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Emmanuel Gambin

E m ma n u e l Ga m b i n

Portfolio


N YS ID L i b r a r y P r o j e c t

Emmanuel Gambin

Th e New Yo r k Scho o l of In te ri o r D e sign libr ar y pr oject C once pt: Th e l i g h t i n g con ce p t i s to re d e f i n e c o n t ours, i so l ate s p a c e s k e e p i ng u n i ty on b o o k s . T h e p u rpo se i s to c re a t e s h a d e s an d co n to u rs t h a t w i l l d i s t i ngu i sh s p e c i f i c a r e a s kee p i ng th e f o c u s o n b o o ks. Th e i d e a i s t o u se th e l i g h t t o s h a p e s o m e spe ci fi c e n v i r o n m e n t s re a d i ng a re a s , l i b r a r y rece p ti on d e s k s , c i r c u l ati on a s p e r t h e i r u s a g e s usi ng co l or t e m p e r a t u r e , l i g h t so u rce s h a p e s , r e f e c ti on a n d d ist r i b u t i o n . Th e l i b r a r y a nd a te l i e r o v e r a l l i l l u m i na ti on p u rp o s e s i s t o brea k t h e l i g h t i n g u n i formi ty u s in g d i ff e r e n t l i g h ti ng t e c h n i q u e s o n th e w orki n g a re a a n d t h e peri o d i cal s a lo n o p p o s e d to th e b o o k s h e l v e s z o n e . Tw o sp e ci fi c atmospheres will be c re a t e d

Work i ng area

B o o ks he lve s

A tel i er U pper book s hel v es

R ea d in g t a b le s

Sa lo n

Co u n te r

A tel i er Work i ng A rea

A tel i er E ntranc e

NYSI D

library proposal


N YS ID L i b r a r y P r o j e c t

Emmanuel Gambin

Sin c e t h e Sc hoo l op e n e d i n 1 9 1 6 , t h e l i b r a ry ha d man y d iff er e n t a r r a n g e men ts. Wh a t s t r i k e s th e most w he n e n t e r i n g t h e spa ce n o w ad a ys is t h e t o t a l u n i formi ty. It p ro v i d e s a “ f l oa ti ng i n sp a ce � s e n s a t i o n . T h e l i g h t i s l i ke e q u a l l y d i ff u se d w i th th e s a m e c o l o r t e mpe ratu re. As a c o n s e q ue n ce , th e s p a c e , d e s p i t e d i fferen t a rea p u rp o s e s : b o ok-she l ves, re a d i n g a n d worki n g a rea s, d o e s n o t d e f i ne th e m w i th lig h t . Atel i er ( l ook i ng South)

So m e t i m e s l i gh t l eve l s (1 7 fc) in co r r i d o r s a nd p a th w ays a n d ( 3 4 f c ) o n top o f th e b o o k s h e l v e s are to o h i gh . So m e t i m e s t h e y a re to o l ow (1 9 f c ) o n t h e mai n l i b rary c o u n t e r w i t h a de crea si ng illu m i n a t i o n t op to b o tto m f ro m ( 1 5 f c ) t o (8 fc) on bookshelves. Th e a t e l i e r l i ghti ng i s e x p e r i e n c i n g the sa me s it ua t i o n e x p e ct th a t b o o k s h e l v e s are d ramati cal l y d a rk a n d t h e ba l con y to ta l l y ig n o r e d .

Counter and r eading r oom

NYSI D

library

(existing)

Book - s hel v es ar ea


N YS ID L i b r a r y P r o j e c t

Emmanuel Gambin

The

overall

N Y SI D

library

R e f l e c t i n g C e i l i n g P l a n ( RCP)


Emmanuel Gambin

Z1 : L i b ra ry main sp ac e ceiling zone I t wi l l b e d i m mab l e from 0 1 0 V a n d m a n ual l y man a g e d . Z2 : C o v e c e i lin g zo n e I t wi l l b e d i m mab l e from 0 1 0 V a n d m a n ual l y man a g e d . Z3 a a n d Z 6 a : L ib ra ry a n d a te l i e r w o rk i ng zo n e Th o s e a r e d a y l i gh t zo n e s t h a t c o u l d b e man u a l l y d imm e d a l s o . Th e y a r e c o n tro l l e d b y a n o c c u p a n c y s e nsor w i th a 1 5 m in u t e s d e l a y Z3 b a n d Z 6 b : L ib rary a n d a te l i e r w o rk i ng zo n e Th o s e a r e d a y l i gh t zo n e s t h a t c o u l d b e man u a l l y d imm e d a l s o . Th e y a r e c o n tro l l e d b y a n o c c u p a n c y s e nsor w i th a 3 0 m in u t e s d e l a y. Z4 a n d Z 7 : A t elie r b o o ks he l v e s z o n e I t wi l l b e n o n di mmab l e a n d manually managed. Z5 : A t e l i e r e ntra n ce zo n e Th o s e a s s o c i ate o ccu p a n cy s e n s o r w i t h 0 - 10 V d i mmi n g . Wh en n o prese n ce i s d e t e c t e d f o r 15 mi n u te s th e y a re d i m m e d t o the i r l ow est. AS s o o n a s a p rese n ce i s d e t e c t e d t h e f ul l p o w er i s a c t iv a t e d .

T h e N Y SI D

l i b r a r y l i g h t s c h e m at i c des i g n a n d c o n t r o l sys t e m

N YS ID L i b r a r y P r o j e c t


N YS ID L i b r a r y P r o j e c t

Emmanuel Gambin

L 5 - Li n ear pendant

L 2 - C o v e l i ght

L 4 - Bo o k s h e l v e s l i g h t

L 5 - Li near pendant

The

at e l i e r a n d l i b r a r y w o r k i n g a n d r e a d i n g a r e a s

L1 - S pot l i ght


N YS ID L i b r a r y P r o j e c t

Emmanuel Gambin

R eading roo m ( n i g h t )

R eadi ng room vi ew

Bookshel ves area l i ght i l l umi nati on si mul ati on

R eading roo m s i d e v i e w ( n i g h t) T h e l i b r a r y r e a d i n g a n d b o o k s h e lv es

Bookshel ves (exi sti ng) areas


N YS ID L i b r a r y P r o j e c t

Emmanuel Gambin

I l l umi n a n c e stu d y (the A G I s p e c i f i c m o u n ti n g va l i d a ti on ): Usin g a s i m p l e mod e l w i th ju st a s t r a i g h t re fl ecto r, n o t c u r v e d a s i n th e fi na l v e rs i o n , l i g h t l e ve l s are ve ry h ig h o n t h e b ook su rface s. Th e y a r e f r o m th e fi rst sh e l f t o t h e t h i r d , f rom top to b o t t o m , 3 0 f c , 25 fc a n d 1 8 fc. O n a v e r a g e , on th e b o o ks v e rt i c a l s u r f a ce , th e l i g h t in t en s i t y i s 1 6fc. Th e p r o p o s e d L E D stri p m o u n t i n g p r o d u ce d more illu m i n a t i o n t han th e IE S re c o m m e n d s .

