Newdigitalcollage.art

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A project curated online by Fabio Paris @f.paris and Linda Rocco @lindaonmars from 7 March 2020 to 7 March 2021



newdigitalcollage.art

(eng)

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newdigitalcollage.art

(it)

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gallery

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newdigitalcollage.art

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Over the past decade the technique of the Collage has expanded its material practice of assembling images and shapes, to include a variety of experimentations into the imaginative potential of the digital realm. The application of technical knowledge and the use of digital tools as computer-generated imagery (CGI) and software development techniques has allowed the growth of innovative researches into digital forms of representation. Engaging with the abundance of data available online, layers of information become material – no longer tied to the physical world but digitally authored and virtually conceived. Transcending the limits of manual hand-cutting and pasting into a whole new realm of mixed media experimentation, contemporary collage today is an open field for speculative research, innovative remix and highly advanced cross-collaborations. The experimental ethos of the technique further situates digital collage right into contemporary discourses on the co-creation of work, problematizing questions of authorship and copyright. New Digital Collage wanted to celebrate the technique of contemporary collage, generating a dynamic showcase of innovative research in the realm of digital experimentation.


The online exhibition lasted a year, growing daily after its launch in March 2020 and terminating in March 2021. The project New Digital Collage Art has been conceptualised and curated by Fabio Paris (www.fabioparis.art) and Linda Rocco (www.lindarocco.art). Award Starting in March 2021, a judging panel composed by: Valentina Peri (FR), Fabio Paris (IT), Linda Rocco (UK) and Andrea Maffioli (UK) has selected the best 10 artists. Announced between March and April 2021, the winning artists are: Eve Stainton (pag.14), Perry Kulper (pag.16), Samuel Finch (pag.32), Jean Yves Michalik (pag.34 and 120), Lena Ightpre (pag.48), Tim Cierpiszewiski (pag.54), Patrick Lichty (pag.90), Marco Cadioli (pag.130), Ina Annette Huennekens (pag.136), Lauren Moffatt (pag.148).

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newdigitalcollage.art

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Negli ultimi dieci anni, la tecnica del Collage ha ampliato la sua pratica materiale di assemblaggio di immagini e forme per includere una varietà di sperimentazioni nel potenziale immaginativo del regno digitale. L’applicazione delle conoscenze tecniche e l’uso di strumenti digitali come immagini generate dal computer (CGI) e tecniche di sviluppo software hanno consentito lo sviluppo di ricerche innovative su forme digitali di rappresentazione. Attraverso l’abbondanza di dati disponibili online, strati di informazioni diventano così materiali, non più legati al mondo fisico, ma creati e concepiti virtualmente. Trascendendo i limiti del taglia-incolla manuale verso una sperimentazione con media diversi, il collage contemporaneo oggi è un campo aperto alla la ricerca speculativa, remix innovativi e avanzate collaborazioni interdisciplinari. L’approaccio sperimentale della tecnica colloca ulteriormente il collage digitale in discorsi contemporanei sulla co-creazione di un’opera d’arte, problematizzando questioni di paternità e copyright. New Digital Collage Art ha voluto celebrare la tecnica del collage contemporaneo, generando una vetrina dinamica di ricerca innovativa nel regno della sperimentazione digitale.


La mostra online è stata aperta per giorno dopo il suo lancio nel Marzo Marzo 2021. Il progetto New Digital Collage Art da Fabio Paris (www.fabioparis.art) (www.lindarocco.art).

un anno, crescendo ogni 2020 e terminando nel è stato ideato e curato e Linda Rocco

Il Premio Da marzo 2021 una giuria composta da: Valentina Peri (FR), Fabio Paris (IT), Linda Rocco (UK) and Andrea Maffioli (UK) ha selezionato i migliori 10 artisti. Annunciate tra Marzo e Aprile 2021, le dieci opere vincenti sono: Eve Stainton (pag.14), Perry Kulper (pag.16), Samuel Finch (pag.32), Jean Yves Michalik (pag.34 e 120), Lena Ightpre (pag.48), Tim Cierpiszewiski (pag.54), Patrick Lichty (pag.90), Marco Cadioli (pag.130), Ina Annette Huennekens (pag.136), Lauren Moffatt (pag.148).

