Page 1

Contemporary

DOVE Marx in London A Comedy Libretto by Charles Hart Act One

Full Score

EP 73091


JONATHAN DOVE

Marx in London A Comedy

Libretto by Charles Hart After an original scenario by Jürgen Weber

Act One Full Score

ALLE RECHTE VORBEHALTEN

·

ALL RIGHTS RESERVED

EDITION PETERS LEIPZIG

·

LONDON

·

NEW YORK


to Santiago Cabrero Puertas


iv

Jonathan Dove MARX IN LONDON A comedy Libretto by Charles Hart After an original scenario by Jürgen Weber Libretto © Charles Hart 2017

CHARACTERS Principal roles MARX (Karl Marx, 53) . . . . . . . . . . . . . . . . . . . . . . . . . . . Baritone JENNY (Jenny Marx, 57, wife of Karl) . . . . . . . . . . . . . . .Dramatic Soprano TUSSI (Eleanor “Tussi” Marx, 16, youngest daughter of Karl) . . . . . Lyric Soprano FREDDY (Freddy Demuth, 18, Marx’s illegitimate son) . . . . . . . . . Lyric Tenor HELENE (Helene Demuth, 51, Marx’s housekeeper) . . . .Mezzo-soprano (Contralto) ENGELS (Friedrich Engels, 51, a wealthy industrialist) . . . . . . . . . Heldentenor

Secondary roles SPY (A Prussian agent) . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Tenor PAWNBROKER . . . . . . . . . . . . . . . . . . . . . . . . . . . . Bass Baritone MELANZANE (a political speaker) . . . . . . . . . . . . . . . . . . . . . . . Tenor FRANZ . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Baritone CHIEF INSPECTOR LITTLEJOHN . . . . . . . . . . . . . . . . . . . . Baritone SERGEANT . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Baritone FOREMAN . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Baritone Workmen Workmen of the Future in Marx’s dream Crowd at the Red Lion People on Hampstead Heath

}

. . . . . . . . . . . . . . . Chorus

The action takes place in London over the course of twenty-four hours during the summer of 1871. 


v

ORCHESTRA 3 Flutes (2nd & 3rd doubling Piccolo) 3 Oboes (3rd doubling Cor Anglais) 3 Clarinets (3rd doubling Bass Clarinet) 2 Bassoons Contrabassoon 4 Horns 3 Trumpets in C 3 Trombones Tuba Timpani Percussion (3 players): Player 1: Bass Drum, Vibraslap, Mark Tree, Triangle, Snare Drum, Tambourine, Tam Tam, Crotales* Player 2: Marimba*, Xylophone, Glockenspiel, Crotales*, Temple blocks, Tambourine, Snare Drum, Flexatone, Tam Tam Player 3: Vibraphone, Marimba*, Tubular Bells, Tambourine, Suspended Cymbal, Ratchet, Whip, Anvil

Harp Piano/Celeste/Harmonium**/Keyboard (typewriter sample) Strings *shared **Harmonium may be a sampled sound on keyboard “Typewriter” should be samples of the sound of as old a typewriter as possible. Each letter should have a very slightly different pitch and timbre, and thirteen letters should be randomly assigned to one octave of the keyboard, C4 to C5. The pitches in the keyboard part do not at all reflect the pitches heard: they are simply intended to create a plausible variety of timbre.

Duration:

Act One approximately 60 minutes Act Two approximately 55 minutes

Commissioned by Theater Bonn after an original scenario by Jürgen R Weber on the occasion of the 200th birthday of Karl Marx sponsored by the Kunststiftung NRW

First Performed at Theater Bonn, 9 December 2018


CONTENTS ACT ONE Scene One . . . . . . . . . . . . . . . . . . . . . . . . . 1 A dingy office; the upstairs drawing room of Marx’s house in Maitland Road; the street outside.

Scene Two . . . . . . . . . . . . . . . . . . . . . . . . 21 The street outside.

Scene Three . . . . . . . . . . . . . . . . . . . . . . . 39 Outside and Inside the house.

Scene Four . . . . . . . . . . . . . . . . . . . . . . . . 99 A dingy office.

Scene Five . . . . . . . . . . . . . . . . . . . . . . . . 100 The streets of London.

Scene Six . . . . . . . . . . . . . . . . . . . . . . . . 122 A pawnbroker.

Scene Seven . . . . . . . . . . . . . . . . . . . . . . . 126 Marx’s house.

Scene Eight . . . . . . . . . . . . . . . . . . . . . . . 149 The pawnbroker.

Scene Nine . . . . . . . . . . . . . . . . . . . . . . . 160 Back at the house.

Scene Ten . . . . . . . . . . . . . . . . . . . . . . . . 174 The streets of London.

Scene Eleven . . . . . . . . . . . . . . . . . . . . . . 188 The British Museum reading-room.

Scene Twelve . . . . . . . . . . . . . . . . . . . . . . 224 The streets of London, inside and out.


MARX IN LONDON A comedy

Libretto by CHARLES HART after an original scenario by JÜRGEN WEBER

Music by JONATHAN DOVE

ACT ONE Scene One A dingy office, furnished only with a small desk, a plain chair and a rudimentary typewriter, on which an unidentified MAN – the SPY – is typing.

Brisk q = 120

3 Flutes (2nd & 3rd doubling Piccolo)

3 Oboes (3rd doubling Cor Anglais)

3 Clarinets in A (3rd doubling Bass Clarinet)

2 Bassoons

Contrabassoon

4 4

2 4

3 4

4 4

2 4

4 4

4 4

2 4

3 4

4 4

2 4

4 4

4 4

2 4

3 4

4 4

2 4

4 4

4 4

2 4

3 4

4 4

2 4

4 4

2 4

3 4

4 4

2 4

4 4

4 4

2 4

3 4

4 4

2 4

4 4

4 4

2 4

3 4

4 4

2 4

4 4

4 4

2 4

3 4

4 4

2 4

4 4

4 4

2 4

3 4

4 4

2 4

4 4

4 4

2 4

3 4

4 4

2 4

4 4

4 4

2 4

3 4

4 4

2 4

4 4

4 4

2 4

3 4

4 4

2 4

4 4

4 4

2 4

3 4

4 4

2 4

4 4

2 4

3 4

4 4

2 4

4 4

2 4

3 4

4 4

2 4

4 4

4 4

2 4

3 4

4 4

2 4

4 4

4 4

2 4

3 4

4 4

2 4

4 4

4 4

2 4

3 4

4 4

2 4

4 4

4 4

2 4

3 4

4 4

2 4

4 4

2 4

3 4

4 4

2 4

4 4

mf

4 4 mf

4 Horns in F

3 Trumpets in C

3 Trombones

Tuba

Timpani

Percussion (3 players)

Harp

TYPEWRITER*

4 4 Keyboard

mf

4 4 Brisk q = 120

Violin 1

Violin 2

Viola

Violoncello

Double Bass

4 4

pizz.

mf Edition Peters 73091

* notation does not represent actual sounding pitches: typewriter samples are of indeterminate pitch. See note on p. v

© 2018 by Peters Edition Ltd, London Libretto © 2017 by Charles Hart. Reproduced by permission VIII/18


2

1 3 2

8 Bsn 1.2

p

3 2 Kbd

3 2 1 3 2

Vln 1

pizz.

p pizz.

3 2

Vla

3 2

Vc.

p

p

3 2

Db.

pizz.

p

12 Bsn 1.2 mf

p

Cbsn p

Kbd

SPY

3

S. Four teenth

Au gust,

Eigh teen Se ven ty one.

Sur

Vln 1 mf Vla mf Vc. mf Db. p

mf

2

15 Bsn 1.2

(p) Cbsn

Kbd

S. veil lance Be gun.

Sus pi cious ac tions:

a2

3 4

None.

3 4

2 4

3 4

2 4

3 4

2 4

3 4

2 4

So

Vln 1

2 4

far,

Ex cel len cy,

3 4

2 4

3 4

2 4

3 4

2 4

3 4

2 4

p

Vla p Vc. p Db. p


3 20 Bsn 1.2

Kbd

S.

2 4

3 4

2 4

3 4

2 4

3 4

2 4

3 4

2 4

3 4

2 4

3 4

2 4

3 4

2 4

3 4

2 4

3 4

2 4

3 4

2 4

3 4

2 4

3 4

Nil

Vln 1

Vla

Vc.

Db.

news,

Ex

cel len cy.

Still

hope,

Ex cel len cy.

That

a

2 4

3 4

2 4

3 4

2 4

3 4

2 4

3 4

2 4

3 4

2 4

3 4

2 4

3 4

2 4

3 4

2 4

3 4

2 4

3 4

2 4

3 4

2 4

3 4

ny day

will bring

3

29 Bsn 1.2

mf Cbsn mf

Kbd

S. clues.

As

you

say,

Ex

cel len cy,

Sub

ter fuge

Is

key,

Vln 1

Vla

Vc.

Db. mf

35 Bsn 1.2

Cbsn

Kbd

S. Since

Db.

I

Sense

we may Soon

see

An

a

nar chist Vol

ca

no.

us Vi

tal


4 41

4

Picc. ff

6

6

Fl. 1.2 6

ff Ob. 1-3 f a2 5

Cl. 1.2 (A)

5

5

5

5

6

5

6

6

ff 5

Cl. 3 (A)

5

5

5

5

6

5

6

6

ff

Bsn 1.2

ff

ff Cbsn ff 1.2 Hn

ff

3.4

ff Tpt 1-3 f Tbn. 1-3 ff Tba ff Timp. ff B. D.

T.-t.

Hp

ff f

ff

4

s. glis

arco 5

5

5

5

5

6

Vln 1 5

ff 5

5

5

6

5

5

5

6

Vln 2

arco Vla ff arco Vc. ff arco Db. ff

ff

5

5

6


5 45 Picc. 6

7

6

Fl. 1.2 6

7

7

9 8 9 8 9 8

Ob. 1-3 ff 5

6

7

Cl. 1.2 (A) 6 5

6

7

7 7

7

9 8 9 8

Cl. 3 (A) 7

6

9 8 Bsn 1.2

9 8 9 8

Cbsn

9 8

1.2 Hn

ff

9 8

3.4 ff

9 8

Tpt 1-3 ff

9 8

Tbn. 1-3

9 8

Tba

9 8

Timp.

9 8 9 8

B. D. T.-t.

9 8 Hp

9 8 5

6

7

Vln 1 6 5

6

7

7

7

Vln 2 6

Vla

Vc.

Db.

7

7

9 8 9 8 9 8 9 8 9 8


6

Maitland Road, upstairs drawing-room. The time is the same.  Mid-morning sun streams through the heavy, half-closed curtains.  KARL MARX and his housekeeper, HELENE DEMUTH, are playing chess.

49 Fl. 1.2

Ob. 1.2

Cl. 1.2 (A)

Cbsn

5 Gently moving q. = 72 6 9 8 8

6 8 p

9 8

6 8

9 8

6 8

9 8

6 8

9 8

6 8

6 8

9 8

6 8

9 8

6 8

9 8

6 8

9 8

6 8

9 8

6 8

9 8

6 8

9 8

6 8

9 8

6 8

9 8

6 8

6 8

9 8

6 8

9 8

6 8

9 8

6 8

6 8

9 8

6 8

9 8

6 8

9 8

6 8

6 8

9 8

6 8

9 8

6 8

9 8

6 8

9 8 9 8

6 8 6 8

9 8 9 8

6 8 6 8

6 8

9 8

6 8

6 8

9 8

6 8

9 8

1.2

9 8

p

2.

p

9 8 p

p

Hn

9 8

3.4

4. p

9 8

Mar.

Marimba

p

Hp

H.

9 8 9 8

6 8 6 8

9 8 9 8

6 8 6 8

9 8

6 8

9 8

6 8

p

HELENE

9 8

What?

9 8

6 8

9 8

M.

div.

Vc.

6 8

He le

Gently moving q. = 72

9 8

MARX

9 8

ne?

He le

ne?

Are you not hot?

6 8

9 8

6 8

9 8

6 8

9 8

6 8

6 8

9 8

6 8

9 8

6 8

9 8

6 8

p

9 8

Db.

pizz.

p

58 Picc. 1.2

Fl. 1.2

Ob. 1.2

Cl. 1.2 (A)

Cbsn

1.2 Hn 3.4

Hp

M.

9 8

Fl. 2 to Picc. 2

6 8

9 8

6 8

9 8

p

6 8

9 8

6 8

9 8

6 8

9 8

6 8

9 8

6 8

9 8

6 8

9 8

6 8

9 8

6 8

9 8

6 8

9 8

6 8

9 8

6 8

9 8

6 8

9 8

6 8

9 8

6 8

9 8

6 8

9 8

6 8

9 8

9 8

6 8

9 8

6 8

9 8

9 8 9 8

6 8 6 8

9 8 9 8

6 8 6 8

9 8 9 8

Vibraphone Vib.

6 8

6 8

9 8

6 8

6 9 8

1.

6 8 6 8 6 8

6 8

p

p

6 8

9 8

9 8

You must be hot.

Vc.

Db.

No?

6 8

9 8

6 8

9 8

6 8

9 8

6 8

9 8

9 8

6 8 slow gliss.

HELENE moves a piece on the chess-board. MARX sees, with displeasure, what she has done.

In

all those

la yers.

6 8

9 8

6 8

9 8

Ah.


67 Picc. 1.2

Ob. 1.2

Cl. 1.2 (A)

7

7 9 8

6 8

9 8

9 8

6 8

9 8

9 8

6 8

6 8

9 8

6 8

9 8

6 8

9 8

6 8

9 8

9 8

6 8

9 8

6 8

9 8

9 8

6 8

9 8

6 8

9 8

6 8

9 8

6 8

9 8

6 8

9 8

9 8

6 8

9 8

6 8

9 8

6 8

9 8

9 8

6 8

9 8

6 8

9 8

6 8

9 8

9 8

6 8

9 8

6 8

9 8

6 8

9 8

9 8

6 8

9 8

6 8

9 8

6 8

9 8

9 8

6 8

9 8

6 8

9 8

6 8

9 8

6 8

9 8

6 8

9 8

p

6 8

9 8

Cbsn

p

p

p

9 8

Hn 1.2

p Mar.

Vib.

Hp

H.

p

p

With irritation, he counters her move.

Yes?

Oh.

He le

9 8

Vc.

p

9 8

Db.

9 8

6 8

9 8

M.

p

ne?

He le

ne?

A game of chess

6 8

9 8

6 8

9 8

6 8

9 8

6 8

9 8

6 8

9 8

6 8

9 8

p

76 Picc. 1.2

Ob. 1.2

Cl. 1.2 (A)

Cbsn

Hn 1.2

Mar.

Vib.

9 8

6 8

M.

6 8

9 8

6 8

9 8

9 8

6 8

9 8

6 8

9 8

9 8

6 8

9 8

6 8

9 8

9 8

6 8

9 8

6 8

9 8

9 8

6 8

9 8

6 8

9 8

9 8

6 8

9 8

6 8

9 8

6 8

9 8

Db.

p

p

p

p

p

9 8

6 8

p

9 8

6 8

9 8

6 8

9 8

9 8

6 8

6 8

9 8

Is more than chess.