T h e IE S i l l um inance compl i a n ce ranges fro m 10 fc to 20fc on ve rti ca l sur faces acco rdi ng to the user s ag e . A s pe r ou r si m ulation, N Y S ID pu b l i c libr ar y l e ve l s sho u l d be arou n d 1 6 fc.

Library

b o o k s ta c k s i l l u m i n a n c e s t u dy


N YS ID L i b r a r y P r o j e c t

Emmanuel Gambin

Th e p r o p o s e d L E D m o u n t i n g w i t h on e u n i qu e lig h t s o u r c e p r o d u ce s th ree k in ds o f i l l u m in a ti on s: • D i r e c t l i g h t th a t rea ch e s t h e o p p o s i te sh e l f case • R e f l e c t e d l ig h t th a t ill u m i n a t e s bo o k co ve rs • S o f t r e f l e c t ed l i g h t th a t ill u m i n a t e s the w ho l e s p a c e b e t wee n th e tw o b o o k s t a c k s.

Library

s ta c k s

LED

s t r i p a n d r e f l e c t o r m o u n t i n g de ta i l s


Emmanuel Gambin

Atelier

night view

N YS ID L i b r a r y P r o j e c t


N YS ID L i b r a r y P r o j e c t

Emmanuel Gambin

T h is f i x t u r e u s ed i s the sa m e a s f o r t he l i b rary b o o k s t a c k s wi th a d i ffe ren t p la c i n g : • f o r t h e b o t tom she l ves is w i t h i n t h e b a l con y st r u c t u r e r ai l s • f o r t h e u p pe r on e m o u n t e d o n th e ce i l i ng su r f a c e .

Th e l i b r a r y m ou n ti ng A G I t e s t s w i t h a r efl e cto r an d 5 4 ” h i g h b o o k stacks, d e m o n s t r a t e t ha t a n a v e r a g e o f 1 8 fc w as re a c h e d o n t h e b o o k v e rt i c a l s u r f a c e. Th e a t e l i e r m ou n ti ng p ro v i d e s a d i r ect illu m i n a t i o n b ut w i th a 9 6 ”(9 ’ ) h e i g h t . L i gh t l eve l s s h o u l d b e f i n e a t l ea st a b o v e 3 6 ’ f r o m th e fl oo r. Th e s p a c e o v e ral l illu m i n a t i o n c ove rs tha t zone.

A t e l i e r LE D

s t r i p a n d r e f l e c t o r m o u n t i n g de ta i l s

( s c a l e 3 /4 ”=1 ’ )


Office Project

Emmanuel Gambin

The ”M u t e R e c o r di ng s” l a w fi rm o ffi ce pr oject Du ri n g 1 9 7 8 , D an i el Mi l l er be g a n r ecor ding m usic using synthesizer s under the nam e T he N or m al . H e r ec or ded the tr ac k s “ T.V.O.D .” and “ War m Leather e t t e ”, a n d d i s t ri b u t e d t h e m t h r o u g h R o u g h Trad e S h o p s under the label nam e M ute Recor ds. The l abel w as for m ed i ni ti al l y j us t to r el eas e the one s i ngl e. “ T.V.O.D .” /” War m Lea t h e re t t e ” b e c a me a c u l t h it e n s u r i n g t he fu tu re o f th e l ab e l. “ War m Leather ette” was later cover ed by Gr ac e J ones and C hi c k s on Speed. Af t er m e e t i n g R o b e rt R e n ta l (w ho had pr eviously wor ked with Thom as Lee r ) , M i l l er began r ec or di ng and pl ay i ng l i v e as R ober t R ental & T he N or m al . In 1 9 7 9 t h e b a n d w e n t o n t o u r s u p p o r t i ng th e p u n k b a n d S ti ff Little Finger s, which had just r eleased an al bum that w as bei ng di s tr i buted by R ough Tr ade.

T he c o n c e p t:

B y th e ti me M ute label was founded, m usic was r ec or ded on tape. In o rde r to r em ind m usic m em or y suppor t the M U T E l aw offi c e w i l l b e l i g h t “ taped” .

Mute offi ce bui di ng l ocal i sati on


Office Project

Emmanuel Gambin

O v e r a l l MUTE

office

Reflecting Ceiling Plan


Office Project

Emmanuel Gambin

R ece p ti on R eflecting Ceiling Plan

Reception

Reception location


Emmanuel Gambin

The e n tran ce co rri dor Reflecting Ceiling Plan

E l e vat o r

corridor

Office Project

En t ra n c e C o rri d o r L o c a t i o n


Office Project

Emmanuel Gambin

Th e l i g h t i n g de si gn c o n s i s t s i n t h r e e ke y e le m e n t s : • A c o v e t o cre a te a m b i e n t l i gh t. • C e i l i n g s p ots to f o c a l o n d esk an d circulation • F l o o r s p o t s to h i g h l i g h t t he p e r i m e t e r an d g l a s s w i n d ow s.

M ee t i n g

room

Reception Reflecting Cei l i ng Pl an

M eeti n g R o o m L o c a t i o n


Office Project

Emmanuel Gambin

Corridors

T h e l i g hting design con si sts in one key el emen t: • T h e oblique r ecessed l i ne a r light str ip. T h e p a ssage way cor ner s (ce i l i ng and wall) ar e hi gh l i g h ted to cr eate a tun n e l effect and a br eak be tw ee n the public and the p ri vate ar eas. C or r i d o r L o c a t i o n

Cor r idor s R efl ec ti ng C ei l i ng Pl an

Work ing roo m

T h e l i g hting design con si sts in thr ee key el emen ts: • R e ce ssed linear ceiling l i gh t str ips • R e ce ssed ceiling spots (co u ple of blade units) • R e ce ssed spots nadir ag a i nst the windows.

Work i n g R o o m L o c a t i o n Wor k i ng r oom R efl ec ti ng C ei l i ng Pl an

O pen work in g r o o m

Other

s pa c es

T h e l i g hting design con si sts in two key el emen ts: • R e ce ssed linear ceiling l i gh t str ips • R e ce ssed ceiling spots (co u ple of blade units) .

Open w or k i ng r oom R efl ec ti ng C ei l i ng Pl an

Ope n Wo rk i n g R o o m Loc a t i o n


Office Project

Emmanuel Gambin

T h is r o o m i s co mpl i ca te d a s c u m u l a t i n g i n si de a n d o u t s i d e w i n d ow s, tw o working tables and an e le v a t e d c l o s et.

Pa rt n e r ro o m l o c a t i o n

T h e l i g h t i n g de si gn co n s i s t s i n f o u r key e le m e n t s : • Tw o l i n e a r p e n d a n ts ( 6 6 % u p a nd 3 4 % d o w n) • L ED s t r i p s be l ow an d a b o v e t h e ca b i ne t • R e c e s s e d s p o ts n a d i r a g a i n s t w i nd o w s. • L i g h t s t r i p s on th e ceiling.

