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Portfolio of the Selected Work

Elif Akman

(+49) 152 25486852

(+39) 348 3743136

Curriculum Vitae | Elif Akman

I am an architect based in Berlin, with a journey that began in Istanbul and took me through Grenoble and Venice before settling in Germany. Through my diverse experiences, I have developed a deep passion for the relationship between people, their habits, and the spaces they inhabit.

My work focuses on the intimate scale of architecture—interior projects, exhibition design, and art installations where details and spatial narratives shape emotions and interactions. Inspired by the cities I have lived in and the wisdom of many masters, Luis Barragán’s words perfectly capture my approach to architecture: "Architecture is an art when one consciously or unconsciously creates aesthetic emotion in the atmosphere and when this environment produces well-being."

EXPERIENCES

2021-2024

Universita Iuav di Venezia MA in Architecture, Venice/Italy

october 2023 & present

Architecture Intern & Freelance Architect Studio Tomas Saraceno Berlin/Germany

Buildner Microhome Europan 2025

akmanelif@hotmail.com

adobe suite

2D and 3D softwares

Professional email rendering softwares

Conversational address Beginner

adobe photoshop adobe illustrator adobe indesign

rhinoceros + grasshopper revit archicad autocad sketchup

twinmotion enscape

LANGUAGES

Turkish

English

Italian (B2)

French (B1) Berlin, Germany German

WORKSHOPS

Ecole Nationale Superiore d’Architecture de Grenoble Erasmus+, Grenoble/France

Mimar Sinan Fine Arts Uni. Bachelors in Architecture Ranked 1st, Istanbul/Turkey

Galatasaray High School Equivalent de Baccalaureat Istanbul/Turkey

june 2022 july 2022

Workshop W.A.VE, Workshop Architettura Venezia

november 2019 april 2019 august 2018

Workshop Introduction to Parametric Design

Workshop The Behavioural Pasts & Places: in Braço de Prata/Lisbon Lisbon Technical University

Workshop Depo Pergamon: Conservation Workshop in Bergama/Turkey

july 2023 september 2023 & present april 2023 may 2023

Architecture Intern & Freelance Architect Scaworks Architettura Vicenza/Italy

Production Assistant Biennale di Architettura di Venezia Pavilion of Turkey Venice/Italy

march 2023 august 2020 july 2021

Voluntary Architectural Work Prefabricated Community Center for February 2023 Earthquake in Turkey

Junior Architect Yılmaz Değer Architecure Design Istanbul/Turkey

march 2020 june 2020

Research Participant AURA Istanbul Publication: “Understanding Life Through Apartment and Street Sections: Kadıköy”

june 2019 august 2019

Architecture Intern We’re Architecture Istanbul/Turkey

august 2014 august 2018 september 2018

Construction Site Intern Inanlar Insaat Residential Building Istanbul/Turkey

Conservation & Interior Design Intern Soho House Istanbul Istanbul/Turkey

Reuse Italy Featured in the Book

Competition for Turkish Pavilion of the 18th Biennale di Architettura di Venezia Design Proposal

Istanbul Municipality Social Centers Competition Eyupsultan+Kadikoy Design Proposal

Buyukada Phaeton Square Urban Design Competition Honorable Mention Prize

Bursa Carsibasi Square Urban Design Competition Team Member

Purchase Prize

Kadikoy Square Urban Design Competition Team Member

Finalist

Taksim Square Urban Design Competition Assistant Team Member

Finalist

Design with Fibrobeton Competition - Concrete Innovative Competition Team Member - 1st Prize

COSMIC THREADS

Permanent Installation of Tomás Saraceno at the Planetarium Copenhagen

Professional - Studio Tomás Saraceno - Intern + Freelance Architect

(Worked on the 3D modelling of the Planetarium, 3D modelling of artwork proposals, presentations, and preparation/manual of final installation phases within the team of Studio Tomás Saraceno)

…like Galaxies Forming along Filaments, Like Droplets along the Threads of a Spider’s Web…Activating the Planetarium’s unique staircase gallery through forty-two meters of interwoven threads and spheres that rise through the full height of the building, Cosmic Threads invites visitors to contemplate the inter(dis)connected mysteries of the universe with the multiplicity of living cosmovisions, questioning: what if the overview effect is not only at the edge of space?

