUMAN, ROBERT STACKHOUSE, JUDY PFAFF, HEIDI FASNACHT 1979-1989, each signed, titled and dated. Gelatin silver print. each: 13 1/2 x 10 1/2 in. (34.3 x 26.7cm) Unframed (5) note: This lot is being sold for the benefit of the Brooklyn Museum. $600-1,000


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195 four portraits ARTHUR MONES (american, 1919-1998) KENZO OKADA, OSAMU NOGUCHI, RAOUL HAGUE (2) 1980-81, each signed, titled and dated. Gelatin silver print. each: 13 1/2 x 10 1/2 in. (34.3 x 26.7cm) Unframed (4) note: This lot is being sold for the benefit of the Brooklyn Museum. $400-600


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196 four portraits ARTHUR MONES (american, 1919-1998) WILLIAM DE KOONING, REUBEN NAKIAN, ESTEBAN VICENTE, GIORGIO CAVALLON 1980-81, each signed, titled and dated. Gelatin silver print. each: 13 1/2 x 10 1/2 in. (34.3 x 26.7cm) Unframed (4) note: This lot is being sold for the benefit of the Brooklyn Museum. $600-1,000


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197 RUDOLPHE (RUDY) BURKHARDT (swiss/american, 1869-1950) RODIN SCULPTURE BEFORE A KLINE PAINTING (FOR ARTS YEARBOOK) Artist’s stamp verso. Gelatin silver print. 6 x 9 3/8 in. (15.2 x 23.8cm) Unframed $1,000-2,000


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198 JERRY UELSMAN (american, b. 1934) “THE PHOTOGRAPHER’S EYE” 1967, signed, titled and dated verso. Gelatin silver print. 14 x 11 in. (35.6 x 27.9cm) $1,000-1,500


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199 JERRY UELSMAN (american, b. 1934) UNTITLED 1982, signed, titled, dated and with the artist’s copyright ink stamp verso. Gelatin silver print. 19 3/8 x 15 1/2 in. (49.2 x 39.4cm) Unframed $1,000-1,500

200 JERRY UELSMAN (american, b. 1934) UNTITLED 1983, signed, titled, dated and with the artist’s copyright ink stamp verso. Gelatin silver print. 19 5/8 x 14 3/8 in. (49.8 x 36.5cm) Unframed $1,000-1,500


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201 EIKOH HOSOE (japanese, b. 1933) “MAN ON ROCK TOP” 1975, signed and dated 1976 recto and titled, signed and dated 1975 verso. Gelatin silver print. 9 x 9 in. (22.9 x 22.9cm) Unframed $1,000-1,500

202 EIKOH HOSOE (japanese, b. 1933) “BA-RA-KEI: ORDEAL BY ROSES #25” 1962, signed in pencil recto and dated, titled and signed again verso. Gelatin silver print. 11 1/2 x 8 in. (29.2 x 20.3cm) Unframed $1,000-1,500


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203 EIKOH HOSOE (japanese, b. 1933) “BA-RA-KEI: ORDEAL BY ROSES” Ca.1962, with artist stamp verso. Gelatin silver print. 11 7/8 x 8 7/8 in. (30.2 x 22.5cm) Unframed $1,000-1,500


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204 PAUL CAPONIGRO (american, b. 1932) “DEATH VALLEY, CA.” 1985, signed on mat and titled, dated, numbered #10 and signed again verso. C-print. 10 1/8 x 15 1/8 in. (25.7 x 38.4cm) $1,500-2,500

205 MARTINE FRANCK (belgian, 1938-2012) “THE JEAN GIONO SUITE” 1999. Suite of 5 signed prints, each numbered 3/45; Limited Editions Club, New York, New York, publisher. Photogravures on Arches, contained within russet cloth covered portfolio box as issued. each sheet: 19 x 15 in. (48.3 x 38.1cm) including: “Col De L’Homme Mort: Alpes de Haute Provence,” “Le Contadour: Near Banon, Alpes de Haute Provence,” “Chapel Notre Dame De Lure: Alpes de Haute Provence,” “RootsMontjustin: Alpes de Haute Provence,” and “Le Contadour: Overlooking the Jabron Valley, Alpes de Haute Provence” $1,000-1,500


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206 ELIOT PORTER (american, 1901-1990) “MAPLE AND BIRCH TRUNKS AND OAK LEAVES, PASSACONAWAY ROAD, NEW HAMPSHIRE, OCTOBER 7, 1956” 1956/1979, signed on mount, with the Daniel Wolf Press, Inc. and Eliot Porter stamps verso, from the edition of 230. Dye transfer print contained within wove paper folio printed with title. 13 3/8 x 10 5/8 in. (34 x 27cm) Unframed $4,000-6,000


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207 DUANE MICHALS (american, b. 1932) UNTITLED (WRAPPED TORSO) from “eros and thanatos” 1985, signed bottom right, platinum print mounted to rice paper and mounted to board. image: 11 1/4 x 16 5/8 in. (28.6 x 42.2cm) mount: 22 x 28 in. (55.9 x 71.1cm) Unframed $2,000-4,000 208 JOCK STURGES (american, b. 1947) “EVA, LA JENNY, FRANCE” 2003, signed, dated and numbered 11/25 verso. Gelatin silver print. 13 x 9 15/16 in. (33 x 25.2cm) Unframed $1,500-2,500


