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FRANCESCO PIZZUTILO

Portfolio


Francesco Pizzutilo

I believe that Architecture could change the World and can plant the seed of Beauty. This will be my purpose.

I'm an italian Architect and Engineer. I have a rich study experience that gave me the possibility to open my mind, to be curious, to discover and not to be satisfyed by what i Know. This brought me several times abroad in order to gain new perspective and this brought me in Munchen at TU Architecture faculty in order to complete my studies.I'm Flexible and able to adapt to different situation, brainy, fast at learning, very open minded, patient, cooperative, precise, scrupulous, organized, social. My communication skills were developed trough my working and study experiences and through contact with people and professionals. At the university these skills were specially stimolated trough seminars, tutorials and , in general, trainings in order to better interacts with other experts and technical operator of different levels. Trough numerous team works at the University; collaboration between different subjects and different practitioner i was able to develope my design and project skills. I define myself Creative, Sparkling, Curious, Hard_ Working, Precise, Smart, Stubborn, Colourfull, Full of Dream.

ARCHITECTURE It's a vibrating place , it's a net of non linear relationship, it's something that must have the potential to make things happening, a place of Dreams, a place of Past towards Future, a place of exchange and connection. It's not only the place where you "could" but it must be the place where you "can". It's the place of LIFE, it's the place of PEOPLE. The Designer has a big responsibility because trough his work he could shape the people, their attitude, their behaviour, their society living. I think that its sociological implication is one of the most interesting aspects in creating Design and Architecture and in projecting spaces. The Design must take up the challange that this responsibility represents not just being something needless but being something that could educate, show something, stimulate, create opportunties for People. But we as Designer must not forget Beauty. Beauty is part of the function but fuction only brings no Beauty. Beauty is a powerfull medium that we can control in the pursuit of a purpose.

CONTACT: Email: pizzutilo.francesco@gmail.com Personal site: http://www.cloea.portfoliobox.me/ Flikcr: http://www.flickr.com/photos/gocce-dimemoria/

]ABOUT_ME[


Introduction

The strenghts in Italian school of architecture resides in a strong tradition that cohabits and creates a dialogue with the vision of the future. We are used to put strong attention to the analytical aspects of the design and projectation, trying always to ask the right questions and to give the answear that fits better to the studied object. We are used to deepen every aspects of the projectation. That's why every choice i made is not free but it's grounded on strong basis and that's why every aspects of a project must always be under control. Another strong aspects of my background is the attention to technological aspects and to the structural design wich are primary aspects on a Design in order to create well integrated Form in wich every part is perfectly connected and can dialogate with the other without interruption. I also put attention to new ways of designing Architecture trough parametric projectation and form finding strongly believing that this approach could open infinite new possibilities.

]PORTFOLIO[


INTRODUCTION

]VOIDS_FILLED[


Designing an Urban Void. Piazza VI Agosto, Bologna. Italy.

The challenge of this project was to design a building in an urban void in the center of Bologna. The fisrst necessity was to develop something that was original,modern, functional but at the same time that coul fit in this particoular context. Before starting the design we focused on historical events and documents and on the analysis of the context. From this point of view we extracted some rules, patterns, materials that we could have applied to our design to have an armonic inception in the area. We respected in particular the front in the square where we pursued the effect of basement|body|crowning of the surrounding buildings developing in a modern way. We used also traditional material like bricks but disposed in a non static way trying to create movements and shadows in the facade. Particoular attention was put on the sustainable aspects and on the technological aspects in order to deepen every aspects of the buildings. We wanted to regenerate also the urban context trough the crations of an hostel open to the surrounding community.

]VOIDS_FILLED[


DESTINATION OF USE

]VOIDS_FILLED[


Ground Floor

Modell Floor

Top Floor

F u n Open Roof Garden C o m m o n S p a c e s

Y o u t h R o o m s

Lounge|Study|City|Welcome

]VOIDS_FILLED[


STUDIES ON FACADE

]VOIDS_FILLED[


Colors

Brick Glas Steel

Historical-typological Analisys

Heights Analisys

]VOIDS_FILLED[


FACADE

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CREATO CON LA VERSIONE DIDATTICA DI UN PRODOTTO AUTODESK

]VOIDS_FILLED[


SUSTAINABILITY

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ARCHITECTURE MUST BE RESPONSIBLE

