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EVGENIYA PLOTNIKOVA

ARCHITECTURE PORTFOLIO B.ARCH + M.ARCH


UNDERGRADUATE / NSAAFA GRADUATE / UIC COMPETITIONS


SCIENCE RESEARCH CENTER

66

S P RI N G 2010

VALERY FILIPPOV

THE PROPELLER FA LL 2008

IRINA BIRULEVA

UNDERGRADUATE WORK

2004-2010

NOVOSIBIRSK STATE ACADEMY OF ARCHITECTURE& FINE ARTS/ RUSSIA

82


SCIENCE RESEARCH CENTER MULTIFUNCTIONAL BUILDING

SP R IN G 20 10 / VALERY FILIPPOV 05 06


Science Research Center combines an educational center and laboratories for collective use. This is an interdisciplinary stage that oriented on development of technologies and methods to bring a scientific theory works to the stage of completed market product. Potential users are: students and faculty of University, businesses, scientific Institutions.


VIEW ONTO EDUCATIONAL WING

HOTEL

MIXED USE 07 08

CONFERENCE CENTER


VIEW ONTO LAB WING

EDUCATIONAL

LABORATORY


09 10


WAITING HALL IN EDUCATIONAL CENTER

WAITING HALL IN CONFERENCE CENTER


APARTMENT

HOTEL ROOM

ACCOMODATION 11 12


13 14


VIEW ONTO HOTEL FRONT ENTRACE


THE PROPELLER 18-STOREY RESIDENTIAL TOWER FALL 2008 / IRINA BIRULEVA 15 16


LAYOUT 17 18


CENTRALIZED TYPICAL FLOOR PLAN 19 20


TORSION ON A LEVEL OF 16TH-18TH FLOOR

INTERIOR


21 22


WATER PULSE FAL L 2012

02

SEAN LALLY

THE HOUSE

66

FA LL 2010

PAUL PREISSNER, LAURA FEHLBERG

MINI-CITY

22

FAL L 2011

URBAN CAKE

82

S P RI N G 2012

LUIS ORTEGA

SARAH DUNN

CONTINUITY

48

SPR ING 2011

PENELOPE DEAN, ANDREW MODDRELL

...

GRADUATE WORK

2010-2013

SCHOOL OF ARCHITECTURE, UIC


23 24


WATERPULSE PULSATING ENVIRONMENT OF RELAXATION

FALL 2012 / SEAN LALLY

WaterPulse project is shaped by pulsating energies that overlay and interact with a neutral water environment. Presence and intensity of specific energy creates an individually controlled ambience of visibility, privacy, security and other senses tuned to user’s body and adjusted on demand. High level of such control and flexibility of the personal space promotes a new type of social interaction where people are aware of the surroundings without direct contact with each others. Being very preconditioned inside, WaterPulse becomes a point of attraction for city dwellers. One, staying beyond the actual project boundary, can feel the indirect effect of the energy dissipating from the environment.


hotel trends 1

2

3

4

5

6

7

8

CAPSULE HOTEL A capsule hotel is a type of hotel, developed in Japan, that features a large number of extremely small "rooms" (capsules) intended to provide cheap and basic overnight accommodation

THE LOBBY AS A SOCIAL HUB The lobby-as-destination notion provides a spaces, where guests can meet, great and exchange. It becomes a place to spend a night. “Where's that new bar on a rooftop?”

THE LOBBY AS A COFFEESHOP Hotels are making an effort to get travelers to linger a bit in the lobby and enjoy a cup of coffee and a light snack.

ELECTRONIC CHECK-IN Keycards are sent in advance to guests using this service. On the day of arrival, a text message containing the room number is sent.

UNBOUNDED LOBBY It's something that's been the standard in Las Vegas for a long time—it's hard to say where the lobby ends and the casino begins. There, lobbies are also gateways to lounges, and shopping malls.

THE LOBBY AS A PLAZA Turning the hotel lobby into the plaza mayor seen in Spain or Italy, with lots of small food and drink shops around. So it works as a freestanding destination, not just a hotel restaurant.

THE LOBBY AS A LIVING ROOM Lobbies feature libraries and fireplace to create a feel of a living room. Those social gathering places made for people to converse, debate, and exchange; and drag them from their rooms.

