Emily Howard - The Anvil

Contemporary

HOWARD The Anvil for Soprano, Bass-baritone, Chamber Choir, Youth Choir, Chorus and Orchestra

Full Score

EP 73386

EMILY HOWARD

The Anvil for Soprano, Bass-baritone, Chamber Choir, Youth Choir, Chorus and Orchestra An Elegy for Peterloo (2019)

Text by Michael Symmons Roberts

Full Score

ALLE RECHTE VORBEHALTEN

·

ALL RIGHTS RESERVED

EDITION PETERS LEIPZIG

·

LONDON

·

NEW YORK

CONTENTS

Programme Note . . . . . . . . . . . . . . iv

The Order Comes . . . . . . . . . . . . . 59 Soprano

Instrumentation . . . . . . . . . . . . . . . v

Were we quickened from brick-dust . . . . 59 Baritone

Performance Notes . . . . . . . . . . . . . vi

Sabred and stabbed . . . . . . . . . . . . . 59 Soprano, Baritone, Chamber Choir, Chorus

Texts . . . . . . . . . . . . . . . . . . . .viii

The field turns inside out . . . . . . . . . . 64 Chamber Choir, Youth Choir, Chorus

The Anvil Grid . . . . . . . . . . . . . . . . x Some of Our Cry is Their Cry . . . . . . 92 Weave Heavy stone harvest . . . . . . . . . . . . 1

Chamber Choir, Chorus

Now, when you see a blush . . . . . . . . . 97

Chorus

Soprano, Chorus

Pelt of rough turf . . . . . . . . . . . . . 13

Ghosts conjured from cotton smoke . . . . 98

Soprano

Baritone, Chorus

Battered shuttles . . . . . . . . . . . . . . 15

Our shibboleth . . . . . . . . . . . . . . 100

Baritone, Chamber Choir, Chorus

Soprano, Baritone, Chamber Choir, Youth Choir, Chorus*

The Commissioner for Paving . . . . . . 36 Soprano

RISE Fife drums love command liberty . . . . . 38 Chamber Choir, Youth Choir, Chorus

A lake of hats . . . . . . . . . . . . . . . . 42 Soprano, Chamber Choir, Youth Choir, Chorus

We walk in communion . . . . . . . . . . 50 Baritone, Chamber Choir, Youth Choir, Chorus*

We ask for sustenance and suffrage . . . . . 54 Baritone, Chamber Choir, Youth Choir, Chorus*

* A Community Choir may be used to augment the Chorus. See performance notes for more information

iv PROGRAMME NOTE The Anvil is about the universal longing for suffrage, protest, liberty. It takes as its starting-point the 1819 Peterloo massacre in Manchester, England. A wide range of choral forces and soloists enabled Emily to conjure the complex web of voices in a mass protest, held together by the soprano as narrator, plus bassbaritone and choirs as one or many voices from the crowd and hustings. Musical influences for the score ranged from early 19th Century hymn tunes to the power and terror of mill machinery. The idea of Michael making a large grid or woven text as part of the libretto came when we began to research Peterloo and found the repeated occupation ‘weaver’ in inventories of the dead and injured. The finished text was not meant to be read only in a straightforward linear way – though it can be – but also as a vertical and horizontal ‘weave’. Like the protesting crowds it evokes, it contains multiple voices and registers, from lists of injuries to slogans on banners, declarations of political will to shouts of protest, prayers to cries for help and snippets of stories. This huge ‘Anvil Grid’ became a starting-point and resource for Emily’s music, but we felt another kind of text was needed, one with a narrative thread. So Michael wrote ‘The Stones of Peterloo’ and that became the spine of the piece. Why the title? We chose it partly because the scrap ground where Peterloo took place was anvil-shaped, but mainly because of its resonances with work being done, with futures being forged. The Anvil is, we hope, a universal cry for suffrage and democracy. Emily Howard and Michael Symmons Roberts

ACKNOWLEDGEMENTS Thanks to the BBC and Manchester International Festival for incredible support during the creation of this work. Particular thanks are due to ANU, BBC Singers, BBC Philharmonic, the Hallé Choirs, Ben Gernon, Matthew Hamilton, Rachel Johnson, Carole Keating, Tracey Low, John McGrath, Stuart Overington, Christopher Purves, Kate Royal, Jonathan Schofield, Katie Vine and Simon Webb. In addition, Emily and Michael would like to thank the many collaborators, commissioners, producers, researchers, conversationalists, artists, performers, proofreaders, publicists, friends and colleagues who have helped to create The Anvil.

Commissioned by BBC Radio 3 and Manchester International Festival and first performed by Kate Royal (soprano), Christopher Purves (baritone) and the BBC Philharmonic, BBC Singers, Hallé Choir, Hallé Youth Choir and Hallé Ancoats Community Choir, conducted by Ben Gernon at the Bridgewater Hall, Manchester, on 7th July 2019

First broadcast on BBC Radio 3 on 16th August 2019, the 200th Anniversary of Peterloo

v INSTRUMENTATION 3 Flutes (3rd doubling Piccolo) 3 Oboes 3 Clarinets in B- (3rd doubling Bass Clarinet) 3 Bassoons (3rd doubling Contrabassoon) 5 Horns in F 3 Trumpets in B2 Tenor Trombones Bass Trombone Tuba Timpani Percussion (3 players): 1. Large Bass Drum, Kit 1[5 Tom-toms (very low, low, medium, high, very high), 2 Tam-tams, (medium, very high)], Metal Reibstock 2. Kit 2 [Tenor Drum, 5 pieces of highly resonant Trash Metal (very low, low, medium, high, very high), medium Suspended Triangle, 3 Woodblocks (low, medium, high), Suspended Cymbal (very high)], Metal Reibstock, Double Bass bow 3. Pair of Large Cymbals, Kit 3 [large Thundersheet, 2 Tam-tams (low, high), 1 piece of highly resonant Trash Metal (very high), 3 Suspended Cymbals (low, medium, high)], Metal Reibstock, Double Bass bow

Solo Soprano Solo Baritone Chamber Choir Youth Choir Chorus Strings (recommended: 14–12–10–8–6)

Score in C

Duration: 40ʹ

vi PERFORMANCE NOTES Vibrato Vibrato is graded throughout the work in the following way: senza vibrato (s.v.): play without vibrato poco vibrato: play with a very small amount of vibrato molto vibrato (m.v.): play with a lot of vibrato wide vibrato (w.v.): play with a wide exaggerated vibrato (a¯¯¯¯¯¯¯¯¯¯¯¯ large deviation from Bb B the central pitch). It is notated with the following sign: ÍÍÍÍÍÍÍÍÍÍÍÍÍÍ

∑

µ˜

∑

Percussion / very wide vibrato (v.w.v.): play with an even wider, very exaggerated vibrato (an extremely large deviation from the central pitch). It is notated with the following sign: ¯¯¯¯¯¯¯¯¯¯¯¯

Percussion

ÍÍÍÍÍÍÍÍÍÍÍÍÍÍ ∑ /

∑

∑

Bb B µ ˜ ∑

∑

Quarter tones Quarter tones are notated as follows:

¯¯¯¯¯¯¯¯¯¯¯¯ Bb three-quarter Bb B µ ˜quarter tone sharp B µ ˜ ¯¯¯¯¯¯¯¯¯¯¯¯ tone flat ÍÍÍÍÍÍÍÍÍÍÍÍÍÍ ÍÍÍÍÍÍÍÍÍÍÍÍÍÍ Bb B µquarter ¯¯¯¯¯¯¯¯¯¯¯¯ ¯¯¯¯¯¯¯¯¯¯¯¯ Bb B µ ˜ three-quarter tone sharp ˜ tone flat ÍÍÍÍÍÍÍÍÍÍÍÍÍÍ ∑ ∑ /ÍÍÍÍÍÍÍÍÍÍÍÍÍÍ ∑∑ ∑∑ ∑∑ Percussion ion / ∑ ∑ / ∑∑ ∑∑ ∑∑ Percussion / Percussion Throughout the score, it can be assumed that Percussion 1 plays Kit 1, Percussion 2 plays Kit 2 and Percussion 3 plays Kit 3. The only exceptions to this are when Percussion 1 plays Bass Drum (single line stave) and Percussion 3 uses a pair of Cymbals (single line stave). 2 Tam-tams

5 Tom-toms

Kit 1

VL

L

M

M

H

VH

œ œ

œ œ œ œ œ

/

Kit 2

3 Wood Blocks

5 Trash Metal*

L VL L

/ 2

M

H

œ œ œ œ œ

H

œ

œ

Suspended Cymbal

Triangle

M

œ

H

œ

¿

1

3 Suspended Cymbals

2 Tam-tams

/

M

œ

VH

Tenor Drum

Kit 3

H

Trash Metal*

œ

L

M

¿

¿

H

¿

6 Thundersheet

* The pieces of Trash Metal should cover a wide range of resonance. The Trash Metal used in Kit 3 should be the highest pitch.

∑ ∑

∑ ∑

vii PERFORMANCE NOTES Vocal Solo Baritone Our shibboleth Select a starting point within the last 9 rows of The Anvil Grid (see page x). Very slowly, sing the text in the rows as it comes on/around a monotone low C+ (dynamics as in score). Pause between the words or some of the words. The reading should feel chaotic, disconnected. Feel free to descend steadily in pitch throughout.

Chamber Choir Sabred and stabbed Square noteheads indicate that half of the singers on this line should sing above the pitch by c. ¹/₆ tone and half of the singers should sing below the pitch by c. ¹/₆ tone.

Community Choir A Community Choir can augment the Chorus line in We walk in communion, We ask for sustenance and suffrage and Our shibboleth. Denoted by ‘Chorus*’ on the contents page.

Chorus The field turns inside out This passage is separated into six vocal sections: Section 1 Section 2 Section 3 Section 4 Section 5 Section 6

Bars 625–657 Bars 665–698 Bars 707–739 Bars 742–754 Bars 757–769 Bars 772–784

Grid columns 1–23 Grid columns 3–21, row 4 onwards Grid columns 5–19, row 7 onwards Grid columns 7–17, row 10 onwards Grid columns 9–15, row 13 onwards Grid columns 11–13, row 16 onwards

begin o begin P begin p begin m begin M begin f

For each section, each singer independently chooses an appropriate column from The Anvil Grid (see page x). Beginning at the conductor’s cue, they should sing the text in their column with increasing speed throughout the section until the conductor’s cue to end. Text can be repeated if the end of the column is reached before the end of a section. Each section has its own set of four pitches notated below the grid poem. These pitches can be sung in any register. Roughly, travel from the lowest pitch that you can sing within the section’s set and cycle upwards throughout the section ending on the highest pitch that you can sing. This is an approximate guide only and it will not matter if your pitching is not exact. There is a general crescendo throughout each section from quieter (different for each section, see above) to extremely loud (G)

viii TEXTS The text for The Anvil came from two sources: the poem-sequence The Stones of Peterloo and The Anvil Grid (represented on pages x–xi). Note that the bold lines, numbers and pitches are additions by the composer to assist with the performance of The field turns inside out (bars 625–784).

The Stones of Peterloo (i) i) Pelt of rough turf, wasteland, scrap-belt, brick-strewn spew from building sites, a place of open light, edgeland, shape of an anvil seen from a height, stony ground, too thin for seeds to take. ii) The Commissioner for Paving comes at dawn to glean all hand-sized stones – like bulbs too-shallow-sown, like tubers – never to be thrown. iii) A lake of hats, bonnets, sprigs of laurel, liberty-black-caps raised on poles. Banners shiver and fade beneath merciless sun. Speeches. Children mewl. Sole-nails spark and scuff on stones. Two Ancoats skylarks in a backwards corkscrew rise above the field. iv) The order comes. Now horseshoes, kicks, stray shanks, high flanks that fell you, now sabres, now a scattering, a funnelling away of people that looks from the sky like rings from a stone cast into a lake. v) By force of fear, you are thrown against the Quaker graveyard wall, its blackened, moss-topped brick that keeps the living from the dead. Climb. You try. You fall. The field turns inside-out. vi) Hotels, offices took footings from those stones, new roads were cut. Now, when you see a blush, a bloom, a rush of blood, the face on a front-page caught mid-chant, mid-rage, in burnt-out squares of distant cities, that rouge is the dust of Mancunian brick. vii) Our shibboleth. Our half-remembered badge of pride, our massacre, our mob, our dinner-plate-sized pale blue plaque. A piece of grit lodged in a tooth.

ix

(ii) Were we quickened from brick-dust, leached out of pig-iron like rust in rain, were we stones raked from bare fields, ghosts conjured from cotton smoke, a film of soot on the lap of a lake, did we fall from this city’s cloud-lid, to be brushed like flies from the faces of demigods like these, were our fingers spent fuses, our eyes unlit beacons, our hearts battered shuttles were we summoned or are we called?