Vc.

9 8

6 8

9 8

9 8 Hp

8 9 8

No?

HELENE again moves a piece on the chess-board. Â MARX again responds with displeasure.

9 8 With cer tain

pla yers.

9 8

6 8

9 8

6 8

9 8

9 8

6 8

9 8

6 8

9 8

Ah.

Again, he seeks to counter her move.

Oh.

He


8 86

9 Moving forward . . . .

Moving q. = 84

a2

Picc. 1.2

12 8

poco f singing

12 8

Fl. 1 poco f singing

12 8

Cl. 1 (A) poco f singing

1.2

12 8 mf

Hn

12 8

3.4 mf

12 8

Timp. mf

12 8 Hp

mf

12 8

12 8

H. You need your

12 8

M. le

ne,

Moving forward . . . .

come

to me!

How I

need

us to be

one!

Moving q. = 84

12 8

Vln 1 poco f singing

12 8

Vln 2 poco f singing div.

pizz.

mf

p

Vla

pizz. Vc. mf arco, div. Db. mf

12 8

12 8

p

12 8


92 Picc. 1.2

10

9 8

12 8 p

Fl. 1

9 a2

poco f

9 8

12 8

poco f

Ob. 1.2

1.

9 8

12 8 p

Cl. 1.2 (A)

poco f

9 8

12 8 p

1.2

9 8

12 8

mf

Hn 3.4

9 8

12 8

mf

Timp.

9 8

12 8

mf

Vib.

9 8

12 8 p

12 8 Hp

H.

p

12 8

9 8

12 8

9 8 fun.

M.

9 8

12 8

The wor kers

pray

For li be

mf

ra tion.

9 8 He

Vln 1

12 8

9 8

le

10 poco f

Vln 2

12 8

9 8 poco f

Vla

12 8

9 8

arco

mf

Vc.

12 8

9 8

arco

mf

Db.

12 8

9 8 mf

ne,

be

with me!

Vo lume


10 98

(a2)

Picc 2 to Fl.

12 8

Picc. 1.2

p

p

Fl. 1

9 8

12 8

9 8

12 8

9 8

p

(1.) Ob. 1.2 p

1.2

p

12 8

9 8

12 8

9 8

12 8

9 8

12 8

9 8

12 8

9 8

Hn 3.4

Hp

H. Vo lume

Two

12 8

M. Two

is

all but

Is o ver

due.

9 8

done!

If

12 8

Vln 1

mf

12 8

9 8

p

pizz. Vla

you should run, Where

9 8

p

Vln 2

We should be

mf

12 8

9 8

arco, unis.

mf

p

pizz.

12 8

Vc.

9 8

p

mf

12 8

Db. p

arco, unis.

9 8

unis.

mf

will I ďŹ nd My in spi ra tion?


11 106

11

accel.

1.

6 8

9 8

6 8

Fl. 1.2

9 8

p

a2

6 8

9 8

6 8

9 8

p

6 8

9 8

6 8

9 8

p

6 8

9 8

6 8

9 8

6 8

6 8

9 8

6 8

9 8

6 8

6 8

9 8

6 8

9 8

6 8

6 8

9 8

6 8

9 8

6 8

6 8

9 8

6 8

9 8

6 8

6 8

9 8

6 8

9 8

6 8

6 8

9 8

6 8

9 8

6 8

6 8

cresc. poco a poco

6 8

9 8

6 8

Cl. 3 (A)

9 8

p

cresc. poco a poco

6 8

9 8

6 8

9 8

p

cresc. poco a poco

6 8

9 8

6 8

9 8

p

cresc. poco a poco

6 8

9 8

6 8

Cbsn

9 8

p

cresc. poco a poco

6 8

9 8

6 8

Hn 1

9 8

p

cresc. poco a poco

B. D.

p

6 8

cresc. poco a poco

Cl. 1.2 (A)

Hp

9 8

cresc. poco a poco

Ob. 1

Bsn 1.2

6 8

12 9 8

6 8

9 8

6 8

9 8

6 8

9 8

6 8

9 8 pp

6 8

6 8

9 8

6 8

9 8

6 8

9 8

6 8

9 8

6 8

6 8

9 8

6 8

9 8

6 8

9 8

6 8

9 8

6 8

9 8

6 8

9 8

6 8

9 8

6 8

9 8

4

H. work

4

ing.

We

M. Less

6 8

9 8

6 8 talk

of

should be

work

4

cresc. poco a poco

work

ing.

If

6 8

9 8

ing...

4

Less

6 8

9 8 talk

of

work

we were

work

4

6 8 6 8 ing...

(moving closer to HELENE)

9 8

ing...

6 8

And

accel.

11

6 8

Vln 1

6 8

9 8

9 8

p

6 8

6 8

9 8

9 8

p div.

6 8

Vla

12 9 8

6 8

6 8

9 8

6 8

9 8

6 8

9 8

6 8

9 8

6 8

9 8

6 8

9 8

6 8

6 8

9 8

6 8

9 8

6 8

9 8

6 8

9 8

6 8

cresc. poco a poco div.

Vc.

6 8

9 8

6 8

9 8

p

p

6 8

cresc. poco a poco

p

Db.

9 8

cresc. poco a poco

Vln 2

div.

6 8

cresc. poco a poco

6 8

9 8

6 8

6 8

9 8 cresc. poco a poco


12 115 Fl. 1.2

Ob. 1

6 8

(a2)

6 8

9 8

6 8

9 8

6 8

9 8

9 8

6 8

9 8

6 8

9 8

2 2

f

2 2 f

Cl. 1.2 (A)

6 8

9 8

6 8

6 8

9 8

2 2

9 8 f

Cl. 3 (A)

6 8

9 8

6 8

6 8

9 8

2 2

9 8 f

6 8

9 8

6 8

6 8

9 8

2 2

9 8 f

Bsn 1.2

6 8

9 8

6 8

6 8

9 8

2 2

9 8 f

Cbsn

6 8

9 8

6 8

6 8

9 8

2 2

9 8 f

1.2

6 8

(1)

6 8

9 8

6 8

9 8

2 2

9 8

Hn 3.4

6 8

9 8

6 8

6 8

9 8

f

mp

9 8

mp Timp.

6 8

9 8

6 8

6 8

9 8

f

2 2

9 8 pp

B. D.

Hp

2 2

mf

6 8

9 8

6 8

9 8

6 8

9 8

6 8

9 8

6 8

9 8

6 8

9 8

2 2

6 8

9 8

6 8

9 8

6 8

9 8

2 2

4

4

2 2

mf

MARX rests his hand gently on HELENE’s knee, as …

H.

9 8

6 8

In

M.

more

Vln 1

9 8

6 8

6 8

of

6 8 play

9 8

stead

6 8

9 8

6 8 of

play

ing...

play

6 8

9 8

ing...

As

6 8

9 8

2 2

9 8 play

was

ing...

2 2

9 8 I

6 8

ing...

say

ing...

Ah!

Ah!

2 2

9 8 f

Vln 2

6 8

9 8

6 8

9 8

6 8

2 2

9 8 f unis.

Vla

Vc.

6 8

9 8

6 8

9 8

6 8

9 8

6 8

9 8

6 8

9 8

6 8

9 8

f

2 2 2 2

f

Db.

6 8

9 8

6 8

9 8

6 8

2 2

9 8 f


13 123 Picc.

Agitated h = 88

13

2 2 sfz

mp

sfz

mp

sfz

mp

sfz

mp

2 2 Fl. 1.2

2 2

Ob. 1.2

C. A.

2 2 Cor Anglais

2 2

mp

Tpt 1.2

2 2 sfz

Xyl.

2 2 sfz

Vib.

mp

2 2 mp

sfz

2 2 mp

Hp

2 2 A sudden knocking at the door, followed -- before EITHER can respond -- by the appearance of TUSSI, MARX’s youngest daughter, in a state of high agitation.

T.

TUSSI

2 2

Fa ther!

H.

But

Fa

ther...

But

2 2 Not now.

M.

(springing away from HELENE)

2 2

What now? I’m work ing

13

Agitated h = 88

pizz. Vln 1

2 2 sfz

mp

pizz. Vln 2

2 2 sfz

mp div.

Vla

2 2

pizz.

sfz

mp

He’s work ing.


14 131

9 8

Picc.

9 8 Fl. 1.2

9 8 9 8

Ob. 1.2

9 8

C. A.

9 8

Xyl.

9 8

omit if necessary

Vib. MARX closes the door on her firmly, leaving TUSSI to finish her sentence from outside. T. Fa ther...

But

Fa

ther,

There’s a...

sotto voce (to HELENE)

There’s a...

irascible

Man!

9 8

M. And you,

Stop smirk ing, If you can.

What? There’s a what?

9 8

Vln 1

9 8

Vln 2 unis.

9 8

Vla

138 C. A.

14 Gently moving 9 8

q. = 72

pp

9 8 Cl. 1.2 (A)

9 8

B. Cl.

ppp

mp

ppp

mp

ppp

mp

ppp

mp

mp

ppp

mp

pp

9 8 ppp Marimba

Mar.

9 8

pp

pp

9 8 Hp

9 8

pp

Her warning goes unheeded, and she marches grumpily away, as MARX resets the chess-pieces. In the street outside, the FIGURE of a shifty-looking YOUNG MAN emerges from the shadows, a hat pulled down low over his face.  He peers up at the house. FREDDY

F.

Vc.

Db.

9 8

9 8 14 Gently moving unis. 9 8 9 8

pp unis. pp

q. = 72

This must bethe place.

This is where she lives.


15 144

3 2

C. A. f

3 2 f

Cl. 1.2 (A)

3 2

f

3 2

B. Cl. f

3 2

Mar. f

3 2 f

Hp

3 2 3 2

F. This is where

she

lives.

This is where I

do

whatmust be done.

At num ber for

ty

one.

3 2

Vc. f

3 2

Db. f

150 Bsn 1.2

15 3 2 3 2

Cbsn

Brisk q = 120

We focus again on the SPY, at his typewriter again. Â

p

p

(Typewriter)

3 2

Kbd

p

3 2

S.

SPY

3

Fif teenth

15 3 2

Db.

state ment.

A

gent

se

ven

ty eight.

No

Brisk q = 120 pizz.

p

152 Bsn 1.2

Cbsn

Kbd

S. da

Db.

ta

to

date.

4 4

3 4

4 4

3 4

4 4

3 4

4 4

3 4

In ten ded

ac

4 4

tion:

In

ďŹ l

trate.

3 4


16 155 Ob. 1

16 3 4 p

C. A.

3 4 cresc. poco a poco

p

Cl. 1 (A)

3 4 p

B. Cl.

3 4 p

Bsn 1

cresc. poco a poco

3 4 p

1.2

cresc. poco a poco

3 4 pp

Hn 3.4

3 4 pp sim.

3 4 Hp

T.

pp

3 4

3 4

cresc. poco a poco

(FREDDY outside, SPY at his typewriter, MARX and HELENE in the drawing room and TUSSI in her room.)

There’s a

H.

3 4 We could play che quers,

F.

this is the

place,

Db.

this

is

3 4

16 3 4 3 4

the

house,

cresc. poco a poco

The less they know,the bet ter.

pp

The less

I show, the bet ter.

cresc. poco a poco

sotto voce

Ah!

Vc.

If

3 4 The less I show,the bet ter.

M.

ther...

cresc. poco a poco

3 4 If

S.

if you’d ra

Ah!

Ah!

Ah!

Ah!

cresc. poco a poco

arco pp

cresc. poco a poco

The


17

17

165 Ob. 1

cresc. poco a poco C. A.

Cl. 1 (A) cresc. poco a poco

B. Cl.

Bsn 1.2

mp

cresc. poco a poco

Cbsn mp

cresc. poco a poco

1.2 mp

Hn 3.4

mp

Hp

T. man!

There’s a

man!

H. We could play

che quers,

if you’d

ra

ther...

if you’d

ra

ther...

We could play

F. This

is

where

I

find

out

Lest

they

what

was

done

that

I

S. less

they know,

the

bet ter.

know

know

the

ve

M. Ah!

Ah!

Ah!

17 arco Vln 1 mp arco

cresc. poco a poco

Vln 2 mp

cresc. poco a poco

srco, div. Vla mp

cresc. poco a poco

Vc. cresc. poco a poco Db. cresc. poco a poco

Ah!

ry


18 172

2 2

Ob. 1 ff

2 2

C. A. ff

2 2

Cl. 1 (A) ff

2 2

B. Cl. ff

2 2 ff

Bsn 1.2

2 2 mf

f

mf

f

2 2

Cbsn

2 2

1.2 f

mf

Hn

2 2

3.4 mf

f

mf

f

2 2

Tbn. 1

2 2 mf

Hp

f

2 2 ff

2 2

T. There’s a

man!

There’s a

man!

2 2

H. che quers...

We could play che quers,

if you’d ra

ther,

ra

ther,

ra

ther,

ra

ther,

ra ff

ther...

2 2

F. In

eigh

teen

fif

ty

one...

ff S. things

that

they

know...

And

there

fore

all

they

may

2 2

know...

ff

2 2

M. Ah!

Ah!

Ah!

Ah!

Ah!

Ah!

2 2

Vln 1 mf

f

2 2

div. Vln 2 mf

f

mf

f

Vla

2 2 2 2

Vc. mf

f

mf

f

Db.

2 2


18 180 Picc.

Agitated h = 88

19

2 2 sfz

p

sfz

p

sfz

p

sfz

p

sfz

p

2 2 Fl. 1.2

2 2

Ob. 1.2

C. A.

Tpt 1.2

2 2 2 2

2 2 sfz

Xyl.

2 2 sfz

p

Vibraphone

Vib.

2 2

sfz

p

2 2 p Hp

2 2 Another knocking at the door. It is TUSSI again, in even higher agitation.

T.

2 2 Fa ther!

But

Fa

(springing away from HELENE again) M.

sotto voce, to Helene

2 2 What now?

18

I’m think ing!

I

Agitated h = 88

pizz., div. Vln 1

2 2 sfz

Vln 2

2 2

p

pizz., unis.

p

sfz

Vla

2 2

pizz., unis.

sfz

p

ther...

div.

swear,

it’s shrink ing.


20 186

3 4

Picc.

3 4 Fl. 1.2

3 4 3 4

Ob. 1.2

3 4

C. A.

3 4

Tpt 1.2 p

3 4

Xyl.

3 4

Vib.

3 4 Hp

3 4

MARX shuts the door on TUSSI again, leaving her once again completing her sentence outside.

3 4

T. Fa

ther...

But

Fa

ther,

He’s a...

He’s a...

(incensed again)

3 4

M. (No, don’t try.)

What?

A

Zu

lu Chief?

3 4

Vln 1

3 4

Vln 2

unis. Vla

A thief?

Spy!

3 4


21

Scene Two Again she trudges off angrily, this time out into the street, where she can continue to observe FREDDY. HELENE goes off to do housework, MARX attempts to work on his book

19 193 Picc.

Resolute h. = 80 to Fl.

