Contemporary
Hellawell Agricolas for Clarinet and Orchestra Full Score
EP 71747
PIERS HELLAWELL
Agricolas for Clarinet and Orchestra
Full Score
EIGENTUM DES VERLEGERS
路
ALLE RECHTE VORBEHALTEN
ALL RIGHTS RESERVED
EDITION PETERS LONDON
路 FRANKFURT/M. 路 LEIPZIG 路 NEW YORK
Commissioned by Robert Plane with financial assistance from the Britten-Pears Foundation and RVW Trust
First performance at the Vale of Glamorgan Festival, Llandaff Cathedral, 11 September 2008 by Robert Plane and the BBC National Orchestra of Wales conducted by Michal Dworzynski.
This score is a facsimile of the composer’s manuscript, reflecting the state of editorial work and correction as of August 2008
th
PIERS HELLAWELL
Agricolas for Clarinet and Orchestra
Instrumentation 2 Flutes (2nd d. piccolo, alto flute)
4 Horns in F
1 Harp
2 Oboes (2nd d. cor anglais)
2 Trumpets in C
2 Clarinets (2nd d. bass-clarinet)
2 Trombone
Strings
Bassoon
1 Bass-trombone
(Double Basses must have
Contrabassoon
1 Tuba
low extensions)
Solo Clarinet
2 Percussion*
Percussion 1:
vibraphone (+ bow), marimba, glockenspiel, tam-tam, Tubular Bells.
Percussion 2:
tam-tam, crotales, steel drum, 2 temple-blocks + cymbal, bongos, glass bottle/watercontainer*, triangle, rainstick, Bass Drum, 2 small ‘Chinese’ gongs (higher/lower). * small glass bottle to be repeatedly struck with metal object (eg fork) while gradually raised from/lowered into water-container to change pitch.
Duration c. 18 minutes
Score is transposed
Contents Movement 1: Recitative-Ensemble – Bridge 1 – Chorale Prelude (chaconne) – Bridge 2 – Recitative-Ensemble
Page 1
Movement 2: Chorale Prelude (Blues) – Bridge 3 - Chorale Prelude (canons) – Bridge 4 – Chorale Prelude (Sancta Maria)
32
Chorale Prelude (Epilogue)
73
Agricolas, for clarinet and orchestra, was commissioned by Robert Plane with financial assistance from the Britten-Pears Foundation and RVW Trust, and was given its world premiere by him at the Vale of Glamorgan Festival, in Llandaff Cathedral, on 11 September 2008. The BBC National Orchestra of Wales was conducted by Michal Dworzynski. Agricolas takes its title and concept of design from the work of the American sculptor David Smith, many of whose works were grouped into sets in terms of their shared titles – for example the Agricolas. The work avoids the typical long-range structures of a concerto; instead it reflects the modular structure of many of Smith’s pieces with a mosaic sequence of shorter sections, scored for ‘chamber’ ensembles; there are two sets of these sequences, forming two overall movements that are thus akin to ‘sculptures’. Each of these presents three main pieces, linked by brief connecting sections (‘Bridges’) that concentrate on unison lines - groups of instruments playing the same melody - and simple ostinati. These Bridge sections are analogous to rods and struts that connect the objects in many of Smith’s pieces. Another connecting level between several of the main sections is a recurring harmonic series that I call an ‘escalator’; this is unrolled in a wide range of treatments, so that several pieces become variations on this musical skeleton – chorale preludes with separate identities. The last of these is heard at the end, a brief Epilogue. In Agricolas the solo clarinet is conceived in the role of a commentator: eschewing strident display and conflict, it is free to explore a variety of chamber associations around the orchestra. However, the relation between clarinet and its fellows is a deepening one, beginning in a ‘concertante’ fashion with an athletic accompanied work-out but becoming increasingly, in movement II, a lyrical partnership although at the end of this movement the solo clarinet explodes into action.
Piers Hellawell 2008
Vivo (c. q = 122-126)
AGRICOLAS I 1. Recitative-ensemble
A
Piers Hellawell
Flutes 1 & 2
Oboes 1 & 2
à2
Clarinet in Bb 1 & 2
Bassoon
Contrabassoon
mp
mp
Trombones 1 & 2
Bass Trombone
Tuba
Horn in F 1 & 2
Horn in F 3 & 4
Trumpet 1 & 2 in C
Percussion 1
Percussion 2
(Vibraphone)
(Tam-tam)
Harp
D, C#, Bb, Eb, F#, G, A
Violin 1
mf
mf
Solo Clarinet in Bb
mp
mf
gli altri tacent
gli altri tacent
div. à 4
Viola
Double Bass Solo
mf
Violin 2
Violoncello
mp(meno f ma solo)
gli altri tacent
mp
Edition Peters No. 71747 © Copyright 2008 by Hinrichsen Edition, Peters Edition Limited, London
2
Cbsn.
Hn.1 & 2
Hp.
Solo Cl.
Vla.
cresc.
6
Cl.1 & 2
mf cresc.
B Fl.1 & 2
1.2.
9
pp
Tpt.1 & 2
ppp
Tbn.1 & 2
ppp
Vib.
f
Solo Cl.
Vln.1 Solo (i)
Vln.1 Solo (ii)
Vln. 2 Solo (i)
Vln. 2 Solo (ii)
Db. Solo
poco più f
mp
mp
mp
mp
mp
Fl.1 & 2
Tpt.1 & 2
Tbn.1 & 2
12
Vln.1 Solo (i)
Vln.1 Solo (ii)
Vln. 2 Solo (i)
Vln. 2 Solo (ii)
3
mf
mf
dim.
mf
cresc.
mf
cresc.
Vc.
Db. Solo
mf
cresc.
ff
cresc.
mf
cresc.
mf
cresc.
Vla.
f
Solo Cl.
Hp.
(tutti)
div. à 2
(div. à 4)
pizz.
C
17
Cl.1 & 2
(snatch breath ad lib.)
(snatch breaths ad lib.)
(snatch breaths ad lib.)
pp
Cbsn.
mp
Hn.1 & 2
pp
Hn.3 & 4
pp
Solo Cl.
mf
Vla.
f
mf
f
cresc.
pp
Vc.
pp
Db. Solo
mf
arco
mp
mf
4
21
Cl.1 & 2
Hn.1 & 2
Hn.3 & 4
Solo Cl.
Vla.
Vc.
Db. Solo
f
24
Fl.1
Cl.1 & 2
Cbsn.
Hn.1 & 2
Hn.3 & 4
T.-t.
Hp.
mf
(take hammer or other metallic beater)
Tam-tam:
E§
f
Solo Cl.
(f)
poco dim.
Vla.
Vc.
Db. Solo
poco mp
cresc.
5
f
2. Bridge I 5
Lento semplice* q . = 52-54
28
Fl.1
Vib.
senza vib.sempre
pp p
mp
T.-t.
pp
Hp.
pp
p
pp
sim.
D
p
pp
p
pp
pp
p
pp
pp
p
pp
To Mar.
pp
To Crot.
B§ Eb F§ Ab
mp
senza vib.sempre
Solo Cl.
pp p
Vc. (i)
Vc. (ii)
Vc. (iii)
Vc. (iv)
Db. Solo
Db. (ii)
pp
p
pp
p
pp
p
à 4) (div.
div. à 2
Db. (i)
p
p
p
p
tacet
p
pp
tutti unis.
tutti unis.
unis. tutti
unis. tutti
tutti unis.
unis. tutti
p
p
*the sections entitled 'Bridge' all involve balanced unison combinations that are designed to fuse instruments so as to create 'new' instrumental voices. The dynamics are therefore extremely significant, but may be adjusted from those marked according to various acoustic conditions so as to ensure that diverse instruments participating in a unison line do not predominate one over another.
3. Chorale Prelude chaconne
6
Maestoso q . = 60-63
Picc. 36
Fl.1
Ob.1&2
Cl.1
B. Cl.
(à 2)
f
f
5
mf
5
f
f
5
mf
Cbsn.
mf
Hn.1 & 2
mf
Hn.3 & 4
mf
Tpt.1
Tbn.1 & 2
mp
3
`mp
Tpt.2
3
mf 3
mf
B. Tbn.
Tba.
Mar.
mf mf
Crotales
Crot.
3 mf 3 Solo Cl. 3 5 3 cresc. mf
Vln. 1
mf tutti (div)
Vln. 1 (i)
Vln. 1 (ii)
Vln. 2
mf
Vln. 2 (ii)
Vla. (i)
mf
mf (tutti div. à 2) mf
Vc.
mf
3
3
f
5
mf
3
pizz.
mf
mf
f 3
f
5
3
3
3
(unis.)
f 3
A#
f unis.
3
f
f
To Glock.
3
3
f
f
mf
Db.
mf
Vla. (ii)
3
Tutti (div.)
Vln. 2 (i)
Hp.
mf
cresc.
cresc.
unis.
unis.
3
3
3
pizz.
div.
7
39
Picc.
Fl.1
Ob.1
Ob.2
p
3
p
5
mf
Cl.1
Bsn.
