Page 1

Emmanuel Gambin

E m ma n u e l Ga m b i n

Portfolio


NY S ID L i b r a r y P r o j e c t

Emmanuel Gambin

Th e New Yo r k Scho o l of In te ri o r D e sign libr ar y pr oject C once pt: Th e l i g h t i n g con ce p t i s to re d e f i n e c o n t ours, i so l ate s p a c e s k e e p i ng u n i ty on b o o k s . T h e p u rpo se i s to c re a t e s h a d e s an d co n to u rs t h a t w i l l d i s t i ngu i sh s p e c i f i c a r e a s kee p i ng th e f o c u s o n b o o ks. Th e i d e a i s t o u se th e l i g h t t o s h a p e s o m e spe ci fi c e n v i r o n m e n t s re a d i ng a re a s , l i b r a r y rece p ti on d e s k s , c i r c u l ati on a s p e r t h e i r u s a g e s usi ng co l or t e m p e r a t u r e , l i g h t so u rce s h a p e s , r e f e c ti on a n d d ist r i b u t i o n . Th e l i b r a r y a nd a te l i e r o v e r a l l i l l u m i na ti on p u rp o s e s i s t o brea k t h e l i g h t i n g u n i formi ty u s in g d i ff e r e n t l i g h ti ng t e c h n i q u e s o n th e w orki n g a re a a n d t h e peri o d i cal s a lo n o p p o s e d to th e b o o k s h e l v e s z o n e . Tw o sp e ci fi c atmospheres will be c re a t e d

Work i ng area

B o o ks he lve s

A tel i er U pper book s hel v es

R ea d in g t a b le s

Sa lo n

Co u n te r

A tel i er Work i ng A rea

A tel i er E ntranc e

NYSI D

library proposal


NY S ID L i b r a r y P r o j e c t

Emmanuel Gambin

Sin c e t h e Sc hoo l op e n e d i n 1 9 1 6 , t h e l i b r a ry ha d man y d iff er e n t a r r a n g e men ts. Wh a t s t r i k e s th e most w he n e n t e r i n g t h e spa ce n o w ad a ys is t h e t o t a l u n i formi ty. It p ro v i d e s a “ f l oa ti ng i n sp a ce � s e n s a t i o n . T h e l i g h t i s l i ke e q u a l l y d i ff u se d w i th th e s a m e c o l o r t e mpe ratu re. As a c o n s e q ue n ce , th e s p a c e , d e s p i t e d i fferen t a rea p u rp o s e s : b o ok-she l ves, re a d i n g a n d worki n g a rea s, d o e s n o t d e f i ne th e m w i th lig h t . Atel i er ( l ook i ng South)

So m e t i m e s l i gh t l eve l s (1 7 fc) in co r r i d o r s a nd p a th w ays a n d ( 3 4 f c ) o n top o f th e b o o k s h e l v e s are to o h i gh . So m e t i m e s t h e y a re to o l ow (1 9 f c ) o n t h e mai n l i b rary c o u n t e r w i t h a de crea si ng illu m i n a t i o n t op to b o tto m f ro m ( 1 5 f c ) t o (8 fc) on bookshelves. Th e a t e l i e r l i ghti ng i s e x p e r i e n c i n g the sa me s it ua t i o n e x p e ct th a t b o o k s h e l v e s are d ramati cal l y d a rk a n d t h e ba l con y to ta l l y ig n o r e d .

Counter and r eading r oom

NYSI D

library

(existing)

Book - s hel v es ar ea


NY S ID L i b r a r y P r o j e c t

Emmanuel Gambin

The

overall

N Y SI D

library

R e f l e c t i n g C e i l i n g P l a n ( RCP)


Emmanuel Gambin

Z1 : L i b ra ry main sp ac e ceiling zone I t wi l l b e d i m mab l e from 0 1 0 V a n d m a n ual l y man a g e d . Z2 : C o v e c e i lin g zo n e I t wi l l b e d i m mab l e from 0 1 0 V a n d m a n ual l y man a g e d . Z3 a a n d Z 6 a : L ib ra ry a n d a te l i e r w o rk i ng zo n e Th o s e a r e d a y l i gh t zo n e s t h a t c o u l d b e man u a l l y d imm e d a l s o . Th e y a r e c o n tro l l e d b y a n o c c u p a n c y s e nsor w i th a 1 5 m in u t e s d e l a y Z3 b a n d Z 6 b : L ib rary a n d a te l i e r w o rk i ng zo n e Th o s e a r e d a y l i gh t zo n e s t h a t c o u l d b e man u a l l y d imm e d a l s o . Th e y a r e c o n tro l l e d b y a n o c c u p a n c y s e nsor w i th a 3 0 m in u t e s d e l a y. Z4 a n d Z 7 : A t elie r b o o ks he l v e s z o n e I t wi l l b e n o n di mmab l e a n d manually managed. Z5 : A t e l i e r e ntra n ce zo n e Th o s e a s s o c i ate o ccu p a n cy s e n s o r w i t h 0 - 10 V d i mmi n g . Wh en n o prese n ce i s d e t e c t e d f o r 15 mi n u te s th e y a re d i m m e d t o the i r l ow est. AS s o o n a s a p rese n ce i s d e t e c t e d t h e f ul l p o w er i s a c t iv a t e d .