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209 ROBERT MAPPLETHORPE (american, 1946-1989) “ORCHID” 1982, numbered 2/10 and with artist’s estate stamp signed and dated by Michael Ward Stout verso. Gelatin silver print. 15 1/4 x 15 1/4 in. (38.7 x 38.7cm) Unframed provenance: Fay Gold Gallery, Atlanta, Georgia. literature: Mapplethorpe: The Complete Flowers, TeNeues, Kempen, Germany 2006, pl. 49. $5,000-7,000


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210 MICHAEL KENNA (american/british, b. 1953) “STORM WARNING, BARDSEY ISLAND, WALES” 1996, signed, dated and numbered 6/45, with artist’s stamp verso. Sepia toned gelatin silver print. 8 x 7 1/2 in. (20.3 x 19cm) provenance: The Ralls Collection, Washington, D.C. $1,000-1,500

211 MICHAEL KENNA (american/british, b. 1953) “TEMPUS FUGIT, DEERFIELD BEACH, FLORIDA, USA” 1996, signed, dated and numbered 31/45, with artist’s stamp verso. Sepia toned gelatin silver print. 7 1/2 x 7 1/2 in. (19 x 19cm) provenance: The Ralls Collection, Washington, D.C. $1,000-1,500


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212 MICHAEL KENNA (american/british, b. 1953) “RAINBOWS FOR WILLIAM, PENDINE SANDS, WALES” 1996, signed, dated and numbered 18/45, with artist’s stamp verso. Sepia toned gelatin silver print. 7 1/2 x 7 1/2 in. (19 x 19cm) provenance: The Ralls Collection, Washington, D.C. $1,000-1,500

213 MICHAEL KENNA (american/british, b. 1953) “DESERT CLOUDS, MERZOUGH, SAHARA, MOROCCO” 1996, signed, dated and numbered 42/45, with artist’s stamp verso. Sepia toned gelatin silver print. 8 x 7 1/2 in. (20.3 x 19cm) provenance: The Ralls Collection, Washington, D.C. $1,000-1,500


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214 JOHN DUGDALE (american, b. 1960) “LA CAMERA DI LETTO DI ANDREA DORIA” 1997, edition 1/10, signed on artist’s label verso. Cyanotype. 8 x 10 in. (20.32 x 25.4cm) provenance: Wessel + O’Connor Gallery, New York, New York. $1,500-2,500

215 JOHN DUGDALE (american, b. 1960) “PASCAL” 1995, with artist’s label verso. Cyanotype. 8 x 10 in. (20.3 x 25.4cm) provenance: Wessel + O’Connor Gallery, New York, New York. $1,500-2,500


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216 JOHN DUGDALE (american, b. 1960) “ROMAN HALL OF MIRRORS” 1997, edition 1/10, signed on artist’s label verso. Cyanotype. 8 x 10 in. (20.3 x 25.4cm) provenance: Wessel + O’Connor Gallery, New York, New York $1,500-2,500

217 JOHN DUGDALE (american, b. 1960) “SERAPHIM” 2005, signed, titled, dated, and numbered 1/6 verso. Mammoth plate albumen print. image: 23 1/2 x 19 3/4 in. (59.7 x 50.2cm) Unframed $1,500-2,500


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218 GUY MARINEAU (french, b. 1947) KATE MOSS Ca. 1995, signed, numbered 24/30 and with the Galerie Grace Radziwill ink stamp verso. Gelatin silver print. 20 3/4 x 13 7/8 in. (52.7 x 35.2cm) Unframed $600-1,000


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219 HELMUT NEWTON (german, 1920-2004) COUPLE (FOR VOGUE) 1975. Kodachrome print. 5 1/4 x 3 1/2 in. (8.9 x 13.3cm) $400-600 220 HELMUT NEWTON (german, 1920-2004) POOLSIDE SCENE (VOGUE U.K., OCTOBER 1973) 1973/1975. Kodachrome print. 3 1/2 x 5 1/4 in. (8.9 x 13.3cm) $400-600


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221 JOEL-PETER WITKIN (american, b. 1939) “VON GLOEDEN IN ASIEN, NYC” 1984, apart from the edition of 15, signed, initialed, titled, dated, inscribed ‘to Baldwin Fong’ and ‘Gift to model. This print is not in the edition’ in pencil verso. Toned gelatin silver print. 14 3/4 x 14 7/8 in. (37.5 x 37.8cm) provenance: The artist. Gifted to the sitter. Wessel + O’Connor, New York, New York. $1,500-2,500

222 JAVIER SILVA MEINEL (peruvian, b. 1949) “EL HOMBRE Y EL MAR, LA RAYA, LURIN, LIMA, PERU” 1993, signed, titled, dated verso. Gelatin silver print. 10 1/8 x 10 1/4 in. (25.7 x 26cm) Unframed $800-1,200


