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Contemporary

Panufnik Powers & Dominions Concertino for Harp and Orchestra Full Score

EP 71865a


ROXANNA PANUFNIK

Powers & Dominions Concertino for Harp and Orchestra

Full Score

EIGENTUM DES VERLEGERS

ALLE RECHTE VORBEHALTEN

ALL RIGHTS RESERVED

EDITION PETERS LONDON

路 FRANKFURT/M. 路 LEIPZIG 路 NEW YORK


for Cathy

Commissioned by Autumn in Malvern Festival & Music at Oxford

st

First performance on 1 November 2001 at the Sheldonian Theatre, Oxford by Catherine Beynon and Britten Sinfonia, conducted by Nicholas Cleobury

This score is a facsimile of the composer’s manuscript, reflecting the state of editorial work and correction as of February 2009


ROXANNA PANUFNIK

Powers & Dominions Concertino for Harp and Orchestra

Instrumentation Solo Harp

Horn in F

Harp

2 Flutes (1 doubling Picc.)

Trumpet in B-

Vibraphone

2 Clarinets in B-

Strings (min. 6.6.6.4.2)

2 Bassoons (2 doubling Contra)

Duration c.15 minutes This concertino for harp and orchestra is an analogy - between harps and their commonly associated players: angels. These two things are often portrayed in a mainly ethereal and “light” way but both can have great power and awesomeness. For example, the harp is often heard (if at all in larger orchestras!) in a tinkley, textural way with not enough of its melodic, rhythmic and darker sounds exploited; Angels are often depicted in a rather sugary manner and we forget their capabilities to exert enormous force and energy. Hence the title Powers & Dominions (two names of the middle hierarchy of angels) in a literal and lateral description of this piece. It is in two “Parts” - not “movements” because the darker and more moody Part II derives much of its material from the brighter and more joyous Part I. It starts with arrivals/landings of Angels around the orchestra (the only literal programmatic depiction). Another source of inspiration for this Part are several lines of Edward Taylor’s (1646-1729) reworking of Psalm 24. God is gone up with triumphant shout: The Lord with sounding Trumpet’s melodies: Sing Praise, sing Praises out, (...) And hear Heart-cramping notes of melody (...) Mixing their Music, making ev’ry string More to enravish as they this tune sing. The whole piece is based on a harmonic progression which is only heard in its undiluted form at the very end) and a mode created out of the 3rd harmony. I have kept the orchestration fairly light because of the balance challenges presented by the harp - to this end, I have also used a 2nd harp within the orchestra - partly to act as a ghost in backing up the soloist in louder passages, but also to aid my more bitonal moments (difficult to convey on a single harp because of its non-chromaticisity). In much of the work, the soloist, orchestral harp and vibraphone act in a concertante manner. My thanks go to the inspirational Sister Raphael at Stanbrook Abbey, to Peter Smith of Autumn in Malvern Festival for initiating this commission and to Nick Turnbull of Music at Oxford for helping to make it happen and introducing me to Edward Taylor’s verse. Roxanna Panufnik


for Cathy

Powers & Dominions (score in C)

  

 

 

 

Enigmatically... q = 72

Flute 1/ Piccolo

Flute 2

Clarinet 1 in Bb

Clarinet 2 in Bb

Bassoon 1

Bassoon 2/ Contra.

Horn in F

Trumpet in Bb

SOLO Harp

ORCH. Harp

    

 

  

    

      

 

 

 

  

  

   

  

mp

    p

   

  

  

  

  

p

      

      

p

 

 

p

   

      

mp

(set C# B# Gb)

 

 

mp

(damp)

 Vibraphone   

 

    mf  (damp)  

        

  

 

p

 





 



 

Violoncello (4)

 

   mp

Double bass (2)

  

   mp

p port. (holding a quaver of the note before sliding)

 pizz.

pizz.

   port. (holding a quaver of the note before sliding)



 





   

  

3

3

  

 

 





  





 

    

 

 

  

  

  

Edition Peters No. 71865a © Copyright 2001 by Hinrichsen Edition, Peters Edition Limited, London

    

mp

3

mp

Viola (6)

mp

Violin II (6)

p

  

  

 

Violin I (6)

Roxanna Panufnik

  

p

p

PART 1

p

  

   

div. pp

arco pp

   




2

 Fl.1 

           PICC.) 

(change to

10

          

Bsn1

     

Bsn2

     

 

   





3         

Fl.2

Cl.1

3

p

 

       

p

p

3

           3 3

Cl.2

p

Hn

Tpt

Solo Hp

 



mf

  

               

  

p

3

Vln I

Db.



  3

  



 

 

 3

 

   

 

 

    

 



 



 



 



 



 



 



 























  

  

 

 

 

 

 

 

 



port. (holding a quaver of the note before sliding)



port. (holding a quaver of the note before sliding)

 

    

p port. (holding a quaver of the note before sliding)

 

(still C#, B#, Gb)

(don‘t damp)



port. (holding a quaver of the note before sliding)

  

 

(C#, B#, Gb)

3

3



Vc.

