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* índice de imágenes { KUBRICK Stanley, escena de la cinta cinematográfica 2001: Odisea en el Espacio, Estados Unidos y Reino Unido,1968.

{.p+rz}

ERAZO Francisco, captura del algoritmo digital generativo del proyecto Pi[x]el, [CIEP - FA UNAM], para el proyecto colectivo ‘Máquinas Sonoras’ México, 2011.

{.p+rz} WACHOVSKY Lana y Andy, escena de la cinta cinematográfica The Matrix: Reloaded, Estados Unidos, 2003.

{.p+rz}

BANSKY, Rose Trap, técnica: ‘stencil’, [Fremantle Square y Thomas St North, Milton Keynes, Reino Unido], 2000.

{.p+rz}

NIEUWENHUIS Constant, collage del proyecto New Babylon, Países Bajos, 1959.

{.p+rz}

CAGE John, partitura de la pieza Fontana Mix, Estados Unidos, 1958.

{.p+rz}

DEBORD Guy, 2do mapa psicogeográfico situacionista The Naked City, Francia, 1959.

{.p+rz}

WEERASETHAKUL Apichatpong, escena de la cinta cinematográfica La Leyenda del Tío Boonmee, Tailandia, Gran Bretaña, Alemania y España, 2010.

*[.h*f];

Autor desconocido, grabado de alquimia que muestra la mandragora masculina y femenina.

*[.h*f]; MAGRITTE René, Ceci n’est pas une pipe, técnica: óleo sobre tela, Francia, 1928-29.

*[.h*f];

WACHOVSKY Lana y Andy, escena de la simulación del espacio virtual en la cinta cinematográfica The Matrix, Estados Unidos, 1999.

*[.h*f]; Anónimo, ilustración del Rosarium philosophorum, España,1550

*[.txt*];

DUCHAMP Marcel, Door: 11 Rue Larrey, Francia, 1927.

*[.fv!]; MUEK Ron, Big Man, técnica mixta (medidas: 203.2 x 120.7 x 204.5 cm), Australia, 2000.

*[.fv!];


CORBUSIER Le, ilustración del Poema al ángulo recto (Le Poème de L’Angle Droit), editorial Verve, Francia, 1955.

*[.fv!];

Solutio Perfecta: El acto de amor por una cópula real, Francia, 1473. "Invierte la naturaleza de los cuatro elementos y encontrarás lo que buscas; pero invertir la naturaleza significa convertir por nuestra mestría los cadáveres en espíritus" Donum Dei, s. XVIII.” Visto en: *ROOB Alexander, Alquimia & Mística- El Gabinete Hermético, Taschen, Italia, 2005.

*[.fv!]; KUBRICK Stanley, Puerta Estelar, escena de la cinta cinematográfica 2001: Odisea en el Espacio, Estados Unidos y Reino Unido,1968.

*[.fv!]; BARNEY Matthew, Cremaster 3, Estados Unidos, entre 1994 y 2002.

*[.fv!];

BARNEY Matthew, Cremaster 3, Estados Unidos, entre 1994 y 2002.

*[.fv!];

ESCHER M.C., Drawing Hands, litografía, Holanda, 1948.

*[µ/f* ]; ESCHER M.C., Ants, litografía, 1963.

*[µ/f* ]; ESCHER M.C., House of Stairs, litografía, Holanda, 1951.

*[µ/f* ]; BARNEY Matthew, Drawing Restraint 7, Estados Unidos, 1993, Foto por: Michael James O’Brien. f*

*[µ/ ];

WARMING Eugene, Ilustración esquemática de un rizoma Polygonatum verticillatum, Estados Unidos, 1884. f*

*[µ/ ];

Rizoma. Imagen por: DaniG., Tenerife, España. Visto en: http://www.drpez.com/diccionario/term/afab5ca55eaeaeac,,xhtml

*[µ/f* ]; ERAZO, Francisco. Captura del código digital generativo para el proyecto MSRZM, [CIEP, UNAM-FA], para el proyecto colectivo ‘Artefactos’. Al respecto ver: http://ciepfa.posgrado.unam.mx:16080/areamultimedia/artefactos_book/

*[µ/f* ];

ESCHER M.C., Relativity, litografía, Holanda, 1953

*[µ/f* ]; VELÁZQUEZ Diego, Las Meninas (o la Familia de Felipe IV), técnica: óleo sobre tela, España,1656 . f*

*[µ/ ];

Phyllium Celebicum (Insecto hoja). Imagen por: Barbara Strnadova, 2003. Visto en: http://www.godofinsects.com/index.php/museum/walkingsticksand-walkingleaves/walkingleaf-phyllium-celebicum/

*[.m&s]; Imagen del proyecto del Museo Soumaya, por el Arq. Fernando Romero, México D.F., 2011.

*[.m&s]; Imagen que describe la reacción de las ‘neuronas especulares’ y la evolución de la imitación neonatal, Gross L, PLoS Biology Vol. 4/9/2006. Al respecto, ver: http://www.plosbiology.org/article/info:doi/10.1371/journal.pbio.0040311

*[.m&s];


BAYARD Hippolyte, Autorretrato como un hombre ahogado (Le Noyé), Francia, 1840.

*[.m&s];

l’Internationale situationniste !!!, Première affiche publicitaire détournée (primer boletín publicitario), Francia, 1968. (imagen apropiada e intervenida por los situacionistas).

*[.i+S*];

eBoy [Steffen Sauerteig, Svend Smital y Kai Vermeh], DIN A0, pixel art, Berlín y Nueva York, 2006. Al respecto, ver: http://hello.eboy.com/eboy/2006/11/30/new-foobarposter/

*[.V/∞*];

SAINT-EXUPÉRY Antoine de, primera ilustración del cuento Le Petit Prince, Francia, 1943

*[.i+S*];

SAINT-EXUPÉRY Antoine de, ilustración final del cuento Le Petit Prince, Francia, 1943

*[.i+S*];

CARAVAGGIO Michelangelo, La incredulidad de Santo Tomás (The Incredulity of Saint Thomas), técnica: óleo sobre tela, Italia, 1601-1602.

*[.i+S*]; Escritura ideográfica de orígen azteca que representa el lenguaje. México Tenochtitlan, anterior a 1500.