Solar System

N

T e r m a l

Solar System

c o a t

V e n t i l a t e d

W a l l

S

Water Cycle

]VOIDS_FILLED[


STRUCTURAL SOLUTION

]VOIDS_FILLED[


]VOIDS_FILLED[


VISIONS FROM THE SQUARE

]VOIDS_FILLED[


]VOIDS_FILLED[


INTRODUCTION

]RESTAURATION_S.COLUMBANI[


RESTAURATION AND RIFUNCTONALIZATION OF SANCTI COLUMBANI CHURCH. BOLOGNA, ITALY

S. Columbani is a church in Bologna today converted in a Museum for ancient instrument. It was once of the first chirch of the city and we can find traces of roman Bononiae's period. The church has a rich and stratificated history and many of the famous artists and architects of the city worked on this incredible monument. In 2006 during works for the realization of the Museum was discovered the ancient romanic crypt under the pavement. Our project consisted in a deep conciousness on the monument with studies for the conservation of the surfaces, introduction of new contemporary element, light study and a solution for the pavements of the crypt. Our proposal tries to recreate the atmosphere of the ancient crypt creating a dialogue between new and old elements. The new church pavements must show with a light line the print of the treasure hidden below and is sustained by little columns based on the original basements of the romanic columns. The pavements of the church is transparent to let people walk around admiring the archeological area. The structure is made by columns created by thin plate profile of satin steel disposed in order to remind a crucifix. The empty space in the middle host fleble light that tries to recreate the original atmosphere.