Hn.1 & 2
mf
dim.
mf
Tpt.1
mf 3
Tpt.2
mf
Tbn.1 & 2
B. Tbn.
Tba.
Glock.
p
dim.
3
Vc. (ii)
Db.
3
Marimba
5
3
cresc. 5
3
mp
3
5
poco f
3
3
mp
mp
mf
3
3
3
3
3
3
3
mf
mf
5
3
cresc.
3
3
3
mf
cresc.
arco
mf
mf
3
più f
5
5
mf 3
mf
3
con sord.
mf
con sord.
mf
mp
dim.
3
5
3
mp Vc. (i)
mp
3
f
Vla. (ii)
3
dim.
dim.
3
p
To Mar.
3
3
Vla. (i)
Hp.
Vln. 2
5
mf Glockenspiel
mf
Vln. 1
p
Solo Cl.
f
Hn.3 & 4
mf
Cbsn.
5
dim.
B. Cl.
f
3
Ob.1&2
cresc.
mf
mf
cresc.
cresc.
mp
mf
mf
mf
mf
8
Picc. 42
Fl.1
3
3
Cl.1
mf 3
5
Hn.1 & 2
5
5
f
cresc.
1.
senza sord.
Tbn.1
Tbn.2
B. Tbn.
f
Vln. 2
Vla. (i)
3
4:3
5:4
4:3
mp
p
mf
mf
5
mf
f
mf
f
gliss.
mp
mf
gliss.
f
mp
gliss.
3
gliss.
3
3
f 3
2.
7:6
Solo Cl.
3
f
mf
f
mf
f
f
f
5
4:3
5
Tpt.2
Db.
f
cresc.
3
3
f
cresc.
mf
3
senza sord.
Vln. 1
5
3
Tpt.1
Mar.
3
Hn.3 & 4
Tba.
3
f
cresc.
mf
Cbsn.
f
cresc.
f
cresc.
5
mf
mf
B. Cl.
mf
Ob.2
Ob.1
E
mf pizz.
mf
9
Picc. 45
Fl.1
Ob.1
Ob.2
Cl.1
Hn.1 & 2
Tbn.1 & 2
1.2.
mf
f
cresc.
5:4
cresc.
mf
3
5
f
To Glock. 3
5
3
cresc.
f
3
5
3
mf
3
mf 3
mp
cresc.
3 3 3
mp
p
3
3
5
5
f
p
f
p
mp
mf
p
mf
5:3
5
mp
Db.
3
f
Vc. (ii)
3
1.
f
3
mp
Vc. (i)
3
f
5
Vla. (ii)
f
Vla. (i)
3
Vln. 2
3
f
Solo Cl.
f
B. Tbn.
f
Tpt.2
Vln. 1
Tpt.1
Mar.
Hn.3 & 4
Tba.
Bsn.
Cbsn.
3
3
3
3
cresc.
mf
3
3
cresc.
3
cresc.
f
3
5
mf
mf
3
mf 3
mf
cresc.
5
3
f
arco
f
10
48
Picc.
Fl.1
p
p
Hn.1 & 2
Tpt.1 & 2
Tbn.1
Mar.
Crot.
Hp.
Vln. 1
f
Glockenspiel
f
mf
f
(div.)
3
f
mf
mf
mf
mf
3
cresc.
cresc.
ff
mf cresc.
mp
gliss.
mf
To Vib.
Bb A§
gliss.
gliss.
ff
ff
5
ff
5
ff
5
3
dim.
3
dim.
ff pizz.
1.
cresc.
mf cresc.
f
cresc.
f
3
mf cresc.
ff
f
3
1.2.
mp
f
mf
5
1.2.
mf
5
mf
5
1.
f
f
5
f
f
2.
f
f
mf Db.
cresc.
f
Vc. (ii)
Vc. (i)
Vla. (ii)
Vla. (i)
Vln. 2
mp
B. Tbn.
Tba.
Tbn.1 & 2
cresc.
Hn.3 & 4
cresc.
cresc.
p
Cbsn.
cresc.
Bsn.
p
B. Cl.
cresc.
Cl.1
p
Ob.2
mf 3
cresc.
Ob.1
f
5
3
dim.
3
dim.
arco
dim.
11
F
Fl.1 52
Ob.2
B. Cl.
Tpt.1
Tpt.2
Vln. 1
mp
3
3
3
3
3
Vc. (i)
mp cresc.
Vc. (ii)
Db.
arco
mp
2.
mf
mp
mp
mp
mp
3
mf
f
B§
3
5
mf
mp cresc.
mf
mf
3
mf
3
mf
3
mf
3
mp cresc. pizz.
mp cresc.
mp cresc.
5
mf 3
`cresc.
mf
mp
mp
Vla. (ii)
Vibraphone
3
cresc.
cresc.
f
3
3
mf
3
cresc.
(Tpt. 1)
mp±
Vla. (i)
3
Vln. 2
Solo Cl.
3
Hp.
mp
Glock.
mp
3
unis.
mp
f
mf
Tbn.2
Tbn.1
Tba.
B. Tbn.
Hn.3 & 4
Bsn.
Hn.1 & 2
Cl.1
Ob.1&2
Cbsn.
3
12
55
Picc.
Fl.1
Ob.1&2
3 mp
div.
mf
3
Hn.1 & 2
mf
mp
Tpt.1
Tpt.2
Tbn.1
3
Vla. (i)
5
dim.
Vla. (ii)
5:3
dim.
Vc. (i)
mp
mp
dim.
mp
4:3
Vc. (ii)
dim.
3
3
mf
3
cresc.
cresc.
5
cresc.
mf
mf
5
mp
mf
mf
mf
3
3
dim. - - -
3
poco dim.
3
3
pizz.
dim.
dim.
mf
f
3
mp
dim. - - -
3
cresc.
mf
(take bow)
3
mp
dim.
3
mf
mp
3
dim. - - -
mf
dim. - - -
mf
5
3
con sord.
3
3
dim. - - -
mp
dim. - - -
3
3
dim. - - - 3
dim. - - -
3
3
3
Vln. 2
Db.
5
3
3
Solo Cl.
Vln. 1
3
3
mf
3
To Alto Flute
3 5
3
3
3
3
B. Tbn.
Hp.
mp
Tbn.2
Vib.
Hn.3 & 4
Tba.
3
3
mp
Cbsn.
5
mp
mf
5
Bsn.
B. Cl.
mf
mf
Cl.1
3
dim.
pizz.
pizz.
pizz.
dim.
dim.
13
3 58 Ob.1&2 3
3
5
3
p
Tpt.1
Tpt.2
3
1.2.
Tba.
Vib.
p
p
p
Solo Cl.
p
p
pizz.
Vla. (ii)
mp
Vc. (ii)
mp
Db.
poco mf
mp
3
3
3
3
3
3
3
3
3
3
arco
mf
3
3
3
3
3
mf
3
3
dim.
p
dim.
pizz.
mp
mp
p 3
3
3
3
p
3
3
3
p
dim.
poco mp
dim.
3
dim.
mf
3
mf
mf
3
3
3
3
To Glock.
3
mf
mp
Vc. (i)
Bowed
3
mp
mf
mp
3
mp
Vla. (i)
3
pizz.
Vln. 2
3
Vln. 1
Hp.
3
p
p
p
p
5
3
senza sord.
B. Tbn.
Tbn.1 & 2
3
3
p
Hn.3 & 4
3
3
Hn.1 & 2
5
p
3
Cbsn.
3
Bsn.
3
p 3
5
B. Cl.
3
Cl.1
G
p
p
14
61
Bsn.
Hn.1 & 2
Hn.3 & 4
Vib.
Steel D.
Hp.
Glockenspiel
f sec
f
3
To Crot.
mp
bisp.
F#, Gb
To T. Bl.
G§
3
meno p 3
mf
Vln. 2
Vla. (i)
Vc. (i)
Vc. (ii)
meno f
3
3
7:4
3
mp
cresc.
mf
5
arco
arco
3
3
Vla. (ii)
3
7:4
3
Crotales
To Vib.
f
Glockenspiel
sfz
(div.)
3
Db.
sfz
Solo Cl.
Vln. 1
Tpt.1 & 2
f
f 3
f
f
f
f
f
Solo:
arco
arco
arco
4. Bridge II 15
H
64
Fl.1
Calmo e = 132-138
p
Cl.1
Bsn.
Vib.
pp
Vibraphone
(f)
dim.
3
mp
p cresc.
p cresc.
p cresc.
sim.
mp sim.
3
sim.
3
sim.
pp
3
sim.
pp
sim.
pp
B. Cl.
mp cresc.
p
Ob.1&2
sim.
non vib.
A. Fl.
3
p cresc.
p
3
mf
mf
mf
mf
dim.
dim.
dim.
dim.
(mf)
(poco mf) Hp.
(suono reale 8va)
3
3
pp
Vla. Solo
sim.
arco, div.
Db.
arco, div. à 4
Vc.
p
p
3
non vib.
Solo Cl.
arco
sim.
sim.
mp
p cresc.
p cresc.
3
mp
mf
dim.
mf
dim.
16
70
Fl.1
A. Fl.
Bsn.
