Page 1

SERIES ONE


SERIES ONE

2


FORREST HUU TA

“Always keep your eyes open. Keep watching Because whatever you see can inspire you.” —Grace Coddington

Born into a legacy of entrepreneurs and engineers, I was always the odd one out of my family. Branded as a creative, I was isolated from my logic-focused siblings and cousins. My childhood was a long search for my creative calling. I spent my days watching fashion documentaries at the library or creating elaborate posters to hand out at family events—anything to outlet my creative energy. Focused and determined, I meticulously kept a swatch book for the crayons and markers in my desk. Today, driven by curiosity and independence, design has become a sixth sense. Armed with shelves of design books and a playlist of design podcasts, I approach the world with my eyes open to inspiration and insight. I can finally relate to my father, who still shows up to work everyday despite having the ability to retire. The fact that I can see the same for myself puts my soul to rest. It feels good to be home.

3


SERIES ONE

I

4


FORREST HUU TA

I S pectr u m L abs

Spectrum Labs OBJECTIVE

DIRECTOR

CLIENT

Spectrum Labs is a new cosmetics brand that specializes in custom-swatched makeup. The company uses scanning technology to provide personalized foundations for all skintones. Each foundation is made and measured with both skin color and skin type in mind. Spectrum Labs empowers its customers by closing a gap in traditional cosmetic outlets that excludes people with unique skintones. Their product line is expanding to provide the same customization to lipstick, blushes, eyeshadows, and more.

Min Choi Sean Bacon Bradford Prairie

Spectrum Labs

DISCIPLINES

SECTORS

▯ Advertising

Arts & Culture

Banking & Finance

DIRECTION The Spectrum Labs brand takes inspiration from the color, gender, and light spectrums. The triangular shape of the packaging references a prism. The top side of the boxes have a precisely sloped angle that allows visibility of swatch information from the front and top view. The typeface Replica is used for its bold confidence and neutral design that does not reference movements from the past. Spectrum Labs is marketed with inclusive portraits and messaging that gives a voice to its diverse and unique customer base.

5

Branding

○ Editorial

○ Entertainment

○ Environmental

○ Illustration

○ Hospitality

○ Interaction

○ Non-Profit

○ Motion

○ Publishing

▯ Packaging

▯ Retail

○ Print

○ Technology

Food & Drink


SERIES ONE

6


FORREST HUU TA

I

COMPETITIVE ANALYSIS Spectrum Labs focuses on customized cosmetics for all representations and ensures that the needs of all skin colors, self-expressions, and skin types are met. Spectrum Labs provides foundations that are customized for both skin color and skin type. Freedom of self-expression is pushed through inclusive advertising and marketing. Spectrum Lab's inclusive advertising campaigns feature unique models of varying features and expressions not found in mainstream advertising. This messaging ensures visibility for underrepresented groups and changes the definition of beauty to one that is more inclusive.

PEOPLE OF COLOR

GENDER

SKIN TYPES

7

S pectr u m L abs

Existing cosmetic companies have made various attempts to ensure that representation is included in their branding. However, none of them have found a solution that tackles a wider range of representation beyond the needs of specific groups. Brands such as Fenty Beauty and LancĂ´me have made it known that their brand focuses on the demand for wider shade ranges. Brands such as MAC and Milk include various gender identities and expressions in their advertising. Brands like Maybelline and Clinique have various foundation types of differing skin types.


SERIES ONE

LOGO SYSTEM

COLOR SYSTEM

VISUAL ELEMENT

Wordmark

COLOR NAME SWATCH #0000

BLACK

WHITE

Pantone Black C C100 M100 Y100 K100 R255 G255 B255 #000000

Pantone White C C0 M0 Y0 K0 R255 G255 B255 #FFFFFF

TYPOGRAPHY Primary

Secondary

Replica

Roboto Mono

ABCDEFGHIJKLMNOPQRSTUVWXYZ

ABCDEFGHIJKLMNOPQRSTUVWXYZ a b c d e f g h ij k l m n o p q r s t u v x y z 12 3 4 5 678 9 0!@ # $ %^&*()+{}?

abcdefghijklmnopqrstuvxyz 123 45678 9 0!@#$%^&*()+{}?