Text Š 2019 by Michael Symmons Roberts

x

The Anvil Grid The Anvil Grid 1

2

3

4

5

6

for use in “The field turns inside out”

1

2

3

4

5

6

7

8

9

10

11

heavy

a

stone

cap

harvest

of

picked

liberty

from

all

Peter’s

taxation

we

without

would

representation

walk

wrong

a

unjust

day

and

hearts

dance

in

our

hope

course

soar

to

like

liberty

petrels

because

no

this

flags

was

in

our

black

gala

and

day

with

now

our

children’s

laurel

voices

cuts

lift

as

ours

harbingers

mancunian

our

dun

stitched

veil

communion

lifted

flag

in

night

our

famine

we

bellies

heads

cut

raised

me

cheer

quick

all

o

our

sun

banner

by

inspires

march

hopeful

bears

steps

lions

joy

sing

step

in

with

bleach

will

clad

with

progress

honour

you

city

this

greets

night

its

as

citizens

two

with

wake

fife

so

we

stead

the

fast

not

our

cowed

hearts

ours

sore

rebels

hand

we

in

lack

one

weapons

clasped

just

in

drums

wave

turn

of

flat

bright

bow

banners

heads

with

all

hands

stand

held

tie

failing

o

vast

ropes

hands

fasten

unity

love

sticks

we

bread

ask

smocks

for

frocks

clemency

claim

liberty

new

in

out

the

light

kings

body

name

with

we

will

command

as

spin

looms

those

your

anyone

eyes

but

cross

ours

hatched

defiance

o

not

be

deference

lean

gifts

love

people

not

liberty

staffs

we

and

ask

boots

for

march

sustenance

on

and

human

sabred

tattered

and

torn

stabbed

and

sabred

sewn

and

rest

crushed

as

rise

summer

white

salt

dress

some

caught

sixty

on

thousand

both

o

arms

to

broken

raked

and

across

much

o

harmed

staves

we

on

ask

the

saint

tongue

peter

make

rock

good

cut

torn

on

be

left

set

eye

it

brow

no

and

sing

fall

this

white

bankside

o

spill

stones

of

stand

green

right

o

elbow

used

slashed

full

severely

o

his

truth

finger

out

we

day

flag

blood

down

no

carts

well

and

land

thrown

offer

down

as

with

alive

hurt

we

trampled

be

by

of

recite

link

we

armed

from

hopers

full

wishers

stay

thought

three

mercy

blade

dressings

cuts

demanding

in

march

face

sound

head

history

these

condemns

raise

riders

rooves

judges

and

on

in

that

knocked

withhold

from

for

strong

to

arms

live

lost

until

his

makers

our

kissers

song

lovers

join

weavers

taken

masons

memory

tailors

man

retribution

chest

raw

was

be

dreadfully

until

crushed

we

spat

left

litanies

ankle

scales

shattered

us

by

out

shot

of

fell

woman

before

was

wounds

pierced

listened

fallen

all

her

see

right

of

our

umbrellas

liberties

seamstresses

burnt

readers

lack

thinkers

them

seers

trampled

we

by

look

some

to

yeoman’s

the

horse

resurrection

so

all

every

our

justice

banners

of

were

peace

buried

sheriff

or

equal

die

representation

now

beats

o

death

servitude

o

here

unite

fall

name

with

o

ashes

right

in

then

our

all

throats

1

& ?

œ œ bœ nœ

ppp

cresc.

ffff

pp

cresc.

ffff

bœ œ bœ œ

3

p

cresc.

ffff

w 4

& bœ #œ bœ œ ?

œ œ b œ œ

2

mp

w

cresc.

ffff

nœ œ bœ œ

5

mf

cresc.

ffff

bœ #œ œ œ

6

f

cresc.

ffff

xi

12

13

14

15

16

17

18

19

20

21

22

23

we

field

need

our

shield

disarmed

against

battleground

sun

now

burn

rise

to

tyranny

hear

no

the

corn

white

laws

hat

cry

guest

banners

o

song

spare

pledge

me

equality

harm

cries

ignite

go

history

up

white

we

skulls

wore

cross

fine

bones

fustian

clenched

and

fists

corduroy

when

of

they

peace

rise

a

like

patriotic

plumes

unity

above

o

stray

honour

witness

so

weave

elysian

now

field

our

crops

future

blaze

we

praise

stand

for

up

him

charms

skies

from

can

our

bear

dogs

with

words

stand

the

all

beasts

to

fight

be

servitude

counted

become

countless

immortal

uncounted

rise

hymned

like

cloud

musket

be

heads

witnesses

we

drum

met

voices

held

raise

hands

the

made

dazzling

promises

stars

we

these

hold

souls

release

no

talismans

less

barrels

beloved

o

let

tune

pipes

blades

foundation

breath

stones

this

sword

ceaseless

kills

cry

truth

the

hard

true

from

hearts

hammers

o

and

over

brushes

over

shuttles

and

then

strength

and

all

cast

pitched

lots

at

win

freedom

spoils

fair

won

representation

rights

o

voice

carry

faith

their

peace

last

rest

solitude

silence

in

hear

for

now

must

the

dusk

riot

earth

act

begins

from

no

work

such

in

books

ill

heads

lit

words

rooms

universal

o

one

in

I

quaker

fall

graves

many

we

rise

fall

suffrage

lives

not

sorely

servitude

mis

bread

handled

not

o

king

darken

such

sabred

brutality

culled

am

shot

now

sabred

loved

bled

true

trampled

some

sabbath

nail

lovers

blades

taken

made

into

cotton

one

bloom

field

plenitude

in

in

blood

here

body

o

legs

darkness

sore

o

hurt

of

hymns

ages

friends

o

hope

pray

suffer

for

good

us

people

cannot

right

the

hand

in

side

keeper

her

helps

head

save

o

our

like

pass

ring

Lord

upon

bless

ring

us

just

o

sing

be

clean

other

cut

his

off

arms

by

hide

sharp

us

sabre

cry

lies

for

out

help

poor

hope

broken

for

heart

sanctuary

o

held

crowds

o

of

name

fleeing

our

men

wounds

women

a

children

is

keepers

ages

change

like

makers

made

hope

mass

seekers

recovery

leave

in

left

let

arm

as

hurt

memory

by

o

musket

printed

strike

their

field

pleas

o

oaks

poor

sing

weavers

for

found

resistance

no

keeping

mother

the

trampled

only

under

bearer

hooves

stones

and

calico

perished

cry

founders

unheard

mothers

our

blacksmiths

o

plasterers

multitude

labourers

o

takers

by

blood

bones

for

together

a

raise

fortnight

that

so

shroud

poor

time

into

arrest

cellars

downtrodden

wound

we

dressers

can

helped

triumph

out

men

eye

tell

we

2point

custodian

bear

drawn

in

steel

to

traitors

hawkers

forever

citizens

of

all

us &

living

calf

indemnified

in

our

honour

burnt

wealth

and

? stories

fifteen

into

to

constable

1 with

œ fallers people œ bœ nœ

ppp

w

flesh cresc. or

dead ffff shall

w

œ bœ œ bœ only

thinkers bare p or

our her cresc. ffff be handed

sing

free

prophet

no

names

borough

memory

mongering

coopers

stand

street

with

cellars

us

into

o

light

& bœ #œ bœ œ ?

stripped and cresc. ffff pp hidden forever

of 3

be

4

mp

œ œ drinkers march b œ œ

cresc.

ffff

nœ œ bœ œ

5

mf

cresc.

ffff

#œ œ œ bœ

6

f

cresc.

ffff

The Anvil

SCORE IN C

An Elegy for Peterloo Weave

Michael Symmons Roberts

Heavy stone harvest

µ>œ >œ >œ >œ >œ >œ >œ >œ >œ >œ >œ >œ µ>œ >œ >œ >œ >œ >œ >œ >œ >œ °‹ 3 4 ÔR ‰™™ U Œ &4 4 Machine-like (q = 58)

Piccolo

> > > > > > > > > > > > > > > > > > > > >Kr Bn œ œ œ œ œ œ œ œ œ œ œ œ Bn œ œ œ œ œ œ œ œ œ * R & 43 > > > > > > > > > > > > 44 > > > > > > > > >Ô ‰™™ Œ fff

Flute

Oboe

1 2

1 2

Oboe 3

f

fff

f

> > > > > > > > > > > > > > > > > > > > > & 43 nµœ œ œ œ œ œ œ œ œ œ œ œ 44 nµœ œ œ œ œ œ œ œ œKr ‰™™ * > > > > > > > > > > > > > > > > > > > > >RÔ fff f & 43 Bœ œ œ œ œ œ œ œ œ œ œ œ 44 Bœ œ œ œ œ œ œ œ œKr ‰™™ > > > > > > > > > > > > > > > > > > > > > fff

> & 43 Bµœ œ * > fff >œ œ ?3 4 3 3

1 Clarinet in Bb 2

Bass Clarinet

> > œœœœ > > >œ œ >œ œ 3

3

> > œœœœ > > >œ œ >œ œ 3

3

> > œœœœ > > >œ œ >œ œ 3

3

3

3

fff

Bassoon

1 2

Contrabassoon

> > 4 > œ œ œ œ 4 Bµœ œ > > > >œ œ >œ œ >œ œ 4 4 3 3 3

3

> > œœœœ > > >œ œ >œ œ 3

> > œœœœ > > >œ œ >œ œ 3

3

3

f

> >K ™™ r‰ œœœ R > >Ô f >œ œ >œ RÔ ‰™™ 3

3

f

U Œ

µ>œ ‰™ R

>œ ™ R ‰

>œ ™ R‰

>œ R

‰™

µ>œ ‰™ R

>œ ™ R ‰

>œ ™ R‰

>œ 3 ™ R 4 ‰

#>œ ‰™ R

>œ R Œ

n>œ ‰™ R fff >r nµœ ‰™ R >

>œ ™ R ‰ >r œ ‰™ R >

>œ ™ R‰ >r œ ‰™ R >

>œ R >r œ R >

‰™

>œ ™ R‰ >r nµœ ‰™ R >

>œ ™ R ‰ >r œ ‰™ R >

>œ ™ R‰ >r œ ‰™ R >

>œ R >r œ R >

3 4 ‰™

>r µn œ ‰™ R > >r µ#œ ‰™ R >

>r µn œ Œ R > >r œ Œ R >

‰™

Più mosso (q = 72) fff

‰™

a2

‰™

U Œ

‰™

U Œ

‰™

fff

n>œ ‰™ R

fff

>r nµœ ‰™ R > fff

U Œ

> 3 > >3 > 3 > >3 > 3 > >3 > 3 > >3 > 3 > >3 >Kr Bµ œ œ œ œ œ œ œ œ œ œ œ œ œ U * Bµ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ R 4 ?3 4 > > > > > > > > > 4 > > > > > > >Ô ‰™™ Œ fff f U 4 ?3 Kr ‰™™ Œ 4 ¢‹ 4 µ ˙ ™ ˙ œ >

° 3 a2, con3 sord. &4

‰™

>œ ™ R ‰ >r œ ‰™ R >

>œ ™ R‰ >r œ ‰™ R >

>œ R

‰™ ‰™

>œ ™ R‰

>œ ™ R ‰

>r œ R >

‰™

>r nµœ ‰™ R >

‰™

>œ R ‰™

>œ R ‰™

‰™

>r nµ œ R ‰™ >

>r œ R ‰™ >

>œ R ‰™

>œ R ‰™

>œ R ‰™

>œ R

>r nµ œ R ‰™ >

>r œ R ‰™ >

>r œ R ‰™ >

>r œ R >

fff

‰™

Emily Howard

>r œ ‰™ R >

>œ ™ R‰ >r œ ‰™ R >

>œ 3 ™ R 4 ‰

1 2

3 3 3 3 3 3 3 3 3 4 Kr ‰™™ U Œ µ>œ œ >œ œ >œ œ >œ œ >œ œ >œ œ >œ œ >œ œ >œ œ 4 µ>œ œ >œ œ >œ œ >œ œ >œ œ >œ œ >œ

fff

f

> > > > > > > > > > > > > > > > U & 43 Bnœ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ 44 Bnœ œ œ œ œ œ œ œ œ œ œ œ œKr ‰™™ Œ * > > > > > > > > > > > > > > > >RÔ fff f con sord. 3 3 3 3 3 3 3 3 3 U 3 & 43 Bœ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ 44 Bœ œ œ œ œ œ œ œ œ œ œ œ œKr ‰™™ Œ > > > > > > > > > > > > > > > > con sord.

