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ART. DESIGN. ARCHITECTURE. FASHION.

ISSUE 12


CONTRIBUTORS MASTHEAD Publisher Chris Davies Associate Editor Peter Frank Creative Director Chris Davies Art Direction & Design Shout Design Group Paul Soady Contributing Writers Peter Frank Simone Kussatz Lanee Neil Phil Tarley Dale Youngman Contributing Photographer Ted VanCleave Account Executive Dale Youngman Production Associate Allem Ramirez

EDITORIAL & ADVERTISING

PETER FRANK Peter Frank is Senior Curator at the Riverside Art Museum and is also the Associate Editor for Fabrik. He was born in 1950 in New York, where he served as art critic for The Village Voice and The SoHo Weekly News, and moved to Los Angeles in 1988.

SIMONE KUSSATZ Simone Kussatz is a Los Angeles based-writer. Born and raised in Germany she majored in American Studies with a concentration on film, literature and art. Before receiving her Master’s degree from the John F. Kennedy Institute of the Free University in Berlin, she was a student at UCLA. Aside from the U.S. her writings have been featured in China, Germany, Iceland and the UK.

LANEE NEIL Lanee Neil is a Los Angeles-based writer who uses her craft to pursue her passions; travel, culture and enriching quality of life. Lanee has traveled extensively through Europe, Asia, Costa Rica and Russia and is currently working on a photojournalistic documentation of her time spent in India. As a lifestyle consultant, she is a contributing writer to Yogi Times.

PHIL TARLEY

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Phil Tarley is a Fellow of The American Film Institute, a member of The Los Angeles Art Association, an artist and a filmmaker. He is currently working on a book of narrative non-fiction travel stories and a cacophony of art projects.

Contact

DALE YOUNGMAN

269 S. Beverly Drive, Suite 1234 Beverly Hills, CA 90212 Tel 310 360 8333 info@fabrikmagazine.com http://www.fabrikmagazine.com

Dale Youngman is a freelance curator and writer who has been living in LA for 15 years. Her raison d’être is to reverse the paradigm of the starving artist, one at a time.

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INFORMATION ART. DESIGN. ARCHITECTURE. FASHION.

Fabrik is published bi-monthly by Fabrik Magazine, Inc., 269 S. Beverly Drive, Suite 1234, Beverly Hills, CA 90212. Contents cannot be reproduced in part or in full without the written permission of the copyright holder. The opinions expressed are those of the artists and writers themselves and do not necessarily reflect the opinion of Fabrik Magazine, Inc. Copyright © 2011. All rights reserved. PRINTED IN LOS ANGELES

ISSUE 12

ON THE COVER “Sold Our Soul” (2002) Exhibition and coffee table book: The Greatest Album Covers That Never Were. The exhibition first opened at the Rock and Roll Hall of Fame and Museum— By featured artist Glen Wexler.


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CONTENTS 8

Iconoclast: Photographer Glen Wexler’s “Improbable Realities”

32 Spotlight: The Cultivated Eye: LACMA’s Photographic Arts Council 40 Profile: Anointing the Image: The Last Lab in L.A. 46 Through the Lens: Bill Cunningham New York 52 Through the Lens: Feminizing the Lens: Five Notable L.A. Photographers 62 Publishing: Published: Processing Art into Books 66 Coming In, Going Out: Jack Rutberg Fine Arts: Jordi Alcaraz and Some Assembly Required 70 Profile: A Work of Biblical Proportions: The Journey of Kevin Rolly 78 Profile: Art Seen Gallery and bittonidesignstudio: The Amalgamation of Art & Design 83 Directory: LA Art & Design Directory 86 Art About Town: Peter Frank’s Museum Views 103 Showcases: Artist and Gallery Showcases


Glen Wexler’s


IMPROBABLE REALITIES — WORDS SIMONE KUSSATZ IMAGES COURTESY GLEN WEXLER STUDIO

YOU SHOULDN’T HAVE TO SHOUT SO LOUD (2010). ALBUM COVER FOR TRUE NATURE.


ICONOCLAST

SOME CAREERS TAKE OFF LIKE A ROCKET INTO SPACE.

This was the experience of photographer Glen Wexler, who was commissioned to do an album cover for music producer Quincy Jones, when he was still a student at the Art Center College of Design in 1978. The son of the renowned mid-century modern architect, Donald Wexler, has since photographed nearly 300 album covers. Wexler’s specialty is to take his viewers into constructed worlds of “improbable realities.” Among his clients are Warner Bros., Sony and Capitol Records. His music projects have included musicians such as Michael Jackson, Yes, Chick Corea, Herbie Hancock, Chaka Khan, Rush and ZZ Top. And while the Palm Springs Art Museum is currently exhibiting a retrospective of his father’s work, Steel and Shade: The Architecture of Donald Wexler, that ends May 29, Mr. Musichead Gallery in Hollywood is exhibiting, “Audio:Visual”: Album Covers and Portraits by Glen Wexler, opening April 9th and continuing through April 30th. Fabrik had an opportunity to speak to Glen Wexler about his career and work. 10

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THE WANDERER (1990)


ICONOCLAST

Fabrik: You were among the original artists to adopt digital image editing, which was important for you to realize your ideas. Why are you interested in these hyper-real narratives or improbable realities? Are you an escapist? Glen Wexler (GW): I was never attracted to photography as a means of documenting the world. In a previous life I would have needed to learn to draw and paint in order to articulate my aesthetic and concepts. I prefer the realism photography allows to create photo-illustrations of manufactured, altered or improbable realities. All of this is designed to create a suspension of disbelief. My work relies on the perceived, but waning, credibility inherent in the photographic image. I recombine elements of the real world to create a fantastical vision in which the elements often react in a surreal or absurd manner. This involves the pre-visualization of the finished image, then breaking down the plan for the final outcome into manageable components to be individually photographed and, finally, digitally seamed together. Fabrik: So what is your reaction if you look at the works of the old masters such as Henri Cartier-Bresson, Mario Giacomelli or André Kertész? GW: I have incredible admiration and respect for these photographers. I saw Cartier-Bresson’s show at MoMA last year and was blown away by the breadth and importance of his work. That said, my approach to the medium is the antithesis of these great documentary photographers. Their process involves filtering the outside world through their lenses. My approach is to bring the inside out. Fabrik: How did your collaboration with Quincy Jones come about and what idea did you come up with? GW: I met Ed Eckstine, who was Quincy’s right hand man. Quincy was producing a project for the Brother’s Johnson and I was asked to shoot portraits of the brothers for the inside spread. I shot them with a fog machine, and from a low and heroic camera angle - not much of a concept, but it was appropriate for the mood and style of the project. It was a multi-platinum album, which led to other music projects. At first I mostly worked with R+B artists, including Chaka Khan, and I was given the opportunity to art direct and shoot the next Brother’s Johnson album cover for “Light Up the Night.” 12

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METAL SHOP (1989)


FLIGHT OF ICARUS (2001)


ICONOCLAST

Fabrik: What were you doing prior to album cover work? And what is it that made you then change directions? GW: I went to Art Center College of Design for the technical training that I believed would exceed the scope of other art schools. It was my intention at that time to use these skills for my fine art work, but at Art Center I was exposed to the commercial works of Irving Penn and the fashion photography of Guy Bourdin, which I started to find more interesting and exciting than fine art photography. I considered moving to Europe to build a portfolio of fashion photography, but had the fantasy of shooting album covers. The recording industry seemed to be a more closed market, but when a door opened, I jumped at the opportunity. Fabrik: What struck your attention, when as a student you began to work with album covers? GW: Album covers presented the opportunity to produce the type of images I wanted to create. My images were not applicable to the advertising market of the time, and it would have been cost prohibitive to create these types of works without the commissions. The recording industry provided a visual “playground” to experiment with elaborate photocompositions and to define a signature style. Fabrik: How important was it for your work to like the music of your clients and would you rather create an image based on your client’s lyrics or the melody of their songs? GW: The album cover is a visual representation of the music. It needs to connect and resonate with the intended audience, and this will always guide the stylistic approach. In terms of a concept, if there is a title, I usually start there. I also talk with the artist about their music, personal direction, and read the lyrics. When I first start a project I like to stay open to all possible elements that will spark the concept for the packaging. Personally liking the music is not as important as creating a meaningful visual. Fabrik: You’ve worked with Herbie Hancock and Chick Corea. One of your clients was Michael Jackson. Could you say something about that? GW: All three of these artists are amazing talents. I was a fan of each prior to working with them, especially of the fusion projects by Herbie and Chick. The only 16

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ICONOCLAST

thing I would add about Michael is that I think the media was very unkind in their representation of him. He was clearly eccentric, but a true artist and perfectionist in every way. Working with all of them was a great experience. Fabrik: If I think about your images in “Improbable Realities,” I can see some similarities between your work and album cover artist Storm Thorgonson’s work, especially in your image of the men with burning ties. (Pink Floyd has an album cover with two men shaking hands with one of the men’s suit burning) Did Thorgonson have an impact on your work? GW: Storm’s work with Hipgnosis during the 70’s was very influential. Many of his album covers were for some of my favorite artists, and those images made up my “art collection” as a teenager. The blurring of the lines of the photographic medium was inspirational in terms of pointing to the unlimited narrative possibilities that could be expressed with altered or combined photographic imagery. The image of the ties on fire was actually from an international advertising campaign for Adobe to advertise Photoshop. The concept was proposed by the ad agency. I was a bit taken aback when the layout first arrived because the Pink Floyd cover for “Wish You Were Here” is so iconic. After years of being entrenched in creating album covers, I felt that any image that would appear to reference this cover would be crossing the line in terms of borrowing from a visual identity that artistically belonged to Pink Floyd. Working in advertising I found that I began to view the market a little differently. While I would never have created this image for another recording artist, I settled on the notion that it was kind of cool to pay homage, if you will, within a new context. Fabrik: Your studio team consists of Hollywood set designers, modelbuilders and CGI artists, etc. What about the influence on you of the motion picture industry? GW: Other than the work of Hipgnosis, movies were perhaps my greatest source of inspiration. As a kid, I was mesmerized when I first saw “2001: A Space Odyssey”. Kubrick had an amazing visual sense. “A Clockwork Orange” is a visual masterpiece as well. “Blade Runner” and “Brazil” were also inspiring.

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REUNION (1999) ALBUM COVER FOR BLACK SABBATH


BALANCE (1994) ALBUM COVER FOR VAN HALEN


TOP: ZZ TOP (1992) • BOTTOM: BOB WEIR (1984)


TOP: MICHAEL JACKSON (1984) • BOTTOM: CHAKA KHAN (1978)


ICONOCLAST

There is the correlation to the story telling in film that has always had my attention as a narrative image-maker. The primary difference, of course, is that motion speeds by at 30 frames per second, whereas the story of a still is fixed in time. I love the attention to detail that is required for a single frame to resonate. It’s much less forgiving than motion. Fabrik: Mahatma Gandhi said “One can measure the greatness of a nation and its moral progress by the way it treats its animals.” In Hinduism, the cow is a sacred animal and represents all other creatures. Does your series “The Secret Life of Cows” have any political agenda? GW: The beauty of much of my commissioned work is that the images can often stand alone from the marketing purposes that set the parameters for their creation. The Bovine Superheroes and Secret Agent Cows, which represent the majority of images in the book, were created to sell fast food chicken sandwiches. The cows are protecting their species by advocating that people eat chicken instead of them. But, after you take away the marketing copy, the viewer is forced to draw their own conclusions, which will perhaps lead to examining issues bigger than “what’s for lunch?” Or not. Fabrik: Was the show “The Secret Life of Cows” at Track 16 Gallery well received? GW: Yes, beyond my wildest imagination. The day of the opening I picked up the Los Angeles Times on our driveway, and to my surprise, one of the Secret Agent Cows was on the front page. I went to the Calendar section and the show was the lead story, front page, entire top of the fold, with some very funny comments from Eric Idle. It’s estimated that there were over 1500 people at the opening. The owner of Track 16 said it was the gallery’s largest opening reception. I was blown away by the response. It was great, but certainly not what I expected. What started as a publishing offer to compile a series of cow images was quickly turning into an artistic identity.

SON OF MAC (2003) PARODY OF THE MAGRITTE PAINTING “SON OF MAN” FOR TIME MAGAZINE

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PREFLIGHT (2006) FRENCH KNIGHTS PREPARE TO LAUNCH A COW FROM A TREBUCHET OVER A CASTLE WALL AT THE UNSUSPECTING ENGLISHMEN. FROM A CERTAIN VANTAGE POINT BYSTANDERS OBSERVED, “THE COW JUMPED OVER THE MOON.” FROM THE BOOK, “THE SECRET LIFE OF COWS” BY GLEN WEXLER. FOREWORD BY ERIC IDLE.


ICONOCLAST

Fabrik: TIME magazine used one of your images for the cover story “How to Eat Smarter.” You came up with the idea of showing floating ice-cream cones and a man in a suit with an umbrella holding a green apple in his hand. What are your feelings about the food industry in America? GW: The feature was about the poor eating habits of Americans. The images reflect my feelings. My idea for the cover (although, not published) was a parody of Magritte’s “Son of Man.” I recreated the painting photographically with a huge fast food hamburger replacing the apple in front of the man’s face, and with globs of secret sauce dripping on his overcoat. The supporting images for the feature were a continuation of the Magritte theme, including the raining ice cream cones. The man is protecting himself with the umbrella while offering a healthy alternative. Fabrik: Can you tell us more about your upcoming exhibit at Mr. Musichead Gallery in Hollywood? GW: I’ve always enjoyed visiting the gallery, as it is one of few authentic rock ’n’ roll art exhibitors in California. When the owner, Sam Milgrom, offered a show, I didn’t give it a second thought. This show will consist of selected conceptual album covers and portraits of musicians from over a 30-year range. Portraits include Michael Jackson, ZZ Top, KISS, Chaka Khan and Herbie Hancock. Album covers include projects for Van Halen, Black Sabbath, Rush and Missing Persons. More information on Glen Wexler can be found at www.glenwexler.com. “Audio : Visual” Album Covers and Portraits by Glen Wexler Artist’s Reception: Saturday, April 9, 2011, 7-10 pm Show Duration: April 9-April 30, 2011 Mr. Musichead Gallery 7511 W. Sunset Boulevard, Los Angeles, California 90046 Hours: Mon.-Sat. 11-8 pm, Sunday 11-7 pm Gallery Phone: (323) 876-0042 This exhibition is a featured MOPLA (Month of Photography LA) event. Visit www.monthofphotography.com for more details.