DIELINES

8


FORREST HUU TA

I

S pectr u m L abs

9


SERIES ONE

10


FORREST HUU TA

I

S pectr u m L abs

11


SERIES ONE

12


FORREST HUU TA

I

S pectr u m L abs

13


SERIES ONE

14


FORREST HUU TA

I

S pectr u m L abs

15


SERIES ONE

II

16


FORREST HUU TA

II

OBJECTIVE

DIRECTOR

CLIENT

The Female Founders Conference is an annual startup conference led by Y-Combinator. The conference was initiated as a platform for successful women of the startup industry to share their stories with upcoming female entrepreneurs. Investors are also invited to promote seed funding for women-led companies. The purpose of the conference is to develop a space for female founders to thrive and prosper in a maledominated industry.

Sean Bacon

Y-Combinator

DISCIPLINES

SECTORS

○ Advertising

Arts & Culture

Banking & Finance

DIRECTION The theme for the conference’s upcoming 2019 event was based on two concepts: disruption and emergence. Disruption represented the push back against the status quo for women in a male-dominated industry. Emergence represented the growing succession of women-led startups. It was imperative that the spirit of empowerment and confidence were maintained across the identity of the conference. The main demographic of the conference includes young women of the millennial generation. Elements of femininity, professionalism, and sophistication were used in the branding efforts. The primary color palette consists of Blush and Sapphire to represent the femininity and professionalism of the event. The secondary color Goldenrod was used to represent sophistication. Gitan Latin and Brandon Grotesque were both used stylistically to maintain the contemporary nature of the startup industry.

17

Branding

▯ Editorial

○ Entertainment

○ Environmental

○ Illustration

○ Hospitality

▯ Interaction

▯ Non-Profit

○ Motion

○ Publishing

○ Packaging

○ Retail

▯ Print

▯ Technology

Food & Drink

F emale Fo u nders C o nference

Female Founders Conference


SERIES ONE

LOGO SYSTEM Wordmark

Monogram

TYPOGRAPHY

Header

Symbol

COLOR SYSTEM

Gitan Latin ABCDEFGHIJKLMNOPQRSTUVWXYZ abcdefghijklmnopqrstuvxyz 123 4567890!@#$%^&*( )+{ }?

Body

Brandon Grotesque

BLUSH

SAPPHIRE

GOLDENROD

Pantone 3572 C C0 M42 Y34 K0 R254 G155 B150 #FE9B96

Pantone 7693 C C100 M57 Y9 K47 R0 G73 B118 #004976

Pantone 136 C C0 M28 Y87 K0 R255 G191 B63 #FFBF3F

ABCDEFGHIJKLMNOPQRSTUVWXYZ a b c d e f g h i j k l m n o p q r s t u v x y z 1 2 3 4 5 6 7 8 9 0 ! @ # $ %^& * ( ) + { } ?

VISUAL ELEMENTS Disruption

Emergence

18


FORREST HUU TA

II

F emale Fo u nders C o nference

19


SERIES ONE

20


FORREST HUU TA

II

F emale Fo u nders C o nference

21


SERIES ONE

femalefoundersconference.com ABOUT

SPEAKERS

SCHEDULE

SPONSORS

FEBRUARY 8-9, 2019 NEW YORK CITY

REGISTER NOW

VIEW LIVE FEED

22

REGISTER


FORREST HUU TA

II

F emale Fo u nders C o nference

23


SERIES ONE

24


FORREST HUU TA

II

F emale Fo u nders C o nference

25


SERIES ONE

III

26


FORREST HUU TA

III H o me / Wo rk

Home/Work OBJECTIVE

DIRECTOR

CLIENT

Home/ Work is a new space that combines co-working with communal hotel accommodations for short-term stays. The space targets a growing class of young entrepreneurs and digital nomads that work with teams remotely, but often need to travel for meetings or work sessions. Through the Home/ Work mobile app, guests are given the freedom to book their lodging and workspaces separately according to their time and needs.