           

   Vln II

Vla

   

mf

Vib.

   

3

Orch. Hp

   



 



  


 Hn 

3

18

Tpt



 

 Vln II

Vla

Vc.



3

        



 



 



 



 

3

 

 

A little slower 3

3

 



3

              

 

    

   

 

3



 

  

3

 

3

  

       3

 mf

 

(q = 60)

   

quite freely

 

   

mp

       

   

 

 



 



 



 



 



 

  





  

 

 

 

3

  

 

 

 

 

3

   

   

mf

  

 mp

(C#, B#, Gb)

  

 

ppp

   



mp

p

(C§, B§,)

3

 

f

  

3

  

3

   

 



 

    



 

 

Vc.

 

3

  

Vla

3





Vln II

   



 

Vln I



3

 

 

Orch. Hp

mp 3



21

Solo Hp

 

 

(LH)

  

 Hn 

Tpt

 

 

3

   

 

 

3          

 

  

Vln I

mp

 

Solo Hp

3

 

pp

 

pp

 

 

 

 

 

 3


Solo Hp

(fingered)

          

 

  

 

Orch. Hp

mf

 

Vln I

3

     

Cl.1

Cl.2

Bsn1

Bsn2

Hn

Tpt

Solo Hp

Orch. Hp

Vib.

Vln I

Vla

Db.

 

 

   

 



mp

 

 

            

 

    

                     

mp

     

 

      

      f

                        

 

3

  

                  f mp

 

     

  





 



     



 

Tempo I



q = 72



 

 

 

 

 

  

   

 

   

mp

  



ppp

 

 

  

 ppp

 ppp

 ppp

  

  

 ppp

          f         

3

3

   



   



mf

3

           f

 

                   

      

3

   

 ppp

    

              mf

  

       

   

  

(fingered)



Fl.2



            

28

Picc.

 



3

                   

25



4

mp

  

  

 p

 p

  

  

   

 

    

  



 

 

mp

     

        



 

 

          mp

  

mp

 

 

mp

        

  

         

  

3

 

  

 

 

pp

 p

  

(pizz.)

  

3

mp

 

   


  

Fl.2

 

 

  

sim.

 

 

sim.

Cl.1

 

 

sim.

Cl.2

 

  

 

 

32

Picc.

Bsn1

Bsn2

 

5

     

sim.

      

   

 

    

 

3

  

3

  





Orch. Hp

  Vln I 

 

    

 

       

mp

   

3

       

   

(slide)

  

3

       

Vln II

 

Vla

3

mp

    

 

 

 

 

 

   

3



mp

     

    

     

  

     

    

Vc.

 

mp

Db.

 

3

  

 3

      

3

 

 

       


  



34





      

 

       

 

mf

cresc.

Fl.2

Bsn1

Hn



    

mf

 

 

 

 

 

 

   

 mp

    

cresc.

3

  

 

3

  

Solo Hp

 

Vib.

  

  

3

 

 

 fff

3

  

                f

 

  

mf

cresc.

Vla

 

 

 

 

 

 

 

 

 

 

 

 

 

                     

                     f   

 

 

 



(slide)



  

p



  



  



      

sim.

   

 

            

             

cresc.

 

    



p

(slide)

p

(slide)

p

 

                        

            ff     

   

 

sim.



 

cresc.

   

           



              

        

 

  

Vc.

 

cresc.

cresc.

Db.

 

   

cresc.

sim.  

 

                

sim.

Vln II

 

 

3

ff

 

 Vln I 

 

cresc.

Orch. Hp



mf

cresc.

mp

Tpt



Cl1&2.

Bsn2



 





Picc.

”GOD IS GONE UP WITH TRIUMPHANT SHOUT:• q. = 104



6

(slide)

 

 

 

   

 

 

(”God

 

   

 

 

 

 

arco

mf

  

mf

   f

(”God

    mf

f

  

 

is

gone

f

(”God

up...•)

   

(div.)

gone

     

  

is

    

(div.)

  

up...•)

   

is

gone

  

(div.)

up...•)

 

 

 


  

Solo Hp

Vln I

 

       

Vln II

 

Vla



                                                                                   (”with tri - umph - ant...•)        (”with    

(”with

Vc.

Db.

  

tri -umph -



tri - umph -

 

 



ant...•)



 ant...•)

 



(”with

  

(”with



(”with





tri - umph - ant...•)

 



tri - umph - ant...•)



 

           4                         



  

7

tri - umph - ant...•)

     

          

cresc.



cresc.

      

 

38

4 (”with tri -4umph - ant

ff

    

  

shout:•)

shout:•) (div.) ff

                4

   

          

ff shout:•)

cresc.

    mp

  

   

  

mp


8

   43

Picc.