Horn in F

3 4

Horn in F 5

3

3

3

3

3

3

3

3

3

fff

3

f

> > > > > > > > > > > > > > > > > > > > > U & 43 nµœ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ 44 nµœ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œKr ‰™™ Œ * R con > > > > > > > > > > > > > > > > > > > > >Ô sord. fff f U & 43 Bœ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ 44 Bœ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œKr ‰™™ Œ > > > > > > > > > > > > > > > > > > > > > con sord.

Trumpet in Bb

1 2

Trumpet in Bb 3

fff

f

> nµ ˙™

con * sord.

Trombone

1 2

Bass Trombone

Tuba

Timpani

?3 4 > fpp con > sord. B ˙ ™ ?3 4 ?3 ¢ 4

4 4 4 4

fpp

4 4

#>˙ ™ fff

?3 4 ææ #>˙ ™

° Kit3 1 æ / 4 ˙æ™ / 43

Percussion 2

Percussion 3

° 3 &4

fff

˙™

f

& 43 ˙™

senza vib.

& 43 ˙™ f

& 43 ˙™

senza vib.

f

B 43 ˙™

senza vib. f

B 43 ˙™

senza vib. f

Violoncello div.

˙™

?3 4 ?3 4

senza vib.

f

˙™

f

™ & 43 ˙ ‹ f senza vib. 3 ˙™ ¢& 4 ‹ f senza vib.

Double Bass div.

*accidental closest to notehead indicates upper voice

Edition Peters 73386

pp sempre

˙

œ U RÔ ‰™™ Œ

f

U œ

4 ¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯ Kr ‰™™ U Œ 4 ˙ œ > 4 ¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯Kr ‰™™ U Œ 4 ˙ œ >

(very wide vib.) 4 >¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯ œ ‰™™ U Œ 4 ˙ RÔ

¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯ U 4 >˙ œ ‰™™ Œ 4 RÔ fff pesante

>¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯ ˙ œ U RÔ ‰™™ Œ

4 4

>¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯ ˙ œ U RÔ ‰™™ Œ

fff pesante

¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯ U 4 >˙ œ ‰™™ Œ 4 RÔ ¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯ U 4 >˙ œ ‰™™ Œ 4 RÔ fff pesante

fff pesante

∑

4 4

5 8

∑

4 4 4 4

>r œ R ‰™ >

>r œ R 3 ‰™ > 4

>r µ# œ R ‰™ >

>r œ R Œ >

5 8

∑

4 4

∑

4 4

∑

4 4

∑

4 4

∑

4 4

∑

4 4

∑

4 4

∑

4 4

∑

4 4

∑

4 4

∑

4 4

∑

4 4

∑

4 4

- - - nBœ œ œ œ - - - fff

- - - œ œ œ œ - - - -

nBœ -

- - œ œ œ - - f

- - - œ œ œ œ - - - -

3 - - - 4 nBœ Bœ œ œ - - - -

Bœ- œ- œ- œ-

œ- œ- œ- œ-

œ- œ- œ-

œ- œ- œ- œ-

3 4 Bœ bœ œ œ - - - -

fff

fff

Bœ-

a2

µœ- œ- œ- œ- œ œ- œ- œ- œ-

≈

fff

≈

nœ- œ- œ- œ- œ œ- œ- œ- œfff

n -œ -œ -œ -œ œ -œ -œ -œ -œ ≈ fff

n -œ -œ -œ -œ œ -œ -œ -œ -œ ≈ -œ -œ -œ -œ œ -œ -œ -œ -œ

fff

fff

f

f

r ‰™ 5 œ- 8

œ- œ- œ-

fff

-r ‰™ 5 œ 8 R-

fff

r ‰™ 5 œ- 8

fff

3 r ‰™ 5 œ µœ- œ- œ- œ- œ œ- œ- œ- œ- 4 œ µœ- #œ- œ- œ- œ 8 f

fff

3 œ œ- œ- œ- œ- œ œ- œ- œ- œ- 4 œ œf œ œ -œ -œ -œ œ -œ -œ -œ -œ œ œ 3 4 f

œ -œ -œ -œ -œ œ -œ -œ -œ -œ

µœnµ œ -

œœ -

œfff œ fff

æ wæ

f

‰™

>œ R ‰™

>1 ™ R‰

æ wæ r >œ

w µœ- œ- œ- œ- œ œ- œ- œ- œ-

senza vib.

≈ ≈

senza vib.

œ- œ- œ- œ- œ œ- œ- œ- œ-

senza vib.

≈ ≈

‰™

œ- œ- œ- œ- œ œ- œ- œ- œ-

senza vib.

œ- œ- œ- œ- œ œ- œ- œ- œ-

5 ær ‰™ 8 œæ

3 4 ææ ˙

>œ R ‰™

fff

>1 ™ R ‰

r ‰™ >œ

3 4 ˙æ

>œ R 3 ‰™ 4

ff

>1 ™ R‰

3 4 ˙™

w

Più mosso (q = 72)

r œ R ‰™ 5 8

fff

æ wæ

r ‰™ >œ

r ‰™ 5 œ 8

œ -œ -œ -œ -œ œ 3 R ‰™ 5 4 8 f fff œ -œ -œ -œ -œ œ -œ -œ -œ -œ œ -œ -œ -œ -œ œ 3 R ‰™ 5 4 8

ær 5 œæ ‰™ 8

ff

r Œ >œ

f

5 8

5 8 œ œ™

3 r ‰™ 5 œ µœ- œ- œ- œ- œ œ- œ- œ- œ- 4 œ µœ- #œ- œ- œ- œ 8 3 r ‰™ 5 œ œ- œ- œ- œ- œ œ- œ- œ- œ- 4 œ œ- µœ- œ- œ- œ 8 3 r ‰™ 5 œ œ- œ- œ- œ- œ œ- œ- œ- œ- 4 œ œ- µœ- œ- œ- œ 8 3 r ‰™ 5 œ œ- œ- œ- œ- œ œ- œ- œ- œ- 4 œ œ- œ- œ- œ- œ 8

4 4

∑

4 4

∑

4 4

∑

4 4

∑

4 4

≈ -œ -œ -œ -œ œ -œ -œ -œ -œ

œ -œ -œ -œ -œ œ -œ -œ -œ -œ 43 œ -œ -œ -œ -œ œ ‰™ 58 R

∑

4 4

-œ -œ -œ -œ

-œ -œ -œ -œ

-œ

-œ -œ -œ

-œ -œ -œ -œ

œ- œ- œ- œ-

œ- œ- œ- œ-

œ-

œ- œ- œ-

œ- œ- œ- œ-

senza vib. B -œ -œ -œ -œ

-œ -œ -œ -œ

B -œ

-œ -œ -œ

-œ -œ -œ -œ

-œ -œ -œ -œ

-œ -œ -œ -œ

-œ

-œ -œ -œ

-œ -œ -œ -œ

B-œ -œ -œ -œ

-œ -œ -œ -œ

B-œ

-œ -œ -œ

-œ -œ -œ -œ

senza vib.

senza vib.

senza vib.

fff pesante

(very wide vib.)

5 8

∑

fff pesante

(very wide vib.)

4 4

5 8

3 4 œ -

fff pesante

fff pesante

∑

>œ R Œ

œ- œ- œ- œ-

fff pesante

4 ¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯rK ‰™™ U Œ 4 ˙ œ >

5 8

>œ R ‰™

œ- œ- œ-

fff pesante

(very wide vib.) 4 ¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯rK ‰™™ U Œ 4 ˙ œ >

4 4

>œ R 3 ‰™ 4

œ-

æ # wæ

f

∑

>œ R ‰™

œ- œ- œ- œ-

Kr ™™ U æ‰ Œ œ K æær ‰™™ U œ Œ

5 8

>r µ#œ ‰™ R >

nœ- œ- œ- œ-

≈

(very wide vib.)

4 4

>r œ Œ R >

4 4

r #œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ #œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ 43 #œ œ œ œ œ œ œ œ œ ‰™ 58 fff

U Kr ‰™™ Œ œ

f

Kit 3 scrape continuously with metal reibstock

4 4 ˙™

>œ R Œ

f

∑

fff

senza vib.

senza vib.

˙

∑

senza vib.

Viola div.

fff

4 ˙ 4

f

Violin 2 div.

œ U RÔ ‰™™ Œ

Kit 2

Machine-like (q = 58)

Violin 1 div.

fff

˙

4 æ 4 ˙

>

3 ¢/ 4

˙

4 4 ææ ˙

fff

Percussion 1

Kr œ U RÔ ‰™™ Œ

>œ ™ R‰

∑

>r œ 3 ‰™ R 4 >

fff

Horn in F

3 4 ‰™

5 8

senza vib.

senza vib.

3 4 œ

-œ -œ -œ

-œ ‰™ 5 8 R

∑

4 4

œ-

œ- œ- œ-

œR ‰™ 5 8

∑

4 4

B -œ

-œ -œ -œ

-œ R ‰™ 5 8

∑

4 4

3 -œ B-œ -œ -œ 4

-œ ™ 5 R‰ 8

∑

4 4

∑

4 4

3 4 3 4

3 B-œ b-œ -œ -œ 4

-œ ™ 5 R‰ 8

© 2019 by Peters Edition Ltd, London Text © 2019 by Michael Symmons Roberts VIII/19

2

b >œ ° ‹ 4 ‰ b>œ Œ &4

7 Picc.

A

Più mosso (q = 84)

1 Ob. 2 3

1 2

B. Cl.

Cbsn.