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223 LUIS GONZÁLEZ PALMA (guatemalan, b. 1957) “LA SOMBRAS DE SU NIÑEZ (THE SHADOWS OF HIS YOUTH)” from the series “jerarquías de intimidad, la separación” 2004, signed verso, from the edition of 10. Mixed media collage diptych with Kodalith film, gold leaf and red paper embedded in resin. Each panel: 20 1/2 x 20 1/2 in. (52.1 x 52.1 cm) Unframed $6,000-8,000


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224 DAVID LACHAPELLE (american, b. 1964) “FAIR LIKENESS” 2001, signed on artist’s label verso, edition 1/3. Digital Cprint. 50 x 60 in. (127 x 152.4cm) provenance: Tony Shafrazi Gallery, New York, New York. Private Collection, New York. $25,000-35,000


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225 ERWIN OLAF (dutch, b. 1959) “RAIN, THE BEDROOM” 2004, numbered 4/12. Lambda print on Kodak Endura. 27 1/2 x 27 1/2 in. (69.9 x 69.9cm) provenance: Hasted Hunt Gallery, New York, New York. see: L. A. Martin, ed., Erwin Olaf, New York: Aperture, 2008. $3,000-5,000


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226 CINDY SHERMAN (american, b. 1954) DOLL WITH MASK 1987, signed and numbered 52/125 verso. C-print. 24 x 17 1/2 in. (61 x 44.5cm) $1,500-2,500


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227 CINDY SHERMAN (american, b. 1954) UNTITLED (BATHING SUIT) 1983/2000, signed, dated and numbered 81/100 verso. Color coupler print. 22 x 14 5/8 in. (55.9 x 37.1cm) Unframed $2,500-3,500


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228 two prints LORETTA LUX (german, b. 1969) “PHILIPP 1 & 2” 2000, signed, titled, numbered 4/7 and dated verso. Ilfochrome print. each: 25 5/8 x 19 5/8 in (65.1 x 49.8cm) (2) provenance: Yossi Milo Gallery, New York, New York. $8,000-12,000

229 LORETTA LUX (german, b. 1969) “TROLL 2” 2000, signed, titled, dated and numbered ‘2/7’ in ink on a label affixed to the reverse of the flush-mount. Dye-bleach print. 19 5/8 x 19 5/8 in. (50 x 50cm) provenance: Yossi Milo Gallery, New York, New York. $4,000-6,000


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230 ACHIM LIPPOTH (german, b. 1968) “WÖLFLINGE #9 (CUB SCOUTS)” 2003/2005, signed, titled, dated and numbered 2/7 verso. Chromogenic dye print. 14 1/8 x 18 1/8 in. (35.9 x 57.5cm) Unframed provenance: John Stevenson Gallery, New York, New York. $800-1,200


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231 THOMAS RUFF (german, b. 1958) UNTITLED 2000, signed, dated and numbered 40/50 verso. C-print. 15 3/4 x 11 3/4 in. (40 x 29.8cm) $1,500-2,500


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232 THOMAS RUFF (german, b. 1958) “D.P.B. 08” 2000/2002, signed and numbered 91/250. C-print. 9 x 13 3/4 in. (23 x 35 cm) provenance: The Whitechapel Art Gallery, London, England. note: This is a limited edition photograph produced by Thomas Ruff to support the Whitechapel Art Gallery on the occasion of the exhibition “Mies van der Rohe 1903-1938” from December 10, 2002- March 3, 2003. This lot will be accompanied by a certfificate from The Whitechapel Art Gallery. $2,000-3,000


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233 BERND & HILLA BECHER (german, 1931-2007 and b. 1934) “KÜHLTURM, STAHLWERK HAGEN-HASPE, 1969” 2002, signed and numbered 4/60; Schellmann, New York, New York, publisher. Triplex offset print on Ikonorex board. 16 x 13 in. (40.6 x 33cm) Unframed $800-1,200


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234 LOUISE LAWLOR (american, b. 1947) “ASSEMBLED” 2010/2011, signed, dated and numbered 37/50. Digital Duraflex print. 7 1/8 x 5 1/2 in. (18.1 x 14cm) $2,500-3,500


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235 GREGORY CREWDSON (american, b. 1962) “PRODUCTION STILL (BRIGHTVIEW #3)” 2005, signed and dated verso, from the edition of 30; Kaiser Wilhelm Museum, Krefeld, publisher. Digital C-print. 12 x 16 in. (30.5 x 40.6cm) Unframed $2,000-3,000


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236 GREGORY CREWDSON (american, b. 1962) “PRODUCTION STILL B” 2005, signed, dated and numbered 19/30. Digital C-print. 16 x 12 in. (40.6 x 30.5cm) Unframed $2,000-3,000


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237 LEIF SKOOGFORS (swedish/american, b. 1940) “MIDNIGHT IN SARAJEVO” 1997/2013, signed and numbered 2/10. Inkjet print. 6 1/2 x 8 in. (16.5 x 20.3cm) Unframed $300-500

238 EILEEN NEFF (american, b. 1945) “WITH OR WITHOUT YOU” 2006, signed and numbered 57/100 verso; Institute of Contemporary Art, Philadelphia, publisher. C-print. 12 7/8 x 20 in. (32.7 x 50.8cm) Unframed $1,000-1,500