PATRIOTIC BITCH (2008) THEATRICAL POSTER ACTRESS ALANNA UBACH, BODY PAINTING BY JOANNE GAIR

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SPOTLIGHT

The Cultivated Eye: LACMA’s PHOTOGRAPHIC ARTS COUNCIL — WORDS PHIL TARLEY IMAGES COURTESY OF THE LACMA AND THE PHOTOGRAPHIC ARTS COUNCIL

he Photographic Arts Council of the Los Angeles County Museum of Art supports LACMA’S Wallis Annenberg photography department. A relatively young organization, it was started in 2001 to help the museum develop an audience educated in photography. Over the years, it has morphed into a potent and dynamic group who loves photography and lusts after its informed acquisition. Avid collectors fill its ranks. The council also promotes a serious and intensive exploration of the medium with classes, studio visits, and lectures by power-house curators like Britt Salvesen and Edward Robinson. When it can, the group raises funds to help LACMA make acquisitions and stage shows like the New Topographics: Photographs of a Man-Altered Landscape show. The group also helped out with some of the cost of the William Eggelston exhibition’s public lectures. The Arts Council tries to assist the artist, the gallery, the museum, and the public by green-lighting as many photographic endeavors as it can. This year, its intensely coveted annual award was given to photographer Ken Gonzales-Day, and a book will be published of his work (Summer 2011). I spoke with Gloria Huyck, current chairperson of the Photographic Arts Council. Huyck, a cineaste who wrote American Graffiti and Indiana

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NAN GOLDIN, THE HUG, 1980, CIBACHROME PRINT, 24 X 20 INCHES LACMA, PHOTOGRAPHIC ARTS COUNCIL, 2005


SPOTLIGHT

Jones, came late to collecting photography. I found Huyck pithy, instructive, and ebullient, communicating a lot of interesting information in a clear, compelling way. “It’s a big step for many people to think of photography as art. I’ve always been interested in photography, and as a result of the sale of my collection of East Indian paintings, I had a bankroll to collect with. I first focused on Japanese photography. The Arts Council had all of these events - lectures, studio and museum tours - and offered me an education about photographic history without having to go back to school. As chairman of the Photographic Arts Council, I want to keep on creating that experience for as many people as I can.” Gloria Huyck suddenly wondered aloud, “Is collecting a good thing or a psychological affliction? “ The desire to acquire fine art photography is a delicious malaise that seems to torment many people all over the world. There is no cure. As this strange malady develops, most of the afflicted seem to hone their skills and focus their collection. Connoisseurs of photography enjoy educating others about what they have learned about the works of art they have amassed. They delight in showing them off. And from what Gloria Huyck tells me, the Photographic Art Council is a great place to do just that – and to acquire new works, as well. The latest fundraising enterprise for the arts council is called The Limited Editions Project. Four photographers, Jo Ann Callus, Bruce Davidson, Todd Hido and David Maisel are each donating a limited edition of 15 - 16 x 20 inch prints, signed and numbered, that are available for members to purchase for $1500 a print. “Everyone should have the opportunity to live with a great piece of art. But you have to be a member, to get one of these,” Huyck told me. “Photographic Arts Council participants can be photographers, collectors, or anyone interested in any genre of photography. No other like group in the country has such a reasonable entry fee. Annual memberships start at $400, can be shared with a friend, and you both get all the other perks, too.” Fabrik would have to agree: membership does have its privileges.

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FRED ARCHER, SELF-PORTRAIT, 1946, GELATIN SILVER PRINT,  15 X 12 ½ INCHES LACMA, THE AUDREY AND SYDNEY IRMAS COLLECTION


PLATINUM NUDES

© GIDEON LEWIN

GIDEON NEW YORK


PORTRAITS

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LEWIN 212.921.5558


PROFILE

Anointing the Image: THE LAST LAB IN L.A. — WORDS PHIL TARLEY IMAGES COURTESY OF FRANK GREEN AND THE LAB CIBA

ittle metal magnets adhere to a seven-foot test-strip flush against the viewing board on the back wall of The Lab. With the light adjusted just so, Frank Green pores over the tests, evaluating the work, offering up suggestions for final color and exposure corrections. Every time I come here, I feel as if I am taking a master class from a master Cibachrome printer. Cibachrome prints are highly desirable for their amazing color saturation (like no other), their vastly superior archivability (guaranteed fade-proof for at least 100 years), and their dense, rich, high gloss. They are unusually sensitive to reds, which reproduce deeply, sensually and are so glossy, one wants to lick them off the prints like lollipop candy. The print itself feels like a cross between paper and plastic. These prints are old school, made directly from a large-format transparency placed in an enlarger. Even through Cibas are highly sought-after by museums and savvy collectors, they have fallen casualty to the digital age. The Lab Ciba in Burbank is the last Cibachrome lab on the left coast – and one of the few remaining in the world. Green has made prints for Paul McCarthy, Mike Kelly, George Hurrell, Louise Lawler, and David Muench, one of the most important landscape photographers of the late twentieth century. Green’s Cibachromes hang in the

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JIMI HENDRIX MIKE BERKOFSKY • JANUARY 1967, LONDON, ENGLAND


PROFILE

Pompidou Centre, the Chicago Art Institute, MOCA, and the San Francisco Museum of Fine Art. There are two reasons to make a Cibachrome print: either an artist or a museum wants to insure its archivability, or a super color-saturated look with intense image sharpness is desired. Artists who love Cibas for their color and archival qualities often apply matte lamination to eliminate gloss and still keep other attributes intact. The last time I called for an appointment, Green put me on hold from his darkroom saying his hands were deep in chemicals, making a Black and White contrast mask. He never came back. He called back a few hours later, apologizing sheepishly, and we set up a time for me to see his work on my latest project down at The Lab. Green synergizes optics, technology, and chemistry with an informed artistic vision. He often inspires artists to re-envision the frame. Over the years, he and I BAMBOO have produced brilliant and often PHIL TARLEY • MAY 2009 EVERGLADES NATIONAL PARK, FLORIDA luminous 48 x 70 and 30 x 40 inch prints. His lab is like no other I have found, in or out of Los Angeles. I ask him what the future is for Cibachrome. How long can he hold up the fort? You know, the last-lab stuff? Green tells me that even though he sometimes feels like an Andy Rooney, “Cibachrome is not a dinosaur. Artists are still discovering what a great medium it is. I just blew up a shot from a Blackberry. I took the phone shot, created an interface analog film transparency, and blew it up to a 50 x 60 inch print. Then I face-mounted it to plexiglass and it knocks you on your ass. It’s not some crappy Epson poster, it’s a full blown piece of art. The most common camera these days is the iPhone, not exactly Cartier Bresson's tool of choice. But Cibachrome is the last word. It’s the best. It’s miracle lives on.”

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MARILYN MONROE ANDRÉ DE DIENES • SUMMER 1949, TOBEY BEACH, LONG ISLAND, NEW YORK


LORI HYLAND | JAZZ VISIONS www.lorihyland.com

BUENA VISTA SOCIAL CLUB • 84” X 60” • OIL ON CANVAS

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THROUGH THE LENS

Bill Cunningham

NEW —YORK WORDS PHIL TARLEY IMAGES COURTESY OF ZEITGEIST FILMS

“We all get dressed for Bill,” says Vogue editor Anna Wintour. The “Bill” in question is New York Times photographer Bill Cunningham, who is 80+. For decades, this Schwinn-riding cultural documentarian has been obsessively and inventively chronicling fashion trends and high society soirees for the Times Style Section in his columns, “On the Street” and “Evening Hour.” There he catalogues uptown New York fixtures like Wintour, Tom Wolfe, Brooke Astor, and David Rockerfeller — who all appear in the movie, obviously out their deep fondness for Bill. This off-beat minigem of a movie mixes uptown hauteur with a slew of Downtown fashion eccentrics, Club Kids, and everyone in between. 46

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THROUGH THE LENS

Cunningham’s enormous body of work is more reliable than any catwalk as an expression of time and place. His sixty years of street photography give the movie a fascinating anthropological context. Ultimately, Bill Cunningham New York is character study of a dedicated artist working in the fashion world that he loves but personally eschews. His wealth is his own humanity, mad preoccupation and an unassuming grace soon under fire. Bill and a few other octenagarian photographers who have been living in artist apartments in Carnegie Hall are fighting relocation from the only homes they have known during most of their working lives. But that is only one story arc this documentary takes on. The film is an affectionate portrait of a wonderfully strange character living through his camera, snapping photos nonstop, “letting the streets speak,” to him. This photographic dialogue between a man, his camera, and sixty years of shooting the fashionoids of Manhattan and Paris is hauntingly sweet – where’s my insulin - somewhat daffy, and a tad perverse. Less participant than observer, Cunningham cares not for food, sex, drink, or love. His apartment has no bathroom or kitchen, only file cabinets for his negatives. The man and the movie rides along the streets of New York on a fragile bicycle going from one posh venue to the next, parsing out his days and

BILL CUNNINGHAM SHOOTING IN THE STREET, IN BILL CUNNINGHAM NEW YORK. A FILM BY RICHARD PRESS. A ZEITGEIST FILMS RELEASE.

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THROUGH THE LENS

his NY Times photo columns with the elements of street style and nightlife fashion. He declines to wear any of the sartorial splendor of those he shoots. He will not take even a glass of water at any of the events he chronicles. He often refuses a paycheck, so to better control his images. When he feels uncomfortable, he reaches for his camera and says, “Let’s get snappin’ and crackin’.” Obviously there is a lush layer of Asperger’s Syndrome to this man’s creative psyche. But Bill Cunningham is an original. Even though he wears street sweeper clothing, he manages to make his way through the pages of many top fashion publications. He lives through his camera, and so he

BILL CUNNINGHAM PHOTOGRAPHING VOGUE EDITOR ANNA WINTOUR, IN BILL CUNNINGHAM NEW YORK. A FILM BY RICHARD PRESS. A ZEITGEIST FILMS RELEASE.

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THROUGH THE LENS

BILL CUNNINGHAM PHOTOGRAPHING LEGS AND HEELS ON A NEW YORK STREET, IN BILL CUNNINGHAM NEW YORK. A FILM BY RICHARD PRESS. A ZEITGEIST FILMS RELEASE.

affects the lives and creative aspirations of many of the glitterati all around him. The movie takes us on to Paris where Cunningham is made a Chevalier de France, receiving his medal at a big gala. Dressed in his economical working clothes, Bill shoots away at his own fete as if to signal that the only way this man can go through life is to, “keep snappin’.” He is happily caught up in a magnificent obsession. He uses the camera as a way to distance earthly sensations from his life, so that he can chronicle the sensuality and fashions of those caught up in them. And so, he holds a mirror up for all of us to see, as he sees, who we are, and how we want to be perceived. Released by Zeitgeist Films. Written and Directed by Richard Press. Opens in Los Angeles March 25th at The Nuart Theater. Web fabrikmagazine.com

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THROUGH THE LENS

Feminizing the Lens:

FIVE NOTABLE L.A. PHOTOGRAPHERS — WORDS LANEE NEIL IMAGES COURTESY OF THE PHOTOGRAPHERS

In the fame-obsessed city of Los Angeles, with so many women vying to be seen, these seers prefer to see. Throughout photography’s brief history, women have enlarged the scope of the medium by extricating images from the camera that nurture many conflicting desires of the unconscious mind, transport beyond the confines of the mundane, and bring a vulnerable emotionality to the subject. Fabrik Magazine recognizes five photographers based in Los Angeles for their ability to illuminate and feminize the lens. 52

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THROUGH THE LENS

ALEX HEDISON It was the alluring design of a Contax T2 with the retracting Zeiss lens that wooed actress Alex Hedison to integrate artistry behind the camera as well. The fine art photography community confirmed her choice. In 2002, Rose Gallery of Santa Monica gave Hedison her first solo show exhibiting the series, “Elements,” in which she portrays dream-like landscapes. As a way to conjure and motivate imagination, Hedison prefers straight photography without post-production manipulation. She explains her choice, “There's something about the frame of a photo and composing within that frame that I love. I'm not a big fan of cropping and changing the composition once I shoot it. It pushes me to continue to express myself in a time where so much has changed about the medium itself.” Taking this technical discipline to a new level by using a large format camera, she captured the North American rainforest with piercingly vivid detail in the “ITHAKA” series. “ITHAKA” has exhibited internationally and is ironically not about trees but a metaphor for one’s process of discovery. Currently, Hedison is working on a series centered in Malibu examining, in her words, the ‘architecture of memory.’ More information and portfolio can be found at www.hedison.com.

SHARON JOHNSON-TENNANT Leaving the fashion world behind and following her true passion of photography has led Sharon Johnson-Tennant to exotic destinations like Papua New Guinea, Borneo, India, and Africa to capture the simplicity and dignity of humanity that most would overlook. Her latest work, which spans over five years, tells a haunting story of what the residents of the lower ninth ward of New Orleans left behind in exchange for survival. Whether abroad or in her backyard, she pursues balance and elegance in ordinary moments of life. Johnson-Tennant explains her approach, “I see sensuality in the details, the light, the shadows, and the fabrics and textures around me. I think and shoot in color - this, to me, shows the reality of daily life in its truest form - fully saturated, vibrant and alive.” Her photos have been recognized in publicaWeb fabrikmagazine.com

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ITHAKA 27 ALEX HEDISON


LEFT: LINGERIE, CAFFIN STREET • RIGHT: ORANGE SHARON JOHNSON-TENNANT


GWEN MARJORIE SALVATERRA


BETWEEN THE BEAUTY TASYA VAN REE


THROUGH THE LENS

tions such as National Geographic Traveller and PDN Magazine. Her next gallery show is at the Robert Berman Gallery, Bergamot Station in November 2011. More information and portfolio can be found at www.sjtdesigns.net.

TASYA

VAN

REE

In her relatively short four-year career, Tasya van Ree’s images, in both photography and video, are exploding on the LA art scene. Her photographs channel intelligent sexuality by utilizing models possessing non-traditional beauty in corsets and stockings juxtaposed with studded leather jackets and fedora hats. Modern femininity, where a woman is both powerful and alluring at the same instant, dominants van Ree’s black and white imagery. Fans of Helmut Newton and filmmaker Tinto Brass would not be disappointed by van Ree’s sublimation of the female form. And it certainly seems current culture is endorsing van Ree’s perspective as well. She is working on two photography books, a t-shirt line called “Saints vs. Sinners,” an art installation for designer Tory Burch, an exhibition during MOPLA with the Lucie Foundation and a bevy of celebrity art commissions. More information and portfolio can be found at www.tasyavanree.com.