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Gallery

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From 01/03/2020 to 06/03/2020

John Bumstead

(U.S.A.)

www.rdklinc.com/info @rdklinc.com/info.

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Untitled1 is an original photograph on a modified LCD screen with its outer polarized layer removed, cut into strips, and re-assembled, 2020.


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Untitled2 is original photograph on cracked LCD screens, 2020.

Untitled3 is original photograph on cracked LCD screens, 2020.


From 09/03/2020 to 13/03/2020

Miron Tee

(PL)

https://mirontee.wixsite.com/mirontee

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20200101_01_txt, mix/cyfra/analog, 2020.


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20200101_02_txt, mix/cyfra/analog, 2020.

20200101_03_txt, mix/cyfra/analog, 2020.


From 16/03/2020 to 20/03/2020

Eve Stainton

(UK)

Eve Stainton is a movement artist inspired by the complexities of uncodeable, poetic queer encounters. This manifests through practices of dancing and digital collage, relating intimately to Eve's movement practice, often working with formal and expanded choreographic textures of layering/translucency/proximity/queer visibility/modification/vulnerabili ty/blurring/being caught between. Digital collage works are created using an app on their iphone. www.staintonandpeake.com @evestainton

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Friendly Creature, 142.24x106.68 cm, 2020, digital collage. Curated during research for solo performance work ‘Dykergeist’.


Apparition Apparition, 203.06x142.59 cm, 2020, digital collage. Features in performance work ‘Apparition Apparition’ with @florence_peake.

Kneading Paradise, 54.19x72.25 cm, 2020, digital collage. Features as print on vinyl in performance work ‘Slug Horizons’ with @florence_peake.

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From 24/03/2020 to 28/03/2020

Perry Kulper

(U.S.A.)

@pkulper

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In collaboration with Oliver Popadich, Hello World, DigitAerial Diptych Folly, v.03’, v.03; 28 x 20 cm, 300 dpi, 2018, digital model.


With Saumon Oboudiyat Chromatic Triplets: OverNear the Marbled Canary Observatory, Aerial Diptych Folly, 28x20 cm, 300 dpi, 2017, paper + digital collage.

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Speculative House, Garden + Landscape, v.01a, v.02; 20x28 cm, 300 dpi, 2017, digital collage.


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Oranged Gatorskin: Upholstered Alibis for the Coastal Ailerons’, Aerial Diptych Folly v.02’, 28x20 cm, 300 dpi, 2017, paper + digital collage.


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In collaboration with Oliver Popadich. Oranged Gatorskin: Frontal, 20x28 cm, 300 dpi, 2018,digital model.


From 30/03/2020 to 03/04/2020

Noah Travis Phillips

(U.S.A.)

www.noahtravisphillips.com @th3nO4h

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Sarape Por Un Bruja (Vapor) detail 1, dimensions and substrate variable, 2020.


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Sarape Por Un Bruja (Vapor) detail 5, dimensions and substrate variable, 2020.

Sarape Por Un Bruja (Vapor) detail 4, dimensions and substrate variable, 2020.


From 06/04/2020 to 10/04/2020

Allison Tanenhaus

(Boston, U.S.A.)

https:///allisontanenhaus.com @atanenhaus

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Dented Planet, dimensions variable, 2019, digital glitch art collage (created via smartphone).


In Curta, dimensions variable, 2019 digital glitch art collage (created via smartphone).

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Phaser Phases, dimensions variable, 2019 digital glitch art collage (created via smartphone).


From 13/04/2020 to 17/14/2020

Tan Sen 谭森

(Shanghai, CN)

@nes_nes_

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MY EGO, 4x5 inc, 2020, digital collage.


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MY PASSION, 4x5 inc, 2020, digital collage.

MY DESIRE, 4x5 inc, 2020, digital collage.


From 20/04/2020 to 24/04/2020

Aleksandra Pieńkosz

(PL)

I create my works first as a collage from my own photography and/or found digital objects, then I glitch it (usually in Processing using scripts written by Tomasz Sulej). When creating a collage, I’m thinking about the expected result in glitch, and here I wanted to achieve an abstract form on a solid background on a road of experimental disfiguration. In this series I was inspired by an urge to work with particular colors and by digital elements found online and in the digital interfaces surrounding me. www.alepienkosz.pl @ale.png 26

j0in.png, 2020, digital collage, photography, glitch art.