Sean Bacon Bradford Prairie Leanna Jones

Home/ Work

COLLABORATOR Larry Vida

DIRECTION The Home/ Work brand is simple and user friendly, with an emphasis on creating a seamless experience. A color palette of black and white is accented with a rich mustard yellow for an energizing, studious look. The Montserrat type family was chosen for its friendliness and sharp readability across digital, print, and environmental applications. The logo system, which includes a wordmark and monogram, is modified from Montserrat to create even weight and tie the logo into the brand’s rounded shapes. A system of clean icons is used to unify communication across user interfaces, print, and wayfinding.

27

DISCIPLINES

SECTORS

○ Advertising

Arts & Culture

Banking & Finance

Branding

○ Editorial

○ Entertainment

▯ Environmental

○ Illustration

▯ Hospitality

▯ Interaction

○ Non-Profit

▯ Motion

○ Publishing

○ Packaging

○ Retail

○ Print

▯ Technology

Food & Drink


SERIES ONE

28


FORREST HUU TA

THOMAS

AGE

The Traveler

LOCATION

Thomas is digital nomad who incorporates his love for traveling with his work lifestyle. He makes his income as a web development freelancer and has clients all over the country. While he travels frequently, he believes that in-person meetings are important and schedules his time to ensure he can meet with his clients while still being able to explore the cities he’s visiting. He lives everyday like it’s his last and has a “work hard, play hard” mentality.

Los Angeles, California

NEEDS

$65,000

EDUCATION

High School Education

RELATIONSHIP

Single

OCCUPATION

Web Developer

• Prefers face-to-face communication with his clients. • Needs an affordable, secure place to work.

ERICA

AGE

32

The Entrepreneur

LOCATION

Erica is a co-founder and CEO of a startup. She graduated at the top of her class from an Iv y League university. After working for five years in research and finally getting her Masters’ Degree, she formed a biochemistry startup with her colleagues. She frequently travels with her team to meet up with potential vendors and investors interested in her startup. She hopes to make an impact on the scientific industry someday.

EDUCATION

M. A . Business Management B.S. Biological Engineering

RELATIONSHIP

In a relationship

OCCUPATION

Co-Founder, CEO of a startup

NEEDS Affordable living arrangements that can accommodate groups. Workspaces for her employees. Conference rooms to meet with vendors and investors.

MIRANDA

INCOME

$125,000

AGE

29

The Collaborator

LOCATION

Miranda is writer and producer for a web series. After graduating from university, she started a lifestyle blog which became popular. This stint led her to become a frequent columnist for several digital publications. Following her years as a writer, she launched a travel web series on and flies across the world to research, record, and produce content for her online platform. She also collaborates with other content creators.

Long Island, New York

EDUCATION

B. A . Journalism

RELATIONSHIP

Married

OCCUPATION

Writer, producer

INCOME

NEEDS • •

Philadelphia , Pennsylvania

$72,000

A productive setting to edit and produce content close to her lodgings. A space that encourages social interaction with other travelers.

29

H o me / Wo rk

INCOME

• • •

III

25


SERIES ONE

LOGO SYSTEM Wordmark

Monogram

TYPOGRAPHY

Symbol

COLOR SYSTEM

Montserrat ABCDEFGHIJKLMNOPQRSTUV WX YZ abcdefghijklmnopqrstuvxyz 12 34567890!@#$%^&*()+{ }?

ICONOGRAPHY

30

GRAPHITE

MUSTARD

WHITE

Pantone Black CP C63 M62 Y59 K94 R47 G44 B39 #2F2C27

Pantone 3514 CP C0 M27 Y100 K0 R236 G174 B0 #ECAE00

Pantone White C C0 M0 Y0 K0 R255 G255 B255 #FFFFFF


FORREST HUU TA

III

H o me / Wo rk

31


SERIES ONE

32


FORREST HUU TA

III

H o me / Wo rk

33


SERIES ONE

34


FORREST HUU TA

III

H o me / Wo rk

35


SERIES ONE

IV

36


FORREST HUU TA

IV H ere ' s W hat

Here's What OBJECTIVE

DIRECTOR

CLIENT

Here's What is an American magazine that features essays, commentary, illustration, and criticism written by independent writers. Targeted towards an audience of progressive young adults, ages 23 – 37, each issue focuses on a topic that requires discourse from the community. The magazine features only content created by qualified writers who have first-hand experiences in the particular subject. This creates a unique platform for groups who feel that their voices are silenced, ignored, or spoken over by mainstream media .