T h e N Y SI D

l i b r a r y l i g h t s c h e m at i c des i g n a n d c o n t r o l sys t e m

NY S ID L i b r a r y P r o j e c t


NY S ID L i b r a r y P r o j e c t

Emmanuel Gambin

L 5 - Li n ear pendant

L 2 - C o v e l i ght

L 4 - Bo o k s h e l v e s l i g h t

L 5 - Li near pendant

The

at e l i e r a n d l i b r a r y w o r k i n g a n d r e a d i n g a r e a s

L1 - S pot l i ght


NY S ID L i b r a r y P r o j e c t

Emmanuel Gambin

R eading roo m ( n i g h t )

R eadi ng room vi ew

B ookshel ves area l i ght i l l umi nati on si mul ati on

R eading roo m s i d e v i e w ( n i g h t) T h e l i b r a r y r e a d i n g a n d b o o k s h e lv es

B ookshel ves (exi sti ng) areas


NY S ID L i b r a r y P r o j e c t

Emmanuel Gambin

I l l umi n a n c e stu d y (the A G I s p e c i f i c m o u n ti n g va l i d a ti on ): Usin g a s i m p l e mod e l w i th ju st a s t r a i g h t re fl ecto r, n o t c u r v e d a s i n th e fi na l v e rs i o n , l i g h t l e ve l s are ve ry h ig h o n t h e b ook su rface s. Th e y a r e f r o m th e fi rst sh e l f t o t h e t h i r d , f rom top to b o t t o m , 3 0 f c , 25 fc a n d 1 8 fc. O n a v e r a g e , on th e b o o ks v e rt i c a l s u r f a ce , th e l i g h t in t en s i t y i s 1 6fc. Th e p r o p o s e d L E D stri p m o u n t i n g p r o d u ce d more illu m i n a t i o n t han th e IE S re c o m m e n d s .

T h e IE S i l l um inance compl i a n ce ranges fro m 10 fc to 20fc on ve rti ca l sur faces acco rdi ng to the user s ag e . A s pe r ou r si m ulation, N Y S ID pu b l i c libr ar y l e ve l s sho u l d be arou n d 1 6 fc.

Library

b o o k s ta c k s i l l u m i n a n c e s t u dy


NY S ID L i b r a r y P r o j e c t

Emmanuel Gambin

Th e p r o p o s e d L E D m o u n t i n g w i t h on e u n i qu e lig h t s o u r c e p r o d u ce s th ree k in ds o f i l l u m in a ti on s: • D i r e c t l i g h t th a t rea ch e s t h e o p p o s i te sh e l f case • R e f l e c t e d l ig h t th a t ill u m i n a t e s bo o k co ve rs • S o f t r e f l e c t ed l i g h t th a t ill u m i n a t e s the w ho l e s p a c e b e t wee n th e tw o b o o k s t a c k s.

Library

s ta c k s

LED

s t r i p a n d r e f l e c t o r m o u n t i n g de ta i l s


Emmanuel Gambin

Atelier

night view

NY S ID L i b r a r y P r o j e c t


NY S ID L i b r a r y P r o j e c t

Emmanuel Gambin

T h is f i x t u r e u s ed i s the sa m e a s f o r t he l i b rary b o o k s t a c k s wi th a d i ffe ren t p la c i n g : • f o r t h e b o t tom she l ves is w i t h i n t h e b a l con y st r u c t u r e r ai l s • f o r t h e u p pe r on e m o u n t e d o n th e ce i l i ng su r f a c e .

Th e l i b r a r y m ou n ti ng A G I t e s t s w i t h a r efl e cto r an d 5 4 ” h i g h b o o k stacks, d e m o n s t r a t e t ha t a n a v e r a g e o f 1 8 fc w as re a c h e d o n t h e b o o k v e rt i c a l s u r f a c e. Th e a t e l i e r m ou n ti ng p ro v i d e s a d i r ect illu m i n a t i o n b ut w i th a 9 6 ”(9 ’ ) h e i g h t . L i gh t l eve l s s h o u l d b e f i n e a t l ea st a b o v e 3 6 ’ f r o m th e fl oo r. Th e s p a c e o v e ral l illu m i n a t i o n c ove rs tha t zone.