MARJORIE SALVATERRA Inspiration comes from diverse origins. In Marjorie Salvaterra’s case, she made the transition from acting to photography after playing the lead in Herb Ritts’ film “The Faculty Lounge.” Drawing from her theatrical background, her black and white photographs strikingly illuminate raw human emotion and form. Virginia Heckart, Associate Curator of Photography at The Getty Center, describes Salvaterra’s images and their dramatic impact as “a fine line between sanity and insanity.” Understanding the psyche plunges her into exploring the dark, fragile and sometimes obscene nature of the human spirit. Salvaterra says, “Some believe people are either born sane or insane. Others believe we are all born perfect and it's the things that happen in our lives that damage us. I tend to believe the latter. In each portrait, I am looking for that line in each person: the part of our58

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THROUGH THE LENS

selves that we tend to hide, the part that scares us…” Clark | Oshin Gallery is hosting a solo exhibition for Marjorie Salvaterra at Pier 59 Studios West, Bergamot Station for the opening night of Month of Photography Los Angeles (MOPLA), April 2nd, 2011. More information and portfolio can be found at www.marjoriesalvaterra.com.

LEFT: THE PASSING RING • RIGHT: offSET — LACEY TERRELL

LACEY TERRELL Circuses and film sets are synonymous in Lacey Terrell’s world. Terrell has serious authority to make this comparison as her “THE PASSING RING” series documents the Culpepper & Merriweather Circus over fourteen years which led her to working as a still photographer on film sets since 1999. She speaks about her attraction to both environments. “Both have disparate people coming together to put on a “show” and I instantly felt comfortable in this gypsy-like environment.” Following the edict of circumstance, Terrell has transformed obtuse moments on a film set into tender vignettes in her most recent series, “offSET.” “offSET” has garnered Terrell much recognition. It was awarded Best in Show in Lens 2011, selected by Natasha Egan of the Museum of Contemporary Photography, and also 1st Prize in the Photo Review 2010 Competition. She is currently working on a book commencing her epic chronicle of the “THE PASSING RING” series. More information and portfolio can be found at www.laceyterrell.com.

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Haikuhie Tataryan P.O. Box 29490, Los Angeles, CA 90029 www.haikuhie.com | email: info@haikuhie.com


PUBLISHED Processing Art into Books

WORDS PHIL TARLEY


PUBLISHING

A&I

Labs has been providing services to the world’s top photographers for thirty years. Almost every serious photographer in L.A. has used them. When film was king and the pros all shot slides, A&I handled transparencies with the most amazing custom services in town. Not too long ago the lab had three centers: their present location on Highland, a 24 hour drop-off a few blocks away, and a full-service shop in Venice out by the beach. Now it has one, a big powerhouse of a laboratory. The digital age changed the world and it changed photography, too. But photography is not down and out. As the 21st century takes hold, the fruits of nouveau technologies have borne new printmaking methods. Embracing these innovations, A&I has helped pioneer the printing of museum-quality pigment prints with processes capable of rendering hues never quite seen before. A&I’s latest offering is an entire department totally dedicated to printing and publishing high-end photographic art books –all done on demand. That means an artist or gallery can print a book in a signed, limited edition and order copies as the edition sells out. While on demand printing is nothing new, it is noteworthy that A&I, famous for the quality of their prints, now offers this art product. Rex Weiner, a veteran editor, publisher, and journalist, heads their art book division. “We can now offer artists and anyone wishing to create a photo book the guidance they need to give their books a more professional look- and we help them with creative strategies to get their books into the hands of an audience,” Rex told me. “By adding an editorial touch, from the book’s initial concept to design, copy editing, and proof-reading, we take self-publishing to a new standard that we like to call, ‘indie-publishing.’” “Rex understands how traditional book publishing has been transformed by technology. That gives A&I a real advantage. It lets us provide artists beautifully printed books and a potent way to market them,” said A&I co-owner Baret Lepejian. While staying true to its photographic roots, A&I seems poised on informing the digital future with the photographic vision of its past. The books are made on an assortment of fine art Indigo and Scitex printers. A&I’S giant Lambda can make prints on any kind of photographic paper, leather, metal, or glass. Their new department has published books for The L.A. Times, The Lucie Foundation, and Jeff Sheng’s popular Don’t Ask Don’t Tell book. A&I still processes film. And they still make some of the best and biggest photographic prints in town. They have printed for David LaChapelle, Maya Mercer, Helmut Newton, and Mario Testino. Well – I guess that they can make my book here, too. Web fabrikmagazine.com

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COMING OUT, GOING IN

JACK RUTBERG FINE ARTS 357 N. La Brea Avenue, Los Angeles WORDS PETER FRANK

JORDI ALCARAZ extends a specifically Catalan tradition of modernism that conflates material gravity with an almost notational gesture. Antoní Tapiès’ oeuvre most readily represents this tradition (having in effect set it in motion), but half a century later it still ripples through artistic practice in Spain’s northeast corner. Alcaraz sustains the tradition’s existential overtones, felt especially in his tendency to open, near-minimal composition, but he gives it added resonance and even mystery by working rarely with pigment, preferring instead to mold plaster, wood, graphite and wire in and around frequently distorted Plexiglas surfaces. Where paint does appear, it seems obdurate and industrial, like tar – grace(less) notes against the voluptuous curves of the Plexi and elegant linear stretches borne by the otherwise transparent material. Books often JORDI ALCARAZ (B. 1963) • AGAFAR UN DIBUIX AL VOL, 2010 TO CATCH A DRAWING MID-AIR WIRE, PLEXIGLASS, WOOD appear as objects encased in the 13 3/4 X 16 1/2 X 7 1/8 INCHES Plexi, like f lies in amber, or behind it in shallow boxes. These “silenced” tomes, and the nervous, darting lines around them that refuse to coalesce into writing, together evince a muffled voice, a muted, inchoate, pre-literate cri bespeaking some long-buried tragedy. One can speculate on what urgent, recurrent metaphor Alcaraz means to convey; the most apparent, involving the human atrocities and cultural suppression of the Franco years, are now past. They are a recent memory, one that Catalans, in particular, are not ready to give up; but you don’t get the feeling Alcaraz is protesting the affronts that once afflicted his people so much as drawing upon a lingering sense of mortality and unjust imbalance – and infusing that sense with equal parts wit and poignancy by seeming to charm diverse substances into poetically charged images.

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COMING OUT, GOING IN

SOME ASSEMBLY REQUIRED collates an extremely diverse roster of modern and contemporary artists who were and are prone to unorthodox and profligate exploitation of all sorts of stuff and all sorts of things. In other words, despite the “Assemblage & Collage” subtitle, this isn’t your usual pasted-papersand-nailed-together-objects show. The emphasis is on “assembly,” and Jose Luis Cuevas’ painting on tiles can claim as secure a place here as can Edward Kienholz’s mid-50s wood construction, Romare Bearden’s colored collages of people of color, or the intimate, almost diaristic arrangements of Hannelore Baron, Betye Saar, and George Nama. On one level, “Some Assembly Required” is a compendium of techniques; all that need augment a would-be assemblagist’s careful study of these works is an annotation of what adhesives were used. On another, of course, it is an affirmation of the “collage aesthetic” that has driven the sensibility of the modern era. But the show, filled with surprises and revivals, provides its biggest jolts not as a whole, but as a sum of parts. Hans Burkhardt’s GORDON WAGNER (1915-1987) • CONSTRUCTION, 1950 AND MIXED MEDIA CONSTRUCTION CONTAINING skull-bedecked painting is always WOOD COLLECTED ITEMS • 19 X 45 X 11 1/2 INCHES good for introducing a mordant reflection on war and death, but dreamy, fanciful early collages by Joseph Cornell provide the opposite sensation. The gnarled objects of Conrad Marca-Relli (too little seen on the West Coast) rhyme unexpectedly with Clare Falkenstein’s bristly steel bush engulfing a glass heart – and (speaking of Cornell) with her early box assemblage. Mark Tobey’s late collages are totally unanticipated, as is Mathias Goeritz’s mini-metal man; less so, but still delightful, are items by Bruce Conner, George Herms, Tony Berlant, and other postwar California assembleurs. Web fabrikmagazine.com

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New Paintings and Sculptures by Raffi Musakhanyan and Argishti Musakhanyan

For more information or private viewing contact Lisa at 805-217-2186, or email: lisa@artmeetsarchitecture.com Art Meets Architecture 849 South Broadway, Loft 905, Los Angeles, CA 90014 www.artmeetsarchitecture.com


ARTHUR TRESS SKATE PARK

In Skate Park, Tress goes beyond typical sport photography, contemplating each skater’s relationship to the larger void of the bowl, half-pipe, or park. Here, cinematic sequences capture their action and interaction. The photographs give as much attention to the architecture of the parks as they do the fleeting bodies that shuttle across them.

100 PAGES 12”x12” HARDCOVER $45.00 AVAILABLE FROM AMAZON.COM, PHOTOEYE.COM OR BIRCHBOOKS.COM


PROFILE

A WORK OF BIBLICAL PROPORTIONS

JOURNEY of KEVIN —ROLLY The

WORDS DALE YOUNGMAN IMAGES COURTESY KEVIN ROLLY

Kevin Rolly — or Kevissimo as he is known to his friends — took his first photo out of love for an older woman. She was 11… he was 8. They were vacationing together, and he was smitten. She was “the sun and the moon” to him, and when she emerged from the water, and wrapped a towel around herself, her face compelled him to grab his father’s new Nikon F and race to photograph her before she moved. Luckily, she held the position while he took his first photograph ever. He says “That 125th of a second changed my life. In a sense, I’ve been taking that same shot ever since.” 70

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PROFILE

In 1994, Kevin began searching for a new look to his fine art photographs. He couldn’t find it in the darkroom, or in lighting techniques, so he began to experiment with mixed media. One day, remembering the scratch drawings he had enjoyed as child, he poured black oil paint all over one of his photos, then began wiping some of it off. That day, his signature technique was born, and he created his first “oilgraph.” The “oilgraph” works are complex and expensive to create, as this oldschool film photographer insists that every print be on archival silver gelatin paper. He then painstakingly trims and silhouettes the figures, mounting the photographs to large wooden panels with archival glues, sometimes adds textures, mixed media, then paints and varnishes each piece. They are heavy large works, serious and beautiful, each one unique. The sizes vary, but few are small. "The Last Supper" is an epic piece, at 6’ x 12’, weighing in at about 400 pounds. A few years later, on a dare, Kevin made a work live – The Crucifixion. This first time, something happened – his brain turned off, he began working instinctually, spontaneously, experimenting, becoming the channel for the piece. “That,” he says, “is when the magic showed up. When I finished about 40 minutes later, I finally looked up, and expected to see people asleep. What I saw were a handful of people in tears, and I realized, maybe there was more to this than I thought.” Although Kevin has traveled and photographed some memorable places, like Paris and Milan, creating some of his best-selling images, it is his religious works that he is most known for. In 2003, he was commissioned to create one of the Stations of the Cross for an exhibit at Fuller Seminary. He decided to do Station 10 – The Stripping of Christ – shooting it as a nude, standing in the brief moment of dignity just before the horrific indignity that was coming. He said to do it any other way would have been cowardly. When he went to the exhibit where the works were being featured, he imagined it might be stored in the broom closet. In fact, it was the only piece they chose to hang in their chapel. Following a show at the Pasadena Museum of California Art about the journey of longing and loss, he was asked by a local curator to speak at the Worship Arts Liturgy and Preaching conference. It was then he decided to complete the set, saving the 15th station for a live performance. Web fabrikmagazine.com

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LEFT: SHAMGAR AND THE OXGOAD • RIGHT: EHUD KEVIN ROLLY


TWELVE (THE LEVITE AND THE CONCUBINE) KEVIN ROLLY


PROFILE

He says the biblical series is very personal and faith -based for him, about love and sacrifice, and putting aside one’s own good for the other. He explains, “I felt it was a calling.” His next project, however, is an even longer journey, and is still incomplete after 4 years or work. His topic - The Complete Book of Judges, from the Old Testament. This body of work will illustrate about 20 different stories and many individuals, eventually creating close to 70 pieces. Meticulous about casting the featured characters, Kevin also creates the costumes and the props, down to the swords and weapons they often carry in the depictions of battle. Wanting everything to look authentic, true to the period, like actual theater, he is obsessive about detail, and insists that all characters read their bible story before the shoot begins. "I have always been interested in the hidden being revealed, both in people’s personal journeys and in my own. Everyone has a story. What I concern myself with is telling those stories with honesty and dignity. In each of us there is both darkness and light. To tell our stories without one or the other is to be disingenuous to our nature. In the end, however, it is the light that breaks through the darkness that I search for the most. Yet, the darkness still needs to be present. It reveals the need of the light while we are still in this painful theatre of our humanity. “For me, photography and painting is listening. If I do my job then the story is written in the image and ultimately tells everyone’s story. The process of revealing the image through the oil only extends the journey of the light breaking through. It illuminates what I believe is the world both seen and unseen. In the performances where the work is created in front of an audience, it simply gives the audience the opportunity to experience that journey at the same time I am. Each is an act of faith." But in the end, he says, “All I really want to do is direct. ” Kevin Rolly lives and works at the Brewery Artist Colony at Theory Labs, 624 Moulton Ave, near downtown Los Angeles. You can meet him and see his work at the Spring Brewery Art Walk on April 16 & 17 from 11AM -6PM. More information on Kevin Rolly can be found at www.kevissimo.com.