*[.Pµ;f]; GRANDVILLE J.J. (Jean Ignace Isidore Gerard), Conjugate the present indicative, I am bored, técnica: óleo sobre tela, Francia, entre 1803-1847.

*[.Pµ;f]; RED NOSE STUDIO, Cafe Power Outlets, 2005, The New York Times. Al respecto, ver: http://rednosestudio.com/

*[.Pµ;f]; TARBELL Jared, Happy Place (captura del algoritmo elaborado en Processing), Estados Unidos, 2004. Al respecto ver: http://www.complexification.net/gallery/machines/happyPlace/index.php

[.h::r]; Representaciones del Dios Mensajero (de la sabiduría y el lenguaje); en Grecia, Hermes, en Egipto, Thot. [Hermes Trismegisto: fusión de estos personajes arquetípicos por los alquimistas.]

[.h::r];

ELIASSON Olafur, The Weather Project: instalación en la ‘Turbine Hall’ en el Tate Modern London, Reino Unido, 2003.

*[.af!];

KUBRICK Stanley, Bowman en la Puerta Estelar, escena de la cinta cinematográfica 2001: Odisea en el Espacio, Estados Unidos y Reino Unido,1968.

*[.af!];

ESCHER M.C., Encounter, litografía, Holanda, 1944.

*[.af!]; ENSOR James, La Intriga, técnica: óleo sobre tela, Bélgica,1911.

*[.O*]; ERAZO Francisco, Collage de Máscaras elaborado para //btcr*::T, Taller situacionista / ambulante / experimental a la deriva de dibujo en bitácoras en los entresijos de la Ciudad*., México D.F., 2011.

*[.O*];


La máscara de V (alusiva a Guy Fawkes), V de Venganza (V for Vendetta), [Dirección: James McTeigue / Producción: Joel Silver] Estados Unidos, Reino Unido, Alemania, 2006.

*[.O*];

BARNEY Matthew, Drawing Restraint, Estados Unidos, 1993, Foto por: Michael James O’Brien.

*[.O*];

STELARC, Third Hand [prótesis mecánica de una mano humana adjunta a la mano derecha de Stelios Arkadiou], Japón, 1980. Al respecto, ver: http://stelarc.org/?catID=20265

*[.O*];

RAY Man, Marcel Duchamp como Rrose Selavy, Estados Unidos, 1921.

*[.O*];

BOSCH Hieronymus, El Jardín de las Delicias (De Tuin der Lusten), técnica: óleo sobre tela, Holanda, 1480-1490.

*[.*];

BANSKY, American influence, Ronald McDonald and Mickey Mouse, Santa’s Ghetto, 2004.

* [.)*(];

RICHARDSON Terry, fotografía para la revista Vogue Paris de la serie Festin [modelo: crystal Renn], Francia, 2010.

*[.*];

STELARC, Third Hand [prótesis mecánica de una mano humana adjunta a la mano derecha de Stelios Arkadiou], Japón, 1980. Al respecto, ver: http://stelarc.org/?catID=20265

* [.)*(];

TENNIEL John, A través del espejo y lo que Alicia encontró allí, ilustración para el cuento de Lewis Carol ‘Las Aventuras de Alicia en el País de las Maravillas’, Reino Unido, 1871.

* [.)*(];

Plano de la ciudad de Tenochtitlan sobre el Lago de Texcoco aribuído a Hernán Cortés, México-España, 1519.

* [.)*(];

KUBRICK Stanley, Hal 9000, escena de la cinta cinematográfica 2001: Odisea en el Espacio, Estados Unidos y Reino Unido,1968.

* [.)*(];

ZHUANGZI (Chuang Tse o Chuang Tzu), El Sueño de la mariposa de Chuang Tzu, China, siglo IV a.C. “Chuang Tzu soñó que era una mariposa. Al despertar ignoraba si era Tzu que había soñado que era una mariposa o si era una mariposa y estaba soñando que era Tzu”

* [.)*(]; ROCHE, François & Labaux Stephanie, modelo digital a partir de software morfogenético del proyecto I’ve heard about the R&Sie, Francia, 2005. Al respecto, ver: http://www.new-territories.com/I’veheardabout.htm

* [.)*(];

NOVAK Marcos, captura de un algoritmo gráfico generativo por computador: ‘arquitectura líquida’ TransAchitecture, Estados Unidos, 2001. Al respecto, ver: http://www.mat.ucsb.edu/~marcos/centrifuge_site/#/content/0start/

* [.)*(]; R&Sie con matemáticos, biólogos, proceso morfogenético y especulativo: de la fisiología de los humores, a la interpretación computacional morfogenética, optimización estructural, a la especulación del proceso robótico, biocemento, al algoritmo Francia, 2005. Al respecto, ver: http://www.new-territories.com/blog/architecturedeshumeurs/

* [.)*(]; ROCHE, François, Lavaux Stephanie, Jean Navarro & Stephan Henrich, H&Now Skyzoid Machine, Francia - Estados Unidos, 2009. Al respecto, ver: http://www.newterritories.com/blog/ ó http://theverymany.com/tag/rsien/

* [.)*(];

NOVAK Marcos, AlloBrain@AlloSphere (inmersión de un entorno creado por el escaneo de datos fMRI obtenidos del cerebro de Marcos Novak), Estados Unidos, junio 2008. Al respecto, ver: http://www.cluster.eu/transmitting-architecture-revisited-on occasion-of-the-uia-world-congress-2008transmitting-architecturerevisited-in-occasione-delluia-world-congress-2008/

* [.)*(];

};