T he Par tner R oom R efl ec ti ng C ei l i ng Pl an

Nadir floor spots m ounting details

Partner

room

N adi r fl oor s pots m ounti ng detai l s ( enl ar ged)


Office Project

Emmanuel Gambin

Th e l i g h t i n g de si gn c o n s i s t s i n t h r e e ke y e le m e n t s : • F o u r r e c e s se d sp o ts (c o u p l e o f b l ad e units) • L E D s t r i p s be l ow an d a b o v e t h e ca b i ne t • O n e n a d i r rece sse d s p o t a g a i n st the w i n d o w.

I n t e r vi e w ro o ms l o c a t i o n s T he i nter view r oom Reflecting Ceiling Plan

L ED s t r i p m o un ti ng d e ta i l s (cab i net top)

Interview

rooms

LED s tr i p m ounti ng detai l s ( c abi net bottom )

LED strip moun ting detai ls overa ll view


Office Project

Emmanuel Gambin

The Interview room This room is rectangular and lighted with two sources: -

Four recessed spots (Iguzzini L2)

-

Linear LED strips (Feelux) located below and above the cabinet

The total foot per candle is 43 that is totally suitable for a working area as the minimum required is around 35 Fc. Below the two fixtures CU tables

Iguzzini L2

Feelux strip

LUMEN METHOD CALCULATION WORKSHEET NAME: Interview Room DATE: PROJECT: Office ROOM: ROOM INFO Length: Ceiling height:

8-May Interview

10 Area: 2.6 Suspension h

165 0

Ceiling height - workplane height - suspension height = Height H

7.9

ROOM CAVITY RATIO RECTANGULAR: 5 * (L+W) * H / (L*W) = RCR 5 x _____ (L+W) x _______ (H) / ________ (L x W) = ____ RC

6.34

16.5 Width: 10.5 Workplane

IRREGULAR 2.5 * (Perimeter) * H / Area = RCR 2.5 x _____ (L+W) x _______ (H) / ________ (L x W) = ____ RCR

LUMINAIRE(S) Type: BladeL2 Lamps per fixtu Type: Stix NDV Lamps per fixture: Type: Lamps per fixture: LIGHT LOSS FACTOR =

Manufacturer: Iguzzini Mounting: Recessed CU: 4 Lumens per lamp: 1510 Total lumen 6040 0.82

31

Manufacturer: Feelux Lumens per lamp: Manufacturer: Lumens per lamp:

Mounting: Surface CU: Total lumens: 0.57 236 7316 Mounting: CU: Total lumens:

____ BF = ______ LLF ____ LL___ LDD * 0.9 0.85 1

LUMEN METHOD - TO DETERMINE LIGHT LEVEL # of Fixtures * Lumens * CU * LLF / Area _______ Fxt * ________ Lm * ____ CU * ____ L / ____ SF 4 1510 0.82 0.765 165 _______ Fxt * ________ Lm * ____ CU * ____ L / ____ SF 31 252 0.57 0.765 165 _______ Fxt * ________ Lm * ____ CU * ____ L / ____ SF

0.765

= Average Footcandles = _________ FC 22.96 = _________ FC 20.64 = _________ FC 43.61 * Add all rows together for the average light level for spaces when using multiple fixture types

interview room

LUME N

m e t h o d i l l u m i n at i o n v e r i f i c at i o n


Office Project

Emmanuel Gambin

Work Room

The Work room

LUMEN METHOD CALCULATION WORKSHEET NAME: Work Room PROJECT: Office ROOM INFO Length: Ceiling height:

231 0

Ceiling height - workplane height - suspension height = Height H _______

8

5.63

IRREGULAR 2.5 * (Perimeter) * H / Area = RCR 2.5 x _____ (L+W) x _______ (H) / ________ (L x W) = ____ RCR

7.01

-

Type: Edge 2A Lamps per fixture:

-

Linear LED strips (Pinnacle Edge2) located on the ceiling against walls.

The total foot per candle is 39 that is totally suitable for a working area as the minimum required is around 35 Fc. On the right the two fixtures CU tables. work room

LUME N

m e t h o d i l l u m i n at i o n v e r i f i c at i o n

Pinnacle Edge 2

22 Width: 10.5 Workplane

ROOM CAVITY RATIO RECTANGULAR: 5 * (L+W) * H / (L*W) = RCR 5 x _____ (L+W) x _______ (H) / ________ (L x W) = ____ RCR

LUMINAIRE(S) Type: Blade L2 Lamps per fixture:

Iguzzini L2

8-May Work room

10.5 Area: 2.5 Suspension h

This room is non rectangular and lighted with two sources: Four recessed spots (Iguzzini L2)

DATE: ROOM:

Type: Lamps per fixture: LIGHT LOSS FACTOR =

3

46

Manufacturer: Lumens per lamp: Manufacturer: Lumens per lamp: Manufacturer: Lumens per lamp:

Mounting: Recessed CU: Total lumen 0 0.8 1510 4530 Pinnacle Mounting: Recessed CU: Total lumens: 0.51 343 15778 Mounting: CU: Total lumens:

Iguzzini

____ LLD * ___ LDD * ____ BF = ______ LLF 0.9 0.85 1

LUMEN METHOD - TO DETERMINE LIGHT LEVEL # of Fixtures * Lumens * CU * LLF _______ Fxt * ________ Lm * ____ CU * ____ LLF 3 1510 0.8 0.765 _______ Fxt * ________ Lm * ____ CU * ____ LLF 46 343 0.51 0.765 _______ Fxt * ________ Lm * ____ CU * ____ LLF

/ Area / ____ SF 231 / ____ SF 231 / ____ SF

= Average Footcandles = _________ FC 12.00 = _________ FC 26.65 = _________ FC 38.65 * Add all rows together for the average light level for spaces when using multiple fixture types

0.765


Office Project

Emmanuel Gambin

Sequence of operation for the office lighting controls Non Dimming zone (ON/ OFF): - All fixtures shall be non dimmable - Fixtures shall be switched (ON/ OFF) using time clock and occupancy sensors (S2) - occupancy sensors shall turn off lights after 5 minutes of no presence detection. - All fixtures zones shall have manually override from wall station controlled (Cx) located as needed. Manual dimming with occupancy sensor: - All fixtures should be dimmable - Fixtures shall be switched (ON/ OFF) manually using occupancy semsors (S2) - All fixtures zones shall have manually override from wall station controlled (Cx) located as needed. Daylight dimming zone with manuual override: - All fixtures should be dimmable - Daylight sensors (S1) shall dimfixtures based on available daylight and target set points located as needed. - All fixtures zones shall have manually override from wall station controlled (Cx) located as needed. Manual dimming zone with circadian: - All fixtures should be dimmable - Fixtures shall be switched (ON/ OFF) using occupancy sensors (S2) - All fixtures zones shall have manually override from wall station controlled (Cx) located as needed - All fixtures within the zone should follow a CCT management as per circadian presets based on the astrological office location.