A t e l i e r LE D

s t r i p a n d r e f l e c t o r m o u n t i n g de ta i l s

( s c a l e 3 /4 ”=1 ’ )


Office Project

Emmanuel Gambin

The ”M u t e R e c o r di ng s” l a w fi rm o ffi ce pr oject Du ri n g 1 9 7 8 , D an i el Mi l l er be g a n r ecor ding m usic using synthesizer s under the nam e T he N or m al . H e r ec or ded the tr ac k s “ T.V.O.D .” and “ War m Leather e t t e ”, a n d d i s t ri b u t e d t h e m t h r o u g h R o u g h Trad e S h o p s under the label nam e M ute Recor ds. The l abel w as for m ed i ni ti al l y j us t to r el eas e the one s i ngl e. “ T.V.O.D .” /” War m Lea t h e re t t e ” b e c a me a c u l t h it e n s u r i n g t he fu tu re o f th e l ab e l. “ War m Leather ette” was later cover ed by Gr ac e J ones and C hi c k s on Speed. Af t er m e e t i n g R o b e rt R e n ta l (w ho had pr eviously wor ked with Thom as Lee r ) , M i l l er began r ec or di ng and pl ay i ng l i v e as R ober t R ental & T he N or m al . In 1 9 7 9 t h e b a n d w e n t o n t o u r s u p p o r t i ng th e p u n k b a n d S ti ff Little Finger s, which had just r eleased an al bum that w as bei ng di s tr i buted by R ough Tr ade.

T he c o n c e p t:

B y th e ti me M ute label was founded, m usic was r ec or ded on tape. In o rde r to r em ind m usic m em or y suppor t the M U T E l aw offi c e w i l l b e l i g h t “ taped” .

Mute offi ce bui di ng l ocal i sati on


Office Project

Emmanuel Gambin

O v e r a l l MUTE

office

Reflecting Ceiling Plan


Office Project

Emmanuel Gambin

R ece p ti on R eflecting Ceiling Plan

Reception

Reception location


Emmanuel Gambin

The e n tran ce co rri dor Reflecting Ceiling Plan

E l e vat o r

corridor

Office Project

En t ra n c e C o rri d o r L o c a t i o n


Office Project

Emmanuel Gambin

Th e l i g h t i n g de si gn c o n s i s t s i n t h r e e ke y e le m e n t s : • A c o v e t o cre a te a m b i e n t l i gh t. • C e i l i n g s p ots to f o c a l o n d esk an d circulation • F l o o r s p o t s to h i g h l i g h t t he p e r i m e t e r an d g l a s s w i n d ow s.

M ee t i n g

room

Reception Reflecting Cei l i ng Pl an

M eeti n g R o o m L o c a t i o n


Office Project

Emmanuel Gambin

Corridors

T h e l i g hting design con si sts in one key el emen t: • T h e oblique r ecessed l i ne a r light str ip. T h e p a ssage way cor ner s (ce i l i ng and wall) ar e hi gh l i g h ted to cr eate a tun n e l effect and a br eak be tw ee n the public and the p ri vate ar eas. C or r i d o r L o c a t i o n

Cor r idor s R efl ec ti ng C ei l i ng Pl an

Work ing roo m

T h e l i g hting design con si sts in thr ee key el emen ts: • R e ce ssed linear ceiling l i gh t str ips • R e ce ssed ceiling spots (co u ple of blade units) • R e ce ssed spots nadir ag a i nst the windows.

Work i n g R o o m L o c a t i o n Wor k i ng r oom R efl ec ti ng C ei l i ng Pl an

O pen work in g r o o m

Other

s pa c es

T h e l i g hting design con si sts in two key el emen ts: • R e ce ssed linear ceiling l i gh t str ips • R e ce ssed ceiling spots (co u ple of blade units) .

Open w or k i ng r oom R efl ec ti ng C ei l i ng Pl an

Ope n Wo rk i n g R o o m Loc a t i o n


Office Project

Emmanuel Gambin

T h is r o o m i s co mpl i ca te d a s c u m u l a t i n g i n si de a n d o u t s i d e w i n d ow s, tw o working tables and an e le v a t e d c l o s et.

Pa rt n e r ro o m l o c a t i o n

Th e l i g h t i n g desi gn c o n s i s t s i n f o ur key e le m e n t s : • Tw o l i n e a r p e n d a n ts ( 6 6 % u p a nd 3 4 % d o w n) • L ED s t r i p s be l ow an d a b o v e t h e ca b i ne t • R e c e s s e d s p o ts n a d i r a g a i n s t w i nd o w s. • L i g h t s t r i p s on th e ceiling.