// todos aquí reunidos a contar nuestras ficciones… ++++++++++++++++++++++++++++++++++++ *ARISTÓTELES, Poética. *AUGÉ Marc, Ficciones de fin de siglo, Gedisa, Barcelona, 2001. -, Los no lugares: Espacios del anonimato, Una antropología de la sobremodernidad, Gedisa, Barcelona, 2000. - , El metro revisitado, El viajero subterráneo veinte años después, Paidós, Barcelona, 2010. *BACHELARD Gaston, La Poética del Espacio, FCE, México, 2010. Primera edición: 1957 *BAUDRILLARD Jean, El crimen perfecto, Anagrama, Barcelona, 1996. -, Cultura y Simulacro, Kairós, Barcelona, 2007. -, El sistema de los objetos, Siglo xii, México, 2010. -, Simulacra & Simulation, University of Michigan Press, Michigan, 1994. Edición francesa original: 1981. (No existe traducción al español). *BEUCHOT Mauricio, Hermenéutica Analógica, símbolo, mito y filosofía, Instituto de Investigaciones Filológicas de la Universidad Nacional Autónoma de México, México, 2007. -, Tratado de Hermenéutica Analógica. Hacia un nuevo modelo de interpretación, ITACA-UNAM, México 2009. Primera Edición: 1997. *BENJAMIN Walter, La obra de arte en la era de su reproductibilidad técnica, Itaca, México, 2003 *BORGES Jorge Luis, Ficciones, Planeta, 1985. -, Obras completas, Vll, Emecé, Buenos Aires, 1951. *BRETON André, Los vasos comunicantes, Siruela, España, 2005. *BRIGGS John y Peat David, Las siete leyes del caos. Las ventajas de una vida caótica, Grijalbo, Barcelona, 1999. *CALVINO Italo, Las Ciudades Invisibles, Siruela, España, 2002. *CASSIRER Ernst, Antropología Filosófica, FCE, México, 2009 *CERTEAU Michel de, La invención de lo cotidiano, 1. Artes de hacer, Universidad Latinoamericana, México, 1997. *CORBUSIER Le, Le Poeme de L’Angle Droit, Círculo de Bellas Artes, Madrid, 2006. *COROMINAS Joan, Diccionario Crítico Etimológico Castellano e Hispano. *CORTÁZAR Juilio, Rayuela, Cátedra, España, 1998 *DEBORD Guy, La sociedad del espectáculo, Pre-textos, México, *DELEUZE Gilles y Guattari Félix, Rizoma: Introducción, Pre-textos, *ECO Umberto, La Estructura Ausente: introducción a la semiótica, Debolsillo, México, 2006. -, Apocalípticos e integrados, Tusquets, México, 2006. Edición original: 1968. *EISENMAN Peter, The End of the Classical: The End of The Beginning, the End of the End, Yale Press: Perspecta 21, Connecticut, 1984 *ESCALANTE Juan Manuel de J., CTRL+X: la arquitectura en la era de su reproducción digital, Programa de Maestría y Doctorado en Arquitectura de la UNAM, México, 200?. *FOUCAULT Michel, Las Palabras y las Cosas: Una arqueología de las ciencias humanas, Siglo xii, México, 2008. -, Vigilar y Castigar, nacimiento de la prisión, Siglo xii, México, 2009. -, Topologías, dos conferencias radiofónicas, 1966, revista Fractal n° 48, México, enero-marzo, 2008.


*FROMM Erich, El miedo a la libertad, Paidós, México, 1984. *GADAMER Hans Georg, La Actualidad de lo Bello, Paidós, Barcelona, 1991. *GIBSON William, Neuromante, Minotauro, España, 2008. *HUXLEY Aldous, Un mundo feliz, Editores Mexicanos Unidos, México, 2003. *HUIZINGA Johan, Homo Ludens, Alianza Editorial, 2008, España. *JODIDIO Philip, Architecture Now Vol.4, Taschen, Italia, 2006. *LEACH Neil, La an-estética de la arquitectura, GG, Barcelona, 2001. *MARCUSE Herbert, El hombre unidimensional, Ariel, Barcelona, 2007. *MARTÍN Juez Fernando, Hacia una antropología del diseño, Gedisa, Barcelona, 2002. *MATURANA, Humberto y Francisco Varela, El árbol del conocimiento: las bases biológicas del entendimiento humano, Lumen, Argentina, 2003. *MORIN Edgar, 7 saberes necesarios para la educación del futuro, UNESCO, Francia, 1999. *MUNTAÑOLA Josep, La arquitectura como lugar, Alfaomega, UPC, Barcelona, 2001. *ROOB Alexander, Alquimia & Mística- El Gabinete Hermético, Taschen, Italia, 2005. *SEGRE Cesare, Principios de análisis del Texto Literario, Crítica, Barcelona, 1985 *SIRUELA Jacobo, El mundo bajo los párpados, Atalanta, España, 2010. *VIGOTSKY Lev S., La imaginación y el arte en la infancia, Coyoacán, México, 2008 *VIRILIO Paul, La política de lo peor, Teorema, España, 1997. *VOLPI Jorge, Leer la mente. El cerebro y el arte de la ficción, Alfaguara, México, 2011. *ZEVI Bruno, 5000 años después: la Revolución, Lotus International, Italia, 2000.

*AUGÉ Marc, Sobremodernidad: del mundo de hoy al mundo de mañana, visto en www.caosmosis.com *CHOI Annie, Dear Architects, I am sick of your shit, Pidgin Magazine, Princeton, 2006. *DEBORD Guy (¿?), Manifiesto Situacionista, Situacionist International, en: http://members.chello.nl/j.seegers1/situationist/index.html. *ELIASSON Olafur, Models are Real, visto en: http://olafureliasson.net/, 2007 -, Your Engagement Has Consequences, visto en: http://olafureliasson.net/, 2007 *Giménez Gatto Fabián, De la Socio-ficción a la Ciencia-ficción: Baudrillard y The Matrix, en: http://www.henciclopedia.org.uy/index.html. *Kas Oosterhuis, E-motive Architecture, en: http://www.oosterhuis.nl/quickstart/index.php?id=532 -, Game, Set and Match, en: http://www.oosterhuis.nl/quickstart/index.php?id=532 *MARTÍN JUEZ Fernando, El lugar de la bifurcación, en: http://web.me.com/fmjmac. -, Flor y Canto. Lo Bello de las Cosas. Materiales para una estética del diseño, Gustavo Gili, Barcelona, 2006. *NIEUWENHUIS Constant, New Babylon, Situacionist Interantional, en: http://members.chello.nl/j.seegers1/situationist/index.html. *NOVAK Marcos, Next Babylon: Accidents to Play in, The Art of the Accident, V2 Publishing, Holanda, 1998. _, Trans Terra Form, Liquid Architectures and the Loss of Inscription, Public netbase t0 Media-Space! Institute for New Culture Technologies, en: http://www.t0.or.at, Consulta:2010 -, Interview by Alessandro Ludovico, Neural Magazine, 2001 *ROCHE Francois, @morphous MUTATIONS, visto en: www.new-territories.com, 2000. -, (Science) Fiction & Mass Culture Crisis, visto en: www.newterritories.com, 2001. *OOSTERHUIS Kas, Game, Set and Match, visto en: http://www.oosterhuis.nl, 2001 *TORO Alfonso de, Borges/Derrida/Foucault: Pharmakeus/Heterotopia o más allá de la literatura (‘hors-littérature’), Universidad de Liepzig, en: http://www.uni-leipzig.de/~detoro/sonstiges/Pharmakeus_spanisch.pdf, C. 2010 -, http://www.uni-leipzig.de/~detoro/sonstiges/postmodernidad%20y%20latinoamerica%20completa.pdf, C. 2010 *Virilio Paul, Velocidad e información: Alarma en el ciberespacio, en: http://caosmosis.acracia.net/, C. 2010. -, La Ciudad Sobreexpuesta, en: http://caosmosis.acracia.net/, Consulta: 2010. *VARNELIS Kazys, The Immediated Now- Network Culture and the Poetics of Reality, visto en: http://varnelis.networkedbook.org/the-immediated-now-network-culture-and-the-poetics-of-reality/, 2010. *WACHOWSKY Lana y Andy, The Art of The Matrix, 1999. *Real Academia Española, web: http://www.rae.es/rae.html