WORKSPACE FOR FREELANCERS Freelancers have taken to hotel lobbies instead of Starbucks. Hotels are courting them with long tables and lots of outlets because they like the ambiance of buzzy lobbies.

SOCIAL TRENDS 25 26

spa trends 9

10

11

SELLING SLEEP Soundproof cozy cabin engineered for maximum tranquility provides a napspace for city dwellers. Established and located in the heart of NYC, this business welcomes walk-ins and corporates.

MULTI-SENSORY EXPERIENCE Vibration, color, music and light therapy becomes a main event on its own. All together, it helps to relax quicker and gives people some real excitations. FINE DINING & SPA-ING The trend is about healthy hedonism, or, it’s all about combining “moments of sensory ecstasy…” But it also has practical appeal: people seek shorter stays.

12

HEALTHY FEET TREATMENT

13

THE ‘WOW’ EFFECT

14

15

16

“Foot fitness” classes, foot-focused med-spas, podiatrist-overseen “medi-pedis” and treatments specifically targeting high-heel pain. People simply seeking pain relief via foot massages

Spas try to defferentiate themselves from each others. By piling on the “wow” factors, they are serving up both big and small wows (and true surprises) in a quest for individuation. BLENDING MEDICINE/SPA As the medical evidence for prevention, more truly holistic concepts of wellbeing — and now, even “happiness” — escalates, it’s a huge opportunity for the spa industry.

FAMILY AFFAIR “Amusement park” spa-land. These dynamic, fun, adult playgrounds are full of sensory rides, typically offering larger-than-life all-day water and spa experiences for the entire family.

THE ‘GLAM’ FACTOR Beauty and grooming notion is booming… The intensity, frequency with which people are getting “glammed up,” groomed, bedizened and beautified is exploding worldwide.

?


swimming solid

cocktail party states of matter dancing

Make a conversation

Lounge

electromagnetic

Work on a laptop

Study light Read a book

relaxation procedures bathing beauty spa procedures

heat

massage take a nap

ACOUSTIC CHEMICAL THERMAL ELECTROMAGNETIC

stay in a hotel overnight

ENERGY TYPOLOGY 27 28

acoustic/ vibration

chemical

gas liquid


bridge

WATER ENVIRONMENT 29 30

salinity


depth

current


SOCIAL VS. PRIVATE 31 32


Underwater environment. Fast water flow picks up the salt stored at the bottom of private saltywater zones and brings it to the surface . It creates a boundary between main zones, social and private ones. 33 34


sig

tun

com n a l s y st e m

y ed to the bod

a mon are

public

transition DEFINE A BOUNDARY 35 36


social hub

PROTOTYPE CATALOG 37 38

‘concentration’ pod

spa-procedures


sleep-pod

spa-procedures

hotel room most controlled


39 40


Individual boundary. Sense of privacy and security, in a hotel zone specifically, is protected by the ability of water to read and recognize the biochemical info of everyone crossing the boundary of the private zone.


From social to private. Steam density controls the visibility of the main zones and shows the gradient transition from the most social towards more private ones. 41 42


43 44


MINI CITY

AN URBAN INTERIOR MUSEUM FALL 2 0 1 1 / SARAH DUNN


program

vertical extrusion

lock & key

45 46

+

horizontal extrusion

new program figure

void & solid


atmosphere

form

program

SUCKING IN... A new catalog of attractors was chosen from the precedents of Chicago architecture based on the ability to suck in people. The catalog incorporated strong vertical + horizontal new program Chicago architecture qualities such as form, extrusion extrusionprogram, figure and atmosphere. Conceptually, the project sucks in buildings from the catalog where the typology of figures is based on plan/ section outline of the precedents.


47 48


VOLUMIZE

Figures are combined in order to achieve an unexpected spatial experience. The project utilizes horizontal and vertical extrusion of lock-and-key figures as well as void and solid conditions as rules to generate a volume. The resulting carve-outs allow light to enter the building and create the sixth facade.


49 50


STUDIES OF GROUND TOUCHING RELATIONSHIPS

CONTEXTUALIZE

The site is located at the intersection of Canal and Lake street.Due to the dynamism of the site, the project accomodates access for all kinds of transportation. Specifically, the project brings water into the site to further develop water activities and river transportation.


