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I N O RE CO N . 1 9 1 4 . Colored Pencil. 6% x I inches. Collection of John A. Merril. Shawnee, Oklahoma.


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WINTER FOREST IN SWEDEN. Oil on Canvas. 18 x 24 inches. Gift of Hal Johnson. Norman, Oklahoma.

c. 1919-1920.


DJEDJELLI, ALCERIA. 1926. Oil on Canvas. 28 x 36 inches. Collection of the Melton Park Gallerv. Oklahoma Citv. Oklahoma.


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Checklist

BLUFFS BEYOND A DRY RIVER. 1925. Pencil on Colored Paper. }Yz x l2h inches. Collection of Mr, and Mrs. Leonard Good. Chickasha, Oklahoma.

IN O RE G O N. 1 9 1 4 . Colored Pencil. 6Y, x g inches. Collection of John A. Merril. Shawnee, Oklahoma. UNT I T LE D A . 1 9 T 6 . Oil on Canvas. 22% x 18 inches. Collection of the Kirkpatrick Foundation. Oklahoma City, Oklahoma. WI NT E R F O RE S T IN S WE D E N . Oil on Canvas. 18 x 24 inches. Gift of Hal Johnson. Norman, Oklahoma.

c . 1 9 1 9 - 1920.

GRAND CANYON. c. 1920. Oil on Board. 26 x 34 inches, Gift of Shirley McMillan, UNTITLED LANDSCAPtr. 1921. Oil on Canvas, 16 x 20 inches. Collection of the Mabee-Gerrer Museum of Art. St. Gregory Abbey and College, Shawnee, Oklahoma. 1922. SUPERSTITION MOUNTAIN. Oil on Canvas. 28% x 36 inches. CIANT CACTI. 1922, Oil on Board. 20 x 26 inches, Collection of the Mabee-Gerrer Museum of Art. St, Gregory Abbey and College, Shawnee, Oklahoma. CO A S T O F S W E D EN . ELE CY O F T HE SE A. 1 9 2 3 . Oil on Canvas. 30 x 34 inches. Collection of Mr. and Mrs. Leonard Good Chickasha, Oklahoma

COL DE SFA SAHARA. 1926. Oil on Canvas. 20 x 26 inches. Collection of Mrs. Frank A. Melton. Norman, Oklahoma. E N C H A N TE D R OC K S . 1926. Oil on Board. 19% x 26 inches. Gift of Mr. and Mrs. David H. Bridges. Oklahoma City, Oklahoma. DJEDJELLT, ALCERTA. 1926. Oil on Canvas. 28 x 36 inches. Collection of the Melton Park Gallery. Oklahoma City, Oklahoma. rN MOR OC C O (L' OU E D OU N E R REBBTA). 1926. Oil on Board. 20 x 25Vzinches. Collection of the Kirkpatrick Foundation. Oklahoma City, Oklahoma, EL BAADJ. 1926. Oil on Canvas. 20Vz x 26 inches. Collection of the Kirkpatrick Foundation. Oklahoma City, Oklahoma. uNTrrLED. (AR{B WrTH CAMEL). 1920-27. Oil on Canvas. 20% x 26 inches. Collection of the Oklahoma City Art Museum. Oklahoma City, Oklahoma. PURPLE WATERS. T927, Oil on Canvas. 32 x 25'A inches. Collection of Jim Gasaway. Norman, Oklahoma.

SA ND A ND W I N D , c . 1 9 2 4 . Oil on Board. 18 x 24 inches. Gift of Mr. and Mrs, David H. Bridees. Ok lahom aCit y . O k l a h o ma .

CHATEAU D'IF. c. 1927. Oil on Board. I\Vz x 25% inches. Collection of Jim Gasaway. Norrnan, Oklahoma.

UNTITLED LANDSCAPE, 1925. Oil on Canvas. 18 x 23 inches. Collection of the Mabee-Gerrer Museum of Art. St. Gregory Abbey and College, Shawnee,Oklahoma,

UNTITLED LANDSCAPE. c. 1928. Oil on Board. 20 x 26 inches. Collection of the Mabee-Cerrer Museum of Art. St. Gregory Abbey and College, Shawnee,Oklahoma.

