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© Siv Mannsåker

Ørjan Matre Contemporary


BIOGRAPHY

Ørjan Matre Ørjan Matre (b. 1979) studied composition at the Norwegian Academy of Music with Bjørn Kruse, Lasse Thoresen, Olav Anton Thommessen and Henrik Hellstenius. He was composer‑in‑residence with Kristiansand Symphony Orchestra for the 2006-2008 seasons, and in the 2012-2013 season Matre was selected by the Oslo Philharmonic Orchestra as their featured composer. He has distinguished himself as a distinct voice in Norwegian music, and has been awarded high-profile commissions by leading performers, ensembles and orchestras. Matre belongs to a generation of Norwegian composers who early in their career explored and adopted the large orchestral format. In his breakthrough composition Four miniatures for orchestra Matre elegantly addresses the contrast between the orchestra and the strong tradition of the miniature in the short history of Norwegian art music. In Atem for sinfonietta (2007), the instrumentation is reminiscent perhaps of that in Gérard Pesson or the later instrumental works of Gérard Grisey. When Matre quotes other works it is often in the form of brief glimpses – precise, yet nonetheless so gentle and delicate that they seem to appear as if by chance. Händel Mixtapes (2008) sees the reappearance of a conceptual approach where quotations from the music of Handel are subjected to actual and figurative sampling, as they become gradually riddled by Matre’s orchestral parasites. Sampling techniques take a new direction in …but I must have said this before (2010) for trombone and ensemble, recorded by Ensemble Ernst in 2015, where Matre turns to quoting his own work. Ørjan Matre’s clarinet concerto Inside Out (2010) presents a clearly defined material related to Atem, but gives it a larger body of sound and nuanced, translucent orchestral textures. Matre was awarded TONO’s Edvard Prize for this work, which was recorded by Bergen Philharmonic Orchestra and clarinetist Rolf Borch in 2012. The engagement with Oslo Philharmonic Orchestra resulted in the large-scale Konsert for orkester (2014), recorded by the orchestra in 2017, in which the opening work preSage (2013), also written for the Oslo Philharmonic, is woven together with excerpts from the Violin Concerto (2014) and expanded into a multimovement work lasting a whole evening. The scale and scope of the work challenges our conception of the “concerto” form – yet another ambitious conceptual project that Matre manages to land safely thanks to his thorough craftsmanship. Despite the fact that Matre repeatedly puts his compositional skills to the test with finely-wrought textures and risk-taking instrumentation, or by introducing quotations, instruments and playing techniques that challenge established musical preconceptions, his meticulous approach has led to repeated performances and a growing international audience. Text: Hild Borchgrevink 2018 Translation: Andrew Smith 2018 www.orjanmatre.no


WORK LIST

Orchestra / Ensemble Atem (2007) 14’ for ensemble Fl/Picc - Ob - Cl (Bb, Eb, Bass) - Bsn - Hn - Trp - Trb - Tb - Perc(1) - Strings: 1.1.1.1.1 First performed 22 November 2007, Kristiansand (N), by Kristiansand Symphony Orchestra, cond.: Rolf Gupta EP 14328 Different Stories (2017/18) 28’ for orchestra 3(Picc/2/3).3(1/2/3,CorA).3(1/2/3,BCl).3(1/2/CBsn) - 4.3(1,PiccTpt/2/3).3(1/2/BTrbn).1 - Timp.3Perc.Pno/Cel.Harp - Strings First performed 19 April 2018, Stavanger (N), by Stavanger Symphony Orchestra, cond.: Christian Vásquez EP 14316 Resurgence (2011) 11’ for orchestra 3.2.3.2 - 4.3.3.1 - 3 Perc - Str First performed 12 January 2012, Kristiansand (N), Kilden Performing Arts Centre, by Kristiansand Symphony Orchestra, cond.: Rolf Gupta EP 14273 preSage (2013) 13’ for orchestra 2.3.3.1 - 4.3.3.1 - Timp. 4 Perc., Harp, Piano/Celesta - Strings First performed 28 August 2013, Oslo (N), by Oslo Philharmonic Orchestra, cond.: Vasily Petrenko EP 14332

Solo Concertos with Orchestra ...yet from those flames no light... (2015) 21’ for harp solo and orchestra Harp Solo - 3.0.3.0 - 4.3.3.1 - Timp - 3 Perc - Str First performed 03 December 2015, Bergen (N), by Johannes Wik and Bergen Philharmonic Orchestra, cond.: Edward Gardner EP 14274 Inside Out (2010) 23’ concerto for clarinet in Bb and orchestra solo Clarinet - 2.2.2.2 - 4.3.3.1 - Timp. 3 Perc, Harp, Piano/Celesta - Strings First performed 17 March 2011, Bergen (N), by Rolf Borch (Clarinet) and Bergen Philharmonic Orchestra, cond.: Juanjo Mena EP 14330 Concerto for Violin and Orchestra (2014) 24’ solo Violin - 2.2.2.2 - 2.3.3.1 - Timp. 2 Perc. - Harp - Piano/Celesta - Strings First performed 19 September 2014, Oslo (N), by Peter Herresthal (Violin) and Oslo Philharmonic Orchestra, cond.: Ilan Volkov EP 14329


WORK LIST

Chamber Music Nephilim Song (2012) 11’ for accordion First performed 29 April 2012, Witten (D), by Frode Haltli EP 14331

Vocal Orphic Songs (2016) 20’ for 16-part-choir Text: Greek mythology First performed 20 August 2016, Oslo (N), by The Norwegian Soloists´ Choir, cond. Grete Pedersen EP 14304 Si vis amari (2016) 6’ for 8-part-choir a cappella Text: Lucius Annaeus Seneca First performed 17 September 2016 by Oslo Chamber Choir, cond. Håkon Daniel Nystedt EP 14305 Six Orphic Amulets (2017) 33’ for saxophone quartet and vocal sextet / choir (SSATBarB) Text: Greek mythology First performed 02 June 2018, Bergen (N), Bergen International Festival, by Nordic Voices and NoXaS Saxophone Quartet EP 14318

March 2018


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Matre, March 2018  
Matre, March 2018