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Michael Hayden

"FOCUS ON THE HERE AND NOW" ENCAUSTIC, MIXED MEDIA, 51 x 58 INCHES, MICHAEL HAYDEN

www.MichaelHaydenArt.com 310.613.6626


SPOTLIGHT

ART SEEN GALLERY AND BITTONIDESIGNSTUDIO:

The AMALGAMATION of ART and DESIGN —

WORDS LANEE NEIL IMAGES COURTESY OF ART SEEN GALLERY AND BITTONIDESIGNSTUDIO

I

s there a difference between art and design? Art has traditionally been viewed as a non-functional accessory and design distinguishes itself ardently from art in its functionality and purpose. Donald Judd confirmed this notion, “Design has to work, art does not.” Yet, isn’t there artistry in design? Hasn’t art always possessed a function? At a time when the traditional distinctions of art and design are being widely debated and often blurred, the groundbreaking concept of Mark Bittoni and Leonardo Ledesma highlights the ability for art and design to not only coexist but also co-create in their soon-to-launch fine art and design gallery. “Everything is art!” exclaimed Marcel Duchamp when he exhibited his controversial urinal. And the collective vision of Bittoni’s design firm and Ledesma’s art gallery seems to be confirming this declaration. Bittoni explains his motivation for his partnership with Ledesma’s Art Seen gallery, “The merging of the two entities seems like a natural fit. I have been interested in looking at how art and design can converge in order to generate new directions within my own practice. Typically, these two disciplines seem mutually exclusive; however, both offer interesting ways of enhancing space and environment.” Just as Bittoni inherently believes design is both an artistic and a social endeavor, Ledesma’s degree in architecture reinforced his affinity for the design 78

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SPOTLIGHT

TODD WILLIAMSON, I BECOME WHAT I ALREADY AM, 36” X 48”, OIL

process. According to both entrepreneurs, it was a natural evolution of incorporating relevant design and contemporary art under one roof. In 2009, Bittoni opened a design-oriented boutique and in his opinion, Art Seen is the unifying component in the retail aspect and design practice. “Working closely with architects, interior designers and other design professionals has given me valuable insight into creating distinct environments, especially through the use of art. Teaming up with Bittoni is going to create new and exciting opportunities for us both artistically and professionally” says Ledesma of his ease in bridging the design and art chasm. Just as legendary artists and designers like Charlotte Perriand, James Turrell, Frank Lloyd Wright, Philippe Starck and Jorge Pardo have grappled to define the continuum between art and design… so shall Bittoni and Ledesma. Their fine art and design gallery debuts this month with a launch party March 31, 2011, 7-11 pm. Web fabrikmagazine.com

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SPOTLIGHT

Art Seen, bittonidesignstudio and Fabrik Magazine will collaborate to host the event. A portion of the art sales that night will be donated to the nonprofit CreateACTivityâ&#x20AC;&#x2122;s Project skinCARE that raises funds for children to receive reconstructive surgery inflicted with the disfiguring disease of NOMA. Featured artists exhibiting are Todd Williamson, Michael Moon, Luc Leestemaker, Brad Howe, Laddie John Dill, Ann Thornycroft, Miguel Osuna, James Verbicky, Rhia, Marc Valesella, Dean Styers, Terrell Moore, and Steve Burtch.

PRODUCTS AVAILABLE THROUGH ART SEEN GALLERY + BITTONIDESIGNSTUDIO

Art Seen Gallery + bittonidesignstudio 10590 1/2 West Pico Blvd., Los Angeles, CA 90064 Thursday, March 31st, 2011, 7-11 pm Exhibition continues through June 2011 www.laartseen.com www.bittonidesign.com www.createactivity.org

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PHOTO: COURTESY TED VAN CLEAVE

ART & DESIGN DIRECTORY Design Showrooms

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Peter Frank’s Museum Views

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Art Galleries & Museums

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Artist & Gallery Showcase

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DIRECTORY

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Carl Berg Projects D.E.N. Contemporary Christopher Grimes Gallery John Houshmand & Hous Projects MOCA Pacific Design Center Sam Lee Gallery See Line Gallery Walter Maciel Gallery

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ART ABOUT TOWN WITH PETER FRANK

Peter Frank’s

MUSEUM VIEWS FOWLER MUSEUM OF UCLA “His Masters’ Tools: Recent Work by Allan deSouza” THROUGH MAY 29 “Central Nigeria Unmasked: Arts of the Benue River Valley” THROUGH JULY 24 The always-fascinating Fowler Museum features two distinctly different but equally engaging exhibitions, one a critique of colonialism through art and the other a revelation of art produced under mostly non-colonial circumstances. In “His Masters’ Tools,” Nairobi-born, San Francisco-based conceptualist Allan deSouza looks through a number of artistic lenses at the “racial underpinnings of colonial power,” deconstructing the pretenses of modern culture partly by reflecting on his own past – selections from earlier series look at the presence of Western visitors in his native Kenya and even at his own life there – and partly by straining Western artwork through an Afro-Asian sieve. In the “Rdctns” series deSouza re-examines the “primitivism” of Paul Gauguin and Henri Rousseau, while in “The Third Eye” modern self-portraiture, from Picasso to Warhol, gets a similarly close reading. Meanwhile, “Central Nigeria Unmasked” looks at a West African culture whose very geography – too far south for the Arabs to document, too far south for the Europeans – allowed them to develop largely beyond the examination and influence of outsiders. Benue Valley artifacture will thus be a “discovery” for anyone generally familiar with West African arts and peoples; but even for those closely versed in indigenous West African art, or conversely ignorant of but taken with African art overall, the masks, shrine sculptures, ceramic and metal objects of the Benue Valley – supported with photographic and filmic documentation of daily life and rituals – will prove impressive, even riveting. For more information, please visit their website at: http://www.fowler.ucla.edu

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ART ABOUT TOWN WITH PETER FRANK

HMT: WARHOL, 2011 FROM THE SERIES THE THIRD EYE, 2011 C-PRINT ON LUSTRE PAPER COURTESY OF THE ARTIST AND TALWAR GALLERY, NY FROM HIS MASTERS’ TOOLS: RECENT WORKS BY ALLAN DESOUZA AT THE FOWLER MUSEUM AT UCLA

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ARMORY CENTER FOR THE ARTS “Lifelines: A Retrospective Exhibition of Performance, Installation, Sculpture, Painting and Drawing by John M. White” THROUGH JUNE 5 Nobody better exemplifies the expansive, energetic eclecticism of his generation of southern California – or, indeed, American – artists than does John White. Over the course of his career, spanning nearly a half century, White has produced paintings, drawings, sculptures, prints, installations, performances, scores for the performances, books, and all manner of objects. Blessed with a spontaneous and invariably assured graphic sense and sure, fluid hand, White is also a master, if unorthodox, storyteller, equally capable of weaving a yarn or even inventing a circumstance in words, in pictures, and in symbols. The fascinating thing about White’s oeuvre is his insistence on doing as much as he can at the same time – telling stories and inventing them, drawing and painting, perfoming inside installations (or even notations), following complex philosophical propositions and playing games, and so forth. A White show is always a wild ride, not least because you’re never sure in which direction you’re going to journey, so a retrospective of this breadth promises to be no less than a journey through one man’s galaxy. White has long had a devoted following, especially but not solely in Los Angeles (including this writer, who contributed to this show’s catalogue); but after slowly, unjustly sinking into near-oblivion over the past three decades, this survey – and his inclusion in several of the upcoming Pacific Standard Time show next fall and winter – marks White’s return to the limelight. Better late than never… For more information, please visit their website at: http://www.armoryarts.org

FREDERICK R. WEISMAN MUSEUM AT PEPPERDINE UNIVERSITY “Roy Lichtenstein: In Process” THROUGH APRIL 3 While his 1960s comic-strip paintings, signature artifacts of Pop, seem ripped straight from the funny papers, Roy Lichtenstein was always adjusting and modifying his appropriations and satires, to maximize both iconographic and aesthetic impact. By the 1970s, his Pop point made, Lichtenstein was concentrating on such personalized alteration, and his art from then until his death in 1997 was as much about what he did with an image as about the image itself. “In Process”

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looks at Lichtenstein’s careful, even dogged, methods of transforming things – and especially pictures of things – out in the real world into his own kind of pictures of pictures of things. In the case of his quotations from other artists, in fact, Lichtenstein was even creating pictures of pictures of pictures of things – and that was his whole idea, to look at how our visual awareness is so thoroughly mediated that it seems to be reflection upon reflection, reproduction upon reproduction. By inserting himself into this hall of mirrors, Lichtenstein implied that, with sufficient force, intellect, and formal integrity, one could at least begin to rise above this refracted process – interpretation upon interpretation. “In Process” shows how Lichtenstein embraced, albeit critically, our universe of mediation, generating myriad studies, drawings, manipulations of various sources until he had completely changed and claimed their pictorial essence. For more information, please visit their website at: http://arts.pepperdine.edu/museum/

LOS ANGELES MUNICIPAL ART GALLERY AT BARNSDALL ART PARK “Framing Abstraction: Mark, Symbol, Signifier” THROUGH APRIL 24 Hardly an exhaustive survey of contemporary abstract painting, “Framing Abstraction” still honors the tradition of abstraction – officially a century old as of last year – with a substantive and, more importantly, highly varied selection of abstractionists, all but one based in or historically connected to California. That one exception, Catalonia’s Jordi Alcaraz [see review of his one-man show elsewhere in this issue], is inexplicable – except in terms of expressive depth and formal profundity, qualities maintained throughout. The mix is otherwise eclectic, ranging from northern California to south, from geometric abstraction to gestural, from inferential forms to pure non-objectivity, from emphasis on material to emphasis on color, and even from painting itself to work on paper, quasi-sculptural structures, and projected imagery. Again, the unifying factor here is the substance of the artistic thinking and the striking results: every object in this show is handsome, intriguing, logical, and at least slightly mysterious. If these artworks were people, this would be one of the best parties ever. Besides Alcaraz, the participants are southern Californians Lita Albuquerque, Hans Burkhardt, Meg Cranston, Claire Cregan, James Hayward, Charles Christopher Hill, and Manfred Müller, and northerners Gary Edward Blum, Mark Harrington, Kevan Jenson, and Naomie Kremer. One other notable factoid: at least a third of the participants are foreign-born. For more information, please visit their websites at http://www.barnsdallartpark.com

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ART GALLERIES & MUSEUMS 1301PE GALLERY 6150 Wilshire Blvd., #8 Los Angeles, CA 90048 (323) 938-5822 http://www.1301pe.com

ACUNA-HANSEN GALLERY 427 Bernard St. Los Angeles, CA 90012 (323) 441-1624 http://www.ahgallery.com Weds.-Sat., 12-6pm

ARMSTRONG'S 150 E. Thrid St Pomona, CA 91766 (909) 623-6464 http://www.armstronggallery.net Tues.-Sat. 9am-4:30pm

18TH STREET ARTS CENTER 1639 18th St. Santa Monica, CA 90404 (310) 453-3711 http://www.18thStreet.org Mon.-Fri., 10am-5pm; Saturday, 1-5pm

ALTERED SPACE GALLERY 1221 Abbot Kinney Blvd. Venice, CA 90291 (310) 452-8121 http://www.alteredspacegallery.com

ART CENTER COLLEGE OF DESIGN 1700 Lida St. Pasadena, CA 91103 (626) 396-2446 http://www.artcenter.edu/williamson Tues-Sun., 12-5pm; Fri., 12-9pm

57 UNDERGROUND 300 C. So. Thomas St. Pomona, CA 91766 (909) 397-0218 http://www.57underground.com Thurs. by appointment, Fri.-Sun., 12pm-4pm

AMERICAN MUSEUM OF CERAMIC ART 340 S. Garey Ave Pomona, CA 91766 (909) 865-3146 http://www.ceramicmuseum.org Weds.-Sat., 12-5pm

A+D ARCHITECTURE & DESIGN MUSEUM 6032 Wilshire Blvd. Los Angeles, CA 90036 323-932-9393 http://www.aplusd.org Tues-Fri. 10-6, Sat. & Sun. 10-5

ANDERSON GALLERIES 354 North Bedford Drive Beverly Hills, CA 90210 310-858-1644 www.andersongalleries.com

ABACOT GALLERY 970 N. Broadway, Suite 201 (Mandarin Plaza) Los Angeles, CA 90012 (213) 626-1599 http://www.abacotgallery.com ABORIGINAL DREAM TIME GALLERY 9011 Melrose Ave. West Hollywood, CA 90069 310-278-4278 http://www.aboriginaldreamtimegallery.com ACE GALLERY LA INSTITUTE OF CONTEMPORARY ART @ The Wilshire Tower 5514 Wilshire Blvd. Los Angeles, CA 90036 http://www.acegallery.net Tues.-Sat., 10am-6pm ACE GALLERY BEVERLY HILLS INSTITUTE OF CONTEMPORARY ART 9430 Wilshire Blvd. Beverly Hils, CA 90212 (310) 858-9090 http://www.acegallery.net ACME 6150 Wilshire Blvd. Los Angeles, CA 90048 (323) 857-5942 http://www.acmelosangeles.com

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ANDREW SHIRE GALLERY 3850 Wilshire Blvd., #107 Los Angeles, CA 90010 (213) 389-2601 http://www.andrewshiregallery.com ANGELS GATE CULTURAL CENTER 3601 S. Gaffey St San Pedro, CA 90731 (310) 519-0936 http://angelsgateart.org Tues.-Sun., 11am-4pm ANGLES GALLERY 2222 & 2230 Main St. Santa Monica, CA 90405 (310) 396-5019 http://www.anglesgallery.com ANN 330 GALLERY ART 170 Bldg. 170 South La Brea Los Angeles, 90036 http://www.ANN330Gallery.com (323) 954-9900 ARC 2529 W. Magnolia, Burbank, CA 91505 (818) 848-9998 http://www.czappa.com Tues.-Fri., 9am-5:30pm; Sat., 9am-3pm ARMORY CENTER FOR THE ARTS 145 N. Raymond Ave Pasadena, CA 91103 (626) 792-5101 http://www.armoryarts.org Twitter twitter.com/fabrikmag

ARTIST STUDIO 742 N. Broadway 2nd Flr.(Chinatown) LA, CA 90012 www.tree-axis.com ART FOR HUMANS GALLERY 945 Chung King Road (Chinatown) LA, CA 90012 www.artforhumans.com ART PIC 6826 Troost Ave. No. Hollywood, CA 91605 (818) 503-5999 http://www.artpic2000.com Mon.-Fri., 9am-5pm ARTPEACE GALLERY 2317 W. Magnolia Blvd. Burbank, CA 91506 (818) 846-8688 http://www.artpeacegallery.com Thurs.-Sat., 12-5pm ARTY 634 S. Main St. Los Angeles CA 90014 213-213-7829 AUTRY NATIONAL CENTER -MUSEUM OF THE AMERICAN WEST 4700 Western Heritage Way (in Griffith Park adjacent to L.A. Zoo) Los Angeles, CA 90027 (323) 667-2000 http://www.autrynationalcenter.org AUTRY NATIONAL CENTER: SOUTHWEST MUSEUM OF THE AMERICAN INDIAN Corner of Marmion Way and Museum Dr Los Angeles, CA 90065 (323) 221-2164 http://www.southwestmuseum.org AUTOMAT 936 Chung King Road (Chinatown) LA, CA 90012 (213) 617-0422