Sean Bacon Bradford Prairie

Here's What

COLLABORATOR Kristina Tran

DIRECTION Each issue features a vibrant and contrasting palette of Pantone spot colors that evoke a strong sense of emotion to match the serious nature of the content. The illustrations are kept youthful and approachable, with conceptual twists, to keep the magazine engaging to the reader. The Tiempos type family was chosen for its contemporary style, high contrast sophistication and readability as both a header and a body font.

37

DISCIPLINES

SECTORS

○ Advertising

Arts & Culture

Banking & Finance

Branding

▯ Editorial

○ Entertainment

○ Environmental

▯ Illustration

○ Hospitality

○ Interaction

○ Non-Profit

○ Motion

▯ Publishing

○ Packaging

○ Retail

▯ Print

○ Technology

Food & Drink


SERIES ONE

38


FORREST HUU TA

IV

H ere ' s W hat

39


SERIES ONE

40


FORREST HUU TA

IV

H ere ' s W hat

41


SERIES ONE

42


FORREST HUU TA

IV

H ere ' s W hat

43


SERIES ONE

V

44


FORREST HUU TA

V Occ u ltier

Occultier OBJECTIVE

DIRECTOR

CLIENT

Occultier is a high-end American chocolatier that specializes in various types of specialty chocolates and confections with a dark conceptual twist. The company takes inspiration from esoteric beliefs and hidden mythology to provide an unusual but tantalizing experience for customers who desire a more exotic approach to sweets.

Sean Bacon

Occultier

COLLABORATOR Eve Rios

DIRECTION Occultier, a portmanteau of the words “Occultism” and “Chocolatier,” evokes spirituality, paranormal, and esoteric knowledge that extends beyond reason and intention. The logo is drawn to replicate 19th century hand lettering, the time period when occultism was at its peak. A dark palette of black, white, and aubergine give the packaging a moody, mysterious tone. The Dear Sir Madam typeface was chosen for its sophisticated Victorian construction with unsettling counterforms.

45

DISCIPLINES

SECTORS

○ Advertising

Arts & Culture

Banking & Finance

Branding

○ Editorial

○ Entertainment

▯ Environmental

○ Illustration

○ Hospitality

○ Interaction

○ Non-Profit

○ Motion

○ Publishing

▯ Packaging

▯ Retail

○ Print

○ Technology

Food & Drink


SERIES ONE

46


FORREST HUU TA

V

PACKAGING The company's first launch into the market was with specialty dark chocolate bars that are heavily influenced by tarot cards and fortune tellers. Tarot cards were the main inspiration due to their occult nature and similar shape to traditional chocolate bars.

There are currently twenty-two tarot cards in the Major Arcana , allowing for the company to expand up to twenty-two flavors—giving it a collectiblelike experience. Each chocolate bar also includes a randomized fortune card as an element of surprise when the foil is unraveled.

47

Occ u ltier

Each flavor is represented through a tarot card of the Major Arcana . Each bar is given a Major Arcana that best references the experience of its respective flavor. The spicy, cinnamon infused chocolate bar is named after The Devil Arcana in relation to the card's sinister and seductive symbolism. The refreshing mint chocolate bar is named after the Temperance Arcana due to its rejuvenating effects. The sea salt chocolate bar is named after the Moon Arcana in relation to the moon's tidal force and emotional turmoil. The orange infused chocolate bar is named after the Sun Arcana in relation to the card's joyous energy. The darker chocolate bar is named after the Death Arcana in relation to the card's bitter, brutal symbolism.