(e = e)

 

 

   

  

 

Cl.1

  

 

 

Cl.2

  

 

    

Fl.2

    

Tpt

         mf

       mf

  



   

                   



                                              

      









 



  

mp

        

  

mp

         

Vln I















 

(Gb)

         

  

 

  

  

  



 

          

       sub. p

    

Vln II

sub. p

    

Vla

sub. p

Vc.

Db.



       









 

      





        

         

       

mp



mp

mp

   







   







mp

mp



               

 

         

Orch. Hp

Vib.



                                       

  







     



Solo Hp



mf



Hn

  

mf

”THE LORD WITH SOUNDING TRUMPET‘S MELODIES:•




      48

Picc.

mf

 

Fl.2

 

Cl.1

Hn

Tpt



  

mf











 





  



            

  

               

  









 



   

    

 

f

                          f

 

 

 

mf

   

      

 

   



mp

cresc.

  



  

             

 

          

f

f

cresc.

            

   mp

 

     

 

Vln II

 

       

 

     

cresc.

  

    

 

   

      



cresc.

Orch. Hp

f

  

                                                                Bb cresc. 



f

mp

     

f

 

  

9

f

cresc.

Vln I

      

cresc.

 

Solo Hp

Vib.

                cresc.

 

Bsn1



 

cresc.

 

Cl.2

Bsn2

 

        

      



     

 



ff

3 C#                 

3

3                 

3

      

3

3

 

mf

 

  mf

Vc.

Db.

 

 

f

  

mf

Vla

 

   ff

   

 

                  

 

 

 

  

mf

   mf

 

           

          


Fl.2

Cl.1

Cl.2

Solo Hp



 





 





  





mp

mp

p

                                                

                                                           p

p

                                                    p







 

p

  

    



     

mp

Vib.

mp

                                                  

                                                  mp     

Orch. Hp

mp

 

    



  

 

    

       p

  

      mp

   

 

     



       

 

  

    p

 

     

 

    

    

ff

(”Sing

   

    Praise,

 

  







   52

Picc.



10

  

 

  

 

sing

 

57                                                              

accel.

Picc.

cresc.

Fl.2

                                                                                                                                   cresc.

Cl.1

cresc.

 

  

Solo Hp

Db.

 

 

 

out,•)        

 

 

Prais - es

   

   



Tpt

cresc.



Cl.2

                                                                       

  

  

 

  

            

    

        

   

               

 

 

  

  

  



  

 

  

 

cresc.

 mp


62                                                                

poco

Picc.

poco

poco

poco

11

mf

        

Fl.2

  

      

  

      

  

      

  

       

  

 

mf

                                                                  

Cl.1

mf

                                                                      

Cl.2

mf

 

Bsn1

mp

Bsn2

Hn

Tpt

 mp

 

mp

 

mp

   



     

     

      

    

     





    

 

    

     

mf

 mf

mf

 mf



 

 

ff











(set Bb) ff



(don‘t damp) Solo Hp

    





 

 ff

 

 

 



     







     



    

 

   

 

    



















 





ff



    

  















Orch. Hp

Db.

  

 mf



(don‘t damp)

      

  

    

 



 




poco

12

       67

Picc.

   

f

      

Fl.2

   

    

     

sub.p

  

                           

                              f ff

 



”MAKING EV‘RY STRING MORE TO ENRAVISH...•

q = 72

      

 

ff

f

Cl.2

  

ff

f

Cl.1

suddenly, but intensely, subdued

poco

sub.p

ff

sub.p

sub.p

                       

                     

            

                               f

Bsn1

ff

f

Bsn2

Hn

   f

   f

Tpt

ff

  

    

ff

ff





                                                    



6

6

6

6

6

6

6

Solo Hp



    



 

  

 





sub. mp

  

fff

Orch. Hp

Vln I

fff



 

Vln II

 



   

 

  is

gone

  



 

 

(div.)

(”God mp dolce

(div.)

mp dolce

Vc.

Db.

 

 



  

  

mp dolce

mp dolce

6


  

13

71

Picc.

Hn

Tpt

Solo Hp

mp

  

Vln I



      

mp



6

    

   



mp

6

Vln II

  

Vla

  

6

6

f

6

   

  

6

6

6

 

6

6

 

etc...

(div.) p

                                                          

   

mp

up• etc...)

Db.



mp

     

      

  

 

6

Orch. Hp

mp

 

Cl1&2.

   

 

 

Fl.2

Bsn 1&2

mp

 

 

 

 

pizz. mp

 

 

6


poco 14 Bsn 1&2

Hn

Tpt

74      

rall.

poco

 

 

      

 

 



 

 

    

                                    6

6

6

6

6

6

6

6

Solo Hp

 

 

 

 

 

 

 

 

 

 

 

 

   

  Vln I 

 



 

Vln II

 





 



Vla

 





 



  

arco (div.)