ART GALLERIES & MUSEUMS AVENUE 50 STUDIO 131 N. Avenue 50 Los Angeles, CA 90042 (323) 258-1435 http://www.avenue50studio.com

BONELLI CONTEMPORARY 943 North Hill St. (Chinatown) Los Angeles, CA 90012 213-617-8180 www.bonellicontemporaryla.com

BARNSDALL ART PARK EXHIBITIONS 4800 Hollywood Blvd Los Angeles, CA 90027 (323) 644-6275 Thurs.-Sun., 12-5pm; First Fridays, 12-9pm

BOWERS MUSEUM 2002 N. Main St Santa Ana, CA 92706 (714) 567-3643 http://www.bowers.org Tues.-Sun., 10am-4pm; fourth Thursday of each month, 10am-8pm

BILLY SHIRE FINE ARTS 5790 Washington Blvd Culver City, CA 90232 (323) 297-0600 www.billyshirefinearts.com BLEICHER/GOLIGHTLY GALLERY 1431 Ocean Avenue Santa Monica, CA 90401 310-237-6423 www.BGshowrom.com BLK/MRKT GALLERY 6009 Washington Blvd. Culver City, CA 90232 (310) 837-1989 http://www.blkmrktgallery.com Tues.-Fri., 11am-6pm; Sat., 12-6pm BLUE FIVE ART SPACE 2935 S. Sepulveda Blvd. Los Angeles, CA 90064 (310) 478-8500 http://bluefivedesign.com BLYTHE PROJECTS 5797 Washington Boulevard Culver City, CA 90232 310.990.3501 www.blytheprojects.net BOB POE PHOTOGRAPHIC ART Bergamot Station 2525 Michigan Ave. G8A Santa Monica, CA 90404 (310) 582-2278 BLUEBIRD ART HOUSE 6747 Bright Ave Whittier, CA 90601 (562) 696-9493 http://www.bluebirdarthouse.com BLUM & POE GALLERY 2754 S. La Cienega Blvd Los Angeles, CA 90034 (310) 836-2062 http://www.blumandpoe.com

CARDWELL JIMMERSON CONTEMPORARY ART 8658 Washington Blvd. Culver City, CA 90232 310-815-1100 www.cardwelljimmerson.com

BRAND LIBRARY ART GALLERY 1601 West Mountain St. Glendale, CA 91201 (818) 548-2051 http://www.brandlibrary.org Tues. & Thurs., 12-9pm; Weds., 10am6pm; Fri., Sat., 10am-5pm CACTUS GALLERY 4534 Eagle Rock Blvd. Eagle Rock, CA 90041 323-256-6117 http://www.eclecticcactus.com

CAL POLY POMONA KEITH & JANET KELLOGG 3801 W. Temple Ave Pomona, CA 91768 (909) 869-4302 http://www.csupomona.edu/~kellogg_gallery Tues.-Fri., 11am-4pm; Sat., 12-4pm

CENTER FOR THE ARTS, EAGLE ROCK 2225 Colorado Blvd Los Angeles, CA 90041 (323) 226-0949 http://www.centerartseaglerock.org CHARLIE JAMES GALLERY 975 Chung King Road Los Angeles, CA 90012 (213) 687-0844 http://www.cjamesgallery.com CHERRY AND MARTIN 2712 South LA Cienga Blvd. Los Angeles, CA 310-559-0010 http://www.cherryandmartin.com

CAL STATE L.A. â&#x20AC;&#x201C; LUCKMAN GALLERY 5151 State University Dr Los Angeles, CA 90032 (323) 343-6604 http://www.luckmanfineartscomplex.org Mon.-Thurs., Sat., 12-5pm

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CARMICHAEL GALLERY OF CONTEMPORARY ART 5795 Washington Boulevard Culver City, CA 90232 (323) 969-0600 http://www.carmichaelgallery.com Weds.-Sun., 2-7pm CB1 GALLERY 207 W. 5th St. Downtown LA, CA 213-806-7889 www.cb1gallery.com

CAL POLY POMONA DOWNTOWN CENTER 300 W. Second St Pomona, CA 91766 (909) 469-0080 http://www.class.csupomona.edu/dow ntowncenter Tues.-Sat., 11am-8pm; 2nd Saturdays., 1-9pm

CALIFORNIA HERITAGE MUSEUM 2612 Main St. Santa Monica, CA 90405 (310) 392-8537 http://www.californiaheritagemuseum.org Weds.-Sun., 11am-4pm

CARL BERG PROJECTS Pacific Design Center, Suites #B315 & B380 8687 Melrose Ave. West Hollywood, CA 90069 323-286-9059 www.carlbergprojects.com

CHINA ART OBJECTS GALLERIES 933 Chung King Rd. (in Chinatown) Los Angeles, CA 90012 (213) 613-0384 http://www.chinaartobjects.com CHINESE AMERICAN MUSEUM 125 Paseo de la Plaza Los Angeles, CA 90012 (213) 626-5240 CHRISTOPHER GRIMES GALLERY 916 Colorado Ave. Santa Monica, CA 90401 (310) 587-3373 http://www.cgrimes.com Tues-Sat. 10-5:30

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ART GALLERIES & MUSEUMS CHUNG KING PROJECT 945 Chung King Rd. (Chinatown) Los Angeles, CA 90012 (213) 625-1802 http://www.chungkingproject.com

COUTURIER GALLERY 166 N. La Brea Ave. Los Angeles, CA 90036 323-933-5557 http://www.couturiergallery.com/

CIRRUS GALLERY 542 S. Alameda Los Angeles, CA 90013 (213) 680-3473 http://www.cirrusgallery.com Tues.-Sat., 10am-5pm

CRACK GALLERY 204 W. 6th St. Downtown LA, CA 213-622-3493 http://crackgallery.com/

CITY OF BREA GALLERY #1 Civic Center Circle Brea, CA 92821 (714) 990-7730 http://www.breagallery.com Weds., Thurs., Sun., 12-5pm, Fri., Sat., 12-8pm CLAREMONT MUSEUM OF ART The Packing House, 536 W. First St. Claremont, CA 91711 (909) 621-3200 http://www.claremontmuseum.org Tues.-Sun., 11am-7pm CLASSIC ARTFORMS 9009 Beverly Blvd West Hollywood, CA 90069 (310) 273-6306 COLLEGE OF THE CANYONS ART GALLERY 26455 Rockwell Canyon Rd Santa Clarita, CA 91355 (661) 362-3612 http://www.canyons.edu/offices/artgallery Tues.-Thurs., 11am-3pm; Sat., 10am-2pm COPRO/NASON GALLERY 2525 Michingan Ave., T-5 Santa Monica, CA 90404 (310) 398-2643 www.copronason.com COREY HELFORD GALLERY 8522 Washington Blvd. Culver City, CA 90232 (310) 287-2340 http://www.coreyhelfordgallery.com Tues.-Sat., 12-6pm COTRUTZA GALLERY 446 S. Main St. Los Angeles, CA 90013 Tel: 213-622-0121 http://www.cotrutza.com

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CRAIG GALLERY 5723 Venice Blvd Los Angeles, CA 90019 (323) 939-0351 http://www.craiggallery.com Fri., Sat., 12-6pm; & by app't. CRAIG KRULL GALLERY 2525 Michigan Ave., Building B-3 Santa Monica, CA 90404 (310) 828-6410 http:// www.artnet.com/ckrull.html Tues.-Fri., 10am-5:30pm; Sat., 11am-5:30pm

CSU LONG BEACH UNIVERSITY ART MUSEUM 1250 Bellflower Blvd. Long Beach, CA 90840 (562) 985-5761 http://www.csulb.edu/uam Tues.-Sun., 12-5pm, Thurs., 12-8pm CSU NORTHRIDGE UNIVERSITY ART GALLERY 18111 Nordhoff St. Northridge, CA 91330 (818) 677-2156 http://www.csun.edu/artgalleries/ Mon.-Sat., 12-4pm; Thurs., 12-8pm D.E.N. CONTEMPORARY ART Pacific Design Center 8687 Melrose Avenue, #B275, 2nd Floor West Hollywood, CA 90069 323-422-6340 www.dencontemporaryart.com DA CENTER FOR THE ARTS 252 D S. Main St Pomona, CA 91766 (909) 397-9716 http://www.dacenter.org

CREATIVE ARTS CENTER GALLERY 1100 W. Clark Ave Burbank, CA 91506 (818) 238-5397 www.burbankusa.com Mon.-Thurs., 9am-8pm; Fri., 9am-4pm; Sat., hours vary

DANIEL SAXON GALLERY 552 Norwich Dr West Hollywood, CA 90069 (310) 657-6033

CREWEST 110 Winston Street Los Angeles, CA 90013 213-627-8272 www.crewest.com

DANIEL WEINBERG GALLERY 6148 Wilshire Blvd. Los Angeles, CA 90048 (323) 954-8425 http://www.danielweinberggallery.com

CROSSROADS SCHOOL FOR ARTS AND SCIENCES 1714 21st St. Santa Monica, CA 90404 (310) 829-7391 Mon.-Fri., 1-3pm; & by app't.

DRKRM/GALLERY 727 S. Spring Street Los Angeles, CA 90014 Hours: Wed.-Sun., 12-6 pm http://www.drkrm.com (323) 271-5635

CSU CHANNEL ISLANDS ART GALLERY 92 Palm Dr. Camarillo, CA 93010 (805) 437-8863 http://art.csuci.edu/gallery Mon.-Fri., 10am-4pm

DAVID GALLERY 5797 Washington Blvd. Culver City, CA 90232 323-939-9069 www.ddavidgallery.net

CSU FULLERTON ART GALLERY 800 N. State College Blvd. Fullerton, CA 92634 (714) 278-3262 http://www.arts.fullerton.edu/events Tues.-Fri., 12-4pm; Sat., 12-2pm

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DAVID KORDANSKY GALLERY 3143 S. La Cienega Blvd. Los Angeles, CA 90012 310-558-3030 http://www.davidkordanskygallery.com DAVID LAWRENCE GALLERY 8969 A Sunset Blvd. West Hollywood, CA 90069 310-278-0882 www.DavidLawrenceGallery.com


ART GALLERIES & MUSEUMS DAVID SALOW GALLERY 977 N. Hill St. Los Angeles, CA 90012 (213) 620-0240 http://www.davidsalowgallery.com Tues.-Sat., 11am-6pm DBA256 GALLERY 256 S. Main St Pomona, CA 91766 (909) 623-7600 http://www.dba256.com Mon.-Thurs., 8am-10pm; Fri., Sat., 10am-midnight DCA FINE ART 3107 Pico Blvd Santa Monica, CA 90405 (310) 770-2525 http://www.dcafineart.com By Appt. only DE SOTO GALLERY 2635 Fairfax Avenue Culver City, CA 90232 (323) 253-2255 http://www.desotogallery.com Wed.-Sat., 12-6pm & by app't DEL MANO GALLERY 11981 San Vicente Blvd West Los Angeles, CA 90049 (310) 476-8508 http://www.delmano.com Tues.-Sat., 10am-6pm; Sun., 12-5pm DENENBERG FINE ARTS 417 North San Vicente Blvd West Hollywood, CA 90048 (310) 360-9360 http://www.fada.com DIALECT 215 W. 6th St. #111 Downtown LA, CA 213-627-7599 info@downtowndialect.com DNJ GALLERY Bergamot Station 2525 Michigan Avenue, Suite J1 Santa Monica, California 90404 (323) 931-1311 or (310) 315-3551 http://www.dnjgallery.net Tues.-Sat., 10am-6pm DOWNEY MUSEUM OF ART 10419 So. Rives Ave Downey, CA 90241 (562) 861-0419 http://www.thedmoa.org Weds., 3-7pm; Thurs.Fri., 1-5pm;

DOWNTOWN ART CENTER GALLERY 828 S Main Street Los Angeles, CA 90014 213-627-7374 http://www.dacgallery.com

EL NOPAL PRESS 109 W. 5th St. Downtown LA, CA 213-239-0417 EXPOSITION PARK MUSEUMS 900 Exposition Blvd Los Angeles, CA 90007 (213) 763-3515 http://www.nhm.org

DOWNTOWN ART GALLERY 1611 So. Hope St. Los Angeles, CA 90015 (213) 255-2067 http://www.downtownag.com Tues.-Sat., 11am-7pm DRKRM/ GALLERY Capitol Studios Building 2121 San Fernando Rd., #3 Los Angeles, CA 90065 (323) 223-6867 http://www.drkrm.com Tues.-Sat., 11am-5pm Sun., 1pm-4pm and by appointment DRKRM/ GALLERY WEST 729 Montana Ave. Santa Monica, CA 90403 323-271-5635

FAHEY/KLEIN GALLERY 148 N. La Brea Ave. Los Angeles, CA 90036 (323) 934-2250 http://www.faheykleingallery.com Tues.-Sat., 10am-6pm FARMLAB 1745 N. Spring St. Los Angeles, CA 90012 (323) 226-1158 http://www.farmlab.org Tues.-Sat., 10am-5pm FELLOWS OF CONTEMPORARY ART 970 N. Broadway # 208 (Chinatown) LA, CA 90012 (213) 808-1008 www.focala.org

DUNCAN MILLER GALLERY 10959 Venice Blvd Los Angeles, CA 90034 (310) 838-2440 http://www.duncanmillergallery.com

FIFTH FLOOR GALLERY 502 Chung King Court (Chinatown) LA, CA 90012 (213) 687- 8443 www.fifthfloorgallery.com

EARL MCGRATH GALLERY 454 N. Robertson Blvd. Los Angeles, CA 90048 (310) 657-4257 http://www.earlmcgrathgallery.com Tues- Sat. 10-6 EDGAR VARELA FINE ARTS (EVFA) 727 S. Spring Street, LA 90014

FIFTY/24 LA GALLERY 125 E. 6th St. Los Angeles, CA 213-623-4300 http://www.fifty24sf.com

EDGEMAR CENTER FOR THE ARTS 2437 Main St Santa Monica, CA 90405 (310) 399-3666 http://www.edgemarcenter.org Mon.-Fri., 11am-5:30pm

FIG 2525 Michigan Ave. # G6 Santa Monica, CA 90404 (310) 829-0345 http://www.figgallery.com Weds.-Sat., 11am-5pm

EDWARD CELLA ART + ARCHITECTURE 6018 Wilshire Blvd. Los Angeles, CA 90036 (323) 525-0053 http://www.edwardcella.com Tues.-Sun, 11am-5pm