3 4 mf

mfp

3 4 Fl. 1.2

mfp

mfp

mfp

mf

mfp

mfp

mfp

3 4

mf

p

p

3 4 Ob. 1.2

mfp

3 4 mf

p

mf

mf

p

p

3 4 Cl. 1.2 (Bb)

3 4 3 4

Vib.

mfp

mfp

mfp

mfp con ped.

p

mf

mf

mfp

mfp

mfp

mfp

mfp

mfp

3 4 Hp

3 4

203

f

Fl. 1.2

mf

p

f

Ob. 1.2

mfp

mfp

f

mf

p

f

1.

p

mfp

mfp

mfp

Bsn 1.2

p

mf

Vib.

Hp

p

mfp

mfp

f

p

mfp

mfp

f

Cl. 1.2 (Bb)

The street outside. Alone, TUSSI paces angrily and anxiously up and down.

20

f

mfp

mfp

f

mfp

mfp

p

p


21

22

22

213 Fl. 1.2 f

f

mf

Ob. 1.2

f

C. A. mf

f Cl. 1.2 (Bb)

f

f

mf

Bsn 1.2

f

1.2

f

mf

Hn 3.4

3.

mf

f

Vib. p

f

Hp

f

TUSSI T. My fa

21 arco (div.)

22 unis.

Vln 1 f arco, div.

fp

unis.

Vln 2 f arco Vla f

Vc. f

fp

ther,

My


23 223

1.

Ob. 1.2 mf C. A. mf Bsn 1

1.2 Hn 3.4

Vib.

p

Hp

T. fa ther,

My fa ther is

the lea der,

My fa ther is

the lea der of

the Non

con

for

mist

pack,

Vln 1

Vln 2 pizz. Vla p

23

234 Fl. 1-3 mf Ob. 1.2

to Ob. C. A.

Vib.

Hp

T. The non con for mist pack,

The non con for mist pack:

The sons of re

vo

lu

23 Vln 1 mfp Vln 2 mfp Vla pizz. Vc. p


24

24

245

1.2 f

f

Hn 3.4

3.

f

f

Tpt 1-3 f

f

Tbn. 1-3 f

f

f

f

Timp.

p

Hp

T. tion

Are sworn to his

de

struc

tion.

24 Vln 1 f sub.

fp

f sub.

fp

f sub.

fp

f sub.

fp

Vln 2

Vla f

p

f

f

p

f

Vc.

pizz. Db. f

f


25 256

p

Fl. 1.2

mf

p

mf

p

p

mf

Cl. 1-3 (Bb) p

p

mf

p

mf

p sub.

T. My

arco div. Vla p arco div.

mf

p sub.

p

mf

p sub.

Vc.

264

Fl. 1.2

Cl. 1.2 (Bb)

p

p

(con ped.) Vib. p

Hp

p

T. fa

unis. Vla

ther

Is

their

men

tor,

yet

their

Ob

ject

of

at

tack.


26

25

26

272

f Fl. 1-3

f

Ob. 1.2 f Oboe Ob. 3 f Cl. 1.2 (Bb) f

Cl. 3 (Bb) f a2 Bsn 1.2 f Cbsn f

1.2 f

Hn 3.4

f Tpt 1-3 f Tbn. 1-3 f Tba f Timp. f B. D. f T. At

25

tack!

26

div.

unis. Vln 1 p

f div.

unis.

Vln 2 f

p

Vla f unis. Vc. f arco Db. f

p


27

27

282 Fl. 1-3 p

Ob. 1.2 p Ob. 3 p Cl. 1.2 (Bb) p ossia They

dream

of

in

sur

T. At

tack!

They dream of in

27 Vln 1

Vln 2

Vla

291 1.2 f 3.

Hn 3.4

f Tpt 1-3 f Tbn. 1-3 f Timp. f

Hp

p

p

rec

tion,

Yet

scheme

at his

sub

rec

tion,

Yet scheme at his sub

ver

T.

ver

Vln 1 f sub.

p sub.

pizz.

f sub.

p sub.

(p) pizz.

f

p

f pizz.

p

Vln 2

Vla

Vc. p Db. f

sur


28

28

302 Fl. 1.2

p Fl. 3 p Ob. 1 p Cl. 1.2 (Bb) p 1.2 Hn

f

3.4 f Tpt 1-3 f Tbn. 1-3 f Timp. f Vib. pp

pp

Hp

Unseen by her, THREE WORKMEN and a FOREMAN are meanwhile making their way up the street, pushing a large handcart.

sion.

T.

sion.

The trades men

come,

The trades men

go;

I

Vln 1 f sub.

p sub.

f sub.

p sub.

Vln 2

Vla f Vc. f Db. f

313 Fl. 1.2 mf

p

Ob. 1 mf Cl. 1-3 (Bb) mf Vib. mf

p

mf

Hp

T. see,

I

hear,

I

know

The

par

ty

faith

ful

From

the

foe.


29

29

324 Fl. 1.2

Vib.

T. the trades men

come,

The trades men

go;

I

see,

I

hear,

div.

I

know

unis.

Vln 1 p div. Vln 2 p arco

div.

Vla p

30

337

mp

Hp

T. The

par

ty

faith

ful

From

the

foe.

Ah!

pizz. Vln 1 mf unis.

p pizz.

Vln 2 mf unis.

p pizz.

Vla mf

p (pizz.)

Vc. p

(pizz.)

Db. p

349

Hp

T. Ah!

Vln 1

Vln 2

Vla

Vc.

Db.


31

30

361

p

Fl. 1.2

mfp

p

mf

p

Ob. 1 p

p

mfp

Cl. 1-3 (Bb) p

mf

p

p

mfp

Bsn 1 p

mf

p

T. My

31 arco Vla p

mfp

369

Fl. 1.2

Ob. 1

Cl. 1-3 (Bb)

Bsn 1 p

T. fa

Vla

ther

Is

the

lynch

pin

of

a

World

trans

form

ing

plan.


31

32 377 Fl. 1.2 f

mf

p

mf

p

mp

p

mp

p

Fl. 3 f Ob. 1.2 f Ob. 3 f Cl. 1.2 (Bb) f Cl. 3 (Bb) f a2 Bsn 1.2 f Cbsn f 1.2 Hn

f

3.4 f Tpt 1-3 f Tbn. 1-3 f Tba f Timp. f B. D.

f

Vib.

Hp

T. And

32

so,

arco, div.

Vln 1 f

mf

p

mf

p

mp

p

mp

p

arco div. Vln 2 div.

f

Vla f arco Vc. f arco Db. f


32 390

33

Fl. 1-3 f

Ob. 1-3 f Cl. 1-3 (Bb) f (a2) Bsn 1.2 f Cbsn f 1.2 Hn

sf

sf

sf

sf

f

sf

sf

sf

sf

f

3.4

Tpt 1-3 f

f Tbn. 1-3

f Tba f Timp. f

B. D.

f

Vib.

Hp

sf

sf

sf

sf

sf

sf

sf

sf

T. Let them

si lence him,

Let them

si lence him,

Let them

si lence him,

Who

can!

33 unis. Vln 1 sf unis.

sf

sf

sf

sf

sf

sf

sf

sf p

sf p

sf p

sf p

sf p

sf p

sf p

sf p

Vln 2

Vla

Vc. f

Db. f


403

34

33

35

Fl. 1-3

Ob. 1-3

Cl. 1-3 (Bb)

Bsn 1.2

Cbsn

1.2

mf

Hn 3.4 mf

Tpt 1-3

Tbn. 1-3

Tba

Vib. p

p

Hp

T. For

oh,

His daugh ter

(His young

est daugh ter)

Is

a

match,

Vln 1 mfp

Vln 2 mfp unis. Vla p

Vc.

Db.

Is

a


34

36

415 Fl. 1.2

f Fl. 3 f Ob. 1.2 f Ob. 3 f Cl. 1.2 (Bb) f Cl. 3 (Bb) f (a2) Bsn 1.2 f Cbsn f 1.2 f

Hn 3.4

f Tpt 1-3 f Tbn. 1-3 f Tba f Timp. f B. D. f

Vib. f

f

Hp

T. match

(And

a

catch!)

For

a

ny

man!

36

div.

Vln 1 f div. Vln 2 f Vla f Vc. f Db. f


35 426 Fl. 1.2

Fl. 3

Ob. 1.2

Ob. 3

Cl. 1.2 (Bb)

Cl. 3 (Bb)

Bsn 1.2

Cbsn

1.2 Hn 3.4

Tpt 1-3

Tbn. 1-3

Tba

Timp.

B. D.

Vib. p

p

Hp

T. Is

a

match,

unis. Vln 1 p sub. unis. Vln 2 p sub. Vla p sub. Vc.

Db.

Is

a

match (And

a

catch!)

for

a

ny

man!


36

37

434 Fl. 1-3

f Ob. 1-3 f Cl. 1-3 (Bb) f (a2) Bsn 1.2 f Cbsn f

1.2 f

Hn 3.4

f Tpt 1-3 f

f

Tbn. 1-3

f Tba

f Timp. f B. D. f

Vib. f

f

Hp

Unseen by TUSSI, FREDDY is once more coming into view, his eyes on the house. Â T. for

a

ny

man!

For

37

non div.

Vln 1 f non div. Vln 2 f non div. Vla f Vc. f Db. f

a

ny

man!


38 12 8

Fl. 1-3

Ob. 1.2

37

Agitated q. = 138

445

fp

fp

fp

fp

12 8 f

Cl. 1-3 (Bb)

12 8 f

Bsn 1.2

12 8 f

Cbsn

12 8 f

12 8 1.2 f

Hn 3.4

12 8 f

Tbn. 1-3

12 8 f

Tba

12 8 f

T.

He reaches into his bag. TUSSI gasps, and to his astonishment seizes his hand.

(suddenly seeing him)

4 4

You!

F.

You!

38 12 8

non div.

non div.

f

Vla

non div.

f

Vc.

div.

12 8 f

Db.

For

Ow!

Agitated q. = 138

12 8

12 8

sas sin!

Who, me?

f

Vln 2

As

FREDDY (startled)

4 4

Who?

Vln 1

Yes, you!

12 8 f


38

39

451

3. to Picc.

Fl. 1-3 fp

fp

Ob. 1-3 mf 3. to B. Cl. Cl. 1-3 (Bb) fp

fp

Bsn 1 mf

As

sas

sin,

De

sist!

De

sist!

(seizing his arm) T. bear!

As

sas

sin,

F. I’m

in

no cent,

I

swear!

39 Vln 1 mf Vln 2 mf Vla mf

unis. Vc.

mf Db. mf

455 Fl. 1.2 mf Ob. 1-3

Cl. 1.2 (Bb) mf Bsn 1

T. Ex

plain your self

or

fight!

F. Now you’re da

Vln 1

Vln 2

Vla

Vc.

Db.

mag ing

my

wrist!

I

can

ex

plain my self,

all right!

All


39 459

15 8

Fl. 1.2

15 8

Ob. 1-3 mf

15 8

Cl. 1.2 (Bb) (releasing him)

15 8

T. All

right!

15 8

F. right!

All

right!

15 8

Vln 1

15 8

Vln 2

15 8

Vla

15 8

Vc.

15 8

Db.

Scene Three

40 463 Picc.

B. Cl.

Slightly more relaxed q. = 120

15 8 p

15 8 p

Bsn 1.2

15 8

a2

p Cbsn

15 8 p

Tbn. 1

15 8 pp

Tba

15 8 pp

B. D.

15 8

pp

Temple Blocks

T. Bl.

Tamb.

T.

15 8 15 8

pp pp She suddenly notices the WORKMEN.

15 8

Oh my good ness!

W.

15 8

THREE WORKMEN

Haul a way,

Har ry!

Haul

a way,

Tom!

Drink,

and

be done

with your sor row!


40 467 Picc.

B. Cl.

(a2) Bsn 1.2

Cbsn

Tbn. 1 pp Tba pp B. D.

T. Bl.

Tamb.

T. What have we here?

W. Heave a way,

471

41

Jer

ry!

Heave a way, Dan!

Drink,

and

be done

with to mor row!

Agitated q. = 138

Ob. 1 p Cor Anglais C. A. p 1. Cl. 1.2 (Bb) p B. Cl. p

Bsn 1 p

Tussi turns to the utterly bewildered FREDDY in alarm. (pacing, thinking)

Sensing that he is in too deep, FREDDY bows to TUSSI and moves to go. She stops him.

T. Oh, my good ness!

41

Agitated q. = 138

pizz. Vc. pp pizz. Db. pp

Oh, dear!

No, wait!

Don’t dis ap


41 475 Fl. 1.2 p Ob. 1

C. A.

Cl. 1.2 (Bb)

B. Cl.

Bsn 1

As the WORKERS now begin to emerge from the house carrying items of furniture, she drags him with her into the house, before heading up the stairs. (disappearing) T. pear!

That is not

your con

cern.

Stand

by...

F. Wait?

For what?

pizz. Vla pp Vc.

Db.

42

480 Fl. 1.2

f

p

f

p

f

p

f

p

Ob. 1

C. A. p Cl. 1.2 (Bb)

Bsn 1 p

f 1.2 Hn

p

pp

p

pp

3.4

pp

Hp

f

pp

She hurries upstairs, leaving a puzzled FREDDY alone to peruse the mish-mash of knick-knacks and furniture in the drawing-room, as meanwhile the WORKMEN enter the house and begin to divest it of its contents.

T. turn!

42 Vla f

pp

f

pp

Vc. pp

Till I

re


42

43

484 Picc.

p Fl. 1.2 f Ob. 1 f C. A. f Cl. 1.2 (Bb) f B. Cl. 1.

p a2

f

p

Bsn 1.2

Cbsn p 1.2 Hn

p

pp

p

pp

3.4

Tbn. 1 pp Tba pp B. D.

p

Tamb.

Hp

p

f

TUSSI hurries up to MARX’s study. She knocks and enters.  This time, her FATHER really is at work, head buried deep among his papers.

5 4

T.

Fa ther!

But Fa ther...

MARX

5 4

M.

What now?

I’m writ ing!

[*Depending on staging, WORKMEN may sing loudly offstage, quite loudly upstage, or as if to themselves downstage.]

THREE WORKMEN mp W. Haul

43 Vln 1 p Vln 2 p arco Vla f Vc. f

p

a way,

Har

ry!

Haul

a way, Tom!

Drink,

and

be


43 488 Picc.

B. Cl.

Bsn 1.2

Cbsn

Tbn. 1

Tba

B. D.

Tamb.

T. But Fa

ther...

emphatic M. Not now.

I’m writ ing.

Please,

no more fight ing!

W. done

Vln 1

Vln 2

Vla

with your sor

row!

Heave

a way,

Jer

ry!

Heave a way, Dan!

Drink,

and

be


44

44

492 Picc.

f a2 Fl. 1.2 f Ob. 1 f a2 Cl. 1.2 (Bb) f to Cl. B. Cl.

Bsn 1.2

Cbsn

1.2 Hn

sfz p

f

sfz p

f

p

mp

p

mp

3.4

st. mute Tpt 1-3 f

sfz p Timp.

p

B. D.

Tamb. She seizes his manuscript, crosses to the window, and thrusts her arm out, dangling the papers over the street, where the WORKMEN are busy emptying the MARX’s home. Horrified, he rushes over to the window. In grasping for the papers, he sees the activity below, and is finally confronted by the gravity of the situation.