  

arco

Orch. Hp

 

Vc.

Db.

 

pizz.

(pizz.)



 

 

 

 

 

 

ppp

ppp


(dreamy and slightly disorientated...)

  





78

Picc.

q = 48

p

Fl.2

 

p

Cl1&2.

Hn

Tpt

Solo Hp





(bend note down)











15





 

 

 



(bend note down)

  



p

Bsn 1&2















 (bend note down)

  

  

  

 mp

mp

 (mp)p

 



(slightly out of tune?)



(slightly out of tune?)



(slightly out of tune?)

  

                             

 

                                                       

f

f

Orch. Hp

 

Vib.

                                                       f

Vln I

Vln II

Vla

Vc.

Db.

  

 

 

  

  

 ppp (slow slides)

ppp (slow slides)

 ppp (slow slides)

   (slow slides)

  (slow slides)

(just aim for these bracketed notes - don‘t actually play them)

(just aim for these bracketed notes - don‘t actually play them)


16

accel.

  

Picc.

Cl1&2.

Bsn 1&2

Hn

Tpt

 





  

 





 

 Vc.

Db.







 











 





 

 

 





 





















 

 



 

 

(bend note up)

(bend note up)



   



    

                    

       

    



   

 

 

 

  

 

 

 

              

 

  

 

 

  

sim.

 

 

 

 

 

  

 

  

  

 

sim.

sim.



sim.

sim.

  



 

   



        

                



         

  

    

  

  

   



  



 

 

 

 

 

    

(G§)

  

     

 

 

     



 

(just aim for these bracketed notes - don‘t actually play them)

(just aim for these bracketed notes - don‘t actually play them)

(just aim for these bracketed notes - don‘t actually play them)



      

Vla



 

 

  (sim.)       

  

      

Orch. Hp

Vln II



 (sim.)         

   

 



  

Solo Hp

Vln I



(bend note up)

        

Vib.



 

Fl.2

80

 

(G§)

          

  

 

 

 

   

 

 

 


poco

   82

Picc.

Fl.2

Cl1&2.

Bsn 1&2

Hn

Tpt

 

       3

 

     

mf

 

3

  



 

        



mp

mp

 

   





   

  

        



    

     

div.    pp 

   

 

  

   

    

   

  

 



 







 

 

   pp

  

 





 



(sim.)







 

 

unis.

(sim.)

(sim.)

(sim.)

(sim.)



   3

 





   



pp

Db.

 







pp

Vc.

  3

   

pp

Vla

3

(C§)

    

Vln II

   

mp

Orch. Hp

Vln I

   

6

  

    

Vib.

    3

3

3

3

6



17

   

3

        

   

q = 60

6

mf

 

     

      Solo Hp

mf

   




18

  

 

84

Picc.

Fl.2

   



   

       3

 

3

Cl.1

Cl.2

Hn

Tpt

Tpt

  

  

 

    

     3

 

     

 

Orch. Hp

Vln I

Vln II

Vla

Vc.

Db.

   

     

3

3

 





mp

 

 

   

mp

   

 

   

 

 



 



 

 







 





 

     

  



   

  

                                   

f

 div.     mp

 







    mp









 



  

    

f



 



 

mp

 

mp

                       

       

   

  

 

   

 

3

    

 

                               

3

     

   



 

3

3

   

  

Solo Hp



86

Hn

   Cl1&2.    

Bsn 1&2

 

(change to FLUTE)



          

 

Orch. Hp

 

 

Solo Hp

    

  

port.

port.

port.

 







 mp

mp

 


    

88

Fl1&2.

Cl1&2.

Hn

Tpt

Vln I

   

 

 

 



 

 

 

 

  



 

 

 

 

 

 

 

  

 

          

                  

   



 

  

  

     

 

 

 

 

 

   

 

 

  

 

 





 

  

 

  

 

   





 

 

    

  

    

p

p

 

   p

      

   



                                    3 3     

3

3

 

      

   

(pedal gliss)

  Vln II  

 

Vla

         

Solo Hp



 

91

Cbsn



Vc.

Bsn1



(change to CONTRA)

  

Vla

 

Vln II

Db.

 

19

q = 44

(Fl 1 change to PICC.)

 

Orch. Hp



p

 

Solo Hp



 

Bsn1

Bsn2



rall.



Vc.

  

Db.

   

 

 

q. = 104

  

  

 

  

  

 

                      

 

pizz.        

mp

   

 

 

 

  

 

pizz.                               mf

mp

     

    

            mf      

pizz.


20 Bsn1

Cbsn

A little slower

   





 

  



  



   





 

  



  



97

q. = 90

                       

  



 

 

  

 



                            

              

mp

Solo Hp

 



 

 



 

  

 

ff

 

 





(C#, B#, Gb)

Orch. Hp

Vib.

