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website page. The artist is free to add, modify, disable, or delete subsections throughout the site, as the need requires. He is not limited by the website design. In terms of layout, in any section of the website where there are thumbnail images, these are displayed on the page in an imperfect grid that appears slightly random, as if the artist has laid the images down on a table for you to view. The slight randomness is intentional and system-generated. Unique to this website, Prince has included glimpses of his own extensive collection of art, books and stuff in general, lending the site the air of a work in progress. The site’s value added is that the artist is using the medium to reveal his creative process—we are gifted with what feels like a very personal view into his hobbies, his obsessions, his library, his homes and other things that lend context to his work. As Prince once said about his art, “A lot of it is experimental, spontaneous. It’s about knocking about in the studio and bumping into things.” The website allows us a glimpse into that process. Browse to the “Own Collection” section of the Website, and you’re treated to photographs of Prince’s houses and other buildings, with what appears to be his personal art collection in situ. Also shown are photos of individual paintings, photos of books and manuscripts from his own personal library, and photos of albums, posters and artifacts he’s collected over the years. The “Exhibitions and Installations” section of the Website provides links to artwork from Prince’s recent exhibitions, as well as images of installations featuring his work. In a refreshing variation in the design, the “Exhibitions” page uses a single column format, with featured content displayed in 125

Profile for exhibit-E

The Art World and the World Wide Web  

The Art World and the World Wide Web. Essays, Interviews and Case Studies.

The Art World and the World Wide Web  

The Art World and the World Wide Web. Essays, Interviews and Case Studies.

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