FOUND GALLERY 1903 Hyperion Ave Los Angeles, CA 90027 www.foundla.com Sat - Sun 1-5 or by appt. jonny@foundla.com

EL CAMINO COLLEGE ART GALLERY 16007 Crenshaw Blvd Torrance, CA 90506 (310) 660-3010 http://www.elcamino.edu/commadv/art gallery Mon., Tues., 10am-3pm; Weds., Thurs., 10am-8pm; Fri., 10am-2pm

FOWLER MUSEUM AT UCLA 405 Hilgard Ave Los Angeles, CA 90024 (310) 825-4361 http://www.fowler.ucla.edu Weds.-Sun., 12-5pm; Thurs. 12-8pm

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ART GALLERIES & MUSEUMS FRANK LLOYD GALLERY 2525 Michigan Ave., B5b Santa Monica, CA 90404 (310) 264-3866 http://www.franklloyd.com Tues.-Sat., 11am-6pm FRANK PICTURES GALLERY 2525 Michigan Ave., Building A-5 Santa Monica, CA 90404 (310) 828-0211 http://www.frankpicturesgallery.com FREDERICK R. WEISMAN MUSEUM AT PEPPERDINE UNIVERSITY 24255 Pacific Coast Highway Malibu, CA 90265 (310) 506-4851 http://arts.pepperdine.edu/museum FRESH PAINT 9355 Culver Blvd., Suite B Culver City, CA 90232 (310) 558-9355 http://www.freshpaintart.com Mon.-Thurs., 9am-6pm; Fri., 8am-12 noon; & by app't FULLERTON COLLEGE ART GALLERY 321 E. Chapman Ave., Building 1000 Fullerton, CA 92832 (714) 992-7434 http://art.fullcoll.edu Mon.-Thurs., Sat., 10am-2pm; Weds, 5-7pm

GALLERY 825 / LA ART ASSOCIATION 825 N. La Cienega Blvd. Los Angeles, CA 90069 310-652-8272 http://www.laaa.org GALLERY 1927 Fine Arts Building 811 West Seventh St. Los Angeles, CA 90017 661-816-1136 http://www.gallery1927.com/ GALERIE ANAIS 2525 Michigan Ave., Building D-2 Santa Monica, CA 90404 (310) 449-4433 www.galerieanaisla.com GALLERY BROWN 140 S. Orlando Ave. Los Angeles, CA 90036 323-651-1956 www,gallerybrown.com GALLERY AT 1000 VAN NESS SAN FRANCISCO GALLERY AT EASTERN COLUMBIA LOS ANGELES 849 S. Broadway Unit 905 Los Angeles, Ca. 90014 http://www.artmeetsarchitecture.com GALLERY AT REDCAT 631 W. Second St. Los Angeles, CA 90012 (213) 237-2800 http://www.redcat.org

FULLERTON MUSEUM CENTER 301 N. Pomona Ave Fullerton, CA 92832 (714) 738-6545 http://www.cityoffullerton.com/depts/ museum Tues.-Sun., 12-4; Thurs., 12-8pm

GALLERY LUISOTTI 2525 Michigan Ave., Building A-2 Santa Monica, CA 90404 (310) 453-0043

GAGOSIAN GALLERY 456 N. Camden Dr. Beverly Hills, CA 90210 (310) 271-9400 http://www.gagosian.com

GALLERY NUCLEUS 210 East Main St. Alhambra, CA 91801 (626) 458-7477 http://www.gallerynucleus.com

GALERIE MICHAEL 260 N. Rodeo Dr. Beverly Hills, CA 90210 (310) 273-3377 www.galeriemichael.com

GARY LEONARD TAKE MY PICTURE 860 S. Broadway Los Angeles, CA 90014 213-622-2256 http://takemypicture.com

GALLERY 9 6101 Washington Boulevard Culver City, CA 90232 310.836.4601 www.thegallery9.com

GEMINI G.E.L. 8365 Melrose Ave Los Angeles, CA 90069 (323) 651-0513 http://www.geminigel.com Mon.-Fri., 9am-5:30pm; Sat. by app't.

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GEORGE BILLIS GALLERY L.A. 2716 S. La Cienega Blvd Los Angeles, CA 90034 (310) 838-3685 http://www.georgebillis.com Tues.-Sat., 11am-6pm; & by app't. GEORGE J. DOIZAKI GALLERY Japanese Cultural & Community Center 244 S. San Pedro St. Los Angeles, CA 90012 (213) 628-2725 http://www.jaccc.org Tues.-Fri., 12-5pm; Sat. & Sun., 11am-4pm GEORGE STERN FINE ARTS 8920 Melrose Ave. Los Angeles, CA 276-2600 http://www.sternfinearts.com Tues.-Fri., 10am-6pm; Sat., 11am-6pm GLORIA DELSON CONTEMPORARY ART 215 West 6th St. # 115 Los Angeles, CA 323-805-9363 www.artla.biz GLASS GARAGE FINE ART 414 N. Robertson Blvd. West Hollywood, CA 90048 (310) 659-5228 http://www.glassgaragegallery.com GLENDALE COLLEGE GALLERY 1500 Verdugo Rd Glendale, CA 91208 (818) 240-1000 http://www.glendale.edu/artgallery GP DEVA 9601 Wilshire Blvd., Suite 125 Beverly Hills, CA 90210 310-858-6545 www.gpdeva.com GRAMMY MUSEUM 800 W. Olympic Blvd. Los Angeles, CA 213-765-6800 www.grammymuseum.org GR2 2062 Sawtelle Blvd Los Angeles, CA 90025 (310) 445-9276 http://www.gr2.net GREENFIELD SACKS GALLERY 2525 Michigan Ave., #B6 Santa Monica, CA 90404 (310) 264-0640 http://www.greenfieldsacks.com


ART GALLERIES & MUSEUMS GREGG FLEISHMAN STUDIO 3850 Main Street Culver City, CA 90232 310.202.6108 www.greggfleishman.com

H. KAZAN FINE ARTS 11456 Washington Boulevard Los Angeles, CA 90066 310.398.0090 www.hkazanfinearts.com

GREY MCGEAR GALLERY Bergamot Station 2525 Michigan Ave G7 Santa Monica, CA 90404 (310) 315-0925

HONOR FRASER 2622 S. La Cienega Blvd Los Angeles, CA 90034 (310) 837-0191 http://www.honorfraser.com

GROUNDFLOOR GALLERY 433 Spring Street Los Angeles, CA 90013 213-624-3010

HUNTINGTON BEACH ART CENTER 538 Main Street Huntington Beach, CA 92647 (714) 374-1650 http://www.surfcityhb.org/Visitors/art_center Weds.-Sat., 12-6pm; Thurs., 12-8pm; Sun., 12-4pm

JANCAR GALLERY 961 Chung King Road Los Angeles, CA 90012 (213) 625-2522 http://www.jancargallery.com Wed.-Sat 12- 5pm and by app't.

HUNTINGTON LIBRARY 1151 Oxford Rd San Marino, CA 91108 (626) 405-2100 http://www.huntington.org

JAPANESE AMERICAN NATIONAL MUSEUM 369 E. 1st St Los Angeles, CA 90012 (213) 625-0414 http://www.janm.org

ICON GALLERY & INTERIORS 8899 Beverly Blvd. Los Angeles, CA 90048 310-246-1495 www.icon-interiors.com

JEFFREY WINTER FINE ARTS 8576 Melrose Ave. West Hollywood, CA 90069 310-657-4278 www,jeffreywinter.com

IKON LIMITED/K. RICHARDS GALLERY 2525 Michigan Ave., G-4 Santa Monica, CA 90404 (310) 828-6629 http://www.ikonltd.com

JK GALLERY 2632 S. La Cienega Blvd. Los Angeles, CA 90034 (310) 837-3330 http://www.jkgallery.net Tues.-Sat., 11am-5pm

GUY HEPNER GALLERY 300 North Robertson Blvd. West Hollywood, CA 90048 310-979-0011 www.guyhepner.com HAMILTON GALLERIES 1431 Ocean Ave. Santa Monica, CA 90401 (310) 451-9983 http://www.hamiltongalleries.com Tues.-Sun., 12-7pm HAMILTON-SELWAY FINE ART 8678 Melrose Ave. Los Angeles, CA 90069 (310) 657-1711 http://www.hamiltonselway.com HARO GALLERY 3825 Main Street Culver City, CA 90232 310.558.4276 www.theharogallery.com HENKEN GALLERY Kyoto Grand Hotel 120 S. Los Angeles St. Los Angeles, CA 90012 (213) 626-2505 http://www.thehenkengallery.com Mon.-Fri., 10am-10pm; Sun. by app't. HERITAGE GALLERY 1300 Chautauqua Blvd Pacific Palisades, CA 90272 (310) 230-4340 http://www.heritagegallery.com HIGH PROFILE PRODUCTIONS 5886 Smiley Drive Culver City, CA 90232 310.253.2255 www.highprofileproductions.com

JAMES GRAY GALLERY Bergamot Station 2525 Michigan Ave., D-4 Santa Monica, CA 90404 (310) 315-9502 http://www.jamesgraygallery.com

IRON GALLERY 725 S. Los Angeles St. Los Angeles, CA 90014 213-627-7149 http://www.ironartgallery.net/ By appointment only

JONATHAN NOVAK CONTEMPORARY ART 1880 Century Park East # 100 Century City, CA 90067 310-277-4997 www.novakart.com

ITALIAN CULTURAL INSTITUTE SPAZIO ITALIA 1023 Hilgard Ave Los Angeles, CA 90024 (310) 443-3250 http://www.iiclosangeles.esteri.it/IIC_L osangeles Mon.-Fri., 9:30am-5pm JACK RUTBERG FINE ARTS 357 N. La Brea Ave. Los Angeles, CA 90036 (323) 938-5222 http://www.jackrutbergfinearts.com Tues.-Fri., 10am-6pm; Sat., 10am-5pm

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JAN KESNER GALLERY 164 N. La Brea Ave. Los Angeles, CA 90036 (323) 938-6834 http: //www.jankesnergallery.com By appt. only

KANTOR ART 427 N. Canon Drive Suite 106. Beverly Hills, CA 90210 (310) 274-6499 http://www.kantorart.com Mon-Fri 10-5 KINKEAD CONTEMPORARY 6029 Washington Blvd. Culver City, CA 90232 (310) 838-7400 http://www.kinkeadcontemporary.com KOPEIKIN GALLERY 8810 Melrose Avenue West Hollywood, CA 90069 (310) 385-5894 http://www.kopeikingallery.com Tues.-Sat., 11am-6pm; & by app't

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ART GALLERIES & MUSEUMS KOPLIN DEL RIO GALLERY 6031 Washington Blvd. Culver City, CA 90232 (310) 836-9055 http://www.koplindelrio.com Tues.-Fri., 10am-5:30pm; Sat., 11am-5:30pm

LACE (LA CONTEMPORARY EXHIBITIONS) 6522 Hollywood Blvd. Los Angeles, CA 90028 (323) 957-1777 http://www.welcometolace.org Weds.-Sun., 12-6pm; Fri., 12-9pm

KRISTI ENGLE GALLERY 5002 York Blvd Los Angeles, CA 90042 323-472-6237 www.kristienglegallery.com

LACMA (LOS ANGELES CONTEMPORARY MUSEUM OF ART) 5905 Wilshire Blvd. Los Angeles, CA 90036 (323) 857-6111 http://www.lacma.org/ Mon., Tues., Thurs., 12-8pm; Fri., 129pm; Sat., Sun., 11am-8pm

L.A. ARTCORE UNION CENTER FOR THE ARTS 120 N. Judge John Aiso St. Los Angeles, CA 90012 (213) 617-3274 http://www.laartcore.org Weds.-Sun., 12-5pm

LATINO ART MUSEUM 281 S. Thomas St., Suite 105 Pomona, CA 91766 (909) 620-6009 http://www.lamoa.net

LA ART HOUSE 8825 Beverly Blvd., West Hollywood, CA 90048 (310) 205-0480 http://www.laarthouse.net Mon.-Fri., 10am-6pm; Sat.-Sun. by app't

THE LATINO MUSEUM OF HISTORY, ART & CULTURE 514 S. Spring St. Los Angeles, CA 90013 213-626-7600

LA CENTER FOR DIGITAL ART (LACDA) 102 West Fifth St. Los Angeles, CA 90013 213-629-1102 http://www.lacda.com

LATIN AMERICAN MASTERS 2525 Michigan Ave., Building E-2 Santa Monica, CA 90404 (310) 829-4455 http://www.latinamericamasters.com

LA CONTEMPORARY 2634 S. La Cienega Blvd. Los Angeles, CA 90034 (310) 559-6200 http://www.lacontemporary.com

LAXART 2640 S. La Cienega Culver City, CA 90232 (310) 559-0166 http://www.laxart.org

L.A. COUNTY ARBORETUM 301 N. Baldwin Ave Arcadia, CA 91007 (626) 821-3232 http://www.arboretum.org

LEBASSE PROJECTS 6023 Washington Blvd. Culver City, CA 90232 (310) 558-0200 http://www.lebasseprojects.com Weds.-Sat., 11am-6pm

L.A. LOUVER GALLERY 45 N. Venice Blvd. Venice, CA 90291 (310) 822-4955 http://www.lalouver.com Tues.-Sat., 10am-6pm L2 KONTEMPORARY 990 N. Hill St., #205 Los Angeles, CA 90012 (323) 225-1288 http://www.L2kontemporary.com Thurs.-Sun., 1-6pm; & by app't. LA LUZ DE JESUS 4633 Hollywood Blvd Los Angeles, CA 90027 (323) 666-7667 http://www.laluzdejesus.com 96

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LEFT COAST GALLERIES 12324 Ventura Blvd Studio City, CA 91604 (818) 760-7010 http://www.leftcoastgalleries.com Mon.-Sat., 11am-6pm; Sun., 12-6pm; & by appointment LESLIE SACKS FINE ART 11640 San Vicente Blvd Los Angeles, CA 90049 (310) 820-9448 http://www.lesliesacks.com Mon.-Sat., 10am-6pm