  

  

  ff

mf

pizz.       Vln II    





 

     

   

         

  

 

Vla

  

Vc.

   

 

   

 

arco

Db.

p



                

               

div.               f mp  pizz.

arco       p f pizz.





p



  

 

     

      

      arco unis.          

mp






Faster...

 

q. = 104

102

Fl.2

Cl.1

Cl.2

Hn

Tpt

Vln I

mp

  mp



 



 



   

    



 

 

        

 

         

  

          

             

  



 



 

 







  

   

mf

 

    

  

 

  

cresc.

     

mp

  

cresc.

      cresc.

    

   

 

     

 

mf

 

     

 

 

  

 

 

 

   

 

cresc.

 





 

    mp

 





 

 

 

 



arco



  

    



  

    

unis. cresc.

 arco

cresc.

  

   

   mp

 

div.

    

  

cresc.

Vla

Db.

mp

     

cresc.

 



                                                  mf

Vc.

 

cresc.

mp

 

     

mp



 

Vln II



cresc.



 

 

                                     

    

             

  

cresc.

  

 

         

                                 



 

cresc.



(pedal gliss)

Vib.

 

          

    



Orch. Hp

 

mp

21

cresc.

   

  

Solo Hp

 

 



 

 

mp

accel.

                             



Cbsn

Bsn1

 



Picc.

 

mp

  mp

arco mp

mp

cresc.

    

  

cresc.

     

 

cresc.





cresc.




       

poco

22

106

Picc.

Fl.2

Cl.1

  

  

Hn

Tpt

  



     

    

 

Vib.

Vln I

mf



           

           

mf

cresc.

cresc.

cresc.

     

  

cresc.

  

              mf cresc.

  

 

  

 

  

   

    

 

     

 

  



  

 

 

 

 

fff

ff

 

 

   

 

     

  

     

  









ff

                ff

cresc.

      cresc.



cresc.

  cresc.

  

ff

  

              ff cresc.                            fffposs. cresc.  

    

 

     

 

  

    

  

 

 

 

 

    

 

  

     

 

 

fffposs.

cresc.

fffposs.

  

  

cresc.

   ff

  

            

             ff

               

               

mf

cresc.

ff

cresc.

           

           

           

           

mf



 

     

mf

Vc.

ff

mf

Db.

ff

               

mf

  

               

cresc.

                                                    fff   cresc.

Vla

ff

  

               

mf

      

Vln II

  

ff

cresc.

               

    



Orch. Hp

  

               

  

Solo Hp

  

poco

              

mf

mf

Cbsn

cresc.

  

                       

     

Bsn1

mf

  

             

                

Cl.2

     

cresc.

mf

cresc.



cresc.

f











ff

ff









ff






rall.

 Hn 

 



 

Tpt

      

   

(not spread)



109 (q. = 132)

f

mf

Solo Hp mf

       

(C#, B#, Gb)               cresc.

   

Orch. Hp



 

Vib.



 

 

  



 

  

 

  

 

  



  

 

  

  

  

 

  

p

Vln I

p

p

Vln II

p

p

Vla

p

p

Vc.

Db.



sub.mp





 

  



 

p

p

23


PART 2

 q = 60 

accel.

  

 

Sinisterly...

24

114

Bsn1

Cbsn

Solo Hp (C#, F#, Ab)

  

mp

  

        

mp



(don‘t damp)

 

 



           

 

  

 

 f

(sim.)

    

(start waggling C#/§ & F#/§ pedals - actually touching base mf of harp, approx. speed of semi-quavers )

q = 72

  



 (stop)

Orch. Hp

  

  

(start waggling D#/§ & A#/§ pedals actually touching base of harp, approx. speed of semi-quavers)

mf

 (waggle C§/# & F§/#/, touching base of harp)

(stop)

mf

   

   



           

     

Db.

 

mf

 

 



     

 

                               120

Cbsn

p

Solo Hp

 

f





p

mp



  

3

 

(pluck hard enough to hit soundboard)



(waggle Ab/§ & D§/#)



(sim.)

Orch. Hp

 



   



                         



           

(sim.)

     

 



 

 

 

 p

 

          

Db.

     

(stop)

     




    

Orch. Hp

     

                  

 Vc. 

 

     

ff





    

    

    

 

 

Db.

mp

                

 

  

    

  

  

          

 

   

   



(waggle G#/§)

 

mp

 (stop)

   

mp

mp

mp

      mf Bartok‘ pizz. arco f

                                       

mp

 

mp (waggle B§/b)

 

 

mf

 



Solo Hp

 



Cbsn

25

                           

123



  

  

3



Bartok‘ pizz. arco f

mf 3

 



127

Hn

Tpt

 





     

 

Orch. Hp

 

 

  

 

mf

 (sim.)   

  

 

 

(change to Db/§)

(keep waggling!)

 

   

mf

              Vc.  