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Photobooks lots 239–255


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239 S.D. HUMPHREY (american, 19th century) AMERICAN HAND BOOK OF THE DAGUERREOTYPE First edition, 214 pages. S. D. Humphrey, New York, 1858. $60-80

240 VARIOUS ARTISTS PHOTO ALBUM OF THE PRINCETON GRADUATING CLASS OF 1868 Albumen and tintype portraits of the class of 1868, together with several portraits presumably of faculty and family contained within a leather bound album decorated with black trefoils. A gold inscription on the cover identifies the original owner as Abraham Pollock Chalker, originally from Hyde Park, New York and a Princeton graduate in 1868. $300-500


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241 UNKNOWN ARTIST ALBUM DOCUMENTING CONSTRUCTION OF THE BENJAMIN FRANKLIN BRIDGE 1926. 106 gelatin silver prints contained within a faux leather bound two ring binder stamped ‘Leon S. Moisseiff’ in gold on the cover. Each print variously dated ranging from 1-19-26 to 6-14-26, each print identified with subject and numbered. Each image: 8 x 6 in. (20.3 x 15.2cm) note: Leon Moisseiff (1872-1943) was a leading suspension bridge engineer who began his career as one of the designers of the Mahattan Bridge over the East River. With Ralph Madjeski, he designed the Benjamin Franklin Bridge across the Delaware River (completed in 1926). At its completion it was the world’s longest suspension bridge. This rare album includes images during all stages of the bridge’s construction, including demolition, setting beams and supports, paving, inspection, and building of the toll booth, as well as several street scenes and city views of both Camden and Philadelphia. The only other known copy of an album of this type documenting the bridge construction exists in the archives of the Smithsonian. provenance: Leon S. Moisseiff. $1,000-1,500


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242 BERENICE ABBOTT (american, 1898-1991) CHANGING NEW YORK First edition. E.P. Dutton & Company, Inc., New York, 1939. see: Martin Parr and Gerry Badger, The Photobook: A History (Volume I), Phaidon Press, London, 2004, p. 141. $600-800

243 WEEGEE (ARTHUR FELLIG) (american, 1899-1968) WEEGEE’S PEOPLE First edition, signed on title page. New York, Essential Books/Duell, Sloan & Pearce, Inc., 1946. $500-700

244 WILLIAM KLEIN (american, b. 1928) NEW YORK First edition, signed and dated on title page. Éditions du Seuil, Album Petite Planéte, Paris, 1956. see: Martin Parr and Gerry Badger, The Photobook: A History (Volume I), Phaidon Press, London, 2004, p. 243. $1,000-1,500


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245 two photobooks DAVID MARTIN HEATH (american, b. 1931) KOREA: PHOTOGRAPHS 1953-1954 Handbound book in Japanese Asahi bookcloth and Bugra black and gold paper. Numbered 29/200 on colophon. Lumiere Press, Toronto, 2004. and DIALOGUE WITH SOLITUDE Gray cloth cover with pictorial dustjacket. Signed by artist on title page. Lumiere Press, Toronto, 2000. (2) $500-800

246 KEN HEYMAN (american, b. 1930) THIS AMERICA Signed by Lyndon B. Johnson and dedicated to publisher Jerry Mason on title page. Includes original shipping sleeve from the White House. Random House, New York, 1966. $400-600


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247 ROBERT FRANK (american, 1924) THE LINES OF MY HAND First edition, signed and dated on title page. New York: Lustrum Press, 1972. $800-1,200

248 ROMAN VISHNIAC (american, 1897-1990) A VANISHED WORLD Large square quarto first edition, with original burgundy paper-covered boards and original photographic dust jacket. Signed by artist, with foreward by Elie Wiesel. Farrar, Straus & Giroux, New York, 1983. $150-250

249 two photobooks PHILIPPE HALSMAN (american, 1906-1979) HALSMAN © 79 Signed, inscribed and dated by Halsman on inside cover. Soft cover, 53 reproductions. International Center for Photography, New York, 1979. and PHILIPPE HALSMAN’S JUMP BOOK Signed, inscribed and dated by Halsman on inside cover. Hardcover with pictorial dust jacket, 95 pages. Simon and Schuster, New York, 1959. (2) $500-700


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250 LEE FRIEDLANDER (american, b. 1934) THE AMERICAN MONUMENT First edition, one of 2000 copies. Oblong folio in bluegreen cloth with triple screw post binding. 77 pages with 213 black and white reproductions. Eakins Press Foundation, New York, 1976. see: Martin Parr and Gerry Badger, The Photobook: A History (Volume II), Phaidon Press, London, 2004, p. 28. $400-600

251 LEWIS BALTZ (american, b. 1945) THE NEW INDUSTRIAL PARKS NEAR IRVINE, CALIFORNIA First edition. Black stamped gray cloth with pictorial dust jacket, illustrated with 51 reproductions of Baltz’ photographs. Leo Castelli/Castelli Graphics, New York, 1974. $800-1,200