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LIGHTBOX GALLERY 2680 S. La Cienega Blvd Los Angeles, CA 90034 (310) 559-1111 http://www.kimlightgallery.com LILI BERNARD ART STUDIO 935 Chung King Road (Chinatown) LA, CA 90012 (323) 936-3607 www.lilibernard.com LM PROJECTS 125 W. 4th St., LA, CA 90014 213-621-4055 LOIS LAMBERT GALLERY OF FUNCTIONAL ART Bergamot Station 2525 Michigan Ave.,E-3 Santa Monica, CA 90404 (310) 829-6990 www.Galleryoffunctionalart.net LONG BEACH CITY COLLEGE ART GALLERY 4901 E. Carson St. Long Beach, CA 90808 (562) 938-4817 LONG BEACH MUSEUM OF ART 2300 E. Ocean Blvd. Long Beach, CA 90803 (562) 439-2119 http://www.lbma.org Tues.-Sun., 11am-5pm LORA SCHLESINGER GALLERY 2525 Michigan Ave., Building T-3 Santa Monica, CA 90404 (310) 828-1133 http://www.loraschlesinger.com Tues.-Sat., 10am-5:30pm LOS ANGELES CENTER FOR DIGITAL ART (LACDA) 107 W. Fifth St. Los Angeles, CA 90013 (323) 646-9427 http://www.lacda.com Weds.-Sat., 12-5pm LOUIS STERN FINE ARTS 9002 Melrose Ave. Los Angeles, CA 90069 (310) 276-0147 http://www.louissternfinearts.com Tues.-Fri., 10am-6pm; Sat., 11am-5pm LOUWE GALLERY 306 Hawthorne St. So. Pasadena, CA 91030 (626) 799-5551 http://www.louwegallery.com


ART GALLERIES & MUSEUMS LUIS DE JESUS LA Bergamot Station 2525 Michigan Ave. F-2 Santa Monica, CA 90404 (310) 453-7773 www.luisdejesus.com M. HANKS GALLERY 3008 Main St. Santa Monica, CA 90405 (310) 392-8820 http://mhanksgallery.com Weds.-Sat., 12-6pm; & by app't. M+B GALLERY 612 N. Almont Dr. West Hollywood, CA 90069 (310) 550-0050 http://www.mbfala.com MACHINE PROJECT 1200 D North Alvarado St. Los Angeles, CA 90026 (213) 483-8761 http://www.machineproject.com Irregular hours - call ahead MADISON GALLERY 1020 Prospect Suite 130 LaJolla, California 92037 (858) 459-0836 http://www.madisongalleries.com MAK CENTER FOR ART AND ARCHITECTURE L.A. 835 N. Kings Rd. Los Angeles, CA 90069 (323) 651-1510 http://www.makcenter.org Weds.-Sun., 11am-6pm MARK MOORE GALLERY Bergamot Station 2525 Michigan Ave. #A1 SM,CA 90404 310-453-3031 www.MarkMooreGallery.com MANNY SILVERMAN GALLERY 619 Almont Dr. West Hollywood, CA 90069 (310) 659-8256 www.mannysilvermangallery.com MARCEL SITCOSKE GALLERY 7829 Torreyson Dr. LA, CA 90046 323-650-0238 www.marcelsitcoske.com MARC FOXX GALLERY 6150 Wilshire Blvd Los Angeles, CA 90048 (323) 857-5571 http://www.marcfoxx.com

MARC SELWYN FINE ART 6222 Wilshire Blvd Los Angeles, CA 90048 (323) 933-9911 http://www.marcselwynfineart.com

MIHAI NICODIM GALLERY 3143 S. La Cienega Blvd. Unit B Los Angekes, VCA 90016 310-838-8884 www.nicodimgallery.com

MARK MOORE GALLERY 5790 Washington Blvd. Culver City, CA 90232 310-453-3031 http://www.markmooregallery.com

MIXOGRAFIA 1419 E. Adams Blvd Los Angeles, CA 90011 (323) 232-1158 http://www.mixografia.com Mon.-Fri., 11am- 5pm; & by app't.

MARTIN & LOZANO GALLERY 302 N. Robertson Blvd. West Hollywood, CA www.martinlozano.com 310-358-0617

MOCA (MUSEUM OF CONTEMPORARY ART) 250 S. Grand Ave. Los Angeles, CA 90012 (213) 62-MOCA-2 http://www.moca.org/ Mon., Fri., 11am-5pm; Thursday, 11am-8pm; Sat., Sun., 11am-6pm; Closed Tues.-Wed.

MARTIN LAWRENCE GALLERY 1000 Universal Studios Blvd. #171 Burbank, CA 91608 818-508-7867 www.martinlawrence.com

MOCA - THE GEFFEN CONTEMPORARY 152 North Central Ave. Los Angeles, CA 90013 (213) 621-1745 http://www.moca.org/ Mon., Fri., 11am-5pm; Thurs., 11am8pm; Sat., Sun., 11am-6pm; Closed Tues.-Wed.

MATIN GALLERY 9905 South Santa Monica Blvd. LA, CA 90212 310-788-0055 www.matin-gallery.com MERRY KARNOWSKY GALLERY 170 S. LA Brea LA, CA 90036 323-933-4408 www.mkgallery.com

MOCA PACIFIC DESIGN CENTER 8687 Melrose Ave. West Hollywood, CA 90069 (310) 289-5223 http://www.moca.org

MESLER & HUG GALLERY 510 Bernard St. (Chinatown) LA, CA 90012 (3232) 221-0016 www.meslerandhug.com MICHAEL DAWSON GALLERY 535 N. Larchmont Blvd Los Angeles, CA 90004 (323) 469-2186 http://www.michaeldawsongallery.com Weds.-Sat., 9am-5pm MICHAEL HITTLEMAN GALLERY FINE ISRAELI ART 8797 Beverly Blvd., #302 Los Angeles, CA 90048 (323) 655-5364 http://www.michaelhittlemangallery.com Mon.-Fri., 11am-5pm; Sunday, 1-5pm MICHAEL KOHN GALLERY 8071 Beverly Blvd Los Angeles, CA 90048 (323) 658-8088 http://www.kohngallery.com

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MORONO KIANG GALLERY 218 W. 3rd St. Los Angeles, CA 90013 (213) 628-8208 http://www.moronokiang.com Weds.-Sat., 12-6pm MOUNT ST. MARY'S COLLEGE JOSE DRUDIS-BIADA GALLERY 12001 Chalon Rd. Los Angeles, CA 90049 (310) 954-4360 http://www.msmc.la.edu/pages/1897.asp Tues.-Sat., 12-5pm MUCKENTHALER CULTURAL CENTER 1201 W. Malvern Ave Fullerton, CA 92633 (714) 738-6595 http://www.muckenthaler.org MUSEUM OF JURASSIC TECHNOLOGY 9341 Venice Blvd. Los Angeles, CA 90034 (310) 836-6131 http://www.mjt.org/

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ART GALLERIES & MUSEUMS MUSEUM OF LATIN AMERICAN ART 628 Alamitos Ave Long Beach, CA 90802 (562) 437-1689 http://www.molaa.com Tues.-Sat., 11:30am-7:30pm; Sun., 12-6pm MUSEUM OF NEON ART 114 W. 4th St. Downtown LA, CA 213-489-9918 http://www.neonmona.org/ MUSEUM OF PHOTOGRAPHIC ARTS 1649 El Prado San Diego, CA 92101 (619) 238-7559 http://www.mopa.org Tues.-Sun., 10am-5pm; Thurs. 10am-9pm MUSEUM OF TOLERANCE 9786 W. Pico Blvd. Los Angeles, CA 90035 (310) 553-8403 http://www.museumoftolerance.com NEUARTIG GALLERY & ART CONSULTING 366 West 7th Street San Pedro, CA 90731 (213) 973-8223 http:www.galleryneuartig.com Wed – Fri 1:00 p.m. to 7:00 p.m. Sat 1:00 p.m. to 4:00 p.m. and by appointment 1st Thursday artwalk: 6pm - 9pm NEW HIGH (M)ART 741 New High Str. LA, CA 90012 213-621-7822 www.newhighmart.com NORBERTELLEN GALLERY 215 West 6th St. Los Angeles, CA 90014 818-662-5041 http://www.norbertellengallery.com NORTH HILL EXHIBITIONS 945 North Hill St. (Chinatown) Los Angeles, CA 90012 213-626-2020 www.northhillexhibitions.com NORTON SIMON MUSEUM 411 W. Colorado Blvd. Pasadena, CA 91105 (626) 449-6840 http://www.nortonsimon.org Weds.-Mon., 12-6pm; Fri., 12-9pm

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OFF-ROSE, THE SECRET GALLERY 841 Flower Ave. Venice, CA 90291 (310) 664-8977 Sat., 1-5pm; & by appt.

PARKER JONES GALLERY 510 Bernard St. (Chinatown) LA, CA 90012 (213) 227-0102 www.parkerjonesgallery.com

OPTICAL ALLUSION GALLERY 2414 West 7th St. Los Angeles, CA 90057 (310) 309-7473

PAPILLON GALLERY 8272 Melrose Ave. Los Angeles, CA 90046 323-655-2205 http://www.papillongallery.com

ORANGE COUNTY CENTER FOR CONTEMPORARY ART 117 N. Sycamore Santa Ana, CA 92701 (714) 667-1517 http://www.occca.org Thurs.-Sun., 12-5pm; Fri., Sat., 12-9pm ORLANDO GALLERY 17037 Ventura Blvd. Tarzana, CA 91356 (818) 705-5368 www.orlando2.com OTIS COLLEGE OF ART AND DESIGN BEN MALTZ GALLERY 9045 Lincoln Blvd. Los Angeles, CA 90045 (310) 665-6905 http://www.otis.edu Tues.-Sat., 10am-5pm; Thurs., 10am-7pm OVERDUIN AND KITE 6693 Sunset Blvd. Los Angeles, CA 90020 (323) 464-3600 http://www.overduinandkite.com PACIFIC ASIA MUSEUM 46 N. Los Robles Ave Pasadena, CA 91101 (626) 449-2742 http://www.pacificasiamuseum.org Weds.-Sun., 10am-6pm PALM SPRINGS ART MUSEUM 101 Museum Dr Palm Springs, CA 92262 (619) 325-7186 http://www.psmuseum.org Tues.-Sun., 10am-5pm; Fri., 10am-8pm PALOS VERDES ART CENTER 5504 W. Crestridge Rd. Rancho Palos Verdes, CA 90275 (310) 541-2479 http://www.pvartcenter.org Mon.-Sat., 10am-4pm; Sun., 1-4pm

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PASADENA CITY COLLEGE ART GALLERY 1570 E. Colorado Blvd Pasadena, CA 91106 (626) 585-3285 http://www.pasadena.edu/artgallery Mon.-Thurs., 12-8pm; Fri., Sat., 12-4pm PASADENA MUSEUM OF CALIFORNIA ART 490 E. Union St. Pasadena, CA 91101 (626) 568-3665 http://www.pmcaonline.org PATRICK PAINTER, INC. 2525 Michigan Ave. # A-8 & B-2 Santa Monica, CA 90404 (310) 254-6953 http://www.patrickpainter.com PEACE YOGA GALLERY 903 South Main St. Los Angeles, CA 90015 213-500-5007 www.peaceyogagallery.com PERES PROJECTS 2766 La Cienega Blvd. Los Angeles, CA 90034 (310) 559-6100 http://www.peresprojects.com PETER FETTERMAN GALLERY 2525 Michigan Ave., Building A-7 Santa Monica, CA 90404 (310) 453-6463 http://www.peterfetterman.com PETER MENDENHALL GALLERY 6150 Wilshire Blvd. # 8 Los Angeles, CA 90048 323-936-0061 www.PeterMendenhallGallery.com PHOTO-EYE GALLERY 376-A Garcia Street Santa Fe NM 87505 Tel/Fax: (505) 988-5152, x116 http://www.photoeye.com


ART GALLERIES & MUSEUMS PITZER CAMPUS GALLERIES 1050 North Mills Ave. Claremont, CA 91711 (909) 607-3143 http://www.pitzer.edu/artgalleries

RICHARD HELLER GALLERY 2525 Michigan Ave., Building B-5A Santa Monica, CA 90404 (310) 453-9191 http://www.richardhellergallery.com

ROYAL/T 8910 Washington Boulevard Culver City, CA 90232 310.559.6300 www.royal-t.org

PLAZA DE LA RAZA 3540 N. Mission Rd. Los Angeles, CA 90031 (323) 223-2475

RICHARD TELLES FINE ART 7380 Beverly Blvd Los Angeles, CA 90036 (323) 965-5578 http://www.tellesfineart.com

RUTH BACHOFNER GALLERY 2525 Michigan Ave. (Bergamot Station), G-2 Santa Monica, CA 90404 (310) 829-3300 http://www.ruthbachofnergallery.com Tues.-Sat., 10am-6pm

POMONA COLLEGE MUSEUM OF ART 330 N. College Ave. Claremont, CA 91711 (909) 621-8283 http://www.pomona.edu/museum Tues.-Fri., 12-5pm; Sat., Sun., 1-5pm POV EVOLVING GALLERY & PRINT STUDIO 939 Chung King Road LA, CA 90012 (213) 594-3036 www.povevolving.com PYO GALLERY LA 1100 Hope St., Suite 105 Los Angeles, CA 213-405-1488 http://www.pyogalleryla.com RAID PROJECTS GALLERY The Brewery Art Complex 602 Moulton St. Los Angeles, CA 90031 (323) 441-9593 http://www.raidprojects.com Sat., Sun., 12-5pm; & by app't. REBECCA MOLAYEM GALLERY 306 N. Robertson West Hollywood, CA90048 310-652-2620 www.rebeccamolayemarts.com REDLING FINE ART 990 North Hill St. #210 (Chinatown) Los Angeles, CA 90012 323-230-7415 www.redlingfineart.com REGEN PROJECTS 633 N. Almont Drive Los Angeles, CA 90069 (310) 276-5424 http://www.regenprojects.com REGEN PROJECTS II 9016 Santa Monica Blvd (at Almont Drive) Los Angeles, CA 90069 (310) 276-5424 http://www.regenprojects.com

RIO HONDO COLLEGE ART GALLERY 3600 Workman Mill Rd., B-13 Whittier, CA 90601 (562) 908-3471 Mon.-Thurs., 9am-3pm; Mon.-Weds., 6-9pm

SABINA LEE GALLERY 971 Chung King Road LA, CA 90012 213-620-9404 www.sabinaleegallery.com

RIVERA & RIVERA 454 N. Robertson West Hollywood, CA 90069 310.713.1635 http://www.riveraandrivera.com

SAM LEE GALLERY 990 N. Hill St., #190 Los Angeles, CA 90012 (323) 227-0275 http://www.samleegallery.com Wed. - Sun, 12-6pm