Db.

 mf

  

Solo Hp

mf



      



      

mf



Cl.2



Cl.1

         

  

 

   

 

 

(change to Bb/§) (sim.)

 

                        f

(Eb/§)     

                        f

  

 

(div.)                      

 (div.)                

mf

                        

                            

    

 

   

 

  

   

 

 

 

   

 

 


26

   131

Fl.1

Fl.2

Cl.1

Bsn1

Cbsn

Hn

Tpt

                           

     



      



            

      



     



      



             sub. mp



 

cresc.

cresc.

cresc.

 

 

    

   

            

          

   

 

 

   

 

 

   

 

 

 

 

   

 

 

 

 

     

 

 

 

 

 

 

 

   

 

   

 

mp

 

 

 

 

 

 



   

(stop!)

div. arco

    



(motor OFF?) mf

div.

pp

  pp



Vc.

 

 

Db.



(stop!)

 



sub. mp

 

 

       

  

 

   

            mp      

 

Vln II



    

mp

      





 

p

   

   

   

f

f

 

sub. mp

f

f

 

sub. mp

f

  

Vln I

    

  

sub. mp

f

cresc.



Vib.

                    q = 120      

        

 

mf

 

Orch. Hp



  

Solo Hp

mf

       

 

Cl.2



      mp 

pizz. p



      mp 

pizz. p



  


 Fl.1  134

Fl.2

Cl.1

Cl.2

Bsn1

Cbsn













  

 

   

p

   

     

    

   

p

  

 

    

       

 

    

    

      

       

 

      

         

         

         

  

   



      

  

  

                                              

     (waggle)

    

   (sim.)

  (waggle)   ff 



   

ff

27

p

      

 



    

    

   

    

 



Vln I

    dim.

Tpt

Vib.

  

 

dim.

       

Orch. Hp

 dim.

Hn

Solo Hp



  

 

f

f (sim.)

 

  

mp

  

 

  

 

 

 

  



             

  

     cresc. 

   

 





 

 

 

  

 

 

 

 

 

 

     

     

     

Vln II

Vla

mf

    



   

   



pizz.









pizz.





p









 

Vc.



    





 

    

    







p









Db.

 














28

 

     cresc. 

   

                        mp

   

       

  

                       mp

   

140

Fl1&2.

Cl1&2.

Bsn1

Cbsn

Hn

Tpt

Vib.

cresc.

  

    

  

  

mf

     

            

mf



f

cresc.

  

 



       

 



 



mp

                    

  

   

  

         

   

  

         

 

 

      

  



  

 

 

       

 



 

                                     

   

 

 

  

 

 

       

 

 

Vla

Vc.

  cresc.  

 

 cresc.

   

             

  

                                    

Vln II

Db.

 

                              mf

         

mf

Vln I

 



   

   





 





 







   

   





 





 





mp

mp


accel.

           

 

          

 

     

     

145

Fl1&2.

             

mf

Cl1&2.

Bsn1

Cbsn

Bsn2

Hn

  

 

  

 

Orch. Hp

Vib.

cresc.

       

 

  cresc.

  

 

cresc.

  

  

 

  

               

 

 

   

  

               f

  

  

     

 

  

 

 

mf



 

  

 

 

mf



f

cresc.

29

  

      mp

     

      

    

     

     

       

 

 

ff

ff

        

 

Vln II

 

Vla

mp

   

       



(don‘t damp)

 

Vc.

   ff   

  

  

   

ff

mp

3



            



mf

3

mf

     

    

    

        

    

         

3

3

3

    

     



      3

























3

3

    

     3



cresc.











cresc.

3

3

3

    

3

3

 

(don‘t damp)

3

3

3

 

3

mf

Db.

  

    

mf

Vln I

 

(q = 140ish)

  

mp

Solo Hp

 

               

mp

Tpt

       

 

3

  

     













mf

mf

arco



f

arco f




rit. 30

  149

Fl1&2.

Cl1&2.

   

            

 

q = 120

 

Hn

Tpt

 

         

 

   

 

 

 

  

  

  

 

     



  

  

 

     



ff

cresc.

Bsn2

 

    

cresc.

Cbsn

 

ff

cresc.

cresc.

Bsn1

   

 

 

  



  

  

(Fl1 change to PICC.)

Orch. Hp

Vib.







 

 

 

   

mf

ff

 

  

 

 f

       Vln I   f

3

3

f

f

Vc.

Db.

 

3

     

Vla

3

 

   

3

       

Vln II

 

 

  

   

 











3

  













port.

 

















 

 

(waggling C§/# & F§/#)

 

  

port.





mf

                                                   mf

cresc.



  







  

cresc.



pizz.



mf



pizz.

         





 

mf

 



Solo Hp













 

 arco

 




   







152

Picc.



mf

Fl.2

Bsn1

Cbsn

 

Hn

Tpt



mf

Bsn2

fff



                  

 

                               f

f

 







 

 

Solo Hp

 

                 ff

 

    



 

fff

      fff          

 

(damp)       

 

fff

Vib.