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[ficciones* cotidianas]; *_*INTERFICTIOSRELATIVOS*_*

{alteridades e intersticios en los espacios de la costumbre}; Alternativasrelacionalescontributivasalaproyeccióndelespaciodelserhumano,hoy. TESIS TEÓRICA | FRANCISCO ERAZO / 407024588 | FACULTAD DE ARQUITECTURA | CIUDAD UNIVERSITARIA | UNAM | MÉXICO DF | 2011

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[.af!] [.fv!] [.*] [.m&s] [.u)(d;h] [.µ°].§‡ ∫¤‡ [._] [.fc*] ∆∞[.p+r::z]; [.h*f]; [._] [.fc*] [.a-µ] [.V/∞*] [.~] [.txt*] [.°*m]. [.af!] [.fv!] [.*] [.m&s] [.i+S*] [.Pµ;f] [.O*] [….*] [.l:a/n] [µ/f*] [.u)(d;h] [.µ°]. [.W3] [.)*(].∑.§‡ [._] [.fc*] [.a-µ] ∑.§‡ ∫¤∆∞[.p+r::z]; [.h*f]; [._] [.fc*] [.a-µ] [.V/∞*] [.~] [.txt*] [.°*m]. [.af!] [.fv!] [.Pµ;f] [.O*] [….*] [.l:a/n] [µ/f*] [.u)(d;h] [.µ°]. [.W3] [.)*(].∑.§‡ [._] [.fc*] [.a-µ] [.~] [.txt*] [.°*m]. [.af!] [.fv!] [.*] [.m&s] ∑.∫¤∆∞[.p+r::z]; [.h*f]; [._] [.fc*] [.a-µ] [.V/∞*] f* 3 [.°*m]. [.af!] [.fv!] [.*] [.m&s] [.i+S*] [.Pµ;f] [.O*] [….*] [.l:a/n] [µ/ ] [.u)(d;h] [.µ°]. [.W ] [.)*(].∑.§‡ [._] [.fc*] [.a-µ] ∑.§‡ ∫¤∆∞[.p+r::z]; [.h*f]; [._] [.fc*] [.a-µ] [.V/∞*] [.~] [.txt*] [.af!] [.fv!] [.*][.Pµ;f] §‡ [.O*] [….*] [.l:a/n] [µ/f*] [.u)(d;h] [.µ°]. [.W3] [.)*(].∑.§ [.a-µ] [.V/∞*] [.~] [.txt*] [.°*m]. [.*] [.m&s] [.u)(d;h] [.µ°].[.W3] [.)*(].‡ [._] [.fc*] [.a-µ] ∑.§‡ ∫¤∆∞[.p+r::z]; [.h*f]; [._] [.fc*] [.a-µ] [.V/∞*] [.~] [.txt*] [.°*m]. [.af!] [.fv!] [.*] [.m&s] [.i+S*] [.Pµ;f] §‡ [.O*] [….*] [.l:a/n] [µ/f*] [.u)(d;h] [.µ°]. 3 [.W ] [.)*(].∑.§‡ [._] [.~] [.txt*] [.°*m]. [.af!] [.fv!] [.*] [.m&s] [.u)(d;h] [.µ°].§‡ ∫¤∆∞[.p+r::z]; [.h*f]; [._] [.fc*] [.a-µ] [.V/∞*] [.~] [.txt*] [.°*m]. [.af!] [.fv!] [.*] [.m&s] [.Pµ;f] [.O*] [….*] [.l:a/n] [µ/f*] [.u)(d;h] [.µ°]. [.W3] [.)*(].∑.§‡ [.m&s] [.i+S*][.fc*] [.a-µ] [.V/∞*] [.~] [.txt*] [.°*m]. [.af!] [.fv!] [.*] [.m&s] [.i+S*] [.Pµ;f] [.O*] [….*] [.l:a/n] [µ/f*] [.u)(d;h] [.µ°]. [.W3] [.)*(].∑.§‡ [._] [.fc*] [.a-µ] [.V/∞*] [.~] [.txt*] [.°*m]. [.*] [.m&s] [.i+S*] [.Pµ;f] [.O*] [….*] [.l:a/n] [µ/f*] [.u)(d;h] [.µ°]. [.W3] [.fv!] [.*] [.m&s] [.i+S*] [.Pµ;f] ∞[.p+r::z]; [.h*f]; [._] [.fc*] [.a-µ] [.~] [.txt*] [.°*m]. [._] [.txt*] [.°*m]. [.af!] [.fv!] [.*] [.m&s] [.u)(d;h] [.µ°].§‡ ∫¤∆∞[.p+r::z]; [.h*f]; [._] [.fc*] [.a-µ] [.V/∞*] [.~] [.txt*] [.°*m]. [.af!] [.fv!] [.*] [.m&s] [.i+S*] [.Pµ;f] [.O*] [….*] [.l:a/n] [µ/f*] [.u)(d;h] [.µ°]. [.W3] [.)*(].∑.§‡ [._] [.fc*]∞[.p+r::z]; [.h*f]; [._] [.fc*] [.a-µ] [.V/∞*] [.~] [.txt*] [.°*m]. [.af!] [.fv!] [.*] [.m&s] [.i+S*][.~] [.txt*] [.°*m]. [.af!] [.fv!] [.*] [.m&s] ∑.∫¤∆∞[.p+r::z]; [.h*f]; [._] f* 3 [.fc*] [.a-µ] [.V/∞*] [.~] [.txt*] [.°*m]. [.af!] [.fv!] [.*] [.m&s] [.i+S*] [.Pµ;f] [.O*] [….*] [.l:a/n] [µ/ ] [.u)(d;h] [.