RIVERSIDE ART MUSEUM 3425 Mission Inn Ave. Riverside, CA 92501 (951) 684-7111 http://www.riversideartmuseum.org Mon.-Sat., 10am-4pm; Thurs., 10am-9pm ROBERT BERMAN GALLERY 2525 Michigan Ave., D-5, & C-2 Santa Monica, CA 90404 (310) 315-1937 http://www.robertbermangallery.com Tues.-Sat., 11am-6pm ROBERTS & TILTON GALLERY 5801 Washington Blvd. Culver City, CA 90232 (323) 549-0223 http://www.robertsandtilton.com

SAM LEE GALLERY @ the Pacific Design Center 8687 Melrose Avenue, Suite B267 W. Hollywood, CA 90069 323-788-3535 www.samleegallery.com Monday - Friday, 12 - 5 pm & by appâ&#x20AC;&#x2122;t SAMUEL FREEMAN GALLERY 2525 Michigan Ave., Building B-7 Santa Monica, CA 90404 (310) 449-1479 http://www.samuelfreeman.com SANDRONI REY GALLERY 2762 S. La Cienega Blvd Los Angeles, CA 90034 (310) 280-0111 http://www.sandronirey.com

ROSAMUND FELSEN GALLERY 2525 Michigan Ave. B-4 Santa Monica, CA 90404 (310) 828-8488 http://www.rosamundfelsen.com Tues.-Sat., 10am-5:30pm

SANTA FE ART COLONY 2401 S. Santa Fe Ave Los Angeles, CA 90058 (213) 587-6381

ROSE GALLERY 2525 Michigan Ave., Building G-5 Santa Monica, CA 90404 (310) 264-8440 http://www.rosegallery.net

SANTA MONICA ART STUDIOS AND ARENA 1 GALLERY 3026 Airport Ave Santa Monica, CA 90405 (310) 397-7449 http://www.santamonicaartstudios.com Tues.-Sat., 12-6pm

ROUGE GALERIE 548 S. Spring St. Los Angeles, CA 90013 213-489-7309 www.rougegalerie.com

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ART GALLERIES & MUSEUMS SANTA MONICA COLLEGE - PETE & SUSAN BARRETT ART GALLERY 1310 11th St. Santa Monica, CA 90401 (310) 434-3434 http://events.smc.edu/art_gallery.html SANTA MONICA MUSEUM OF ART Bergamot Station 2525 Michigan Ave. G-1 Santa Monica, CA 90403 (310) 586-6488 http://www.smmoa.org Tues.-Sat., 11am-6pm SARAH LEE ARTWORKS & PROJECTS Bergamot Station 2525Michigan Ave. Santa Monica, CA 90404 (310) 829-4938 www.sarahleeartworks.com SCA PROJECT GALLERY 101 & 281 So. Thomas St., Unit 104 Pomona, CA 91766 (909) 620-5481 http://www.scagallery.com Thurs.-Sat., 12-4pm SCHOMBURG GALLERY 2525 Michigan Ave. E-3a Santa Monica, CA 90404 (310) 453-5757 http://www.schomburggallery.com SCI-ARC GALLERY 960 E. Third St Los Angeles, CA 90013 (213) 473-8432 SCION INSTALLATION L.A. 3521 Helms Ave [at National] Culver City, CA 90232 310.815.8840 www.scion.com/space SEA AND SPACE EXPLORATIONS 4755 York Blvd. Los Angeles, CA 90042 (323) 445-4015 http://www.seaandspace.org Sundays 1-5 or by appt. info@seaandspace.org SEE LINE GALLERY Pacific Design Center 8687 Melrose Avenue Suite B274 West Hollywood, CA 90069 818-604-3114 http://www.seelinegallery.com

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SEYHOUN GALLERY 9007 Melrose Ave. West Hollywood, CA 90069 (310) 858-5984 http://www.seyhoungallery.com SHERRY FRUMKIN GALLERY 3026 Airport Ave., Suite 21 Santa Monica, CA 90405 (310) 397-7493 http://www.frumkingallery.com Weds.-Sat., 12-6pm SHOSHANA WAYNE GALLERY 2525 Michigan Ave., Building B-1 Santa Monica, CA 90404 (310) 453-7535 http://www.shoshanawayne.com SISTER 955 Chung King Road LA, CA 90012 (213) 628-7000 http://www.sisterla.com SKIDMORE CONTEMPORARY ART Bergamot Station 2525 Michigan Ave. B5 Santa Monica, CA (310)-828-5070 www.skidmorecontemporaryart.com SKIRBALL CULTURAL CENTER 2701 N. Sepulveda Blvd Los Angeles, CA 90049 (310) 440-4500 http://www.skirball.org Tues.-Fri.12-5pm; Thurs.12-9pm; Sat.& Sun. 10am-5pm GALLERY SOHO 300 A. South Thomas St Pomona, CA 91766 (909) 469-1599 www.pvaa.net Thurs.-Sun., 11am-4pm; second Sats., 11am-10pm SOLWAY JONES 990 N. Hill Street # 180 Los Angeles, CA 90012 (323) 223-0224 http://www.solwayjonesgallery.com Tues.-Sat., 11am-6pm SPF:A GALLERY 8609 Washington Boulevard Culver City, CA 90232 310.558.0902 www.spfagallery.com

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SPARC ART GALLERY 685 Venice Blvd. Venice, CA 90291 (310) 822-9560 http://www.sparcmurals.org Mon.-Fri., 10am-6pm (Closed at Noon-1pm) SPENCER JON HELFEN FINE ARTS 9200 West Olympic Blvd. Ste 200, Los Angeles, CA 310-273-8838 www.helfenfinearts.com STEPHEN COHEN GALLERY 7358 Beverly Blvd Los Angeles, CA 90036 (323) 937-5525 http://www.stephencohengallery.com Tues.-Sat., 11am-5pm STG (STEVE TURNER CONTEMPORARY) 6026 Wilshire Blvd. Los Angeles, CA 90036 (323) 931-3721 http://www.steveturnergallery.com SUMI INK CLUB 970 N. Broadway #212 (Chinatown) LA, CA 90012 www.sumiinkclub.com SUSANNE VIELMETTER LOS ANGELES PROJECTS 6006 W. Washington Blvd Culver City, CA 90232 310-837-2117 www.vielmetter.com SYLVIA WHITE GALLERY 1783 East Main Street Ventura, CA 93001 805-643-8300 http://www.artadvice.com TAG, THE ARTISTS' GALLERY 2525 Michigan Ave., #D-3 Santa Monica, CA 90404 (310) 829-9556 http://www.TAGgallery.net Tues.-Sat., 11am-5pm TAKE MY PICTURE GARY LEONARD 860 S. Broadway @ 9th Los Angeles, CA 90014 213-622-2256 http://takemypicture.com TASENDE GALLERY 820 Prospect St. La Jolla, CA 92037 (858) 454-3691 www.tasendegallery.com Tues.-Fri., 10am-6pm; Sat., 11am-5pm;


ART GALLERIES & MUSEUMS TAYLOR DE CORDOBA 2660 S. La Cienega Blvd Los Angeles, CA 90034 (310) 559-9156 http://www.taylordecordoba.com TELIC ARTS EXCHANGE 972B Chung King Road LA, CA 90012 213-344-6137 ww.telic.info TEMPLE OF VISIONS 719 S. Spring St. Los Angeles CA 213-537-0139 http://templeofvisions.com TERRENCE ROGERS FINE ART 1231 Fifth St. Santa Monica, CA 90401 (310) 394-4999 http://www.trogart.com Thurs-Sat., 12-5; & by app't. TERRELL MOORE GALLERY 1221 S Hope Street LA CA 90015 (213) 744-1999 www.terrellmoore.net THE ART FORM STUDIO 716 North Figueroa St. (Chinatown) LA, CA 90012 213-613-1050 www.theartformstudio.com THE BREWERY ARTS COLONY 2100 N. Main St. at Avenue 21 Los Angeles, CA 90031 http://www.breweryart.com THE BOX 977 Chung King Road (Chinatown) LA, CA 90012 (213) 625-1747 www.theboxla.com THE CLAYHOUSE 2909 Santa Monica Blvd. (near Yale St.) Santa Monica, CA 90404 (310) 828-7071 THE COMPANY 946 Yale Street (Chinatown) LA, CA 90012 213-221-7082 THE FOLK TREE 217 S. Fair Oaks Ave Pasadena, CA 91105 (626) 795-8733 http://www.folktree.com Mon.-Weds., 11am-6pm; Thurs.-Sat., 10am-6pm; Sun., 12-5pm

THE GETTY CENTER 1200 Getty Center Dr Los Angeles, CA 90049 (310) 440-7300 http://www.getty.edu Tues.-Thurs., Sun., 10am-6pm; Fri., Sat., 10am-9pm 213-955-9091

TOBEY C. MOSS GALLERY 7321 Beverly Blvd Los Angeles, CA 90036 (323) 933-5523 http://www.tobeycmossgallery.com

THE GETTY VILLA 17985 Pacific Coast Highway Pacific Palisades, CA 90272 (310) 440-7300 http://www.getty.edu Thurs.-Mon., 10am-5pm; closed Tues. Weds. and major holidays THE HAMMER MUSUEM AT UCLA 10899 Wilshire Blvd. LA, CA 90024 310-443-7000 www.hammer.ucla.edu

TRACY PARK GALLERY The Malibu Country Mart 3835 Cross Creek Road Malibu, CA 90265 310-456-7505 http://www.tracyparkgallery.com

THE HIVE GALLERY 729 S. Sping St. Los Angeles, CA 90014 (213) 955-9051 http://hivegallery.com THE LOFT AT LIZ'S 453 S. La Brea Ave. (Enter through back alley) Los Angeles, CA 90036 323-939-4403 www.theloftatlizs.com

TRIGG ISON FINE ART 511 N. Robertson Blvd Los Angeles, CA 90069 (310) 274-8047 http://www.triggison.com

THE PERFECT EXPOSURE GALLERY 3519 West 6th St. Los Angeles, CA 90020 (213) 381-1137 http://theperfectexposuregallery.com

THOMAS SOLOMON GALLERY 410 Cottage Home St. (Chinatown) LA, CA 90012 310-428-2964 www.thomassolomongallery.com TINLARK GALLERY 6671 Sunset Blvd., #1516 Hollywood, CA 90028 (323) 463-0039 http://www.tinlark.com Web fabrikmagazine.com

TORRANCE ART MUSEUM 3320 Civic Center Dr Torrance, CA 90503 (310) 618-6340 http://www.torranceartmuseum.com Tues.-Sat., 12-6pm TRACK 16 GALLERY 2525 Michigan Ave., Building C-1 Santa Monica, CA 90404 (310) 264-4678 http://www.track16.com Tues.-Sat., 11am-6pm

THE HAPPY LION 963 Chung King Road (Chinatown) LA, CA 90012 (213) 625-1360 www.thehappylion.com

THINKSPACE ART GALLERY 6009 Washington Blvd. Culver City, CA 90232 310.558.3375 www.thinkspacegallery.com Thurs.-Sun., 1-6pm

TOPANGA CANYON GALLERY 120 N. Topanga Canyon Blvd., Suite 109 Topanga, CA 90290 (310) 455-7909 http://www.topangacanyongallery.com Tues.-Sun., 10am-6pm

TROPICO DE NOPAL GALLERY 1665 Beverly Blvd. Los Angeles, CA 90026 (213) 481-8112 http://www.tropicodenopal.com UCR/CALIFORNIA MUSEUM OF PHOTOGRAPHY 3824 Main St Riverside, CA 92501 (951) 784-FOTO http://www.cmp.ucr.edu Tues.-Sat., 12-5pm USC FISHER GALLERY 823 Exposition Blvd Los Angeles, CA 90089 (213) 740-4561 http://fishergallery.org Tues.-Sat. 12-5pm

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ART GALLERIES & MUSEUMS VINCENT PRICE ART MUSEUM EAST LOS ANGELES COLLEGE 1301 Avenida Cesar Chavez Monterey Park, CA 91754 (323) 265-8841 http://elac.edu/collegeservices/ vincentprice/ Mon.-Weds., Sat., 12-4pm; Thurs., 12-7pm VIVA (VALLEY INSTITUTE OF VISUAL ART) 13261 Moorpark St., Sherman Oaks, CA 91423 (818) 385-0080 Weds.-Fri., 11am-4pm; Satu., 12-4pm

WATTS TOWERS ART CENTER NOAH SYLVESTER PURIFOY GALLERY 1727 E. 107th St Los Angeles, CA 90002 (213) 847-4646 Weds.-Sun., 10am-4pm

WILLIAM TURNER GALLERY 2525 Michigan Ave. E-1 Santa Monica, CA 90404 (310) 453-0909 http://www.williamturnergallery.com Mon.-Sat.,11am-6pm

WESTERN PROJECT 2762 S. La Cienega Los Angeles, CA 90034 (310) 838-0609 http://western-project.com

WONDERLAND GALLERY 1257 North La Brea Ave West Hollywood, CA 90038 323-645-6920 WONDERFUL WORLD ART GALLERY 9517 Culver Boulevard Culver City, CA 90232 310.836.4992 www.wwagallery.com

WHITTIER MUSEUM 6755 Newlin Ave Whittier, CA 90601 (310) 945-3871

VOILA! ART FOR THE MODERN EYE 518 N. La Brea Ave. Los Angeles, CA 90036 323-954-0418 www.voilagallery.com

WILIAM GRIFFIN GALLERY 2902 Nebraska Ave Santa Monica, CA 90404 (310) 586-6886 http://www.griffinla.com Tues.-Sat., 10am-6pm; & by app't.

WAL ART 1639 S. La Cienega Los Angeles, CA 90035 310-274-9055 www.walartinc.com

XIEM CLAY CENTER AND GALLERY 1563 N. Lake Ave. Pasadena, CA 91104 (626) 794-5833 http://www.xiemclaycenter.com YOUNG ART GALLERY The Women's building 1727 North Spring St. Los Angeles, CA 90012 (323) 226-1230 http://www.youngartgallery.com By appt. only

WILLIAM A. KARGES FINE ART 427 Canon Dr., Suite 101 Beverly Hills, CA 90210 (310) 276-8551 http://www.kargesfineart.com Mon.-Sat., 10am-5pm

WALTER MACIEL GALLERY 2642 S. La Cienega Blvd. LA, CA 90034 310-839-1840 www.waltermacielgallery.com

WILLIAM GRANT STILL COMMUNITY ARTS CENTER 2520 West View St Los Angeles, CA 90016 (213) 734-1164 Daily 12-5pm

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Fabrik Magazine - Issue 12