SERIES ONE

LOGO SYSTEM Wordmark

COLOR SYSTEM Symbol

WHITE

BLACK

AUBERGINE

Pantone White C C0 M0 Y0 K0 R255 G255 B255 #FFFFFF

Pantone Black C C100 M100 Y100 K100 R255 G255 B255 #000000

Pantone 7665 C C64 M84 Y0 K32 R94 G54 B110 #5E366E

DIELINES

TYPOGRAPHY

VISUAL ELEMENTS

Dear Sir Madam ABCDEFGHIJKLMNOPQ RSTUVW XYZ a b c d e f g h i j k l m n o p q r s t u v x y z 1235467890!@

48


FORREST HUU TA

V Occ u ltier

49


SERIES ONE

50


FORREST HUU TA

V Occ u ltier

51


SERIES ONE

52


FORREST HUU TA

V Occ u ltier

53


SERIES ONE

54


FORREST HUU TA

V Occ u ltier

55


SERIES ONE

VI

56


FORREST HUU TA

VI E x hibiti o n P o stcards

Exhibition Postcards OBJECTIVE

DIRECTOR

CLIENT

The Museum of Man is an anthropological and historical museum based in San Diego, California, known for its renowned and popular exhibits such as Living with Animals, Cannibals, and more. In order to extend the museum's presence beyond its local community, the Engagement department of the museum commissioned the Marketing and Design department to create illustrative postcards that can be purchased in the gift shop. The postcards are intended to help spread awareness of the museum and leave a lasting impression on visitors.

Sonya Calderon Alonso Lopez Shannon Fleming-Fowler

San Diego Museum of Man

DISCIPLINES

SECTORS

▯ Advertising

Arts & Culture

Banking & Finance

DIRECTION To convey a broad range of exhibits in a unified style, illustrations were created based on the objects in each attraction. To ensure that the exhibition names were still legible with illustrations placed inside, the Program typeface was chosen for its rectangular form and curved corners, set in the bold weight for maximum space. Extensive research was conducted to ensure that each exhibit was properly represented through the illustrations. Each postcard uses a color palette inspired by the colors of the exhibit, but with extra saturation for a friendly feel.

57

Branding

○ Editorial

○ Entertainment

○ Environmental

▯ Illustration

○ Hospitality

○ Interaction

▯ Non-Profit

○ Motion

○ Publishing

○ Packaging

○ Retail

▯ Print

○ Technology

Food & Drink


SERIES ONE

58


FORREST HUU TA

VI

E x hibiti o n P o stcards

59


SERIES ONE

60


FORREST HUU TA

VI

E x hibiti o n P o stcards

61


SERIES ONE

VII

62


FORREST HUU TA

VII Objects o f E x travagance

Objects of Extravagance OBJECTIVE

DIRECTOR

CLIENT

The Metropolitan Museum of Art, also known as The Met, is the largest art museum in the United States. It features renowned exhibits to millions of visitors annually and has four separate locations in New York state. Its permanent collection consists of over two million works that are divided into seventeen curatorial departments. It is also known for its Met Gala which is regarded as one of the most exclusive social events of the year. The museum is opening a new exhibit that features decorative pieces from the Baroque and Rococo Era . A limited edition book, to be sold in the gift shop, was created to serve as a companion to the exhibit.

Sean Bacon Bradford Prairie

The Metropolitan Museum of Art

DISCIPLINES

SECTORS

▯ Advertising

Arts & Culture

Banking & Finance

Branding

▯ Editorial

○ Entertainment

DIRECTION

▯ Environmental

The new exhibit, named ‘Objects of Extravagance,’ is branded with detailed images of Baroque and Rococo furniture and decor set over dark backgrounds. Images focus on the craftsmanship of the pieces from the time period, rather than the era as a whole. Kennerly Pro, chosen for its classic elegance that reference the intricate details of the exhibit objects, is applied with loose spacing for a stark look. The companion book is typeset with Adobe Caslon Pro, for its timeless character and strong readability.