PROGRAM: CULTURAL

museum

retail stores

museum administration

retail stores

art school gallery

art school gallery

museum

museum

art school gallery

museum

auditoria

classrooms

library

studios

museum

museum administration

art school gallery

retail stores restaurants

museum

restaurant

PROGRAM: MAKING

auditoria

studios

classrooms

auditoria

classrooms

library support art school administration

library

library

art school administration

library

studios

studios

PROGRAM: LIVING

dormitory

visiting artist faculty apartments student health center and infirmary

cinema complex

dormitory

sports center

dormitory

dormitory

student health center

dormitory

sports center

student center & lounge

sports center bowling alley/ pool hall/ game center cinema complex bike parking

student center & lounge

bowling alley/ pool hall

PROGRAM: OPERATIONS

loading dock

PROGRAM 51 52

maintenance & storage

sports center

visiting artist faculty apartm.


1

2

3

4

5

6

CATALOG PLANS 53 54

60

120


15

30


ACTIVATE 55 56


20

40


57 58


ACTUALIZE STUDENT SPORT & FITNESS CENTER


ACTIVATE STUDENT DORMITORY WITH A COURTYARD 59 60


61 62


ACTIVATE DYNAMIC ATMOSPHERE CAFEE


ACTIVATE

CHAMELEON STUDENT LOUNGE WITH A CITY VIEW 63 64

24 25


65 66


67 68


continuity

FLUID OFFICE BUILDING

SPRING 2 0 1 1 / PENELOPE DEAN & ANDREW MODDRELL


MANIPULATE The exploration of the characteristics of different materials such as PVC, paper and plastic finds its implementation in creating and then elaborating a unique spatial quality. The idea realizes a dynamic fluid and continuous environment based on interlacing folded ribbons. The curvy flow combines hairpins and slight rounding to dictate the motion. The floor plates produced by extension of these ribbons, together with circulation path are involved in one dynamic flow. 69 70


S

S

S

M

M

M

M

L

L


1

3

2

4

+

+... =

bend

step down/ fold

71 72

make it thick

intersect and support


1/16�=3’

SECTION A-A

TECHNIQUE

In order to house necessarily enclosed spaced such as fire staircases, services and restrooms, two main ribbons that diagonally cross the building were thickened. Floating in different levels and touching opposite sides of the building, these ribbons provide the fire egress from intersected ribbons. The structural concrete ribbons are quite thick, stacking them together to support makes steps in section that physically may be interpreted as a bench or a stair step depending on thickness of that slab.


WEST ELEVATION

SOUTH ELEVATION

EAST ELEVATION

NORTH ELEVATION

73 74

1/32”=4’


LOBBY

A

RETAIL

OFFICE

RETAIL

OFFICE

A

RETAIL

LOBBY

LIBRARY

LEVEL 03 1/16”=3’


ACCESS

WALL

POCHE

SHADOW

A RIBBON AS...

75 76


ESCALATOR

FIRE STAIRCASE

FLOOR

WRAPPER


SECTION B-B

1/16�=3’

SITE ACCESS Visitors enter the building through a narrow tunnel and are suddenly welcomed into a wide open space. The site speaks with the openings and spaces of the ground floor that allow it to be seen as a whole. The elevation of main ribbons juxtaposes the descent of a landscape; this entrance is wide at the beginning and gradually compresses to the center of the building where the circulation starts. Half of the building cantilevers above the low surface of the site giving the opportunity to rise the head and look at the bottom of the structure from underneath. 77 78


SECTION C-C

C

A


PROGRAM

The program distribution parallels the idea of communication and open space. Each ribbon bears both of the main program – office and retail- both of which are evenly spread out across the building. No physical walls are implemented to organize the space. Instead, by joining the escalators into one circulation flow, an access path is created that divides the space into parts. These islands are dedicated to certain program – either office or retail alternating with one another. Within the program the furniture is clustered into groups by functionality in order to generate a secondary flow. The areas where the programs intersect present the overlapping condition and smoothly erase the boundaries between them. 79 80


RETAIL

LOBBY

RETAIL

OFFICE

OFFICE

RETAIL

LOBBY

OFFICE

LEVEL 01 1/16”=3’