Echoing the speculative similarities between the spider/web and the filaments of the ever-emerging cosmic web, the artwork’s intricate network—strewn with spheres made of glass and foil—reaches out like the Spiderweb Galaxy [MRC 1138-262], a galaxy cluster with an active galactic nucleus, surrounded by filaments and smaller galaxies, resembling social and solitary spiders on their webs.

These sculptures, hovering as drops of water, will be able to circle the planet using only the heat of the sun and infrared radiation emitted from the Earth’s surface in the Aerocene era—another era that brings back the dream of flying, and other possibilities to reach space without rockets and explosions. Follow the river of the wind free from fossil fuels and dare to decolonize space. Can we learn how to feel other orbits while floating at the bottom of an ocean of air and entangle ourselves with terrestrial, aerial and cosmic web(s) of life?

Text and Images Courtesy of Studio Tomás Saraceno

Rope, monofilament, hand blown silver and mirrored glass, transparent and silver mylar, air, pipes, pump 42 x 20 x 5,4 meters

THE GHOST STORIES

Pavilion of Turkiye for the 18th Architecture Biennale of Venice

Professional - IKSV - Production Assistant

(with SO? Architecture and IKSV. Worked on the physical exhibition installation stage, suggesting local solutions to site specific problems, and being the bridge as a team member (part of IKSV) between the Venice team: WeExhibit, and the Curators: SO? Architecture)

Ghost Stories: The Carrier Bag Theory of Architecture questions the accepted perceptions of and approaches to buildings to reveal more hopeful proposals for the future. Elizabeth Fisher’s Carrier Bag Theory of Evolution argues that, rather than hunting tools, the first cultural device used by humans was probably a carrier bag, which allowed them to transport the vegetables they gathered. Ursula K. Le Guin’s 1986 essay, “The Carrier Bag Theory of Fiction,” expanded this idea, moving away from the notion of the weapon-wielding hero. Based on this, the exhibition suggests listening to and understanding the stories of abandoned buildings, rather than focusing on more heroic, successful examples.

The adaption of carrier bag theories, from evolution to architecture, brings a radical change to the images we have inherited, whether through the paintings on the walls of prehistoric caves, in stories, or in the modern cityscape. When these images start to change, this requires a shift in our way of doing things. Thus the shift from focusing on the image of a weapon to that of a carrier bag eventually transforms the whole scene from a heroic story of destruction to a collaborative, unfamiliar life story.

Exhibition Pictures Image Courtesy: RMStudios

HOTEL in VICENZA CENTRO

Adaptive Reuse of an Historical Building in Vicenza Center

Professional - Scaworks, Arch. Silvia Casarotto- Freelance Architect- Ongoing (Working on the stages of interior 3D modelling based on client reviews, design choices on furnishes and finishes and rendering)

This hotel project, set in the heart of Vicenza’s historic center, breathes new life into a heritage building while honoring its architectural legacy. The design masterfully combines modern elements with the building’s original features, drawing inspiration from the rich materials of the Veneto region. Gold accents, a symbol of the city’s historical wealth and a prominent color in the region, are used throughout to enhance the sense of luxury and refinement.

The flooring and select furniture pieces feature a modern adaptation of traditional terrazzo, paying homage to the Venetian craftsmanship while adding a contemporary twist. Wooden elements are carefully chosen to match the color and texture of the building’s original beams, ensuring a seamless blend of old and new. The walls, too, are designed to reflect the textures and tones of the original surfaces, creating a sense of continuity throughout the space. This thoughtful fusion of heritage and modernity creates a unique hotel experience that reflects both the cultural richness of Vicenza and the timeless elegance of the building’s historical roots.