µ°]. [.W ] [.)*(].∑.§‡ [._] [.fc*] [.a-µ] ∑.§‡ ∫¤∆∞[.p+r::z]; f* 3 [.h*f]; [._] [.fc*] [.a-µ] [.V/∞*] [.~] [.txt*] [.°*m]. [.af!] [.fv!] [.*][.Pµ;f] §‡ [.O*] [….*] [.l:a/n] [µ/ ] [.u)(d;h] [.µ°]. [.W ] [.)*(].∑.§‡ [._] [.fc*] [.a-µ] [.V/∞*] [.~] [.txt*] [.°*m]. [.af!] [.fv!] [.*] [.m&s] [.u)(d;h] [.µ°].[.W3] [.)*(].‡ [._] [.fc*] [.a-µ] ∑.§‡ ∫¤∆∞[.p+r::z]; [.h*f]; [._] [.fc*] [.a-µ] [.V/∞*] [.~] [.txt*] [.°*m]. [.af!] [.fv!] [.*] [.m&s] [.i+S*] [.Pµ;f] §‡ [.O*] [….*] [.l:a/n] [µ/f*] [.u)(d;h] [.µ°]. [.W3] [.)*(].∑.§‡ [._] [.~] [.txt*] [.°*m]. [.af!] [.fv!] [.*] [.m&s] [.u)(d;h] [.µ°].§‡ ∫¤∆∞[.p+r::z]; [.h*f]; [._] [.fc*] [.a-µ] [.V/∞*] [.~] [.txt*] [.°*m]. [.af!] [.fv!] [.*] [.m&s] [.Pµ;f] [.O*] [….*] [.l:a/n] [µ/f*] [.u)(d;h] [.µ°]. [.W3] [.)*(].∑.§‡ [.m&s] [.i+S*][.fc*] [.a-µ] [.V/∞*] [.~] [.txt*] [.°*m]. [.af!] [.fv!] [.*] [.m&s] [.i+S*] [.Pµ;f] [.O*] [….*] [.l:a/n] [µ/f*] [.u)(d;h] [.µ°]. [.W3] [.)*(].∑.§‡ [._] [.fc*] [.a-µ] [.V/∞*] [.~] [.txt*] [.°*m]. [.*] [.m&s] [.i+S*] [.Pµ;f] [.O*] [….*] [.l:a/n] [µ/f*] [.u)(d;h] [.µ°]. [.W3] [.fv!] [.*] [.m&s] [.i+S*] [.Pµ;f] ∞[.p+r::z]; [.h*f]; [._] [.fc*] [.a-µ] [.~] [.txt*] [.°*m]. [._] [.txt*] [.°*m]. [.af!] [.fv!] [.*] [.m&s] [.u)(d;h] [.µ°].§‡ ∫¤∆∞[.p+r::z]; [.h*f]; [._] [.fc*] [.a-µ] [.V/∞*] [.~] [.txt*] [.°*m]. [.af!] [.fv!] [.*] [.m&s] [.i+S*] [.Pµ;f] [.O*] [….*] f* 3 f* [.l:a/n] [µ/ ] [.u)(d;h] [.µ°]. [.W ] [.)*(].∑.§‡ [._] [.fc*] [.a-µ] ∑[.fc*] [.a-µ] [.V/∞*] [.~] [.txt*] [.°*m]. [.af!] [.fv!] [.*] ‡ [.Pµ;f] [.O*] [….*] [.l:a/n] [µ/ ] [.u)(d;h] [.µ°]. [.W3] [.)*(].∑.§‡ [._] [.fc*] [.a-µ] ∑.§‡ ∫¤∆∞[.p+r::z]; [.h*f]; [._] [.fc*] [.a-µ] [.V/∞*] [.~] [.txt*] [.°*m]. [.af!] [.fv!] [.*][.Pµ;f] §‡ [.O*] [….*] [.l:a/n] [µ/f*] [.u)(d;h] [.µ°]. [.)*(].∑.§‡ [._] [.fc*] [.a-µ] [.V/∞*] [.~] [.txt*] [.°*m]. [.af!] [.fv!] [.*] [.m&s] [ [.fc*] [.a-µ] ∑.§‡ ∫¤∆∞[.p+r::z]; [.h*f]; [._] [.fc*] [.a-µ] [.V/∞*] f* [.~] [.txt*] [.°*m]. [.af!] [.fv!] [.*] [.m&s] [.i+S*] [.Pµ;f] §‡ [.O*] [….*] [.l:a/n] [µ/ ] [.u)(d;h] [.µ°]. [.W3] [.)*(].∑.§‡ [._] [.~] [.txt*] [.°*m]. [.af!] [.fv!] [.*] [.m&s] [.u)(d;h] [.µ°].§‡ f* ∫¤∆∞[.p+r::z]; [.h*f]; [._] [.fc*] [.a-µ] [.V/∞*] [.~] [.txt*] [.°*m]. [.af!] [.fv!] [.*] [.m&s] [.Pµ;f] [.O*] [….*] [.l:a/n] [µ/ ] [.u)(d;h] [.µ°]. ∑.§‡ ∫¤∆∞[.p+r::z]; [.h*f]; [._] [.fc*] [.a-µ] [.V/∞*] [.~] [.txt*] [.°*m]. [.af!] [.fv!] [.*] [.m&s] [.i+S*] [.Pµ;f] [.O*] [….*] [.l:a/n] [µ/f*] [.u)(d;h] [.µ°]. [.W3] [.)*(].∑.§‡ [._] [.fc*] [.a-µ] ∑.§‡ ∫¤∆∞[.p+r::z]; [.h*f]; [._] [.fc*] [.a-µ] [.V/∞*] [.~] [.txt*] [.°*m]. [.af!] [.fv!] [.*] [.m&s] [.i+S*] [.Pµ;f] [.O*] [….*] [.l:a/n] f* 3 [µ/ ] [.u)(d;h] [.µ°]. [.W ] [.)*(].∑.§‡ [._] [.fc*] [.a-µ] [.V/∞*] [.~] [.txt*] [.°*m]. [.af!] [.fv!] [.*] [.m&s] ∑.