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INSOMNIA Gabriel Igesias en “Haunted House 2” | “Fluffy” appears for the first time in “Haunted House 2”” p13 GRATI1S FREE Friday, March 30 2012 :: www.extranews.net

DÍA DE PASCUA

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EVENTOS DE PASCUA April 18, 2014 | extranews.net

“Jesus in Daley Plaza,” adult egg hunts and more

¿ SUCEDERÁ OTRA V E Z ? >> Senate to decide the future of charter schools in Illinois p4-5

Photo courtesy of Kristen Schmid


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Viernes, 18 Viernes, de abril 30 delde 2014 marzo :: Extra del 2012 Newspaper :: www.extranews.net | Leader Post


EVENTOS | EVENTS

Friday, April 18, 2014 :: Extra Newspaper | Leader Post

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EVENTOS EVENTS

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Published by: City-Suburban Community Newspapers Inc. Publisher Mila Téllez Associate Publisher Nile Wendorf Editorial Director Nikoleta Morales Production Director Laura C. Vergara Translations Víctor Flores Graphic Design Israel Reza Web Manager Jose Estrada Copy Editors Nicole Weddington & Mayra Buitrón Classified & Display Ads (773) 252-3534 Web extranews.net Newsletter newsletter.extranews.net E-mail noticias@extranews.net Office Hours 4 days a week Mon. - Thur. 9 a.m. - 5 p.m. Horario 4 dias de la semana Lunes-Jueves 9 am - 5 pm El Periódico Comunitario Bilingüe EXTRA, se publíca semanalmente el Viernes por City-Suburban Community Newspapers, Inc. y circula en Chicago y los suburbios. Las tarifas de anuncios pueden obtenerse llamando a nuestras oficinas al (773) 252-3534. EXTRA Bilingual Community Newspaper is published weekly on Friday, throughout Chicago and its surrounding suburban areas by City-Suburban Community Newspapers, Inc. Advertising rates may be obtained by calling (773) 252-3534.

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>> Puppet Show – A History of Music

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18 y 25 de Abril

April 18 and 25

Los Monólogos de la Vagina

The Vagina Monologues

You would start off in our print publications. You would then move up to selling display and online advertising in our newsletter and website.

Museo Nacional del Arte Mexicano, 1852 oeste de la Calle 19 | 7 pm | $15 Cada abril, el programa asalto sexual de Mujeres Latinas ofrece “Los Monólogos de la Vagina” como colecta de fondos para proveer terapia y abogacía a sobrevivientes de abuso. Actuada en inglés 4/18 y en español 4/25.

National Museum of Mexican Art, 1852 W. 19th St., Chicago | 7 p.m. | $15 Every April, Mujeres Latinas’ sexual assault program holds “The Vagina Monologues” as a fundraiser to provide therapy and advocacy for survivors of abuse. Performed in English on April 18 and Spanish on April 25.

What is needed:

18 de Abril

April 18

› › › ›

Boxeo Hitz

Hitz Boxing

Casino Horseshoe, 777 Casino Center Dr., Hammond, Ind. | 7 pm | $14-$90 | www.hitzboxing.com Regresa “Noche de Peleas en el Casino Horseshoe” con una función que incluye al peso pesado Mike Jiménez y al peso súper medio Donovan George.

Horseshow Casino, 777 Casino Center Dr., Hammond, IN | 7 p.m. | $24 - $90 | www.hitzboxing.com “Fight Night at the Horseshow Casino” returns with a packed ticket including light heavyweight Mike Jimenez and Super Middleweight Donovan George.

19 de Abril

April 19

Exhibición de Arte Unapologetic

Unapologetic Art Exhibit

Museo Nacional del Arte Mexicano, 1852 oeste de la Calle 19 | 6 a 10 pm | $12 Únase a indocumentados de Illinois en una velada de arte, comida y entretenimiento. El evento incluye actuaciones musicales y una subasta ofreciendo esténciles, fotos y arte de artistas locales. Lo reunido beneficia a Illinois Indocumentado.

National Museum of Mexican Art, 1852 W. 19 St., Chicago | 6 p.m. to 10 p.m. | $12 Join Undocumented Illinois for an evening of art, food and entertainment. The event includes musical performances and an auction offering stencils, photographs and art from local artist. Proceeds benefit Undocumented Illinois.

27 de Abril

April 27

Función de Títeres – Historia Musical

Puppet Show – A History of Music

Museo Nacional del Arte Mexicano, 1852 oeste de la Calle 19 | 1 pm | Adultos $10, niños $7 Vaya y disfrute una breve historia musical con divertidos títeres como el Dragón Leonardo y el Rey de Grisolandia. La función tiene música para todas las edades. Funciones adicionales programas 4 y 11 de mayo a la 1 pm.

National Museum of Mexican Art, 1852 W. 19 St., Chicago | 1 p.m. | Adults - $10, Children - $7 Come enjoy a brief history of music with enjoyable puppet characters like the Dragon Leonardo and the King of Grisolandia. The show features music throughout the ages. Additional performances scheduled on May 4 and May 11 at 1 p.m.

13 de Mayo

May 13

Expo Salud del Corazón

Free Heart Health Expo

Estadio del Soldado | 8:30 am a 2 pm | Gratis Planee asistir a este evento gratis que incluye examen de salud del corazón, talleres interactivos y un panel municipal en idioma español con doctores.

Soldier Field, Chicago| 8:30 a.m. to 2 p.m. | Free Plan early to attend this free event that includes heart-health screenings, interactive workshops and a Spanish-language town hall panel with physicians.

We need a really disciplined and creative person to sell advertising for our weekly newspapers, website and newsletter.

Basic knowledge of Microsoft Office Some sales experience Be bilingual in Spanish and English A reliable car

Our offices are located in Humboldt Park › We work Mon-Thurs. › Salary plus commission. › Please e-mail your resume with previous salary history to mila@tma.net

DE LA EDITORA FROM THE EDITOR Nikoleta Morales Editora Gerente | Managing Editor editor@extranews.net

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l tópico de la escuelas chárter vs escuelas públicas es una batalla continua. ¿De qué lado está usted?, ps. 4 y 5. La Comisión Familia Latina de Illinois organiza el “Camino Al Capitolio” y le invita a usted a unírsele en Springfield el 7 de mayo, p. 7. ¿Sabía usted que la miel es un ingrediente saludable y delicioso para licuados, cosméticos y cocinar? La nutricionista experta Laura Termini tiene la respuesta para usted, p. 9. ¿Qué tienen que decir algunos líderes religiosos de Pilsen de la inmigración al acercarse la Pascua?, p. 11. Marlon Wayans crea un papel especial para Gabriel Iglesias para su nueva película, “Haunted House 2” – un mexicano llamado José González Smith, p. 13. Las directoras debutan en el Festival de Cine Latino, p. 16. ¿No tiene planes para la Pascua? Revise algunos de nuestros eventos, p. 10. ¡Feliz Pascua! Q

photo courtesy of the NMMA

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he charter vs. public schools topic is an ongoing battle. Which side are you on? – p. 4 and 5. The Illinois Latino Family Commission is organizing “Latino Unity Day” and invites everyone to join them in Springfield on May 7 – p. 7. Did you know that honey is a natural healthy ingredient that makes a delicious ingredient for smoothies, cosmetics and cooking? Expert nutritionist Laura Termini has the answer for you – p. 9. What do some of Pilsen’s religious leaders have to say about immigration as Easter is approaching? – p.11. Marlon Wayans creates a special role for Gabriel Iglesias for his new movie, “Haunted House 2” – a Mexican with the name of Jose Gonzalez Smith – p.13. Female directors debut in the Latin Film Festival – p. 16. Don’t have plans for Easter? Check out some of our events – p.10. Happy Easter! Q


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PRIMERA PLANA | COVER STORY

Viernes, deenero abril del Viernes, 18 3 de del 2014 2014 :::: Extra ExtraNewspaper Newspaper||Leader LeaderPost Post

Escuelas chárter vs. Escuelas públicas

>>La batalla continúa >> English version p05 por Silvia Foster-Frau l 8 de abril, la Red de Escuelas Chárter de Illinois (INCS por sus siglas en inglés) envió defensores de las escuelas chárter a Springfield para protestar contra los 15 proyectos de ley que buscan regular y reformar las escuelas chárter en Illinois. INCS y el Sindicato de Maestros de Chicago (CTU, por sus siglas en inglés) han permanecido presentes en Springfield durante esta sesión legislativa. Las escuelas chárter son de gestión privada y financiación pública. La inscripción se basa en un sistema de lotería, y la idea es que, al ser de gestión privada, los docentes pueden implementar métodos alternativos de enseñanza. Muchos de estos proyectos piden mayor transparencia en la asignación de fondos de la escuelas chárter, y también fijar un límite en los fondos alocados a administradores dentro del sistema de escuelas chárter. Vince Casillas, director de alcance comunitario en INCS, dijo que estas regulaciones podrían obstaculizar la capacidad de la escuela chárter en realizarse en lo que es mas hábil. “Paraliza nuestra habilidad de enseñar de maneras innovadoras. Empieza a derrotar el modelo de escuelas chárter creado para proporcionar una educación de calidad. Un director u oficial ejecutivo puede hacer una gran escuela o una mala escuela“, dijo Casillas. Stacy David Gates, director político de CTU, dice que las iniciativas legislativas sólo aseguran que el dinero esté dirigido a los estudiantes. “Ninguna de estas iniciativas dice que no pueden enseñar. Ninguna está dirigida a la Pedagogía o al plan escolar. Estas iniciativas se tratan de la transparencia, responsabilidad y garantizar que el dinero que se les da va a las aulas. El problema que tenemos con esta operación de escuelas chárter es que opera en las sombras. No puedes tener dinero de los contribuyentes operando en las sombras”, dijo Gates. La Unión de Maestros de Chicago está pre-

Foto por Kristen Schmid

“Paraliza nuestra habilidad de enseñar de maneras innovadoras. Empieza a derrotar el modelo de escuelas chárter creado para proporcionar una educación de calidad. Un director u oficial ejecutivo puede hacer una gran escuela o una mala escuela“. - Vince Casillas Director de Alcance Comunitario en INCS

ocupada por la privatización de las escuelas chárter. Gates, hace una distinción entre operadores chárter y los edificios escolares. Ella dice que los operadores chárter comprar un edificio vacío a un bajo costo, y se les permite aumentar las tarifas que una escuela , y por lo tanto los contribuyentes, pagan por alquilar el edificio. Se desconoce cuánto se les permite a los operadores cobrar a la escuela, y para quienes va este dinero dentro del sistema escolar, dice ella. La CTU espera que las iniciativas hagan el uso de estos fondos transparentes y se pueda

responder a estas preguntas. Aunque Casillas está preocupado por la regulación de los fondos de escuelas chárter, también dice que al final , el dinero no llega muy lejos . “Se ha demostrado que la financiación no está totalmente ligada a resultados de pruebas escolares. El hecho de que haya más dinero no significa que los resultados de las exámenes aumentarán. Los educadores saben que no se trata de dinero. Se trata de la calidad en el salón de clases, participación de los padres, y el nivel de expectativas en nuestras escuelas. No, estamos convencidos de que no es por el dinero “, dijo Casillas. Mientras tanto, Gates dice que los intereses empresariales dictan las escuelas chárter. Ella dice que el dinero y los resultados académicos si están ligados. “Los ingresos de una persona en una comunidad predicen el tipo de resultados que una escuela produce. Si vienes de un ambiente que sufre de ingresos bajos, los resultados de exámenes estandarizados serán más bajos que en comunidades afluentes. ¿Qué, ahora vamos a cerrar las escuelas de estudiantes de minorías de clase baja que no aprueban los resultados requeridos?”, dijo Gates. La respuesta a si es o no un tipo de escuela supera a otra es diferente dependiendo a quién se le pregunte. El sitio web de las Escuelas Públicas de Chicago cita algunas áreas en las que las escuelas chárter de Chicago sobrepasan a las escuelas públicas. Sin embargo, hay algunas áreas en las que no lo hacen Gates dice que estas estadísticas no demuestran la calidad educativa de las escuelas.