>> ‰ œ œ Œ

4 Bœ & 4 ‰ > Bœ Œ > > B œ >œ ?4 ‰ Œ 4

‰ >œ Œ >œ >œ >œ ‰ Œ

?4 ‰ 4

‰

b>œ Œ

?4 ¢‹ 4

>œ >œ

˜œ œ

Œ

>œ >œ Œ

‰

µ>œ > µœ Œ

>œ >œ ‰ Œ

µ>œ > ‰ µœ Œ

>> ‰ bœ œ Œ

>> ‰ œ œ Œ

‰ b>œ Œ b>œ b >œ >œ ‰ Œ

‰ >œ Œ >œ >œ >œ ‰ Œ

‰

B>œ >œ

œ œ ˜œ œ

Œ

‰

>œ >œ

Œ

‰

µ>œ > µœ Œ

>œ >œ ‰ Œ

µ>œ > ‰ µœ Œ

>> ‰ bœ œ Œ

>> ‰ œ œ Œ

>> ‰ bœ œ Œ

‰ b>œ Œ b>œ b >œ >œ ‰ Œ

‰ >œ Œ >œ >œ >œ ‰ Œ

‰ b>œ Œ b>œ b >œ >œ ‰ Œ

‰

B>œ >œ

œ œ ˜œ œ

œ œ œ œ

>œ >œ Œ

‰

Œ

>œ >œ

‰

œ œ œ œ

Œ

‰

B>œ >œ

œ œ ˜œ œ

Œ

‰

n>œ > nœ Œ

‰

>œ >œ Œ

‰

>œ >œ Œ

∑

5 16

∑

4 4

n>œ > ‰ nœ Œ

>œ >œ ‰ Œ

>œ >œ ‰ Œ

∑

5 16

∑

4 4

>> ‰ œ œ Œ

>> ‰ bœ œ Œ

>> ‰ œ œ Œ

∑

5 16

∑

4 4

‰ µœ Œ > µ>œ

‰ µœ Œ > µ>œ

∑

5 16

∑

4 4

‰

‰

∑

5 16

∑

4 4

∑

5 16

∑

4 4

5 16

∑

4 4

‰

µ>œ >œ >œ >œ

œ œ œ œ

Œ Œ

‰

µ>œ >œ

B>œ >œ

œ œ ˜œ œ

Œ Œ

‰ œ Œ > >œ >œ >œ ‰ Œ ‰

>œ >œ

Œ

œ œ ˜œ J ‰ Œ

œ œ œ œ

Ó

f

j ‰ œ>œ

j ‰ #œ>œ

j B>œ ‰ œfff

j ‰ Bœ>œ

j ‰ œ>œ

j ‰ Bœ>œ

j ‰ >œ nœ-

j ‰ >œ

œ-

j œ ‰ œ-

j œ ‰ > ppp

∑

5 16

∑

4 4

2 3

4 & 4 µœ -

j ‰ œ>œ

j ‰ >œ

µœ-

j ‰ #>œ œfff

j ‰ #œ>œ

j ‰ œ>œ

j ‰ #œ>œ

j ‰ œ>œ

j ‰ #œ>œ

j ‰ œ œ-

j ‰ œ > ppp

∑

5 16

∑

4 4

4 5

4 &4 œ -

j ‰ œ>œ

j ‰ >œ

œ-

j ‰ µ>œ œfff

j ‰ >œ

µœ-

j ‰ œ>œ

j ‰ >œ

µœ-

j ‰ œ>œ

j ‰ >œ

µœ-

j ‰ œ œ-

j ‰ œ > ppp

∑

5 16

∑

4 4

‰

j œ- œ >œ -œ œ >œ ‰ J

‰

œ B>œ œ b >œ

‰

‰

œ B>œ fff œ b >œ

‰

œ B>œ œ b >œ

‰

j œ- œ B>œ œ-œ œœµb œ>œ ‰ J

‰

Ó

5 16

∑

4 4

Ó

-œ ‰ J

5 16

∑

-œ œ >œ ‰ J

4 4

-œ œ >œ ‰ J

-œ ‰ J

-œ œ >œ ‰ J

-œ ‰ J

œ µ>œ

j œ- œ >œ -œ œ µ œ>œ ‰ J

‰

œ µ>œ

j œ- œ >œ -œ œ >œ ‰ J

‰

œ µ>œ

j œ- œ >œ -œ œ >œ ‰ J

-œ œ n>œ ‰ J

-œ ‰ J

œ >œ

-œ œ >œ ‰ J

-œ ‰ J

œ J ‰ Œ

Ó

∑

-œ œ >œ ‰ J

-œ ‰ J

5 16

4 4

œ- œ >œ ‰ J

œ‰ J

œ- œ >œ ‰ J

œ‰ J

œ- œ n>œ ‰ J

œ‰ J

œ >œ

œ- œ >œ ‰ J

œ‰ J

œ J ‰ Œ

Ó

5 16

∑

4 4

æj œæ ‰ Œ

Ó

∑

æj œæ ‰ Œ

5 16

4 4

Ó

5 16

∑

4 4

5 16

∑

4 4

p

p

a2

p

1 Tpt. 2 3

Tbn.

>œ >œ

œ œ œ œ

a2

Hn.

Œ

‰

>œ

‰

° 4 & 4 #œ -

Hn. 1

Hn.

µ>œ > µœ Œ

a3 > > 4 & 4 ‰ Bœ œ Œ

a2

1 Bsn. 2

‰

µ>œ > ‰ µœ Œ

b >œ

a2

Cl.

>œ Œ >œ Œ

4 &4 ‰

a2

1 Fl. 2

‰

>œ

1 2

4 & 4 ‰ œj > p > a2 B œ ?4 ‰ J 4 a3

p

B. Tbn.

b >œ ?4 ‰ J 4 p

Tba.

b >œ ?4 ‰ J ¢ 4 p

Timp.

Perc. 1

Perc. 2

Perc. 3

? 4 #wææ 4

° 4 ææ /4 w

4 / 4 ‰ >œ 4 ¢/ 4 w

A

Vln. 1

Vln. 2

j œ-œ ‰ J

>œ

Œ

‰ >œ

>œ

Œ

œ µ>œ

Db.

œ µ>œ

fff

fff

œ µ>œ

æ wæ

æ wæ

æ wæ

æ wæ

æ wæ

æ wæ

æ wæ

‰ >œ

>œ

Œ

‰ >œ

>œ

‰ >œ

Œ

>œ

Œ

>œ

‰

ff

>œ Œ

‰

>œ

>œ Œ

‰

>œ

>œ Œ

‰

p

w

° 4 ¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯ & 4 #œ œœœ#œ-

w

4 ¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯ & 4 µœ œœœµœ4 ¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯ & 4 µœ œœœµœ4 ¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯ &4 œ œœœœ¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯ -œ œ -œ -œ œ B-œ B 44 ‰ -œ J J J J ¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯ -œ œ -œ -œ œ b -œ B -œ ?4 ‰ J J J J 4

¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯ -œ œ -œ -œ œ b-œ 4 & 4 ‰ Bœ J J J J ‹ ¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯ -œ œ -œ -œ œ µ-œ 4 b-œ J J J J ¢& 4 ‰ ‹

Bœ-

œ-

Bœ-

œ-

w

œ-

Bœ-

œ-

nœ-

œ-

œ-

#œ-

œ-

œ-

œ-

œ-

#œ-

œ-

œ-

œ-

œ-

œ-

µœ-

œ-

œ-

œ-

-œ

-œ

-œ

-œ

-œ

œ-

œ-

œ-

#œ-

œ-

œ-

µœµ-œ

œ-

œ-

œ-

œ-

-œ

-œ

-œ œ -œ J J -œ œ -œ J J

#œµœµ-œ -œ J -œ J

œ B-œ J œ B -œ J

-œ œ -œ J J

-œ J

œ b -œ J

-œ œ -œ J J

-œ J

œ b-œ J

-œ œ -œ J J

-œ J

œ µ-œ J

œ-

œsenza vib.

œ-œ

senza vib.

-œ œ -œ J J

senza vib.

-œ œ -œ J J

senza vib.

-œ œ -œ J J

senza vib.

ppp

ppp

ppp

p

>œ

>œ Œ

‰

>œ

p

>œ Œ

∑

µ-œ -œ J -œ J -œ J

œ B-œ J

¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯ j ‰ Œ #œœœœ#œ¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯ j ‰ Œ #œœœœ#œ-

œ B -œ J œ b -œ J

-œ œ -œ J J -œ œ µ -œ J J

¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯ j ‰ Œ µœœœœµœ¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯ -œ -œ -œ µ-œ µ-œ ‰ Œ J

∑

4 4

Ó

5 16

∑

4 4

Ó

5 16

∑

4 4

Ó

5 16

∑

4 4

Ó

5 16

∑

4 4

Ó

5 16

∑

4 4

Ó

5 16

∑

4 4

Ó

5 16

∑

4 4

Ó

5 16

∑

4 4

Ó

5 16

∑

4 4

f

-œ J -œ J -œ J

-œ œ -œ J J

-œ J

œ b-œ J

-œ œ -œ J J

-œ J

-œ œ -œ J J

-œ J

œ µ-œ J

-œ œ n-œ J J

-œ J

senza vib.

5 16

f

¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯ -œ œ -œ -œ œ ‰ Œ œ B-œ J J J J J ¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯ -œ œ -œ -œ œ œ B -œ J J J J J ‰ Œ f

¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯ -œ œ -œ -œ œ œ µ -œ J J J J J ‰ Œ f

¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯ -œ œ -œ -œ œ œ b-œ J J J J J ‰ Œ f

senza vib.

Ó

f

f

-œ œ -œ J J

5 4 16 œ œ™ 4

w

f

senza vib.

#œ-

j j ‰ Œ œ- œ ppp œ-œ œœ ‰ J J ‰ Œ

¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯ j œœœœœ- ‰ Œ

senza vib.

#œ-

‰

>œ œ>œ

w

œ-

senza vib.

j œ- œ œ-œ œœ ‰ J

ff

Più mosso (q = 84)

¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯ -œ -œ œ -œ -œ œ B -œ ?4 ‰ J J J J 4 Vc.

fff

j œ-œ ‰ J

æ wæ

¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯ -œ -œ -œ -œ B 44 -œ Vla.

j œ-œ ‰ J

¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯ -œ œ -œ -œ œ ‰ Œ œ -œ J J J J J f

f

Picc.

Fl. 1

Fl. 2

Ob. 1

Ob.

2 3

14 ‹ Più mosso (q = 96) B>œ

° 4 Ó &4

Œ

4 &4 Ó

Œ

4 &4 Ó

Œ

4 &4 Ó

Cl. 2

4 &4 Ó

Œ

B. Cl.

?4 Ó 4

Œ

Hn. 1

?4 ¢ 4 Ó

° 4 Œ &4 4 &4 Œ

a2

Hn.

2 3

Hn.

4 5

4 &4 Œ

a2

Tpt. 1

Tpt. 2

Tpt. 3

4 & 4 bw fff 4 & 4 Bw fff 4 & 4 µw senza sord.

Tbn. 1

Tbn. 2

B. Tbn.

?4 4 ?4 4

Œ

µœ. œ.

Ó

Œ

Bœ. œ.

Ó

Œ

3

3

3

Œ

Cl. 1

1 2

B>œ

Ó

Bœ > Bœ. 3 a2 Œ µ>œ µœ.

4 &4 Ó

4 &4 Ó

Bsn.

µ>œ

Bœ. œ.

3

œ. œ.

µœ > µœ. œ. 3

Œ

Bœ > B>œ a2

Œ

Perc. 1

Perc. 2

Perc. 3

µ>œ

w

˙™

œ J

˙™ æ

3

œ æJ o

æ wæ

?4 ¢ 4

∑

Œ

Ó

Œ

Ó

Œ

Ó

Œ

nœ. œ.

>œ

3

n>œ

3

œ. œ. nœ. œ. 3

nœ > nœ. 3 #œ > #œ. 3

œ. œ.

œ > œ. œ. 3

nœ > n>œ

Ó

Œ

Ó

Œ

Ó

Œ

Ó

Œ

Ó

Œ

Ó

Œ

Ó

Œ

3

Ó

3

Ó

3

nœ. œ.

œ. œ.

#>œ œ. œ.

>œ

œ. œ.

>œ

3

>œ

3

œ. œ. œ. œ. 3

œ > œ. œ. 3 #œ > #œ. œ. 3

œ > œ. œ. 3

Ó

Œ

Ó

Œ

Ó

Œ

Ó

Œ

Ó

Œ

Ó

Œ

Ó

Œ

Œ

œ > œ. œ. . . >œ œ œ

Ó

Œ

Œ

#>œ

Ó

Œ

3

3

# œ. œ. 3

>œ

œ. œ.

>œ

3

>œ

3

œ. œ. œ. œ. 3

œ > œ. œ. 3 #œ > #œ. œ. 3

œ > œ. œ. 3

Ó

Œ

Ó

Œ

Ó

Œ

Ó

Œ

Ó

Œ

Ó

Œ

Ó

Œ

3

Ó

3

Ó

œ > >œ

3

œ. œ.

œ. œ.

#>œ œ. œ.

3

4 &4 Œ 4 &4 Œ

Vln. 2

4 &4 Œ B 44 Œ

Vla.

Vc.

senza sord.

Œ

∑

∑

∑

∑

∑

∑

senza sord.

∑

∑

∑

senza sord.

-˙

Db.

‰

∑

∑

∑

f

œ. œ. œ.

Œ

3

w

æ wæ Ó

œ. œ. œ.

Œ

3

w

Ó

∑

ff

∑

∑

ff

∑

œ-

œ

˙-

œ-

œ

˙-

nœ-

œ

˙-

œ-

œ

˙-

œ

˙-

œ-

œ

˙-

¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯ B˙œœ B˙œœ- B˙nœfff ¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯ µ-˙ œ µ-˙ #œ-œ -œ -œ µ-˙ ¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯ -œ -œ -œ µ-˙ µ-˙ œ µ-˙ #-œ

œ œ

#-˙

œ-

#-˙

-œ

œ œ

¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯ B ˙˙B ˙˙B ˙b ˙-

b ˙-

˙-

b ˙-

¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯ -˙ -˙ µ -˙ µ -˙ n -˙ ? 4 µ˙ 4

-˙

-˙

-˙

˙-

˙-

˙-

-˙

-˙

-˙

¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯ -˙ -˙ -˙ B-˙ B-˙ B-˙ fff

senza vib.

œ-

mf

senza vib.

œ-

mf

senza vib.

œ-

mf

senza vib.

#-˙

œ-

mf

#-˙

-œ

senza vib.

-˙

mf

senza vib. mf

˙-

senza vib.

mf

-˙

senza vib.

mf

˙-

senza vib. mf

-˙

senza vib. mf

3

>œ œ. œ. 3

#>œ œ. œ. 3

µœ > µœ. œ. 3

Œ

Ó

Œ

Œ

#>œ

Ó

Œ

#>œ

3

# œ. œ. 3

3

3

w w

ff

œ œ™ J

w œ ‰ J

∑

œ p

Œ

f

Ó

senza sord.

w

f

œ

Ó œ. œ. œ.

Œ

ff

3

æ wæ

∑ Œ

Ó

Œ

Œ

œ œ. œ. œ. 3

w

f

œ -œ ™™ œ œ J vy œœ -œœ™™ J

œ œ ‰ J

Œ

Ó

œœ J ‰

Œ

Ó

-˙ ˙

-

hea

-

œ

µ˙-

œ-

œ

µ˙-

œ-

œ

˙-

œ-

œ

˙-

œ-

œ

˙-

œ-

œ

˙-

œ-

œ

#-˙

œ-

œ

#-˙

œ-

œ

3

ff

-˙ b˙ hea

# œ. œ.

w w

œ -œ™ J

w

∑

œ. œ.