Vib.
mp
p
cresc.
mf
p
cresc.
cresc.
mf
f
mf
mf
sim.
cresc.
f
3
mp
f
3
3
(long notes non vib. sempre)
p
mf
mp
mp
mp
mf
sim.
E§
mp
mf
mf
f
mf
mp
f
mf
p
mf
cresc.
p
B. Cl.
cresc.
Cl.1
mp
Ob.1&2
mp
f
C§ Eb
mf
Hp.
Solo Cl.
Vc.
Db.
3
mf
cresc.
mp
mp
cresc.
cresc.
mf
mf
mp
mp
f
=f====
mf
mf
mp
mp
5
17
74
Fl.1
A. Fl.
p
mp
Ob.1&2
p
Cl.1
B. Cl.
Bsn.
Vib.
p
mp
mp
p
p
p
p
Db
pp
mp
p
p
mp
p
p
mf
D§ C# Bb Ab
mp
Hp.
(long notes non vib. sempre)
Solo Cl.
Vla. Solo
Vc.
Db.
p
p
p
mp
p
mp
p
3
p
(still div. à 4:)
5. Recitative-ensemble
18
Vivo q = 116-120
I
79
Tba.
3
mf
mf Marimba
Mar.
2 Temple Blocks + Cymbal
T. Bl.
poco mf marcato
f
(D, C#, Bb, E, F, G, Ab)
3
Hp.
Solo Cl.
Vc. (i)
Vc. (ii)
Vc. (iii)
3
sfp
mf
mp
mp
mp
(tutti div.)
Db. (i)
Db. (ii)
mp
Vc. (iv)
3
mp
mp
19
con sord.
84
Hn.1 & 2
Hn.3 & 4
Tpt.1
Tbn.1
Tbn.2
B. Tbn.
Mar.
con sord.Harmon (stem in)
con sord. plunger
1.
mp
mp
Hp.
Solo Cl.
Vc. (i)
Vc. (ii)
Vc. (iii)
Vc. (iv)
5
5
2.
mp
5
5
3
mp sec
mp sec
C§, B§, Gb, A#
5
3
f
3
3
3
f
3
mf
mf
T. Bl.
mp
mp
mp
J
To Steel D.
Db. (ii)
f
5
dim.
3
mf
mf
mf
mf
mf
Db. (i)
(8va)
mf
mf
20
p p
89
Hn.1 & 2
Hn.3 & 4
Tpt.1
Tpt.2
Tbn.1
Mar.
Solo Cl.
Vc. (ii)
Vc. (iii)
Vc. (iv)
Db. (i)
Db. (ii)
cresc.
senza sord.
senza sord.
senza sord.
mf
mf
marcato
marcato
mf
mp sec
mp sec
mf
mp sec
mp marcato
(8va)
cresc.
Vc. (i)
cresc.
B. Tbn.
Tbn.2
Tba.
p
più f
norm.
più f
norm.
più f
norm.
più f
norm.
più f
norm.
norm.
più f
più f
f
21
Hn.1 & 2
94
Hn.3 & 4
Tbn.1
Tbn.2
B. Tbn.
Tpt.2
Vc. (i)
cresc.
mf
leggiero
leggiero
mf
meno f
3
3
3
mf ritmico
Vc. (iv)
3
3
3
3
3
3
3
3
mf ritmico
3
mf ritmico
Db. (ii)
3
mf ritmico
Db. (i)
mf ritmico
Vc. (iii)
C#
mf
mf ritmico
Vc. (ii)
mf
mp leggiero
mp leggiero
Hp.
Solo Cl.
meno mosso al q = 108
più f
Tpt.1
Tba.
K
22
99
Hn.1 & 2
5 5
più f
Hn.3 & 4
5 5
mp
più f
Tpt.1
Tpt.2
Tbn.1
con sord. cup mute open
3
mp sec
con sord. cup mute open
3
mp sec
con sord. cup mute open
3
mp sec
Tbn.2
B. Tbn.
Tba.
poco f
poco f
con sord. cup mute open
mp sec3
Hp.
Solo Cl.
Vc. (i)
Vc. (ii)
Vc. (iii)
Vc. (iv)
Db. (i)
Db. (ii)
3
3
3
3
3
3
5
5
f brillante
3
3
3
3
3
3
3
5
mp only (sotto voce 'aside')
3
5
dim. - - -
pizz.
pizz.
mp mp
mp
mp
3
3
3
3
mp mp
unis.
marcato
marcato
unis.
23
Hn.3 & 4
mp
3 3
open
closed
open
3 3
Tpt.2
closed 3
Tbn.1
open
3
3 closed
Tbn.2
open
3
Vc. (iii)
3
3
3
Vc. (iv)
Db.
5
3
Vc. (ii)
3 3
3 3
closed 3
open3 3
open 3 3 3
closed
3
3
closed
3
più f
5
open
mf
3
3
3
3
3
3
(pizz.)
3
3
3
3
3
mf
3
mf
3
5
3
3
mf
3
3
3
3
3
mf
mf
mf
3
3
3
senza sord.
3
3
senza sord.
senza sord.
3
f
5
3
senza sord.
mf
mf
open
3
mf
3
3
3
mp marcato
3
5
3 3
mf
3
3 closed
3
3
Vc. (i)
Solo Cl.
mf
mp
closed
Tpt.1
mp
102
Hn.1 & 2
5
5
3
3
3
3
arco
24
meno mosso al q = 104
L
3
106
Hn.1 & 2
3
3
Tpt.1
Tpt.2
3
Tbn.1
Tbn.2
B. Tbn.
Tba.
Vc. (i)
Vc. (iv)
Db.
3
3
mf
3
3
mf
3
mf
mf
3
mf
3
3
(with tpts) ff
f
f
3
3
3
3
3
f
3
f
3
3
3
3
f
3
3
3
3
f
3
3
meno f
f
meno f
f
mp
mp
mp
mp
f
3
3
mf
Vc. (iii)
Vc. (ii)
3
Solo Cl.
f
f
f
f
3
Hn.3 & 4
dim. 5
mf
5
mf
cresc.
mf
f
3
f
f
f
3
3
mf
mf
mf
f
div.
f
25
Hn.1 & 2
Hn.3 & 4
110
Hn. 1
Hn. 2
Tpt.1
Tpt.2
Tbn.1
Tbn.2
B. Tbn.
Tba.
Mar.
Hp.
(gliss.)
Vc. (ii)
Vc. (iii)
Vc. (iv)
Db. (i)
mf
mf
mf
mf
3
f 3
3
3
5
dim.
f
gliss.
gliss. 3
3
3
3
f
5
3
mf
3
mf
3
mf 3
mf
3
3
sul pont.
gliss.
5
mf
gliss.
mf
sul pont.
gliss.
sul pont. gliss.
sul pont.
gliss.
gliss.
3
3
nat.
5
5
mf
3
nat.
mf
3
(arco)
mp
mf
(arco)
mp
Eb, Ab
3
5
mf
3
(marimba)
3
gliss. 3
3
dim.
5
3
mf
Db. (ii)
3
dim.
mf
dim.
ff
Vc. (i)
3
(gliss)
3
3mf
dim.
mp
3
Solo Cl.
mp
26
Hn. 1
Hn. 2
Mar.
Steel D.
113
5
M
mp
3
G§
mf
3
mf
3
mf
nat.
mf
3
5
3
nat.
5
mf
3 5
mf
Db. (i)
3
mf
Vc. (iv)
3
Vc. (iii)
Vc. (ii)
5
Solo Cl.
Db. (ii)
mf
Hp.
Vc. (i)
mf
Bb A§
3
5
3
mp
pizz.
5
mp
mf
5
5
f
3
3
3
mp
5
pizz./arco*
5
mf
mp
mp
arco
6
mp
3 mf
27
117
Hn.1 & 2
Hn.3 & 4
Tpt.1
Tpt.2
Tbn.1
Tbn.2
Mar.
Steel D.
p
5:3
p
3
con sord.
con sord.
p
p
3
3
3
mp
D#
3
3
3
3
3
3
mp
Hp.
5
3
mf cresc.
mf cresc.
con sord. plunger
con sord. plunger
mf
5
Solo Cl.
3
5
mf
dim.
5
3
6
3
5
pizz./arco* *each player alternates pizz/arco ad lib; to be gradually introduced, player-by-player across section.
Vc. (i)
5
mf
Vc. (ii)
Vc. (iii)
5
5
5
6
5
5
pizz./arco* *each player alternates pizz/arco ad lib; to be gradually introduced, player-by-player across section
mf
6
tutti arco
3
5
3
5
6
3
pizz./arco* *each player alternates pizz/arco ad lib; to be gradually introduced, player-by-player across section
p
tutti arco
5
5
p
mf
*each player alternates pizz/arco ad lib; to be gradually introduced, player-by-player across section
Vc. (iv)
5
Db. (i)
Db. (ii)
5
5
pizz./arco* *each player alternates pizz/arco ad lib; to be gradually introduced, player-by-player across section mf
pizz./arco*
3 mf
3
3
5
3
3
3
tutti arco
5
3
3
3
5p
tutti arco
p
3
tutti arco
3
p
28
N 121
Hn.1 & 2
Molto Vivo q = 120
simil.
mf
Hn.3 & 4
mf
simil.
senza sord.