“Las escuelas chárter no son mejores que las otras escuelas académicamente. Las escuelas chárter expulsan a los estudiantes que no rinden bien y tienen problemas de comportamiento, necesidades de educación especial, o estudiantes con necesidades de lenguaje dual. Así que consiguen un grupo de estudiantes que sienten que obtendrán mejores resultados en los exámenes. Expulsan a los demás estudiantes y aun así, todavía no lo hacen mejor “, dijo Gates. El Chicago Sun-Times publicó recientemente un artículo que demuestra poca diferencia entre el rendimiento entre chárter y las escuelas públicas. “Estas medidas no están dirigidas a los padres o estudiantes o a la pedagogía o currículo. Su objetivo es asegurarse de que los operadores tienen que rendir cuentas , y se comporten de manera transparente para asegurar la protección de estos estudiantes y la experiencia en el aula “, dijo Gates, quien cree que los intereses empresariales dictan las escuelas chárter . De las cinco cualidades que las escuelas chárter se enorgullecen, Casillas citó responsabilidad y transparencia como dos que ya existen. Él teme que estas iniciativas legislativas cerrarán las escuelas chárter en Chicago, y por consecuencia cerrarán la oportunidad a estudiantes a lograr un tipo de educación diferente a lo que se ofrece en su escuela de vecindario. Las iniciativas legislativas sobre las escuelas chárter ya se han aprobado por la Cámara y están a votación en el Senado. La decisión final se deberá hacer antes del 31 de mayo, cuando termina la sesión legislativa. Q


PRIMERA PLANA | COVER STORY

Friday, April 18, 2014 :: Extra Newspaper | Leader Post

“Charter schools don’t fare better than other schools academically. Charter schools push out students that don’t test well and have behavioral challenges, special education needs, or students with dual language needs. So they get a group of students they feel will perform better on tests. They push the other students out and even then they still don’t do better,” - Stacy Davis Gates Political director for CTU

INCS lobby day at the Statehouse in Springfield, Ill., April 8, 2014. Courtesy photo of Kristen Schmid

Charter vs. public schools

>>

The battle continues

<< Versión en Español p04 by Silvia Foster-Frau n April 8, the Illinois Network of Charter Schools (INCS) sent advocates of charter schools to Springfield to rally against the 15 bills seeking to regulate and reform charter schools in Illinois. Both INCS and the Chicago Teachers Union (CTU) have kept a presence in Springfield during this legislative session. Charter schools are privately run and publicly funded. Enrollment is based on a lottery system, and the idea is that, being privately run, the teachers can implement alternative methods of instruction. Many of these bills call for greater transparency of charter schools’ fund allocation and a cap on the money flow to administrators within the charter school system. Vince Casillas, community outreach manager at INCS, said these regulations would hinder the charter schools’ ability to do what it’s best at. “It really paralyzes our ability to teach in innovative ways. It really chips away at the

model that charter schools created to provide quality education. For [teachers’ unions] if they can paralyze us from doing what we do, well that puts us in a bad position and the challenges would be enormous for us to provide a quality education. A principal or CEO can make a great school or a bad school,” said Casillas. Stacy Davis Gates, political director for CTU, says the bills just ensure that the money is channeled to the right people—the students. “None of these bills tell them that they can’t teach. None are directed at curriculum or pedagogy. These bills that you are reading about deal expressly with transparency, accountability, and ensuring that the money that they’re given goes to the classroom. The problem we have with this whole operation of charter schools is it operates in the shadows. You cannot have taxpayers’ money operate in the shadows,” said Gates. The Chicago Teachers Union is concerned about the privatization of charter schools. Gates makes a distinction between charter operators and school buildings. She says charter operators buy a vacant building at a low cost, and are allowed to increase the

fees of a school, and thus the taxpayers, pay to rent out the building - how much operators are allowed to charge the school, and to whom this money goes to within the school system are obscure, she says. The CTU hopes the bills will make these funds transparent. While Casillas is concerned about the regulation of charter school funds, he also says that in the end, money doesn’t go very far. “It’s been proven that funding isn’t entirely tied to test scores. Just because you get more money doesn’t mean that the test scores automatically increase. Educators know it’s not about money—it’s about the quality of classroom, parent engagement, and level of expectation in our schools. No, we firmly believe that it isn’t about the money,” said Casillas. Meanwhile, Gates says that corporate interests dictate charter schools. She says money and performance are absolutely tied. “What income does is predict what type of test scores that school will produce. If you’re coming from a lower income environment, the standardized test results will be lower than those from affluent communities. What, now we’re going to pull schools that don’t pass testing requirements for low income students of color?” said Gates. The answer to whether or not one type of school outperforms another is different depending on who you ask. The Chicago Public Schools’ website cites some areas in which Chicago charter schools excel over public schools. However, there are some areas where they don’t. Gates says these statistics speak little to the quality of education at the schools. “Charter schools don’t fare better than other schools academically. Charter schools push out students that don’t test well and have behavioral challenges, special education needs, or students with dual language needs. So they get a group of students they feel will perform better on tests. They push the other students out and even then they still don’t do better,” said Gates. The Chicago Sun-Times recently published an article demonstrating little difference in performance between charter and public schools. “These bills are not aimed at parents or students or pedagogy or curriculum. They are aimed at making sure that the operators are held accountable, and behave transparently to ensure the protection of these students and the classroom experience,” said Gates, who believes corporate interests dictate charter schools. Of the five qualities that charter schools pride themselves in, Casillas cited account-

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Courtesy photo of Kristen Schmid

“For [teachers’ unions] if they can paralyze us from doing what we do, well, that puts us in a bad position and the challenges would be enormous for us to provide a quality education. A principal or CEO can make a great school or a bad school.” - Vince Casillas Community Outreach Manager at INCS

ability and transparency as two of them that already exist. He fears these bills will lead to the closure of Chicago charter schools, which closes a student’s opportunity to get a different kind of education than what’s taught at his/her neighborhood school. These pieces of legislature have passed the House and are up for vote in the Senate. The final decision should be made by May 31, at the latest, when this year’s legislative session comes to an end. Q


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LOCALES | LOCAL

Viernes, 18 de abril Vier 30 delde 2014 marzo :: Extra del 2012 Newspaper :: www.extranews.net | Leader Post

$10 millones de ayuda para clientes de ComEd compilado por Periódico EXTRA trad. Víctor Flores

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ComEd anunció haber dedicado $10 millones en ayuda en 2014 para ayudar a clientes que enfrentan dificultad financiera a pagar su factura de electricidad. Éste es el tercer año consecutivo que ComEd ofrece $10 millones en ayuda, parte de un compromiso de cinco años y $50 millones. El año pasado, unos 28,000 clientes pudieron evitar la desconexión mediante esta oferta. Programas de Ayuda al cliente Para ayudar a clientes con facturas más grandes esta temporada, ComEd ajustará criterios de elegibilidad a residentes elegibles, incluidos ancianos, veteranos y miembros activos de las fuerzas armadas, que son clientes de ComEd. Programa Especial de Dificultad Residencial Esta iniciativa intenta suplementar programas auspiciados por el estado como el Programa Ayuda en Energía a Hogares de Bajos Ingresos (LIHEAP, por sus siglas en inglés). Clientes residenciales elegibles a Ayuda a Cliente Elegible de

ComEd 2 que experimentan dificultad y que no son participantes del Plan de Pago de Porcentaje de Ingreso (PIPP, por sus siglas en inglés) pueden recibir una concesión de hasta $1,500 para su factura de electricidad. Programas de Ayuda a organizaciones No Lucrativas Este programa provee típicamente una concesión de hasta $2,000 por una vez a organizaciones (c)(3) no lucrativas que experimentan dificultades. CHAMP Este programa provee ayuda en pago de facturas a miembros del Ejército activos y veteranos atrasados en sus pagos y que viven en el territorio de servicio norte de Illinois de ComEd. CHAMP ofrece un paquete de beneficios, incluida ayuda en pago de facturas de hasta $1,000 mientras haya fondos, un plan de pago diferido, fechas de pago extendidas, exención en pagos tardíos, reducción de depósito y planes de pago presupuestados. Para más información o como inscribirse, marque 888-806-CARE (2273) o visite ComEd. Com/CARE. Q

$10 million in assistance for ComEd customers compiled by EXTRA newspaper ComEd announced it has dedicated $10 million in assistance funds for 2014 to help customers facing financial hardship pay their electric bill. This is the third consecutive year ComEd is offering $10 million in annual assistance funds, which are part of a five-year, $50 million commitment. Last year, nearly 28,000 customers were able to avoid disconnection through this offering. Customer Assistance Programs To assist customers receiving higher than normal bills this season, ComEd is adjusting the eligibility requirements for its financial assistance programs for eligible residents including seniors, veterans, and activated members of the armed services who are ComEd customers. Residential Special Hardship Program This initiative is intended to supplement established state-sponsored programs such as the Low Income Home Energy Assistance Program (LIHEAP). Eligible ComEd Customer Assistance 2 ComEd residential customers experiencing a

hardship and who are not Percentage of Income Payment Plan (PIPP) participants can receive a grant of up to $1,500 toward their electricity bill. Non-Profit Assistance Programs This program typically provides a one-time variable grant of up to $2,000 for 501 (c)(3) non-profit organizations that are experiencing a hardship. CHAMP This program provides bill-payment assistance to deployed members of the military and veterans who have fallen behind on their bill and who reside within ComEd’s northern Illinois service territory. CHAMP offers a package of benefits, including bill payment assistance of up to $1,000 while funds are available, a deferred payment plan, extended payment due dates, exemption from late charges, deposit reduction and budget payment plans. To apply for the Residential Special Hardship grant, or the State sponsored assistance programs customers should visit a local LIHEAP Agency. For more information on or to enroll, call 1-888-806-CARE (2273) or visit ComEd.Com/CARE. Q


LOCALES | LOCAL

Friday, April 18, 2014 :: Extra Newspaper | Leader Post

“Camino Al Capitolio” en Springfield, comunidades invitadas por Nikoleta Morales trad. Víctor Flores El 7 de mayo, la Comisión Familia Latina de Illinois celebrará el “Camino Al Capitolio” e invitando a todos a unírseles en el Capitolio de Springfield para la oportunidad de reunirse con legisladores y discutir problemas que afectan a latinos. Éste es el tercer año que la Comisión organiza tal evento. A la fecha 57 personas se han inscrito para asistir. La idea es unir el evento a la celebración del 5 de Mayo. El enfoque principal del evento será la educación de preescolar a 12º, incluida la educación bilingüe. “Nuestros alumnos no se gradúan. ¿Qué apoyo interno hay para que latinos se gradúen? Sólo 17 por ciento se gradúan con algún tipo de certificado. El 67 por ciento de empleos en Illinois requiere un certificado”, dijo Layla Suleimán González, directora ejecutiva de la Comisión Familia Latina de Illinois. González dijo que el Gob. Pat Quinn aumentó el presupuesto para la concesión MAP, que permitiría a más estudiantes latinos de bajos ingresos obtener la ayuda financiera necesaria. El problema que enfrentan, dice ella, es que no solicitan pronto y eso es clave para obtener la concesión MAP.