T. Fa ther, look!

Look

be

low,

Fa

ther,

wailing M. Not

my

book!

W. done

with

to mor

row!

44 Vln 1 f Vln 2 f

mp div.

Vla f

mp div. a 3 (pizz.)

arco div. a 2

f

mp

Vc.

arco div. a 3 Db. mp

unis

And des


45 496 Ob. 1.2 p Timp. f T. pair!

There!

Yes!

15 8

M. Where?

No!

Rob be ry,

No less!

Vln 1 mf

f

p

f

p

Vln 2

div. Vla f

p

Vc. f

Db. f

45

500 Ob. 1.2 f

15 8

T.

At the risk of seem ing up pi ty

45

pizz.

Vln 1 f

p pizz.

Vln 2 f

p pizz., unis.

Vla f

p

They are pil fer ing our pro per ty


46 504

f

1.2 f

Hn 3.4

f

f

sfz

p

sfz

p

sfz

p

sfz

p

Tpt 1-3 f

f

sfz

sfz

sfz

sfz

sfz

sfz

Tbn. 1-3

f

Tba

Timp. f

M. The mer

can tile

lick spit tles

Ex pro

Vln 1 sfz

p

sfz

p

sfz

p

sfz

p

sfz

p

sfz

p

Vln 2

Vla

pizz. Vc. f

sfz

sfz

pizz., unis. Db. sfz

sfz

pri ate

our chat tels!


47

46 12 8

507 Ob. 1.2

9 8

p

12 8

Bsn 1.2 p

1.2 f

f

sfz

p

sfz

p

sfz

p

sfz

p

3.4 f

9 8

p

f

Hn

a2

Tpt 1-3

12 8

9 8

12 8

9 8

12 8

9 8

f 1.

12 8 f

sfz

sfz

9 8

p

Tbn. 1-3

f

12 8

9 8

12 8

9 8

sfz

sfz

Tba sfz

sfz

p

9 8

12 8

Timp. f

12 8

B. D.

12 8 Hp

12 8

T. The mer

can tile

lick spit tles

Ex pro

pri ate

can tile

lick spit tles

Ex pro

pri ate

9 8

mp

9 8

12 8

9 8

12 8

9 8

our chat tels!

M. The mer

9 8

p

our chat tels!

mp

9 8

12 8

W.

Haul a

Vln 1 sfz

p

sfz

p

sfz

p

sfz

46 12 8

9 8

12 8

9 8

12 8

9 8

p

12 8

Vc. f

sfz

12 8 sfz

sfz

arco

9 8

p

sfz

Db.

ry!

p

Vla sfz

Har

p

Vln 2 sfz

way,

div. (pizz.)

p

9 8


48 511 Ob. 1.2

9 8

12 8

9 8

2

mp

C. A.

Cl. 1-3 (Bb)

9 8

12 8

9 8

2

9 8

12 8

9 8

2

12 8

9 8

12 8

12 8

9 8

12 8

12 8

9 8

12 8

12 8

9 8

12 8

9 8

12 8

2

2 2

2

2

2

2

2

mp

mp mp 2

(a2)

Bsn 1.2

9 8

12 8

9 8

p

Cbsn

9 8

12 8

9 8

12 8 p

2

9 8

mp

1.2

2

9 8

12 8

2

9 8

12 8

2

mp

2

12 8

2

Hn 3.4

2

9 8

mp

Tbn. 1-3

Tba

B. D.

Hp

T.

9 8

12 8 2

9 8

12 8

2

mp

2

1.

12 8 2

2

12 8

9 8

12 8

9 8

12 8

9 8

12 8

9 8

12 8

9 8

12 8

9 8

12 8

9 8

12 8

9 8

12 8

9 8

12 8

9 8

12 8

9 8

12 8

9 8

12 8

9 8

12 8

9 8

12 8

9 8

12 8

9 8

12 8

9 8

12 8

12 8

9 8

9 8

2

2

2

That’s our Welsh dres ser!

M.

9 8

2

2

2

12 8

9 8

That’s my Welsh dres ser!

W.

2

2

12 8

And my four pos ter!

12 8

98

2

Haul a

way,

98

12 8

12 8

9 8

12 8

12 8

9 8

12 8

12 8

9 8 9 8

12 8

9 8

12 8

12 8

98 Tom!

Drink, and be done

with your sor

row!

(pizz.) Vln 1

12 8

9 8

9 8

2

mp 2 (pizz.) Vln 2

12 8

9 8

9 8

2

mp (pizz.) Vla

2

2

Db.

2

2

2

12 8

9 8

9 8

12 8

9 8

12 8

9 8

12 8

9 8

12 8

9 8

2

mp

Vc.

2

2

2

div. a 3

2

2

2

12 8


49 517 Fl. 1.2

12 8

9 8

12 8

15 8

12 8

9 8

mf

Ob. 1.2

9 8

12 8

2

2

2

12 8

9 8

12 8

15 8

2

2

12 8

9 8

12 8

15 8

12 8

9 8

12 8

15 8

mp

C. A.

9 8

12 8

2

mp

Cl. 1-3 (Bb)

9 8

12 8

mf

Bsn 1.2

Cbsn

12 8

a2

12 8

9 8

12 8

9 8

12 8

15 8

9 8

12 8

9 8

12 8

15 8 p

1.2

12 8

9 8

12 8

9 8

2

mp

2

2

12 8

15 8

12 8

15 8

Hn 3.4

12 8

9 8

12 8

9 8

2

mp

Tba

B. D.

2

2

12 8

9 8

12 8

9 8

12 8

15 8

12 8

9 8

12 8

9 8

12 8

15 8

12 8

9 8

12 8

9 8

12 8

15 8

12 8

9 8

12 8

9 8

12 8

15 8

12 8

9 8

12 8

9 8

12 8

Hp

T.

2

2

2

And our poor so fa!

M.

9 8

12 8

Our best bone chi na!

9 8

12 8

2

2

My nest

W.

9 8

12 8 Heave a

Vln 1

way,

Jer

Heave a

9 8

12 8

2

2

2

2

way,

12 8 12 8

Dan!

9 8

12 8

2

2

2

12 8

9 8

12 8

12 8

9 8

12 8

Vla

Vc.

Db.

9 8

12 8 12 8

div. a 2

2

(mp) 2

mf

15 8 15 8

mf

mp

12 8

15 8 Drink, and be done with to mor row!

mp

Vln 2

15 8

of ta bles...

9 8

12 8

ry!

15 8

2

2

12 8

9 8

2

2

2

12 8

15 8 mf

9 8

12 8

9 8

12 8

15 8

9 8

12 8

9 8

12 8

15 8


50 524 Picc.

Fl. 1.2

47 15 8 15 8

p a2

mf

p

mf

p

mf

p

mf

p

mf

p

mf

15 8 Ob. 1.2

C. A.

Cl. 1-3 (Bb)

Bsn 1.2

Cbsn

1.2

f

15 8 15 8

Tbn. 1-3

Tba

Timp.

T.

mf

f

mf

f

mf

f

mf

f

mf

f

a3

f

15 8

f

ff

p

f

p

f

p

f

p

f

p

f

p

f

p

f

p

f

p

f

p

f

p

f

p

f

p

f

f

p

f

f

p

f

f

p

f

f

p

f

f

p

f

15 8 15 8 15 8 15 8 f gliss .

p

15 8

p

f

47 15 8

No!

No!

arco

mf

p

mf

p

mf

arco

15 8

mf

f

mf

f

f

arco

15 8

f

ff

f

ff

15 8 f

Db.

No!

15 8

f Vc.

p

No!

mf

Vla

f

15 8

p

Vln 2

ff

15 8

No!

Vln 1

f

f

No!

M.

ff

15 8

15 8 Hp

f

15 8

Hn 3.4

mf

p

f

f

p

f

f

p

f

f

f

p

f

f

p

f

15 arco, unis. 8 f

p

ff


51 527

to Fl.

Picc. p

mf

p

mf

p

mf

p

mf

p

mf

p

mf

Fl. 1.2

Ob. 1.2

mf

f

mf

f

mf

f

mf

f

mf

f

mf

f

mf

f

mf

f

C. A.

Cl. 1-3 (Bb) f

ff

f

a2

f

ff

Bsn 1.2 f

p

sfz

sfz

f

p

sfz

sfz

f

p

sfz

sfz

f

p

sfz

sfz

Cbsn

1.2 Hn 3.4

open Tpt 1.2 sfz

sfz

Tbn. 1-3 f

p

f

sfz

sfz

f

p

f

sfz

sfz

sfz

sfz

Tba

Timp.

Hp

f

p

sfz

sfz

p

p

They hurtle downstairs and past the drawing-room, where FREDDY is still patiently waiting. MARX rushes outside.  Seeing FREDDY, TUSSI pauses for the briefest of moments. T. No!

No!

M. No!

No!

Vln 1 p

mf

p

mf

p

mf

Vln 2 mf

mf

f

f

mf

f

Vla f

f

ff

ff

Vc. f

p

f

sfz

sfz

f

p

f

sfz

sfz

Db.

f


52 530

48

(a3)

Cl. 1-3 (Bb) (a2) ff Bsn 1.2 sfz Cbsn sfz 1.2 sfz

Hn 3.4

sfz Tpt 1.2 sfz Tbn. 1-3 sfz Tba sfz Timp. sfz sfz Hp

(as if in answer to his unasked question) T. This is n’t

your

af fair.

Oh,

no!

Mis

ter Spy!

F. I real

48

ly ought to go.

Vla p

ff

pizz. Vc. p

sfz

pizz.

Db. p

sfz

49 18 8

534 Cl. 1.2 (Bb)

mp

pp

pp

18 8

Mar.

And off she runs, leaving the bemused FREDDY alone again. T. You

F.

mp Marimba

p

18 8

Hp

stay

right

Vc.

Db.

15 8

18 8

15 8

18 8

15 8

18 8

15 8

18 8

p

18 8

there!

18 8

(to himself)

Fool

Vla

18 8

15 8

18 8

B. Cl.

18 8

15 8

to

go snoop ing like

a

cri mi nal.

49 18 8

15 8

18 8

18 8

15 8

18 8

18 8

15 8

18 8


53 538 Fl. 1-3

15 8

18 8

pp

15 8

18 8

Cl. 1.2 (Bb)

pp

pp Mar.

pp

mp

pp

15 8

18 8

B. Cl.

mp

18 8

15 8

18 8

15 8

18 8

15 8

18 8

15 8

Hp

F.

Mad

Vc.

Db.

to

be prowl

ing like

a

sleuth.

18 8

15 8

18 8

15 8

Could she

at last

un earth

541 Fl. 1-3

Cl. 1.2 (Bb)

B. Cl.

Mar. mp

Hp

F. The se

Vc.

cret of

my birth?

Un

ra vel

and

re veal

to me

the truth?


54

50 544

a3

Fl. 1-3 mp

Ob. 1 mp

Cl. 1.2 (Bb)

mp

mp B. Cl. mp a2 Bsn 1.2 mp

1.2

p

Hn 3.4 p

Tba mp

B. D.

mp

T. Bl. p Tambourine Tamb.

Hp

p

mp

F. Who

is

she,

lur

ing

me

like

des

ti

done

with your sor

ny?

mp W. Haul

50 Vln 1 mp

Vln 2 mp

Vla mp arco Vc. mp (pizz.) Db. mp

a

way,

Har

ry!

Haul

a

way,

Tom!

Drink!

and

be

row!


55 548

3. to Picc.

Fl. 1-3 mf

Ob. 1 mf

Cl. 1.2 (Bb)

mf

B. Cl. mf

Bsn 1.2 mf

1.2 mf

Hn 3.4

mf Tba mf

B. D. mf

T. Bl.

Tamb. mf

mf

Hp

F. Why

am

I

drawn

in

to

her

my

ste

ry?

W. Heave a

way,

Jer

ry!

Heave a

way,

Dan!

Drink!

and

be

done

with

to

mor

row!

Vln 1 mf

Vln 2 mf

Vla mf

Vc. mf

Db. mf


51

56

552 Ob. 1.2 p C. A. p Cl. 1.2 (Bb) p B. Cl. p Bsn 1.2 p harmon mutes Tpt 1-3 p HELENE enters, and the TWO see ONE ANOTHER. A strange moment of semi-recognition. HELENE H. You!

You!

Yes, you!

What are you do ing here?

(startled) F. Who?

51

Who me?

pizz. Vc. p

556 Fl. 1.2 p

mf

p

mf

p

mf

p

mf

p

mf

p

mf

p

Ob. 1.2

C. A.

Cl. 1.2 (Bb)

B. Cl.

Bsn 1.2

1.2 p

Hn

pp

3.

3.4

p

pp

p

pp

Tpt 1-3

H. You must go.

F. Truth to tell,

I don’t know...

pizz. Vln 1 mf

p

p pizz.

mf

p

p

mf

p

mf

p

p pizz. Vln 2

Vla

Vc.


57 560 Fl. 1.2 mf

p

mf

mf

p

mf

mf

p

mf

mf

p

mf

mf

p

mf

mf

p

mf

Ob. 1.2

C. A.

Cl. 1.2 (Bb)

B. Cl.

Bsn 1.2

1.2 Hn

p

pp

p

pp

p

pp

p

pp

p

pp

p

pp

3.4

Tpt 1-3 p

TUSSI (suddenly entering) T. But he

just got

H. In deed,

no!

You

must go!

(half to himself) F. (Truth to tell, I

ra ther wish that

I

was not

here.)

Vln 1 mf

p

mf

mf

p

mf

Vln 2

Vla mf

p

mf

Vc. mf

p

mf

here!


52

58

564 B. Cl. p a2 Bsn 1.2 p Cbsn p T. Bl. p T. I did n’t bring

him.

He wan dered in...

(cautiously) H. You mean

you brought him?

How did you meet?

F. She dragged me in

mp W. Haul

a way,

Har ry!

Haul

a way,

Tom!

Drink,

and be done

with your sor row!

52 div. (pizz.) Vc. p (pizz.) Db. p

568 B. Cl.

Bsn 1.2

Cbsn

T. Bl.

(glowing) T. ...from off

the street.

A

spy!

He le

ne!

A

liv ing, breath ing

H. But

why?

Who is

he?

F. from off

the street.

W. Heave

Vc.

Db.

a

way,

Jer

ry!

Heave a way,

Dan!

Drink,

and be done

with

to mor row!