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252 SIX PHOTOBOOKS JERRY UELSMANN, Silver Meditations. First edition. Morgan & Morgan, Inc., Dobbs Ferry, New York, 1975. Book accompanied by signed postcard by the artist and an 8 x 10 self portrait with typed message verso. STEVE FITCH, Diesels and Dinosaurs. First edition. Berkeley, California: Long Run Press, 1976. Book accompanied by two prints: 9 1/2 x 11 in. gelatin silver print of Deadwood Motel by Steve Fitch, inscribed ‘For Review Purposes’ verso and 5 1/2 x 6 1/2 in. print of Chalk Hill Drive-In, inscribed ‘For Review Purposes’ verso. ARTHUR TRESS, Shadow. First edition, signed by the artist. Avon Books, New York, 1975. ALFRED EISENSTAEDT, People. First Edition, signed on inside cover page by artist. New York, The Viking Press, 1973. DAVID DOUGLAS DUNCAN, War Without Heroes. First edition, signed and inscribed by artist on inside cover. Harper & Row, New York, 1970. J. ROSS BAUGHMAN, Graven Images: A Thematic Portfolio. First edition, signed and inscribed on inside cover by artist. Henry Regnery Company, Chicago, 1973. (6) $400-600


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253 FIVE SIGNED PHOTOBOOKS RUTH BERHARD, The Eternal Body, Signed on title page. Photography West Graphics, Carmel, California, 1986. and CARL ACKERMAN, George Eastman, Signed, inscribed and dated by Eastman on inside cover. Houghton Mifflin Company, New York, 1930. and ANDRÉ KERTÉSZ, André Kértesz, Signed on title page. Aperture, New York, 1977. and BARBARA MORGAN, Barbara Morgan: Photomontage, Signed on title page. Morgan & Morgan, Dobbs Ferry, New York, 1980. and APERTURE, Signed on title page by Walter Chappell, number 82. Aperture, New York, 1979. (5) $100-200

254 EVA KLASSON (swedish, b. 1947) LE TROISIÈME ANGLE Black cloth covered book with white cloth binding and pictorial cover contained within faux fur lined, black cloth portfolio case. Birth Éditions, France, 1976. $600-800


206 www.freemansauction.com

255 HIROSHI SUGIMOTO (japanese, b. 1948) PHOTOGRAPHS BY HIROSHI SUGIMOTO: DIORAMAS, THEATERS, SEASCAPES First edition soft cover with matching jacket. Signed by artist on title page. Sonnabend Gallery, New York and Sagacho Exhibit Space, Kyoto, 1988. $600-1,000 end of sale


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Index By lot number Abott, B., 1, 242