]RESTAURATION_S.COLUMBANI[


HISTORIC ANALYSIS

]RESTAURATION_S.COLUMBANI[


]RESTAURATION_S.COLUMBANI[


LIGHT PROJECT WEST FRONT

]RESTAURATION_S.COLUMBANI[


]RESTAURATION_S.COLUMBANI[


LIGHT PROJECT SOUTH FRONT

]RESTAURATION_S.COLUMBANI[


]RESTAURATION_S.COLUMBANI[


SIMMETRY RICONFIGURATION

]RESTAURATION_S.COLUMBANI[


]RESTAURATION_S.COLUMBANI[


the new pavement for the discovery of the romanic crypt

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CREATO CON LA VERSIONE DIDATTICA DI UN PRODOTTO AUTODESK

Structure of the Top pavement: Plant

CREATO CON LA VERSIONE DIDATTICA DI UN PRODOTTO AUTODESK

Structure of the Bootom pavement: Plant

CREATO CON LA VERSIONE DIDATTICA DI UN PRODOTTO AUTODESK

CREATO CON LA VERSIONE DIDATTICA DI UN PRODOTTO AUTODESK

CREATO CON LA VERSIONE DIDATTICA DI UN PRODOTTO AUTODESK

CREATO CON LA VERSIONE DIDATTICA DI UN PRODOTTO AUTODESK

Structure of the Bottom pavement: Front

CREATO CON LA VERSIONE DIDATTICA DI UN PRODOTTO AUTODESK

CREATO CON LA VERSIONE DIDATTICA DI UN PRODOTTO AUTODESK

]RESTAURATION_S.COLUMBANI[

CREATO CON LA VERSIONE DIDATTICA DI UN PRODOTTO AUTODESK

CREATO CON LA VERSIONE DIDATTICA DI UN PRODOTTO AUTODESK

Structure of the Top pavement: Front

KSEDOTUA OTTODORP NU ID ACITTADID ENOISREV AL NOC OTAERC

CREATO CON LA VERSIONE DIDATTICA DI UN PRODOTTO AUTODESK CREATO CON LA VERSIONE DIDATTICA DI UN PRODOTTO AUTODESK

KSEDOTUA OTTODORP NU ID ACITTADID ENOISREV AL NOC OTAERC KSEDOTUA OTTODORP NU ID ACITTADID ENOISREV AL NOC OTAERC

CREATO CON LA VERSIONE DIDATTICA DI UN PRODOTTO AUTODESK

CREATO CON LA VERSIONE DIDATTICA DI UN PRODOTTO AUTODESK

CREATO CON LA VERSIONE DIDATTICA DI UN PRODOTTO AUTODESK

Connection with the existing wall


CREATO CON LA VERSIONE DIDATTICA DI UN PRODOTTO AUTODESK

CREATO CON LA VERSIONE DIDATTICA DI UN PRODOTTO AUTODESK

CREATO CON LA VERSIONE DIDATTICA DI UN PRODOTTO AUTODESK

CREATO CON LA VERSIONE DIDATTICA DI UN PRODOTTO AUTODESK

CREATO CON LA VERSIONE DIDATTICA DI UN PRODOTTO AUTODESK

CREATO CON LA VERSIONE DIDATTICA DI UN PRODOTTO AUTODESK

CREATO CON LA VERSIONE DIDATTICA DI UN PRODOTTO AUTODESK CREATO CON LA VERSIONE DIDATTICA DI UN PRODOTTO AUTODESK

CREATO CON LA VERSIONE DIDATTICA DI UN PRODOTTO AUTODESK

CREATO CON LA VERSIONE DIDATTICA DI UN PRODOTTO AUTODESK

]RESTAURATION_S.COLUMBANI[

CREATO CON LA VERSIONE DIDATTICA DI UN PRODOTTO AUTODESK


THE NEW STRUCTURE

]RESTAURATION_S.COLUMBANI[


]RESTAURATION_S.COLUMBANI[


INTRODUCTION

]EURICLEA[


Developing a new concept for a school damaged by the earthquake. Sant'agostino, Italy

“Euriclea� project involving the ex elementary school cames from the wounds caused by trauma due to the earthquake who shoked the emilian territory in May 2012. The purpose offered by the project is about taking the opportunity from the trauma to go beyond, keeping memory at the same time. The idea of the project includes the transformation of the building into a new civic center to serve the community. We want to encourage the development of new forms of aggregation among the inhabitants of the town that could be opportunities for discussion and sharing to act and react together. Inside the center takes form a multi-purpose room designed to create opportunities to meet and stimulate the emergence of new ideas. The ability to put them into practice is allowed by the laboratory-workshop adjoining, which becomes a place for group or individual work, whose results will be displayed inside the center. A space for food preparation becomes the moment of intergenerational exchange, and a relax zone is an essential complement to the area dedicated to design. Its purpose is to recover a convivial collective consciousness. Talking about the design we studyed the healing process trough the release of the fibrine between the lips of a wound. We create a processing script that simulates this process in order to create a outer structural skin that strenghten the building preventing it from new earthquackes. The risults reminds an amorphous scar that surround what remains of the old building.

]EURICLEA[


GENERAL PLAN

]EURICLEA[


]EURICLEA[


PLANTS AND STUDIES ON USE

]EURICLEA[


]EURICLEA[


TOP VIEW AND SECTION

]EURICLEA[


Organic Living

]EURICLEA[


INTRODUCTION

]COURT_2.0[


Regeneration of Carmine square. ForlĂŹ, Italy

The purpose of this project was the redevelopment of "Carmine Square" in the middle of ForlĂŹ's city center. Actually the square is just a parking zone and represent a deteriorated context in the city. The target of the project was to design a multifunctional complex in order to create a new centrality in the city and to create a walking zone in contrast with the past use. Projecting in a city center is always a challenge because modern features has to create a Dialog with the context. The proposal was a rethinking of a court (also in historical documents there was a testimoniance about the existence of a court complex previous): a complex not closed but completely permeable so i have created a fragmentation in the Building to allow passages. The project is meant to respect the contest also in the material : the use of cupper, brick and cloat taht you can find in the buildings surrounding the square and in Carmine's Church. However Materials are used in a non traditional way to put a positive, sustainable innovation in the City center. In this Project is putted particoular attention to the technological aspects. Densification and urban regeneration are themes in wich nowadays an Architect in Europe must concentrate.

]COURT_2.0[


GENERAL PLAN

]COURT_2.0[


]COURT_2.0[


FRONT VIEW

]COURT_2.0[


posa in opera della facciata:i bordi orizzontali, sagomati a maschio e femmina, consentono l’aggancio alla sottostruttura metallica e garantiscono un’ottima tenuta all’acqua

gradi sulle superfici di rame lucido. Le strisce in rame vengono preossidate su entrambi i lati con uno speciale trattamento industriale, studiato per simulare anni di esposizione agli agenti atmosferici. La specifica tecnologia di fabbricazione impiegata per questo materiale determina la formazione di sfumature di marrone più chiare e più scure, tuttavia queste tendono a scomparire con il tempo, a causa del processo di ossidazione. La superficie marrone opaco si scurisce,e infine tende all’antracite

Dimensioni tavella: 49,5x24,5x4 cm

4

3

CREATO CON LA VERSIONE DIDATTICA DI UN PRODOTTO AUTODESK

CREATO CON LA VERSIONE DIDATTICA DI UN PRODOTTO AUTODESK

2

CREATO CON LA VERSIONE DIDATTICA DI UN PRODOTTO AUTODESK

CREATO CON LA VERSIONE DIDATTICA DI UN PRODOTTO AUTODESK

1

CREATO CON LA VERSIONE DIDATTICA DI UN PRODOTTO AUTODESK

UNIVERSITA' degli STUDI di BOLOGNA Ingegneria • Facoltà ••• •••••di•••• • •• • ••••••••••••••••••••••••• Corso di Laurea in Ingegneria Edile - Architettura A.A. 2010-2011

