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Sense and Sensibility, by Jane Austen, is part of the Barnes & Noble Classics series, which offers quality editions at affordable prices to the student and the general reader, including new scholarship, thoughtful design, and pages of carefully crafted extras. Here are some of the remarkable features of Barnes & Noble Classics: New introductions commissioned from today's top writers and scholars Biographies of the authors Chronologies of contemporary historical, biographical, and cultural events Footnotes and endnotes Selective discussions of imitations, parodies, poems, books, plays, paintings, operas, statuary, and films inspired by the work Comments by other famous authors Study questions to challenge the reader's viewpoints and expectations Bibliographies for further reading Indices & Glossaries, when appropriate All editions are beautifully designed and are printed to superior specifications; some include illustrations of historical interest. Barnes & Noble Classics pulls together a constellation of influences-biographical, historical, and literary-to enrich each reader's understanding of these enduring works.
Jane Austen's first published novel, Sense and Sensibility is a wonderfully entertaining tale of flirtation and folly that revolves around two starkly different sisters, Elinor and Marianne Dashwood. While Elinor is thoughtful, considerate, and calm, her younger sister is emotional and wildly romantic. Both are looking for a husband, but neither Elinor's reason nor Marianne's passion can lead them to perfect happiness-as Marianne falls for an unscrupulous rascal and Elinor becomes attached to a man who's already engaged. Startling secrets, unexpected twists, and heartless betrayals interrupt the marriage games that follow. Filled with satiric wit and subtle characterizations, Sense and Sensibility teaches that true love requires a balance of reason and emotion. Laura Engel received her BA from Bryn Mawr College and her MA and PhD from Columbia University. She has taught in independent schools in New York city and is now a visiting assistant professor of English at Macalester College. Her previous publications include essays on the novelists A. S. Byatt and Edna O'Brien. Her forthcoming book is a biography of three eighteenth-century British actresses. Â
About The Author Laura Engel received her BA from Bryn Mawr College and her MA and PhD from Columbia University. She has taught in independent schools in New York city and is now a visiting assistant professor of English at Macalester College. Her previous publications include essays on the novelists A. S. Byatt and Edna O'Brien. Her forthcoming book is a biography of three eighteenth-century British actresses.
Biography In 1801, George Austen retired from the clergy, and Jane, Cassandra, and their parents took up residence in Bath, a fashionable town Jane liked far less than her native village. Jane seems to have written little during this period. When Mr. Austen died in 1805, the three women, Mrs. Austen and her daughters, moved first to Southampton and then, partly subsidized by Jane's brothers, occupied a house in Chawton, a village not unlike Jane's first home. There she began to work on writing and pursued publishing once more, leading to the anonymous publication of Sense and Sensibility in 1811 and Pride and Prejudice in 1813, to modestly good reviews.
Known for her cheerful, modest, and witty character, Jane Austen had a busy family and social life, but as far as we know very little direct romantic experience. There were early flirtations, a quickly retracted agreement to marry the wealthy brother of a friend, and a rumored short-lived attachment -- while she was traveling -- that has not been verified. Her last years were quiet and devoted to family, friends, and writing her final novels. In 1817 she had to interrupt work on her last and unfinished novel, Sanditon, because she fell ill. She died on July 18, 1817, in Winchester, where she had been taken for medical treatment. After her death, her novels Northanger Abbey and Persuasion were published, together with a biographical notice, due to the efforts of her brother Henry. Austen is buried in Winchester Cathedral. Author biography courtesy of Barnes & Noble Books.
Reviews Though not the first novel she wrote, Sense and Sensibility was the first Jane Austen published. Though she initially called it Elinor and Marianne, Austen jettisoned both the title and the epistolary mode in which it was originally written, but kept the essential theme: the necessity of finding a workable middle ground between passion and reason. The story revolves around the Dashwood sisters, Elinor and Marianne. Whereas the former is a sensible, rational creature, her younger sister is wildly romantic--a characteristic that offers Austen plenty of scope for both satire and compassion.
I love the book the movie is very good also.
Also story Pride and Prejudice It is a good book and movie but dont watch the older one thats really boreing watch the newer one with keira nightly in it Anyway five thumps up!
When I first started this book, I was a bit confused, but as I read on I fell in love with the time and setting of the novel. You really fall in love with the characters and get a sense of what marriage and especially money meant in that time and how they where related to one another.
SENSE AND SENSIBILITY by Jane Austin is a Historical classic. It is a true classic love story. The Insight Edition has relevant information about England, their customs and Jane Austin's life during the Regency era. It has likable characters, romance, and family. If you enjoy Jane Austin this is a must read. It is one of the all classic books.