Edelson, M., 78

Le Secq, H., 96

Raymond, L., 18

Abramovic, M., 79

Eggleston, W., 185

Lippman, M., 63

Richards, W., 8

Adams, A., 156, 157, 159

Erwitt, E., 163

Lippoth, A., 230

Riefenstahl, L., 140-142

Aoki, K., 175

Ess, B., 85

List, H., 143, 144

Riger, R., 174

Arai, T., 58

Evans, W., 155

Lustig-Cohen, E., 61

Rivera, S., 81

Arbus, D., 167

Lux, L., 228, 229

Rosler, M., 72

Arnold, C., 118

Faurer, L., 161, 162, 164, 170

Lynes, G., 145-148

Rothstein, A., 153

Atget, E., 131-135

Fellman, S., 62

Lyon, D., 184

Ruff, T., 231, 232

Fizet, J., 192 Baltz, L., 251

Friedlander, L., 250 Frank, R., 247

Maison De La Bonne Presse, 114

Schoenfeld, D., 27

Barris, G., 178 Barron, J., 25

Frey, M., 51

Malanga, G., 193

Simpson, L., 75

Bassman, L., 14

Frank, M., 205

Mann, S., 48

Siprell, C., 7

Becher, B. & H., 233

Frith, F., 103, 104

Mapplethorpe, R., 209

Skoff, G., 36, 40

Bernard, B., 177

Fusco, P., 191

Marineau, G., 218

Skoglund, S., 86

Mark, M., 42

Skoogfors, L., 237 Steichen, E., 137

Bisson Frères, 98, 99

Sherman, C., 87, 226, 227

Brask, O., 169

Golden, J., 74

Mayes, E., 38

Bridges, M., 33, 34

Goldring, N., 64

Means, A., 20

Stern, B., 179, 182

Brigman, A., 139

Green, M., 176

Meinel, J., 222

Stieglitz, A., 136

Brooks, E., 80

Greenfield, L., 3

Metzner, S., 26

Sturges, J., 208

Bugat, J., 189

Groover, J., 28, 29

Michals, D., 188, 207

Sugimoto, H., 255

Burkhardt, R., 197

Grove, K., 76

Model, L., 166

Sugiura, K., 19

Modica, A., 46

Burns, M., 54 Hack, T., 49

Mones, A., 194-196

Tani, D., 73

Heath, D., 245

Moon, S., 13

Tenneson, J., 17

Callis, J., 30

Heyman, A., 47, 52

Morath, I., 4

Thorne-Thomsen, R., 21

Carey, E., 22

Heyman, K., 246

Morgan, B., 2

Turbeville, D., 16

Carson, R., 171

Halsman, P., 187, 249

Muybridge, E., 125-127

Turczan, K., 45

Burson, N., 77

Caponigro, P., 204

Hoppé, E., 138

Christenberry, W., 183

Horst, H., 172

Neff, E., 238

Clark, L., 165

Hosoe, E., 201-203

Neimanas, J., 59

Uelsman, J., 198-200

Connor, L., 35

Humphrey, S., 239

Nettles, B., 69

Uhlenbeck, E., 57

Newton, H., 219, 220

Umbrico, P., 83

Cook, D., 31 Cosindas, M., 67, 68

Jacobi, L., 6

Noggle, A., 55 Norman, D., 9

Cowin, E., 66 Coyne, P., 24

Tweedy-Holmes, K., 39

Karant, B., 84

Cremer, J., 121-124

Kelly, T., 180, 181

Crewdson, G., 235, 236

Kenna, M., 210-213

O’Grady, L., 70

Kenyon, C., 15

Olaf, E., 225

Cunningham, I., 10, 158

Vishniac, R., 248

Novak, L., 82 Weegee, 243 Weems, C., 71 Weiss, S., 41, 43 Weston, E., 151, 152

Keystone View Co., 113 Kusakabe, K., 111, 112

Padamsee, A., 149, 150

Willis, D., 60

Davis, L., 32

Klasson, E., 254

Palma, L., 223

Witkin, J., 221

Dahl-Wolfe, L., 11, 12

Klein, W., 244

Parker, O., 5

Derges, S., 23

Pfizenmaier, E., 173, 186, 190

Young, B., 50

Dick, F., 119

Lachapelle, D., 224

Perier Éditeur, 115

Younger, C., 44, 65

Disfarmer, M., 154

Lawlor, L., 234

Penn, I., 160

Dugdale, J., 214-217

Leonard, H., 168

Porter, E., 206

Dumas, T., 107, 130

Leonard, J., 56

Purcell, R., 37

Dater, J., 53


Terms & Conditions all property offered and sold (“property”) through samuel t. freeman & co, (“freeman’s”) shall be offered and sold on the terms and conditions set forth below which constitutes the complete statement of the terms and conditions on which all property is offered for sale. by bidding at the auction, whether present in person or by agent, by written bid, telephone, internet or other means, the buyer agrees to be bound by these terms and conditions. 1 Unless otherwise indicated, all Property will be offered by Freeman’s as agent for the Consignor. 2 Freeman’s reserves the right to vary the terms of sale and any such variance shall become part of these Conditions of Sale. 3 Buyer acknowledges that it had the right to make a full inspection of all Property prior to sale to determine the condition, size, repair or restoration of any Property. Therefore, all property is sold “AS-IS”. Freeman’s is acting solely as an auction broker, and unless otherwise stated, does not own the Property offered for sale and has made no independent investigation of the Property. Freeman’s makes no warranty of title, merchantability or fitness for a particular purpose, or any other warranty or representation regarding the description, genuineness, attribution, provenance or condition to the Property of any kind or nature with respect to the Property. 4 Freeman’s in its sole and exclusive discretion, reserves the right to withdraw any property, at any time, before the fall of the hammer. 5 Unless otherwise announced by the auctioneer at the time of sale, all bids are per lot as numbered in the printed catalogue. Freeman’s reserves the right to determine any and all matters regarding the order, precedence or appropriate increment of bids or the constitution of lots. 6 The highest bidder acknowledged by the auctioneer shall be the buyer. The auctioneer has the right to reject any bid, to advance the bidding at his absolute discretion and in the event of any dispute between bidders, the auctioneer shall have the sole and final discretion either to determine the successful bidder or to re- offer and resell the article in dispute. If any dispute arises after sale, the Freeman’s sale record shall be conclusive in all respects. 7 If the auctioneer determines that any opening or later bid or any advance bid is not commensurate with the value of the Property offered, he may reject the same and withdraw the Property from sale. 8 Upon the fall of the hammer, title to any offered lot or article will immediately pass to the highest bidder as determined in the exclusive discretion of the auctioneer, subject to compliance by the buyer with these Conditions of Sale. Buyer thereupon assumes full risk and responsibility of the property sold, agrees to sign any requested confirmation of purchase, and agrees to pay the full price, plus Buyer’s Premium, therefore or such part, upon such terms as Freeman’s may require. 9 No lot may be removed from Freeman’s premises until the buyer has paid in full the purchase price therefor including Buyer’s Premium or has satisfied such terms that Freeman’s, in its sole discretion, shall require.

