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FLORIAN LIBER

PA I N T I N G R E C O M P O S E D A C C O R D I N G T O A S P E C I F I C ALGORITHM ML (MACHINE LEARNING) / AI ART


A R T I F I C I A L I N T E L L I G E N C E A S A R T I N N O VAT I O N

This new technology allows artists to use those powerful tools to emphases the new process of creation, in my case from fine arts to the inorganic sculpture and augmented humanity. As the top university of the world warn us, the Artificial Intelligence A.I. will impact all segments of daily life by 2025 with huge implications. I speculate that a new political, social and cultural order will be instituted by these rationalizations and modeling technologies, structured by digital virtualization machines or devices, which will begin to take form at the threshold of an ephemeral age of the senses as in “working with contemporary demons�.


U N N AT U R A L HUMAN IMPERFECT

CORE COLLECTIONS 2020

Florian LIBER


Montreal, New York, Europe, Japan


RELIEF PAINTINGS ON CANVAS, INORGANIC & NEW TECHS IN CONTEMPORARY ARTS, 2020

EXHIBITION OF LEADING CANADIAN AND INTERNATIONAL ARTISTS (Florian LIBER, David SORENSEN and Henry SAXE - member of the Royal Canadian Academy of Arts) Stanley Borenstein Gallery - 4710 rue St-Ambroise suite 102, Montreal, Québec, H4C 2C7 P: 514 843-6662

https://www.facebook.com/galeriedartscontemporains/


U N N AT U R A L I will go to the thread of Ariadne, and I am following your traces as a contemporary “inorganic artist” [iv]. I mean inside the human body. You shiver me, Liber (I know you like aesthetic shivering, what would you do without it?) with your invasive style in the human body structure. You strongly enter - as a surgeon in and dissect, divide with the aesthetic scalpel meat pieces, human skeleton parts and you place them cynically on a metal/ technological support, replacing life, blood, nerves, and veins with the cold skeleton of industrial matter. Basically, you drain the life and replace it with something that brings a very life. I do not know whether you intend to draw the signal on the decay of life, the process of decomposition of the livelihood or even of the overlapping of the nourishment on death, of the interlocking of the three faces of the whole: life-deathhybridization. I really do not know! But your works become finally anatomical. Do you know what saves them from Cut, Paste, and noLife?! - You play, you assassinate, you cut, you drain the life from the biological body and then mimic it, endowing the anatomical material with the pictorial blood, in a “lively object-painting”, transforming it into an inorganic study sequel, into a contemporary aesthetic object. (L. Bibart, Art Review)

pp. 4-9


i

CORE COLLECTION by Florian LIBER


ii

ubermensch


iii

Large/ medium size bassorilievo/ bas relief & Painting on canvas i, iii and mezzo-relievo & Painting on massive wood ii as Ubermensch (next page - AI art research no. iv)


iv. VENUS vs Kate Moss (AI based art), 154x43x23 cm

[acrylic, epoxy, steel, enamel, gesso, involving art - nanotech IoT]


HUMAN IMPERFECT The body ego, as Freud said, that is, the most primitive and physical and organic ego. It becomes clear that the violent conceptual explosions that have recently taken place were decisively influenced the re-definition of body images, of body perceptions. Fifty years ago, the Francis Bacon thought, aimed to restore the body “to a kind of dignified, animal resignation”. For him, art was about ribs and forearms and eye sockets. “It was about flesh over bone. Bacon never forgets that flesh is meat”. In my case, the bone become excessory, the flesh becomes inflesh, an inorganic re-definition. The purveyor of inflesh of all kinds, as an inflection, of livid and brilliant hues: phthalo greens, cobalt blue, eerie pale or saturate red and shocking yellows, sepulchral titanium whites, black ivory and ritually primitive lines. The excessories of my artworks, steel and fiberglass erection, conjure unlikely anatomies and intelligent devices (nanotech, A.I.). My artistic approach and acclaim the spectacular extremes of bodily manipulation by new technologies, the deconstruction of corporality(Derrida) and evaporation of the body into virtual(Deleuze), moving towards to a new aesthetics, butchering of the ideal body as a gift from nature.

pp. 10-22


fig 2. dim: 48 x 36 in, 122x92 cm, basrelief on canvas


the new era of embodiment

fig 3. dim: 59 x 37 in, 150 x 94 cm, canvas and object-painting


fig 4. dim: 48 x 36 in, 122x92 cm, bas-relief on canvas [acrylic, epoxy, steel, enamel, gesso, involving art - nanotech IoT]


fig 5. dim: 36 x 48 in, 92 x 122, cm, canvas


fig 6. dim: dim: 36 x 48 in, 92x 122 cm, canvas


fig 8. dim: 48 x 36 in, 122 x 92 cm, relief painting on canvas [acrylic, epoxy, steel, enamel, gesso, involving art - nanotech IoT]


https://florianliber.com/ info@florianliber.com Montreal, Qc, Canada Master Degree in Arts and Sc

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Profile for Florian Liber

Painting - the latest core collection by Florian LIBER, AI art  

https://florianliber.com/

Painting - the latest core collection by Florian LIBER, AI art  

https://florianliber.com/

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