 Vln I 

Vla

  



























port.



 











 



                 fff(damp)                         fff



Db.

                                                                 

 

              

 

 

   

port.

fff

fff

Vc.

 

              

Vln II

(don‘t damp!)

ff

set C# B# Gb

Orch. Hp

 

               ff

 

bassoon)     (change back to normal                                   

   

fff

31

               fff

Cl1&2.

              



 

 



 



pizz.

 

arco

 



arco



fff

arco                                 f

(sim.)

 


32

Freely

 

156

(q = 60)

 

 

 (Bb)

Solo Hp

 

   

(pedals still C#, B# & Gb)



 

mf

f

(waggle Ab/§)

 

(waggle C§/# & Gb/§)

(stop)

Solo Hp

  

    

 

(q = 120)

  

 3                             3 3 3 3

fff

                               fff  

fff

f

f

fff

                  3    (stop)   f 3

3



 

        

158 (spread)

            

 

(can be doubled with 3 Db octave)

(hit metal strings with flat hand)

3

  3                             3   3 3 fff

 

3

163

f

f

Solo Hp

3

fff

             3 3 3

3

       f

 

 

 

f

   

fff

 

        

fff

(waggle C§/#/ & F§/#/)

q. = 90 166

     p

 

 

poco                                                                             accel.

cresc.

Solo Hp

  

 

mp

 


33

poco 169

 

 

 

                                                                          

           

q. = 120

cresc.

Solo Hp

 





cresc.





mf





f

 

 

        

  



 



ff

  







(chords can also be doubled, if desired, in octave below in left hand)

               ( ff ) (LH)

  

   

   



   



 

poco

                         2                         mf  



 



 







Solo Hp

( ff )

q = 60

                    

      

  



 



rall.

                                                            

174



  

       (RH)          

     

  

(not spread)

2

q = 52 181

   



6

 

6

   

6

    6

6

 

6

   

6

    6

mf

Solo Hp

       (mf)

dolce





 

 6

6

        6

 

   6

 

  6

  

6

 

6

  

6

rit.

184 q = 44

                                          mp 6

Solo Hp

 

p

                

          

   

Orch. Hp

 


34

q = 44 Ethereally

 (Fl 1 back to normal)   186

Fl1&2.

Cl1&2.

Bsn 1&2

Hn

Tpt

 

(flutter gently)      pp

     

pp (flutter gently)

     

 





   

      

   



  

rit.

     

A tempo

     

(Bsn 2 back to normal) (flutter gently)

  

  

     pp 

  

   

  

  

     pp

(flutter gently)

  

   

  

 

 

       

        

      

          

 

     

(flutter gently)

mp

Solo Hp

   



     pp

p



Orch. Hp

   

     

(motor ON)

Vib.

p

Vln I

 

 div.            pp

 

 

       

          arco div.

Vla

 

 

pp

 Vc.  

div. pp

       

   

       

sub. p

mp

(fingernail gliss)

         

 

 

 

 

   

     









  

    

   

     









  

  

    sim.    

   

    

  

  

  

    sim.       

mp

               pp div.

Vln II

pp

sim.

mp

mp

        sim.               mp

sub. p

sub. p

 

sub. p

 

  sub. p

 

 


35

Fl1&2.

 

  

     

  

      

  

      

    

 

 

  



 

   

Cl1&2.

Bsn 1&2

Hn

Tpt

Orch. Hp

Vib.

Vln I

(in 4 = 2+2+2+3)

192

 



  

         

 

mf

         

 

        

 

   

 

 

Vc.

    mp

   

   

  

   

  



  

  



 

mp





 

      

 



            

  



 



  



  

            

   



 



  



  

            

  

 



  



  

  

 

  

 

  

p



                           mp

p

mp

p

mp

Vla

(e = e)

    

p

mp

Vln II

(e = e)

 

    p

 

    

 

       

 


36

  

Slightly faster

 

 



  

 

 

   

       

  

 

 

 

 

 

     

 



  





 

   

  









 

   

   

 

     

 

 

   

       

 







 

 



  





 

   









 

 



  





 

    









198

 

Cl1&2.

Bsn 1&2

Hn

Tpt

pp

q = 48 p

p

pp

  

 

pp

p

con sord.      pp



p

con sord. pp

 

p

3                  mf

   

  

   



Fl1&2.

 

Solo Hp

3

3



   3

3                



     

(in 4 = 3+2+2+2)

  

  

  

   

       

7

              

      



 

 

 

 

 

 

 

 

 

7

3

       

Orch. Hp

Vln I

  

Vln II

Vla

Vc.

3

   

           

   

3

3

       

3

3



3

  

7

     7

 

              

                      

        

             

 

                        

  

        

                                

 

  

   

  

  

  

pp

pp

   

pp

 

         

  

7

pp

Db.

