‘Another World’ was because whenever I showed the images to someone the first thing they said was ‘Wow! It’s like another world’. f11: What are the lasting impressions left on you by the experience of shooting this series?
f11: How do you top this, what’s Tony Carter’s next project? TC: I’m always shooting local people and places for myself, and I have three other bodies of working coming together slowly.
TC: The abiding impression is probably to be happy with the simple things in life. I must admit when I first went to Ohura I looked down my nose a little bit at the locals but now I realise that we are all just people and nobody is better than anyone else, we all have our place on this planet.
f11: Thanks for sharing this work with us, and for trusting us with something you’ve put a great deal of yourself into.
f11: I see one camera and four lenses in your captions and metadata, a Nikon D800 and the holy trinity of Nikon f2.8 lenses – the 14-24mm, 24-70mm and 70-200mm – plus a 35mm f1.4. Is that your regular working kit or more of a travelling collection?
TC: Thanks Tim, I always look forward to f11 arriving in my inbox at the start of each month! TS
TC: I’m not really too hung up on camera gear, I shoot the majority of my work on the D800 and the lenses that you mentioned. Though I must admit that I find it hard to sell old cameras, and still have a few gathering dust, like a complete Mamiya RB 67 kit, Pentax 645 kit, Nikon F5, and two Nikon D200s, so I guess you could say I’m a camera hoarder! f11: Was the entire series shot with available light? If so, were you ever tempted to light anything and why did you decide against it? TC: Right from the start I decided this project was going to be shot for maximum natural sharpness and at mostly small apertures for great depth of field. I knew in my own mind that if I ever got to have an exhibition the images would be displayed large to show all the grit, dust and personal belongings of each person. So to answer the question, all of the images were shot using a tripod in available light. A lot of the time the light was far from perfect but I wanted to keep it all as real and as natural as possible.
Issue 38 | November 2014
Liz. Liz outside her shop, the shop that never opens. Nikon D800 with 70-200mm f2.8 lens. © Tony Carter
Portfolio :: Tony Carter :: Another World: Portraits from Ohura