O v e r a l l MUTE O f f i c e

c o n t r o l sys t e m


Emmanuel Gambin

Reflecting

c e i l i n g p l a n f o r e n g i n ee r s

Office Project


N YSI D R o o f t o p P r o j e c t

Emmanuel Gambin

The Ne w Yo r k Sch o o l of In te ri o r D e sign r ooftop pr oject Conc ept :

Th e l i g h t i n g co n ce p t a ffi rms th e s c h o o l p r e s e n ce i n th e n e i gh b o rhood: “L e t ’s a d v e r t i se N Y S ID !”. M a n y m e a n s a re u se d to p u rsue that goal: • U s e t h e d ayl i g h t to d i spl ay th e s c h o o l n a me o n th e fl oo r • C o v e r t h e N orth a rea to make it an a l l w e a t h e r spa ce • C r e a t e a c l ea r an d vi si b l e sch ool s i g n a g e f r om th e n e i gh b o rho o d. Th e s p a c e w i ll b e d i vi d e d i n tw o: • T h e N o r t h si de w i l l b e d e d i cated to s t u d i e s w i t h a co ve red p roj ection ro o m o n t h e We st si de a n d a c o n f e r e n c e/w orki n g ta b l e o n the Ea s t s i d e . A mesh scree n w i l l be u s e d t o d i s pl ay i ma g e s a n d a l l ow a see through. • T h e t r a n s i ti on sp a ce w i l l b e e n g a g i n g w i th a red u ce d l eve l of li g h t a n d a ci rcl e p e n d a n t o ve r high tables. • T h e S o u t h area w i l l b e much d a r k e r w i t h so me tran sp a ren t b r i c k e l e m en ts a n d a rea l l o u n ge a m b i a n c e . O nl y the si gn a g e w i ll re c a l l t h e S cho o l .

Vi sion:

• C r e a t e h i e rarchy a n d cl ea r d i s t i n c t i o n be tw ee n sp a ce s, g i v i n g e a c h a fu n cti on a n d id e n t i t y. • M a i n t a i n a ci rcu l ati on a n d vi sual f l o w s b e t w een sp a ce s b y th e u se o f m a t e r i a l s , l i n e s, a men i ti e s, li g h t i n g e l emen ts. • M a k e t h e S cho o l na me a vi si b l e a n d s t r o n g fe a tu re.

NYSI D

rooftop proposal

Work i ng area Ou td o o r Cla ssr o o m

Ba r

C ook i ng area

Lounge Meeti ng area


N YSI D R o o f t o p P r o j e c t

Emmanuel Gambin

NY S I D r o o f t o p saw ma n y ch a n g e s la t el y w i t h a ne w setti ng , p l an te rs , f u rn i t u r e a n d o th e r de co rati on s. As t h e s c h o o l d e ci de s to p rovi de t h e s p a c e w i t h more stu d e n ts a m e n i t i e s , I sta rted a s a stu d e n t t o e n v i s i o n a nd q u e sti on h o w the s p a c e c o u l d b e co me a “vi tri n e � for t h e s c h o o l , w i th a stron g i de n ti ty, a n d s t a t e m e nts. L o o s e n e s s o f e l emen ts i s imp o r t a n t a n d i nte resti ng , b u t s h o u l d e x i s t s w i th i n a more s t ru c t u r e d e n v i ron men t. N ei the r t h e m u l t i p l e e l emen ts o rga n i zati on n o r t h e f l o o r trea tmen t g i ve a s t ro n g p r o g r am i d e a .

NYSI D

rooftop existing conditions

Existing East side

Ex i s ti ng entr anc e

Existing East side r esting ar ea

Ex i s ti ng Wes t s i de r es ti ng ar ea


N YSI D R o o f t o p P r o j e c t

Emmanuel Gambin

Z 1: Tr an sit io n z o n e It w i l l be di m m abl e fr om 0 - 10V and m anaged w i th an oc c upanc y s ens or. Z 2: Over all r o o f t o p z o n e It w i l l be di m m abl e fr om 0 10V and day l i ght m anaged. It w i l l tur n of after bus i nes s hour s ex pec t the s i gnage. Z 3: C o ver ed class z o n e It c oul d be m anual l y di m m ed and c ontr ol l ed w i th an oc c upanc y s ens or w i th a 30 m i nutes del ay. Z 4: M esh scr een z o n e N ot r eal l y c ontr ol l ed as a l i ght fi x tur e but w i l l pr ov i de i l l um i nanc e to the c l as s r oom . It m i ght di s pl ay a N YSID add dur i ng bus i nes s hour s w hen not s pec i fi c v i deo for the c l as s .

C l as s r oom Il l um i nes c e n c e s t u d y

O v e r a l l NY S I D

rooftop

R e f l e c t i n g C e i l i n g P l a n ( RCP),

c o n t r o l z o n es a n d i l l u m i n a n c e s t u dy


N YSI D R o o f t o p P r o j e c t

Emmanuel Gambin

L o u n g e a n d l un ch a rea (S ou th sp ace)

L o u n g e a n d l un ch a rea (S ou th sp ace) at night

Outdoor

l o u n ge a n d l u n c h a r e a

-

d ay

&

night views


N YSI D R o o f t o p P r o j e c t

Emmanuel Gambin

St ro n g l o u n g e i de n ti ty w i th g rass floor and wall and t h e d e e p o r a nge w al l a n d fu rni tur e

War m tones for the bar c ontr as ti ng w i th the l ounge ar ea in the back gr ound

O ut door Cla s s r o o m _ S e c t i o n AA’_ Da y Tim e

O u t d o o r C l a ssro o m _ S e cti on B B’_ Night Tim e

Outdoor

v i e w s a n d c l a ss r o o m n i g h t se c t i o n

-

r e n de r i n gs

Bar and m eeti ng ar ea v i ew l ook i ng ( N o rt h )


N YSI D R o o f t o p P r o j e c t

Emmanuel Gambin

Classr oom view looking South- Eas t ( day ti m e)

O u t d o o r C l a s sro o m _ S e cti on A A’ _ Night Tim e

Outdoor

v i e w s a n d c l a ss r o o m n i g h t se c t i o n

-

r e n de r i n gs

C l as s r oom v i ew l ook i ng Eas t ( day ti m e )


R e s ta u r a n t P r o j e c t

Emmanuel Gambin

Th e VA P I A N O r e s tau ran t p roj ect Th e s p a c e : L o c a t e d o n e bl ock S o u th o f U ni on Squar e, it is ver y close to two m ajor s N ew Yor k uni v er s i ti es , N YU a n d T h e N e w S cho o l . Th e m a i n s p ace h a s a ve ry hi gh ceiling ( 18’) with huge windows on the N or th- Wes t c or ner. It gets a lo t of l i g h t d u ri n g th e d a y a n d w e can feel the str eet fr om the inside. Th e b a c k o f t hi s mai n sp a ce o p e ns to a m uch lower ceiling ar ea m or e app r opr i ate for i nti m ac y.

C onc ept: T he c onc ept i s to i m m er s e c l i ents i nto s pec i fi c a t mo s p h e re , a l o n g w i th di ffer ent foods . In or der to ac hi ev e thi s i d e a , t h e f o l l o w i n g s pac es w i l l be c r eated: • A r aw bar w i th v er y c ool day l i ght • A c ham pagne bar l ounge • An i nti m ate di ni ng r oom w i th w ar m tex tur es a n d s o f t l i g h t • A m ai n bar w her e ev er y one c an m eet.