Subject to the foregoing, all Property shall be paid for and removed by the buyer at his/her expense within ten (10) days of sale and, if not so removed, may be sold by Freeman’s, or sent by Freeman’s to a public warehouse, at the sole risk and charge of the buyer(s), and Freeman’s may prohibit the buyer from participating, directly or indirectly, as a bidder or buyer in any future sale or sales. In addition to other remedies available to Freeman’s by law, Freeman’s reserves the right to impose a late charge of 1.5% per month of the total purchase price on any balance remaining ten (10) days after the day of sale. If Property is not removed by the buyer within ten (10) days, a handling charge of 1% of the total purchase price per month from the tenth day after the sale until removal by the buyer shall be payable to Freeman’s by the buyer; Freeman’s shall charge 1.5% of the total purchase price per month for any property not so removed within 60 days after the sale. Freeman’s will not be responsible for any loss, damage, theft, or otherwise responsible for any goods left in Freeman’s possession after ten (10) days. If the foregoing conditions or any applicable provisions of law are not complied with, in addition to other remedies available to Freeman’s and the Consignor (including without limitation the right to hold the buyer(s) liable for the bid price) Freeman’s, at its option, may either cancel the sale, retaining as liquidated damages all payments made by the buyer(s), or resell the property. In such event, the buyer(s) shall remain liable for any deficiency in the original purchase price and will also be responsible for all costs, including warehousing, the expense of the ultimate sale, and Freeman’s commission at its regular rates together with all related and incidental charges, including legal fees. Payment is a precondition to removal. Payment shall be by cash, certified check or similar bank draft, or any other method approved by Freeman’s. Checks will not be deemed to constitute payment until cleared. Any exceptions must be made upon Freeman’s written approval of credit prior to sale. In addition, a defaulting buyer will be deemed to have granted and assigned to Freeman’s, a continuing security interest of first priority in any property or money of, or owing to such buyer in Freeman’s possession, and Freeman’s may retain and apply such property or money as collateral security for the obligations due to due to Freeman’s. Freeman’s shall have all of the rights accorded a secured party under the Pennsylvania Uniform Commercial Code. 10 Unless the sale is advertised and announced as “without reserve”, each lot is offered subject to a reserve and Freeman’s may implement such reserves by bidding through its representatives on behalf of the Consignors. In certain instances, the Consignor may pay less than the standard commission rate where Freeman’s or its representative is a successful bidder on behalf of the Consignor. Where the Consignor is indebted to Freeman’s, Freeman’s may have an interest in the offered lots and the proceeds therefrom, other than the broker’s Commissions, and all sales are subject to any such interest.

11 No “buy” bids shall be accepted at any time for any purpose. 12 Any pre-sale bids must be submitted in writing to Freeman’s prior to commencement of the offer of the first lot of any sale. Freeman’s copy of any such bid shall conclusively be deemed to be the sole evidence of same, and while Freeman’s accepts these bids for the convenience of bidders not present at the auction, Freeman’s shall not be responsible for the failure to execute, or, to execute properly, any pre-sale bid. 13 A Buyer’s Premium will be added to the successful bid price and is payable by the buyer as part of the total purchase price. The Buyer’s Premium shall be: 25% on the first $50,000 of the hammer price of each lot, 20% on the portion from $50,001 through $1,000,000, and 12% thereafter. 14 Unless exempted by law from the payment thereof, the buyer will be required to pay any and all federal excise tax and any state and/or local sales taxes, including where deliveries are to be made outside the state where a sale is conducted, which may be subject to a corresponding or compensating tax in another state. 15 Freeman’s may, as a service to buyer arrange to have purchased property posted and shipped at the buyer’s expense. Freeman’s is not responsible for any acts or omissions in packing or shipping of purchased lots whether or not such carrier recommended by Freeman’s. Packing and handling of purchased lots is at the responsibility of the buyer and is at the entire risk of the buyer. 16 In no event shall any liability of Freeman’s to the buyer exceed the purchase price actually paid. 17 No claimed modification or amendment of this Agreement on the part of any party shall be deemed extant, enforceable or provable unless it is in writing that has been signed by the parties to this Agreement. No course of dealing and no delay or omission on the part of Freeman’s in exercising any right under this Agreement shall operate as a waiver of such right or any other right and waiver on any one or more occasions shall not be construed as a bar to or waiver of any right or remedy of Freeman’s on any future occasion. 18 These Conditions of Sale and the buyer’s, the Consignor’s and Freeman’s rights under these Conditions of Sale shall be governed by, construed and enforced in accordance with the laws of the Commonwealth of Pennsylvania and Consignor and Buyer agree to the exclusive jurisdiction of the Philadelphia, Pennsylvania Court of Common Pleas and the United States District Court for the Eastern District of Pennsylvania.


Purchase removal, shipping and offsite storage information To ensure the safety of your lot(s) Freeman’s requests payment in full and removal of property within 10 business days of the sale date. Collection hours are Monday - Friday, 9:30 - 4:30pm. For larger items, please email bmobbs@freemansauction.com to schedule a loading dock appointment. For purchase release to persons not listed on your invoice, 3rd party authorization is required. Please mail or fax, 215.599.2240, a signed letter stating sale, lot, successful bidder and name of 3rd party collecting property. Freeman’s does not handle packing or shipping. The shippers listed below have worked with Freeman’s clients in the past and will be happy to provide you with quotes for the packing and shipping of your property.