T he Par tner R oom R efl ec ti ng C ei l i ng Pl an

Nadir floor spots m ounting details

Partner

room

N adi r fl oor s pots m ounti ng detai l s ( enl ar ged)


Office Project

Emmanuel Gambin

Th e l i g h t i n g de si gn c o n s i s t s i n t h r e e ke y e le m e n t s : • F o u r r e c e s se d sp o ts (c o u p l e o f b l ad e units) • L E D s t r i p s be l ow an d a b o v e t h e ca b i ne t • O n e n a d i r rece sse d s p o t a g a i n st the w i n d o w.

I n t e r vi e w ro o ms l o c a t i o n s T he i nter view r oom Reflecting Ceiling Plan

L ED s t r i p m o un ti ng d e ta i l s (cab i net top)

Interview

rooms

LED s tr i p m ounti ng detai l s ( c abi net bottom )

LED strip moun ting detai ls overa ll view


Office Project

Emmanuel Gambin

The Interview room This room is rectangular and lighted with two sources: -

Four recessed spots (Iguzzini L2)

-

Linear LED strips (Feelux) located below and above the cabinet

The total foot per candle is 43 that is totally suitable for a working area as the minimum required is around 35 Fc. Below the two fixtures CU tables

Iguzzini L2

Feelux strip

LUMEN METHOD CALCULATION WORKSHEET NAME: Interview Room DATE: PROJECT: Office ROOM: ROOM INFO Length: Ceiling height:

8-May Interview

10 Area: 2.6 Suspension h

165 0

Ceiling height - workplane height - suspension height = Height H

7.9

ROOM CAVITY RATIO RECTANGULAR: 5 * (L+W) * H / (L*W) = RCR 5 x _____ (L+W) x _______ (H) / ________ (L x W) = ____ RC

6.34

16.5 Width: 10.5 Workplane

IRREGULAR 2.5 * (Perimeter) * H / Area = RCR 2.5 x _____ (L+W) x _______ (H) / ________ (L x W) = ____ RCR

LUMINAIRE(S) Type: BladeL2 Lamps per fixtu Type: Stix NDV Lamps per fixture: Type: Lamps per fixture: LIGHT LOSS FACTOR =

Manufacturer: Iguzzini Mounting: Recessed CU: 4 Lumens per lamp: 1510 Total lumen 6040 0.82

31

Manufacturer: Feelux Lumens per lamp: Manufacturer: Lumens per lamp:

Mounting: Surface CU: Total lumens: 0.57 236 7316 Mounting: CU: Total lumens:

____ BF = ______ LLF ____ LL___ LDD * 0.9 0.85 1

LUMEN METHOD - TO DETERMINE LIGHT LEVEL # of Fixtures * Lumens * CU * LLF / Area _______ Fxt * ________ Lm * ____ CU * ____ L / ____ SF 4 1510 0.82 0.765 165 _______ Fxt * ________ Lm * ____ CU * ____ L / ____ SF 31 252 0.57 0.765 165 _______ Fxt * ________ Lm * ____ CU * ____ L / ____ SF

0.765

= Average Footcandles = _________ FC 22.96 = _________ FC 20.64 = _________ FC 43.61 * Add all rows together for the average light level for spaces when using multiple fixture types

interview room

LUME N

m e t h o d i l l u m i n at i o n v e r i f i c at i o n


Office Project

Emmanuel Gambin

Work Room

The Work room

LUMEN METHOD CALCULATION WORKSHEET NAME: Work Room PROJECT: Office ROOM INFO Length: Ceiling height:

231 0

Ceiling height - workplane height - suspension height = Height H _______

8

5.63

IRREGULAR 2.5 * (Perimeter) * H / Area = RCR 2.5 x _____ (L+W) x _______ (H) / ________ (L x W) = ____ RCR

7.01

-

Type: Edge 2A Lamps per fixture:

-

Linear LED strips (Pinnacle Edge2) located on the ceiling against walls.