O v e r a l l VAPIANO

C hef: M athew Ai ta, Phi l l y bor n, ended up el abor ati n g f re n c h c u i s i n e w i t h J ean Geor ges and J i m Lahey. After hi s l as t w or k at the r es taur ant “ l e Phi l os o p h e ” o n B o n d S t re e t ( M anhattan) , he w ants to m oder ni z e fr enc h bi s t ro s f o o d . T he i dea i s as M athew m enti ons : “ a l ook at Pa ri s ri g h t n o w ”, t o g e t c l as s i c di s hes but w i th m or e fi ne di ni ng fr om b a c k t h e d a y. Al s o the w i ne has an i m por tant r ol e as i t c oul d b e c o me e s s e n t i a l f o r the r aw bar. r es ta u r a n t p r o j e c t


R e s ta u r a n t P r o j e c t

Emmanuel Gambin

O v e r a l l VAPIANO

r es ta u r a n t p r o p o sed l i g h t d i s t r i b u t i o n


R e s ta u r a n t P r o j e c t

Emmanuel Gambin

R e fl ecting Ceiling Plan Ba r s h e l v e s m ou n ti ng details

Ba r s h e l v e s overal l m o u n t i n g d e ta i l s

Main bar Lighting proposal

Mai n bar night view

R efl ec ti ng C ei l i ng Pl an ( l ow er l ev el )

T he m ai n bar da y l i g h t v i e w


R e s ta u r a n t P r o j e c t

Emmanuel Gambin

Th e d i n i n g s pa ce R efl ecti ng C ei l ing Plan

Be n c h l i g h t mou n ti ng d e ta i l s sketch

Co lu m n i n t e g r a te d sp o t mou n ti ng details DIning space ( night)

Dinning space lighting proposal

T he di ni ng s pac e ( day l i ght)

T he di ni ng s pac e ( day )


R e s ta u r a n t P r o j e c t

Emmanuel Gambin

Co u n t e r l i g h t mo u n ti ng d e ta i l s

Lounge lighting proposal

T he lounge night view

C ounter l i ght m outi ng detai l s

Lounge R e f l e c t i n g C e i l i n g P l a n


R e s ta u r a n t P r o j e c t

Emmanuel Gambin

T he di ni ng s pac e R efl ec ti ng C ei l i n g P l a n T he di ni ng s pac e ( day l i ght)

Dinning space lighting proposal

The dining space ( night)


R e s ta u r a n t P r o j e c t

Emmanuel Gambin

Reflecting

ceiling plan with controls

(lower

level)


R e s ta u r a n t P r o j e c t

Emmanuel Gambin

Sequence of operation for the restaurant floor plan lighting controls

Controlled dimming - All fixtures should be dimmable - Fixtures shall be switched (ON/ OFF) using time clock as per the restaurant opening hours - Fixtures shall be dimmed using time clock. The closer to the closing time the more dimmed (preset schedule). - All fixtures zones shall have manually override from wall stations (C4/ C3). Manual dimming - All fixtures should be dimmable - Fixtures shall be switched (ON/ OFF) using time clock as per the restaurant opening hours - All fixtures zones shall have manually override from wall stations (C4/ C3).

Sequence

o f o p e r at i o n s p l a n w i t h c o n t r o l s

(lower

level)


R e s ta u r a n t P r o j e c t

Emmanuel Gambin

Reflecting

ceiling plan with controls

(lower

level)


R e s ta u r a n t P r o j e c t

Emmanuel Gambin

Non dimming zone (ON/OFF) - All fixtures shall be non dimmable - Fixtures shall be switched (ON/ OFF) using time clock and occupancy sensors (S2) - occupancy sensors shall be used to automatically turn off lights after 5 minutes of no presence detection. - All fixtures zones shall have manually override from wall station (C3/C4).

Sequence of operation for the restaurant ceiling lighting controls

Controlled dimming - All fixtures should be dimmable - Fixtures shall be switched (ON/ OFF) using time clock as per the restaurant opening hours - Fixtures shall be dimmed using time clock. The closer to the closing time the more dimmed (preset schedule). - All fixtures zones shall have manually override from wall station (C1/C2). Green light zone: - All fixtures should be dimmable - Fixtures shall be switched (ON/ OFF) using time clock when the reataurant is closed - All fixtures zones shall have manually override from wall station controlled (C1) located at the main bar. Daylight (harvesting): - All fixtures should be dimmable - Daylight sensors (S1) shall dimfixtures based on available daylight and target set points located as needed. - All fixtures zones shall have manually override from wall station (C2). Manual dimming zone with circadian - All fixtures should be dimmable - Fixtures shall be switched (ON/ OFF) using time clock - All fixtures zones shall have manually override from wall station controlled (Cx) located as needed - All fixtures within the zone should follow a CCT management as per circadian presets based on the astrological office location.

Sequence

o f o p e r at i o n s p l a n w i t h c o n t r o l s

(ceiling)


Emmanuel Gambin

C l a ss r o o m

p r o j e c t r e n de r i n g

Other

projects


Emmanuel Gambin

C l a ss r o o m

p r o j e c t r e n de r i n g

Other

projects


Emmanuel Gambin

Color

s u b s t r a c t i o n m o de l s t u dy

Other

projects


Other

Emmanuel Gambin

Th e g o a l o f t ha t stu d y i s to sh o w the lig h t d i ff u s i o n i nsi de a 3 d mod e l . This m o d e l i s c a l l ed th e “ti me p i ece � model. We a r e s t u d y i ng th e d a yl i g h t d i ffusion a t 3 s e a s o n s : the E q u i no x (Ma rch and t h e t w o S o l s t i ce s (Jun e a n d D ecem ber ) . Fo r e a c h s e a so n w e ch o o se fi ve tim e d u ri n g t h e d a y w i th n o o n b e i ng the c o m m o n r e f e r en ce .

M odel ( top view)

M odel ( e n d d e t a i l s )

M odel ( fi l ter v i ew )

Winter solstice December 21

9am

10am

N oon

2pm

3pm

9am

N oon

3pm

4pm

9am

N oon

3pm

6pm

Equinox March - September

8am

Summer solstice June 21

Mo d e l ( f r o n t v i ew )

NYSI D - T i m e

p i e c e m o de l

6am

projects


Other

Emmanuel Gambin

projects

Conc ept :

Th e c o n c e p t i s a b o u t sh a d e s. I t m o s t l y m e a ns to n e ve r be i n c o n t a c t w i t h di rect d a yl i g h t. In o t h e r w o r d s al w ays rece i vi n g in d ir e c t s o f t l i g h t As s h o w n i n t he to p l eft d ia g r a m , lib ra r y u s e r s are a l w a ys i n th e s h a d e a n d w i ll ne ve r be a b l e to s e e t h e d i r e c t l i g h t u n l ess i t i s la t e i n t h e a f t erno o n w he n th e s u n i s l o w o n th e h o ri zo n a n d i ts lig h t i s s o f t e r. Th e t o p r i g h t d i ag ram i s illu s t r a t i n g t h e sa me co n ce p t a p p l i e d t o t h e co n fe ren ce roo m illu m i n a t i o n m eth o d . P e o p l e s e a t e d a r e p r otecte d from the o u t s i d e , t h e corri do r, l i gh t a n d v ice - v e r s a .