“Pida material para su distrito y haga cita para sentarse con un legislador local para discutir qué debe ser latino en su distrito.” - Layla Suleiman Gonzalez Directora ejecutiva de la Comisión Familia Latina de Illinois

Recortes al presupuesto han afectado también a servicios de apoyo a la familia, como violencia doméstica, programas juveniles, programas a víctimas de violación y cuidado infantil”, dijo González. “Queremos asegurarnos de decir bastante fuerte que no quitaremos los servicios que las familias tienen. Sin esa ayuda es muy difícil y si se van habrá una situación difícil para servicios a familias latinas. Debe haber un ingreso allí para cubrir esos programas”.

“Latino Unity Day” in Springfield, communities invited by Nikoleta Morales On May 7, the Illinois Latino Family Commission will celebrate “Latino Unity Day” by inviting everyone to join them in the Springfield Capitol for a chance to meet with legislators and discuss issues that affect Latinos. This is the third year that the Commission is organizing such an event. So far, 57 people have registered to attend. The idea is to tie in the event with the Cinco de Mayo celebration. The main focus of the event will be education from preschool to K-12 including bilingual education. “Our students are not graduating. What supports do they have internally for Latinos to graduate? Only 17 percent graduate with some type of certificate. Sixty-seven percent of jobs in Illinois need a certificate,” said Layla Suleiman Gonzalez, executive director of the Illinois Latino Family Commission.

Gonzalez said that Gov. Pat Quinn increased the budget funding for the MAP grant, which would allow more low-income Latino students to get the financial aid they need. The problem they face, she says, is that they don’t apply early enough and this is key to get the MAP grant. Budget cuts have also affected family support services such as domestic violence, youth programs, rape victim programs and child care, which is “one of the areas that Latino families depend to work,” said Gonzalez. “We want to make sure we are saying loudly do not remove those family supports that get them. Without that help, it is very difficult and if those are gone it will be a tough situation for Latino family services. The revenue has to be there to be able to cover those programs.” The other major pieces of legislation that will be discussed on “Latino Unity

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Berrios reelecto como jefe

Las otras piezas mayores de legislación a discutirse el “Camino Al Capitolio” son clasificación uniforme a datos raciales y planes de acceso a idiomas, además de los cambios a planes Medicaid/Medicare. “Hay muchos programas que no cuentan latinos. Si uno pregunta cómo la hacen los latinos, ellos no pueden dar información”, dijo González. “Cada agencia estatal debe tener un plan de acceso a idioma. Si uno está en Medicaid/Medicare uno escoge antes a su provisor. Ahora uno debe escoger su plan de seguro y en ese plan escoger un hogar médico”. Cualquiera puede inscribirse al “Camino Al Capitolio”. El evento es gratis e inicia a las 11 am y acaba a las 4 pm. Usted puede registrarse en iahse@illinois.gov. “Aunque usted no vaya al Día de la Unidad Latina podemos tener materiales accesibles a usted; sólo envíe un e-mail a ilfc@illinois.gov. Pida material para su distrito y haga cita para sentarse con un legislador local para discutir qué debe ser latino en su distrito”, dijo González. La Comisión Familia Latina de Illinois trabaja de cerca con el Camarilla Latina para llevar nuevas legislaciones para latinos en Illinois. La comisión fue formada el 1º de febrero del 2013. Q

compilado por Periódico EXTRA trad. Víctor Flores

Day” are uniform racial data classification and language access plans, in addition to the changes to Medicaid/Medicare plans. “There are a lot of programs that don’t count Latinos. When you ask them how Latinos are doing, they can’t give you information,” said Gonzalez. “Every state agency has to have a language access plan. If you are on Medicaid/Medicare, you chose your provider before. Now you get to choose your insurance plan and within that plan choose a medical home.” Anybody can register for “Latino Unity Day.” The event is free and starts at 11 a.m. and wraps up at 4 p.m. You can register at iahse@illinois.gov. “Even if you don’t make it to Latino Unity Day we can make materials available to you, just e-mail us at ilfc@illinois. gov. Ask for material for your district and make an appointment to sit with local legislator to discuss what it is to be Latino in your district,” said Gonzalez. The Illinois Latino Family Commission works closely with the Latino Caucus to bring new legislations for Latinos in Illinois. The Commission was formed Feb.1 2013. Q

compiled by EXTRA Newspaper

El 16 de abril, el Partido Demócrata del Condado de Cook reeligió unánimemente a Joseph Berrios para un quinto término como su jefe. Además, el partido reeligió unánimemente a su comité ejecutivo – Toni Preckwinkle vice jefa ejecutiva; Tim Bradford primer vice jefe; Carrie Austin vice jefe municipal; Don Harmon vice jefe suburbano; Robert Martwick secretario; Antonio Muñoz tesorero; y Karen Yarbrough sargento en armas. Preckwinkle hizo la denominación para que Berrios fuese reelecto. Ella señaló que “Bajo el liderazgo de Berrios, por primera vez, afro-estadounidenses, latinos y mujeres han tenido una verdadera oportunidad de liderazgo en el partido y de ser nombrados por el partido. El partido ha pasado por una modernización rápida bajo el liderazgo de Joseph”. Q

Berrios re-elected as chairman On April 16, the Cook County Democratic Party unanimously re-elected Joseph Berrios to a fifth term as its chairman. In addition, the party unanimously re-elected its executive committee – Toni Preckwinkle, executive vice chairman; Lou Lang, executive vice chairman; Tim Bradford, first vice chairman; Carrie Austin, city vice chairman; Don Harmon, suburban vice chairman; Robert Martwick, secretary; Antonio Muñoz, treasurer; and Karen Yarbrough, sergeant-at-arms. Preckwinkle made the nomination for Berrios to be re-elected. She noted that “under the leadership of Joe Berrios, for the first time, African-Americans, Latinos and women have had a real opportunity for leadership in the Party and have had a real opportunity to be slated by the Party. The Party has gone through rapid modernization under Joe’s leadership.” Q


8

SALUD | HEALTH

Viernes, 18 Viernes, de abril 30 delde 2014 marzo :: Extra del 2012 Newspaper :: www.extranews.net | Leader Post

Coma saludable con por Nikoleta Morales trad. Víctor Flores Laura Termini, nutricionista holística y entrenadora personal, se asoció con la Junta Nacional de la Miel compartir para recetas de jugos y licuados naturales con miel. Ella ha sido vista en muchos programas y telenovelas en español. Su blog, ChicaNOL, se enfoca en lo último en tendencias naturales, orgánicas y latinas. Termini llegó a Chicago el 11 de abril para promover el comer saludable con miel y jugos. EXTRA: ¿Por qué es importante promover la miel como ingrediente? Laura Termini: Es 100 por ciento natural. Yo promuevo una vida sin químicos, pesticidas y en forma natural. Se la puede dar también a los niños. El sabor es genial. ¿Qué recetas de jugos escogió usted y por qué? Les di cinco recetas de jugos y cinco de belleza a la Junta de la Miel. Van a lanzar un sitio en español en la Red. Son mis recetas originales. Estoy feliz ya que tuve oportunidad de hacer recetas de belleza también – aguacate y perejil. Hice una máscara con miel y aguacate que puedes usar en tu cabello. ¿Cómo creó usted las recetas? He hecho jugos por cinco años. Hago pruebas. Ayuné 10 días, sólo jugos, pero no se lo recomiendo a todos. El jugo verde lo tomo a diario. Recomiendo también el que lleva manzana y cereal y el que lleva aguacate si va al gimnasio, antes y después. Esos son mis ju-

Foto de cortesía

LICUADO DE AGUACATE-LIMA Y AVOCADO-LIME smoothie

gos favoritos. Los latinos en general no comen alimentos saludables. ¿Qué alimentos aconseja usted para mejorar su dieta? No soy fan de hacer dieta. Compra productos locales. Puedo asegurarle que esos pequeños cambios crearán un gran cambio en su vida. ¿Qué otras recetas puede usted hacer con >>Laura Termini miel? Use miel para recetas de comida, no sólo para postres. Yo desarrollé una máscara con miel para cabello, cara, exfoliación con miel y otros ingredientes. Uno puede ser creativo a su manera. Trate de incorporar miel a cosméticos de belleza. ¿Qué más hace usted? Soy actriz, produzco documentales, blogs. La mayoría del tiempo viajo y hago blogs. Cuando se es ‘blogger’ se es especialista también en las redes sociales. Las marcas saben que tenemos el poder de endorsar productos. ¿Qué más le gustaría a usted decir a lectores latinos? Los invito a visitarme en http://www.chicanol. com. Es bilingüe. Escribo diario. Tengo mi propio calendario de salud, belleza. Se trata de equilibrio y es por lo cual soy practicante holística. Q

Ingredientes: 4 cucharadas de miel (divididas) 1 aguacate pequeño maduro (dividido) 1 racimo de perejil 1 cucharada de jugo de lima 1/2 tasa de agua

Ingredients: 4 tablespoons honey (divided) 1 small, ripe avocado (divided) 1 handful of parsley 1 teaspoon of lime juice 1/2 cup water

Preparación: Lave y corte el aguacate por mitad. Quite el hueso y corte la pulpa. Aparte 1/2 de la pulpa. Lave el perejil y córtelo fino. Coloque una cucharada de miel, jugo de lima, 1/2 de la pulpa de aguacate, perejil y agua en la licuadora y licúe por 20 segundos, o hasta que se mezcle. Viértalo en un vaso y bébalo.

Preparation: Wash and cut the avocado in half. Remove the seed and roughly chop the pulp. Set aside 1/2 the pulp. Wash the parsley and chop finely. Place 1 tablespoon of honey, lime juice, 1/2 the avocado pulp, parsley and water in a blender and blend on high for 20 seconds, or until thoroughly combined. Pour into glass and enjoy.

Eating healthy with by Nikoleta Morales

Foto de cortesía

Laura Termini, a holistic nutritionist and life coach, partnered up with the National Honey Board to share all natural juice and smoothie recipes with honey. Termini has been seen in a lot of Spanish language shows and telenovelas. Her blog ChicaNOL focuses on the latest in natural, organic and Latina. Termini came to Chicago on April 11 to promote healthy eating with honey and juicing.

Why is honey such an important ingredient to be promoted? Laura Termini: It is 100 percent natural. I promote a life without chemicals, pesticides and a natural way. You can give this to kids as well. The taste is amazing. What juice recipes did you choose and why? I did five juices with five beauty recipes for the Honey Board. They are launching their website in Spanish. They are my original recipes. I am happy because I had a chance to do beauty recipes as well – avocado and parsley. I did a hair mask with honey with an avocado that you can put on your hair.