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org4NIC.png, 2020, digital collage, photography, glitch art.

p1nk.png, 2020, digital collage, photography, glitch art.

art_I_choke.png, 2020, digital collage, photography, glitch art.


From 27/04/2020 to 01/05/2020

CRUDOSTUDIO

(UK)

www.crudo.studio @_crudostudio

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PATCHES [Series n. 6: DENSITY GRADIENT]; .pgn version @ 3544 × 2363 px ~ 20x30 cm, RGB, 300 dpi, digital. 2020.


PATCHES [Series n. 6: DENSITY GRADIENT]; .pgn version @ 3544 × 2363 px ~ 20 30 cm, RGB, 300 dpi, digital. 2020.

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PATCHES [Series n. 6: DENSITY GRADIENT]; .pgn version @ 3544 × 2363 px ~ 20 30 cm, RGB, 300 dpi, digital. 2020.


From 04/05/2020 to 08/05/2020

Uwe Heine Debrodt

(MX)

This series of organic gifs are made from my work in ceramic sculpture and later I use Cinema4D + Plugins, After effects and sony Vegas. www.uweheinedebrodt.com/ @uwe_heine_debrodt/

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organico 13, gif 555x387 pixels, 300 dpi, 2020.

organico 07, gif 461x387 pixels, 300 dpi, 2020.


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organico 03, gif 463x389 pixels, 300 dpi, 2020.

organico 01, gif 460x384 pixels, 300 dpi, 2020.


From 11/05/2020 to 15/05/2020

Samuel Finch

(UK)

@ndysaf

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A place Where People Live, 75x102 cm, 2020, digital illustration/collage.


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Meeting of the Third land Fourthe, 80x68 cm, 2020, digital illustration/collage.

Meeting of the Third land Fourthe, 60x60 cm, 2020, digital illustration/collage.


From 18/05/2020 to 22/05/2020

Jean-Yves Michalik

(FR)

www.grandlapin.fr

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Without title. Generative Interactive Works in Progress, pencils, ink, painting, sculpting, photo, scans, blender, Photoshop, Flash Action Script2.


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Without title. Generative Interactive Works in Progress, pencils, ink, painting, sculpting, photo, scans, blender, Photoshop, Flash Action Script2.


Without title. Generative Interactive Works in Progress, pencils, ink, painting, sculpting, photo, scans, blender, Photoshop, Flash Action Script2.

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Without title. Generative Interactive Works in Progress, pencils, ink, painting, sculpting, photo, scans, blender, Photoshop, Flash Action Script2.


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Without title. Generative Interactive Works in Progress, pencils, ink, painting, sculpting, photo, scans, blender, Photoshop, Flash Action Script2.


From 25/05/2020 to 29/05/2020

Petr Strouhal

(Prague, CZ)

www.petrstrouhal.com @pe.stro.archive

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Untitled,dimensions variable, 2019 Unedited digital photography (Slit-scan photography).


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Untitled,dimensions variable, 2019 Unedited digital photography (Slit-scan photography).


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Untitled,dimensions variable, 2019 Unedited digital photography (Slit-scan photography).

Untitled,dimensions variable, 2019 Unedited digital photography (Slit-scan photography).


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Untitled,dimensions variable, 2019 Unedited digital photography (Slit-scan photography).


From 01/06/2020 to 05/06/2020

Fabio Fonda

(IT)

www.fabiofonda.art @fabio_fonda

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Cetara, 75x100 cm 300 dpi, 2020, corel Painter digital painting, Photoshop retouching and assembly.


Planning book, 50x70 cm 300 dpi, 2020, object scanning, pictorial intervention with Photoshop.

Tissue, 50x70 cm 300 dpi, 2020, multiple files, digital painting with Corel Painter, gradient effects, retouching and assembling with Photoshop.

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From 08/06/2020 to 12/06/2020

Agam Andreas

(NL)

www.nictoglobe.com/agam

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Building, dimensions variable, 2020, digital collage, Color Print.


Not Google Earth, dimensions variable, 2020, digital collage, B/W Print.

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Plaz, dimensions variable,2020, digital collage, B/W Print.