Read An Excerpt From Laura Engel's Introduction to Sense and Sensibility Sense and Sensibility, Jane Austen's first published novel, tells the story of the lives, loves, and longings of two sisters, the sensitive, romantic Marianne and the practical, even-tempered Elinor. With its extended cast of supporting characters, including the garrulous Mrs. Jennings, the stern Mr. Palmer, and the censorious Mrs. Ferrars, Sense and Sensibility revolves around two narratives: the possible romances of Elinor and Marianne Dashwood and the day-today existence of everyone else. The constant anxiety that pervades the story stems from the possibility that the sisters may have to make do with the mundanity of country life, cluttered with gossip, clamor, and superficiality, instead of being swept away by the men of their dreams. In typical Austen fashion we are made aware from the outset that Marianne's choice of suitor, the dashing and theatrical Willoughby, may be a disaster. Elinor's more subdued love object, the shy and awkward Edward Ferrars, on the other hand, just might prove himself worthy if he could manage to articulate a full sentence. Austen began working on Sense and Sensibility in 1795 with an epistolary fragment entitled "Elinor and Marianne" (now lost). The final version was not published until 1811, with a second edition issued in 1813 (Austen-Leigh, Jane Austen: Her Life and Letters). Once described as "bleak, dark, and nasty" compared with the "brightness" of Pride and Prejudice or the complexity of her more mature works Emma, Mansfield Park, and Persuasion, Sense and Sensibility has recently undergone a critical renaissance. New editions, renewed scholarship, and a critically acclaimed film version have put the novel center stage. Sense and Sensibility is a coming-of-age novel, and also a work that chronicles Austen's own "coming of age"-her development as a writer. When she began working on "Elinor and Marianne" she was only twenty, a young woman with the possibility of courtship, marriage, and family open to her. By the time the second edition of the novel was released, Austen had moved from Hampshire to Bath, lost her adoring father, been disappointed in love, rejected a marriage proposal, and relocated again with her mother and sister to Chawton, where she turned her attention to writing. Austen's sense of herself in the world must have been influenced by her close relationship with her only sister, Cassandra, who similarly was disappointed in love and in the awkward position of elder spinster aunt to a large and noisy upper-middle-class country family.
The only surviving portrait of Austen, a watercolor sketch by her sister, depicts the author as a plain, pensive subject with large eyes and a slight hint of a smile. She appears proper and subdued, unlike the description of her by a family friend, who pronounced her "certainly pretty-bright & a good deal of colour in her face-like a doll" (Tomalin, Jane Austen: A Life). Austen's niece Anna's view of her aunt matches Cassandra's portrayal of her: "Her complexion [is] of that rare sort which seems the particular property of light brunettes: a mottled skin, not fair, but perfectly clear and healthy; the fine naturally curling hair, neither light nor dark; the bright hazel eyes to match the rather small, but well shaped nose" (Austen-Leigh). In keeping with Austen's status as a respectable daughter of a clergyman, Sense and Sensibility was first published anonymously. The initial advertisement for the novel, which appeared in the Morning Chronicle on October 31, 1811, refers to the author as "A Lady." A subsequent notice in the same paper on November 7, 1811, bills the work as "an extraordinary novel by A Lady." A few weeks later the book was announced as "an Interesting Novel by Lady A" (Austen-Leigh, p. 254). Austen apparently made some money on the first edition. Her biographers Richard and William Austen-Leigh note that the Â£140 profit from the first edition of Sense and Sensibility was a considerable sum compared to the lesser proceeds her female contemporaries earned from their novels-the Â£30 Fanny Burney gained from sales of Evelina or the Â£100 Maria Edgeworth received for Castle Rackrent. Austen was influenced by the writers of her youth. She adored Samuel Richardson, read Maria Edgeworth, Sir Walter Scott, Dr. Johnson, Alexander Pope, William Cowper, Henry Fielding, and Daniel Defoe, and recited passages from Fanny Burney aloud (Gay, Jane Austen and the Theatre). In Sense and Sensibility Austen echoes earlier novelists while at the same time anticipating the format of the nineteenth-century novel. Austen's choice of translating "Elinor and Marianne" from an epistolary narrative (a novel in letters) into a story told by a central narrator allowed her to juxtapose the internal and external facets of her heroines. What we see Elinor do is often contrasted with what we know she is thinking. This gap between thought and action is highlighted repeatedly throughout the novel.
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