Foto de cortesía

JUGO DE MANZANA, AVENA Y APPLE, OAT-BRAN AND JUICE

How did you come up with the recipes? I have been juicing for 10 years. I do testing. I did 10 days of fasting, only juicing, but I don’t recommend that for everybody. The green juice I do every day. I also recommend the one with apple and cereal and the one with avocado if you to the gym, before and after. Those are my five favorite juices. Latinos in general don’t eat healthy foods. What advice would you give them to make their diet better? I am not a fan in dieting. Buy local. I can assure you that those small changes are going to be a big change in your life. What other great recipes can you do with honey? Using honey for food recipes, not only desserts. I developed a beauty mask for hair, face, exfoliation with honey and other ingredients. You can be creative in your own way. Try to incorporate honey in beauty cosmetics. What else are you doing? I am an actress, producing documentaries, blogging. Most of the time I am traveling and blogging. When you are blogger, you are a specialist in social media as well. Brands know that we have the power to endorse products. What would you like to say to the Latino readers? I invite them to visit me on http://www.chicanol.com. It is bilingual. I post every day. I have my own calendar about health, beauty. It’s about balance and that’s why I am a holistic practitioner. Q

Ingredientes: 2 cucharadas de miel (divididas) 1 manzana picada 1 cucharada de avena 1 cucharada de cebada 2 cucharadas de trigo 1 1/2 tasas de agua

Ingredientes: 2 tablespoons honey (divided) 1 apple, chopped 1 tablespoon oatmeal 1 tablespoon barleycorn 2 tablespoons wheat bran 1 1/2 cup water

Preparación: Lave los vegetales y la fruta. Coloque los ingredientes, a excepción de la miel, en una licuadora y licúe en alto. Sirva el jugo en dos vasos, uno alto y otro corto; llene el vaso y alto y aparte el resto en el vaso corto. Aparte al puklpa y el vaso corto. Agregue una cucharada de miel al vaso alto y mezcle hasta que se combine.

Preparation: Wash all of the vegetables and fruits. Place all ingredients, with the exception of the honey, into a blender and blend on high. Sieve the juice into two glasses, one tall and one short; fill the tall glass and pour the remainder into the short glass. Set pulp and the short glass of juice aside. Add 1 teaspoon of honey into the tall glass and stir until combined.


9

Friday, April 18, 2014 :: Extra Newspaper | Leader Post

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10

DĂ?A DE PASCUA | EASTER

Viernes, 18 Viernes, de abril 30 delde 2014 marzo :: Extra del 2012 Newspaper :: www.extranews.net | Leader Post

La Pascua es un tiempo familiar EVENTOS DE PASCUA La Pascua es para detenerse y darse tiempo para estar con los demĂĄs. Es la hora de hacer promesas a nosotros y nuestra familia de estar en paz, amor y armonĂ­a con nosotros y con todos. Justo para la Pascua, Foodseum anunciĂł una promesa en lĂ­nea para que familias se comprometan a comer juntos al menos cuatro veces por semana el mes prĂłximo. Las familias son deďŹ nidas por el que dirige y estĂĄ abierto a la propia interpretaciĂłn de familia. Familias pueden incluir a solteros. No se trata de platillos o mesas lujosos, se trata de reunirse para buena comida y contar historias, reĂ­r y dar tiempo a la familia. La Promesa de Comer Juntos es parte tambiĂŠn de la campaĂąa de media social #FoodIsFamily, donde participantes comparten videos y fotos de sus familias comiendo juntas en

Twitter y Facebook. Esperen un seguimiento en el sitio Foodseum en la Red compartiendo los nombres de quienes se unieron a la promesa, compartieron fotos y videos al ďŹ nal de mayo. En otoĂąo, cuando Foodseum lance un vistazo estilo â&#x20AC;&#x153;apariciĂłnâ&#x20AC;? del museo, todo participante en #FoodIsFamily es bienvenido a ser parte de la exhibiciĂłn revisando nombres, fotos y videos. Mientras haya otro museo de comida en el mundo, Foodseum es el primero en su tipo en Chicago. Para mĂĄs informaciĂłn, visite http:// www.chicagofoodseum.com.

>> Llamado a la mesa: Â&#x203A;?X^XcXgifd\jX[\Zfd\i\e]Xd`c`X% Â&#x203A;:fdgXikX\og\i`\eZ`Xj]Xd`c`Xi\jXc comer en Chicago. Â&#x203A;:feÂ&#x201E;Zk\j\Zfe]Xd`c`XpZfdle`[X[% Â&#x203A;J\XgXik\[\cXel\mXXkiXZZ`Â?ekliÂ&#x2C6;jk`ZX de Chicago. Q

EASTER EVENTS

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compilado por PeriĂłdico EXTRA trad. VĂ­ctor Flores

18 a 20 de Abril

April 18 - 20

â&#x20AC;&#x153;JesĂşs en la Plaza Daleyâ&#x20AC;?

â&#x20AC;&#x153;Jesus in Daley Plazaâ&#x20AC;?

Plaza Daley, 50 oeste de Av. Washington | M`^`c`XGc\^Xi`X#d\[`XefZ_\#M`\ie\jJXekf sJ\im`Z`f\c[fd`e^f-Xds>iXk`j ?fei\cXgXj`Â?e#dl\ik\pi\jlii\ZZ`Â?e[\c Cristo uniĂŠndose a otros en oraciĂłn en la Plaza ;Xc\p%9`\em\e`[Xjkf[XjcXj[\efd`eXZ`fe\j%

Daley Plaza, 50 W. Washington Ave., ChiZX^fsGiXp\iM`^`cĂ&#x2020;d`[e`^_k#>ff[=i`[Xp sJle[XpJ\im`Z\Ă&#x2020;-X%d%s=i\\ ?fefi k_\ gXjj`fe# [\Xk_ Xe[ i\jlii\Ztion of Christ by joining others in worship at Daley Plaza. All denominations are welcome.

19 de Abril

April 19

BĂşsqueda de Huevos y DesďŹ le Easter Egg Hunt and Parade de Pascua A\]]\ijfe=`\c[#(-k_N\efeX_8m\%#9\i-

Easter is a time for families compiled by EXTRA Newspaper Easter is a time to slow down and take time to be with one another. It is a time to make a pledge to ourselves and family to be in peace, love and harmony within ourselves and each other. Just in time for Easter, Foodseum announced an online pledge for families to commit to eating together at least four times a week for the next month. Families are deďŹ ned by the pledger and are open to everyoneâ&#x20AC;&#x2122;s own interpretation of a family. Families may even include single people. This is not about fancy dishes or elaborate settings; itâ&#x20AC;&#x2122;s about coming together over good food to share stories, laughter and make time for family. The Eat Together Pledge is also part of the social media campaign #FoodIsFamily where participants will share videos and photos of their families eating together on Twitter

and Facebook. Expect a follow-up re-cap on the Foodseum website sharing the names of those who joined the pledge, shared photos and shared videos near the end of May. In the fall, when Foodseum launches a popup style â&#x20AC;&#x153;glimpseâ&#x20AC;? of the museum, all participants in #FoodIsFamily will become part of the exhibit as a digital screen scrolling the names, photos and videos. While there are a few other food museumâ&#x20AC;&#x2122;s in the world, Foodseum is the ďŹ rst of its kind for Chicago. For more information, visit: http://www.chicagofoodseum.com.

>> A Call to the Dinner Table: Â&#x203A;KXb\k_\Gc\[^\kf\XkXjX]Xd`cp Â&#x203A;J_Xi\:_`ZX^f]Xd`cp]ff[\og\i`\eZ\j Â&#x203A;:fee\Zkn`k_]Xd`cpXe[Zfddle`kp Â&#x203A;9\gXikf]Xe\n:_`ZX^fkfli`jk attraction Q

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npes?lek$('X%d%sGXiX[\$('1(,X%d%s Free

April 19

April 19

EGGstravaganza de Pascua

Easter EGGstravaganza

;`jki`kf [\ GXihl\j 9\inpe Efik\# :\ekif :fdle`kXi`f#(-(0[\8m%N\jc\p#9\inpes(( XdX(gds>iXk`j I\Â&#x2019;eX X jlj _`afj p ZXeXjkXj p mXpX Xc GXihl\A\]]\ijfegXiXcX9Â&#x2019;jhl\[X[\?l\vos de Pascua anual del Distrito de Parques 9\inpeEfik\%CXj]\jk`m`[X[\j[\\jk\XÂ&#x152;f incluyen un desďŹ le que lleva a participantes X<>>jkiXmX^XeqX#\m\ekf]Xd`c`Xi^iXkl`kf con estaciones de artesanĂ­as infantiles, decoraciĂłn de galletas y una foto con el Conejo de Pascua.

Efik_ 9\inpe GXib ;`jki`Zk# :fddle`kp :\ek\i#(-(0N\jc\p8m\%#9\inpes((X%d%kf 1 p.m. | Free >Xk_\i pfli Z_`c[i\e Xe[ YXjb\kj Xe[ head out to Jefferson Field for the anelXc Efik_ 9\inpe GXib ;`jki`Zk <Xjk\i <^^ ?lek% K_`j p\XiĂ&#x2039;j ]\jk`m`k`\j `eZcl[\ a parade that guides participants to the <>>jkiXmX^XeqX#X]i\\]Xd`cp\m\ek]\Xturing craft stations for children, cookie decorating and a picture with the Easter 9leep%

20 de Abril

April 20

BĂşsqueda de Huevos de Pascua para Adultos

Adult Easter Egg Hunt

Cfe^dXe<X^c\#)-,.E%8m%B\[q`\s@ejZi`gciĂłn inicia a las 11 am | $5 donativo de entrada C`Y\i\ X jl e`Â&#x152;f `ek\ief \e cX Â&#x2019;e`ZX 9Â&#x2019;jhl\[X[\?l\mfj[\GXjZlXgXiXX[lckfj\eCf^XeJhlXi\%;fj\hl`gfjgXik`i}e de Longman & Eagle para buscar huevos escondidos por el barrio. Los ganadores recibirĂĄn canastas con regalos. Los $5 de entrada por equipo beneďŹ cian al capĂ­tulo Cf^XeJhlXi\[\c:clYE`Â&#x152;fjpE`Â&#x152;Xj[\:_`ZX^f%DÂ&#x2019;j`ZXpZfd`[X\eCfe^dXe<X^c\ hasta las 5 pm. Cerveza proporcionada por CervecerĂ­a Revolution.

