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737. PAUL JACOULET (#39) Woodblock print, 14.25” x 18.75” Sur le Sable. Rhull, Yap. (On the Beach.) Signed in pencil lower right above the Good Luck Hammer seal. Seals of the carver, Kentaro Maeda, and printer, Tetsunosuke Honda, lower left margin. Published: 5 November 1937. Numbered 130/350 on the reverse. Except for creases where the margins were previously folded, this print is in excellent condition. 500/700 738. PAUL JACOULET (#40) Woodblock print, 18.5” x 14” Hokkan-zan. Seoul...Coree. (Hokkan-zan.) Signed in pencil lower right above the Tea Jar seal. Seals of the carver, Kentaro Maeda, and printer, Tetsunosuke Honda, lower right margin. Published: 6 December 1937. Numbered 320/350 on the reverse. Barely discernable imperfection when viewed from back, otherwise very good condition. 700/900 739. PAUL JACOULET (#43) Woodblock print, 18” x 14” Apres la Pluie. Tarang, Yap. (After the Rain.) Signed in pencil lower left above the Tea Jar seal. Seals of the carver, Kentaro Maeda, and printer, Tetsunosuke Honda, lower right margin. Published: 2 April 1938. Numbered 96/150 in Japanese on the reverse. Slightly trimmed, spotted and toned with tape residue on reverse. 300/500 740. PAUL JACOULET (#48) Woodblock print, 18.5” x 14.25” Coucher de soleil a menado. Celebes. (Sunset in Menado) Signed in pencil lower left above the Tea Jar seal. Seals of the carver, Kentaro Maeda, and printer, Tetsunosuke Honda,lower right margin. Published: 26 December 1938. Numbered 19/350 on the reverse. Shows creases at margins where folded back; toning to margins and reverse but print within plateline looks excellent. 500/700

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