œ > œ. œ. . . >œ œ œ

j œ œ™ -

Ó

3

3

Œ

3

∑

œ. œ. œ.

Œ

>œ

µœ. œ.

Ó

p

æ wæ

3

œ > œ. œ. . . >œ œ œ

w

w

∑

¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯ µ˙œœ µ˙œœ- µ˙fff ¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯ B˙œœ B˙œœ- B˙-

æ wæ

µ>œ

Œ

senza sord.

Œ

œ. œ.

Ó

ff

˙-

∑

fff

µœ > µœ. œ. 3

œ œ- ™ J

f

b˙˙-

w

b-˙

fff

˙™

f

∑

¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯ µ˙˙µ˙˙µ˙n˙-

Œ

3

>œ

5.

p sempre

senza sord.

-˙

4 &4 ‹ 4 ¢& 4 ‹

Ó

#>œ œ. œ.

∑

∑

fff

Œ

3

∑

b-˙

?4 4

Ó

3

>œ œ. œ.

∑

‰ o

fff

Œ

∑

∑

fff

Ó

3

∑

∑

¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯ -˙ -˙ -˙ b-˙ b-˙ B 44 b-˙

œ. œ.

>œ

∑

∑

fff

Œ

∑

‰ o

fff

Ó

3

∑

Più mosso (q = 96)

Vln. 1

µœ. œ.

µ>œ

∑

∑

∑

Œ

∑

w

∑

Ó

∑

∑

Ó

œ. œ.

∑

w

æ wæ

>œ

∑

∑

œ. œ. œ.

Œ

w ∑

Ó

‰ o

œ J

˙™

ppp

Œ

n>œ

ff

œ J

˙™

Ó

Ó

‰

o j ‰ œ o j ‰ œ o

˙™

œ. œ. œ.

3

j œ

˙™

? 4 Bw ¢ 4

µ œ. œ. 3

Œ

‰ o j ‰ œ o j ‰ œ o

˙™

? 4 µw 4

œ. œ.

Ó

j œ

˙™

fff

° 4 Œ &4

3

˙™

fff

œ.

µœ > µœ. œ.

Œ

µ˙- ™

œ.

3

Ó

fff

° 4 &4 Chorus

Bœ > Bœ. 3 µœ > µœ. 3

3

µ>œ œ. œ.

B˙- ™

4 ¢/ 4 w

Œ

3

˙™

Œ

Ó

Œ

fff

f

Bœ. œ.

3

Ó

œ. œ.

p

4 / 4 Ó

Œ

3

Bœ. œ.

µ˙- ™

æ ˙™æ

Ó

Bœ > Bœ. B œ. B>œ

<n> w

ff

µœ. œ.

3

Œ

<n> w

° 4 Œ / 4

Œ

Œ

Ó

3

fff

Timp.

Ó

B>œ

Ó

Œ

fff

<n> w ?4 æ 4

Œ

µ>œ

Bœ. œ.

Ó

fff

Tba.

Ó

B>œ

3

-

#-˙

vy

-œ

œ

#-˙

-œ

b-˙

-˙

b-˙

-˙

b ˙-

˙-

b ˙-

˙-

-˙

B -˙

B -˙

-˙

˙-

˙-

˙-

˙-

-˙

B-˙

B-˙

-˙

4 Picc.

21 ‹

°

& Ó

Œ

& Ó

Fl. 1

Fl. 2

Ob. 1

Œ

& Ó

Œ

& Ó

Œ

(a2)

Ob.

& Ó

2 3

>œ œ. œ.

µ>œ >œ

3

µœ. œ.

3

œ. œ. 3

>œ œ. œ. 3

Œ

#>œ œ. œ. µœ > µœ. œ.

3

3

Cl. 1

& Ó

Œ

Cl. 2

& Ó

Œ

? Ó

Œ

>œ œ. œ. . . >œ œ œ

Œ

#>œ

B. Cl.

Bsn.

Hn.

1 2

1 2

¢

? Ó

(a2)

°

3

3

# œ. œ. 3

senza sord.

bw & w

senza sord.

& bw bw

3 4

&

w

Tbn. 1

? w

Tbn. 2

? w

Timp.

j ‰ Œ œ

Perc. 1

∑

? Ó

œ

Perc. 2

Perc. 3

/

æ wæ

/

Ó

Œ

3

#>œ œ. œ.

Ó

Œ

Ó

Œ

Ó

Œ

µ>œ œ. œ.

Œ

#>œ

Ó

3

w ? bw

#>œ œ. œ. µ>œ œ. œ. 3

# œ. œ. 3

3

Ó

Œ

Ó

Œ

Ó

Œ

Ó

Œ

#>œ œ. œ.

3

Ó

Œ

Ó

Œ

Ó

Œ

ppp

µ>œ œ. œ. µ>œ œ. œ. 3

ppp

3

ppp

#>œ œ. œ. 3 3

#>œ œ. œ. ppp µ>œ œ. œ. ppp 3

µ>œ œ. œ. 3

Ó

Œ

#>œ œ. œ.

mp

w

ppp

Ó

f

ppp

w

j ‰ Œ œ

Ó

Œ

Ó

ppp

Œ œ. œ. œ. 3

œ œ J ‰ Œ

& œ

µ˙-

œ-

œ

˙-

œ-

œ

& œ

˙-

œ-

œ

B œ

∑

Ó

U Œ

∑

Ó

∑

Ó

∑

Ó

U Œ

∑

Ó

∑

œ

æ wæ Ó

Œ

œ. œ. œ. ppp

#˙-

œ-

#-˙

œ-

œ œ

B b-˙

-˙

µ-˙

b -˙

-˙

b -˙

Vc.

? B˙

˙-

B ˙-

˙-

B-˙

Db.

& ˙ ‹ ¢& B˙ ‹

-˙

b-˙

µ˙µ˙-

œ

œ-

œ

sul pont.

#˙-

œ-

#-˙

œ

œ-

sul pont.

œ-

sul pont.

‰ µœJ.

ppp

Œ

∑

∑

∑

Œ

∑

∑

∑

U Œ

Œ

∑

∑

∑

U Œ

Œ

∑

∑

∑

Œ

∑

∑

∑

U Œ

Œ

∑

∑

∑

Ó

U Œ

Œ

∑

∑

∑

Ó

U Œ

Œ

∑

Ó

U Œ

∑

Œ

Ó

Ó

U Œ

Œ

∑

∑

∑

Œ

Ó

Ó

U Œ

Œ

∑

∑

∑

Œ

Ó

Ó

∑

∑

∑

j ‰ Œ œ>

Ó

Ó

U Œ

Œ Œ

∑

∑

∑

j ‰ Œ œ

Ó

U Œ

Œ

∑

∑

∑

Ó

Ó

U Œ

Œ

∑

∑

∑

Ó

Ó

U Œ

Œ

∑

∑

∑

Œ

∑

∑

æj œæ ‰ Œ o

∑

Ó ˙ Ó

œ œ

#œœ ™™ mp

U Œ

U Œ

U œ

U ‰ Œ

Œ

∑

œ

w

Ó

œœ ™™

#˙-

œ-

ppp

µ˙-

œppp

µ˙-

œppp

#˙-

œ-

ppp

#-˙

œ-

U ‰ Œ

Œ

∑

B>œ. µ>œ.

œ. œ. 3

œ. œ. 3

b -˙

-˙

sul pont.

˙-

B ˙-

˙-

˙-

B-˙

˙-

-˙

b-˙

-˙

ppp

Ó

Ó

j ‰ Œ œ

Ó

Ó

U Œ

j ‰ Œ œ

Ó

Ó

U Œ

j ‰ Œ œ

Ó

Ó

U Œ

Ó

U Œ

Ó

U Œ

Ó

U Œ

Ó

U Œ

Ó

U Œ

Ó

U Œ

µ-œ ‰ Œ J ppp

b -œ J ‰ Œ B œJ ‰ Œ ppp

ppp

Bœ- ‰ Œ J ppp

b-œ ‰ Œ J ppp

Ó Ó Ó Ó Ó

#˙˙

∑

B (sul pont.)

Œ

(sul pont.)

Œ

(sul pont.)

Œ

(sul pont.)

Œ

(sul pont.)

Œ

-

˙˙

j œœ œœ ™™

Œ

(sul pont.)

Œ

(sul pont.)

Œ

(sul pont.)

Œ

(sul pont.)

Œ

(sul pont.)

Ó Ó Ó Ó Ó

vest

œœ œœ ™™ J

-

Più mosso (q = 108)

¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯ Bwppp ¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯ wppp ¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯ wppp ¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯ Bwppp ¯¯¯¯¯¯¯¯¯¯¯¯¯¯ Bw-̄ ppp

Ó

Bw-

s.v.

s.v.

w-

s.v.

w-

Bw-

s.v.

Bw-

s.v.

¯¯¯¯¯¯¯¯¯¯¯¯¯¯ s.v. µ-̄˙ ˙ µ-˙

s.v. µ -̄˙¯¯¯¯¯¯¯¯¯¯¯¯¯¯ ˙ µ -˙ ppp

s.v. -̄˙¯¯¯¯¯¯¯¯¯¯¯¯¯¯ -˙ ˙

ppp

s.v. -̄˙¯¯¯¯¯¯¯¯¯¯¯¯¯¯ -˙ ˙

j ‰ Œ œœ

Ó

œœ J ‰ Œ

Ó

vest

¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯ nw-

¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯ w¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯ w¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯ BwBw-̄¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯ ˙ ˙ ˙

ppp

¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯ s.v. µ˙˙ µ˙ppp

ppp

3 ‰ œ.j œ. œ . œ. p

w

p

Œ

w w w w

p

har

j œ ‰ Œ

Ó

w w

har

U Œ

œ ‰ Œ J

pp

w

cap mp

œJ œ ™

#ẇ

pp

cap

-˙

sul pont.

Ó

∑

œœ J ‰ Œ

-˙

sul pont.

∑

∑

œœ ‰ Œ J

µ-˙

sul pont.

∑

Œ

pppp sempre

-˙

sul pont.

Œ

U Œ

w

b# ww

sul pont.

ppp

Ó

3

stone

œ-

‰ Bœ. J

Ó

ff

mf

#˙-

Ó

Œ

Ó

stone

& œ

& œ

Ó

>˙ fff œ ‰ Œ J

w w

sul pont.

U Œ

∑

fff

mf

Ó

∑

Ó

ff

w Ó

∑

œ ‰ Œ œJ o j œ ‰ Œ œ o j ‰ œ o j œœœ ‰ o œ J ‰ o œ ‰ J

bw

Ó

Œ

ppp

mp

Ó

Più mosso (q = 108)

3

w #w w

Ó

Œ

Ó

U Œ

ppp

j ‰ Œ œ

Ó

∑

3

w

æ wæ

Ó

B

ppp

w w

œ

∑

U Œ

ppp 3

a(h)

?

Œ

w w

œœ ‰ Œ J

f

°

Vla.

3

w

a(h)

Vln. 2

µ>œ œ. œ. 3

Œ

Ó

œ. œ. œ.

f

Vln. 1

µœ. œ.

Ó

f

Œ

° bbww & ¢

Œ

µ>œ

3

w

¢/ w

Chorus

Ó

f

Ó

?

°

Œ

œ ‰ Œ J o œ ‰ Œ J

pp

?

¢

Ó

œ œ ‰ Œ œJ

pp

Tba.

Œ

w

w & w w

B. Tbn.

#>œ œ. œ.

Ó

µ>œ œ. œ.

senza sord.

mf

1 Tpt. 2 3

Ó

3

w w

mf

Hn. 5

Œ

w w

mf

Hn.

Ó

µ>œ œ. œ.

˙ ˙

¯¯¯¯¯¯¯¯¯¯¯¯¯ µ-̄˙

¯¯¯¯¯¯¯¯¯¯¯¯¯ µ -̄˙

¯¯¯¯¯¯¯¯¯¯¯¯¯ B-̄˙ -̄˙¯¯¯¯¯¯¯¯¯¯¯¯¯

¯¯¯¯¯¯¯¯¯¯¯¯¯¯ n˙-

29 ‹

° &

∑

Ó

&

∑

Ó

Ob. 1

&

∑

∑

Ob. 2

&

∑

Ob. 3

&

∑

Picc.

1 Fl. 2

µ>œ 3 œ. œ. 3

∑

Ó

∑

Ó

‰ Bœ. J ‰ œJ.

B>œ

œ. œ.