VG Packaging LLC Contact: Gordon G Murray II 12 Salem Road Schwenksville, PA 19473 Tel: 484-552-8741 Fax: 484-552-8744 quotes@vgpackagingllc.com UPS Store Contact: John Bohach 51 North 3rd Street Philadelphia, PA 19106 Tel: 215.629.4990 Fax: 215.629.4992 Email: store4242@theupsstore.com Mr. C’s Contact: Charles Cohen Tel: 267.977.9567 Email: mrcees61@gmail.com Cadogan Tate Fine Art Cadogan House, 41-20 39th Street Sunnyside, New York 11104 Tel: 718.706.7999 Fax: 718.707.2847 Email: michael@cadogantate.com Mastrocco Jr. Moving & Storage Contact: Roseanne 1060 Louis Drive Warminster, PA 18991 Tel: 215.491.0346 Fax: 215.444.9327 Email: mastroccomovers@snip.net Aiston Fine Art Service P.O. Box 3434 Grand Central Station New York, NY 10163 Tel: 212.715.0629 Fax: 718.361.8569 Email: info@aistonart.com

Atelier Art Services 103 East Sharpnack Street Philadelphia, PA 19144 215.842.3500 The Packaging Store Contact: Duane Freed 2333 West Main Street Lansdale, PA 19446 Tel: 215.361.6940 Fax: 215.361.6941 Email: hello@packandshipnow.com FURNITURE & LARGER ITEMS: For larger pieces where delivery time is not the primary concern, we suggest getting your items freighted: www.plyconvanlines.com www.nwdelivery.com www.freightquote.com.


absentee bidding form sale no

bidder no

name

business name

address city

state

zip code

e-mail

phone (h)

phone (w)

resale / tax identification

fax state

25% on the first $50,000 of the hammer price of each lot, 20% on the portion from $50,001 through $1,000,000, and 12% thereafter. All lots must be paid for and removed within 10 days.

lot no

description

maximum bid

bank reference bank name

account n0

contact name

telephone

I hereby confirm thet I have read and am bound by the “Terms of Sale” presented by the auction house and which govern all auction purchases made by me. Although every attempt is made to execute your bid(s), the auctioneer is not responsible for errors and omissions.

signed (signature required to execute your bids)

Freeman’s 1808 Chestnut Street Philadelphia PA 19103 Tel-215.563.9275 Fax-215-599-2240 e-mail: bids@freemansauction.com www.freemansauction.com


Modern & Contemporary Art Auction 11/03/13

Anne Henry 267.414.1220 ahenry@freemansauction.com

TOM WESSELMANN “MAQUETTE FOR SEASCAPE WITH CUMULUS CLOUDS” $10,000-15,000 (detail)

Aimee Pflieger 267.414.1221 apflieger@freemansauction.com

Please call 267.414.1256 to order a catalogue or subscription.

Exhibition opens Wednesday, October 30 at 10am

www.freemansauction.com


Directory specialist departments

depart≤ents

officers

American Furniture, Decorative & Folk Art lynda a cain samuel ≤ free≤an ii whitney bounty tim lambert

Appraisals sa≤uel ≤ free≤an ii james e buckley donald e walter amy parenti laura cox

chair≤an samuel ≤ freeman ii

American Silver samuel ≤ free≤an ii Asian Arts richard cervantes robert waterhouse (consulting specialist) tianhan gao andrew zajack English & Continental Furniture & Decorative Arts david walker sarah blattner tim lambert Silver & Objet de Vertu david walker sarah blattner Fine Jewelry samuel ≤ free≤an ii madeline mccauley allia dhody natalie prusich American Art alasdair nichol david weiss andrew huber candace vivian Prints anne henry david weiss aimee pflieger andrew huber candace vivian fred frederick European Art & Old Masters alasdair nichol david weiss andrew huber candace vivian fred frederick Photographs & Photobooks aimee pflieger candace vivian fred frederick Modern & Contemporary Art anne henry alasdair nichol david weiss aimee pflieger candace vivian fred frederick Oriental Rugs & Tapestries richard cervantes david weiss Books, Manuscripts, Maps & Ephemera david j bloom christiana scavuzzo

Consignments samuel h cooper james e buckley jeff miller ≤useum Services thomas b. mccabe iv lynda a cain Client Services mary maguire carroll jessica carter bethany mobbs bridgette bonner marianne pagej lauren carpinelli susannah mcgovern Operations nathan norley gerald lightfoot herbert drayton gerald davis darryll byram Finance mark beckerman karen bajczyk Business Development & ≤arketing tara theune davis melissa geller thomas b mccabe iv christopher browne

vice chair≤an margaret d freeman vice chair≤an alasdair nichol president paul roberts chief operating officer hanna dougher executive vice president ja≤es e buckley senior vice president david weiss tara theune-davis chief financial officer eric a smith vice presidents david j bloom lynda a cain anne henry samuel t. freeman iii tom mccabe matthew wilcox representatives david weiss Washington, DC dweiss@freemansauction.com Telephone: 202.412.8345 colin clarke Charlottesville, VA cclarke@freemanssouth.com Telephone: 434.296.4096

Trusts & Estates samuel t freeman iii thomas b. mccabe iv matthew wilcox holen miles lewis amy parenti laura cox jeffrey miller

kelly wright Boston, MA kwright@freemansauction.com Telephone: 617.367.3400

Photography elizabeth field elizabeth schultz thom clark ryan buckwalter

katherine oldiges Wayne, PA koldiges@freemansauction.com Telephone: 610.254.9700

robert waterhouse Annapolis, MD rwaterhouse@freemansauction.com Telephone: 267.414.1226


www.freemansauction.com 1808 Chestnut Street Philadelphia Pennsylvania 19103 Tel-215.563.9275 Fax-215.563.8236


Photographs & Photobooks