The total foot per candle is 39 that is totally suitable for a working area as the minimum required is around 35 Fc. On the right the two fixtures CU tables. work room

LUME N

m e t h o d i l l u m i n at i o n v e r i f i c at i o n

Pinnacle Edge 2

22 Width: 10.5 Workplane

ROOM CAVITY RATIO RECTANGULAR: 5 * (L+W) * H / (L*W) = RCR 5 x _____ (L+W) x _______ (H) / ________ (L x W) = ____ RCR

LUMINAIRE(S) Type: Blade L2 Lamps per fixture:

Iguzzini L2

8-May Work room

10.5 Area: 2.5 Suspension h

This room is non rectangular and lighted with two sources: Four recessed spots (Iguzzini L2)

DATE: ROOM:

Type: Lamps per fixture: LIGHT LOSS FACTOR =

3

46

Manufacturer: Lumens per lamp: Manufacturer: Lumens per lamp: Manufacturer: Lumens per lamp:

Mounting: Recessed CU: Total lumen 0 0.8 1510 4530 Pinnacle Mounting: Recessed CU: Total lumens: 0.51 343 15778 Mounting: CU: Total lumens:

Iguzzini

____ LLD * ___ LDD * ____ BF = ______ LLF 0.9 0.85 1

LUMEN METHOD - TO DETERMINE LIGHT LEVEL # of Fixtures * Lumens * CU * LLF _______ Fxt * ________ Lm * ____ CU * ____ LLF 3 1510 0.8 0.765 _______ Fxt * ________ Lm * ____ CU * ____ LLF 46 343 0.51 0.765 _______ Fxt * ________ Lm * ____ CU * ____ LLF

/ Area / ____ SF 231 / ____ SF 231 / ____ SF

= Average Footcandles = _________ FC 12.00 = _________ FC 26.65 = _________ FC 38.65 * Add all rows together for the average light level for spaces when using multiple fixture types

0.765


Office Project

Emmanuel Gambin

Sequence of operation for the office lighting controls Non Dimming zone (ON/ OFF): - All fixtures shall be non dimmable - Fixtures shall be switched (ON/ OFF) using time clock and occupancy sensors (S2) - occupancy sensors shall turn off lights after 5 minutes of no presence detection. - All fixtures zones shall have manually override from wall station controlled (Cx) located as needed. Manual dimming with occupancy sensor: - All fixtures should be dimmable - Fixtures shall be switched (ON/ OFF) manually using occupancy semsors (S2) - All fixtures zones shall have manually override from wall station controlled (Cx) located as needed. Daylight dimming zone with manuual override: - All fixtures should be dimmable - Daylight sensors (S1) shall dimfixtures based on available daylight and target set points located as needed. - All fixtures zones shall have manually override from wall station controlled (Cx) located as needed. Manual dimming zone with circadian: - All fixtures should be dimmable - Fixtures shall be switched (ON/ OFF) using occupancy sensors (S2) - All fixtures zones shall have manually override from wall station controlled (Cx) located as needed - All fixtures within the zone should follow a CCT management as per circadian presets based on the astrological office location.

O v e r a l l MUTE O f f i c e

c o n t r o l sys t e m


Emmanuel Gambin

Reflecting

c e i l i n g p l a n f o r e n g i n ee r s

Office Project


N Y SID R o o f t o p P r o j e c t

Emmanuel Gambin

The Ne w Yo r k Sch o o l of In te ri o r D e sign r ooftop pr oject Conc ept :

Th e l i g h t i n g co n ce p t a ffi rms th e s c h o o l p r e s e n ce i n th e n e i gh b o rhood: “L e t ’s a d v e r t i se N Y S ID !”. M a n y m e a n s a re u se d to p u rsue that goal: • U s e t h e d ayl i g h t to d i spl ay th e s c h o o l n a me o n th e fl oo r • C o v e r t h e N orth a rea to make it an a l l w e a t h e r spa ce • C r e a t e a c l ea r an d vi si b l e sch ool s i g n a g e f r om th e n e i gh b o rho o d. Th e s p a c e w i ll b e d i vi d e d i n tw o: • T h e N o r t h si de w i l l b e d e d i cated to s t u d i e s w i t h a co ve red p roj ection ro o m o n t h e We st si de a n d a c o n f e r e n c e/w orki n g ta b l e o n the Ea s t s i d e . A mesh scree n w i l l be u s e d t o d i s pl ay i ma g e s a n d a l l ow a see through. • T h e t r a n s i ti on sp a ce w i l l b e e n g a g i n g w i th a red u ce d l eve l of li g h t a n d a ci rcl e p e n d a n t o ve r high tables. • T h e S o u t h area w i l l b e much d a r k e r w i t h so me tran sp a ren t b r i c k e l e m en ts a n d a rea l l o u n ge a m b i a n c e . O nl y the si gn a g e w i ll re c a l l t h e S cho o l .

Vi sion:

• C r e a t e h i e rarchy a n d cl ea r d i s t i n c t i o n be tw ee n sp a ce s, g i v i n g e a c h a fu n cti on a n d id e n t i t y. • M a i n t a i n a ci rcu l ati on a n d vi sual f l o w s b e t w een sp a ce s b y th e u se o f m a t e r i a l s , l i n e s, a men i ti e s, li g h t i n g e l emen ts. • M a k e t h e S cho o l na me a vi si b l e a n d s t r o n g fe a tu re.