Tpt.1
senza sord.
Tpt.2
senza sord.
Tbn.1
senza sord.
Tbn.2
Bongos
Hp.
Solo Cl.
Bongos
Bongos mf
D§ F#
cresc.
mp
mf 5
5 5 5
mp
mf
p
mf marcato
cresc.
Vc. (i)
Vc. (ii)
Vc. (iii)
Db. (i)
Db. (ii)
tutti arco
Vc. (iv)
p
29
126
Tpt.1
Tpt.2
f
f
Tbn.1
Tbn.2
f
f
B. Tbn.
f
Tba.
mp
f
Solo Cl.
Vc. (i)
f
mp
f
mp
p
mp
Vc. (ii)
mp
Vc. (iii)
mp
Vc. (iv)
Db. (i)
Db. (ii)
(open A)
mp
mp
mp
30
O
131
Hn.1 & 2
3 3
3
3
f
3
Hn.3 & 4
f
Tpt.1
3
3
3 3
3 3
3
3
3
3
f
Tpt.2
3
3
f
Tbn.1
f
Tbn.2
f
B. Tbn.
Mar.
3
3
3
3
f
f
Bongos
3
f
Hp.
Solo Cl.
Vc. (i)
3
f
3
ff
3
3
3
3
ff
non vib.
mf
Db. (ii)
(mp)
cresc.
cresc.
cresc.
(mp)
cresc.
mp
cresc.
(mp)
Db. (i)
5
(mp)
Vc. (iv)
3 5 5 5 5 mf
(rubato ad lib.)
(mp)
Vc. (iii)
(mp)
Vc. (ii)
mf
mp
cresc.
cresc.
31
137
Bongos
Solo Cl.
Vc. (i)
cresc.
5
5
5
f
Vc. (ii)
5
(f)
Db. (i)
f
Vc. (iv)
Vc. (iii)
Db. (ii)
5
5
3
f al fine
5
cresc.
f al fine
f al fine
f al fine
f al fine
f al fine
Tpt.2
Bongos
Hp.
f
f
ff
5
Solo Cl.
ff
5
5
5
5
5
Tpt.1
P 141
5
f
Vc. (i)
Vc. (ii)
Vc. (iii)
Vc. (iv)
Db. (i)
Db. (ii)
II 1. Chorale Prelude
32
Blues
Contrabassoon
Calmo q = 54-56
(mf)
Percussion 2
Clarinet solo
Violin 1
Violin 2
Viola (i)
Viola (ii)
sim.
3
(But with solo prominence)
pp
3 3
3
3
tacet.
tacet.
p
3
p
3
3
3
3
3
5
p
Viola (iv)
Water-bucket gliss. (small glass bottle struck with metal object - eg fork while removed gradually from water container)
p
Viola (iii)
mp
Vibraphone, bowed
Percussion 1
Q
3
3
3
3
tacet.
Violoncello
tacet.
Double Bass
33
R
5
A. Fl.
Ob.1
B. Cl.
Hn. 1
Tpt. 1
W. Bucket
5
cresc.
5
3
cresc.
3
p
cresc.
3
Vib.
p
p
cresc.6
p
Cbsn.
mp
Bsn.
cresc.
p
(take mallets)
5
mp
(mallets)
3
3
5
(remove then re-submerge as bottle is struck)
Hp.
Db, C, Bb, Eb, F#, G, A
3 5
3
Vla. (i)
3
Vla. (iii)
Vla. (iv)
3
dim.
3
dim.
Db. Solo
pp
3
pp
pp
3
cresc.
3
3
solo
p
gliss.
3
3
3
3
3
cresc.
cresc.
cresc.
3
dim.
3
pp
dim.
Vla. (ii)
mp cresc.
Cl. Solo
p
3
pp
3
pp
3
pp
3
pp
34
3
dim.
3
B. Cl.
dim.
Bsn.
Hn. 1
dim.
3
Tpt. 1
Vib.
3
mp
3
3
mp
3 mp cresc.
Vla. (i)
5
3
Vla. (iii)
Vla. (iv)
Db. Solo
3
Vla. (ii)
3
3
mf
3
cresc.
E§ F§
mp
3
3
3
3
mp
mp
p
3
3
p
3
p
pizz.
mf
5
5
p
3
poco mf
cresc.
3
poco mf
Eb F#
mf
cresc.
mp
mf
5
3
mf 3
3
mf
Hp.
Cl. Solo
cresc.
p
3
3
mp
cresc.
mp
dim.
mf
dim.
Ob.1
9
A. Fl.
35
12
A. Fl.
Ob.1
B. Cl.
Bsn.
Hn. 1
Tpt. 1
3
3
3
5
3
mp
3
mf
3
5
mf5
3
5
mf
5
mf
3
3
mf
p
mf
D§ B§
Hp.
Cl. Solo
3
Vla. (i)
3
Vla. (iv)
Db. Solo
mf
mp
3mp
arco
3
mf
3
tacet.
(tutti)
3
gliss.
5
3
3
3
3
mp
mp
3
5
3
5 5
Vla. (iii)
Db.
Vla. (ii)
( )
mf
6
cresc.
36
15
A. Fl.
Ob.1
Bsn.
Hn. 1
Tpt. 1
3
3
mp
3
p
cresc.
p
3
3
5
3
3
p
G#
3
3
3
cresc.
5
3
cresc.
cresc.
3 3
3
3
cresc.
p
p
3
3
3
p
B. Cl.
Cbsn.
3
3
3
cresc.
3
Hp.
Cl. Solo
Vla. (i)
Vla. (ii)
Vla. (iii)
Vla. (iv)
Db.
mf marcato
3
3
mp languido
C#
pp
3
5
3
pp
pizz.
3 gliss. gliss.
mf
3
3
5
cresc.
tutti unis.
tutti unis.
3
3
pp
3
pp
3
3
F§ t Ab
3
3
3
tutti unis.
3
5
tutti unis.
3
3
37
S
17
A. Fl.
Ob.1
B. Cl.
Hn. 1
Tpt. 1
Hp.
Cl. Solo
mp 3
mp
5
mp
5
3
3
p
p
3
3
p
p
3
p
7
3
3
3
mf scherzando
3
mp
3
3
3
Db.
mp
F# A§
3
mp
mp
mp
3
Cbsn.
mf
Bsn.
3
3
5
3
3
cresc. 3
F§
p sub.
5
3
5
3
19
A. Fl.
Ob.1
B. Cl.
Bsn.
Cbsn.
Hn. 1
Tpt. 1
Hp.
mf
mf
3
3
5
mf
mf
3
3
3
3
3
mf
3
3
3
3
3
3
mf
mf
3 3
3
3
3
f
3
mf
3
mf
3
mf
3
3
3
3
3
3
3
mf
3
mf
3
mf
3
7
3
3
7
3
cresc.
3
7
3
cresc.
3
cresc.
3
3 3
cresc.
3
3
3
cresc.
3
3
3
cresc.
3
cresc.
3
3
3
7
cresc.
5
f
3
3
3
3
3
3
C§ Bb E§
mf
mf
3
mf 3
5
arco
3
mf 3
7 5
3
mf
f
3
3
3
mf
Db.
mf
Cl. Solo
Vla.
3
mf
3
mf
Vib.
3
f
cresc.
f
3
7
3
5
7
3
5
38
21
A. Fl.
f
Bsn.
3
3
3
5
f
B. Cl.
5
ff
Ob.1
3
5
5
f
Cbsn.
Hn. 1
f
f
Tpt. 1
Vib.
5
f
3
3
5
f
f
f
3
3
3
3
mf
mp
mp
3
3
mp
3
mp
3
3
f
5
3
3
3
mp
f
mf
3
f
mp3
3 5
B§
3
Cb
Hp.
Cl. Solo
Vla.
ff
5
ff
3
ff
Db.
5
3
5
3
5
5
5f meno
5
f
5
3
f
3
3
5
3
5
3
meno f
gliss.
5
mf
5
f
3
39
23
A. Fl.
Ob.1
B. Cl.
Bsn.
Cbsn.
Hn. 1
Tpt. 1
3
3
3
3
3
3
3
Vib.
Cl. Solo
mf
5
3
mp
mp
Db.
(gli altri tacent.)
mp
mp
mp
mp
3
3
5
5
Vla.
mp
p cresc.
40
T
24
A. Fl.
Ob.1
B. Cl.
Hn. 1
Tpt. 1
5
mp
p
p
To Flute
3
3
5
(arco)
3
3
3
3
C§, Gb
5
5
5
5
mf
5
3
5
3
3
div. à 4:
tacet.
mf
5
Db. Solo
3
Cl. Solo
Db.
To T.-t. with hammer or other hard metal beater
Vla.
p
Vib.
Hp.
p
p
Cbsn.
mp
Bsn.
div.