  

 

  

 

  

 

  

mp

mp

mp

pp

  

 

  

 

 

pp

pp


37



  



204

Fl1&2.

mp



  

Bsn 1&2

sim.        

  



mp

mp

Hn

 sim.  

   

  

  

   

mp

sim.

Tpt

 

mp

 

 

 

 

sub. p













sub. p













sub. p

sub. p

 sub. p

      



 

(in 6 = 3+2+2+2+2+2)



  

sim.

Cl1&2.



  

f

   

 

  



   

 

 

 

 

   







 

 

 

 

 

 

 

 



 

 

 mp

 



  

mp

mp

                          

      

3

3

3

3

 

 



 

 

  

 



  



 

    

 

 

 

    

(pedal gliss.)



 



 



 

 

 

(slide)                        pp

 

 

     

                  

                             pp

 

 

     

                  

p

p

 

 

3 3          

               

 

Vln II

 

 

 Vib.   

                 

 

 

Vln I

 

3

 

 

 

 

 

3 Orch. Hp

 

mp

Eb

  

 

mp

Solo Hp

     

 



 sim.   

3

3

(slide)

    

   

    

 

 

      Vc.  

   

 

 

Vla

div.


38

   

p

  

p









(2+2+2+3)



 

 

  











 





 











 

 

  

 

 



 

 



 











 

 

   





 

  

 

 



 

 





 



  

(in 4 = 3+2+2+2)

208

Fl1&2.

Cl1&2.

Bsn 1&2

Hn

Tpt

  

p

  

p

   

p

  

 f

  

 

           

3                         





           

 

      

 

 

 

 

Solo Hp

   

       3

Orch. Hp

Vib.

Vln I

Vln II

Vla

Vc.

Db.







 

 







 

 

  

  

mp



    

    

   

            



  



  

            



   





   



   

  



unis.

 

  

  

 

mp

  



 



 

 



 



 



 


39

   



  

  



       

rall.

(in 4 = 3+2+2+2)

213

Fl1&2.

Cl1&2.

Bsn 1&2

Hn

Tpt



      

  

 



 

   

 

   

 

     

   

 

  

  

   

 

 

 

 

 

       

  

pp

 

pp

   



   

   

pp

  

  

  

pp

pp

  

 

 

    

p

5

     

   

5

Solo Hp

   



 

    



  

      



 

7

         

       

  

 

 

 

 

  

   

  

   

  

port.    

Orch. Hp

7

Vib.

Vln I

  

   

  



   

   

    



 

    

     

  

    

pp

Vln II

   



 

    

pp

Vla

Vc.

Db.

          



            pp

 

  

         

 

  

7

ppp

      pp      

7

      

pp

7



ppp

ppp

pp

 

7



ppp

    

pp

    

(div.)

port.

port.

  

(unis.)

pp

  

pp

  


Photo © Keith Saunders

Powers & Dominions

Roxanna Panufnik (b. 1968) studied at the Royal Academy of Music, and has written opera, ballet, music theatre, choral, chamber and film music. Key works include Westminster Mass, written for Westminster Cathedral Choir to mark Cardinal Hume’s 75th birthday, and settings of Vikram Seth’s Beastly Tales, commissioned by the BBC for Patricia Rozario and the City of London Sinfonia; harp concerto Powers & Dominions; violin concerto Abraham – for Daniel Hope – which exists also as an overture for the World Orchestra for Peace, premiered in Jerusalem under Valery Gergiev; Schola Missa de Angelis (choir of London Oratory School and brass octet); and The Generation of Love, a Shakespeare sonnet cycle (Mark Padmore, Richard Watkins, Julius Drake).

Panufnik

Roxanna Panufnik

Roxanna Panufnik ( *1968) studierte an der Royal Academy of Music und schuf Kompositionen für Oper, Ballett und Musiktheater sowie Chor-, Kammer- und Filmmusik. Zu ihren wichtigsten Werken gehören: die Westminster Mass für den Westminster Cathedral Choir, entstanden zum 75. Geburtstag des Londoner Erzbischofs Kardinal Hume; Vertonungen nach Vikram Seths Beastly Tales für Patricia Rozario und die City of London Sinfonia, ein Auftragswerk der BBC; das Harfenkonzert Powers & Dominions; das Violinkonzert Abraham für Daniel Hope, das auch als Ouvertüre für das World Orchestra for Peace existiert und in dieser Form unter Valery Gergiev in Jerusalem uraufgeführt wurde; Schola Missa de Angelis (Chor der London Oratory School und Blechbläseroktett) sowie The Generation of Love, ein Zyklus von Shakespeare-Sonetten (Mark Padmore, Richard Watkins, Julius Drake).

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Panufnik - Powers and Dominions  

Panufnik - Powers and Dominions