Facciata ventilata in cotto (sistema Prospecta)

La scelta del rame come materiale per edilizia consente soluzioni di elevato pregio dal punto di vista estetico e vantaggiose dal punto di vista economico a lungo termine. Gli indiscutibili vantaggi di questo materiale in fase di posa, e la sua totale possibilità di riciclaggio, rendono il rame un materiale eccellente per tutti gli usi, sia per rivestimenti di coperture che di facciate.

Il rivestimento, costituito dalle tavelle e dai pezzi complementari in cotto, è montato “a secco” sulla sottostruttura metallica fissata alle pareti esterne dell’ edificio. Tra l’involucro edilizio ed il rivestimento in cotto si viene così a creare un’intercapedine areata, in comunicazione con l’ambiente esterno alla base ed alla sommità della costruzione, che determina l’effetto ventilante.

TECU® Oxid

Le tavelle sono a doppia cartella in cotto ottenute per estrusione da argille pregiate. La particolare geometria dei bordi è alla base della rapida ed accurata posa in opera della facciata:i bordi orizzontali, sagomati a maschio e femmina, consentono l’aggancio alla sottostruttura metallica e garantiscono un’ottima tenuta all’acqua

Dimensioni tavella: 49,5x24,5x4 cm

Docente: Prof. Ing. Luca Guardigli Responsabile Laboratorio: Ing. Fabio Paoletti Tutor: Ing. Luca Guardigli

•Elaborato ••• • ••••n° •• ••• 10 • • • • • • • • • • • • • • • • Elaborato n° 9

•Elaborato ••• • ••••n° •• ••• 10 • • • • • • • • • • • • • • • • Elaborato n° 9

Prospetti Nord e Ovest

Prospetti Nord e Ovest

Laboratorio Progettuale del Corso di Architettura Tecnica I Scala 1:100

Scala 1:100

Docente: Prof. Ing. Luca Guardigli Responsabile Laboratorio: Ing. Fabio Paoletti Tutor: Ing. Luca Guardigli

Prospetti Sud e Est Scala 1:100

Francesco Pizzutilo Michela Saracino Alessandro Spottl

0000353608 0000314828 0000311630

Doghe TECU® Le doghe TECU® sono elementi per rivestimento pre-profi lati maschio-femmina, con piegatura di testa o senza, a seconda delle necessità costruttive. Le doghe possono avere lunghezza fi no a 4000 mm, e un’altezza standard fi no a circa 500 mm. Il montaggio avviene direttamente in cantiere, con giunzione a scomparsa maschio/ femmina, o con la tecnica del sormonto.

CREATO CON LA VERSIONE DIDATTICA DI UN PRODOTTO AUTODESK

CREATO CON LA VERSIONE DIDATTICA DI UN PRODOTTO AUTODESK

CREATO CON LA VERSIONE DIDATTICA DI UN PRODOTTO AUTODESK

CREATO CON LA VERSIONE DIDATTICA DI UN PRODOTTO AUTODESK

Francesco Pizzutilo 0000353608 Michela Saracino 0000314828 Alessandro Spottl 0000311630 Elaborato n° 8 •••••••••••••••• • ••• • •••• •• •••

CREATO CON LA VERSIONE DIDATTICA DI UN PRODOTTO AUTODESK

Laboratorio Progettuale del Corso di Architettura Tecnica I itettura Tecnica I

possiede tutte le qualità estetiche che ci aspettiamo da una superficie ossidata bruno opaca. Grazie al contatto con le intemperie e al processo di ossidazione, questa tonalità evolve a gradi sulle superfici di rame lucido. Le strisce in rame vengono preossidate su entrambi i lati con uno speciale trattamento industriale, studiato per simulare anni di esposizione agli agenti atmosferici. La specifica tecnologia di fabbricazione impiegata per questo materiale determina la formazione di sfumature di marrone più chiare e più scure, tuttavia queste tendono a scomparire con il tempo, a causa del processo di ossidazione. La superficie marrone opaco si scurisce,e infine tende all’antracite