From 15/06/2020 to 19/06/2020

Paola Lesina

(IT)

www.paolalesina.com @paola_lesina

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Paola,30x20 cm, 2020, digital collage, photography.


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Sara, 30x20 cm, 2020, digital collage, photography.

Veronica, 30x20 cm, 2020, digital collage, photography.


From 22/06/2020 to 26/06/2020

Lena Ightpre

(RUS)

@ight_pre

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JAM CODE.png,20×25 cm, 300 dpi, 2020, digital collage, photography, glitch art.


AIR CODE.png, 20×27 cm, 300 dpi, digital collage, glitch art.

SEED CODE.png, 20×23 cm, 300 dpi, 2020, digital collage, photography, glitch art.

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01/07/2020

Lee Campbell

(UK)

This short silent film employs digital green screen to create fleshy layers seeping underneath and being revealed, and other sets of imagery coming through. The lines that you can see were made in the physical world using marker pens and paper. The resulting line drawings were then documented and filmed where the camera moved across the drawn paper. Now existing digitally, the drawings were then layered over the one another and green screen processes were applied to create arresting tensions between the lines. www.filmfreeway.com/LeeCampbell @lndnqueerfilmmaker

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Frame from film: On your Marks: Tension Lines 2020.


Frames from film: On your Marks: Tension Lines 2020.

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From 06/07/2020 to 10/07/2020

Caterina Adele Michi

(IT)

www.caterinadelemichi.com @catelinadele

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Ezechiele 22.4, png version 2.362x1.181 px – 20x10 cm, 2020, digital art collage.

Ezechiele 23.25, png version 2.362x1.181 px – 20x10 cm, 2020, digital art collage.


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Ezechiele 24.13, png version 2.362x1.181 px – 20x10 cm, 2020, digital art collage

Ezechiele 38.20, png version 2.362x1.181 px – 20x10 cm, 2020, digital art collage


From 13/07/2020 to 17/07/2020

Tim Cierpiszewski

(DE)

www.timcie.com @timcierpiszewsky

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Achtung! I Am Free From Your Spell, 20x20 cm, 2020, picture remix / digital painting / archiv painting.


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Couch Sleeper, 20x20 cm, 2020, picture remix / digital painting / archiv painting.


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Archives, 20x20 cm, 2020, picture remix / digital painting / archiv painting.


Hal9000, 20x20 cm, 2020, picture remix / digital painting / archiv painting.

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P.O.T.T., 20x20 cm, 2020, picture remix / digital painting / archiv painting.


From 20/07/2020 to 25/07/2020

Dagmar Schuerrer

(A/DE)

Dagmar assembles found footage, digitally generated objects and animations, text, drawings and sound to form intricate video montages, evocative of painting, collage and poetry. www.dagmarschuerrer.com @dagschu

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Virtualized (Frame 3884), 34x64cm, 2020, Edition of 20 + 2AP.


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Virtualized (Frame 5705), 34x64cm, 2020, Edition of 20 + 2AP.


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Virtualized (Frame 7122), 34x60cm, 2020 Edition of 20 + 2AP.


Virtualized (Frame 7122), 34x60cm, 2020, Edition of 20 + 2AP.

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Virtualized (Frame 15535); 34x60cm, 2020, Edition of 20 + 2AP.


From 27/07/2020 to 31/07/2020

Mark Klink

(U.S.A)

Patterns are procedurally generated and combined using the Blender 3d shader node system. @markaklink/

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pattern_004.8.2, 2020


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pattern_005.1.1, 2020


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pattern_005.1.1, 2020


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pattern_005.2.2, 2020


From 03/08/2020 to 07/08/2020

Katie Hallam

(UK)

Manipulated digital files corrupted using script editors and apps then retouched, layered and assembled in Photoshop. www.thebeautifulerror.com @the_beautiful_error

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Technofossils, 70x50 cm, 2020.


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Technofossils #2, 70x50 cm, 2020.


68

Powering the Cloud #2, 51x51 cm, 2020.


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Data Dreamland, 96x50 cm, 2020.


From 10/08/2020 to 14/08/2020

Margaux Compte-Mergier

(FR)

@margaux.comte.mergier

70

Untitled, 95x90 cm, 2020. Digital creation and digital collage.