>œ 3 œ. œ. 3

∑

Ó

∑

Ó

∑

Ó

∑

∑

∑

∑

∑

∑

Ó

∑

∑

∑

∑

Ó

∑

∑

∑

∑

Ó

?

∑

∑

∑

∑

∑

Ó

?

∑

∑

∑

∑

∑

Ó

? ¢‹

∑

∑

∑

∑

∑

1 2

° &

Hn.

1 2

Hn.

3 4

&

Hn. 5

&

1 2

&

Tpt.

œ. œ.

∑

B. Cl.

Cbsn.

‰ µœJ.

1.

B>œ

&

1 Cl. 2

Bsn.

‰ Bœ. J

&

Tpt. 3

?

1 Tbn. 2

j œœ ‰ Œ o j ‰ Œ œœ o

w w w w

∑

w w

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w w

bw bw

w w

w w

w bw

w w

w w

p

p

∑

w w

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b ww

∑

ww

∑

ww

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ppp

?

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∑ Ó

Œ

‰ bœ. J

b >œ 3 œ. f B>œ 3 ‰ Bœ. œ. J 3 f j b >œ . ‰ bœ. œ a2

‰

œbœ

j œ f . bœ. ‰ J

˙- ™ b˙ ™

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∑ Ó

Œ

b -˙˙

∑

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¢/

3 ‰ œ.j œ. œ œ . . pp

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w w of

Chorus

¢

?

° & Vln. 1

œœ J ‰ Œ

of

w-

& &

s.v.

& B

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s.v.

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¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯ s.v. µ -̄˙ ˙ µ -˙ pp

¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯ s.v. B˙-̄ ˙ B˙-

˙ ˙

s.v. -̄˙¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯ ˙ B-˙

˙

pp

˙

¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯ s.v. ˙˙ B˙-

˙

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˙

pp

˙

3

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f

3

3

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Œ

w œ bœ

f

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-

b ˙˙

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li

-

µw-

s.v. p

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s.v. p

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s.v. p

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s.v. p

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¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯ s.v. µ -̄˙ ˙ µ -˙

¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯ s.v. B˙-̄ ˙ B˙-

¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯ s.v. B-̄˙ ˙ B-˙ ¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯ s.v. B˙˙ B˙-

œ œ

ber

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f

Ó

3 ‰ œ.j œ. œ œ . . p

Ó

w

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pp

˙

∑

mf

mp

picked

s.v.

s.v.

Vln. 2

Vla.

b# ww pp

Ó

3 ‰ œ.j œ. œ œ . . ppp

w

mp

3

∑

Ó

∑

Ó

∑

Ó

∑

Ó

µw > ff #ww

j œ ‰ Œ o w w

con sord.

> ˜w

œ ‰ Œ J o w w

con sord.

bw wff

œ. œ.

>œ 3 œ. œ.

‰

j œ. Bœ. ‰ J

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3

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3

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B œ. œ. œ. ‰b œJ bBœ>œ œ œ 3

‰ Bœj œ œ œ . > . . 3

3

ppp

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Ó

f

∑

pp

œ > >œ

> Bw

œ J ‰ Œ o œ J ‰ Œ o

con sord.

?

° &

Ó

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∑

w

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f

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∑

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°

Ó

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‰ œJ.

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∑

¢

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?

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‰ Bœ. J

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∑

B. Tbn.

f

∑

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f

œj ‰ Œ œ o j ‰ Œ œ œ o

-˙ ˙

œ. œ.

‰ bœ. J

∑

∑

f

‰ œJ.

a2

b >œ

5

ber

-

œœ -

˙™ b˙ ™

˙

ff

æ wæ

∑

Ó

ppp poco a poco cresc.

∑

ty

˙

œœ J ‰ Œ

Ó

from sub. nat. s.v.

#w-

sub. nat. s.v.

µw-

sub. nat. s.v.

#w-

sub. nat. s.v.

nw-

sub. nat. s.v.

nw-

s.v. -̄˙¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯ -˙ ˙

mf

nat. ¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯ sub. s.v. -˙ n -̄˙ ˙

˙

mp

nat. ¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯ sub. b˙-̄ ˙ bs.v. ˙-

¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯ s.v. B-̄˙ ˙ B-˙

˙

sub. nat.

¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯ s.v. b˙˙ b˙mp

>œ œ œ ppp

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sub. nat.

mp

3

Ó

bw w

mp

3 ‰ œ.j œ. œ œ > . . mp

œ ‰ Œ œ J

˙

mp

˙

‰ œj œ œ3 œ > ppp

ff sempre

ff sempre

ty

Ó

Ó

˙™

from

b ˙˙ ™™

æ wæ

Ó

w #w w

¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯ µw¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯ µw¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯ µw¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯ Bw¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯ Bw-̄ ˙

> Bbw ff

˙ ˙

sub. nat.

˙

-̄˙¯¯¯¯¯¯¯¯¯¯¯¯¯ -̄˙¯¯¯¯¯¯¯¯¯¯¯¯¯

¯¯¯¯¯¯¯¯¯¯¯¯¯ b˙-̄ ¯¯¯¯¯¯¯¯¯¯¯¯¯ B-̄˙ ¯¯¯¯¯¯¯¯¯¯¯¯¯¯ b˙-

6 Picc.

37 ‹

° &

C ∑

Ó

Fl. 1

&

∑

Ó

Fl. 2

&

∑

Ó

Ob. 1

&

∑

Ó

Ob. 2

&

∑

Ó

Ob. 3

&

∑

Ó

Cl. 1

&

∑

Ó

Cl. 2

&

∑

Ó

B. Cl.

?

∑

Ó

1 Bsn. 2

?

∑

Ó

∑

Ó

Cbsn.

Hn.

1 2

? ¢‹

° w & w

w w

f

& w bw

3 Hn. 4

f

&

Hn. 5

Tbn.

∑

∑

&

Tpt. 3

w ? w

1 2

B. Tbn.

?

∑

Tba.

?

∑

?

∑

Timp.

Perc. 1

¢

°

Perc. 3

/ wææ

∑

¢/ w

w ? bw

Vla.

µ>œ

‰

œ. œ.

∑

Ó

‰

∑

Ó

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∑

Ó

‰

∑

Ó

‰

∑

Ó

‰

∑

Ó

‰

∑

Ó

∑

Ó

∑

Ó

∑

Ó

∑

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œ. œ.

3

3

œ. œ.

ff b > œ3 ‰ bœ. œ. J ff > 3 µœ ‰ µœj œ. .

‰

ff

Bœ > œ > >œ

j Bœ ff . ‰ j œ ff .. µ ‰ œJ ff bœœ. µ ‰ J µb>œœ

3

œ. œ.

3

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œ. œ.

œœ. œœ.

3

ff

33 ‰ µœj œ œ œ . > . . p

w w w w

‰ Ó

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œ.

∑

Ó

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∑

Ó

∑

Ó

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∑

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∑

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∑

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∑

Ó

∑

Ó

∑

Ó

∑

Ó

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3

j œ œ. > œ. œ. p 3

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∑

∑

# -˙ ˙

Ó

f

∑ ∑

fff

w w

∑

Ó

∑

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3

œ.

3

fff

j 33 œ. >œ œ. œ. f

‰

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∑

Ó

∑

Ó

∑

Ó

∑

Ó

∑

Ó

∑

j œœ ‰ Œ o j œœ ‰ Œ o Ó

‰

ffff

Bœ > œ > >œ

3

œ.

3

ffff

33 ‰ œj œ œ œ . > . . ff

Ó

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w w

w w

Ó

w w

w w

w w

ff

j œ œ. > œ. œ. 3

‰

f

w w

œ -œ ™™ œ œ J

Ó

æ wæ Ó

‰ œj œ œ œ > p

∑ . . . ‰ µœJ µ>œ œ œ ∑

& µw-

s.v.

& #w-

s.v.

& w s.v. B w

¯¯¯¯¯¯¯ s.v. B ˙ B-˙ ¯¯¯¯¯¯¯ s.v. µ-˙ ? ˙ f

¯¯¯¯¯¯¯ & ˙ ‹ ¯¯¯¯¯¯¯ ¢& ˙ ‹

∑

3

3 ‰ œ.j œ. œ œ > . . mf

æ wæ

f

ff

∑

Ó

∑

œœ ‰ Œ J o Ó

w w w w

∑

3

3

>œ œ œ w p

Ó

˙˙

Ó

#˙ ˙

Pe

¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯ #w¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯ #w¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯ w¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯ w-̄ ˙

-

œ œ ™™ œ œ J

-

b-˙ µ˙f

#wff

s.v.

#wff

s.v.

ws.v. wff

¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯ s.v. B-̄˙ ˙ B-˙ ff

˙ ˙

¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯ s.v. µ-̄˙ ˙ µ-˙

˙

f

s.v.

ff

s.v.

s.v. -̄˙¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯ -˙ ˙

f

s.v.

˙

‰

Ó

3 ‰ œ.j œ. œ œ > . . f

˙™ œœ œœ™™ J

¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯ s.v. b-̄˙ ˙ b-˙ ¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯ s.v. µ˙˙ µ˙-

ter’s

j œ >œ œ œ f

Ó

æ wæ

∑

¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯ s.v. BwBw-

° s.v. & #w-

f

Db.

>œ

Ó

Pe

¯¯¯¯¯¯¯ s.v. -˙ ? ˙ Vc.

B>œ

∑

all

s.v.

Vln. 2

œœ J ‰ Œ o

œœ J ‰ Œ

C

Vln. 1

œ œ ‰ Œ J o

œœ ‰ Œ J

all

¢

Ó

˙™

° w & w Chorus

‰ BœJ. ff ‰ œJ. ff ‰ µœ.j

œ. œ.

‰

œ œ ‰ Œ J o Ó

∑

Ó ‰ Ó

j œ œ. > œ. œ. 3

ff

j Bœ B œ. > œ. œ. 3

ff

. . . ‰ µœJ µ>œ œ œ ∑

ff

bw w ff

3

Bœ > Bœ > >œ

‰

∑

Ó w w

∑

Ó

∑

Ó

œœ ‰ Œ J œ œ ‰ Œ J

3

æ wæ

∑

∑

3

>œ œ œ w mf

Ó

ter’s

‰ œj œ œ œ > ff

f

3 ‰ œ.j œ. œ œ > . . ff

æ wæ Ó

3

˙™

>œ œ œ f

#w w

j œœ ‰ Œ

Ó

nw w

œœ J ‰ Œ

Ó

we

Ó

Ó

3

[orchestra louder than singers]

we

¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯ s.v. Bwnw-

¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯ s.v. Bw#w¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯ s.v. Bw#w¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯ s.v. ww¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯ s.v. w-̄ w˙ ˙ ˙

¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯ s.v. B-̄˙ ˙ B-˙ s.v. -̄˙¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯ -˙ ˙

fff

¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯ s.v. -˙ n-̄˙ ˙ fff

¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯ s.v. µ˙˙ µ˙-

˙

¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯ s.v. n˙˙ ˙fff

fff

Ó

∑

Ó

w

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˙ ˙ ˙

˙

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3

Ó ‰

j Bœ B œ. > œ. œ.

‰

j Bœ B œ. > œ. œ.

3

ffff

3

ffff

. . . ‰ µœJ µ>œ œ œ ffff

‰ Bœj .

3

B>œ

3

œ. œ.

‰ œj œ œ3 œ > fff 3 ‰ œ.j œ. œ œ > . . fff 3

>œ œ œ fff

Ó

w w

œœ J ‰ Œ

Ó

¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯ µw-

Bw-

s.v.

Bw-

s.v.

s.v.

ws.v. w-

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s.v. -̄˙¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯ -˙ ˙ ffff

¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯ s.v. µ˙˙ µ˙-

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ffff

˙

œ.

Ó

j œœ ‰ Œ

field

œ.

33 ‰ œj œ œ œ . > . . ffff

nbw w

¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯ s.v. ww-

ffff

æ wæ

˙™

field

fff

˙

æ wæ

∑

3

œ.

j B œ. œ. œ. 3 ‰ j B œ. œ. œ. . œ œ. œ. ‰ J 3 µ œœ. > œœ. œœ. B ‰ J Bµ œœ

w w

w w ff

>œ ‰ œ.j œ. 3 B>œ . œ. ‰ BœJ B>œ 3 . B œ œ. ‰ J >œ 3 ‰ œ.j œ. µ>œ 3 ‰ µœ.j œ. B>œ 3 ‰ Bœj œ. .

ffff

/

Perc. 2

ff

µ>œ

w w

w & w

1 Tpt. 2

‰ µœ.j

¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯ s.v. ˙˙ B˙ffff

ffff

˙ ˙

¯¯¯¯¯¯¯¯¯¯¯¯¯ B-̄˙

¯¯¯¯¯¯¯¯¯¯¯¯¯ B -̄˙ -̄˙¯¯¯¯¯¯¯¯¯¯¯¯¯

¯¯¯¯¯¯¯¯¯¯¯¯¯¯ µ˙-

¯¯¯¯¯¯¯¯¯¯¯¯¯¯ B˙-

7

° &

45 1 Cl. 2

?