∫¤∆∞[.p+r::z]; [.h*f]; [.af!] [.fv!] [.*] [.m&s] [.i+S*] [.Pµ;f] [.O*] f* 3 f* [….*] [.l:a/n] [µ/ ] [.u)(d;h] [.µ°]. [.W ] [.)*(].∑[….*] [.l:a/n] [µ/ ] [.u)(d;h] [.µ°].§‡ [._] [.fc*] [.a-µ] ∑.§‡ ∫¤∆∞[.p+r::z]; [.h*f]; [._] [.fc*] [.a-µ] [.V/∞*] [.~] [.txt*] [.°*m]. [.af!] [.fv!] [.*] [.m&s] [.i+S*] [.Pµ;f] §‡ [.O*] [….*] [.l:a/n] [µ/f*] [.u)(d;h] [.µ°]. [.W3] [.)*(].∑.§‡ [._] [.fc*] [.a-µ] [.V/∞*] [.~] [.txt*] [.°*m]. [.af!] [.fv!] [.*] [.m&s] [.u)(d;h] [.µ°].§‡ ∫¤‡ [._] [.fc*] ∆∞[.p+r::z]; [.h*f]; [._] [.fc*] [.a-µ] [.V/∞*] [.~] [.txt*] [.°*m]. [.af!] [.fv!] [.*] [.m&s] [.i+S*] [.Pµ;f] [.O*] [….*] [.l:a/n] [µ/f*] [.u)(d;h] [.µ°]. [.W3] [.)*(].∑.§‡ [._] [.fc*] [.a-µ] ∑.§‡ ∫¤∆∞[.p+r::z]; [.h*f]; [._] [.fc*] [.a-µ] [.V/∞*] [.~] [.txt*] [.°*m]. [.af!] [.fv!] [.Pµ;f] [.O*] [….*] [.l:a/n] [µ/f*] [.u)(d;h] [.µ°]. [.W3] [.)*(].∑.§‡ [._] [.fc*] [.a-µ] [.~] [.txt*] [.°*m]. [.af!] [.fv!] [.*] [.m&s] ∑.∫¤∆∞[.p+r::z]; [.h*f]; [._] [.fc*] [.a-µ] [.V/∞*] [.°*m]. [.af!] [.fv!] [.*] [.m&s] [.i+S*] [.Pµ;f] [.O*] [….*] [.l:a/n] [µ/f*] [.u)(d;h] [.µ°]. [.W3] [.)*(].∑.§‡ [._] [.fc*] [.a-µ] ∑.§‡ ∫¤∆∞[.p+r::z]; [.h*f]; [._] [.fc*] [.a-µ] [.V/∞*] [.~] [.txt*] [.af!] [.fv!] [.*][.Pµ;f] §‡ [.O*] [….*] [.l:a/n] [µ/f*] [.u)(d;h] [.µ°]. [.W3] [.)*(].∑.§ [.a-µ] [.V/∞*] [.~] [.txt*] [.°*m]. [.*] [.m&s] [.u)(d;h] [.µ°].[.W3] [.)*(].‡ [._] [.fc*] [.a-µ] ∑.§‡ ∫¤∆∞[.p+r::z]; [.h*f]; [._] [.fc*] [.a-µ] [.V/∞*] [.~] [.txt*] [.°*m]. [.af!] [.fv!] [.*] [.m&s] [.i+S*] [.Pµ;f] §‡ [.O*] [….*] [.l:a/n] [µ/f*] [.u)(d;h] [.µ°]. [.W3] [.)*(].∑.§‡ [._] [.~] [.txt*] [.°*m]. [.af!] [.fv!] [.*] [.m&s] [.u)(d;h] [.µ°].§‡ ∫¤∆∞[.p+r::z]; [.h*f]; [._] [.fc*] [.a-µ] [.V/∞*] [.~] [.txt*] [.°*m]. [.af!] [.fv!] [.*] [.m&s] [.Pµ;f] [.O*] [….*] [.l:a/n] [µ/f*] [.u)(d;h] [.µ°]. [.W3] [.)*(].∑.§‡ [.m&s] [.i+S*][.fc*] [.a-µ] [.V/∞*] [.~] [.txt*] [.°*m]. [.af!] [.fv!] [.*] [.m&s] [.i+S*] [.Pµ;f] [.O*] [….*] [.l:a/n] [µ/f*] [.u)(d;h] [.µ°]. [.W3] [.)*(].∑.§‡ [._] [.fc*] [.a-µ] [.V/∞*] [.~] [.txt*] [.°*m]. [.*] [.m&s] [.i+S*] [.Pµ;f] [.O*] [….*] [.l:a/n] [µ/f*] [.u)(d;h] [.µ°]. [.W3] [.fv!] [.*] [.m&s] [.i+S*] [.Pµ;f] ∞[.p+r::z]; [.h*f]; [._] [.fc*] [.a-µ] [.~] [.txt*] [.°*m]. [._] [.txt*] [.°*m]. [.af!] [.fv!] [.*] [.m&s] [.u)(d;h] [.µ°].§‡ ∫¤∆∞[.p+r::z]; [.h*f]; [._] [.fc*] [.a-µ] [.V/∞*] [.~] [.txt*] [.°*m]. [.af!] [.fv!] [.*] [.m&s] [.i+S*] [.Pµ;f] [.O*] [….*] [.l:a/n] [µ/f*] [.u)(d;h] [.µ°]. [.W3] [.)*(].∑.§‡ [._] [.fc*]∞[.p+r::z]; [.h*f]; [._] [.fc*] [.a-µ] [.V/∞*] [.~] [.txt*] [.°*m]. [.af!] [.fv!] [.*] [.m&s] [.i+S*][.~] [.txt*] [.°*m]. [.af!] [.fv!] [.*] [.m&s] ∑.∫¤∆∞[.p+r::z]; [.h*f]; [._] [.fc*] [.a-µ] [.V/∞*] [.~] [.txt*] [.°*m]. [.af!] [.fv!] [.*] [.m&s] [.i+S*] [.Pµ;f] [.O*] [….*] [.l:a/n] [µ/f*] [.u)(d;h] [.