NYSI D

rooftop proposal

Work i ng area Ou td o o r Cla ssr o o m

Ba r

C ook i ng area

Lounge Meeti ng area


N Y SID R o o f t o p P r o j e c t

Emmanuel Gambin

NY S I D r o o f t o p saw ma n y ch a n g e s la t el y w i t h a ne w setti ng , p l an te rs , f u rn i t u r e a n d o th e r de co rati on s. As t h e s c h o o l d e ci de s to p rovi de t h e s p a c e w i t h more stu d e n ts a m e n i t i e s , I sta rted a s a stu d e n t t o e n v i s i o n a nd q u e sti on h o w the s p a c e c o u l d b e co me a “vi tri n e � for t h e s c h o o l , w i th a stron g i de n ti ty, a n d s t a t e m e nts. L o o s e n e s s o f e l emen ts i s imp o r t a n t a n d i nte resti ng , b u t s h o u l d e x i s t s w i th i n a more s t ru c t u r e d e n v i ron men t. N ei the r t h e m u l t i p l e e l emen ts o rga n i zati on n o r t h e f l o o r trea tmen t g i ve a s t ro n g p r o g r am i d e a .

NYSI D

rooftop existing conditions

Existing East side

Ex i s ti ng entr anc e

Existing East side r esting ar ea

Ex i s ti ng Wes t s i de r es ti ng ar ea


N Y SID R o o f t o p P r o j e c t

Emmanuel Gambin

Z 1: Tr an sit io n z o n e It w i l l be di m m abl e fr om 0 - 10V and m anaged w i th an oc c upanc y s ens or. Z 2: Over all r o o f t o p z o n e It w i l l be di m m abl e fr om 0 10V and day l i ght m anaged. It w i l l tur n of after bus i nes s hour s ex pec t the s i gnage. Z 3: C o ver ed class z o n e It c oul d be m anual l y di m m ed and c ontr ol l ed w i th an oc c upanc y s ens or w i th a 30 m i nutes del ay. Z 4: M esh scr een z o n e N ot r eal l y c ontr ol l ed as a l i ght fi x tur e but w i l l pr ov i de i l l um i nanc e to the c l as s r oom . It m i ght di s pl ay a N YSID add dur i ng bus i nes s hour s w hen not s pec i fi c v i deo for the c l as s .

C l as s r oom Il l um i nes c e n c e s t u d y

O v e r a l l NY S I D

rooftop

R e f l e c t i n g C e i l i n g P l a n ( RCP),

c o n t r o l z o n es a n d i l l u m i n a n c e s t u dy


N Y SID R o o f t o p P r o j e c t

Emmanuel Gambin

L o u n g e a n d l un ch a rea (S ou th sp ace)

L o u n g e a n d l un ch a rea (S ou th sp ace) at night

Outdoor

l o u n ge a n d l u n c h a r e a

-

d ay

&

night views


N Y SID R o o f t o p P r o j e c t

Emmanuel Gambin

St ro n g l o u n g e i de n ti ty w i th g rass floor and wall and t h e d e e p o r a nge w al l a n d fu rni tur e

War m tones for the bar c ontr as ti ng w i th the l ounge ar ea in the back gr ound

O ut door Cla s s r o o m _ S e c t i o n AA’_ Da y Tim e

O u t d o o r C l a ssro o m _ S e cti on B B’_ Night Tim e

Outdoor

v i e w s a n d c l a ss r o o m n i g h t se c t i o n

-

r e n de r i n gs

Bar and m eeti ng ar ea v i ew l ook i ng ( N o rt h )


N Y SID R o o f t o p P r o j e c t

Emmanuel Gambin

Classr oom view looking South- Eas t ( day ti m e)

O u t d o o r C l a s sro o m _ S e cti on A A’ _ Night Tim e

Outdoor

v i e w s a n d c l a ss r o o m n i g h t se c t i o n

-

r e n de r i n gs

C l as s r oom v i ew l ook i ng Eas t ( day ti m e )


R e s ta u r a n t P r o j e c t

Emmanuel Gambin

Th e VA P I A N O r e s tau ran t p roj ect Th e s p a c e : L o c a t e d o n e bl ock S o u th o f U ni on Squar e, it is ver y close to two m ajor s N ew Yor k uni v er s i ti es , N YU a n d T h e N e w S cho o l . Th e m a i n s p ace h a s a ve ry hi gh ceiling ( 18’) with huge windows on the N or th- Wes t c or ner. It gets a lo t of l i g h t d u ri n g th e d a y a n d w e can feel the str eet fr om the inside. Th e b a c k o f t hi s mai n sp a ce o p e ns to a m uch lower ceiling ar ea m or e app r opr i ate for i nti m ac y.