Untitled, 75x150 cm, 2020, digital creation and digital collage.

Untitled; 60x90 cm, 2020, digital creation and digital collage.

71


From 17/08/2020 to 21/08/2020

Emilio Vavarella

(U.S.A.)

Amazon’s Stravaganza: A Personal Index of Infinite Consumption (2020-ongoing) is a photographic project that documents in a systematic way all the products featured in Amazon’s Cabinet of Curiosities. Each framed work presents an Amazon package that I received along with a remediation of its content. The result is a photographic work in progress in which consumeristic and archival practices intersect in multiple ways. www.emiliovavarella.com @emilio_vavarella

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Amazon’s Stravaganza: A Personal Index of Infinite Consumption; (2020-ongoing). Package n.19


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Amazon’s Stravaganza: A Personal Index of Infinite Consumption;(2020-ongoing). Package n.20

Amazon’s Stravaganza: A Personal Index of Infinite Consumption;(2020-ongoing). Package n.21


From 24/08/2020 to 28/08/2020

Fred Cosci

(Brighton, UK)

www.fredcosci.com @fredcosci

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Lamp doesn’t work, 2020, digital collage.


Roll a dice, 2020, digital collage.

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Look for an item?, 2020, digital collage.


From 31/08/2020 to 04/09/2020

Silvia Beltrami

(IT)

www.silviabeltrami.com

76

Lockdown_dance_STEP1, 80x80 cm, 2020, collage.


Lockdown_dance_STEP2, 100x140 cm, 2020, collage.

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Lockdown_dance_STEP3, 80x120 cm, 2020, collage.


From 07/09/2020 to 11/09/2020

Andrea Mikyska

(CZ)

www.andreamikyska.com @miu_dyed.spell

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Tamika Berrera, 30×20 cm, 2020, digital painting and dissolving of the contents.


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Kuba Kelley, 30×20 cm, 2020, digital painting and dissolving of the contents.


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Hester Silva, 30×20 cm, 2020, digital painting and dissolving of the contents.

Laibach Beard, 30×20 cm, 2020, digital painting and dissolving of the contents.


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Kasim Briggs, 30×20 cm, 2020, digital painting and dissolving of the contents.


From 14/09/2020 to 18/19/2020

Steve DiPaola

(Canada/U.S.A)

I write AI and computational code that models distinct cognitive human creative processes (as modules) – and use these modules in an open iterative process both to create new forms and to painterly render the results.

www.dipaola.org/art @steve.dipaola

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The totem, the ghost, and the trojan horse, approx. 4ftx6ft, 2020.


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Time stops, approx. 3ftx3ft, 2020.


84

Rubber gang, approx. 3ftx4ft, 2020.


Ghosts in the machine #1, approx. 3ftx4.5ft, 2020.

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Locked in interdimensions, approx. 3ftx4.6ft, 2020.


From 21/09/2020 to 25/09/2020

Till Langschied

(German living in Basel, CH)

Physical and digital manipulations of 1998ths Kennedy Space Center visitor brochure.

www.till-langschied.de @till.langschied vimeo.com/tilll

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Ectoplasm on Steel, 14,85×21 cm, 300dpi, 2020.


Ether Exhaling Machines, 14,85×21 cm, 300dpi, 2020.

87

Seance in Derpis, 14,85×21 cm, 300dpi, 2020.


From 09/28/2020 to 10/02/2020

Samuele Pagani

(IT)

@murda_sam

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Railway serie, 16,8x30 cm, 2020, 3D scanning / 3D sculpting / 3D modelling.


Railway serie, 16,8x30 cm, 2020, 3D scanning / 3D sculpting / 3D modelling.

Railway serie, 16,8x30 cm, 2020, 3D scanning / 3D sculpting / 3D modelling.

89


From 05/10/2020 to 10/10/2020

Patrick Lichty

(American, living in Abu Dhabi, UAE)

Confinement Spaces is a collage of 3D Data Sets obtained by the now defunct scanning app, Display.Land. On my daily excursions during various levels of lockdown, I would scan the landscape where I was at. These meshes were then combined and juxtaposed, representing the fractured, surreal world that arose in the post-COVID world.

www.patricklichty.com @patlichty

90

After the Louvre, 2020.


Aazaleas Near the Cats, 2020.