OR,A.BAIWASH. c. 1925. Oil on Board. 28 x 2l% inches. Collection of Mr. and Mrs. Leonard Good. Chickasha.Oklahoma

CLOUDS IN THE ATLAS. 1928. Oil on Board. 20 x 26 inches. Collection of the Kirkpatrick Foundation. Oklahoma Cit1,, Oklahoma.


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RABBIT BRUSH. 1953. Oil on Canvas. 22 x 28 inches. Collection of Mr. and Mrs. Robert Shead. Oklahoma City, Oklahoma. SHADOWS AMONC THE NAVAJOS. 1953. Oil on Canvas. 22h x 28% inches. Collection of the Kirkpatrick Foundation. Oklahoma City, Oklahoma. 1954. FALL IN OKLAHOMA. Oil on Canvas. 18 x 24 inches. Collection of the Kirkpatrick Foundation. Oklahoma City, Oklahoma. IN NEVADA, 1954. Oil on Canvas. 20 x 26 inches. Collection of the W. C. Culp Estate. Ardmore, Oklahoma. ENGINEER'S MOUNTAIN NEAR SILVERTON,

coLORADO. 1958. Oil on Canvas. 20 x 26 inches. Collection of the Kirkpatrick Foundation. Oklahoma City, Oklahoma. CALIFORNIA COAST. 1960, Colored Pencil, 7 x 8Yzinches. Collection of Mr. and Mrs. Leonard Good. Chickasha, Oklahoma. GO LDE N A S P E N S , C OL OR AD O . Oil on Canvas. 28 x 22 inches. Collection of Mrs. Charles Suggs. Norman, Oklahoma. UNTITLED. I964. Oil on Canvas. 20 x 26Yl inches. Collection of Mrs. Frank A, Melton, Norman, Oklahoma. WINTER, 1965, Colored Pencil. 6 x 8% inches. Collection of Jim Gasaway. Norman, Oklahoma.

1963.


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ACKNOWLEDCMENTS It has been a great pleasure putting this exhibition together and has allowed me to acquire a greater insight into the birth of the Museum and the visual arts at the University. The willingness and enthusiasm of all those who have provided assistancehas been greatly appreciated. A special thanks to Leonard Good, Professor Emeritus of Art, for providing the excellent essay that details his remembrancesof Oscar BrousseJacobsonand his tireless assistanceboth with valuable advice and encouragement for the project. I would also like recosnize the assistanceof Professor Emeritus Emory Lindquist of Wichita Kansasauthor of a soon to be published biography of Jacobson'steacher and friend Birger Sandzen. Professor Emeritus John O'Neil of Houston provided expert editorial assistance to the catalog and gave me some insight into what it must have been like during the tenure of Jacobson. The JacobsonFoundation was of great assistanceespecially Carol Whitney for providing the list that had been assembledof Jacobsoncollectors. This compilation was a valuable resource and saved a great amount of time in putting the exhibition together. The Kirkpatrick Foundation of Oklahoma City and the Southwestern Bell Telephone Company through their continued support of cultural endeavors in the State of Oklahoma, their improving and enriching the lives of the citizens of the state. These two institutions provided partial financial support in the form ofgrants to the museum to assist in the realization of the project. The University of Oklahoma Western History collection deservesour appreciation for providing the archival information that contributed greatly to our understand-

ing and knowledge of Oscar B. Jacobson.We would like to thank Dr. Don De Witt and his fine staff for their assistance. And finally, I have acquired a special appreciation of the man that is the subject of all of this; he must truly have been a giant of his time to have accomplishedthe monumental task that he set for himself upon his arrival in 1915 and to have left us with such a legacy to build upon. Oscar B. Jacobsondeservesa monument to his memory as much as any and has something of one in the first museum building Jacobson Hall. The Museum wishes to thank the lenders to the exhibition and those many others that offered Jacobson paintings from their collections. So many responded to our request for paintings by Oscar B. Jacobson that there was a greater number of works to choose from than we had ipace allocated. We tried to represent the most important periods of his career in this exhibition. Some areas are rather light and others are more plentiful. We hope that we have at least represented in the exhibition the growth and maturity of one of Oklahoma's important pioneers in the visual arts. I saw him in the buildins on one or two occasionsbut did not at that time have pr"r"tr"" of mind to cultivate his acquaintance;a lost opportunity whether by youth's lack of appreciation of the preceding generation or plain feeling of inadequacy. I now feel a great opportunity was lost.

E . J . D.

Oscar Brousse Jacobson: Oklahoma Painter Catalog Preview  

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