C onc ept: T he c onc ept i s to i m m er s e c l i ents i nto s pec i fi c a t mo s p h e re , a l o n g w i th di ffer ent foods . In or der to ac hi ev e thi s i d e a , t h e f o l l o w i n g s pac es w i l l be c r eated: • A r aw bar w i th v er y c ool day l i ght • A c ham pagne bar l ounge • An i nti m ate di ni ng r oom w i th w ar m tex tur es a n d s o f t l i g h t • A m ai n bar w her e ev er y one c an m eet.

O v e r a l l VAPIANO

C hef: M athew Ai ta, Phi l l y bor n, ended up el abor ati n g f re n c h c u i s i n e w i t h J ean Geor ges and J i m Lahey. After hi s l as t w or k at the r es taur ant “ l e Phi l os o p h e ” o n B o n d S t re e t ( M anhattan) , he w ants to m oder ni z e fr enc h bis t ro s f o o d . T he i dea i s as M athew m enti ons : “ a l ook at Pa ri s ri g h t n o w ”, t o g e t c l as s i c di s hes but w i th m or e fi ne di ni ng fr om b a c k t h e d a y. Al s o the w i ne has an i m por tant r ol e as i t c oul d b e c o me e s s e n t i a l f o r the r aw bar. r es ta u r a n t p r o j e c t


R e s ta u r a n t P r o j e c t

Emmanuel Gambin

O v e r a l l VAPIANO

r es ta u r a n t p r o p o sed l i g h t d i s t r i b u t i o n


R e s ta u r a n t P r o j e c t

Emmanuel Gambin

R e fl ecting Ceiling Plan Ba r s h e l v e s mou n ti ng details

Ba r s h e l v e s o ve ral l m o u n t i n g d e tai l s

Main bar Lighting proposal

Ma i n bar night view

R efl ec ti ng C ei l i ng Pl an ( l ow er l ev el )

T he m ai n bar da y l i g h t v i e w


R e s ta u r a n t P r o j e c t

Emmanuel Gambin

Th e d i n i n g s pa ce R efl ecti ng C ei l ing Plan

Be n c h l i g h t mo u n ti ng d e ta i l s sketch

Co lu m n i n t e g r ate d sp o t mou n ti ng details DIning space ( night)

Dinning space lighting proposal

T he di ni ng s pac e ( day l i ght)

T he di ni ng s pac e ( day )


R e s ta u r a n t P r o j e c t

Emmanuel Gambin

Co un t e r l i g h t mo u n ti ng d e ta i l s

Lounge lighting proposal

T h e lounge night view

C ounter l i ght m outi ng detai l s

Lounge R e f l e c t i n g C e i l i n g P l a n


R e s ta u r a n t P r o j e c t

Emmanuel Gambin

T he di ni ng s pac e R efl ec ti ng C ei l i n g P l a n T he di ni ng s pac e ( day l i ght)

Dinning space lighting proposal

The dining space ( night)


R e s ta u r a n t P r o j e c t

Emmanuel Gambin

Reflecting

ceiling plan with controls

(lower

level)


R e s ta u r a n t P r o j e c t

Emmanuel Gambin

Sequence of operation for the restaurant floor plan lighting controls

Controlled dimming - All fixtures should be dimmable - Fixtures shall be switched (ON/ OFF) using time clock as per the restaurant opening hours - Fixtures shall be dimmed using time clock. The closer to the closing time the more dimmed (preset schedule). - All fixtures zones shall have manually override from wall stations (C4/ C3). Manual dimming - All fixtures should be dimmable - Fixtures shall be switched (ON/ OFF) using time clock as per the restaurant opening hours - All fixtures zones shall have manually override from wall stations (C4/ C3).

Sequence

o f o p e r at i o n s p l a n w i t h c o n t r o l s

(lower

level)


R e s ta u r a n t P r o j e c t

Emmanuel Gambin

Reflecting

ceiling plan with controls

(lower

level)


R e s ta u r a n t P r o j e c t

Emmanuel Gambin

Non dimming zone (ON/OFF) - All fixtures shall be non dimmable - Fixtures shall be switched (ON/ OFF) using time clock and occupancy sensors (S2) - occupancy sensors shall be used to automatically turn off lights after 5 minutes of no presence detection. - All fixtures zones shall have manually override from wall station (C3/C4).