C onfer enc e r oo m g ra d u a l o p a c i t y m odel

Daylight shade m odel

Inside m odel views with differ ent lig ht c ondi ti ons

PAR S ON S N e w S c h o o l - S u m m e r

i n t e n s i v e l i g h t i n g des i g n s t u d i o

(2 0 1 5 )

Ins i de m odel i l l um i nanc es c om puta t i o n s a n d re n d e ri n g s


Other

Emmanuel Gambin

M o d e l v i e w ( t errace - S ou th s id e)

M odel view ( Nor th Side)

Bu ildi n g l o c a l iza ti on w i th i n p ro jec t s i t e

Render ed view fr om lobby

Building section

Ve rt i c a l c r o s s se cti on s

PAR S ON S N e w S c h o o l - S c h o o l

M odel v i ew

of

C o n s t r u c t ed E n v i r o n m e n t s (2 0 1 6 )

M odel v i ew

projects

Model view

Low er l ev el

Upper level

Low er l ev el c i r c ul ati on

Up p e r l e v e l c i rc u l a t i o n


Emmanuel Gambin

T h e C h a i r P r o j ect


Emmanuel Gambin

T h e C h a i r P r o j ect


The Tunnel

Emmanuel Gambin

project

K i ng ston pathway tunnel section The co nc ept :

Th e i d e a i s to crea te a n a tmospher e thr ough the tunnel that re m i n d s t h e rai l roa d . • I t h a s t o be l i n e a r to reca l l the r ails • I t h a s t o ha ve h a sh l i n e s to r ecall the r ail ties • T h e t u n ne l sha p e w i th th e cove should be em phasized

"I " "I "

We a r e p r o po si ng 3 d i ffe ren t d esigns: • O n e l o n gi tu d i na l tha t reca l l s the r ailr oad tr acks • O n e c i r c ul ar tha t reca l l s ti es and em phasize the dom e e ff e c t • O n e t h a t w i l l i nte g rate th e two fir st visions

K a n Landscape Design - Lighting


Emmanuel Gambin

The Tunnel

project

Th e lin e a r a p p ro a c h : O u r l i g h t i n g co n ce p t i s to remi nd the ra i l s t r e t c h o n th e roo f. I t i s n o t a stra i gh t stri p o f l i g h t but s o m e h a s h l i n e s to reca l l rai l ti es. Th e l i g h t s o u rce i s soft, l arge l y d i ff u s e d a n d w arm.

Th i s s o l u t i o n ca n b e co mbi ne d with re f l e c t i v e p ai nte d sh a p e s o n th e g r o u n d o r t h e w al l s to reca l l rails ties o r j u s t t o i nd i cate th e p a th .

K a n Landscape Design - Lighting


Emmanuel Gambin

The Tunnel

project

Th e c i r c u l a r a p p ro a c h : O u r l i g h t i n g co n ce p t i s to remi nd the ties a n d t h e i d e a o f p rog ressi on i n the tunnel. Th e s h a p e material is design will f lat c e i l i n g

of th e co ve w i th th e r ocky the ta rge te d l i g h t zone. This stress th e co ve zo n e fr om the tun n e l zon e .

Th e l i g h t s o u rce i s i n te n se a t o ne point a n d p r o g r e s si vel y fad i ng . A ga i n, it is g o i n g t o b e a w arm l i g h t.

J u s t l i k e t h e l i n e a r ap p roch , th is solution c a n b e c o m bi ne d w i th refl ecti ve painted s h a p e s o n the g rou n d to reca l l r ails ties o r j u s t t o i nd i cate th e p a th .

K a n Landscape Design - Lighting


The Tunnel

Emmanuel Gambin

project

The pl acement

7" 1'-816

18'

18' 12'-6"

14'

Arch section

Flat ceiling section

Arch ceiling section

Flat ceiling section

4'-6"

14' 0.0000

168'-6"

50' 218'-6"

K a n Landscape Design - Lighting


Emmanuel Gambin

The Tunnel

project

Th e e s t i m a te d co st fo r tha t so l ution includes dr iver s, cables and tr ansfor m er s b u t e x c l u d es sh i pp i ng , i nsta l l a tion and eventually color cinem atic setup and i s as follow: • 9 5 0 0 $ w i th w hi te o n l y • 9 5 0 0 $ w i th a mi x o f ste a d y color s • 1 3 0 0 0 $ wi th co l or cha n g i ng

K a n Landscape Design - Lighting


Emmanuel Gambin

The Tunnel

project

Th e d u a l a p p r o ach : O u r l i g h t i n g co n ce p t i s to fo cu s on the wall and cove m a t e r i a l : r ocks. T h e y a re o u r diffuser m ater ial. Th e s o u r c e l i gh t i s mu ch more intense and color ful. Th e e s t i m a te d co st fo r tha t so l ution includes dr iver s, c a b l e s a n d tran sfo rme rs bu t e xcludes shipping, ins t a l l a t i o n a n d e ve n tu a l l y co l or cinem atic setup and is in p r o g r e s s

K a n Landscape Design - Lighting


The Tunnel

Emmanuel Gambin

project

The pl acement

7" 1'-816

60°

6"

60°

60°

60°

15' 18'

15'

10'-6" 12'-6"

Up

14' Flat ceiling section Flat ceiling section

Arch ceiling Arch ceiling section 20' section 71° 2'

Down

Down

Up Down

Down

Down

Up

71°

Flat ceiling Flat ceiling section section Down

Up

Down

Down

Up

14' Down

Down

Up

Down

Down

Up

20'

0.0000

36'-9" Daylight Zone

18'

10'-6"

14' Arch ceiling14'section Arch section

4'-6"

6"

168'-6"

168'-6"

50'36'-9"

Daylight Zone

16'

32'

85'

253'-6" 218'-6"

0 2' 4'

8'

14'

K a n Landscape Design - Lighting


The Tunnel

Emmanuel Gambin

project

The l i ght l evel s Schedule Symbol

Quantity Manufacturer

Catalog Number

Description

Number Wattage Lamps

22

G&G LED LLC

WPX4-HO-50K

4ft connectorized harsh environment linear LED fixture, high output

1

49.76

14

G&G LED LLC

WPX4-GRN

4ft connectorized harsh environment linear LED fixture, high output, GREEN color

1

50

Note

Statistics

1. LLF for green fixture set to zero. Calculations do not take green fixture output into account

Symbol

Avg

Max

Min Max/Min Avg/Min

Arch Ceiling (floor)

20 fc

26 fc

7 fc

3.7:1

2.9:1

Flat Ceiling (Floor)

12 fc

16 fc

4 fc

4.0:1

3.0:1

Kingston Pedestrian Pathway Rail Trial Lighting Proposal

Description

Arch Ceiling Rendered View

7 7 7 8 7 7 7

10 10 11 11 11 10 10

14 15 16 16 16 15 14

18 19 20 21 20 19 18

20 22 23 24 23 22 20

Plan View Scale - 1" = 16'

Page Size 'B' - 11" x 17"