EXPERIENCE 81 82


EXPERIENCE 83 84


THE HOUSE SINGLE SURFACE RESIDENTIAL PROJECT

FALL 2010 / PAUL PREISSNER & LAURA FEHLBERG

85 86


The project explores the technique of Peter Eisenman in creation of House VI drawings. Originally done by hands and then redrawn using the software, the set represents step-by-step development of house geometry. The second set interprets the previous drawings by using curve to generate the elements and their connections. Openings, walls, columns, and volumes are performed in the tear, fold, pull off, peel away and blow up techniques. The technique is based on seamles edge condition between vertical and horizontal surfaces and on alternation of the sharp and smooth bends. The shape of the house represents a dynamic fluent continuous surface. 87 88


DRAWINGS 11-14 HOUSE VI BY P.EISENMAN

REPEAT & INTERPRET 89 90


DRAWINGS 11-14 CURVE INTERPRETATION HOUSE VI


TECHNIQUE 91 92


LEFT

FRONT

RIGHT

BACK

LEFT

FRONT

RIGHT

BACK

LEFT

FRONT

RIGHT

BACK

LEFT

FRONT

RIGHT

BACK

LEFT

FRONT

RIGHT

BACK

LEFT

FRONT

RIGHT

BACK

LEFT

FRONT

RIGHT

BACK

TRANSFORM Design of the house departs from the primitive box shape fit of a standard lot of 25’ by 125’. The figure of the house is developed by implementing a found technique. The technique is deployed to create drawings that express a programmatic intention of the house. As the transformations progress, each step modifies the existing surface in step-by-step fashion. 93 94


1

A

A 1 KITCHEN DINING ROOM

BELOW GRADE

2

4

5

3

A

A 2 ENTRY VESTIBULE 3 BATHROOM

FIRST FLOOR

6

7

4 LIVING ROOM 5 GARAGE

8

A

A SECOND FLOOR

PROGRAM 95 96

6 GUEST BEDROOM 7 MASTER BEDROOM

8 GUEST STUDIO


1

2

3

4

5

6

7

SECOND LEVEL

FIRST LEVEL

BELOW GRADE

PERSPECTIVE VIEW IN A CONTEXT OF THE PRIMITIVE HOUSES


1

2

3

4

6

5

7

FRONT ELEVATION

1

97 98

2

3


SIDE ELEVATIONS

4

5

6

7


99 100


URBAN CAKE URBAN HOUSING

SPRING 20 12 / LUIS ORTEGA 101 102


Social aspect:

freelance

distraction of the personal space

SOCIAL ASPECT

FREELANCE- WORKING AT HOME 103 104

separation oneself from work


current urban situation

bringing IN the street to cook ...

rethinking housing

an urban cake! CONCEPT

BRINGING IN THE STREET TO COOK .. AN URBAN CAKE!


ve ork

sleep living office

34 units total : 52, 308 sq.ft total work: 22, 494 sq.ft total live: 29, 814 sq.ft

live work layering the program

UNITS 105 106

unit division


1 level unit

SINGLE STOREY UNIT multilayered whole multilayered parts

k TWO-STOREY UNIT

sleep living office

THREE-STOREY UNIT

sleep

sleep living office

2 storey unit

3 storey unit


3RD FLOOR

SHARED 107 108

4TH FLOOR


5TH FLOOR

7TH FLOOR 6TH FLOOR


SHARED COMMON AREA OFVOID THE OFFICE LEVEL COMMON 109 110


voids office. living. bedroom

RELATION TO THE EXTERIOR/ LEVEL OF TRANSPARENCY/ COMMON VOID UNFOLDED INTERIOR ELEVATION


SHARED

COMMON AREA OF THE LIVING LEVEL 111 112


office

bedrooms

living


113 114


BRINGING IN THE STREET_ PLAZAS ABOVE : ON THE LEFT:

PUBLIC PLAZA RESIDENTIAL PLAZA


115 116


INTER EMBRACE

66

S U M M E R 2012

THINK SPACE

LOOKING IN CLIMBING UP

82

S P RI N G 2012

ComEd FEELING POWERFUL

THE ELEPHANT IN A ROOM

82

S P RI N G 2013

120 HOURS

COMPETITIONS

2011-2013


117 118


INTER EMBRACE FERRY PORT TERMINAL IN THE CITY OF YOKOHAMA, JAPAN

包容

SU MMER 2 01 2 / IN TEAM WITH MATTHEW MESSNER, ADRIANNE JOERGENSEN, LULWAH ALZAID


SHIP DOCKING DIAGRAM

Our concept for the Osanbashi pier is to architecturally manifest the gesture of welcoming. The shape was inspired by the duality concept of “Niwaminato.� It can be understood as two halves, which start from opposite ends of the pier and move towards one another, intertwining at the center and separating again. These two halves each represent dual aspects of the Osanbashi pier, and the city of Yokohama: local and international, village of the city, the sea, and the pier. These drawings depict the welcome gesture as a series of embraces. In the greater urban context, the city of Yokohama embraces the pier and the pier returns the favor by welcoming the citizen through an unencumbered path to the center of pier. At a more local level, the Osanbashi pier embraces the ships. Large ships like the Queen Elizabeth II act like floating cities, and when the ship docks, it os physically enveloped by the pier, such the two cities are united. Once the visitors enter the pier, it embraces them. As the visitors move through the interior spaces, the people of Yokohama embrace them. The act of welcome is manifested on urban and individual scales. 119 120


+ FORMAL STRATEGY

-

URBAN CONTEXT


administration terminal service citizens

administration

cu

gates

duty f restaurants

visitors terminal service

zens

shops

drop off/ pick up

administration

custom duty free

gates

restaurants

CIRCULATION & PROGRAM DIAGRAM 121 122


EMBRACING VISITORS


123 124


ONE COLLECTIVE


125 126


LOOKING IN CLIMBING UP ComEd TRAINING FACILITY, CHICAGO

SP R ING 20 12 / IN TEAM WITH MATTHEW MESSNER, MAUREEN RAHMAN, MATTHEW SCHNEIDER


VIEW ONTO INDOOR TECHNICAL AREA 127 128


indoor tech

employee section

public section

wrap

form

set

FORMAL STRATEGY

Feeling Powerful puts the active curriculum of student line workers at the heart of its design while providing an environmentally conscious haven for public and employee interaction. Wrapping the indoor tech area with building program and elevating the public education area gives the whole school a first hand view of the action within.


telephone pole

shower

signage

lighting

tree

coat rack

swing set

solar tree

loud speaker

seating

plumbing

structure

hammock

flag

shelve

POLE SPECULATIONS 129 130


6 7

0.00

0.00

1

3

5

2

4

8

GROUND FLOOR

9

2ND FLOOR

11

10

22

18.75'

9 12

21 18

20

19

3RD FLOOR

17

20

25

26 24 27 28 25 25.00'

16 18 19

26

29

30

31

31

32

32

33 14 16

29

22

15 17

27 28

25.00'

30

0.00

15

25.00'

21

24

25.00'

14 25.00'

12 13 25.00'

25.00' 0.00

11

10

13 25.00' 18.75'

25.00'

25.00'

43 42

41

40

43 38 39 42

37

41

36

40

35

39

34 38

37

33

36

35

34

4TH FLOOR

CATALOG PLANS


VIEW FROM CUSTOMER EDUCATION AREA 131 132


INTERIOR STUDENT BREAK AREA


SUMMER CONDITION

MIXED USE MEGASTRUCTURE IN BERGEN , NORWAY SP R IN G 20 13 / IN TEAM WITH MATTHEW MESSNER 133 134


the elephant in a room


winter

spring

summer

autumn

SEASONAL TRANSFORMATIONS

The division of Human from Nature is the perhaps the earliest understanding of Architecture. This proposal hopes to investigate this polemic, while taking a radical stance on the preservation of the Geiranger Fjord UNESCO World Heritage Site. Through the careful, yet absolute, control of the built environment of humans in the fjord, the project allows for the reclamation of nature in the entire region. By relocating the fjord’s villages, as well as its villagers and tourist, into the project, all remenants of human presence will be consolidated into one superstructure. Ecologically and economically self-contained, all surrounding air and water is purified, to include pulling in the exhaust of ships that dock at its slips. Only open and occupied from the Spring Equinox through the Winter Solstice, the area is given three months of recovery without the presence of humans. In time,the Geiranger Fjord will be able to return to prehistoric purity. 135 136


relocated village

photo voltaic mesh

authentic Norwegian interiors hotel

ďŹ ltered air release

air cleaning chamber culture and recreation

cruise terminal water puriďŹ cation polluted air intake 0

100 m

0

N

former village

1 km

BRINGING IN


137 138


WINTER CONDITION



Evgeniya Plotnikova - Architecture Portfolio