Cfe^dXe<X^c\#)-,.E%B\[q`\8m\%#:_`ZX^fsJ`^elgY\^`ejXk((X%d%s,\ekip[fnation Unleash your inner child at this adult fecp <Xjk\i <^^ ?lek `e Cf^Xe JhlXi\% Two person teams will depart from Longman & Eagle to scour the neighborhood for hidden eggs. Winners will receive baskets packed with goodies. A $5 entry donation for each team beneďŹ ts the Lo^Xe JhlXi\ Z_Xgk\i f] k_\ 9fpj  >`icj Clubs of Chicago. Music and food hosted Xk Cfe^dXe  <X^c\ lek`c , g%d% 9\\i gifm`[\[YpI\mfclk`fe9i\n`e^%


INMIGRACIÓN | IMMIGRATION

Friday, April 18, 2014 :: Extra Newspaper | Leader Post

Líderes católicos en Pilsen hablan de la reforma migratoria antes de Semana Santa

11

realidades que enfrentan los inmigrantes— entrevistamos a tres líderes religiosos de Pilsen, un barrio con una gran población latina. El diácono Juan Domínguez, quien ha trabajado en la iglesia San Adalberto desde el año 1990, subrayó la importancia de la reforma migratoria para los miembros de su parroquia: “[Muchos sacerdotes estadounidenses] están apoyando la reforma migratoria, y creo que mejorar la situación de la inmigración es bueno para mi comunidad”. “Así habrá menos deportaciones y menos familias separadas”, continuó. Domínguez también estableció conexiones entre las lecciones bíblicas de la Cuaresma— que precede la Pascua— y la inmigración. “Jesucristo tuvo que emigrar a un país extraño,

emigró a Egipto”, añadió. “Lo que nos queda a nosotros es luchar para que en el futuro logremos el sueño de una reforma migratoria”. Según Domínguez, los cambios que él ha visto en sus dos décadas trabajando en Pilsen son positivos. “Esta comunidad está marchando bien”, afirmó. Sin embargo, el optimismo sobre la comunidad católica de Pilsen no es universal. R.P. Mark Enright, sacerdote de las parroquias San Adalberto y San Pablo, comentó que, por lo general, “el barrio es menos católico de lo que era en el pasado”, atribuyendo este desplazamiento religioso a los cambios generacionales y demográficos. “Los viejos son apasionadamente católicos y, en muchos casos, sus hijos son menos católicos que ellos”, dijo Enright. Además, juzgó

que el aburguesamiento de Pilsen afecta a su población: “Es mi percepción que este barrio es mucho menos el puerto de entrada para los inmigrantes de lo que solía ser”. A pesar del aburguesamiento, R. P. Charles W. Dahm, sacerdote que ha servido en la Parroquia San Pío V por 28 años, cree que Pilsen está mejorando por otras razones además del aburguesamiento. “Las calles están más limpias porque ahora somos más activos [políticamente] y hemos ganado más respeto de los funcionarios municipales; entonces recibimos más servicios”, expresó. Para Dahm, la comunidad de inmigrantes — dentro y afuera de Pilsen— sugiere un paralelismo profundo con la Biblia. “Jesucristo creyó claramente en dar la bienvenida a los desconocidos y foráneos, y Él lo hizo cuando dio la bienvenida a los samaritanos, quienes eran el grupo de inmigrantes [durante esta época]”. En celebración de la Cuaresma y anticipación de la Pascua, Dahm continuó, “Predicamos mucho los domingos sobre la justicia social y los pecados que cometemos como pueblo”. Q

Catholic leaders in Pilsen talk about immigration reform before Easter

we get more services,” he said. For Dahm, the immigrants’ community – both inside and outside of Pilsen – suggests a deep parallelism with the Bible. “Jesus Christ clearly believed in welcoming unknown and strange people, and he did so when he wel-

comed the Samaritans, who were the immigrants group [during that epoch].” In celebration of Lent and in anticipation of Easter, Dahm continued, “We pray a lot about social justice on Sundays and about the sins we commit as people.” Q

por Angélica Lasala, estudiante de periodismo en el Colegio Columbia de Chicago trad. Víctor Flores La Pascua, la festividad más importante del calendario católico, se celebra este año el 20 de abril — un año y nueve días después de que el Cardenal Francis George publicara una declaración oficial de la Arquidiócesis de Chicago en apoyo a la reforma migratoria. El propósito de esa declaración fue animar a la comunidad católica local a proponer activamente cambios legislativos y sociales. Cardenal George escribió, “Ahora es el momento de reparar un sistema que no funciona”. Para conocer la respuesta a esta solicitud —y las conexiones entre la teología católica y las

by Angélica Lasala, journalism student in Chicago Columbia College Easter, the most important feast in the Catholic calendar, is celebrated this year on April 20 – a year and nine months after Francis Cardinal George published an official declaration from the Chicago Archdiocese supporting immigration reform. The end of that declaration was to encourage the local Catholic community to actively propose legislative and social changes. Cardinal George wrote, “Now is the moment of repairing a system that does not work.” To know the answer to that request – and the connections between Catholic theology and the realities faced by immigrants – we interviewed three religious leaders in Pilsen, a neighborhood with a large Latino population. Deacon Juan Dominguez, who has worked for the St. Adalbert since 1990, highlighted the importance of the immigration reform for the members of his parrish. “[Many American priests] are supporting the immigration reform, and I think that improving the situation of immigration is good for my community.” “This way there will be fewer deportations and less divided families,” he continued. Dominguez also established connections among the Bible’s lessons about Lent – that

precedes the Passover – and immigration. “Jesus Christ had to migrate to a foreign country; he migrated to Egypt,” he added. “What is left for us is to fight in the future for an immigration reform.” According to Dominguez, the changes he has seen in his two decades working in Pilsen are positive. “This community is marching well,” he affirmed. However, optimism about the Catholic community in Pilsen is not universal. R.P. Mark Enright, a priest at St. Adalbert Parrish and St. Paul Parrish, commented that generally, “The neighborhood is less Catholic than it was in the past,” attributing this religious displacement to generational and demographic changes. “The old ones are passionately Catholic, and in many cases, their children are less Catholic than them,” said Enright. In addition, he judged that the gentrification in Pilsen affects its population. “That is my perception that this neighborhood is much less the port of entry for immigrants as it used to be.” Despite the gentrification, R.P. Charles W. Dahm, a priest who has served in the St. Pius Parrish for 28 years, thinks that Pilsen is improving for other reasons than the gentrification. “The streets are cleaner because now we are more [politically] active and we have gained more respect from the city officials, so

Deseándole Paz y Felicidad

¡

! ¡Gracias por hacernos su comida preferida! ¡Muchos saludos de sus amigos de

¡La Preferida!


INSOMNIA | TEATRO

Viernes, 18 de abril del 2014 :: Extra Newspaper | Leader Post

(Izq. a der.) Ramón Carmín y Sandra Márquez

El director Ricardo Gutiérrez Ed El director i ec ir ecto cto or Rica Ri Ricardo icard rd do Gu Guti Gutiérrez tiér érrrre ez

- sitio caliente para compañías de teatro por Silvia Foster-Frau trad. Víctor Flores Chicago quizá no compita con la escena teatral de Los Ángeles o la Ciudad de Nueva York, pero la escena de teatro latino es una historia diferente. Hay más de 25 compañías teatrales de varios tamaños en Chicago. Grupos de actuación como Diminizuelan, Salsation y MARIA, tanto como compañías teatrales como Luna, Aguijón y Vista siguen atrayendo grandes audiencias. La próxima semana, Teatro Vista, en colaboración con Teatro Victory Gardens, montarán “A View from the Bridge”, obra tradicional escrita por el dramaturgo Arthur Miller con un reparto latino. Teatro Vista ha existido por 23 años y posee 16 estrenos mundiales. Ricardo Gutiérrez, director artístico de la compañía teatral Teatro Vista, dice que para el teatro latino,

Chicago es el lugar adecuado. Él dice que hace 10 años, quizá 30 actores latinos hacían audición. Para “A View from the Bridge”, este año, más de 120 actores profesionales latinos harán audición para una parte. “Los números siguen creciendo. Para esta producción, utilizaremos uno, dos, tres, cuatro latinos que han estado en Chicago menos de medio año – apenas recién llegados. Todos vienen a Chicago. Una de nuestras actrices dijo que en la Universidad de McAllen, Texas, hablan de Teatro Vista. Y ella pensó, ‘Bueno, iré a Chicago’. Oímos historias como ésta todo el tiempo”, dijo Gutiérrez. No siempre fue popular que haya latinos en el teatro, dijo Gutiérrez, y aún falta mucho. Siendo Gutiérrez alumno de la Universidad Estatal de Illinois, se rumoraba que había sólo dos latinos – él y un cubano. Sandra Márquez, quien lleva el papel principal de Beatrice en “A View from the Bridge”,

Chicago – a hotspot for Latino theater companies by Silvia Foster-Frau Chicago may not compete with the theater scene of Los Angeles or New York City, but the Latino theater scene is a different story. There are over 25 Latino theater companies of varying sizes in Chicago. Performance groups like Dominizuelan, Salsation, and MARIA as well as theater companies such as Teatro Luna, Aguijón Theater, and Teatro Vista continue to bring in a large audience. Next week, Teatro Vista, in collaboration with Victory Gardens Theater, will put on “A View from the Bridge,” a traditional play written by American playwright Arthur Miller that will have an all Latino cast. Teatro Vista has been around for 23 years and boasts 16 world premieres. Ricardo Gutierrez, artistic director of the Latino theater com-

pany Teatro Vista, says that for latino theater, Chicago is the place to be. He says that 10 years ago, probably 30 Latino actors would audition. For “A View From the Bridge” this year, over 120 professional Latino actors auditioned for parts. “The numbers just keep growing. For this production, we are utilizing one, two, three, four Latinos who’ve been in Chicago less than half a year—pretty much just arrived. They’re all coming to Chicago. One of our actresses said her university in McAllen, Texas talked about Teatro Vista. And so she thought, ‘Well, I’m coming to Chicago.’ We get stories like that all the time,” said Gutierrez. Latinos in theater wasn’t always popular, said Gutierrez, and it still has a ways to go. When Gutierrez was a student at Illinois State University, it was rumored that there were only two Latinos—him, and a Cuban.

experimentó una falta similar de latinos en sus clases de teatro en la Universidad de IllinoisChampaign. Ella dijo también que esos cursos no exponían a alumnos a artistas latinos. “En la escuela, yo era usualmente la única latina del programa yo estudiaba a Shakespeare y trabajaba en griegos y clásicos. Son geniales y vibrantes – fui autodidacta en Northwestern – pero debemos abrirnos más. Ofreciendo más perspectiva enriquece la obra. Uno hace un favor a alumnos exponiéndolos a la vastedad del mundo, asegurándose de incluir a otros”, dijo Márquez. Ella señaló también que en el pasado, el rango de papeles disponibles para actuar para latinos era muy escaso. Ramón Carmín, quien da vida a Eddie en la obra, dijo que en el pasado, gente de medios principales ha tratado de encasillarlo en una u otra identidad racial. Él dijo que a veces la gente trataba de hacerlo un tipo de latino; otras veces, a causa de su complexión euro-

pea, le decían que él no era de verdad latino. “Alguien me dijo, ‘Oh, no eres latino, eres hispano’. ¿Qué significa eso? Mi madre es de España, pero la generación previa nació en Cuba. Mi padre es de Cuba, pero viene de una familia venezolana. ¿Cómo puedes hacer tales distinciones? Todos somos los colores del arcoíris. Yo me considero latino, pero si otros lo creen o no ese es el problema”, dijo Carmín. A Márquez y Carmín les encanta der parte de Teatro Vista ya que tienen papeles no sólo creados para latinos. Experimentan también lo que muchos actores blancos: trabajar con gente de su misma cultura e idioma. Chicago se convierte en sitio caliente para compañías de teatro latino y Gutiérrez dijo, “Ahora [la escena de teatro latino de Chicago] es fantástica. Crece y se ensancha. Está unificada. Una colaboración. Atrayente”. “A Vie from the Bridge” estará en el Teatro Victory Gardens del 15 de abril al 18 de mayo. Q

