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nan o sullivan


TUTORS


oo jordan wisniewski


alex keegan


paul stevenson


rachel macdonald


dd

dd alex ramaekers


Johno Murdoch

johno murdoch


http://www.firstyeardesign.com/index.php?/pages/ds


SO .. WHAT IS DESIGN?


A CREATION DEVICE OR PROCESS * RESULTING FROM STUDY AND EXPERI - MENTATION


BEING A DESIGNER MEANS I AM THE IDEAS GUY?


THE PROCESS OF ORIGINATING AND DEVELOPING A PLAN FOR A PRODUCT, STRUCTURE, SYSTEM, OR COMPONENT WITH INTENTION


“COURSE OF ACTION AIMED AT CHANGING EXISTING SITUATIONS INTO PREFERRED ONES”

HERBERT SIMON


WHAT CHANGES THE SITUATION?


social needs - people needs cultural responses - different peoples needs new environments - physical-natural and built economic , cultural ,political new technologies - change how we do things new vision - new ways of looking at old problems - new ways to look at new problems


WHO CHANGES THE SITUATION?


People who have knowledge by listening, seeing, challenging, being empathetic and maybe a little irreverent .................................................................

IS THAT YOU?


micro

Ian Athfield

Ralph Hotere

Zaha Hadid

Peter Zumthar

Damien Hirst

Charles and Ray Eames


_

DRAWING A LINE


CROSSING THE LINE

+


Alva Alto

Damien Hirst

Frank Stark


Draw form the past Draw from experience


leonardo da vinci

edward muybridge


LÁZSLÓ MOHOLY-NAGY

“The reality of our century is technology : the invention ,the construction and the maintenance of machines . To be the user of machines is to be of the spirit of the century” Lázsló Moholy-Nagy 1919 http://www.youtube.com/watch?v=fNt39WJQqjg&feature=related


LÁZSLÓ MOHOLY-NAGY Bauhaus 1920’s The New Bauhaus 1930’s Institute of Design Chicago 1940’s


http://www.youtube.com/watch?v=ncw3f4jgNP4&feature=related

*

GOOD DESIGN IS INNOVATIVE IS USEFUL IS AESTHETIC HELPS THINGS BE UNDERSTOOD IS UNOBTRUSIVE IS HONEST IS DURABLE IS THOROUGH TO THE LAST DETAIL IS CONCERNED WITH THE ENVIRONMENT IS AS LITTLE DESIGN AS POSSIBLE

DIETER RAMS


*


INFORMATION is only useful if we can share it


To communicate information effectively we need to translate that data via our senses


SYNAESTHESIA Dictionary.. The evoking of one kind of sense impression when another sense is stimulated.


I can hear what you feel


I can see what you say


The translation of information/data to a visual form


Images translate data eg population, density, migration to express movement, stability, popularity


Images translate data eg sound waves- Points of balance –Destination to express repetition , movement, fluidity and balance,


Go Visit www.visualcomplexity.com


PROTO - TYPING


CARD - BOARD


RICHARD SWEENEY


CHRIS GILMORE


*


TOP TEN


CHARLES EAMES


WINK CHAIR TOSHIYUKI KITA


MARIANNE BRANDT


ENO HENZE


ENO HENZE


RALPH HOTERE


BANKSY - ART TERRORIST


ATHFIELD ARCHITECTS


HIGHLINE PARK, NYC DILLER + SCOFIDIO + RENFRO + JAMES CORNER STUDIO


PETER ZUMTHAR


HERTZOG & DE MEURON


http://www.tobe.co.nz/

TOBE

go look it up!!!!


Challenging our our our our our our

perception understanding expectations abilities knowledge technologies


URS FISCHER


RICKY SWALLOW


RON MUECK


RON MUECK


How do we judge this?


“less is more?” “form follows function?” “natural forms are more comfortable?” “universal design really only suits a few?” “practicality sucks?”


N O IS BEAUTIFUL? SIMPLE IT ’S N O T


N O IS BEAUTIFUL? SIMPLE IT ’S N O T But what about complex?


N O IS BEAUTIFUL? SIMPLE IT ’S N O T Or what about complicated?


N SIMPLEO IS BEAUTIFUL? IT ’S N O T Or just plain confused????


Leads us to................................

TOP TEN WORSTEVA


I can’t stand


I detest


I don’t understand


I worry about


I get angry about


I get embarrassed Just when you think it is not on your doorstep!


Check out about your workshop training. See you Friday in studio with paper and pencil! .

B4 Tuesday studio visit www.visualcomplexity.com You will need pencil, paper, craft knife &cutting mat.


lecture 1 DSDN 111