B. Cl.

Bsn.

Hn.

1 2

° & nw w

j œ œ

fff

w ? w

1 Tbn. 2

?

B. Tbn.

¢

∑

/ wææ ∑

‰ o

Œ

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s.v.

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Più mosso (q = 120)

∑

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B. Cl.

Bµ œ-.œ ff -œ. -. µµœœ ff

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Perc. 2

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p

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Vc.

Db.

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∑

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‰ o

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5

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Picc.

Fl.

60 ‹

° &

∑

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∑

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∑

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1 Ob. 2 Ob. 3

Cl.

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B. Cl.

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1 Tpt. 2

&

Tpt. 3

b œ-. f

B. Tbn.

Perc. 1

Perc. 2

Perc. 3

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molto sul tasto. (wide vib.)

∑

senza vib.

˙ ææ

ppp sempre

molto sul pont. senza vib.

µ˙ ææ

˙ ææ

∑

µ˙ ææ

Ó

ppp sempre

3 &2 B 23 B 23

∑

ÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍ Ó Bw

∑

B˙ æ

ppp sempre

molto sul pont. senza vib.

?3 ‹ 2

∑

?3 ¢‹ 2

∑

waste

‰

Ó

∑

˙ ææ

Ó

ÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍ w

ppp sempre

B˙

n˙

ppp

Ó

Ó

‰ Ó

Ó Ó Ó

Ó

B˙ ææ

˙ ææ

B˙ ææ

B˙

n˙

senza vib.

Ó

ppp sempre

Ϫ

‰

Ϫ

‰ Ó

Ó Ó Ó

Ϫ

brick

˙

µ˙

µ˙

#˙ æ

B˙ ææ

B˙ ææ

n˙ ææ

Ó Ó Ó

ÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍ Ó µw

#ÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍ w Ó ÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍ Ó µw

n˙ æ

B˙

˙ æ

µ˙ æ

senza vib.

Ó

senza vib.

µ˙ æ

senza vib.

˙ ææ

˙ æ

µ˙ æ

Ó

Ó

ÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍ Ó w

Ó

µÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍ w

b˙ æ B˙

B˙ æ µ˙ ææ

b˙

n˙ ææ

(wide vib.) ÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍ Bw Ó

Ó

B˙ ææ

˙ ææ

Ó

n˙

B˙

Ó

Ó Ó Ó

‰

Ϫ

Ó ‰ Œ bœ

3

- strewn

#˙

ÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍ w Ó

æ µ˙æ

#˙ æ

senza vib.

æ µ˙æ

senza vib.

B˙ æ

senza vib.

æ #˙æ B˙ æ

Ó Ó

æ n˙æ

Ó

b˙ æ

Ó

ÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍ Bw Ó µÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍ w b˙

µ˙

B˙

Ó

œ œ™ œ

U Œ Œ

B˙

µ˙ æ

Ó

ÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍ µw Ó

#˙ æ

Ó

ÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍ #w Ó æ n˙æ

æ µ˙æ

Ó

Ó

µÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍ w

µ˙ æ

#˙ æ

Ó

˙ ææ

B˙ ææ

Ó

senza vib.

senza vib.

˙ ææ

a place of

senza vib.

Ó

Ó Ó

µ˙

B˙ ææ

Ó

b˙

µ˙

Ó

∑

o - pen

ÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍ Bw µ˙

˙

œ Œ

Ó

5 b-œ -œ -œ -œ -œ Ó

∑ œ

n˙

Ó

ppp

pppp

Ó

ppp

∑

light,

#˙

B˙

n˙ ææ

µ˙ ææ

senza vib.

∑

∑

U Œ Œ

∑

∑

∑

∑

ÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍ Ó #w

∑

∑

Ó

∑

∑

∑

∑

U Œ Œ

∑

∑

n˙ ææ

U Œ Œ

∑

∑

˙ ææ

n˙

U Œ Œ

∑

∑

n˙

µ˙ ææ

U bÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍ w Œ Œ

senza vib.

Ó

ÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍ µw Ó

U Œ Œ

n˙ ææ

ÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍ U Œ Œ w

µ˙ ææ

Ó

senza vib.

Ó

˙ ææ

senza vib.

ÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍ Ó bw

∑

ÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍ Bw U Œ Œ

senza vib.

H

µ˙ æ

senza vib.

∑

ÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍ U Œ Œ #w

B˙ æ

H

Ó

pp

#ÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍ w U Œ Œ B˙ ææ

b˙

Ó

ÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍ Ó w

U ‰ Œ ‰ œj œ œ œ œ Œ

(wide vib.)

Ó

b˙ ææ

ÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍ w

spew from build - ing sites,

BÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍ w Ó

senza vib.

senza vib.

mp

œ

æ b˙æ

senza vib.

Ó

Ó

Ó

belt,

-

? µ˙ æ

b˙ æ

æ n˙æ

∑

ÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍ Bw Ó

senza vib.

æ B˙æ

senza vib.

∑

ÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍ ? Bw Ó n˙ æ

ÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍ w Ó

senza vib.

#˙

b˙ ææ

ÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍ B #w Ó

senza vib.

ÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍ w Ó

Ó

B˙ ææ

ppp sempre

æ µ˙æ

Ó

#˙

‰ Ó

Ϫ

turf,

˙ ææ

ÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍ Ó & µw

senza vib.

˙ æ

µ˙

‰

Ϫ

rough

B˙ æ

#˙ æ

B b˙ææ

µ˙ ææ

Ó

of

ÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍ w Ó

molto sul pont. senza vib.

B˙ ææ

˙

Pelt

‰ Ó

ÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍ w Ó

& µæ˙

senza vib.

Ó

Ϫ

µ˙ ææ

n˙

& #æ˙ æ

˙

(wide vib.)

‰

µÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍ w Ó

° B˙ & senza vib.

Ó

µ˙

as though observing dispassionately

Ϫ

µ˙

∑

µÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍ w Ó

scrap

-

˙ æ

p

∑

∑

ÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍ Ó bw

land,

? ˙ ¢‹

ppp

Ó

ppp sempre

Ϫ

Ó

(wide vib.)

molto sul tasto. (wide vib.)

pp

µ˙ ææ

ÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍ w

molto sul pont. senza vib.

ppp

Db.

pppp

∑

æ B˙æ

? -œ -œ 5-œ -œ -œ

B˙ ? æ ‹

œ-

∑

ÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍ Ó Bw

95

Vc.

œ-

Ó

ÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍ Ó Bw

æ B˙æ

ppp sempre

∑

=

Vla.

œ-

5

Ó

Ó

æ ˙æ

molto sul pont. senza vib.

Db.

Vln. 2

œ J ‰ Œ o

∑

Ó

(wide vib.)

Ó

ppp sempre

∑

?3 2

n˙ æ

molto sul tasto. (wide vib.)

Vln. 1

œ-

ppp

ÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍ Ó Bw

molto sul tasto. (wide vib.)

∑

?3 2

Sop.

˙

p

bœ-

µ˙

˙

Ó

ppp sempre

Vln. 2

° ¢& œ™

˙

pp

∑

G.P.

3 &2

Timp.

Ó

˙

Skeletal (q = 58)

3 &2

Vc.

Ó

∑

Vln. 1

Vla.

∑

b˙

b˙ æ

µ˙ ææ

#˙ ææ

ÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍ Bw

Ó Ó Ó

ÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍ Ó w

bÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍ w Ó b˙ æ

µ˙ æ

B˙ ææ B˙

Ó Ó Ó

14 Picc.

Fl.

102‹

° &

∑

Ó

Ó

&

∑

Ó

Ó

U ΠΠ22

Ó

U ΠΠ22

1 2

∑

&

Ob. 1

∑

&

Ob. 2

Ó Ó

Ó

4 4

Ó

∑

∑

∑

4 4

Ó

∑

∑

∑

4 4

∑

∑

∑

4 4

∑

∑

U ΠΠ22

∑

3 2

∑

∑

∑

∑

4 4

U ΠΠ22

∑

∑

3 2

∑

∑

∑

∑

4 4

∑

∑

3 2

∑

∑

∑

∑

4 4

∑

∑

3 2

∑

∑

∑

∑

4 4

∑

∑

∑

∑

∑

∑

U ΠΠ22

3 2

4 4

∑

∑

3 2

∑

∑

∑

∑

4 4

Ó

U ΠΠ22

∑

∑

3 2

∑

∑

∑

∑

4 4

Ó

U Œ Œ 22 wææ

∑

3 2

∑

∑

∑

∑

4 4

∑

3 2 æY

Ó

∑

∑

∑

4 4

∑

3 2 œœœœœœœœœœœœœœœ≈Ó o o p

∑

∑

∑

4 4

∑

3 2

Ó

Ó

1 Tpt. 2 3

&

∑

Ó

Ó

1 2

?

∑

Ó

Ó

B. Tbn.

?

∑

Ó

Ó

?

∑

Ó

Ó

?

∑

Ó

/

∑

Ó

/

∑

U ΠΠ22 U ΠΠ22 U ΠΠ22

U ΠΠ22 U ΠΠ22 U ΠΠ22

pppp

Ó

° œ™ ‰ œ™ ‰ Ó ¢& p

edge - land,

° B˙ &

n˙

Ó

ÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍ Ó & µw ÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍ Ó & #w æ & #˙æ

æ B˙æ

B˙ B ææ

n˙ ææ

senza vib.

senza vib.

B ˙ææ

æ B˙æ

? bæ˙

µ˙ ææ

senza vib.

senza vib.

? µ˙æ

æ n˙æ

ÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍ Bw

? B˙ ¢‹

b˙

Ó Ó Ó Ó Ó

Ó

U ΠΠ22

Ó

U ΠΠ22

∑ ∑

µ˙ æ

senza vib.

senza vib.

#˙ ææ

p

mp

shape of an an - vil

seen

U µ˙ Œ Œ 22

#˙

#˙ æ

U Œ Œ 22 #æ˙

B˙ ææ

U Œ Œ 22 Bæ˙

n˙ æ

ÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍ U 2 ÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍ Œ Œ 2 Bw Bw ÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍ w

∑

Y æ

(scrape with metal reibstock)

o

o

∑

Ó

ÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍ U w Œ Œ 22

ÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍ U 2 ÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍ Œ Œ 2 Bw Bw ÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍ U µÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍ w Œ Œ 22 µw ÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍ U 2 ææ Œ Œ 2 ˙ w

senza vib.

æ B˙æ

pp

œ œ

sto - ny

G.P.

∑ ∑ ∑

3 #˙ 2

B˙

ÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍ 3 Bw Ó 2 ÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍ 3 w Ó 2

∑

3 2

æ B˙æ

æ n˙æ

∑

3 ˙ 2 ææ

µ˙ ææ

senza vib.

senza vib.

∑

3 æ 2 B˙æ

æ b˙æ

∑

3 µ˙ 2 ææ

n˙ ææ

∑

Ó

senza vib.

senza vib.

3 æ 2 B˙æ

æ ˙æ

n˙

B˙ ææ

n˙ ææ

senza vib.

˙ æ

µ˙ æ

senza vib.

Ó Ó Ó

ÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍ Ó w

Ó

µÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍ w

Ó

Ó

ÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍ Ó bw

Ó

ÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍ w Ó

Ó

ÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍ Ó w

B˙ ææ

b˙ ææ

U b˙ Œ Œ 22 ææ

µ˙ æ

∑

ÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍ 3 µw Ó 2

Ó

b˙

µ˙

U Œ Œ 22 µ˙

n˙

∑

3 2 ˙

B˙

B˙

Ó

Ó

senza vib.

Ó

from a height,

µ˙

B˙ æ

mp

p

#œ œ œ Œ U œ 22 œ ‰ bœ œ œ œ œ™ 3

˙

˙

∑

∑

∑

o

U ΠΠ22

° &

¢/

Bb >˙

mp

senza vib.

˙ ææ

4 4

Ó

Ó

mp

b >˙ 3 ææ 2 flz.

∑

Ó

Db.

∑

∑

∑

? ‹

∑

∑

? ¢‹

Vc.

∑

o

∑

Ó

Vla.

Ó

˙

3 2

Ó

Vln. 2

∑

3 2

B>˙

∑

∑

Vln. 1

4 4

∑

?

Sop.

∑

4 4

1 2

Perc. 3

∑

∑

Ó

Perc. 2

∑

∑

Ó

°

∑

∑

∑

Perc. 1

3 2

∑

?

Timp.

∑

3 2

B. Cl.

¢

∑

senza vib.

4 4

∑

Ó

Tba.

∑

∑

Ó

Tbn.