Sandra Marquez, who plays the lead female role of Beatrice in “A View From the Bridge,” experienced a similar lack of Latinos in her theater studies courses in University of Illinois-Champagne. She also said these courses didn’t expose their students to Latino artists. “In school, I was usually the only Latina in whatever program I was in. I was learning Shakespeare and working on the Greeks and Classics. They are amazing and vibrant—I teach them myself at Northwestern—but we need to open up more. Offering more perspective makes the work richer. You are doing students a favor by exposing them to the broadness of the world, by making sure others are included,” said Marquez. Marquez also noted that in the past, the range of acting roles available for Latinos was a lot smaller. Ramón Carmín, who plays the protagonist Eddie in the play, said that in the past, people in mainstream media have tried to pigeonhole him into one racial identity or another. He said sometimes people tried to make him one type of Latino, other times, because of

his European-looking complexion, people told him he wasn’t really Latino. “Someone told me ‘oh you’re not Latino, you’re Hispanic’. What does that mean? My mom is from Spain but the previous generation was born in Cuba, while my father is from Cuba but comes from an old Venezuelan family. How can you make those distinctions? We’re all colors of the rainbow. I consider myself Latino, but it’s whether other people do or not that’s the issue,” said Carmín. Marquez and Carmín both relish being a part of Teatro Vista because they get to play roles that aren’t just meant for Latinos. They also get to experience what most white actors always experience: working with people who share their same culture and language. Chicago is becoming a hotspot for Latino theater companies, and Gutierrez is excited to be a part of it. Gutierrez said, “Now, [the Chicago Latino theater scene] is fantastic. It’s growing and swelling. It’s unified. Collaborative. Embracing.” “A View From the Bridge” will be performing at the Victory Gardens Theater from April 15 through May18. Q

Fotos: (Izq.) por Katie Sikora | (Der.) por Silvia Foster-Frau | EXTRA

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INSOMNIA | CINE

Friday, April 18, 2014 :: Extra Newspaper | Leader Post

13

Estereotipos mexicanos y nuevas caras en “Haunted House 2” por Nikoleta Morales trad. Víctor Flores Si a usted le encantó “Haunted House” definitivamente se enamorará de “Haunted House 2”. Marlon Wayans sigue sus aventuras en el mundo espiritual con viejos demonios, nuevos amigos y aventuras. La película muestra por primera vez al comediante Gabriel Iglesias quien da vida a un mexicano llamado José González Smith. EXTRA se sentó con Wayans, Iglesias y Affion Crocket a hablar de la película que se estrena el 18 de abril. EXTRA: ¿Cómo fue el proceso de escritura? ¿De dónde surgió su inspiración? Marlon Wayans: La abordé desde el punto de vista relato de cuentos… ¿a dónde iría la progresión natural?, ¿qué estaríamos haciendo ahora? Vimos “Amityville Horror”, que nos dio idea del padre con hijos, “The Conjuring”, que nos dio a la muñeca loca y todo encajó en su lugar. Cuando yo escribía la película [también] quise crear un papel estrictamente para Gabriel Iglesias. Usted da vida a un mexicano en la película. ¿Cómo le quedó ese papel a usted? Gabriel Iglesias: Fue una extensión. Creo que canalicé muchos de mis músculos para esa parte (Ríe). Fue un papel muy estereotipado, pero me permitió divertirme. Me permitió salir con muchas cosas que yo decía en español. Affion Crocket: Agregas a un tipo llamado Gabriel Iglesias a la película y lo llamas José

Para ver más de la entrevista

www.extranews.net (Izq. a der.) Gabriel “Fluffly” Iglesias con Marlon Wayans y Affion Crockett en Chicago por la promoción de la película “Haunted House 2”. Foto por Armando Silva | EXTRA González Smith. Es una extensión (Ríe). ¿Cuál fue su parte favorita de la película? Gabriel: La Parte no incluida en la película: el demonio fue arrastrado [en una carreta], Marlon estaba encima de ella, el sacerdote encima de él y yo encima de ese emparedado siendo arrastrado por todo el lugar.

Mexican stereotypes and new faces in “Haunted House 2” by Nikoleta Morales If you loved “Haunted House,” you will definitely fall in love with “Haunted House 2”. Marlon Wayans continues his adventures in the spiritual world with old demons, new friends and adventures. The movie features Mexican comedian Gabriel Iglesias, who plays Jose Gonzalez Smith. EXTRA sat down with Wayans, Iglesias and Affion Crockett to talk about the movie, which opens in theaters April 18. EXTRA: How was the writing process like? Where did you get your inspirations from? Marlon Wayans: I approached it from a storytelling point of view…where would the natural progression go? What would he be doing now? We watched “Amityville Horror,” which

gave us the idea for the father with the kids. “The Conjuring” gave us the crazy little doll and then it all snapped into place. When I was writing the movie, I [also] wanted to create a role strictly for Gabriel Iglesias. You play a Mexican in the movie. How was that role for you? Gabriel Iglesias: It was a stretch. I think I channeled many of my uncles for the part right there (laughs). It was a very stereotypical role but he let me have fun with it. He let me get away with a lot of stuff I was saying in Spanish. Affion Crockett: You put a guy named Gabriel Iglesias in the movie and you name him Jose Gonzalez Smith, it’s a stretch (laughs). What was your favorite part of the movie? Gabriel: The part that didn’t make it to the movie: the demon was dragged around [on a

Marlon: Me habrían incluido allí, pero salía muy caro hacerlo. Lo siento Gabe (Ríe). Mi parte favorita fue lo de la muñeca ya que es un objeto animado que interpreta esta relación de la vida real, la novia accionista loca de la película. Jaime Presly estaba en el cuarto y ella dice, “¿Por qué tardas tan-

cart], Marlon was on top of her, the priest on top of him and I am on top of that sandwich and I am being just dragged all over the place. Marlon: I would have kept it in but it was too expensive to do it. Sorry Gabe (laughs). My favorite part was the whole doll thing because this is an animate object that plays this real life relationship, the crazy stocker girlfriend in the movie. Jaime Presly was in the room and she goes, “What’s taking so long?” She goes by the monitor and says, “Oh my God! I can’t tell my mother to see this movie.” She was freaked out. I had a session to do (laughs). Affion: My favorite part was being hired for it. Not a lot of brothers work in Hollywood right now (laughs). Do you believe in the supernatural? Gabriel: I grew up with a very religious and spiritual mom and I couldn’t take it serious based on the way she would flip-flop. One week would be about Jesus Cristo (Jesus Christ), the next El Buda (Buddah). It was rough for me growing up.

to?”. Ella va al monitor y dice, “¡Oh, mi Dios!, No puedo decirle a mi madre que vea esta película. Ella se espantó. Yo tuve una sesión para hacerlo (Ríe). Affion: Mi parte favorita fue ser contratado. No muchos hermanos trabajan en Hollywood ahora (Ríe). ¿Creen ustedes en lo sobrenatural? Gabriel: Yo crecí con una mamá muy religiosa y espiritual y no pude tomarlo en serio basado en la forma en que ella lo revertía. Una semana era de Jesucristo, la siguiente el Buda. Fue difícil crecer para mí. Marlon: Los fantasmas no vienen al barrio (Ríe). Yo creo en el temor de todos a los fantasmas. El temor es un negocio. Affion: Yo creo que lo paranormal existe; no creo que todo sea aburrido y tenebroso. Siento que hay espíritus y extraterrestres y gente negra que tiene dinero (Ríe). ¿Qué les gustaría decir a sus fans? Gabriel Iglesias: Fue la primera oportunidad de divertirme en una película. Me hizo feliz ver que mi hijo estaba en el cine anoche y a él nada le ha gustado de lo que he hecho a la fecha, excepto esta película. Él me dio pulgares hacia arriba. Eso nos acercó. Fue muy bello que mi hijo de 16 años y yo nos uniéramos. Marlon Wayans: Si confían en el hijo de 16 años de Gabriel, vayan a ver la película. Les hará sentir como si tuviesen 16 años otra vez. Si quieren reír este fin de semana, hablen con sus padres para ir a verla. Para ver más de la entrevista, visite www. extranews.net. Q

Marlon: Ghosts don’t come to the hood (laughs). I believe in everybody’s fear of ghosts. Fear is a big business. Affion: I believe paranormal stuff exists, I just don’t believe it’s all boring and spooky. I feel like there are spirits and aliens, and black people who have money (laughs). What would you like to say to your fans? Gabriel Iglesias: It was my first chance to have fun in a movie. I was happy to see my son was in the theater last night and he has not liked anything I have done so far except this movie. Now he gave me thumbs up. It brought us closer together. It was very cool for my 16-year-old and I to bond. Marlon Wayans: If you trust Gabriel’s 16-year-old, go to the movie. It’s a lot of fun. It will make you feel like you are 16 years old again. You want to laugh this Easter weekend, talk your parents into going to see it. Q To watch more of the interview

www.extranews.net


14

INSOMNIA | CINE

Viernes, 18 de abril del 2014 :: Extra Newspaper | Leader Post

Greg Kinnear halla inspiraciĂłn en â&#x20AC;&#x153;Heaven is for Realâ&#x20AC;? por Nikoleta Morales trad. VĂ­ctor Flores Basada en el libro #1 de mayor venta del Times de Nueva York, â&#x20AC;&#x153;Heaven is for Realâ&#x20AC;? lleva a la pantalla la historia de un padre y pastor de un pueblo pequeĂąo [Greg Kinnear] quien debe hallar valor y convicciĂłn para relatar la extraordinaria historia de su hijo, una experiencia que cambia la vida, quien seĂąala haber visitado el cielo durante una experiencia casi mortal. La pelĂ­cula se estrenĂł en cines el 16 de abril.

EXTRA: ÂżQuĂŠ pasĂł por su mente al leer el libreto inicialmente? Greg Kinnear: SentĂ­ que yo lo conocĂ­a. No estaba familiarizado con el libro antes de leer el libreto. Es una historia buena de verdad. Este tipo no sĂłlo era pastor, sino tambiĂŠn bombero y entrenador de lucha. Muchas cosas diversas. Yo soy de un pueblo pequeĂąo y me relaciono con esa vida. Ă&#x2030;l tuvo que pasar por esta experiencia extraordinaria con su hijo y crear esta historia que lo hace cuestionar su propia fe. El hijo no va a ĂŠl y dice lo que vio en el otro lado; lo que le dicen a uno es la verdad y esto es lo que me sacudiĂł.

