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ROSS THOMPSON ADAGIO Part 7 Bass 1

ERT 005


2

I

ROSS THOMPSON 2013

for David Tanenbaum and the Students of SFCM BASS 1 Adagio q=80

     

   







ff

6

 













13

 









ff

23

 



30

 

 

  

36

 



mp

ff





 mp



 



 

  





f

  

  

  

  



p ff 41

 

 

  

     

f 45





 

mp

 ff

© 2013 EDITIONS ROSS THOMPSON




3

BASS 1 47

 



 



f

49

   

 



 





   

  



   

    

p

53

 pp

57

  

 f

mf

    

    

  



ff

61

 

 



  

      

ff 67

 

 



 ERT 005










4

BASS 1 75



 



ff subito

 

 

78

 

 

 

espress. 80

 



83

 

 

 



p

86

 



 

88

 

 

 

f 94

 



 

ff

91

 



 

mf





 

f

ff marcato 97

  mf

 

pp

ERT 005



 


5

BASS 1 100

 



 

 

 

ff marcato 103



 



 

 

 

105

  

più 107

 

 pp

109

 

 



 

ff espress. 111

 

 

 

 

p subito 114

  p



 

ff molto espress.





117

 

  ERT 005


6

BASS 1 119

  

più espress. 122

 

 



 



125

 



 

f

p subito

127

 

 

ff molto espress.

130

 

     

   

     

più 133





 



 mf

136

 

    

     ERT 005

    


7

BASS 1 140

 



   



  





 

ff 144

 







 

mf

147

        

         

 

cresc. 151

 



 

ff marcato

 

  

 



p



 

 

f

 

  

  mp

163

 

mf

159

  



meno

155

 



 ERT 005

 

 


8

BASS 1 marcato sempre 164

 

    

        

ff molto

168

                      f

cresc.

           p subito!

  

    

 

ff legato

173

 

 







 

 

molto espress.

176

 





 

 

179

 





p



più

181

 

 





f legato

 

 dim.

ERT 005




9

BASS 1 184

 



 



pp 186

 





mf



f

188

 



 



 



ff molto espress. 191

            

      

fff sempre legato 194

  196

   più

199

                





202

 

 





legato espress. 205

 





più

ERT 005




10

BASS 1

208

 

 



 

 



f

211

  



mf

213

 



 mp

216

 





219

  p



 ERT 005


ERT 005 ADAGIO Part 7 Bass 1