572 Picc.

59

53 12 8

9 8

12 8

9 8

12 8

12 8

9 8

12 8

9 8

12 8

9 8

12 8

9 8

12 8

9 8

12 8

9 8

12 8

9 8

12 8

9 8

12 8

9 8

12 8

9 8

12 8

9 8

12 8

9 8

12 8

9 8

12 8

9 8

12 8

9 8

12 8

9 8

12 8

9 8

12 8

9 8

12 8

9 8

12 8

9 8

12 8

mf

a2 Fl. 1.2 a2 Ob. 1.2 p

12 8 12 8

Cl. 1.2 (Bb) p

mf

mf

12 8

B. Cl. (a2) Bsn 1.2

12 8 12 8

Cbsn

mf

p p

p p

12 1. 8

1.2 Hn

12 8

3.4 (harmon) Tpt 1.2 p Tbn. 1-3

12 8

mp 3. mp

12 8 p

mf

12 8

9 8

9 8

12 8

9 8

12 8

9 8

12 8

9 8

12 8

9 8

12 8

9 8

12 8

9 8

12 8

9 8

12 8

9 8

12 8

9 8

12 8

9 8

12 8

9 8

12 8

12 8

9 8

12 8

9 8

12 8

12 8

9 8

12 8

9 8

12 8

12 8

Timp.

p p

12 8p

B. D.

12 8

T. Bl.

12 8

Tamb.

p p

12 8 Hp

12 8

T. spy!

H.

p

You must

go!

Who

12 8

a

way,

Har

12 8

You must

9 8

12 8

9 8

12 8

she,

12 8

9 8

Haul

ing, breath ing spy!

You must go!

is

12 8

W.

A liv

You must go!

9 8

12 8

F.

mf

9 8

12 8

Tba

p

ry!

Haul

a

way,

Tom!

53 arco

Vln 1

12 8

9 8

12 8

9 8

12 8

12 8

9 8

12 8

9 8

12 8

12 8

9 8

12 8

9 8

12 8

9 8

12 8

9 8

12 8

mf arco

Vln 2 div. (pizz.) Vla

mf arco, unis.

p Vc.

Db.

12 8 12 8

mf arco (div.)

p arco p

9 8

mf

12 8

p

9 8

mf

12 8


60 577 Picc.

9 8

12 8

9 8

12 8

12 8

9 8

12 8

9 8

12 8

12 8

(a2)

9 8

12 8

9 8

12 8

12 8

9 8

12 8

9 8

12 8

12 8

9 8

12 8

9 8

12 8

9 8

12 8

9 8

12 8

9 8

12 8

9 8

12 8

12 8

(a2) Fl. 1.2

Ob. 1.2

Cl. 1.2 (Bb)

B. Cl.

Bsn 1.2

Cbsn

1.2 Hn 3.4

Tpt 1-3

Tbn. 1-3

Tba

Timp.

B. D. T. Bl.

Tamb.

Hp

T.

(a2)

12 8 12 8 12 8

(1.)

9 8

12 8

9 8

12 8

12 8

(3.)

9 8

12 8

9 8

12 8

9 8

12 8

9 8

12 8

12 8

open

mf

p

12 8

mf

12 8

12 8

9 8

12 8

9 8 9 8

12 8 12 8

9 8 9 8

12 8 12 8

12 8

9 8

12 8

9 8

12 8

12 8

9 8

12 8

9 8

12 8

12 8

9 8

12 8

9 8

12 8

12 8

9 8

12 8

9 8

12 8

9 8

12 8

12 8

12 8

9 8

12 8 12 8

ing, breath

ing

spy!

12 8

9 8

12 8

You must go!

ing

me

Drink!

Vln 1

Vln 2

Vla

Vc.

Db.

like

ti

be

12 8 ny?

12 8 and

go!

9 8 des

9 8

12 8

You must

12 8

9 8

12 8 lur

W.

mf

p

go!

F.

12 8

9 8

9 8

12 8

A liv

H.

9 8

12 8

9 8

p

mf

p

done

with

your

sor

9 8

12 8

row!

12 8

9 8

12 8

9 8

12 8

12 8

9 8

12 8

9 8

12 8

12 8

9 8

12 8

9 8

12 8

12 8

9 8

12 8

9 8

12 8

12 8

p

9 8

mf

12 8

p

9 8

mf

12 8


581 Picc.

Fl. 1.2

Ob. 1.2

Cl. 1.2 (Bb)

B. Cl.

Bsn 1.2

Cbsn

1.2 Hn 3.4

Tpt 1-3

Tbn. 1-3

61

54 12 8

9 8

12 8

9 8

12 8

12 8

9 8

12 8

9 8

12 8

12 8

9 8

12 8

9 8

12 8

12 8

9 8

12 8

9 8

12 8

12 8

9 8

12 8

9 8

12 8

12 8

9 8

12 8

9 8

12 8

12 8

9 8

12 8

9 8

12 8

12 8

9 8

12 8

9 8

12 8

12 8

9 8

12 8

9 8

12 8

12 8

9 8

12 8

9 8

12 8

mf

p

12 8

12 8

9 8

p Tba

Timp.

B. D. T. Bl.

Tamb.

Hp

T.

mf

mf

9 8

12 8

12 8

9 8

12 8

9 8

12 8

12 8 12 8

9 8 9 8

12 8 12 8

9 8 9 8

12 8 12 8

12 8

9 8

12 8

9 8

12 8

12 8

9 8

12 8

9 8

12 8

12 8

9 8

12 8

9 8

12 8

12 8

9 8

12 8

9 8

12 8

9 8

12 8

ing, breath

You must

You must go!

way,

Jer

You must go!

9 8

12 8

9 8

12 8

I

12 8

9 8 a

You must go!

12 8 am

12 8 Heave

spy!

go!

9 8

12 8

ing

12 8

9 8

12 8

Why

W.

p

12 8

9 8

You must go!

F.

9 8

12 8

A liv

H.

12 8

mf

p

ry!

Heave

a

way,

Dan!

54 Vln 1

Vln 2

Vla

Vc.

Db.

12 8

9 8

12 8

9 8

12 8

12 8

9 8

12 8

9 8

12 8

12 8

9 8

12 8

9 8

12 8

12 8

9 8

12 8

9 8

12 8

12 8

p

9 8

mf

12 8

p

9 8

mf

12 8


62 585 Picc.

9 8

12 8

9 8

12 8

12 8

9 8

12 8

9 8

12 8

(a2)

12 8

9 8

12 8

9 8

12 8

12 8

9 8

12 8

9 8

12 8

12 8

9 8

12 8

9 8

12 8

9 8

12 8

9 8

12 8

9 8

12 8

9 8

12 8

(1.)

9 8

12 8

9 8

12 8

12 (3.) 8

9 8

12 8

9 8

12 8

12 8

9 8

12 8

9 8

12 8

12 8

(a2) Fl. 1.2

Ob. 1.2

Cl. 1.2 (Bb)

B. Cl.

Bsn 1.2

Cbsn

1.2 Hn 3.4

Tpt 1-3

Tbn. 1-3

(a2)

12 8 12 8 12 8

p

12 8

9 8

p

12 8

mf

Timp.

B. D. T. Bl.

Tamb.

Hp

T.

Vln 2

Vla

Vc.

Db.

mf

p

9 8

12 8

12 8

9 8

12 8

9 8

12 8

12 8 12 8

9 8 9 8

12 8 12 8

9 8 9 8

12 8 12 8

12 8

9 8

12 8

9 8

12 8

12 8

9 8

12 8

9 8

12 8

12 8

9 8

12 8

9 8

12 8

12 8

9 8

12 8

9 8

12 8

9 8

12 8

ing, breath

ing

spy!

12 8

9 8

12 8

You must go!

in

to

her

You must go!

ste

ry?

12 8 and

be

12 8

9 8 my

9 8

12 8

You must go!

12 8

9 8

12 8

Drink!

Vln 1

12 8

12 8

drawn

W.

9 8

9 8

You must go!

F.

mf

12 8

12 8

A liv

H.

mf

9 8

p

12 8

mf

p

Tba

12 8

mf

9 8

p

done

with

to

mor

9 8

12 8

row!

12 8

9 8

12 8

9 8

12 8

12 8

9 8

12 8

9 8

12 8

12 8

9 8

12 8

9 8

12 8

12 8

9 8

12 8

9 8

12 8

12 8

p

9 8

mf

12 8

p

9 8

mf

12 8


589 Picc.

9 8

12 8

63

55 15 8 f

mp

Fl. 1.2

Ob. 1.2

12 8

9 8

15 8

12 8

9 8

15 8

(a2) mp

f C. A.

Cl. 1.2 (Bb)

12 8 12 8

f

9 8

15 8

9 8

15 8

f

mp

f

mp

f

mf mp B. Cl.

Bsn 1.2 Cbsn

1.2 Hn 3.4

12 8

9 8

15 8

12 8 12 8

9 8 mf 9 8

15 8 15 8

12 8

9 8

15 8

9 8

15 8

12 8

mf (3.)

mp

Tpt 1-3

Tbn. 1-3

Tba

B. D. T. Bl.

Tamb.

12 8

f

9 8

15 8

9 8

15 8 15 8

12 8

9 8

12 8

9 8 9 8 9 8

12 8 12 8

9 8

12 8

mf

15 8 15 8 15 8

f

sf

sf

mf

12 8

f

sf

sf

sf f

p

Glockenspiel

15 8

mp

Hp

T.

H.

F.

M.

12 8

9 8

15 8

12 8

9 8

15 8

12 8

9 8

15 8

12 8

9 8

15 8

12 8

9 8

15 8

12 8

9 8

5 4

Vln 1

Vln 2

Vla

Vc.

12 8 12 8 12 8 12 8

f div. mf

9 8

15 8

9 8

55 15 8

9 8

15 8

9 8

15 8

9 8

12 8 (mf)

mf

mp

f

Attention back outside, where MARX has now emerged. Finding a conveniently placed chest-of-drawers, he mounts it, using it as a podium, the WORKMEN quite oblivious to him.

(interrupting)

Wor kers

W.

f

p

Vibraphone

of

the

world!

p

mp

mf

mp

mf

f

f

mp

mf

mp

mf

15 8


64

56

594 Picc.

f

mp

Fl. 1.2 mp

f

Ob. 1.2 mp

f

mp

f

C. A.

Cl. 1.2 (Bb) mp

f

B. Cl. mp

p

f

Bsn 1.2 p Cbsn p

sf

1.2 Hn

sf

3.4 sf Tbn. 1-3 sf Tba sf B. D. f

p

Glock. p

f

Vib. mp

mf

Hp mp

f

The WORKMEN ignore him. M. Wor kers

Drink, and be done with to mor

W.

of

the

world!

row!

Drink,

and be done with to...

56 Vln 1 mp

mf

mp

mf

f

Vln 2 p

f

Vla mp

mf

mp

mf

Vc. pizz. Db. p


65

57

599 Picc.

mp

f

mp

f

mp

f

mp

f

mp

f

Fl. 1.2

Ob. 1.2

C. A.

Cl. 1.2 (Bb)

B. Cl. p

mp

f

Bsn 1.2 p

Cbsn p

sf

1.2 sf

Hn 3.4

sf Tpt 1.2 sf Tbn. 1-3 sf

Tba sf

B. D. f

p

M. Wor kers of

Drink, and be done with to mor

the

world!

row!

W.

Drink,

and be done with to...

57 Vla mp

mf

mp

mf

Vc.

Db. p


66 604 Picc.

Fl. 1.2

Ob. 1.2

C. A.

Cl. 1.2 (Bb)

B. Cl.

Cbsn

1.2 Hn 3.4

Tpt 1.2

Tbn. 1-3

Tba

B. D.

5 4

T.

We now see both scenes, indoor and out, simultaneously.

No!

(pushing FREDDY out)

5 4

H.

We

must dis

pose

of

him!

We

must dis

pose

of

him!

give this rude

in

tru

sion!

fu

sion

5 4

F.

Do please for

M. I

Vln 1 p Vln 2 p Vla p unis. Vc. p arco Db. p

fear there must

be some con

fu

sion

I

fear there must

be

some con

fu

sion

I

fear there must

be

some con


67

58 607

to Fl.

Picc. mp

f

mp

f

mp

f

mp

f

mp

f

mp

f

Fl. 1.2

Ob. 1.2

C. A.

Cl. 1.2 (Bb)

B. Cl.

Cbsn sf

1.2

p

sf

Hn 3.4

sf

Tpt 1.2 sf

Tbn. 1-3 sf

Tba sf

B. D. f

p

ONE of the WORKMEN shows MARX a piece of paper, which he reads. Â They carry on removing the furniture. (grandstanding) M. Wor

kers

of

the

world!

You toil

58 Vln 1 p div. Vln 2 p unis. Vla mp

mf

p

mf

p

div. Vc. mp

be neath

a grave de

lu sion!


68

59

611 Ob. 1

p

C. A. p

Cl. 1.2 (Bb) p

B. Cl. p

Bsn 1.2 p

Hn 1.2

harmon mutes Tpt 1.2 p

The WORKMEN now begin emptying the drawing-room. Only now does HELENE notice their activities. (pulling) T. So?

(to TUSSI, releasing FREDDY)

(pushing) H. What if

your

fa

ther sees?

What

if

your

fa

ther sees?

Dear

(determined to speak to HELENE) F. You see, you’ve drawn the wrong con clu sion!

M. You toil

be neath a grave de

lu

sion!

You toil

be

neath a grave de

lu sion!

59 Vln 1 mf

Vln 2 mf

Vla mf

pizz., unis. Vc. mf

p pizz.

Db. p

God,

our


69 615 Fl. 1-3 p

mf

1. Ob. 1.2

mf C. A. mf Cl. 1.2 (Bb) mf B. Cl. mf Bsn 1.2 mf (3. harmon mute)

1.2 Tpt 1-3

mp

pp

TUSSI releases FREDDY, and turns her gaze heavenwards. T. Dear God,

tell

Dad di

kins to

mend his spend

H. fur ni ture!

And on this day of days!

Vc.

Db.

60

619 Fl. 1-3 mf

p

Ob. 1.2 p

mf

p

p

mf

p

p

mf

p

mf

p

C. A.

Cl. 1.2 (Bb)

B. Cl. p

a2 Bsn 1.2 p

mf

p

f

Cbsn f 1.2 f

Hn 3.4

f Tpt 1-3 pp

mf

pp

Tbn. 1-3 f Tba

15 8

T. ways!

H.

15 8 60

Vc. Db.

f

The par

(remembering, gasps)

Dear God,

The par

ty!

ty?

thrift


70 623

(a2)

5 4

Bsn 1.2 (f)

5 4

Cbsn (f)

5 4

1.2 (f)

Hn

5 4

3.4 (f)

5 4

Tbn. 1-3 (f)

5 4

Tba (f) (gasps too)

5 4

(horrified)

T. The par

ty for the par

ty!

To mor row night!

5 4

(horrified) H. The par

627 Fl. 1-3

Cl. 1 (Bb)

Bsn 1

1.2

61 5 4

Freely

The par

5 4

Tbn. 1-3

Tba

To mor row night!

pp

mp pp

pp

mp pp

pp

mp pp

3 4

4 4

3 4

4 4

3 4

3 4

4 4

3 4

p

5 4

3.

5 4

3. p

5 4

5 4

p

mp

open

3 4

4 4

3 4

5 4

5 4 Hp

Quite!

Broader

p Tpt 1.2

ty!

3 4

4 4

3 4

5 4

ty par

3 4

4 4

3 4 3 4

5 4

Hn 3.4

ty!

3 4

4 4

3 4

3 4

4 4

3 4

3 4

4 4

3 4

3 4

4 4

3 4

p

MARX meanwhile confronts the WORKMEN, positioning HIMSELF between them and the furniture. M.