∑

3 2

∑

Hn. 1-5

∑

∑

&

Cbsn.

∑

∑

&

Bsn.

3 2

3 2

Ó

1 2

∑

∑

Ó

Cl.

G.P.

∑

U ΠΠ22

,

∑

∑

∑

Ob. 3

U ΠΠ22

Ó

µ˙ æ

n˙ æ

Ó

B˙

n˙

Ó

senza vib.

˙

œ œ ‰ œ ‰ Œ ‰ œj œ J œ™ œ œ

˙

µ˙

ground,

too thin for seeds to

Ó

ÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍ w Ó µ˙ æ

˙ æ

Ó

ÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍ Ó w

µÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍ w senza vib. æ æ b˙æ µ˙æ

æ ˙æ

æ B˙æ

ÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍ w ˙

B˙

pppp

˙ ææ

˙ µ˙ ææ

senza vib.

pppp

ÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍ w

pppp

take

Ó

Ó Ó

Ó

,

4 4

Ó

4 4

Ó

4 4

æ ˙æ

æ µ˙æ

Ó

4 4

µ˙ ææ

#˙ ææ

Ó

4 4

senza vib.

pppp

senza vib.

ÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍ w Ó

senza vib.

µ˙

4 4

pppp

ÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍ Ó µw pppp

˙ ææ

B˙ ææ

senza vib.

pppp

æ B˙æ

pppp

4 4

Ó

4 4

æ b˙æ

Ó

4 4

Ó

˙ æ

B˙ æ

Ó

4 4

Ó

B˙

b˙

Ó

4 4

senza vib.

pppp

pppp

Picc.

110‹

15

Battered shuttles

I ° 4 &4

accel.

MILL 1 (q = 132)

∑

∑

∑

4 &4

1 Ob. 2

4 &4

∑

∑

∑

∑

Ob. 3

4 &4

∑

∑

∑

∑

1 2

4 &4

∑

∑

∑

∑

4 &4

∑

∑

∑

∑

Cl. 3

Bsn. 1

Bsn. 2

Cbsn.

∑

?4 ≈ 4 bœ œ ≈ œ - > fff pesante ?4 ≈ ≈ 4 µ œ- >œ œfff pesante ? 4 ≈ -œ >œ ≈œ¢‹ 4

∑

≈ >œ œ>œ≈œ-

≈ >œ œ>œ≈œ-

≈ >œ µ œ>œ ≈ -œ

°? 4 b>œ ‰ œ4 J

>œ œJ ‰

ff

p

3 4

? 4 b>œ ‰ œ4 J

Hn. 5

? 4 b>œ ‰ -œ 4 J

f

Hn.

ff

p

f

p

µ>œ J ‰ b-œ

p

ff

>œ -œ J ‰

(con sord.)

ff

p

>œ œJ ‰

a2, con sord.

f

p

> 4 & 4 ‰ œJ œ ≈ œ œ µœ œ ≈#œ con sord.

Tpt. 1

Tpt. 2

> 4 con sord. & 4 ‰ œJ œ ≈ œ œ œ œ ≈ µœ pp

f

pp

f

Timp.

p

>œ -œ J ‰

µ>œ J

p

f

ff

p

œ µœ œ ≈nœ œ œ œ ≈ œ p

œ nœ œ ≈ œ œ œ œ ≈ œ p

ff

‰ œ-

>œ J

‰ -œ

‰ œp

p

œ œ

œ œ ≈ µ>œ œ f

j ‰ œ. œ-

j b >œ

‰

j ‰ œ. œ-

> ? 4 bw 4 æ æ

° 4 æ / 4 wæ >

j ‰ b >œ œ-

j ‰ œ. œ-

> bw ææ

j b >œ

f

w ææ

œ œ œ œ œ œ œ œ

œ

æ wæ

4 /4 œ œ œ œ œ œ œ œ

4 ææ ¢/ 4 w >

?4 ¢ 4

fff

∑

-œ

f

∑

f

µœ œ ≈nœ nœ œ ≈ œ

œ œ ≈ >œ œ

‰

f

œ-

œ œ≈ œ

æ wæ Ó

Œ

æ wæ

œ œ b>œ J

>œ J

‰ œ-

>œ J

‰ -œ

p

j œ.

‰

j b >œ

œ-

‰ œp

f

‰ b-œ p

f

œ œ≈ œ œ

≈ >œ >œ ≈

B>œ bœ J ff b >œ bœ J

p

B 44

Vc.

Ó

Œ

µ>œ n -œ >œ -œ ≈ ≈

µ>œ n -œ >œ -œ ≈ ≈

µ>œ n -œ >œ -œ ≈ ≈ µ>œ n œ- >œ œ≈ ≈

µ>œ n -œ >œ -œ ≈ ≈

µ>œ n -œ >œ ≈ ≈

µ>œ n -œ >œ -œ ≈ ≈

µ>œ n -œ >œ ≈ ≈

µ>œ n œ- >œ œ≈ ≈

µ>œ n -œ >œ ≈ ≈ µ>œ n œ- >œ ≈ ≈

ff

p

µœ œ ≈ >œ

mp

ff

œ œ ≈ >œ

mp

ff

œ œ≈ œ œ œ œ≈ œ œ œ. J

‰ -œ

‰

j œ.

‰

‰

j b >œ f

ff

‰ -œ œ-

j œ.

œ-

ff

µœ œ ≈#>œ

‰

œ œ œ

j 3 bœ- bœ b>œ bœbœ ‰ œ-

3

j 3 œ >œ œ œ ‰ œ-

3

‰ œ-

‰ œ-

p

>œ J

‰ -œ

f

‰ b-œ p

f

p

µ>œ J

p

ff

p

œ

µœ œ ≈nœ œ œ œ≈ œ œ œœ. J

‰ œ-œ ‰ ‰

œ-

j œ.

œ-

j œ.

œ œ≈ œ

mf

œ œ≈ œ

mf

‰ ‰

o

‰ Œ

j 3 œ b>œ bœbœ ‰ œ-

œ œ œ

œ

Ó 3

œ œ œ

‰ bœa2 p

3

3 j œ b>œ bœbœ ‰ œ-

3

j 3 œ >œ œ œ ‰ œ-

>œ J

‰ œ-

>œ J

‰ œ-

>œ J

‰ -œ

f

‰ œa2 p

f

‰ b-œ p

f

p

p

p

œ

µœ œ ≈ >œ œ

œ œ ≈nœ

œ

œ

f

>œ >œ

f

ff

ff

œ œ ≈ >œ œ ‰ œ-œ ‰ ‰

ff

œœ. J j œ.

œ-

j œ.

œ-

‰ Œ o

œ œ≈ œ ‰ œ-œ ‰ ‰

œœ-

Ó

œ œ œ œ

∑

j 3 œ >œ œ œ ‰ œ-

≈ >œ œ>œ ≈ -œ

œ-œ

µœ œ ≈ œ

w æ æj œæ

œ œ œ œ

≈ >œ >œ ≈

œ

j µ>œ

œ-

≈ µ œ- >œ œf -œ >œ ≈œ-

µœ œ ≈#>œ œ

j µ>œ

œ-

æ wæ œ œ œ œ

ff

> µb œœ J

‰ œ-œ

w æ

œ

æj œæ

>œ J

f

a2

mf

j µ>œ

æ wæ

œ œ œ œ

‰ œ-

B>œ bœ J ff b >œ bœ J

œ œ ≈ µœ

j b >œ

> w æ ff

p

>œ J

≈ >œ >œ ≈

µœ œ ≈nœ œ

> µb œœ J

œ-

‰ bœa2

≈ >œ œ>œ ≈œ-

œ-œ

œ

œ

œ-

≈ >œ >œ≈

œ œ œ

∑ 3

ff

3 j œ b>œ bœbœ ‰ œ-

3

j 3 bœ bœ œ >œ œ œ ‰ œ- œJ 3

f as though you cannot hear yourself think

3 3 3 3 3 >3 >3 >3 >3 #-œ œJ œ œ#œ ‰ #-œ œJ œ œ œ‰ -œ œJ œ œ#œ ‰ -œ œJ œ œ œ‰ -œ œJ

3 3 >œ 3œ >3 #œ ‰ -œ œJ œ œ œ‰ -œ œJ

ff -3 3 >œ 3œ >œ 3œ # œ œœ œ #œ ‰ œ J œ‰ œ J

pledge e - qua li - ty pledge e-qua li-ty pledge e - qua li - ty pledge e-qua li-ty pledge e - qua li - ty pledge e-qua li-ty pledge e - qua li - ty pledge e-qua li-ty pledge e-

ÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍ > µw w accel.

w

w

w

(wide vib.)

ÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍ > w w

f

∑

∑

∑

∑

unis., nat. (wide vib.)

unis.

b>œ œœœ œœ œœœœœ > œœœ œœ fff pesante > œœœ œœ ? 4 b>œ œœœ œœ œœœœœ 4

b>œ œœœ œœ œœœœœ > œœœ œœ b>œ œ œœœœ œ œœ> œ œœœ œ œœ b>œ œ œœœœ œ œœ> œ œœœœ œœ > œœœ œœ b>œ œ œœœœ œ œœ> œ œœœ œ œœ b>œ œ œœœœ œ œœ> œ œœœœ œœ b>œ œœœ œœ œœœœœ

f

r ‰™ Œ Ó b>œ œ œœ œœ œ œœ> œ œœ œœ œ œ bœ p b>œ œ œœ œœ œ œœ> œ œœ œœ œ œ b>œ œ œ œ œœ œ œ >œ œ œœ œ œ œœ

fff pesante

f

fff pesante

f

> œœœ œœ b>œ œœœ œœ œœœœœ > œœœ œœ b>œ œ œœœœ œ œœ> œ œœœ œ œœ > ? 4 b>œ œœœ œœ œœœœœ µœ œ œœœœ œ œœ> œ œœœœ œœ µ>œ œ œœ œœ œ œœ> œ œœ œœ œ œ µ>œ œ œ œ œœ œ œ >œ œ œœ œ œ œœ 4

> œœ > œœ µœ œ œœœœ > œ œœ œ œœœ> œ œœ nœ œ œœœœ > œ œœ œ œœœœ > œœ œ œ œœ >œœ œ œœ œ œœ >œœ œ œ œ œ œ œ >œœ œ œ œ œ œœ >œ œ œœ ? 4 bœ œœœ >œœ œœœœœ œœœ µœ œœœ >œœ œœœœœ œœœ ¢‹ 4 unis., nat.

Db.

µ>œ n -œ >œ -œ ≈ ≈

µ>œ n -œ >œ -œ ≈ ≈

≈ µ œ- >œ œ-œ >œ ≈œ-

µ>œ J

p

mp

f

œ-

f

a2

f

f as though you cannot hear yourself think 3

‰ œ-

œ

‰ -œ

‰

>œ J

ff

œ. J

j œ.

œ-

‰ bœa2

≈ >œ œ>œ≈œ-

œ-œ

ppp

Vla.

µ>œ n -œ >œ -œ ≈ ≈

µ>œ n -œ >œ -œ ≈ ≈

µ>œ n œ- >œ œ≈ ≈

œ-

f

≈ >œ >œ≈

ff

æ wæ

MILL 1 (q = 132)

° 4 w &4

4 &4

-œ

f

a2

µ>œ n œ- >œ œ- µ>œ n œ- >œ ≈ ≈ ≈ ≈ µ>œ <µ>>œ n œ- >œ -œ œ- >œ ≈ ≈ ≈ ≈

pledge e - qua li - ty pledge e-qua li-ty pledge e - qua li - ty pledge e-qua li-ty pledge e - qua li - ty pledge e-qua li-ty pledge e - qua li - ty pledge e-qua li-ty pledge e-

unis. senza vib., nat.

Vln. 2

-œ

f

a2

≈ µ œ- >œ œ-œ >œ≈œ-

µ>œ J

p

f

j ‰ b >œ œ-

p

œ

B>œ bœ J ff b >œ bœ J

p

f

µœ œ ≈#>œ œ

≈ >œ >œ ≈

p

f

‰ b-œ

≈ >œ œ>œ≈ -œ

œ-œ

f

a2

j ‰ œ. œ-

I

Vln. 1

f

>œ J

p

?4 j ‰ 4bœ œ> fffp ?4 ¢ 4 b œj ‰ œ > fffp

° 4 &4 Chorus

p

‰ œ-

‰ -œ

fff

Perc. 3

>œ œJ ‰

>œ J

b>œ J

fff

Perc. 2

p

‰ bœa2

œ. ‰ -œ J

f

fff

Perc. 1

f

B>œ bœ J ff b >œ bœ J

≈ >œ >œ≈

b>œ ‰ -œ J

fffp

Tba.