2. Bridge III
(A tempo)
26
Hn.1&2
mp
Hn.3&4
mp
Tbn.1
Hp.
mp sempre
mp
gliss.
mf
gliss.
mp
Vla. (i)
Vla. (ii)
Vla. (iii)
Vla. (iv)
Vc. Solo
Db. Solo
Db. (i)
Db. (ii)
sul pont.
sul pont.
sul pont.
sul pont.
sul pont.
sul pont.
gliss.
gliss.
PED GLISS (return to Gb)
Cl. Solo
41
sim.
sim.
(Water-bucket gliss.) W. Bucket
Tam-tam
T.-t.
U
gliss.
sim.
sim.
gliss.
mf
mf
mf
mf
gliss.
mf
mf
mf
mf
Vc. Solo
gliss.
gliss.
mp
mf
mf
mf
mf
mf
mf
mf
mf
gliss.
mf
mf
gliss.
gliss.
42
29
Hn.1&2
Hn.3&4
Tbn.1
Vln. 1
Vln. 2
Vla. (i)
Vla. (ii)
gliss.
gliss.
. gliss
Vc. Solo
Vc.
Db. (i)
Db. (ii)
ss. gli
gliss. p
gliss.
gliss.
mf
gliss.
gliss.
p
gliss.
mp
mp
gliss.
. gliss
pp
To Mar.
ad lib.
gliss.
5
To Tri.
gliss.
PED GLISS
ss. gli
pp
div.
div.
tutti div. à 2:
tutti div. à 2:
tutti div. à 2:
tutti div. à 2:
mf
gliss.
mf
mf
mf
mf
gliss.
mf
mf
mf
gliss.
gliss.
gliss.
p
p
p
p
gliss.
gliss.
(slowly upwards ad lib.)
mf
mf
mf
Vla. (iv)
mf
mf
Vla. (iii)
gliss.
(poco mf)
W. Bucket
Cl. Solo
T.-t.
Hp.
mf
mf
mf
mf
(div.)
mf
mf
p
p
3. Chorale Prelude
43
canons Triangle
V Vivace q = 108
Maestoso q = 60
35
Tri.
Cl. Solo
Vln. 1 (i)
Vln. 1 (ii)
Vln. 2 (i)
Vln. 2 (ii)
Vla. (i)
nat.
nat.
Vla. (ii)
Vc. (i)
Vc. (ii)
Db. (i)
Db. (ii)
nat.
nat.
3
3
3
mf
mf
3
mf
3
mf
3
3
3
3
3
3
3
3
3
3
3
mf
3
mf
3
3
3
mf
mf
3
3
3
3
mf
3
mf
mf
3
3
3
3
mf
3
3
3
44
W
Cl.1 42
mf
B. Cl.
Hn.1&2
Tpt. 2
Tpt. 1
meno f
mf
con sord. Harmon, closed
mp
meno f
Cl. Solo
mp
3
mp marcato con sord. Harmon, closed
mp marcato
con sord. Harmon, closed Tbn.1
Tbn. 2
B. Tbn.
Mar.
Hp.
Cl. Solo
Vln. 1 (i)
Vln. 1 (ii)
Vln. 2 (i)
Vln. 2 (ii)
mp
3
mf
5
meno f
mf
mf
Bb A§
mp
Vla. (ii)
Vc. (i)
Vc. (ii)
Db. (ii)
Vla. (i)
Db. (i)
mf con sord. Harmon, closed
mf
Db Eb F# G§ A#
3 mf 3 con sord. Harmon, closed
45 50 5:3 Cl.1 cresc. poco a poco f
B. Cl.
Mar.
Tri.
Cl. Solo
f
mf
3 cresc. f 3 3
4:3 f sim.
Hp.
cresc. poco a poco
3
F§
sim.
f
cresc. poco a poco
F#
57
Ob.1
B. Cl.
Cbsn.
Tbn. 2
B. Tbn.
Cl. Solo
cresc.
Tbn.1
p
p
mp
p
p
3 mp 3
3
To Vib.
3
mp
mp 3
3
3
3
3
poco p
f
cresc. sempre
f
3
senza sord.
senza sord.
3
senza sord.
mp
3
3
3
mp
3
mf
Tam-tam
3
cresc.
3
3
3
mp
3
To T.-t.
mp 3
3
mf
cresc.
3
mp
p
3
3
mp
cresc.
poco piano
poco piano
Tpt. 2
Tpt. 1
Hp.
Bsn.
Tri.
Cl.1
Mar.
X 3
3
B§
3
46
64
Ob.1
Ob.2
5
3
3
mp
3
3
3
senza sord.
3
3
3
3
3
3
3
3
3
3
Bb, E§
5
3
mf
3
3
3
3
mp cresc.
3
mp
3
3
mp
3
5
mp cresc.
3
3
3 mp cresc.
mp cresc.
3
mf
B. Tbn.
mp
Tbn.1
3
Tpt. 2
3
mf
3
3
Tpt. 1
Bsn.
Cbsn.
3
Cl.1
5
3
3
Eb
Hp.
3
3
3
3
Cl. Solo
mf
47
Y
70
Ob.1
Ob.2
Cl.1
B. Cl.
Bsn.
Cbsn.
Tpt. 1
Tpt. 2
Tbn.1
B. Tbn.
più...
mf
3
mf
con sord.
3
mf
3
3 3 3
mf
3
3
f
3
3
f
4:3
D§ F§
f
senza sord.
dim. 4:3
f dim.
dim.
3
3
5:3 dim.3
f
dim.
To Mar.
dim.
3
4:3
dim.
f
3
3
3
3
3
f
f
3
mf
mf
3
mf
5
dim.
f
mf (no ped)
5
dim.
3
3
3
mf
f d
3
mf
3
f
3
f
più...
3
mf
Vibraphone Vib.
3
3
f
Hp.
Cl. Solo
più...
f
48
Tempo 1 q = 60
Cl.1 76
B. Cl.
Mar.
f
Vln. 1 (i)
Vln. 1 (ii)
Vln. 2 (i)
Vln. 2 (ii)
Vla. (i)
To R.S.
f
mp
mp
mp
3
3
3
3
3
mp
mp
mp
dim.
3
cresc.
mp
mp
dim.
To Vib. (bowed)
dim.
3
mp
6
3
dim.
cresc.
mp
f
dim.
f
Db. (ii)
dim.
f
Db. (i)
3
3
mp
meno f
3
3
3
mp
f
Vc. (ii)
mf
f
Vc. (i)
3
Marimba
meno f
mf
f
Vla. (ii)
mf
mf
Cl. Solo
meno f
3
f
Tam-tam
T.-t.
mp
49 78 Cl.1
B. Cl.
Hp.
Cl. Solo
Vln. 1 (i)
Db. (ii)
cresc.
5:4
mf
cresc.
ff
mf
3
f
mf
mf
3
cresc.
mf
Db. (i)
cresc.
cresc.
Vc. (ii)
mf
Vc. (i)
cresc.
cresc.
Vla. (ii)
cresc.
Vla. (i)
f
mf
mf
f
Vln. 2 (ii)
mf
E§ Gb Ab
Vln. 2 (i)
cresc.
Vln. 1 (ii)
3
mf
cresc.
mf
cresc.
3
mf
mf
4. Bridge IV
50
Corrente, sotto voce q = 60-62
Fl.1 80
Hn.3&4
Tpt. 1
p
Fl.1
Vln. 1 (i)
Vln. 1 (ii)
Vln. 2 (i)
Vln. 2 (ii)
Vla. (i)
Vla. (ii)
mp
6
mp
cresc.
gliss.
p leggiero
gliss.
gliss.
mp leggiero
gliss.
3
p leggiero
5
mp
5
pp leggiero
3
3
3
3
3
pp leggiero
3
3
3
3
con sord.
3
p leggiero
3
con sord.
3
p leggiero
3
5
3
3
p leggiero
pp leggiero
p leggiero
5
3
pp leggiero
Db. (ii)
Z
con sord.
Db. (i)
gliss.
con sord.
Vc. (ii)
mp leggiero
p leggiero
6
5
6
(sord.)
pp leggiero
Vc. (i)
6
mf
gliss.
6
con sord.
Vla. (ii)
6
con sord.
Vla. (i)
mp leggiero
con sord.
Vln. 2 (ii)
6
6 6
6
con sord.
Vln. 2 (i)
mf
con sord.
Vln. 1 (ii)
6
con sord.
Vln. 1 (i)
pp
mp
Cl. Solo
mp
82
Tpt. 1
pp
6
Cl. Solo
6
Vibraphone
Vib.
3
3
p leggiero
3
3
51
83
Fl.1
Tpt. 1
R.S.
Cl. Solo
Vln. 1 (i)
Vln. 1 (ii)
Vln. 2 (ii)
5
Vc. (ii)
Db. (ii)
5
3
3
mp
3
3
mp
3
3
3
3
3
3
3
3
3
3
mf
3
3
3
mf
3
mf
3
3
3
mf
mf
mf leggiero
3
3
3
3
mf
mf
mp
Db. (i)
mp
Vc. (i)
cresc.
