Page 65

PROFILE

moment in time. I also believe visual art has a language all its own that is communicated in a visual way. There are people who are really good at translating that language and putting it into words, but ultimately, I think art can change you and ultimately change the world by shifting thought, in a visual way. MA: Have you ever had the experience of making a painting that you felt could act this way? MAR: That is my goal with all of my pieces. I try to create beautiful things I have never seen before which also speak to the viewer. Currently, the painting in my studio which is operating that way is my 20-foot long soft sculpture/painting (I’ll have a name for it soon). The giant scale is juxtaposed with its fragility and cumbersomeness and there are many different passages where things are going on and as a whole it comes together in this awakened way. It’s how I see life. I use different materials, patterns, brush strokes, so the various parts can be at odds with each other within the cohesive whole. It’s not rectangular, but rather a nonconventional amorphous shape made of soft wire, pliable screen and soft fabric painted into hardened looking pieces, which all convey the idea of different things with different meanings opening up thought and varied perspectives. My paintings are often two-sided, exhibited to show both front and a back. I try to think about everything from different perspectives, because in every case there is no ‘one’ way to tell a story or one side which is completely definitively correct. The importance of seeing various points of view could have stemmed from living in Egyptian culture in America, or being an Egyptian-American living in Europe. It has to do with seeing things from not the same hole. There are always bits of jarring difference and disruptions, and in those disruptions, I can see that many points of views or ways of thought are valid. I see this jarring difference and disruption reflected in my art. MA: Yes. Your art reflects the multi-dimensionality and complexity you describe. So how does your typical work day unfold? MAR: I wake up every day motivated to create something new or work out a problem in my studio, even if it is extremely frustrating and mentally difficult. I am a process artist and work intuitively. It’s grueling taking risks and trusting

65

Fabrik - Issue 31  

This issue coincides with Fabrik’s Photo Independent Art Fair, and the Month of Photography LA. The photography theme crops up in our covera...