4 4

3 4

5 4 Wor kers of the

world,

pray,

3 4 wel come to your

fold

A

sa viour, who sings

of

things which will

be!

Pa ra dise re stored to

all!

Till


638

62 15 8

Lively

71

A tempo q. = 138

p

Bsn 1.2

15 8

p

15 8

1.2 mf

Hn

15 8

3.4 mf

(producing a quart-bottle of gin)

15 8

M. then,

He dispenses gin, to the approval of the WORKMEN. The WORKMEN interrupt their work to enjoy MARX’s gifts.

be pepped by Mas ter Gil bey!

15 8 Drink,

W.

and be done

with your sor

row!

Drink,

and be

15 8 Drink,

and be done

with your sor

row!

Lively

62 15 8

pizz., div. Vln 1 mp pizz., unis.

A tempo q. = 138

15 8

Vln 2 mp pizz.

15 8

Vla mp

arco

p

(pizz.)

15 8

Vc. mp

(pizz.)

p

15 8

Db.

(pizz.) p

645

Cl. 1.2 (Bb)

12 8 p

12 8 p

12 8

B. Cl. p

12 8

Bsn 1

p Meanwhile, in the drawing-room...

Business of HELENE trying to conceal FREDDY in a cupboard, or push him out of the door.

12 8

T. But what e

you

mean?

(expelling FREDDY)

12 8

H. Go

now,

be fore you’re seen!

We have

12 8

W. done

Vla

ver can

with your sor

row!

12 8 p

Db.

12 8

a

par

ty to

pre pare

for, and your


72 649

15 8

Ob. 1.2 p

15 8

C. A. p

15 8

Cl. 1.2 (Bb)

15 8 15 8

B. Cl.

15 8

Bsn 1

15 8

T. But the spy...

(expelling FREDDY again)

15 8

H. fa

ther will not care for this com mo

tion!

A

(re-entering)

de part ing one.

15 8

F. ...Is

a

stu

dent.

15 8

Vla p

15 8

Db.

654 C. A.

63 15 8 p

15 8

Cl. 1 (Bb)

p

15 8

B. Cl.

15 8

Bsn 1

(p)

15 8

T.

2

Thank

God

I

rum bled him!

A

(incredulous)

15 8

H.

A

15 8

Vc.

spy,

you say?

(pizz.) p

657 Fl. 1 p C. A.

mp

Cl. 1.2 (Bb)

mp B. Cl. 2

T. spy.

Hum

(re-entering)

F. I am

Vc. pp

a hum

ble

stu

dent.

ble?

That’s a

lie!


73 661

3 2 p

Fl. 1.2

mf

p

mf

Ob. 1 p

mf

C. A. mf

p

p

Cl. 1.2 (Bb)

mf

p

3 2 3 2 3 2 3 2

mf

3 2

B. Cl. p

mf 1.

3 2

Bsn 1.2 p

mf

3 2

mf

p

Hp

3 2

3 2 (attempting to expel FREDDY)

3 2

H. Our “vi

si tor”must go.

Your fa ther must not know.

div.

Our “vi

si tor”must go.

Your fa ther must not...

unis.

3 2

Vc. p

mf

64 665 M.

Freely

3 2

Com rades of my

64 Vln 1

23

3 4

(producing a box of cigars)

2 2

heart! Pray,

ab ro gate your old be ha viour! In stead, be fed with man na!

(Next year in Je

ru

sa lem.)

Till then, ac cept a fine Ha

Freely

arco (div.)

43

22

3 4

2 2

3 4

2 2

3 4

2 2

3 4

2 2

mp

Vln 2

3 arco, div. 2 mp

Vla

3 2 mp

Vc.

3 arco 2 mp

Db.

3 arco 2 mp

div.

unis.


74 675

A tempo q. = 138

3 4

15 8

3 4

15 8

3 4

15 8

3 4

15 8

3 4

15 8

Cl. 1.2 (Bb)

B. Cl.

Bsn 1

1.2 Hn

p

3 4

3.4

p

3 4 Hp

p

2 2 p

to Cl.

2 2

p

2 2

p

2 2

15 8

2 2

15 8

2 2

15 8

3 4

2 2

p

2 2

He dispenses cigars, to the approval of the OTHERS.

2 2

15 8

3 4

M. va na!

Solo

15 8

3 4

Ho

All

san na!

2 2 Smoke,

and be done

with your sor row!

Smoke,

and be done

W.

3 4

2 2

15 8 Smoke,

Vln 1

Vln 2

Db.

and be done

with your sor row!

A tempo q. = 138

3 4

15 8

2 2

3 4

15 8

2 2

3 4

15 8

pizz.

2 2

p

Leaving the WORKMEN to relax, MARX has meanwhile made his way back inside, and now enters, seeing FREDDY.

681 T.

65 2 2

Slower h = 72

More urgently

He’s a spy.

M.

2 2 What’s a miss?

65 Vln 1

2 2 2 2

ple be ian look ing crea ture?

A spy?

Slower h = 72

Here?

But why?

More urgently

pizz., unis.

pp Vln 2

Who’s this

pp

mp

p

pp

mp

p

pp

mp

p

mp

p

pizz., unis.

pp pizz.

Vla

2 2

pp Vc.

Db.

pizz.

2 2 2 2

pp

pp

p

mp


66

691

75 Calmer

(still thinking)

(inspired)

He’s the new...

Pia no tea cher!

H. He’s no spy,

He’s the...

(sensing he must collude in the deception)

F. I’m the new...

M.

66

He’s the...?

Calmer

Vln 1 mf

pp

mf

pp

mf

pp

Vln 2

Vla

Vc. mf

pp

Db. pp

67 15 8

703 C. A.

15 8

Cl. 1.2 (Bb)

Firm q. = 152

12 8

mf

p

mf

p

mf

p

mf

p

mf

p

mf

p

mf

p

mf

p

mf

p

mf

p

mf

p

mf

p

12 8

15 8

Bsn 1.2

15 8

Cbsn

15 8

Tba

mf

12 8

mf

12 8

mf

15 8

T.

12 8

The FOREMAN reappears to find his MEN smoking and drinking.

12 8

Ha!

The kit chen ware!

12 8

15 8

H. Ha!

But all our

12 8

15 8

F. Ha!

FOREMAN

15 8

Fo.

(to the WORKERS)

What’s go ing on

12 8 here?

What’s go ing on

here?

12 8

15 8

M. Ha!

Vln 1 mp Vln 2

ta ble ware!

67 15 8

Firm q. = 152

12 8 12 8

15 8

mp non div. Vla mp non div. Vc.

15 8

mf

mp

12 8 p

15 8

(pizz.)

15 8

div. (pizz.)

mf

mp Db.

(pizz.)

mf

mf

p

mf

p

mf

p

mf

p

mf

p

12 8 p

mf

p

mf

p

mf

p

mf

p

mf

p

12 8 p

My


76 708

2 2

T. Or else our par ty for the par

ty will seem a sor

ry sight.

2 2

H. un der wear! These i tems are

es

sen tial when we host to mor row night!

2 2

Vla

2 2

Vc.

2 2

Db.

68 713 Fl. 1-3

q = q. prec. (h = 76)

2 2

a3 p

2 2

Cl. 1.2 (Bb)

2 2

Bsn 1.2

p p

2 2

Hn 1

pp

pp

2 2 Hp

2 2

p

(beams reassuringly)

2 2

F.

Not quite.

(beams reassuringly)

2 2

M.

All

is

calm!

All

is

bright!

These wor kers of the

world

have seen the light!

68 2 2

Vla

2 2

Vc.

2 2

Db.

q = q. prec. (h = 76) div.

(p)

(p)

(p)

722

69

3 2

Ob. 1.2

3 2

Tpt 1.2 f 1.2

Tbn. 1-3

2 2 ff

2 2

3 2

2 2 ff

2 2

f

f

3 2

2 2

3 2

2 2

3 2

Tba f

3 2

2 2

f

f f

3 2

2 2

3 2

2 2

3 2

2 2

f (showing MARX a paper and shaking his head)

3 2

Fo. Till you

Mis ter Marx,

f

f

2 2 pay,

f

3 2 Sad to

2 2 say,

Mis ter Marx,

(indicating a trunk)

This a


77

70

730 Fl. 1-3

p Ob. 1.2 ff

p

C. A. p Cl. 1-3 (Bb) p Bsn 1 p Tpt 1.2 f Tbn. 1-3 f Tba f Timp. f

(to FREDDY)

T. Come a gain...

(to FREDDY)

H. Come this way...

Fo. lone,

Mis terMarx,

Can stay.

(to FREDDY) M. When there’s a

71 Slightly faster

740

72

h = 96

Ob. 1.2 sfz

p

sfz

p

sfz

p

C. A.

Cl. 1-3 (Bb)

Bsn 1 p 3

p

3

Hn 1.2 p

sfz st. mutes Tpt 1-3 sfz

p

p

Hp

HELENE swiftly ushers FREDDY out

(looking up)

Fo. Out of

(tearful) M. pia no for you to play.

A WORKMAN (looking up)

No,

not my chan de lier!

I be seech!

W.

71 Slightly faster (pizz.) Vc. p (pizz.) Db. p

h = 96

What a bout this thing here?

72


78 751 Bsn 1.2 p Cbsn p

Snare Drum

S. D. p

Hp

The WORKMEN and FOREMAN chuckle and exit, cheerfully wheeling away the piano, the OTHERS looking on in helpless dejection. Fo. reach.

We’ll be back af ter dark,

to re trieve it.

(All) W. Let’s leave it.

arco Vln 1 p arco Vln 2 p arco, unis. Vla p Vc.

Db.

761

poco accel.

1.2

73 With spirit 4 4

q = 108 (x = e precedente)

3 4

f

Hn

44

Tpt 1-3

3 4 f (st. mutes)

43 3 4

f

4 4

44

43

4 4

3 4

4 4

3 4

4 4

3 4

f

3 4

f

3 4

4 4

M.

3 4

f

4 4

S. D.

4 4 f

f Timp.

3 4

f

4 4

3.4

4 4

f (calling after them, as they vanish)

Wor kers of the world!

poco accel. Vln 1

Vln 2

Vla

Vc.

Db.

73 With spirit 4 4 4 4 4 4 4 4 4 4

q = 108 (x = e precedente)

f

mf

f

mf

f arco

mf

f arco f

Un

3 4

4 4

3 4

4 4 4 4

3 4

3 4 mf

mf

3 4 3 4

mf

3 4

4 4

3 4

4 4

3 4

f

3 4

f


79 767

4 4

3 4

1.2

f

f

Hn 3.4

4 4

3 4

f

f

Tpt 1-3

4 4

3 4

f

f

Timp.

4 4

3 4

f

f

S. D.

Sus. Cym.

H.

3 4

4 4

f

3 4

4 4

3 4

4 4

f

Suspended Cymbal

f

For shame!

M.

4 4

3 4 wor thy of the name!

Vln 1

Lee ches on the lame!

For shame!

4 4

3 4

f

mf

Vln 2

4 4

3 4 mf

Vla

f

4 4

3 4

f

mf

Vc.

4 4

3 4 f

Db.

4 4

3 4 f

f

f

For shame!

For


80 774 1.2

74 3 4

2 4

3 4

3 4

2 4

3 4

2 4

3 4

2 4

3 4

Hn 3.4

3 4

Tpt 1-3

open

3 4

Tbn. 1

f

Timp.

S. D.

3 4

2 4

3 4

3 4

2 4

3 4

2 4

3 4

f

3 4

Sus. Cym.

f

HELENE and TUSSI also exit, in opposite directions. MARX is left alone, mournfully pacing around the now completely empty room.

T. For

M.

2 4

3 4

3 4

2 4

3 4

43

42

43

74 3 4

2 4

3 4

3 4

2 4

3 4

3 4

2 4

3 4

3 4

2 4

3 4

3 4

2 4

3 4

shame!

H. For

3 4

shame!

shame!

Vln 1

Vln 2

Vla

Vc.

Db.


783 Ob. 1.2

75 4 4

2 4

81

Slower q = 92

3 4

4 4

3 4

4 4

3 4

3 4

4 4

3 4

4 4

3 4

3 4

4 4

3 4

4 4

3 4

3 4

4 4

3 4

4 4

3 4

3 4

4 4

3 4

4 4

3 4

3 4

4 4

3 4

4 4

3 4

3 4

4 4

3 4

4 4

3 4

3 4

4 4

3 4

4 4

3 4

4 4

3 4

4 4

3 4

3 4

4 4

3 4

4 4

3 4

3 4

4 4

3 4

4 4

3 4

3 4

4 4

3 4

4 4

3 4

3 4

4 4

3 4

4 4

3 4

ff

C. A.

4 4

2 4

ff

Cl. 1-3 (Bb)

4 4

2 4

ff

Bsn 1.2

4 a2 4

2 4

ff

Cbsn

4 4

2 4

ff

1.2

4 4

2 4

ff

Hn 3.4

4 4

2 4

ff

4 4

2 4 ff

ff

Tpt 1-3

3 4

4 4

2 4 ff

2 4

ff

4 4 ff

Tbn. 1-3

2 4

4 4 ff

Tba

2 4

4 4 ff

Timp.

2 4

4 4 ff

B. D.

S. D.

Vc.

2 4

4 4

2 4

4 4

2 4

75 4 4

sf

3 4

ff

Slower q = 92

sf

ff

4 4

ff

sf

3 4

sf

ff

4 4

ff

3 4

3 4

4 4

3 4

4 4

3 4

3 4

4 4

3 4

4 4

3 4

3 4

4 4

3 4

4 4

3 4

ff

Db.

2 4

4 4 ff


82 790 Ob. 1.2

76 4 4

3 4

3 4 mf

C. A.

3 4 mf

Bsn 1.2

mf

(a2)

mf

3 4

4 4 mf

Cbsn

3 4

1.2

3 4

mf

3.4

3 4 3 4

mf

mf

3 4 p

43

3 4

mf

p

p

3 4

mf

Tba

3 4

mf

mf

Timp.

3 4

mf

B. D.

M.

43

3 4

4 4

3 4 Al

Vc.

3 4

76 4 4

3 4

f

44

43

44

mf

4 4

3 4

4 4

3 4

4 4

4 4 p

3 4

4 4

4 4

p

Al

3 4

p

p

3 4 mf

mf

ways

mf

4 4 p

4 4

3 4

ways,

f

Db.

p

3 4 p

mf

44

4 4

p

4 4

p

43

mf

3 4

mf

3 4

mf

4 4 p

4 4 p

4 4

44

p

4 4

3 4

mf

3 4 mf

p

4 4

4 4

p

mf

3 4

4 4

3 4 43

4 4

Tbn. 1-3

4 4

mf

3 4

4 4

3 4

p

44 p

4 4

mf

43

44

3 4

p

4 4

Tpt 1-3

4 4

p

4 4

p

4 4

4 4

p

4 4

3 4 mf

3 4 3 4

p

4 4

4 4

mf

3 4

Hn

3 4

p

4 4 p

4 4

4 4

mf

3 4 mf

3 4

p

4 4 p

4 4

4 4

p

4 4

p

3 4 p

4 4

p

4 4

3 4 3 4

mf

3 4 mf

Cl. 1-3 (Bb)

p

4 4

3 4

4 4

4 4 p


83 795 Ob. 1.2

3 4

4 4

3 4

4 4 mf

C. A.

mf

mf

3 4

mf

Bsn 1.2

mf

mf

Cbsn

3 4 mf

mf

mf

4 4

3 4

4 4

4 4

3 4 mf

3 4

mf

3 4

p

4 4 p

4 4

3 4

4 4

4 4

mf

3 4 mf

3 4

p

4 4 p

4 4

3 4

4 4

1.2

mf

4 4

p

4 4

p

4 4

3 4

4 4

mf

3 4 p

4 4

p

4 4

3 4

4 4

mf

3 4

mf

Cl. 1-3 (Bb)

p

4 4

3 4

4 4

4 4

p

4 4

p

mf

3 4

4 4

3 4

4 4

3 4

4 4

p

Hn 3.4

3.