3
Vla. (ii)
mp
Vla. (i)
3
Vln. 2 (i)
f
3
3
52
Fl.1 84
Tpt. 1
3
5
cresc.
ff
Cl. Solo
Vln. 1 (i)
3
3
f
5
cresc.
mf
cresc.
3
f
Vln. 2 (ii)
mf
Vla. (i)
cresc. 3
3
3
3
cresc.
Db. (ii)
3
cresc.
3
3
dim.
(bb 85-87 may be played with mallets, trem. if bowed sound is not strong enough)
3
mf
3
mp
dim.
senza sord. individually
senza sord. individually
senza sord. individually
senza sord. individually
senza sord. individually
senza sord. individually
senza sord. individually
3
f
mf
Db. (i)
3
senza sord. individually
f
Vc. (ii)
(mf colla voce)
mf
Vc. (i)
mf
Vla. (ii)
f
3
senza sord. individually
cresc.
Vln. 2 (i)
f
dim.
mf
Vln. 1 (ii)
AA
To Crot.
R.S.
f
5
cresc.
Vib.
f
mf
senza sord. individually
53
Fl.1 86
Tpt. 1
Vib.
Cl. Solo
Vln. 1 (i)
Vln. 1 (ii)
(this chord as balanced in dynamic as possible)
(this chord as balanced in dynamic as possible)
(this chord as balanced in dynamic as possible)
p
(this chord as balanced in dynamic as possible)
mp
ff
3
3
3
Vln. 2 (i)
3
mp
Vln. 2 (ii)
f
Vla. (i)
mp
Vla. (ii)
Vc. (i)
ff
f
f
3
3
3
3 no dim
3
3
unis.
unis.
unis.
unis.
tutti div. a 4
tutti div. a 4
no dim
3
3
no dim
3
3 3
no dim
ff
mp
Db. (ii)
no dim
no dim
3
3
f
Db. (i)
3
mp
Vc. (ii)
3
no dim
3
3
ff
3
3
no dim.
f
(mallets)
3
ff
3
3 3
3
unis.
unis.
no dim
no dim
5. Chorale Prelude
54
Sancta Maria Moderato q =62-66
3
5
88
B. Cl.
3
mp
Cbsn.
mp
Hn.1&2
Hn.3&4
3
3
3
Hp.
Cl. Solo
Hn.1&2
F# G§
Vla. (i)
Vla. (ii)
Vla. (iii)
Vla. (iv)
3
3
3
poco più f
poco più f
dim.
3
3
3
3
mf
5
mp
mp
dim.
5
3
5
6
3
3
pp
3
pp
pp
dim.
5
pp
3
3
pp
mf
cresc.
largo sempre (but breathe ad lib. between pitches!)
3
dim. 3
3
(D, C, Bb, E, F#, G, Ab)
Violin Solo
Vln. solo
mp
Tpt. 2
3
mp3
3
55
BB
92
Ob.1
B. Cl.
Hn.1&2
3
mp
Hn.3&4
mp
Tbn.1
Tba.
Vln. solo
Vla. (iii)
Vla. (iv)
Vc. (ii)
Db.
Vc. (i)
3
3
3
mp
3
3
3
mp
mp
3
3
cresc.
mf
3
3
mf
mf
5
3
mf
3
3
3
3
cresc.
mf
pp
7
mp
5
mp
5
5
3
f
pp
pp
5
mp
3
3
5
mf
mp
mp
3
3
mf
Vla. (ii)
unis.
3
mp
Vla. (i)
mp
Vln. 2
Vln. 1
Cl. Solo
cresc.
3
3
cresc.
B. Tbn.
mp
mf
Tbn.1&2
(senza sord.)
Tbn. 2
Tpt. 1
3
5
cresc. 5
mp
mp
3
3
Bsn.
Cbsn.
56
95
B. Cl.
CC
Bsn.
p
Cbsn.
Hn.1&2
Hn.3&4
Tpt. 1
Tpt. 2
con sord.
3
sf con sord.
3
3
p
p
3
sf
Tbn.1
Tbn. 2
Tbn.1&2
B. Tbn.
pp
3
pp
Crot.
Cl. Solo
Vln. solo
3
Vla. (iii)
Vla. (iv)
pp
5
p
p
f
gliss. ( ) * Optional gliss if any bass has range
*
below C; otherwise dotted crotchet C
3
p
pp
mf
3
p
3
p
3
tutti div. à 2
tutti div. à 2
p
3
3
3
3
3
p
più f energico
f
mp
3
To Bongos
3
mf
3
3
mf
mp
Vla. (ii)
Vla. (i)
Vln. 2
Vln. 1
Db.
pp
Tba.
tutti div. à 2
tutti div. à 2
57
99
B. Cl.
mp
Cbsn.
Hn.1&2
mp
cresc.
mp
dim.
3
dim.
f
3
Db.
3
5
mf
mf
3
3
mp
3
3
mf
mp
3
3
mp
mp
p
5
3
cresc.
3
3
3
cresc.
5
3
5
3
3
6
(rejoin tutti)
mf
mf
mf
6
mf
3
5
6
mf
cresc.
f
cresc.
3
cresc.
5
cresc.
mf
3
dim.
mp
mp
mp
mp
Vc. (ii)
p
(vib., mallets)
Vc. (i)
Vln. 2
cresc.
3
p
Vln. 1
3
Vib.
mf
5
Tbn.1&2
Vln. solo
3
3
Hn.3&4
B. Tbn.
cresc.
Bsn.
5
58
DD
Fl.1
101
Fl.2
Ob.1
Ob.2
Cl.1
B. Cl.
Bsn.
Hn.1&2
Hn.3&4
Tpt.1&2
3
mf
3
mf
3
mf
mf
3
Tba.
3
3
3
3
Vln. 1
Db.
5
5
3
3 3 mf
3
mp
mp
3
3
3
f
f
f
3
dim.
3
3
3
3
div.
3
3
F§
5
pizz.
3
3
3
3 3 3
5
mf
3
3
mp
3
3
5
5
5
f
5
5
f
3
5
Vc. (ii)
3
3
5
5
Vc. (i)
Vln. 2
3
mf
(D, C, Bb, E, F#, G, Ab)
Hp.
3
mf
Vib.
3
B. Tbn.
3
3
(con sord.)
Tbn.1&2
3
mf
3
3
3
59
Fl.1
103
Fl.2
Ob.1
5
5
3
3
3
3
Bsn.
Hn.1&2
7
5
5
5
3
Tbn.1&2
5
Tba.
Vib.
5
3 3
Vln. 2 (ii)
Vla. (i)
Vla. (ii)
3
dim.
6
3
3 3
3
3
6 3
p
3
dim.
3
6 3
mp
p
p
p
p
3
6
dim.
3
3
mf
p
3
6
dim.
dim.
p
mf
gliss. gliss.
mf
3
3
3
3 3 3
3
6
mf 3
5
D#
3
3
dim.
3
3 F§
meno f
pizz.
pizz.
mp
Vc. (ii)
3
3
Vc. (i)
(breathe ad lib. between pitches)
Vln. 2 (i)
F#
Vln. 1
p
To Picc.
dim.
3
6
Cl. Solo
dim. 3
3
mf
Hp.
7
3
B. Tbn.
3
7
3 5 sord. senza 3 3 5
Tpt.1&2
7
Hn.3&4
5
3
7
5
5
B. Cl.
7
5
3
5
Cl.1
7
5
5
5
Ob.2
EE
p
3
pp
p
p
p
pp
Db.
pp
60
106
Picc.
Fl.1
Ob.1
Ob.2
Cl.1
B. Cl.
Bsn.
Cbsn.
Hn.1&2
p
3
3
3
mp
mf
3
3
mp
3
Tba.
3
3
3
Hp.
Cl. Solo
Vla. (i)
Vc. (i)
Vc. (ii)
3
mp
3
3
3
mp
3
mp
p
p
3
3
3
p
3
3
mf
mf
3
mf
3
mf
To B. Drum
Bass Drum:
5
unis.
3
3 3
3
3
mf
mf
3
3 3
mp
3
3
mp
3
mf
f marcato
3
f marcato
3
f marcato
3
f marcato
3
arco
3 mf arco 3
3
arco
mf
mp
3
3
mf
3
div.
3
mf
mf
3
3
5 3 mf 3
mf3
div.
3
3
3
mp
3
3
3
3
3
3
mp
mf
3
3
f
3
3
f
3
più f
3
Vla. (ii)
To Glock.
3
mf
F# A§
Vln. 2 (ii)
Db.
mp
Vln. 2 (i)
p
p
Bongos
3
f
mp
mp
Vib.
Vln. 1
3
più f
To Flute
p B. Tbn.
1.
3
p
f
mp
Tbn.1&2
p
3
p
Tpt.1&2
3
mf
Hn.3&4
3 3
FF 110 Fl.1 6
3
3
Fl.2
3
Ob.1
6
Ob.2
3
3
Hn.1&2
mf
Tpt. 1
Tbn.1&2
B. Tbn.
4
Vln. 1 (ii)
Vln. 2 (i)
Vln. 2 (ii)
Vla. (i)
3
Vc.
Vc. (i)
Vc. (ii)
Db.