Costruction Set, 2020.

91


92

Ghost of Umm AI Quwain, 2020.

The Globe at the Cultural Foundation, 2020.


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The Lovers, 2020.


From 12/10/2020 to 16/10/2020

Cradeaux Alexander

(U.S.A.)

Each piece is a digital collage, whose source material includes stills from my own original films alongside computergenerated graphical elements and digital manipulation.

www.cradeaux.com @cradeauxalexanderart

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What A Body Can Do, 16”x24”, 2020.


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What A Body Can Do II, 24”x24”, 2020.


96

Sinema, 16”x24”, 2020.


97

FLAGZ, 24”x24”, 2020.


From 19/10/2020 to 24/10/2020

Duncan Pulton

(UK)

www.duncanpoulton.com @duncpoulton

98

e-hoarder (Xerox), 84x118 cm, 2019, digital collage on dibond.


99

Fingerprints of the Author, 59x42 cm, 2019, digital collage on dibond.

Wastepaper, 118x84 cm, 2019, digital collage on dibond.


100

Untitled, 118x68 cm, 2020, digital collage on dibond.

Dream of Fields, 118x84 cm, 2020, digital collage on dibond.


101

IPHONE, 42x29 cm, 2019, digital collage on archival paper.


From 26/10/2020 to 30/10/2020

Shoji Purcil

(PHL)

@shoji.mnl

102

Same Space, Different Setting, 2020, digital manipulation of photographs and geometry.


103

The City is a House, The House is a City, 2020, digital manipulation of photographs and geometry.


104

Spectator, 2020, digital manipulation of photographs and geometry.


Antagonistic, 2020, digital manipulation of photographs and geometry.

105

This is Isolation, 2020, digital manipulation of photographs and geometry.


From 02/11/2020 to 06/11/2020

Jess Pemberton www.jesspemberton.com @jess_pemberton

106

Forest on the Web 1, 2020, Stills from video. Analogue source meterial fed into p5.is generative and interective code.

(UK)


Forest on the Web 1, 2020, Still 1, 6x14cm,analogue source meterial fed into p5.is generative and interective code.

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Forest on the Web 1, 2020, Still 2, 6x14cm,analogue source meterial fed into p5.is generative and interective code.


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Forest on the Web 1, 2020, Still 3, 6x14cm,analogue source meterial fed into p5.is generative and interective code.


109

FOh Mr James Monochrome Abstract, 2020, Still 4, 13x21cm,analogue source meterial fed into p5.is generative and interective code.


From 09/11/2020 to 14/11/2020

Roberto Amoroso

(IT)

https://robertoamorosoart.blogspot.com/ @amorob

110

RAPSODIA #1, 2020, 20x30 cm, digital collage.


111

RAPSODIA #2, 2020, 20x30 cm, digital collage.

RAPSODIA #3, 2020, 20x30 cm, digital collage.


From 16/11/2020 to 21/11/2020

Darleen Martinez, Lineadeluz

(MEX)

www.lineadeluz.me @lineadeluz

112

From the series “Eye candy for souol”: Eyecandy Blue, 20x20 cm, 2020, digital collage.


113

From the series “Eye candy for souol”: Eyecandy Green, 20x20 cm, 2020, digital collage.


114

From the series “Eye candy for souol”: Eyecandy Red, 20x20 cm, 2020, digital collage.


From the series “Eye candy for souol”: Eyecandy Orange, 20x20 cm, 2020, digital collage.

From the series “Eye candy for souol”: Eyecandy Yellow, 20x20 cm, 2020, digital collage.

115


From 23/11/2020 to 28/11/2020

Davide Prati

(IT/DE)

https://davideprati.com @edapx

116

Talk to strangers, 2020, 21x29,7 cm, serie of digital prints.


117

Talk to strangers, 2020, 21x29,7 cm, serie of digital prints.

Talk to strangers, 2020, 21x29,7 cm, serie of digital prints.


From 30/11/2020 to 05/12/2020

Chema Padilla

(MEX)

https://chemapadilla.com @chema.padilla

118

Cyberchaka, 20x20 cm, 300dpi, 2019, digital collage, enerative graphics, found 3D objects and raster graphics.