○ Illustration

○ Hospitality

○ Interaction

▯ Non-Profit

○ Motion

○ Publishing

○ Packaging

○ Retail

○ Print

○ Technology

63

Food & Drink


SERIES ONE

64


FORREST HUU TA

VII

Objects o f E x travagance

65


SERIES ONE

66


FORREST HUU TA

VII

Objects o f E x travagance

67


SERIES ONE

68


FORREST HUU TA

VII

Objects o f E x travagance

69


SERIES ONE

VIII

70


FORREST HUU TA

VIII G achap o n

Gachapon OBJECTIVE

DIRECTOR

CLIENT

Gachapon is an amusement and gaming center that provides capsule vending machines, exclusive Japanese arcade games, crane machines, karaoke rooms, anime and manga memorabilia , photo booths, and more. Gachapon has locations in Los Angeles and San Francisco where concentrations of Asian-American groups are much higher. The center is heavily inspired by the streets of Shinjuku and Akihabara of Japan, providing a unique and beloved culture to an American market.

Bradford Prairie

Gachapon

DISCIPLINES

SECTORS

○ Advertising

Arts & Culture

Banking & Finance

DIRECTION The Gachapon brand is inspired by Hiroshi Nagai, a Japanese painter that has influenced many Japanese funk musicians of the 1980s. His depictions of American beaches and coastal cityscapes connect to Gachapon’s Asian American, Californian audience. A risograph is used for print applications for a vivid look with lots of subtle imperfections. The logo is modeled after the gachapon capsule, an iconic element of Japanese popular culture.

71

Branding

○ Editorial

▯ Entertainment

○ Environmental

○ Illustration

○ Hospitality

○ Interaction

○ Non-Profit

○ Motion

○ Publishing

○ Packaging

○ Retail

▯ Print

○ Technology

Food & Drink


SERIES ONE

LOGO SYSTEM

COLOR SYSTEM

Wordmark

Symbol

RISO BLUE

RISO FLUORESCENT PINK

Pantone 3005 U C99 M22 Y0 K1 R0 G120 B191 #0078BF

Pantone 806 U C0 M72 Y31 K0 R255 G72 B176 #FF48B0

TYPOGRAPHY Header

Body

Cubano

Input Mono

ABCDEFGHIJKLMNOPQRSTUVWXYZ abcdefghijklmnopqrstuvxyz 1236 4567890!@ # $%^&*()+{}?

VISUAL ELEMENTS

72

ABCDEFGHIJKLMNOPQRSTUVWXYZ a b c d e f g h ijk l m n o p qr s t u v x y z 1 2364 567890!@ #$ % ^ & *()+ {}?


FORREST HUU TA

VIII G achap o n

73


SERIES ONE

74


FORREST HUU TA

VIII G achap o n

75


SERIES ONE

76


FORREST HUU TA

VIII G achap o n

77


SERIES ONE

IX

78


FORREST HUU TA

IX L ies o n F ire

Lies on Fire OBJECTIVE

DIRECTOR

CLIENT

MATE is an underground shoegaze artist whose selfreleased work has been described as emotionally driven and thought provoking. Her lyrics juxtapose dark themes of abandonment and nostalgia with strong emotions of sexuality and power. She cites her aesthetic influences as 1980s goth bands, French New Wave cinema, and contemporary doom and dream pop. Lies on Fire, the latest studio album by MATE, features a collector’s edition box made especially for fans.

Sean Bacon Bradford Prairie

MATE

COLLABORATOR

SPECIAL THANKS

Cynthia Abril

Eve Rios Eduardo Trejo

DISCIPLINES

SECTORS

▯ Advertising

Arts & Culture

Banking & Finance

DIRECTION To reference the themes of empowerment and emotion present in Lies on Fire, the color red is used throughout the brand for its strong and provocative presence. Photography, shot with red-gel lighting, has a somber, yet passionate tone. The positioning of the MATE logo speaks of a disregard for order, but is grounded by circular elements. The Roslindale typeface was chosen for its strokes and terminals, which are reminiscent of Old English display fonts found in goth and metal culture. The title of the album references the end of deception and the rise of empowerment.