4 4

4 4

3 4

mf

mf

p

mf

4 4

3 4

4 4

4 4

3 4

4 4

3 4

p

mf

p

p

p

mf

p

p

Tbn. 1-3

4 4

3 4

4 4 mf

Tba

p

mf

Timp.

M.

p

3 4

4 4

3 4

p

mf

Db.

mf

3 4

4 4

3 4 Al

p

p

4 4

3 4

p

mf

4 4

3 4

4 4

3 4

4 4

3 4

4 4

ways,

Al

mf

4 4 p

p

p

4 4

p

3 4 mf

mf

ways

mf

4 4

3 4 mf

p

4 4

3 4

4 4

4 4

mf

4 4

4 4

3 4

4 4

mf

p

3 4

But

3 4

4 4

mf

p

3 4

4 4

mf

4 4

p

mf

3 4

4 4

3 4

Some set back of some kind.

Vc.

p

mf

p

4 4 mf

B. D.

4 4

3 4

4 4

p

mf

4 4

3 4

4 4

3 4

4 4 p


84 801 Ob. 1.2

4 4 4 4

C. A.

p

mf

p

mf

4 4

Bsn 1.2

4 4

Cbsn

4 4

1.2 Hn

mf (a2)

4 4

Tba

4 4

Timp.

4 4

Hp

p

mf

mf

p

mf

p

mf

p

mf

4 4

3 4

3 2

3 4

4 4

3 4

3 2

3 4

4 4

3 4

3 2

3 4

3 2

4 4

3 4

3 2

3 4

3 2

4 4

3 4

3 2

3 4

3 2

4 4

3 4

3 2

3 4

3 2

4 4

3 4

3 2

3 4

3 2

4 4

3 4

3 2

3 4

3 2

4 4

3 4

3 2

3 4

4 4

3 4

3 2

3 4

4 4

3 4

3 2

3 4

3 2

kicks us

To want a Chi nese

p

3 2 3 2

4 4

3 4

p pizz., div.

din ner gong?

4 4

3 4

3 2

3 4

4 4

3 4

3 2

3 4

4 4

3 4

3 2

3 4

78 4 4

3 2

3 4

2 4

3 4

2 4

3 4

4 4

3 2

2 4

3 4

2 4

3 4

3 4

2 4

3 4

p Hp

M.

2 4

3 4

2 4

3 4

2 4

3 4

2 4

3 4

2 4

3 2

4 4

3 4

2 4

3 4

2 4

3 4

2 4

3 4

3 4

2 4

3 2

4 4

3 4

2 4

3 4

2 4

3 4

2 4

3 4

2 4

3 4

2 4

3 4

2 4

3 4

2 4

3 4

2 4

3 4

2 4

3 4

3 4

A round the

2 4

pia no?

3 2

To sip one’s cla ret from a

78 4 4

glass

3 4

Blown in Mu

2 4

ra

3 4

3 4

2 4

3 2

3 4

4 4

3 4

2 4

3 2

4 4

no?

mf

2 4

3 4

p Db.

3 4

mf

p

Vc.

2 4

3 4

song

Vla

3 4

mf

4 4

3 2

2 4 mf

p

p

Hn 1

To end an eve ning with a

p

2 4

3 4 1.

Bsn 1.2

it so ve ry wrong

77 3 2

mf

C. A.

p

Is

mf

807

1.

In our com mu nist Be hind.

4 4

Db.

p

3 2

4 4

Vc.

3 2

p

Fate

Vla

3 4

p

4 4

M.

3 2

3 2

mf

4 4

Tbn. 3

3 4

p

mf

4 4

3.4

4 4

3 2

4 4

Cl. 1-3 (Bb)

77 3 2

mf

3 4

2 4

3 4


817 C. A.

Bsn 1.2

3 4

2 4

3 4

2 4

3 4

2 4

79 4 4

3 4

2 4

3 4

2 4

3 4

2 4

4 4

p

85 More forceful q = 112

3 4

4 4

3 4

4 4

3 4

3 4

4 4

3 4

4 1. 4

3 4

p

f Cbsn

2 4

3 4

3 4

2 4

2 4

3 4

4 4

3 4

3 4

4 4

p

f

1.2

3 4

(1.)

2 4

3 4

2 4

4 4

p

Hn 3.4

2 4

3 4

3 4

2 4

3 4

2 4

3 4

4 4

3 4

4 4

3 4

3 4

4 4

3 4

4 4

3 4

3 4

4 4

3 4

4 4

3 4

3 4

4 4

3 4

4 4

3 4

3 4

4 4

3 4

4 4

3 4

mf

2 4

3 4

3 4

4 4

4 4 mf

Tpt 1-3

3 4

2 4

3 4

2 4

2 4

3 4

4 4 mf

Tbn. 1-3

3 4

2 4

3 4

2 4

2 4

3 4

4 4 f

Tba

3 4

2 4

3 4

2 4

2 4

3 4

4 4

pp

f

Timp.

3 4

2 4

3 4

2 4

2 4

3 4

4 4

3 4

4 4

3 4

4 4

3 4

3 4

4 4

3 4

4 4

3 4

f

S. D.

Hp

M.

3 4

2 4

3 4

2 4

3 4

2 4

4 4

43

42

43

24

43

42

44

43

44

43

44

43

3 4

2 4

3 4

2 4

3 4

2 4

4 4

3 4

4 4

3 4

4 4

3 4

3 4

2 4

3 4

2 4

3 4

2 4

4 4

3 4

4 4

3 4

4 4

3 4

mf

E nough, e nough!

Vla

3 4

2 4

3 4

2 4

2 4

3 4

79 4 4

More forceful q = 112

3 4

No farce was so un fun ny!

4 4

Did e ver a ny scho lar

3 4

3 4

4 4 p

pizz., div. Vc.

3 4

2 4

3 4

2 4

3 4

p

2 4

3 4

4 4

4 4

3 4

4 4

arco, unis.

3 4

p f

Db.

3 4

2 4

3 4

2 4

3 4

2 4

3 4

4 4 f

4 4

3 4

4 4

arco

p

3 4


86 828 Bsn 1

3 4

4 4

3 2

3 4

3 2

3 4

3 4

3 2

3 4

3 4

3 2

3 4

cresc.

Cbsn

3 4

4 4

3 2

cresc.

3 4

4 4

3 2

mf

mf

1.2 Hn 3.4

3 4

3 4

4 4

3 2

3 2

3 4

3.

mf

Tba

3 4

4 4

3 2

3 4

3 2

3 4

3 4

3 2

3 4

cresc.

M.

3 4

4 4

3 2 Who spoke so much of mo ney

Vln 1

3 4

Did e ver a ny scho lar

3 4

3 2

3 2

3 4 mf

cresc.

p

Vln 2

3 4

4 4

3 2

Who spoke so much of mo ney

3 4

4 4

3 4

3 2 mf

Vla

3 4

3 2

3 4

4 4

3 4

3 2 mf

cresc.

Vc.

3 4

3 2

3 4

4 4 cresc.

Db.

3 4

3 2

mf

3 4

4 4 cresc.

3 4

3 2

3 4

3 2 mf


833 Bsn 1.2

Cbsn

Hn 1.2

87

80 3 4 3 4

4 4

3 4

4 4

mf

mf

mf

f

3 4

f

3 4 f

4 4

3 4 Tpt 1-3

3 4

4 4

3 4

4 4

3 4

4 4

3 4

3 4

4 4

3 4

3 4

4 4

3 4

mf mf

3 4 mf

Tbn. 1-3

Tba

mf

3 4

mf

3 4

M.

3 4

4 4 Re side in grea ter squa lor

80 3 4

Vla

Vc.

3 4

mf

mf div.

p

4 4 4 4 f

840

mf unis.

p

mf

p

mf

4 4 4 4

Cbsn

4 4

Tbn. 1-3 p Tba

mf

3 4 p

p

p

p

p

p

p

p

4 4

p

81

Db.

unis.

3 4

4 4

Bsn 1.2

Vc.

p

4 4

C. A.

Vla

lit tle of the bloo dy stuff?

81

Ob. 1.2

Vln 1

With so

3 4

f Db.

lit tle of the bloo dy stuff?

div.

4 4

f

3 4

With so

4 4 4 4 4 4 4 4

pizz.

p pizz., unis. p pizz.

p pizz.

p


88 847 Fl. 1-3

82 3 4

Slower q = 92

molto rall. 1.2

pp Ob. 1.2

3. to Picc.

4 4 p

f

4 4

3 4 pp

C. A.

f

4 4

3 4

pp Cl. 1-3 (Bb)

f

4 4

3 4 pp

Bsn 1.2

f

a2

3 4

4 4

pp Cbsn

f

4 4

3 4 pp

1.2

f

Tpt 1-3

ff

4 4

3 4

Hn 3.4

ff

pp

f

pp

f

ff

4 4

3 4

ff

4 4

3 4

ff

3 4 Tbn. 1-3

4 4

1.

4 4

2.3

ff

3 4

ff Tba

4 4

3 4

ff Timp.

4 4

3 4

ff B. D.

Cym.

3 4

4 4

3 4

4 4

pp

f

ff Cymbals f

M.

4 4

3 4 Oh,

Vln 1

when

82 Slower q = 92 div. 3 arco 4

Will I

a

wa

ken From this

God

Vc.

3 4

life?

arco, div.

f unis.

4 4

arco

f

4 4

pp

Db.

a

4 4

pp

3 4

of

4 4

pp Vla

Night mare

f

3 4 3 4

ken

molto rall.

pp Vln 2

for sa

arco pp

f

4 4 f


Hearing SOMEONE at the door, he turns wearily, to HELENE.

855

83 Alert

89

h = 60

HELENE

H. If

I

am not mis

ta

ken,

It

is your wife.

(panicking) M.

83 Alert

h = 60

What is

it

now?

pizz. Vla p pizz. Vc. p

860

84

In a panic h = 88

2 4

Picc. f

4 4

f

f

Ob. 1.2

24

44

2 4

4 4

mf Cl. 1.2 (Bb)

mf

mf

2 4

Bsn 1.2

mf

4 4 mf

mf

2 4

Cbsn

4 4

mf

mf

2 4

M. Mywife!

84

No!

Jen ny!

4 4 So soon!

He le ne,

as suage her with some ďŹ b.

In a panic h = 88

24

Vln 1

pizz.

44

f

f

2 4

Vln 2

mf

4 4

f

f

2 4

Vla

2 4

Vc.

Db. mf

mf

4 4

mf pizz.

(pizz.)

4 4

mf

2 4

4 4 mf


90

85

867 Picc. f

f

Fl. 1 f 1. Ob. 1.2 f

mf

Bsn 1.2 p

mf

H. Such as?

Tell her what?

(exiting)

(vanishing)

M. Be bril liant.

Ad lib.

Just tell her...

85

I wish I

arco

pizz.

Vln 1 f

mf

p

Vln 2 f Vla mf

p

Vc. mf

p

mf

p

Db.

873

2 2

Picc. mf

pp

2 2

Fl. 1 p

pp

Cl. 1 (Bb) p

2 2 2 2

Bsn 1.2 mf

2 2

Cbsn mf (almost offstage) M. knew...

Tell her a ny thing.

(He has gone.)

2 2

(As long as it’s not true.)

2 2

Vc. mf

2 2

Db. mf


86 879 J.

2 2

Energetic h = 96

JENNY

Where

Vln 1

91

JENNY VON WESTPHALEN erupts upon the scene. She surveys with fury her empty drawing-room.

86 Energetic arco 2 2

Is

Marx?

h = 96

f poco staccato

2 2

Vln 2

f poco staccato

arco

2 2

Vla

f poco staccato arco

2 2

Vc.

f

87

887 J. Where

Is

My

hus

band?

Where is that

Mis

cre ant?

87 Vln 1

Vln 2

Vla

Vc.

894 J. that

Mis

cre ant?

That mis be got ten Wretch?

pizz.

arco

Vln 1 mf

sfz

pizz.

ff arco

Vln 2 mf sfz pizz.

ff arco div.

Vla mf

sfz

ff

Vc. ff arco Db. ff


88

92

902 J. Whom

mis

for

tune

In

some

twis

ted

fit

of

glee,

88 Vln 1 p

Vln 2 p

unis. Vla p Vc. p

908 J. Saw

fit

to

foist On

me!

Vln 1 f Vln 2 f Vla f Vc. f

89 914

3 4

J. Why,

89 ff

p

Vln 2 ff

p

Vla ff

p

Vc. ff

Oh,

3 4

Vln 1

3 4 3 4 3 4 3 4

ff

p

3 4

2 2 2 2 2 2 2 2

p

Db.

2 2

3 4

2 2

2 2

mfp

mfp

mfp

mfp

mfp

3 4 3 4 3 4 3 4

3 4

2 2

3 4

2 2

3 4

2 2

3 4

2 2

3 4

2 2

3 4

2 2

Why?

2 2 2 2 2 2 2 2 2 2

mfp

mfp

mfp

mfp

mfp


93 922 J.

Why,

2 2

Vln 2

2 2

Vla

2 2

Vc.

2 2

Db.

mfp

mfp

mfp

mfp

Oh

2 2

3 4

2 2

3 4

2 2

3 4

2 2

3 4

mfp

mfp

mfp

J.

2 2

2 2

3 4 mfp

mfp

2 2

3 4 mfp

2 2

p

f

3 4

2 2

3 4

2 2

3 4

2 2

3 4

2 2

mfp

2 2

3 4

2 2

mfp

2 2

3 4

mfp

3 4

2 2

3 4 mfp

mfp

3 4

mfp

2 2

3 4

2 2

ny?

2 2

3 4 mfp

mfp

3 4

mfp

2 2

3 4

90 930

Jen

2 2

3 4

2 2

3 4

2 2

3 4

2 2

Vln 1

2 2

3 4

2 2

3 4

2 2

3 4

2 2

mfp

p

f

p

f

p

f

7 8

Why did you Mar ry that Rogue? Why did you Mar ry that Rogue? Why did you Mar ry that Rogue? Why did you Mar ry that Rogue?

2 2

Vln 1

2 2

Vln 2

2 2

Vla

2 2

Vc.

2 2

Db.