W4Y1L3I, 20x20 cm, 300dpi, 2019, digital collage, enerative graphics, found 3D objects and raster graphics.

119

W4Y1L3II, 20x20 cm, 300dpi, 2019, digital collage, enerative graphics, found 3D objects and raster graphics.


From 17/12/2020 to 11/12/2020

Jean-Yves Michalik

(FR)

www.grandlapin.fr https://www.facebook.com/jeanyves.michalik

120

Without title, 8640x5400 px, 2020, generative interactive work in progress, photos. scans, Blender, Photoshop, Flash ActionScript.


121

Without title, 8640x5400 px, 2020, generative interactive work in progress, photos. scans, Blender, Photoshop, Flash ActionScript.


122

Without title, 8640x5400 px, 2020, generative interactive work in progress, photos. scans, Blender, Photoshop, Flash ActionScript.


Without title, 8640x5400 px, 2020, generative interactive work in progress, photos. scans, Blender, Photoshop, Flash ActionScript.

Without title, 8640x5400 px, 2020, generative interactive work in progress, photos. scans, Blender, Photoshop, Flash ActionScript.

123


From 14/12/2020 to 19/12/2020

Wessel Baarda

(NL)

www.wesselbaarda.com @wesselbaarda

124

Color me Purple, 2020. digital collage.

You Guys Buying This? I’m No Conspiracy Theoris But This Smells Fishy to Me, 2020. digital collage.


125

At Your Service, 2020. digital collage.

Howdy Doody, 2019. digital collage.


From 21/12/2020 to 24/12/2020

Grégoire Bécout

(FR)

www.gregoirebecot.com @labek

126

Machine flower, 2020. 19,8x28 cm, digital painting mixing photographs and using CGI.

Escape Fast, 2020. 19,8x28 cm, digital painting mixing photographs and using CGI.


127

Zoom in Nature, 2020. 19,8x28 cm, digital painting mixing photographs and using CGI.

Machine Flower, 2020. 19,8x28 cm, digital painting mixing photographs and using CGI.


From 28/12/2020 to 30/12/2020

Joseph Flynn

(AUS)

@josephflynnartist

128

Image Dump. 2020 is wasted, 2020. Digital collage.


129

Image Dump. 2020 is wasted, 2020. Digital collage.

Image Dump. 2020 is wasted, 2020. Digital collage.


From 04/01/2021 to 08/01/2021

Marco Cadioli A serie of 5 images I realized in Google Earth with 3D model explosions that create the fragments. marcocadioli.com @marcocadioli

130

Fragments #1, 2020, 20x30 cm. Digital print

(IT)


131

Fragments #2, 2020, 20x30 cm. Digital print


132

Fragments #3, 2020, 20x30 cm. Digital print


133

Fragments #4, 2020, 20x30 cm. Digital print

Fragments #5, 2020, 20x30 cm. Digital print


From 11/01/2021 to 15/01/2021

Leonard Zinovyev leonardzinovyev.ucoz.com @leonardzinovyev

134

Swirls I, 2020, Digital collage.

(RUS)


135

Swirls II, 2020, Digital collage.


From 18/01/2021 to 22/01/2021

Ina Annette Huennekens n+1 started as an art project in 2015 in addition with the terms „endo“, „exo“ or both, depending on the viewpoint from outside or inside a virtual sculpture as artifact. During the process of watching n+1 stills of specific digital procedures I select some of the most intense ones and try to get more information about the qualities in contrasting them to several different surfaces and dimensions of the analogue and digital world. Watching those abstract processes, I also use “symbolic stills” and add the n+1 term for making people aware of a crucial ongoing change. The work is based on an exclusive set of different apps on iPhone and iPad. 136

https://nplus1.weebly.com/

genesis endo exo n+1, 2020, 26,7x20 cm, digital collage.

(DE)


137

invasion endo exo n+1, 2020, 26,7x20 cm, digital collage.


138

survival dance I, endo exo n+1, 2020, 30x30 cm, digital collage.


139

the talk II endo expo n+1, 2020, 26,7x20 cm, digital collage.


From 25/01/2021 to 30/01/2021

Stephen Paré

(USA)

https://www.stephenpare.art @Verbonnet

140

Machine, 2019, digital tranformation of found and original digital photo.