79

Branding

○ Editorial

▯ Entertainment

○ Environmental

○ Illustration

○ Hospitality

○ Interaction

○ Non-Profit

○ Motion

○ Publishing

▯ Packaging

○ Retail

▯ Print

○ Technology

Food & Drink


SERIES ONE

80


FORREST HUU TA

IX

PACKAGING

81

L ies o n F ire

The collector’s edition of Lies on Fire is presented in a special box, designed with the unboxing experience in mind. The exterior is covered in a rich crimson suede with MATE’s logo laser engraved on the cover to keep the branding consistent while still symbolizing exclusivity. The sides of the packaging are implanted with magnets to secure the contents at closure. The set includes a limited edition clear red vinyl LP and a black leather bound book containing lyrics, poems, and photos shot and curated by MATE. The book also has MATE’s logo crudely screen printed on the cover to contrast the luxurious feel of the exterior shell.


SERIES ONE

LOGO SYSTEM Artist

Album

Insignia

DIELINES

TYPOGRAPHY Artist

Album

Roslindale Display

Compacta

ABCDEFGHIJKLMNOPQRSTUVWXYZ

A B C D E F G H I J K L M N O P Q R S T U V W X Y Z

a b c d e f g h i j k l m n o p q r s t u v x y z

a b c d e f g h i j k l m n o p q r s t u v x y z

1 2 3 6 4 5 6 7 8 9 0 ! @ # $ %^& * ( ) + { } ?

12 3 6 4 5 6 7 8 9 0 !@# $ %^&* ( )+{}?

82


FORREST HUU TA

IX

L ies o n F ire

83


SERIES ONE

84


FORREST HUU TA

IX

L ies o n F ire

85


SERIES ONE

86


FORREST HUU TA

IX

L ies o n F ire

87


SERIES ONE

88


FORREST HUU TA

IX

L ies o n F ire

89


SERIES ONE

Sean and Bradford, my life support team. Thank you for always believing in me when I did not believe in myself at times. I will always be incredibly grateful for the knowledge, strength, and wisdom you have instilled in me throughout this program.

Larry, my comedy duo partner. Thank you for all of the laughs during my lighter days and all of the loves during my hardest times. I am so blessed to have a supporting figure who validates my feelings with empathy.

Cynthia, the Jessica to my Michael. Thank you for being the guiding force in my life. Your cynicism, humor, and impeccable taste has led me to become a stronger person than I was yesterday.

Kristina, the biggest uwu in my life. Thank you for always being by my side and giving my life joy and hope during the worst of times. It was a pleasure to work with you.

Eve, my rival, collaborator, and inspiration. Thank you for lending your skills and insight into our project. You are an incredible beacon of talent and you inspire me everyday.

Eugene Thank you for all of your love and support. You keep me grounded and open my eyes to my own potential. I am always glad to have you around.

Norm Thank you for always helping me out with my projects and being the person I can spill the tea with. The program is blessed to have you come along.

Chloe Thank you for your patience and always knowing what to say. I would be nowhere without your love and support and I am incredibly grateful to have known you.

Andrea, Candice, James, Leanna, and Min Thank you for helping me build my foundation and letting me prosper into something greater.

Portfolio Classmates Thank you all for the good times. I will miss you all dearly and I hope that our paths cross again someday.

Family and Friends Thank you always.

90


FORREST HUU TA

Typefaces Superior Title by MCKL Type Neue Haas Grotesk by Monotype

Printing Canon Pixma Pro-100 Red River 60lb Double-Sided Polar Matte

Photography Bradford Prairie Forrest Huu Ta Unsplash Stocksy

Copyright Š 2019 Forrest Huu Ta

All rights reserved. No portion of this book may be used or reproduced without written permission from the author.

forresthuuta .com hello@forresthuuta .com

91

Profile for forresthuuta

SERIES ONE by Forrest Huu Ta  

forresthuuta.com

SERIES ONE by Forrest Huu Ta  

forresthuuta.com

Advertisement