Project Courtesy of Scaworks Architettura

Family Room Interior Render

Hotel Entrance Interıor Render

INTERIOR REFURBISHMENT of a VENETIAN PALAZZO

Construction Site of a Rental House Interior Refurbishment of a Venetian Palazzo

Professional - Scaworks, Arch. Silvia Casarotto - Internship (During my internship had the opportunity to be on the site to report and control the construction.)

This Venetian flat, nestled within a historic palazzo, is a refined tribute to the golden age of Italian design and craftsmanship. The original terrazzo flooring has been carefully preserved, anchoring the space in its architectural past while allowing a dialogue with the curated mid-century furniture that animates each room. Iconic pieces by Luciano Frigerio, Silvio Cavatorta, Gio Ponti, Willy Rizzo, and Acerbis, many awarded and emblematic of Italy’s design heritage, imbue the apartment with a nostalgic yet timeless character. Textiles from the esteemed Venetian house Rubelli, founded in 1780 and long celebrated for its exquisite weaving, elevate the interiors with layers of texture and story. In the living rooms, Peter Marino’s lagoon-inspired silver-threaded canvases shimmer gently, while in the bedrooms, dreamy fabrics by Luke Edward Hall reinterpret fragments of Italian history. Together, these elements create an immersive experience, an intimate journey through the elegance of twentieth-century Italian design, seamlessly woven into the historic fabric of Venice.

Project Courtesy of Scaworks Architettura

Under Construction

Living Area

THESIS of MA in ARCHITECTURE

This thesis explores Kurşunlu Han as a cabinet of curiosity, wunderkammer by undertaking a thorough analysis of the unintentional collection of material and non-material layers. Over the centuries the inn accumulated those layers by different actors and uses. Each actor added their own layer to the Han, mainly and almost always for the practical reasons, creating a chaotic order, meaningful for their users.

Being one of the most significant historical structures in the Karaköy district, Kurşunlu Han has consistently adjusted to the evolving dynamics of the central area, showcasing resilience and persevering to the present day. In the current phase of Karaköy’s transition towards its designation as “the new art district,” the consequential prospect of gentrification emerges. The situation poses potential risks to both the authenticity of the building and its occupants. Rethinking what we can learn from Kurşunlu Han, and taking consideration the current change of Karaköy district, this thesis aims to propose a resilient intervention against the gentrification of the district, being impacted by the urban significance and architectural elements of the inn.

The Urban Oasis and the Passage Building during an Exhibition

The Passage Building during a Lecture

Suggested balconies

Proposed steel structured elevator wings

Metal railing as a substitute for the deteriorated existing railing

Perforated brick coated elevator

Perspective Section Showing the Connection from the Street through Passage Building to Kurşunlu Han

Before & After Conservation of the Courtyard

Material Selection for the Conservation Project

SOTOPORTEGO

Venice's Housing Crisis: Can Reinterpretation Of Sotoportego Offer A Sustainable Solution For Local Living?

sotoportego (n.) [Venetian] (etym.) From Venetian soto (under, from Italian sotto) + portego (covered passageway, from Italian portico).

Venice has always faced the challenge of limited land and high density, yet it has historically adapted through architectural solutions. One such example is the sotoportego, a covered passageway that maximizes space efficiency while enhancing urban connectivity. Drawing inspiration from this ancient typology, this proposal reinterprets the sotoportego as a contemporary response to Venice’s ongoing housing crisis. By integrating this spatial strategy, the design seeks to create spaces that address modern density challenges while respecting the city’s rich architectural heritage.

The objective is to develop sustainable architectural solutions that prioritize local communities, offering them a sense of refuge and continuity. This involves creating an example model for the reinterpretation of an ancient typology, adapting historical spatial strategies to meet contemporary housing needs.