21 23 25 25 25 23 21

21 23 25 25 25 23 21

20 22 23 23 23 22 20

18 19 20 20 20 19 18

16 17 18 18 18 17 16

15 17 17 18 17 17 15

17 19 20 20 20 19 17

20 21 23 23 23 21 20

21 24 25 26 25 24 21

22 24 26 26 26 24 22

22 24 26 26 26 24 22

20 22 24 24 24 22 20

18 20 21 21 21 20 18

16 17 18 19 18 17 16

16 17 18 18 18 17 16

17 18 19 20 19 18 17

20 21 22 23 22 21 20

22 24 25 25 25 24 22

22 24 26 26 26 24 22

22 24 26 26 26 24 22

21 23 24 25 24 23 21

19 20 21 22 21 20 19

16 17 18 19 18 17 16

15 17 17 18 17 17 15

17 18 19 19 19 18 17

19 21 22 22 22 21 19

21 23 25 25 25 23 21

22 24 26 26 26 24 22

22 24 25 26 25 24 22

21 23 24 25 24 23 21

18 20 21 21 21 20 18

16 17 18 18 18 17 16

14 15 16 16 16 15 14

14 15 16 16 16 15 14

15 16 17 18 17 16 15

15 17 18 18 18 17 15

14 15 16 16 16 15 14

12 14 14 15 14 14 12

13 15 16 16 16 15 13

13 14 15 15 15 14 13

12 13 14 14 14 13 12

12 13 13 14 13 13 12

12 13 14 14 14 13 12

13 14 15 15 15 14 13

13 14 15 15 15 14 13

11 12 13 13 13 12 11

9 9 10 10 10 9 9

6 7 7 7 7 7 6

4 5 5 5 5 5 4

Designer Bradley Gagliardo Date 11/14/2018 Scale Not to Scale Drawing No. 1 Summary

1 of 1 K a n Landscape Design - Lighting


The Tunnel

Emmanuel Gambin

project

The pl acement

K a n Landscape Design - Lighting


The Tunnel

Emmanuel Gambin Wi n o n a 1 f t 3 5 K

G &G 4f t G re e n

project

G &G 4f t 50k

K a n Landscape Design - Lighting


The Tunnel

Emmanuel Gambin

project

FIXTURES Design2Ship™

Dual approach

Catalog Number

PARĀTA

Type

Winline Surface Linear Wet - WSL207W Winline Surface Linear Wet - WSL209W Winline Surface Linear Wet - WSL211W

Hit the Tab key or mouse over the page to see all interactive elements.

Introduction Specifications

700ADJ2 - Adjustable Mount Additional mounts shown on page 7

Length/Weight:

L

12-9/16"

3.5 lbs

24-3/8"

7 lbs

36-3/16"

10.5 lbs

48"

14 lbs

(319 mm) (619 mm)

(1219 mm)

Width: Height 1: Height 2: Height 3:

(1.6 kg) (3.2 kg)

(919 mm)

(4.8 kg)

700FMC Mount

(6.4 kg)

2-3/4"

700ADJ1 Mount

H1

(70 mm)

H2

W OW

3" (76 mm)

700ADJ2 Mount H3

PARATA 729W Series linear surface mount luminaires are designed to graze or wash exterior architectural features or facades with vibrant color. The PLS729W is available in 1ft, 2ft, 3ft, or 4ft lengths with various optics that provide the user exceptional beam control placing the light where it is required. PARATA 729W Series linear surface mount luminaires produce best in class efficacy, producing 546 lumens per foot while consuming only 10.5 watts per foot. Each luminaire is factory calibrated for color consistency. Remote device management (RDM) capability allows bidirectional communication simplifying installation. Resolution can be field selected as per fixture or per foot.

Warranty

W

4-5/16"

5-year limited warranty. Complete warranty terms located at: www. acuitybrands.com/CustomerResources/Terms_and_conditions.aspx

(110 mm)

4-1/16" (103 mm)

Actual performance may differ as a result of end-user environment and application. All values are design or typical values, measured under laboratory conditions at 25°C.

Ordering Information Series PLS729W PARATA RGB LED Linear Surface Wet

Distribution 15DEG 60DEG

EXAMPLE: PLS729W QS LCB 20FT MSL4 700ADJ2 15DEG RGB MVOLT FCLP10A BKT

Program QS

Linear Plan

Quick Ship (5 day shipping)

Source 15 Degrees 60 Degrees

RGB

Total Run Length

LCB Linear Center Balance LLP Linear Longest Possible LSL Linear Same Length (See page 3 for definitions)

__

Voltage Color Changing

MVOLT

Maximum Section Length MSL1 MSL2 MSL3 MSL4

FT

1FT Section Length 2FT Section Length 3FT Section Length 4FT Section Length

Electrical Option Multi Volt 120V thru 277V

NOFCL No feed cable (order separate) FCLP10A 10FT ( 1418 ) Feed Cable Linear PARATA FCLP50A 50FT ( 1418 ) Feed Cable Linear PARATA

Mounting Accessory 700ADJ1 Adjustable Mount Hinge (700 Series) 700ADJ2 Adjustable Mount (700 Series) 700FMC Fixed Mount (700 Series)

Finish BKT WHT SIT

Black Textured White Textured Silver Textured

Linear Center Balance - LCB Linear Longest Possible - LLP Linear Same Length - LSL

200FMC

See page 6 See page 6 See page 6 See page 6

maximum section length

adjustable mount (200 series) - 200ADJ fixed mount (200 series) - 200FMC

15 degrees - 15DEG 30 degrees - 30DEG 60 degrees - 60DEG 100 degrees - 100DEG

Model WSL209W Model WSL211W lm/ft W/ft lm/ft W/ft 389 3.8 703 7.3 402 3.8 725 7.3 466 3.8 841 7.3 486 3.8 877 7.3

(WSL207W) LED Linear 4 - LLP4A (WSL209W) LED Linear 5 - LLP5A (WSL211W) LED Linear 6 - LLP6A

Results based on test ISF34230, ISF34242, ISF34503 100˚ beam spread. Note: LM79 Tests- see page 4.