Sequence of operation for the restaurant ceiling lighting controls

Controlled dimming - All fixtures should be dimmable - Fixtures shall be switched (ON/ OFF) using time clock as per the restaurant opening hours - Fixtures shall be dimmed using time clock. The closer to the closing time the more dimmed (preset schedule). - All fixtures zones shall have manually override from wall station (C1/C2). Green light zone: - All fixtures should be dimmable - Fixtures shall be switched (ON/ OFF) using time clock when the reataurant is closed - All fixtures zones shall have manually override from wall station controlled (C1) located at the main bar. Daylight (harvesting): - All fixtures should be dimmable - Daylight sensors (S1) shall dimfixtures based on available daylight and target set points located as needed. - All fixtures zones shall have manually override from wall station (C2). Manual dimming zone with circadian - All fixtures should be dimmable - Fixtures shall be switched (ON/ OFF) using time clock - All fixtures zones shall have manually override from wall station controlled (Cx) located as needed - All fixtures within the zone should follow a CCT management as per circadian presets based on the astrological office location.

Sequence

o f o p e r at i o n s p l a n w i t h c o n t r o l s

(ceiling)


Other

Emmanuel Gambin

Clasroom Project

r e n de r i n g

projects


Other

Emmanuel Gambin

Clasroom Project

r e n de r i n g

projects


Emmanuel Gambin

Color

s u b s t r a c t i o n m o de l s t u dy

Other

projects


Other

Emmanuel Gambin

Th e g o a l o f t ha t stu d y i s to sh o w the lig h t d i ff u s i o n i nsi de a 3 d mod e l . This m o d e l i s c a l l ed th e “ti me p i ece � model. We a r e s t u d y i ng th e d a yl i g h t d i ffusion a t 3 s e a s o n s : the E q u i no x (Ma rch and t h e t w o S o l s t i ce s (Jun e a n d D ecem ber ) . Fo r e a c h s e a so n w e ch o o se fi ve tim e d u ri n g t h e d a y w i th n o o n b e i ng the c o m m o n r e f e r en ce .

M odel ( top view)

M odel ( e n d d e t a i l s )

M odel ( fi l ter v i ew )

Winter solstice December 21

9am

10am

N oon

2pm

3pm

9am

N oon

3pm

4pm

9am

N oon

3pm

6pm

Equinox March - September

8am

Summer solstice June 21

Mo d e l ( f r o n t v i ew )

NYSI D - T i m e

p i e c e m o de l

6am

projects


Other

Emmanuel Gambin

projects

Conc ept :

Th e c o n c e p t i s a b o u t sh a d e s. I t m o s t l y m e a ns to n e ve r be i n c o n t a c t w i t h di rect d a yl i g h t. In o t h e r w o r d s al w ays rece i vi n g in d ir e c t s o f t l i g h t As s h o w n i n t he to p l eft d ia g r a m , lib ra r y u s e r s are a l w a ys i n th e s h a d e a n d w i ll ne ve r be a b l e to s e e t h e d i r e c t l i g h t u n l ess i t i s la t e i n t h e a f t erno o n w he n th e s u n i s l o w o n th e h o ri zo n a n d i ts lig h t i s s o f t e r. Th e t o p r i g h t d i ag ram i s illu s t r a t i n g t h e sa me co n ce p t a p p l i e d t o t h e co n fe ren ce roo m illu m i n a t i o n m eth o d . P e o p l e s e a t e d a r e p r otecte d from the o u t s i d e , t h e corri do r, l i gh t a n d v ice - v e r s a .

C onfer enc e r oo m g ra d u a l o p a c i t y m odel

Daylight shade m odel

Inside m odel views with differ ent lig ht c ondi ti ons

PAR S ON S N e w S c h o o l - S u m m e r

i n t e n s i v e l i g h t i n g des i g n s t u d i o

(2 0 1 5 )

Ins i de m odel i l l um i nanc es c om puta t i o n s a n d re n d e ri n g s


Other

Emmanuel Gambin

M o d e l v i e w ( t erra ce - S ou th s id e)

M odel view ( Nor th Side)

Bu ildi n g l o c a l izati on w i th i n p ro jec t s i t e

Render ed view fr om lobby

Building section

Ve rt i c a l c r o s s secti on s

PAR S ON S N e w S c h o o l - S c h o o l

M odel v i ew

of

C o n s t r u c t ed E n v i r o n m e n t s (2 0 1 6 )

M odel v i ew

projects

Model view

Low er l ev el

Upper level

Low er l ev el c i r c ul ati on

Up p e r l e v e l c i rc u l a t i o n


Emmanuel Gambin

Photos


Emmanuel Gambin

Photos

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Lighting Design Portfolio  
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