ÂżPor quĂŠ es difĂ­cil dar vida al Pastor Todd Burpo? Lo que era muy claro es cuĂĄnto ama ĂŠl a su familia y eso lo supe al Ăşltimo. Yo tenĂ­a un sentido de que al tipo le importaba mucho la gente de su familia y de su pueblo. Ă&#x2030;l los amaba y le importaban de verdad. Al suceder esto, ĂŠl se ubica en una posiciĂłn inesperada, haciendo que la gente cuestione su credibilidad y cuĂĄnto creer de lo que ĂŠl ha dicho. Creo que la parte genial del libreto es que nunca deja de ser interesante. Si fuese un siervo predicador yo no habrĂ­a respondido. Nunca pensĂŠ que fuese una historia predicadora, bella como podrĂ­a ser y deja en verdad el misterio del paso de la audiencia que dice que uno es quien decide y crea sus propias conclusiones de si tiene o no fe. ÂżCuĂĄles son sus creencias personales? ÂżCree usted que el cielo existe? No estoy seguro de si mi fe o la de alguien

mĂĄs importan para hallar la atracciĂłn de la historia sin importar mis sentimientos. ÂżLa pelĂ­cula lo ayudĂł a usted a hallar fe y a inspirarlo a ser mejor? Es una historia en verdad inspiradora. Esta familia enfrenta mucha adversidad y conďŹ&#x201A;icto en la historia. Yo trato siempre de estar abierto a todo. Creo que esta historia se desenvolvio de tal forma que quizĂĄ puedo relacionarme con la inocencia de un hijo (tengo un hijo de 4 aĂąos) que es asombroso. Viene su hijo y le presenta un concepto y le causa a usted cierta crisis; creo que eso es una visiĂłn de la realidad. ÂżConociĂł usted ya a los personajes reales de la pelĂ­cula? Los conocĂ­ (Sonia, Tod y Colten). Me visitaron un par de veces. ParecĂ­an muy amables. Se me dijo que estĂĄn muy complacidos con la pelĂ­cula. Espero que asĂ­ sea. Q

Greg Kinnear ďŹ nds inspiration in â&#x20AC;&#x153;Heaven is for Realâ&#x20AC;? by Nikoleta Morales Based on the #1 New York Times best-selling book, â&#x20AC;&#x153;Heaven is for Realâ&#x20AC;? brings to the screen the true story of a small-town father and pastor (Greg

Kinnear) who must ďŹ nd the courage and conviction to share his sonâ&#x20AC;&#x2122;s extraordinary, life-changing experience with the world - his son Colton claims to have visited Heaven during a near-death experience. The movie opened in theaters April 16.

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Colton Burpo (Connor Corum) tells Todd (Greg Kinnear) he met Pops in TriStar Pictures â&#x20AC;&#x153;Heaven is for Real.â&#x20AC;? Foto por Allen Fraser EXTRA: What was going through your mind when you initially read the script? Greg Kinnear: I felt like I knew him as I read the script. I wasnâ&#x20AC;&#x2122;t familiar with the book before I read the script. It is a really good story. This guy wasnâ&#x20AC;&#x2122;t just a pastor; he was a ďŹ reďŹ ghter and a wrestling coach, a lot of different things. I am from a small town and I related to that life. He had to go through this extraordinary experience with his son and to bring this story that makes him question his own faith. The son doesnâ&#x20AC;&#x2122;t come to him and say I saw the other side, what you have been saying is the truth, and this is what raddled me. Was it hard to play Pastor Todd Burpo? What was very clear is how deeply he loves his family and that was just completely ultimate to me. I just had a sense that this guy deeply cared about the people in his family and the people in his town. He genuinely loved them and cared about them. To have this thing happen put him in an unexpected position, having people question his credibility and how much does he believe what he has been saying. I think the amazing part of the script was it never reared from being entertaining. If it was a preacher servant I wouldnâ&#x20AC;&#x2122;t have responded. I never

thought it was preachy, quite beautifully told the story as it could and really leaves the mystery of footstep of the audience who says itâ&#x20AC;&#x2122;s up to you to decide and draw your own conclusions about thus whether you have or donâ&#x20AC;&#x2122;t have faith. What are your personal beliefs? Do you believe there is heaven? I am not sure mine or anybodyâ&#x20AC;&#x2122;s faith is as important as the truth in ďŹ nding the story here that will have some appeal regardless of what my feelings are. Did the movie help you ďŹ nd faith and inspire you to be better? Itâ&#x20AC;&#x2122;s really an inspiring story. This family faces a lot of diversity and conďŹ&#x201A;ict in the story. I always try to stay open to everything. This story I felt like played out in a way that probably I can relate to it because in your child (I have three 4-year-olds) there is innocence that is really amazing. Your child will come and introduce a concept to you and cause you to have a sort of crisis. Have you met the real characters of the movie? I met them (Sonia, Tod and Colten). They visited the set a couple of times. They seemed very nice. I have been told they were very pleased with the movie. I hope they were. Q


15

Friday, April 18, 2014 :: Extra Newspaper | Leader Post

una

Noche Intima de Musica Mexicana con el gran

Mariachi Los Camperos de Nati Cano

Jueves y Viernes 24 y 25 de abril del 2014 7:00 pm

Mi Tierra Restaurant 2528 South Kedzie Chicago, IL 60623

camperos.eventbrite.com boletos disponibles en http://camperos.eventbrite.com boletos de entrada general disponibles en $50 por noche boleto incluye dos presentaciones a las 7:30 pm y 9:00 pm bebida y cena se trataran por separado mesas para cenar asignadas por orden de llegada

evento en beneficio al


16

INSOMNIA | CINE

Viernes, 18 de abril del 2014 :: Extra Newspaper | Leader Post

Dos películas, dos directoras de cine, dos historias poderosas por Rocío Villaseñor trad. Víctor Flores El 30º Festival de Cine Latino en Chicago, del 13 a 17 de abril, llevado a cabo en el Cine AMC River East 21, 322 E. Calle Illinois, tuvo varias películas y cortometrajes en múltiples géneros desde comedia hasta drama y de diversos países de América Latina. Hubo dos películas en particular que presentaron fuertes historias dramáticas basadas en hechos reales, “Detained in the Desert”, EEUU (2013), dirigida por Iliana Sosa y “Red Princess”, Costa Rica (2013), dirigida por Laura Astorga. “Detained in the Desert” es una película basada en una obra de Josefina López, productora ejecutiva, “Real Women Have Curves” (2002). Se centra en las vidas de dos personajes en polos opuestos del debate migratorio: Sandi, latina de segunda generación, y Lou Becker, controversial locutora de un programa radial de plática. En la película, el espectador verá cómo las vidas de ambos personajes cambian en base a circunstancias no previstas. Sandi y Lou acaban en el desierto y se ven forzados a trabajar juntas con el fin de sobrevivir al extremo calor. “Josefina escribió la obra y quiso hacer la película para elevar consciencia de la obra que hacen [los “Ángeles de la Frontera”]. Para elevar [consciencia del asunto]

<<Ismael Cordova

>> Laura Astorga

Iliana Sosa <<

Fotos por Rocio Villaseñor

del perfil racial [y que la inmigración es un asunto universal] que afecta a mucha gente”, dijo Sosa. “Esta [película] es diferente [a otras películas sobre inmigración ya que] trata de asuntos prevalecientes en latinos en EEUU como el perfil racial. Discute todo lo pertinente a latinos en EEUU hoy en día, [ya que] Josefina escribió la obra durante [el tiempo] la creación de las leyes de Arizona, [como la] SB 1070”. “Red Princess” es una película basada en la niñez de Astorga, su familia y las repercusiones de sus padres involucrados en la Revolución de Nicaragua, ocurrida en los ‘80s.

La película se centra en la vida del personaje principal, Claudia Rodríguez. Ella y su hermana menor, Antonia, son hijas de activistas sandinistas, Magda y Felipe. Son forzados a huir de Nicaragua a Costa Rica. En la película, se mudan de un lugar a otro, de casa en casa, de escuela en escuela, mientras sus padres continúan sus actividades clandestinas para ayudar a la revolución. “[Esta película] es biográfica. El personaje Claudia es la más similar a mí. Antonia es más como mis dos hermanas menores. Yo sentí que ya era [hora de relatar la historia] y estaba lista para hacerlo. Me sentí valiente [ya

que] ahora [soy] adulta”, dijo Astorga. “[Esta película se basa en un contexto emocional]. El contexto político es muy difícil; no [hay] forma de hablar de eso”. Ambas películas discuten temas muy controversiales, inmigración y separación de los padres; asuntos que deben discutirse ya que los emigrantes pierden la vida al cruzar la frontera. La estadística es que “dos personas mueren a diario cruzando la frontera”. El otro asunto es el del contexto emocional, la separación y abandono que una mujer tiene con sus hijos. “[La norma cultural es que una madre no deja a sus hijos]. Pero, yo tuve una madre así. Sentí que tenía derecho a relatar la historia. Hay madres que abandonan a sus hijos”, dijo Astorga. Estas dos películas son las primeras de los directores y escritores Sosa y Astorga. Ambos han hecho varios cortometrajes y trabajan en futuros proyectos como “Bracero” de Sosa. Ambos directores buscan que sus películas estén disponibles a una audiencia pública mucho más amplia como en universidades o cines. Aconsejan al público contactarlos mediante sitios sociales como Twitter o Facebook, si les interesa tener una exhibición pública. “De verdad queremos que mucha gente las vea, y llevarlas a universidades. Esperamos que la gente pase la voz al mundo ya que eso ayuda mucho”, dijo Sosa. Q

Two feature films, two female directors, two powerful stories by Rocio Villaseñor The 30th Annual Chicago Latino Film Festival, April 13-17, held at AMC River East 21 Theatre, 322 E. Illinois St., hosted several feature films and shorts in multiple genres from comedy to drama, and from different Latin American countries. There were two films in particular that presented powerful dramatic stories based on real events: “Detained in the Desert” USA (2013) directed by Iliana Sosa, and “Red Princesses” Costa Rica (2013) directed by Laura Astorga. “Detained in the Desert” is a film based on a play by Josefina Lopez, executive producer, “Real Women Have Curves” (2002). It centers on the lives of two characters on opposite ends of the immigration debate: Sandi, a second-generation Latina, and Lou Becker, a controversial talk show radio host. Throughout the film, the viewer will see how both characters’ lives will change based on unforeseen

circumstances. Both Sandi and Lou end up in the desert and are forced to work together in order to survive the extreme heat. “Josefina wrote the play and she wanted to make the film to raise awareness about the work that [‘Border Angels’] are doing. To raise [awareness to the issue] like racial profiling [and that immigration is a universal issue] it affects a lot people,” said Sosa. “This [movie] is different [from other immigration films because] it deals with issues that are prevailing to U.S. Latinos like racial profiling. It discusses all that is pertaining to U.S. Latinos today, [since] Josefina wrote the play during [the time] the Arizona laws were going on, [like the] SB 1070.” “Red Princesses” is a film based on the childhood of Astorga, her family and the repercussions of her parents being involved in the revolution of Nicaragua that occurred in the 1980s. The film centers on the life of the main character, Claudia Rodriguez.