141

Switschemaschine, 2019, digital tranformation of found and original digital photo.


142

Synchro System #4, 2020, digital tranformation of found and original digital photo.


143

Sounion, 2019, digital tranformation of found and original digital photo.

Diptych, 2020, digital tranformation of found and original digital photo..


From 01/02/2021 to 05/02/2021

Shinji Toya

(Japanese, based in London UK)

Animated GIF combining various algorithmic and pictorial components previously produced. Custom software (Generative collage programme) built with digitised acrylic paintings and a customised cellular automaton (Game of Life of John Conway) in Max/MSP/Jitter. The generated collage images are juxtaposed in the thumbnails in the shape of an emergent pattern distribution made by a cellular automaton. Background animation: produced with the cellular automaton made in Processing adapted and modified from the code by Matt Pearson/Manning Publications Co. (Creative Commons Attribution-NonCommercial 3.0). shinijitoya.com/ @shinjitoya 144

Untitled, 2020, An iteration from the project Processes of Life/Painting (2014-2016). Size: Variable / 600x675 pixels


Untitled, 2020, An iteration from the project Processes of Life/Painting (2014-2016). Size: Variable / 600x675 pixels

Untitled, 2020, An iteration from the project Processes of Life/Painting (2014-2016). Size: Variable / 600x675 pixels

145


From 08/02/2021 to 12/02/2021

Anna Nazo

146

(Russian, based in London UK)

Flame 2.0 (2020). Performance for Entanglement: Just Gaming, RCA Visual Cultures Lecture Series, Royal College of Art, Online/ London, UK. Flame 2.0 is a Zoom streamed 360 digital-physical AV performance presented by Anna Nazo’s avatar ‘a Phoenicis (Ankaa)’. Using a 360 degree imaging archive, the work engages in a live conversation with its earlier iterations including Flame (2020), a performance for Stay LIVE At Home programme, organised by Performistanbul, Livestreamed on Zoom and Instagram @annanazo, Istanbul, Turkey / London, UK; and Undulation (2020), a performance for So remember the liquid ground, a public program in a partnership between the RCA CCA and Gasworks, curated by Benjamin Darby, Yoojin Kang, Akis Kokkinos, Angelina Li, Lenette Lua and Louise Nason, Online/ London, UK. Commissioned by Gasworks & RCA CCA. cargocollective.com/annanazo @annanazo

Flame 2.0. Video stills, Flame 2.0 (2020). A 360 degree video/ digital collage that includes multiple video feeds of performance documentation and CGI, mapped in 360 virtual space.


Flame 2.0. Video stills, Flame 2.0 (2020). A 360 degree video/ digital collage that includes multiple video feeds of performance docume ntation and CGI, mapped in 360 virtual space.

Flame 2.0. Video stills, Flame 2.0 (2020). A 360 degree video/ digital collage that includes multiple video feeds of performance docume ntation and CGI, mapped in 360 virtual space.

147


From 15/02/2021 to 19/02/2021

Lauren Moffatt

(AUS)

deptique.net @lauren.m.moffatt

148

Compost I, 2021, digital render, 30x30 cm


149

Compost II, 2021, digital render, 30x30 cm

Compost III, 2021, digital render, 30x30 cm


From 22/02/2021 to 27/02/2021

Mananiko Kobakhidze

(GEORGIA)

@mananiko_amarilla

150

I’ll never see them again, silence. 2021, digital poster series, mixed media, digitalcollage.


151

The greatest crime is to do nothing because we can only do a little 2021, digital poster series, mixed media, digitalcollage.

I do not feel, but I fight and therefore I exist 2021, digital poster series, mixed media, digitalcollage.


From 01/03/2021 to 05/03/2021

Renata Janiszewska

(CA)

renatajaniszewska.com @renatajiji_

152

spectral 2021, digital media, dimensions variable. Digital collage made with selected apps on ios device.


stealth 2021, digital media, dimensions variable. Digital collage made with selected apps on ios device.

153

énigme 2021, digital media, dimensions variable. Digital collage made with selected apps on ios device.


154

Coeur 2020, digital media, dimensions variable. Digital collage made with selected apps on ios device.


155

Station Onze 2020, digital media, dimensions variable. Digital collage made with selected apps on ios device.


Finish to print in March 2021


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