]COURT_2.0[


RENDERED VIEW AND USE

]COURT_2.0[


Living

Livi

ng

Sho

ppi

Underg round Audito rium

ng

vi

axi

ng

Roo

Rel

ng

Fu

n

f G ard en

ing

ng

Play

Ha

Liv

Sh op pi

E

xi

bi

ng

Mee

g n i

t

tin

a e S g

]COURT_2.0[


INTRODUCTION

]CORTICELLA_pàrtòt[


Regeneration and densification of Corticella. Bologna, Italy

Corticella is now a quartier with no direction. Full of industrial skeletons and social residence without any social spaces. The park in the area is almost abandoned and only since a couple of years is returning to life thanks to a revitilization trough the lake and the horticulture. The challenge was to improve a urban project for giving a direction to this quartier. Densification was the first point in wich we focused. Densification wasn't made for speculative intentions but for creating the sensation of a new city center in opposition with the desert periphery of before. A numerous new centrality was created with the design for a mix of social categories together in order not to recreate the "ghetto" of poor periphery. People should live and mix together to gain new understandment with others. After creating the urban design we focused on the developing of a building. The aim was still to create a social mix and a mix of use in order to create a quartier and a building quite self sufficient. My thought is that urban regeneration is like a drop falling on a lake: it's strenghts will spread all arounnd and will be contagious for all the area around.

]CORTICELLA_pà rtòt[


URBAN | ARCHITECTURAL PANEL

]CORTICELLA_pàrtòt[


]CORTICELLA_pàrtòt[


INTRODUCTION

]ARCH_SINUOSITY[


Concept studies for a hall Structure.

The challange was to define a rules for creating a reticular structure supporting a hall cover. I studyed and codefied the rules behind the three poin arches. Changing the parameters this system opens an infinite new possibilities to create fluid and sinuous cover structures. The results combines in a good way structure, design and functions.

]ARCH_SINUOSITY[


Ingeneering is Architecture ]ARCH_SINUOSITY[


]ARCH_SINUOSITY[


INTRODUCTION

]SOCIAL_PARKING_CAPSULE[

]SPC[


Competition of ideas for public and social spaces. Bologna, Italy

]SPC[

This competition by the Municipality of Bologna aimed to find new ideas for public social spaces. My idea was to create spot spaces revenging the street space that nowadays is hosted by cars. The real victim are the people who are no more the protagonists of the city and the street. This module capsule wants to counteract and to invert this tendence. Even in quartier without a square and social structure people must be able to relax somewhere free, to find place to study o to play. Auto should not being before humans.

]SOCIAL_PARKING_CAPSULE[


We Don't Want A City For Car. We Want A City For Man!

]SOCIAL_PARKING_CAPSULE[

]SPC[


Relaxing

Studying

Playing

Configurations

]SPC[

]SOCIAL_PARKING_CAPSULE[


INTRODUCTION

]LEAF_LIFE[


Concept for an organic Seat.

The purpose was to create a design for a relaxing seat. The innocent idea comes from something i used to hear when i was i child for sending me to sleep: let yourself rock and lull by the leaves. Then comes this organic shapes which has the purpose to lull people and let them a moment for relaxing. It is tought also for possible aggregation and combinations taking inspirations from leaves hanging on tree.

]LEAF_LIFE[


Minimal Seat

Organic Seat

]LEAF_LIFE[


Nature

Leaves Organic Features

Ergonomic

BRANCH

Color

Spring

Leaf

Summer Life

Season

Autumn

CLUSTER

Relax

III

II

I

]LEAF_LIFE[


]MODELS[


Where the spirit does not work with the hand there is no art -Leonardo da Vinci-

]MODELS[


]MODELS[


]MODELS[


]SKETCH|GRAPHICS[


All art is but dirtying the paper delicately

]SKETCH|GRAPHICS[


CIRCUS

]SKETCH|GRAPHICS[


]SKETCH|GRAPHICS[


URBAN LANSCAPE

]SKETCH|GRAPHICS[


]SKETCH|GRAPHICS[


FLOCKING FLAMINGOS Graphics for a group of stiltman in Bologna

]SKETCH|GRAPHICS[


FF

]SKETCH|GRAPHICS[


]SHOT[


“The camera is an instrument that teaches people how to see without a camera.” Dorothea Lange

]SHOT[


ALPHABET ALBUM

]SHOT[


]SHOT[


HUMAN ZOO ALBUM

]SHOT[


]SHOT[


ARCHITECTURE TRAVELLING ALBUM

]SHOT[


]SHOT[


FRANCESCO PIZZUTILO

Francesco Pizzutilo portfolio  
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