Claudia and her younger sister, Antonia, are the daughters of Sandinista activists, Magda and Felipe. They are forced to flee Nicaragua for Costa Rica. Throughout the film, they move from place to place, from house to house, from school to school, as their parents continue their underground activities to help the revolution. “[This film is biographical. The character of Claudia is the one that is most similar to me. Antonia is more like my two younger sisters. I felt that it was [time to tell this story and] I was ready to tell [it]. I just felt brave [since] I am [now] an adult,” said Astorga. “[This movie is based on an emotional context.] The political context is really hard, [there] is no way not to talk about it.” Both films discuss very controversial topics: immigration and the separation of parents’ issues that need to be discussed like the migrants that lose their lives crossing the border. The other issue is that of the

emotional context, the effect that separation and abandonment from a mother has on the children. “[The cultural norm is that mothers don’t leave their children]. But, I had a mom like this. I felt I had the right to tell this story. There are mothers who abandon their children,” said Astorga. These two films are the first feature films for both directors and screenwriters, Sosa and Astorga. They both have done several short films and are working on future film projects like “Bracero” for Sosa. Both directors aim for their films to be available for a much broader public viewing in the near future like in universities or theatres. They advise the public to contact them through social networking sites like Twitter or Facebook, if interested in holding a public screening. “We really want as many people to watch it, and get it at universities. We are just hoping for people to spread the word because that helps a lot,” said Sosa. Q


CLASIFICADOS 17

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18

CLASIFICADOS

Viernes, 18 Viernes, de abril 30 delde 2014 marzo :: Extra del 2012 Newspaper :: www.extranews.net | Leader Post

Real Estate For Sale

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Real Estate For Sale

Real Estate For Sale

Real Estate For Sale

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Friday, April 18, 2014 :: Extra Newspaper | Leader Post

19

Real Estate For Sale

Real Estate For Sale

Real Estate For Sale

Real Estate For Sale

Real Estate For Sale

Real Estate For Sale

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20

CLASIFICADOS

Viernes, 18 Viernes, de abril 30 delde 2014 marzo :: Extra del 2012 Newspaper :: www.extranews.net | Leader Post

Real Estate For Sale

Real Estate For Sale

Real Estate For Sale

Real Estate For Sale

Real Estate For Sale

Real Estate For Sale

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Friday, April 18, 2014 :: Extra Newspaper | Leader Post

21

Real Estate For Sale

Real Estate For Sale

Real Estate For Sale

Real Estate For Sale

Real Estate For Sale

Real Estate For Sale

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CREATIVE SERVICES MARCOâ&#x20AC;&#x2122;S RENTAL Se Rentan Sillas, Mesas, Carpas, Forros de Sillas, Listones. Especial Arreglos de Iglesia, Delivery Disponible. (773) 456-8525 www.marcosrentals.com NUEVO!! CLASES DE PASTEL PESONALIZADAS, CLASES DE GELATINA ARTISTICA, GELATINAS 3D, ACUARELA, COPA 3D Y MAS. www.artengelatina.com (773) 653-4459

ITEMS FOR SALE PERDI MI CASA Y VENDO TODO! NUEVO EQUIPO DE CALEFACCIĂ&#x201C;N-Y-AIRE ACONDICIONADO. A-BUENPRECIO! INTERESADOS FAVOR-DE-COMMUNICARSE CON LA SEĂ&#x2018;ORA, LETICIA LOPEZ (708) 670-0735

SERVICES

VEHICLE CHI CITY TOWING COMPRAMOS CARROS, VANS, CAMIONETAS DE JUNKE. CHICAGO, SUBURBIOS. INFORMES: MIGUEL (773) 470 6552

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~CURANDERA DE CHICAGO~ RESOLVEMOS TODOS LOS PROBLEMAS. Se-Lee-Manos $5 Y El Tarot $10. Abierto de 8am-11pm. Estacionamiento Gratis! (773) 664-3620 (773) 263-4072

Licensed & Insured We also Repair and do Building Maintenance WE DO EMERGENCY WORK!



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CLASIFICADOS | CLASSIFIEDS

Friday, April 18, 2014 :: Extra Newspaper | Leader Post

HELP WANTED

LEGAL NOTICE

Our legal advertising department at Extra Bilingual Newspaper is here to partner with you in publishing your public (legal) notices. We place them in our classified section. Extra Bilingual Newspaper publishes in the most efficient & economical manner. OR Fax your notices to (773) 252-4073 ATTENTION: Classifieds GET YOUR NOTICES PUBLISHED ON TIME! Deadline for Legal Classified Ads are Wed by 10 a.m. ll

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NOTICE IS HEREBY GIVEN, PURSUANT TO â&#x20AC;&#x153;AN ACT IN RELATION TO THE USE OF AN ASSUMED BUSINESS NAME IN THE CONDUCT OR TRANSACTION OF BUSINESS IN THE STATEâ&#x20AC;?, AS AMENDED, THAT A CERTIFICATION WAS REGISTERED BY THE UNDERSIGNED WITH THE COUNTY CLERK OF COOK COUNTY. REGISTRATION NUMBER: D14137512 ON MARCH 27, 2014 UNDER THE ASSUMED BUSINESS NAME OF FRUIT PARADISE WITH THE BUSINESS LOCATED AT: 3234 N. ELSTON ST. UNIT G, CHICAGO,IL 60618 THE TRUE AND REAL FULL NAME(S) AND RESIDENCE ADDRESS OF THE OWNER(S)/ PARTNER(S) IS: OWNER/PARTNER FULL NAME: COMPLETE ADDRESS: MARCOS HUIZAR 2438 N. ALBANY. 2ND FL. CHICAGO, IL 60647, USA

23

Mencione este anuncio

Trabajos generales de mano de obra disponible Primer, segundo y tercer turno disponible trabajo de largo plazo / estable! Por favor pase por nuestras oďŹ cinas: Elite StafďŹ ng 3248 W. 55th st Chicago, IL 60632 773-436-0103

Elite StafďŹ ng 1660 N. Farnsworth Ave Aurora, IL 60505 630-844-1663

Labor Power StafďŹ ng

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24

Viernes, 18 Viernes, de abril 30 delde 2014 marzo :: Extra del 2012 Newspaper :: www.extranews.net | Leader Post

24

OFERTAS DE PAQUETES DESDE:

$

99/MES* POR 12 MESES

Paquete MÁS LATINO®

SÁBADO

12 DE ABRIL

9 /6 PM ET

PM PT

EN VIVO CON HBO PAY PER VIEW SD: $59.95‡

‡‡

(Precios cuando se ordena en línea o por control remoto.) La cartelera y los horarios están sujetos a cambios.

TODAS LAS OFERTAS DE DIRECTV REQUIEREN ACUERDO DE 24 MESES.**

¡HAZ UNA MEJORA A DIRECTV HOY!

Llámame, tu distribuidor local de DIRECTV.

ANTENAS ENTERPRISES

888-551-1582

Ofertas válidas hasta el 23 de julio de 2014. Se requiere tarjeta de crédito (excepto en MA y PA). Solo para nuevos clientes aprobados (se requiere arrendamiento). Puede aplicarse un cargo de $19.95 por manejo y envío. Puede aplicarse un ajuste de impuestos por uso sobre el valor al consumidor de la instalación. Los programas, precios y las ofertas están sujetas a cambio y pueden variar en ciertos mercados. Algunas ofertas pueden no estar disponibles por medio de todos los canales o en ciertas áreas *OFERTA DE CRÉDITO EN LA FACTURA/PROGRAMACIÓN: SI PARA EL FIN DEL/DE LOS PLAZO(S) DEL PRECIO(S) PROMOCIONAL(ES), EL CLIENTE NO CONTACTA A DIRECTV PARA CAMBIAR SU SERVICIO, ENTONCES TODOS LOS SERVICIOS AUTOMÁTICAMENTE CONTINUARÁN A LAS TARIFAS PREVALECIENTES EN ESE MOMENTO. LÍMITE DE UNA OFERTA DE PROGRAMACIÓN POR CUENTA. Paquetes ofrecidos/nombres de los servicios y precios actuales: MÁS LATINO $36.99 al mes. Cargo por Receptor Avanzado $25 al mes. Los precios incluyen estos reembolsos instantáneos en la factura durante 12 meses: $12 por el paquete MÁS LATINO. La cuenta debe estar al día, según sea determinado por DIRECTV a su sola discreción, para permanecer elegible para todas las ofertas. **ACUERDO DE 24 MESES: LA CANCELACIÓN PREMATURA RESULTARÁ EN UN CARGO DE $20 AL MES POR CADA MES RESTANTE. Durante 24 meses consecutivos debes mantener cualquier paquete de programación básico de DIRECTV ($29.99 al mes o superior) o cualquier servicio internacional combinado que califique. Se requiere el cargo de Receptor Avanzado para videograbadora digital ($10 al mes) para el arrendamiento de una videograbadora digital. Se requiere el cargo de Receptor Avanzado de alta definición ($10 al mes) para el arrendamiento de un Receptor de alta definición. Se requiere el cargo de Receptor Avanzado ($25 al mes) para el arrendamiento de una Genie Videograbadora DVR HD, una videograbadora digital de alta definición o una videograbadora digital de alta definición con TiVo de DIRECTV. Se requiere el cargo por servicio TiVo ($5 al mes) para el arrendamiento de una videograbadora digital de alta definición con TiVo de DIRECTV. Si tienes 2 receptores y/o un receptor y un televisor/aparato capacitado/Cliente Genie Mini, el cargo es de $6 al mes. Por el 3er receptor y/o televisor/aparato capacitado/Cliente Genie Mini y cada aparato adicional en tu cuenta, se cobrará un cargo adicional de $6 al mes por cada receptor, Cliente Genie Mini y/o televisor/aparato capacitado. PUEDE APLICARSE UN CARGO DE $150 POR CADA RECEPTOR NO ACTIVADO. TODO EL EQUIPO (EXCEPTO EL APARATO GENIEGO) SE ALQUILA Y DEBE SER DEVUELTO A DIRECTV AL CANCELAR, O SE APLICARÁN CARGOS POR EQUIPO NO DEVUELTO. VISITA directv.com O LLAMA AL 1-800-DIRECTV PARA MÁS DETALLES. INSTALACIÓN: Instalación profesional estándar solamente en hasta 4 habitaciones. Instalación personalizada cuesta extra. ‡EVENTO PAY PER VIEW: Los precios de Eventos Pay Per View no se reembolsan. Se aplican tarifas estándar de mensajes de textos y datos cuando se ordena por texto. Se aplica un cargo adicional de $5 a los pedidos con asistencia de operador. Para ordenar la programación Pay Per View con tu control remoto, todos los receptores de DIRECTV deben estar conectados continuamente a la misma línea fija y/o internet. Para ordenar la programación Pay Per View, se requiere una suscripción a DIRECTV. ‡‡Para acceder a la programación de DIRECTV en HD, se requiere equipo HD con cargo de Receptor Avanzado. La programación, los precios, los términos y condiciones están sujetos a cambio en cualquier momento. Los precios son residenciales. No incluye impuestos. La recepción de programación DIRECTV está sujeta al Acuerdo del Cliente de DIRECTV; una copia está disponible en directv.com/legal y con la confirmación del pedido. ©2014 HBO Pay-Per-View®, una división de Home Box Office, Inc.® y Top Rank, Inc. Todos los derechos reservados. HBOPPV®, HBO® y los canales relacionados y marcas de servicio son propiedad de Home Box Office, Inc. ©2014 DIRECTV. DIRECTV y el logo de Diseño de Ciclón y MÁS LATINO son marcas registradas de DIRECTV, LLC. Todas las otras marcas registradas y marcas de servicio son la propiedad de sus respectivos dueños.


Extra Newspaper Issue April 18, 2014