µ°]. [.W3] [.)*(].∑.§‡ [._] [.fc*] [.a-µ] ∑.§‡ ∫¤∆∞[.p+r::z]; [.h*f]; [._] [.fc*] [.a-µ] [.V/∞*] [.~] [.txt*] [.°*m]. [.af!] [.fv!] [.*][.Pµ;f] §‡ [.O*] [….*] [.l:a/n] [µ/f*] [.u)(d;h] [.µ°]. [.W3] [.)*(].∑.§‡ [._] [.fc*] [.a-µ] [.V/∞*] [.~] [.txt*] [.°*m]. [.af!] [.fv!] [.*] [.m&s] [.u)(d;h] [.µ°].[.W3] [.)*(].‡ [._] [.fc*] [.a-µ] ∑.§‡ ∫¤∆∞[.p+r::z]; [.h*f]; [._] [.fc*] [.a-µ] [.V/∞*] [.~] [.txt*] [.°*m]. [.af!] [.fv!] [.*] [.m&s] [.i+S*] [.Pµ;f] §‡ [.O*] [….*] [.l:a/n] [µ/f*] [.u)(d;h] [.µ°]. [.W3] [.)*(].∑.§‡ [._] [.~] [.txt*] [.°*m]. [.af!] [.fv!] [.*] [.m&s] [.u)(d;h] [.µ°].§‡ ∫¤∆∞[.p+r::z]; [.h*f]; [._] [.fc*] [.a-µ] [.V/∞*] [.~] [.txt*] [.°*m]. [.af!] [.fv!] [.*] [.m&s] [.Pµ;f] [.O*] [….*] [.l:a/n] [µ/f*] [.u)(d;h] [.µ°]. [.W3] [.)*(].∑.§‡ [.m&s] [.i+S*][.fc*] [.a-µ] [.V/∞*] [.~] [.txt*] [.°*m]. [.af!] [.fv!] [.*] [.m&s] [.i+S*] [.Pµ;f] [.O*] [….*] [.l:a/n] [µ/f*] [.u)(d;h] [.µ°]. [.W3] [.)*(].∑.§‡ [._] [.fc*] [.a-µ] [.V/∞*] [.~] [.txt*] [.°*m]. [.*] [.m&s] [.i+S*] [.Pµ;f] [.O*] [….*] [.l:a/n] [µ/f*] [.u)(d;h] [.µ°]. [.W3] [.fv!] [.*] [.m&s] [.i+S*] [.Pµ;f] ∞[.p+r::z]; [.h*f]; [._] [.fc*] [.a-µ] [.~] [.txt*] [.°*m]. [._] f* [.txt*] [.°*m]. [.af!] [.fv!] [.*] [.m&s] [.u)(d;h] [.µ°].§‡ [.°*m]. [.af!] [.fv!] [.*] [.m&s] [.i+S*] [.Pµ;f] [.O*] [….*] [.l:a/n] [µ/ ] [.u)(d;h] [.µ°]. [.W3] [.)*(].∑.§‡ [._] [.fc*] [.a-µ] ∑.§‡ ∫¤∆∞[.p+r::z]; [.h*f]; [._] [.fc*] [.a-µ] [.V/∞*] [.~] [.txt*] [.°*m]. [.af!] [.fv!] [.Pµ;f] [.O*] [….*] [.l:a/n] [µ/f*] [.u)(d;h] [.µ°]. [.W3] [.)*(].∑.§‡ [._] [.fc*] [.a-µ] [.~] [.txt*] [.°*m]. [.af!] [.fv!] [.*] [.m&s] ∑.∫¤∆∞[.p+r::z]; [.h*f]; [._] [.fc*] [.a-µ] [.V/∞*] [.°*m]. [.af!] [.fv!] [.*] [.m&s] [.i+S*] [.Pµ;f] [.O*] [….*] [.l:a/n] [µ/f*] [.u)(d;h] 3 [.µ°]. [.W ] [.)*(].∑.§‡ [._] [.fc*] [.a-µ] ∑.§‡ ∫¤∆∞[.p+r::z]; [.h*f]; [._] [.fc*] [.a-µ] [.V/∞*] [.~] [.txt*] [.af!] [.fv!] [.*][.Pµ;f] §‡ [.O*] [….*] [.l:a/n] [µ/f*] [.u)(d;h] [.µ°]. [.W3] [.)*(].∑.§ [.a-µ] [.V/∞*] [.~] [.txt*] [.°*m]. [.*] [.m&s] [.u)(d;h] [.µ°].[.W3] [.)*(].‡ [._] [.fc*] [.a-µ] ∑.§‡ ∫¤∆∞[.p+r::z]; [.h*f]; [._] [.fc*] [.a-µ] [.V/∞*] [.~] [.txt*] [.°*m]. [.af!] [.fv!] [.*] [.m&s] [.i+S*] [.Pµ;f] §‡ [.O*] [….*] [.l:a/n] [µ/f*] [.u)(d;h] [.µ°]. [.W3] [.)*(].∑.§‡ [._] [.~] [.txt*] [.°*m]. [.af!] [.fv!] [.*] [.m&s] [.u)(d;h] [.µ°].§‡ ∫¤∆∞[.p+r::z]; [.h*f]; [._] [.fc*] [.a-µ] [.V/∞*] [.~] [.txt*] [.°*m]. [.af!] [.fv!] [.*] [.m&s] [.Pµ;f] [.O*] [….*] ∆∞[.p+r::z]; [.h*f]; [._] [.fc*] [.a-µ] [.V/∞*] [.~] [.txt*] [.°*m]. [.af!] [.fv!] [.*] [.m&s] [.i+S*] [.Pµ;f] [.O*] [….*] [.l:a/n] [µ/f*] [.u)(d;h] [.µ°]. [.W3] [.)*(].∑.§‡ [._] [.fc*] [.a-µ] ∑[.fc*] [.a-µ] [.V/∞*] [.~] [.txt*] [.°*m]. [.af!] [.fv!] [.*] ‡ [.Pµ;f] [.O*] [….*] [.l:a/n] [µ/f*] [.u)(d;h] [.µ°]. [.W3] [.)