ACCESSIBILITY

The accessibility of the site is a key factor in its functionality and urban integration. The sotoportego typology ensures that circulation at street level remains uninterrupted, allowing easy access to the water and boats for daily chores of the locals. By elevating living spaces above these passageways, the sotoportego provides a smart and efficient use of space for housing without compromising movement along the canals or pedestrian routes. Besides that it creates a resilient relationship with possible tides. This historical solution demonstrates a thoughtful approach to optimizing housing crisis while preserving Venice’s essential connectivity and relationship with the water.

Ground Floor Plan

Access to Neighbor Buildings

Watertank for Rainwater Harvesting

Access to Neighbor Buildings

Slanted Roof for Rainwater Harvesting

Drawing inspiration from historical Venetian wells, the design reinterprets the historical water management system for efficient rainwater collection. By embracing this approach, the project ensures selfsufficiency and environmental responsibility, echoing the resourceful spirit of Venetian engineering.

Arched Ceiling

Timber Framework of the Main Design Elements

Built-In Interior Elements: Kitchenette, Cabinet, Staircase and, Library

Bathroom, Laundry, Storage and Sleeping Unit

Kingspan - Slimline Water Tank for Storaging the Rainwater

Timber Structural Beams

Vertical Sliding Windows for Cross-Ventilation

WATER COLLECTION

Inspired by historical Venetian wells, the design incorporates a water tank alongside a slanted roof to facilitate efficient rainwater collection. This modern adaptation pays homage to Venice’s traditional water management systems while integrating contemporary sustainable solutions, ensuring a self-sufficient and environmentally conscious approach to water usage within the project.

CROSS VENTILATION

The design embraces cross ventilation through vertical sliding windows, allowing the fresh sea breeze of Venice to flow naturally through the space. This passive cooling strategy enhances indoor air quality while reducing reliance on mechanical systems. By channeling the coastal airflow, the design ensures a comfortable and refreshing living environment, staying true to Venice’s connection with its maritime climate.

COLORS AND MATERIALS

The distinctive green color of Venetian window shutters is reinterpreted in the design through built-in wooden furniture, of the library, kitchenette, storage, and bathroom units. The use of wood not only enhances warmth and tactility but also reinforces a connection to Venice’s traditional craftsmanship.

ARCHES

Arches have undeniably been a defining feature of many historical structures in Venice. To maintain harmony between the old and the new, the design incorporates a prominent arch, serving as a focal element that emphasizes continuity with the city's architectural heritage while introducing a contemporary reinterpretation.

COMFORT AND FUNCTIONALITY

The north wall efficiently integrates a staircase, library, and kitchenette into a single furniture line. The central volume provides storage for clothes, laundry, and daily items, connecting to the ground-floor bathroom with a sleeping area above. The northwest area hosts the kitchen and office, benefiting from even

and a

for the optimized working during work hours, while the

features a

area overlooking the canal, maximizing direct sunlight for a comfortable and pleasant atmosphere.

REGENERATION & CONSERVATION DESIGN LAB

“Scena Della Moda”: A Fashion Hub in Schio/Vicenza

Located in the Veneto region, the town of Schio was once home to Italy’s largest wool factory, Lanerossi, as well as other important social facilities such as a kindergarten, the Jacquard Gardens, and a theatre within the garden, which is the focus of our project. During the 19th and 20th centuries, these buildings played a crucial role in shaping the life and development of Schio, serving as vital hubs for both industry and community. However, in the present day, many of these structures, including the theatre, stand abandoned. The primary objective of this studio is to conduct a thorough historical investigation of the site, analyze the current state of damage to the theatre, identify its structural vulnerabilities, and propose a critical restoration approach that respects its historical significance while adapting it to contemporary needs.

For the adaptive reuse of the theatre, we envision repurposing the space into a dynamic fashion hub that offers flexible spaces adaptable to various uses. This new function would cater not only to the fashion industry but also to the daily needs of local residents. To support local sustainable production, we have incorporated fashion workshops and a multifunctional exhibition and shop area on the ground floor. This would provide a space for the local community to engage with sustainable fashion practices, while also fostering a sense of continuity between the town’s rich industrial heritage and its future development.