2700 Kelvin 3000 Kelvin 3500 Kelvin 4000 Kelvin

Power: The Winline 200 series operates on 24VAC using magnetic transformers. A wide range of remote transformers are available in 120V and 277V primary. Dimming: Used with remote mounted 24VAC magnetic transformers which can be dimmed with commonly available low voltage magnetic dimming equipment. Mounting & Adjusting: Both fixed and adjustable mounts combined with an integral wire tray allows the 200 Series to be used almost anywhere. The installer locates and fastens the mount clip, runs power feed lines, connects the fixture’s wire leads to the feed lines and snaps the fixture in place. The low profile fixed mount is only 1/8" high and the adjustable mount allows for 300 degree rotation around the centerline of the fixture. See pages 2-3 for more mounting and adjust-ment information. Operating Temperature: Minimum and maximum ambient air temperatures around this luminaire shall not exceed -22°F to 104°F (-30°C to 40°C). Any application of this product should also take into consideration air flow and ventilation to ensure performance and reliability. 12" - .57 lbs 18" - .79 lbs 24" - 1.04 lbs 30" - 1.29 lbs

36" - 1.53 lbs 42" - 1.78 lbs 48" - 2.03 lbs

mounting accessory

distribution

source

- 27K - 30K color - 35K - 40K temperature

24 volt - 24

24

voltage Back to Back Feed ( 200ADJ ) - 200B2BA Back to Back Feed ( 200FMC ) - 200B2BF Right Angle Feed ( 200ADJ ) - 200RAA Right Angle Feed ( 200FMC ) - 200RAF Recessed Bottom Feed ( 200FMC ) - 200RBF Surface End Feed ( 200ADJ ) - 200SEA Surface End Feed ( 200FMC ) - 200SEF No Box Required or Ordered Separately - NOBOX natural (type III) anodized aluminum - NAA semi gloss black paint - SGB semi gloss white paint - SGW custom paint finish - CPF

electrical option

finish

modified - MOD

Warranty: 5-year limited warranty. Complete warranty terms located at www.acuitybrands.com/CustomerResources/Terms_and_conditions.aspx

Accessories

1ft section length - MSL1 1ft 6in section length - MSL1/6 2ft section length - MSL2 2ft 6in section length - MSL2/6 3ft section length - MSL3 3ft 6in section length - MSL3/6 4ft section length - MSL4

Color & Light Output: The 200 Series utilizes Nichia 757 white LEDs in four standard color temperatures. Model WSL207W/209W/211W features (16) LEDs/ft. 200 Series Model WSL207W Color Temperature lm/ft W/ft ANSI-2700K White 191 1.9 ANSI-3000K White 197 1.9 ANSI-3500K White 228 1.9 ANSI-4000K White 238 1.9

linear plan

run length

The Winline 200 Series are small scale linear LED luminaires designed to be powerful, reliable, and easiest to implement linear LED solution available. The model WSL207W/209W/211W is a high performance luminaire suitable for exterior illumination. Beam Spreads: Winline WSL207W/209W/211W is available in beam spreads of 15, 30, 60 and 100 degrees. See page 6 for photometric data.

series

Total Run Length offered in 6" increments starting at 12" ex. 20FT6 = 20FT 6IN See page 3 for maximum run lengths

200ADJ

Weight:

Controller (Easyl™ Solo / Touch / Pro) DMX-Power Integrator (required for installation) Feed Cable (required for installation) Jumper Cable

Type:

Qty:

winline surface linear 207W/209W/211W wet

Notes

PLS729W RGB LED Linear Surface

Project:

Describe Modification:

special

Actual performance may differ as a result of end-user environment and application. All values are design or typical values, measured under laboratory conditions at 25°C. Listing: Winline WSL207W/209W/211W is ETL listed for wet location. Complies with UL Standard 2108

Winona Lighting • 3760 West Fourth Street • Winona, MN 55987 • 800.328.5291 • www.winonalighting.com © 2011-2017 Acuity Brands Lighting, Inc. All Rights Reserved. “Winona” and “Windirect” are registered trademarks of Acuity Brands Lighting. Products herein may be covered by one or more U.S. Patents and Patents Pending. Specifications subject to change without notice.

PLS729W_QS_PARATA Rev. 12/05/17 Page 1 of 7

Rev. 02/08/18 WSL_207W_209W_211W

Winona Lighting • 3760 West Fourth Street • Winona, MN 55987 • 888-834-5684 • www.winonalighting.com © 2013-2015 Acuity Brands Lighting, Inc. All Rights Reserved. “Winona” is a registered trademark of Acuity Brands Lighting. Products herein may be covered by one or more U.S. Patents and Patents Pending. Specifications subject to change without notice.

1

K a n Landscape Design - Lighting


The Tunnel

Emmanuel Gambin

project

FIXTURES

C i rc u l a r a nd Li near approaches

Specifier

Specifier

Project

Project

Date

Date

LLI-NC3.7W-68

LLI-N3.7W-68

(NEON: Top Emitting, Dome Profile)

(NEON: Top Emitting, Dome Profile) Dome Profile

Dome Profile

3 3

WATTAGE

PF

3.7w

PROFILE

TD

Top Emitting, Dome Profile

RATING

IP 68

UV-resistant solid silicone

COLOR

Red (620-625nm) Green (520-525nm) Blue (465-470nm) Yellow (594-596nm) Orange (600-605nm) Pink

W 0.4in H 1.0in

wet location

Low luminosity linear Neon LED. Top Emitting, Dome Profile. Recommended applictions: Outdoor/Indoor accent lighting, Retail signage, Architectural contour lighting. SPECIFICATION

SPECIFICATION

Low luminosity linear Neon LED. Top Emitting, Dome Profile. Recommended applictions: Outdoor/Indoor accent lighting, Retail signage, Architectural contour lighting.

WATTAGE

PF

3.7w

PROFILE

TD

Top Emitting, Dome Profile

RATING

IP 68

UV-resistant solid silicone

wet location

W 0.4in H 1.0in

27K 30K 35K 40K

2700K 3000K 3500K 4000K

45K 50K 57K 65K

125 lm/ft 130 lm/ft 137 lm/ft 142 lm/ft

COLOR

22 lm/ft 71 lm/ft 19 lm/ft 91 lm/ft 18 lm/ft 21 lm/ft

50ft max run (Single end power) 100 ft max run (Dual end power)

LENGTH

PF*

custom length

ORDER GUIDE

Cuttable every 4 in

*All sections are cut and assembled to specification in factory.

MOUNTING

Compatible with aluminum mounting clips, 2in (sold separately).

EXTRUSION

Compatible with extrusion mounting channel, 39in (sold separately).

POWER SUPPLY

Compatible with all 24v power supplies; see power supply section of catalog or website.

NOTE

Minimum bend radius, 2in.

VOLTAGE

24V

50ft max run (Single end power) 100 ft max run (Dual end power)

LENGTH

PF*

custom length

VOLTAGE

LENGTH

GRN

24V

PF

Cuttable every 4 in

*All sections are cut and assembled to specification in factory.

MOUNTING

Compatible with aluminum mounting clips, 2in (sold separately).

EXTRUSION

Compatible with extrusion mounting channel, 39in (sold separately).

POWER SUPPLY

Compatible with all 24v power supplies; see power supply section of catalog or website.

NOTE

Minimum bend radius, 2in.

SERIES

COLOR

RED GRN BLU YEL ORA

ADDITIONAL INFO

24V

ORDER GUIDE

ADDITIONAL INFO

VOLTAGE

LLI-NC3.7W-68

4500K 5000K 5700K 6500K

**Lumen output varies +/- 10%

**Lumen output varies +/- 10%

SERIES

95 lm/ft 103 lm/ft 109 lm/ft 113 lm/ft

LLI-N3.7W-68

COLOR

VOLTAGE

LENGTH

30K

24V

PF

27K 30K 35K 40K 45K 50K 57K

K a n Landscape Design - Lighting


Emmanuel Gambin

Photos


Emmanuel Gambin

Photos

Profile for emmanuel.gambin

Lighting Design Portfolio  

Lighting Design Portfolio  

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