*(].∑.§‡ [._] [.fc*] [.a-µ] ∑.§‡ ∫¤∆∞[.p+r::z]; [.h*f]; [._] [.fc*] [.a-µ] [.V/∞*] [.~] [.txt*] [.°*m]. [.af!] [.fv!] [.*][.Pµ;f] §‡ [.O*] [….*] [.l:a/n] [µ/f*] [.u)(d;h] [.µ°]. [.)*(].∑.§‡ [._] [.fc*] [.a-µ] [.V/∞*] [.~] [.txt*] [.°*m]. [.af!] [.fv!] [.*] [.m&s] [ f* [.fc*] [.a-µ] ∑.§‡ ∫¤∆∞[.p+r::z]; [.h*f]; [._] [.fc*] [.a-µ] [.V/∞*] [.~] [.txt*] [.°*m]. [.af!] [.fv!] [.*] [.m&s] [.i+S*] [.Pµ;f] §‡ [.O*] [….*] [.l:a/n] [µ/ ] [.u)(d;h] [.µ°]. [.W3] [.)*(].∑.§‡ [._] [.~] [.txt*] [.°*m]. [.af!] [.fv!] [.*] [.m&s] [.u)(d;h] [.µ°].§‡ ∫¤∆∞[.p+r::z]; [.h*f]; [._] [.fc*] [.a-µ] [.V/∞*] [.~] [.txt*] [.°*m]. [.af!] [.fv!] [.*] [.m&s] [.Pµ;f] [.O*] [….*] [.l:a/n] [µ/f*] [.u)(d;h] [.µ°].[.)*(].∑.§‡ [._] [.~] [.txt*] [.°*m]. [.af!] [.fv!] [.*] [.m&s] [.u)(d;h] [.)*(].∑.§‡ [._] [.~] [.txt*] [.°*m]. [.af!] [.fv!] [._] [.fc*] [.a-µ] [.V/∞*] [.~] [.txt*] [.°*m]. [.af!] [.fv!] [.*] [.m&s] [.i+S*] [.Pµ;f] [.O*] [….*] [.l:a/n] [µ/f*] [.u)(d;h] [.µ°]. [.W3] [.)*(].∑.§‡ [._] f* 3 [.fc*] [.a-µ] [.V/∞*] [.~] [.txt*] [.°*m]. [.af!] [.fv!] [.*] [.m&s] [.i+S*] [.Pµ;f] §‡ [.O*] [….*] [.l:a/n] [µ/ ] [.u)(d;h] [.µ°]. [.W ] [.)*(].∑.§‡ [._] [.~] [.txt*][.°*m]. [.af!] [.fv!] [.*] [.m&s] [.u)(d;h] [.µ°].§‡ ∫¤∆∞[.p+r::z]; [.h*f]; [._] [.fc*] [.a-µ] [.V/∞*] [.~] [.txt*] [.°*m]. [.af!] [.fv!] [.*] [.m&s] [.Pµ;f] [.O*] [._] [.fc*] [.a-µ] [.V/∞*] [.°*m]. [.af!] [.fv!] [.*] [.m&s] [.i+S*] [.Pµ;f] [.O*] [….*] [.l:a/n] [µ/f*] [.u)(d;h] [.µ°]. [.W3] [.)*(].∑.§‡ [._] [.fc*] [.a-µ] ∑.§‡ ∫¤∆∞[.p+r::z]; [.h*f]; [._] [.fc*] [.a-µ] [.V/∞*] [.~] [.txt*] [.af!] [.fv!] [.*][.Pµ;f] §‡ [.O*] [.Pµ;f] [.O*] [….*] [.l:a/n] [µ/f*] [.u)(d;h] [.µ°]. [.W3] [.)*(].∑.§‡ [._] [.u)(d;h] [.µ°]. 3 f* 3 [.W ] [.)*(].∑.§‡ [._] [.fc*] [.a-µ] [.V/∞*] [.~] [.txt*] [.°*m]. [.*] [.m&s] [.i+S*] [.Pµ;f] [.O*] [….*] [.l:a/n] [µ/ ] [.u)(d;h] [.µ°]. [.W ] [.fv!] [.*] [.m&s] [.i+S*] [.Pµ;f] ∞[.p+r::z]; [.h*f]; [._] [.fc*] [.a-µ] [.~] [.txt*] [.°*m]. [._] [.txt*] [.°*m]. [.af!] [.fv!] [.*] [.m&s] [.u)(d;h] [.µ°].§‡ ∫¤∆∞[.p+r::z]; [.h*f]; [._] [.fc*] [.a-µ] [.V/∞*] [.~] [.txt*] [.°*m]. [.af!] [.fv!] [.*] [.m&s] [.i+S*] [.Pµ;f] [.O*] [….*] [.l:a/n] [µ/f*] [.u)(d;h] [.µ°]. [.W3] [.)*(].∑.§‡ [._] [.fv!] [.*] [.m&s] ∑.∫¤∆∞[.p+r::z]; [.h*f]; [._] [.fc*] [.a-µ] [.V/∞*] [.°*m]. [.af!] [.fv!] [.*] [.m&s] [.i+S*] [.Pµ;f] [.O*] [….*] [.l:a/n] [µ/f*] [.u)(d;h] [.µ°]. [.W3] [.)*(].∑.§‡ [._] [.fc*] [.a-µ] ∑.§‡ ∫¤∆∞[.p+r::z]; [.h*f]; [._] [.fc*] [.a-µ] [.V/∞*] [.~] [.txt*] [.af!] [.fv!] [.*][.Pµ;f] §‡ [.O*] [….*] [.l:a/n] [µ/f*] [._] [.fc*] [.a-µ] [.V/∞*] [.~] [.txt*] [.°*m]. [.af!] [.fv!] [.*] [.m&s] [.i+S*] [.Pµ;f] [.O*] [….*] [.l:a/n] [µ/f*] [.u)(d;h] [.µ°]. [.W3] [.)*(].∑.§‡ [._] ‡ ∫.


};


[fc*] // {[ ßr ]: Bibliografía & Referencias}