3
mf
3
3
6
3
3
6
To Picc.
3
3
3
3
mf
3
3
mf
3
6
5
3
3
mf
3
3
3
3
3
3
3
3
mf
6
3
3
3
3
3
pizz.
3
3
3
3
cresc.
3 3
3
3
4
mf
Glockenspiel
6
3
3
6
mf
3
3
3
6
3
6
(senza sord.)
3
3
3
Vla. (ii)
mf
3
3
3
Glockenspiel
Glock.
3
3
mf
Tpt. 2
3
con sord.
Vln. 1 (i)
3
Hn.3&4
Tba.
3
3
6
6
mf
3
Bsn.
Cbsn.
3
3
B. Cl.
3
6
6
Cl.1
3
3
6
f
6
3
61
f marcato
unis.
unis.
pizz.
mf
62
Fl.1
Ob.1
Cl.1
6
Hn.1&2
6
6
3
3
3
6
f
2
f
f
3
Tba.
3
Vln. 1 (ii)
Vln. 2 (i)
6
6
3
6
3
3
3
3
Vc.
3
Vla. (ii)
6
Vla. (i)
Vln. 2 (ii)
Db.
6
cresc. 3
3
6
f
3
2
4
f
f
6
3
3
3
ff
3
6
6
f
6
(f)
3
3
6
3
arco
6
6
ff
ff 3
ff 3
3
3
f
3
6
Glock.
Vln. 1 (i)
6
3
f
B. Tbn.
3
3
3
3
6
4
6
Tbn.1&2
3
3
Tpt. 2
Hn.3&4
3
f
Cbsn.
3
Bsn.
6
B. Cl.
6
6
Ob.2
3
112
3
3
3
3
63
114
Picc.
3
ff
Fl.1
3
ff
Ob.2
Cl.1
ff
3
6
ff
6
3
3
3
5 3
5
6
6
6
5
3
dim.
6
B. Cl.
6
3
ff
3
3
Ob.1
3
GG
dim.
f
f
5
5
dim. Bsn.
Cbsn.
Hn.1&2
ff 2
ff
ff2
Hn.3&4
Tbn.1&2
B. Tbn.
Tba.
Glock.
B.Drum
Hp.
Vln. 1 (i)
f
Vln. 2 (i)
Vln. 2 (ii)
Vla. (i)
Vla. (ii)
Vc.
Db.
3
3
ff
ff
ff
To Mar.
3
3
3
3
3
3
3
3
3
6
5
ff
arco
ff
3
ff
3
3
3
sfp
3
5
f
3 5
sim.
3
Eb
5
To Steel D.
unis.
dim.
3
unis.
3
unis.
dim.
3
3
3
5
dim.
dim.
3
5
3
3
5
3
ff
dim.
3
f poss.
ff
Marimba
(D#,C,Bb,E, F#,G, A )
3
3
ff
5
3
3
ff
6
3
6 ff
3
3
(B Drum)
3
ff
6
ff
Vln. 1 (ii)
ff 3
2
f
Tpt. 2
3
ff senza sord.
Tpt. 1
3
3
unis.
3
3
5
5
3
64
HH
116
Ob.2
Cl.1
B. Cl.
Bsn.
Hn. 1
f
3
5
3
Hp.
Vln. 1
Vln. 2
3
3 5
ff
3
Vc.
Db.
5
3
5
3
f Each player ad lib. after the downbeat
To Tub. B.
3
3
5
3
. gliss
. gliss
mf
mf
3 3
pizz. (slap!)
sfz
pizz. (slap!)
sfz
gliss.
mf
arco
arco
3
3
f
gliss.
5
Tubular Bells
veloce
3
5
ad lib.
3
3
5
3
3
veloce
5
Each player ad lib. after the downbeat
3
mf
5
3
3
3
5
Vla. (ii)
Vla. (i)
sim.
Steel Drums
3
Steel D.
3
3
Mar.
3
f
ff
Tba.
5
B. Tbn.
Tbn. 2
3
ff
Tbn.1
3
ff
Tpt. 2
3
Tpt. 1
3
f
Hn. 4
mf
Hn. 3
f
f
Hn. 2
A#
E§ F§ Gb Ab
f
ff
5
ff
3
3 ff
5
3
pizz.
pizz.
65
118
Picc.
Vc.
5
3
5
3
3
3
To Mar.
sim.
sim.
sfz
3
5
5
3
5
arco
arco
3
3
3
5
5
3
5
3
3
3
3
3
3
3
3
5
3
3
5
5
3
5
Marimba
To Chinese Gongs
C# F# G§ A§
5
3
3
5
3
7
3
mf
mf
3
3
5
sfz
Db.
Tbn. 2
Vla. (ii)
5
Tbn.1
Vla. (i)
Tpt. 2
Vln. 2
ff
Tpt. 1
Vln. 1
7
5
Hn. 4
Hp.
Hn. 3
Steel D.
Hn. 2
Tub. B.
B. Cl.
Tba.
6
ff
Cl.1
Hn. 1
Ob.2
Bsn.
ff
Fl.1
3
5
66
3 3
II
120
Picc.
Fl.1
5
Ob.2
Poco meno mosso ma veloce
3
Cl.1
Hn. 1
Hn. 3
Tbn.1
Mar.
3
5
5
3 3
3
5 To Tub. B.
Vc.
Tubular Bells
5
3
pizz. 5
f volante
fff
f
pizz.
5
Vla. (ii)
f
Vla. (i)
High/low small ('Chinese') gongs
Vln. 2
Cl. Solo
Ch. Gongs
5
5
3
3
Tbn. 2
Tpt. 2
Db.
3
Tpt. 1
Vln. 1
Hn. 4
Hp.
Hn. 2
Tba.
3
B. Cl.
Bsn.
sfz
sfz
pizz.
pizz.
sfz
sfz
f
5
gliss.
mp (echo)
f
rubato ad lib.
mf
6
3
5
3
5
gliss.
6
5
arco
arco
div.
div.
3
ff
5
9
div.
67
122
Hn.1&2
sf
Hn.3&4
sf
con sord.
Tbn.1
con sord.
B. Tbn.
Tub. B.
Cl. Solo
Vln. 1
gliss.
gliss.
p
Tbn. 2
gliss.
p
con sord.
p
mf
gliss.
gliss.
gliss.
5
5
mp
5
5
5
cresc. poco a poco
5
5
5
5
Vln. 2 (i)
Vln. 2 (ii)
Vla. (i)
Vla. (ii)
pizz.
Vc. (i)
pizz.
Vc. (ii)
pizz.
Db. (i)
Db. (ii)
pizz.
gliss.
sf mp
gliss.
gliss.
sf mp
sf mp
gliss.
sf mp
gliss.
gliss.
gliss.
gliss.
sim.
sim.
sim.
sim.
mf
mf
mf
mf
68
123
Cbsn.
Hn.1&2
sf
Tbn.1
3
cresc.
Tbn. 2
gliss. 3
cresc.
B. Tbn.
Tub. B.
Ch. Gongs
Cl. Solo
Vln. 1
Vln. 2 (i)
Vln. 2 (ii)
Vla. (i)
Vla. (ii)
Vc. (i)
Vc. (ii)
gliss.
f
sf
gliss.
gliss.
senza sord.
gliss.
senza sord.
gliss.
gliss.
gliss.
senza sord.
5
5
3
gliss. 3
gliss. 3
3
5
5
gliss.
gliss.
gliss.
gliss.
gliss.
più f
cresc.
cresc.
3
più f
3
gliss.
più f
3
più f
3
gliss.
3
mf
gliss.
To Crot.
gliss.
f
To Vib.
3
3
cresc.
sf
sf
gliss.
mf
Hn.3&4
5
gliss.
Db. (i)
cresc.
Db. (ii)
cresc.
69
JJ
124
Bsn.
3
f
Cbsn.
Hn.1&2
3
3
mf
Hn.3&4
3
mf
Cl. Solo
Vln. 1
3
3
3
3
3
3
3
3
3 mf
Vln. 2 (ii)
3 mf
Vla. (i)
3
3
mf
3
3
3
3
3
f
3
3 3
5
5
3
3
3
mf
3
Vla. (ii)
(f )
3
mf
Vln. 2 (i)
3
dim. poco
5
5
5
mf
con sord.
3
3
3
3
70
3
125
Ob.1
Ob.2
Cl.1
B. Cl.
Bsn.
Cbsn.
Hn.1&2
Vib.
Hp.
Cl. Solo
Vln. 1
3
3 3
3
5
mp
5
cresc.
mf
5
3
p
3
3
con sord.
con sord.
p
3
mp
To Mar.
3
F§ Ab
pizz.
gliss.
3
3
gliss.
3
3
5
3
5
5
pizz.
f
5
Vla. (i)
3
5
gliss.
5
3
Db. (ii)
pizz.
Db. (i)
Vln. 2 (ii)
3
Vc. (ii)
gliss.
Vc. (i)
3
Vla. (ii)
mf
mp
Vln. 2 (i)
3
3
(senza sord.)
3
p
p
Tpt.1&2
3
p
Hn.3&4
Tbn.1&2
p
p 3
3
3
pizz.