Ceylin Başer)

Sebastian Irarrazaval, Emanuela Sorbo

Design Strategy: The Fabric Pattern (Layers of technical pipes, ducts and railings)

Circulation Flow of the Fashion Hub

EXHIBITION DESIGN PROJECT

Venice Architecture Exhibition - Terese Church

IUAV

The exhibition of architecture provided by IUAV University’s collection was decided to take place in the abandoned church of Terese which is located few hundred meters from IUAV’s Cotonificio campus. Our design approach was deeply inspired by the distinctive qualities of Venice, a city rich in historical and architectural significance. As we explored and experienced the city firsthand, we drew upon various elements that stood out to us, including the play of reflections on water, the intricate use of fabrics, and the prominence of vertical structures that define Venice’s skyline and spaces.

The exhibition project requirements was based on the list of the exhibit pieces (models, drawings, books, sketches etc.) and how it can be placed inside of the church in order to provide a comfortable experience. For that goal it is decided to build a structure inside of the church, in other words, a box in a box. Although being abandoned for many years, the church itself has really important features that we would like to include into our design. We take into consideration the modulation of the wooden ceiling decoration and we referenced its center for the circular staircase. This harmonious blend of historical and modern elements ensured that the exhibition honored the church’s past while providing a fresh, immersive experience for visitors.

- 2nd semester - Group Project (with Ceylin Başer & Milja Pavlovic) prof.: Marco Magni

Perspective Section Render showing the Box in the Box approach for the Terese Church

Axonometric

THE SILVER CITADEL

Reuse the Fortress: Villeneuve

The Silver Citadel

The Silver Citadel represents a revival of the fortress which through minimal contact tries to re-establish a forgotten footprint only present in old written records. By allowing this revival to occur the guests of the hiking shelters can pass along the castle walls that have now adapted to a newly morphed terrain. We have positioned the proposed bridge to preserve the visual lines towards the mountainous part of the Gran Paradiso National Park and allowed a continuous walk around the perimeter of the fortress. The Passarella connects all communal areas of the fortress as well as the ruins of old walls that stood isolated on the site.

Our aim was to offer an intervention whose monumentality only exists in its scale - for the scale of the fortress is such. The shelters themselves are to be both reminiscent of a fortified village and give meaning to the fortress itself and an homage to the traditional houses of the Aosta Valley. They are designed to be completely movable and detachable when necessary, as well as adjustable for level changes of the terrain. The tower, naturally a closed and introverted space, has been transformed into a library and reading room lit through a zenital opening and connected to the passarella via a southern window opening. The chapel, traditionally a place of commune, has preserved its open spatial properties and used as a dinning hall which together with the tower and the residential units forms the fortress.

The Silver Citadel represents a revival of the fortress which tablish a forgotten footprint only present in old written records. the guests of the hiking shelters can pass along the castle morphed terrain. We have placed the proposed passerella to preserve the visual lines towards the mountainous Park and allowed a continuous walk around the perimeter of the fortress. The passerella connects all communal ruins of old walls that stood isolated on the site. Our aim was to offer an intervention whose monumentality only fortress is such. The shelters themselves are to be both reminiscent of a fortified village and give meaning to traditional houses of the Aosta Valley. Through the use of insulated facade walls with a light wooden finish the ruin, the cabins can be placed anywhere within the fortress. They are designed to be completely movable as adjustable for level changes of the terrain. The tower, naturally a closed and introverted space, has been room lit through a zenithal opening and connected to the passerella via a southern window opening. The chapel, has preserved its open spatial properties and used as a dining hall which together with the tower and the residential

Entrance of the Silver Citadel

tries to re-esrevival to occur adapted to a newly Paradiso National as well as the the scale of the homage to the complement necessary, as well and reading of commune, fortress.

Paradiso National as well as the the scale of the homage to the complement necessary, as well and reading of commune, fortress.

The Silver Citadel: Reuse of the Fortress

tries to re-esrevival to occur adapted to a newly Paradiso National as well as the the scale of the homage to the complement necessary, as well and reading of commune, fortress.