3
arco
arco
arco
arco
f
f
f
f
3
3
3
3
3
5
3
71
127
Fl.1
Cl.1
B. Cl.
Bsn.
3
3
3
mf
mp
mp
3
mp
Cbsn.
Hn.1&2
Hn.3&4
Tpt.1&2
Tbn.1&2
Crot.
Vln. 1
3
3
3
3
3
mp mp
3
33
senza sord.
senza sord.
Tpt 1 move to Tuba for 'ballophone'
mp
marcato
From here a rall. is written out; it should be played ad lib. rather than metrically, adhering only to pitches 3 3 mf 3
3
3
3
3
3
3
ff
5
5
5
5
5
5
5
Vln. 2 (ii)
Vla. (i)
3
3
3
3
Vc. (ii)
3
3
6
mp
Db. (ii)
Vc. (i)
7
mf
5
3
Db. (i)
f dim.
p
Vln. 2 (i)
Vla. (ii)
mf
A§
Cl. Solo
Hp.
mf
3
3
mp
5
senza sord.
72
Fl.1
Tpt. 1
Tba.
Vib.
KK
129
high whistle tones (use piccolo or alto flute if better result)
3
pp
continue ad lib., breathing as necessary
Ballophone (playing into bell of tuba):
mp
Continuous fast tremolo between valves (without air):
7
marimba, reverse sticks:
Marimba
5
5
( ) 5
ad lib.
5
p
Hp.
Cl. Solo
5
mp marcato
3
3
arco
arco
Vln. 2 (ii)
Vla. (i)
Vln. 2 (i)
Vla. (ii)
arco
arco
mf
Chorale Prelude 73
Epilogue Largo q = 50-54
Flute 1
Oboe 1
Cor Anglais
3
1.2.
mp
Bassoon Horn 1 in F
3
mp
mp
3
mp
mf
E§ G#
D, C#, B, Eb, F, Gb, A#
mf
3
Violin 2 (i)
mf
mp
sotto voce mp
sotto voce
3
mp
mf
p
3
3
mf 3
3
p
f
f sotto voce
mf
p
p
3
mp 3 5
3
3
5
3
3
3 3
1 Solo:
3
6
mp
1 solo:
mp
mf
5
poco mf
mf
(Tutti)
5
5
mf
mp
3
5
7
mp
3
solo
3
mf
mp
mp
5
5
3
p
mf
sotto voce
con sord.
mp
3
mp
sotto voce
Double Bass
con sord.
sotto voce
(div. à 2) sotto voce
Violoncello (ii)
mp
(div à 2)
Violin 1 (ii)
3
p
Violoncello (i)
Violoncello Solo
3
mf
Viola (ii)
3
Bass Trombone
Viola (i)
con sord.
Violin 2 (ii)
Violin 1 (i)
p
Trombone 2
Solo Clarinet in Bb
3
Harp
2.
Vibraphone
p
Trombone 1
Tuba
3
p
Trumpet 1 in C
f
p
3
1.
3
3
Clarinet 1&2 in Bb
Clarinet 2 in Bb
Clarinet 1 in Bb
5
3
mp
6
mp
3
3 5
mp
mp
1 solo:
74
LL
Fl. 1&2 3
Ob. 1
C. A.
Cl. 1
Cl. 2
Hn. 1
mp
Tpt.2
p
mf
mf
p
1.2.
pp
3
3
pp
3
pp
3
mp
3
pp
mp
mp
pp
senza sord.
3
mp
3
pp
3
3
3
dim.
(Solo)
3
mf
(Solo)
mf
mf
7
(Solo)
(Tutti)
7
3
3
(Solo)
mf
(Solo)
poco mf
mf
poco mf
mp
pp
pp
3
3
Db. Solo
3
3
pp
pp
3
3.4.
3
3
Vc. (ii)
p
Vc. (i)
p
Vc. Solo
Db.
Vla. (ii)
mp
Vla. (i)
Vla. Solo
Vln. 2
p
Vln. 2 Solo
Vib. Solo Cl. 5 5 5 Vln. 1 Solo
p
Tbn. 1
Tpt. 1
Hn. 3&4
Hn. 1&2
Tba.
Bsn. 1
Cbsn.
1.2.
5
mp
mp 3
mp
3
mp
mp
Fl. 1&2 5
Ob. 1
5
3
Tbn. 1
Vib.
p
Hp.
p
Solo Cl.
Vln. 1 Solo
3
Vc. (ii)
3
5
5
3
3
3
mp
3
3
3
3
3
mf
3
3
mf
3
3
mp
cresc.
cresc.
3
3
r mp
p
mp
cresc.
mf 3
mf
3
3
mp
3
mp
5
3 3 3 p 5 3 3 mp
3
(Solo)
3
pp
pp
3
Db.
pp
5
3
mp
Db. Solo
pp
7
5
Vc. (i)
5
mp
Vc. Solo
3
5
Vla. (ii)
Vla. (i)
Vla. Solo
mp
Vln. 2
5
(Tutti)
Vln. 2 Solo
3
Vln. 1
3
3
3
p
senza sord.
Tba.
5
B. Tbn.
3
mf
mp
p
3
3
senza sord.
3
1.
Tbn. 2
3
5
3
3
3
Tpt.2
Tpt. 1
Hn. 3&4
75
3
Cl. 1
Hn. 1&2
C. A.
Bsn. 1
mp
3
cresc.
5
p
cresc.
3
3
mf
cresc.
3
p
3
3
mp
cresc.
mf
76
MM 7 3 Fl. 1
Ob. 1
3
3
3
3
Cl. 1
Cl. 2
Bsn. 1
Cbsn.
Hn. 1
mf
B. Tbn.
Tba.
Steel D.
Vln. 1 Solo
1.
p
3
mp
3
5
mp
5
5
5
3
languido
5
3
3
3
3
5
3
3
3
3
3
mp
mp
solo
5
solo mp
3
5
mp
solo
5
3
3
mp
5
3
5
3
unis.
mp
poco mf 3
3
p
mp
7
7
3
3
5
poco mf
solo
mp
3
mp
mp
3
Db. Solo
mp
Vc. (ii)
mp
Vc. (i)
mp
div.
Db.
p
Vc. Solo
Vla. (ii)
3
5
mp
Vla. (i)
poco mf
p
Vla. Solo
Vln. 2
Vln. 2 Solo
Vln. 1
3
p
Solo Cl.
3
mf
Eb, Gb
Hp.
mp
1.
1.2. (div)
Tbn. 2
mf
mf
Tbn. 1
mp
3
3
Tpt. 1
3
mf
77 9
Fl. 1
Ob. 1
Cl. 1
Bsn. 1
Hn. 1
Steel D.
Vln. 1 Solo
3
3
3
Db. Solo
3
dim.
3
3
5
(mp)
dim.
3
dim.
3
5
3
3
Vc. Solo
mp
3
Vla. Solo
p
dim.
Vln. 2 Solo
3
Solo Cl.
3
p
5
Tbn. 1
Tpt. 1
p
3
3
mp
dim.
NN 10
Ob. 1
Hn. 1
Tpt. 1
Vib.
Solo Cl.
Db. Solo
mf
dim.
(suono reale 8va)
mf
Hp.
3
5:4
p (falling chromatic scale/glissando ad lib.) 5
6
(non dim.)
Ab
5
3
Agricolas
Piers Hellawell (b. 1956) has worked with the Schubert Ensemble of London, Hilliard Ensemble, RTÉ Vanbrugh Quartet and BBC Scottish Symphony Orchestra, for whom he wrote Dogs and Wolves (2006), among others worldwide. Works include: Cors de chasse, a concerto commissioned for Håkan Hardenberger (trumpet) and Jonas Bylund (trombone) by the Philharmonia Orchestra; Degrees of Separation, commissioned for the opening of The Sage Gateshead (2004); and Sound Carvings from the Bell Foundry for Stockholm Chamber Brass performing at festivals in Norway and Ireland. The Schubert Ensemble marked his 50th birthday with a performance. Hellawell is currently Professor of Composition at The Queen’s University of Belfast.
Hellawell
Photo © Gerry Hellawell
Piers Hellawell
Piers Hellawell ( *1956) hat mit vielen internationalen Ensembles zusammengearbeitet, darunter das Schubert Ensemble of London, das Hilliard Ensemble, das RTÉ Vanbrugh Quartet sowie das BBC Scottish Orchestra, für das er Dogs and Wolves (2006) schrieb. Daneben entstanden Cors de chasse – ein Konzert für Håkan Hardenberger (Trompete) und Jonas Bylund (Posaune) im Auftrag des Philharmonia Orchestra, – Degrees of Separation zur Eröffnung des Kulturzentrums The Sage im englischen Gateshead sowie Sound Carvings from the Bell Foundry für Stockholm Chamber Brass zur Aufführung bei Festivals in Norwegen und Irland. Zu seinem 50. Geburtstag widmete ihm das Schubert Ensemble ein Konzert. Gegenwärtig ist Hellawell Professor für Komposition an der Queen’s University in Belfast.
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Edition Peters 71747
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