90 2 2

3 4 mfp

mfp

mfp

mfp

3 4

2 2

7 8

p

mf

p

mf

p

mf

p

mf

p

mf

p

mf

p

mf

p

mf

3 4

2 2

3 4

2 2

7 8

3 4

2 2

7 8

mfp

936 J.

Why did you Mar ry that Out

Vln 1

writ ten, rot ten Rogue?

7 8

91 mf

p

ff

mf

p

ff

Db.

7 8 7 8

p

2 2 ff

Vc.

p

2 2

7 8 p

Vla

Once a gain,

2 2 p

Vln 2

91

2 2

7 8 7 8

7 8

2 2 2 2

ff

ff

p

p

Once a gain

7 8


94

92

944 J. Fu ture pros pects Seem

ro

sy,

And

then

In a trice

Our

lives are

in

the

street!

92 Vln 1 f

p

f Vln 2

f

p

f Vla

f

f

div. a 3

Vc. f

f Db. f

952 J. Our

lives

are

in

the

street!

Our

lives

are

in

the

street!

Vln 1 p sub. Vln 2 p sub. Vla p sub.

Vc. p sub.

93

959 J.

Once

93 Vln 1 f

p

Vln 2 f

p

Vla f div. a 2

p unis.

Vc. p f div. Db. f

a gain,

Once

a gain

This most

feck

less And

reck

less

Of


95

94

967 J. men

Pulls

the

rug

From un der neath my

feet!

Pulls the rug From un der neath my

94 Vln 1 f

p

f

p

Vln 2

Vla p

f Vc.

p

f Db. f

rit.

972 J. feet!

Pulls the rug From un der neath my

feet!

(In

this case more

rit. Vln 1 f Vln 2 f Vla f Vc. f Db. f

95 978

Unseen by her, MARX steals back into the room. He surreptitiously removes from the trunk a slim, leather carrying-case, before our attention again shifts, this time to TUSSI alone in her room. Glockenspiel

A tempo

Glock. p Vib. p

Hp

p

95 A tempo pizz. Vln 1 p

pizz.

Vla p pizz. Vc. p pizz., unis. Db. p

arco

o

vert ly than be fore.)


96

96

986 Vib. p

sim.

Hp

TUSSI T. This

house

of

ours!

A

MARX

M.

96

This

life

of

mine!

Vln 2 pp

97

994 Vib.

Hp

3 4

2 2

3 4

2 2

3 4 3 4

2 2 2 2

3 4 3 4

2 2 2 2

She climbs out of her window, as meanwhile MARX looks into the case. We can’t see what is in it, but its contents produces a strange glow on MARX’s face.

2 2

3 4

T. ho

ney trap for

spies!

for

spies!

These

fit

J. Why,

M. A

spi der’s web Of

lies!

ful

Vln 1 p Vln 2

3 4

2 2

3 4

3 4

2 2

3 4

3 4

2 2

3 4

2 2

3 4

2 2

3 4

2 2

3 4

2 2

3 4

2 2

3 4

2 2

3 4

arco

p arco p Db.

J.

M.

Vln 1

Vln 2

This

2 2

Why?

2 2 2 2 2 2

3 4 3 4 3 4

mp

3 4

dai

ly

2 2 2 2 2 2 2 2

mp Vla

Vc.

Db.

2 2 2 2 2 2

mp

mp

mp

3 4

2 2

3 4

2 2

3 4

98 2 2

3 4

2 2

mp

3 4 mp

dread.

3 4

98 2 2

3 4

2 2

3 4

2 2

3 4

2 2

3 4

2 2

mp

mp

mp

MARX too climbs out of his window.

3 4

2 2

3 4

2 2

3 4

2 2

3 4

2 2

3 4

2 2

3 4

Is there

one

3 4 3 4

3 4

2 2

3 4

2 2

mp

mp

mp

2 2

2 2 2 2

mp

3 4

2 2

3 4

2 2

3 4

2 2

3 4

2 2

3 4

2 2

mp

3 4

2 2

Oh

land

mp

3 4

2 2

mp

mp

Why,

mp

mp

2 2

p

2 2

2 2

mp

Vc.

3 4

Oh,

mp

Vla

2 2

2 2

nights,

p

T.

2 2

97 arco

1002

3 4

2 2

3 4

2 2

3 4

2 2

mp

mp

mp


97 1010

Hp

J.

2 2

3 4

2 2

3 4

2 2

2 2

3 4

2 2

3 4

2 2

2 2

3 4

2 2

3 4

2 2

3 4

2 2

3 4

2 2

Jen

H.

Freely

p

ny?

2 2

HELENE

Why not lie down,

M.

We

Vln 1

Vln 2

Vla

2 2 2 2 2 2

2 2

3 4

2 2

mp

mp

have

n’t

Db.

3 4

2 2

3 4

2 2 2 2

3 4

mp

2 2

3 4

mp

99

mp

mp

2 2

3 4

1018

3 4

2 2

3 4

2 2

3 4

2 2

3 4

2 2

3 4

2 2

Freely

mp

2 2 2 2

2 2

fled?

mp Vc.

3 4

Frau Marx?

mp

mp

A tempo

(bitterly)

J.

99

Lie

down?

Lie

down?

Hear,

hear,

Say

I!

Why stand when you can

A tempo

lie?

pizz.

arco

Vln 1 p

f pizz.

arco

pizz.

f arco, div.

Vln 2 p

Vla p

f

Vc. p

f

Db. f

1026

Broader

A tempo

Lie

Yes, let’s!

100

J. down?

Broader

A tempo

But that’s not pos si ble!

100

Vln 1 p

mf

p

p

mf

p

Vln 2

unis. Vla p

mf

p

Vc. p Db.

mf

p

And

why?

There is no fur ni ture!

And


98

101

1035

sotto voce

J. why?

Be cause

some one

With no thought of Home and du

ty,

With no sense of What is seem

ly

For got To pay His Debts!

For

101 Vln 1 pp Vln 2 pp Vla pp

Vc. pp

102

1041 cresc. J. got To pay His Debts!

For got To pay His Debts!

For got To pay His Debts!

For got

To pay His

debts!

102 Vln 1 cresc.

f div.

Vln 2 f

cresc.

div.

Vla f

cresc.

div. Vc. f

cresc.

JENNY opens the door to MARX’s study. HELENE is nervous. But NO-ONE is there. JENNY finds the bottle and downs a huge slug. HELENE takes an even bigger gulp. The TWO WOMEN slump together on the floor.

1047

3 4

J. His

debts!

3 4

Vln 1 ff unis. Vln 2

3 4

ff unis. Vla

3 4

ff

3 4

Vc.

div.

ff

Db. f

ff

3 4


99

Scene Four A dingy office 1054 Bsn 1.2

103 3 4 3 4

Kbd

Lively q = 144 p

(Typewriter)

p Meanwhile, we see MARX falling from the window. He escapes the fall unscathed, only to find almost at once TUSSI at his side, having leapt from a tree, close to her bedroom-window.  NEITHER speaks.  Wordlessly, they communicate to EACH OTHER a conspiracy of silence.  BOTH hurry off in different directions. SPY

3 4

S.

103 Vln 1

Vla

3 4

pizz.

3 4

pizz.

3 4

Vc.

All

Lively q = 144

the

signs,

Ex

cel len cy,

Show

us

This

p

p

pizz., unis. p

3 4

Db.

pizz., unis. p

1061 Ob. 1 p C. A. p

B. Cl. p Bsn 1.2

1.2 Hn

pp

4.

3.4 pp

Kbd

S. low

Vln 1

Vla

Vc.

Db.

life

has plen

ty

to hide!

This

much

I

know:

The ans

wer is

That


100 1067

2 2

Ob. 1 f

2 2

C. A. f to Cl. in A

2 2

Cl. 1.2 (Bb) p

f to Cl. in A

2 2

B. Cl. f

2 2

Bsn 1.2 f

2 2

Cbsn f

p

a2

2 2

1.2 Hn

a2

pp

mf

2 2

3.4 mf

2 2

Kbd

2 2

S. case

of his,

Once

I

can

see

in

side!

2 2

Vln 1

2 2

Vla

2 2

Vc.

2 2

Db.

Scene Five 1072 Bsn 1.2

Cbsn

1.2 Hn 3.4

Tpt 1.2

Vln 1

Vln 2

Vla

Vc.

Db.

104 2 2

The streets of London. MARX on a mission.

Same tempo a2

2 2

f

2 2

f

f

2 2 1.

2 2 104 Same tempo 2 arco 2 2 2 2 2 2 2 2 2

f

f arco, div.

f

arco

f arco

f

f

f

1.

f


101

105

1078 Picc. f a2 Fl. 1.2 f a2 Ob. 1.2 f a2 Cl. 1.2 (A) f Bsn 1.2

Cbsn

1.2 Hn

f

3.4 f Tpt 1.2

105 Vln 1

Vln 2

Vla

Vc.

Db.

1084 Picc. f

Fl. 1.2 f

Ob. 1.2 f

Cl. 1.2 (A)

Bsn 1.2

Cbsn

Tpt 1.2

Vln 1

Vln 2

Vla

Vc.

Db.

f


102 1090

106

Picc. f (a2) Fl. 1.2 f a2 Ob. 1.2 f

C. A. f a2 Cl. 1.2 (A) f

Cl. 3 (A) f

Bsn 1.2 f

Cbsn

1.2 Hn

f

f

3.4 f f

Tpt 1-3 f

Tbn. 1-3 f

106 Vln 1

Vln 2

Vla

Vc.

Db.


103

107

1095 Picc.

Fl. 1.2

a2 Ob. 1.2

C. A.

Cl. 1.2 (A) f Cl. 3 (A)

Bsn 1.2 f

Cbsn

1.2 Hn 3.4

Tpt 1-3

Tbn. 1-3 f

107 Vln 1

Vln 2

Vla

Vc.

Db.


104 1101 Picc. f

Fl. 1.2 f

Ob. 1.2 f

Cl. 1.2 (A)

Bsn 1.2

Cbsn

1.2

f

Hn 3.4

f

Tpt 1.2 f

Vln 1

Vln 2

Vla

Vc.

Db.


1108

105

108

Picc. pp

pp

f

pp

f

p

pp

f

pp

f

p

pp

f

pp

f

p

pp

f

pp

f

p

f

pp

f

pp

f

p

f

pp

f

pp

f

p

f

pp

f

pp

f

Fl. 1.2 pp

f

Ob. 1.2 pp

f

C. A. pp

f

Cl. 1-3 (A) pp a2 Bsn 1.2 f

Cbsn

1.2

f

Hn 3.4 f

Tpt 1-3 pp 1. Tbn. 1-3 pp

Timp. f

108 Vln 1

Vln 2

unis. Vla

Vc.

Db.

f

p


106 1113 Picc. f

ff

f

ff

f

ff

f

ff

f

ff

Fl. 1.2

Ob. 1.2

C. A.

Cl. 1-3 (A) (a2) Bsn 1.2 ff Cbsn ff 1.2 ff

Hn 3.4

ff Tpt 1-3 (1.)

f

ff

f

ff

Tbn. 1-3

Tba ff Timp. ff Vln 1 ff Vln 2 ff Vla ff Vc. ff Db. ff

109 1117

TUSSI appears. She is on the trail of FREDDY, who to her surprise suddenly rounds the corner.

That moment the WORKMEN appear from round the corner with the wooden cart, on which all the furniture -- including the piano -- is stacked.

TUSSI

unconvinced

T. You!

The pia no tea cher!

Then

remembering

FREDDY F. You!

109 Vln 1 mp Vln 2 mp

Yes!

How

true!


(Tussi playing the piano) PIANO

1123

107

9 8 sffz

Kbd

9 8

She jumps onto the cart with the piano and plays a chord, interrupting the WORKMEN.

9 8

T. prove

it!

...While they

move

it!

appalled

9 8

F. Not...

...While they

move

it!

9 8

Vln 1

9 8

Vln 2 div.

9 8

Vla mp div.

9 8

Vc. mp

110

Dancing q. = 96

1129 Fl. 1.2

Ob. 1.2

9 8 p

9 8 9 8

Cl. 1.2 (A)

9 8

5 4

9 8

5 4

9 8

5 4

9 8

5 4

9 8

5 4

9 8

9 8

5 4

9 8

5 4

9 8

9 8

5 4

9 8

5 4

9 8

9 8

5 4

9 8

5 4

9 8

9 8

5 4

9 8

5 4

9 8

5 4

9 8

5 4

9 8

5 4

9 8

5 4

9 8

5 4

9 8

5 4

9 8

5 4

p

9 8

5 4

p

5 4

p Bsn 1

9 8

5 4

9 8

5 4

Hp

p

9 8 T.

9 8

p

So,

Vln 1

Vln 2

Vla

110 9 8

Dancing q. = 96

9 8

pizz., unis.

Tea cher,

would you care

to hear

a

waltz?

9 8

5 4

9 8

5 4

9 8

9 8

5 4

9 8

5 4

9 8

5 4

9 8

5 4

9 8

5 4

9 8

5 4

9 8

5 4

9 8

5 4

9 8

5 4

9 8

5 4

9 8

5 4

9 8

5 4 5 4

9 8

pizz.

Mis ter

p pizz. p

p

Vc.

Db.

9 8 9 8

pizz. (div.)

p pizz.

p


108

9 8

5 4

9 8

5 4

111 9 8

9 8

5 4

9 8

5 4

9 8

5 4

9 8

9 8

5 4

9 8

5 4

9 8

5 4

9 8

9 8

5 4

9 8

5 4

9 8

5 4

9 8

9 8

5 4

9 8

5 4

9 8

5 4

9 8

9 8

5 4

9 8

5 4

9 8

5 4

9 8

9 8

5 4

9 8

5 4

9 8

5 4

9 8

9 8

5 4

9 8

5 4

9 8

5 4

9 8

5 4

9 8

5 4

9 8

5 4

9 8

45

98

45

98

45

98

1135 Fl. 1.2

Ob. 1.2

5 4

9 8

Cl. 1.2 (A)

Bsn 1

Hp

Pno

9 8

T.

98

f always to the fore

Ah!

Vln 1

Vln 2

Vla

Vc.

Db.

Ah!

A po lo

naise?

9 8

5 4

9 8

5 4

111 9 8

9 8

5 4

9 8

5 4

9 8

9 8

5 4

9 8

5 4

9 8

div.

5 4

9 8

5 4

9 8

5 4

9 8

unis.

5 4

9 8

9 8

5 4

9 8

5 4

9 8

5 4

9 8

5 4

9 8

5 4

9 8 unis.

9 8


109 1141 Fl. 1.2

Ob. 1.2

9 8

5 4

9 8

5 4

9 8

5 4

9 8

9 8

5 4

9 8

5 4

9 8

5 4

9 8

9 8

5 4

9 8

5 4

9 8

5 4

9 8

9 8

5 4

9 8

5 4

9 8

5 4

9 8

9 8

5 4

9 8

5 4

9 8

5 4

9 8

9 8

5 4

9 8

5 4

9 8

5 4

9 8

9 8

5 4

9 8

5 4

9 8

5 4

9 8

5 4

9 8

5 4

9 8

5 4

9 8

Cl. 1.2 (A)

Bsn 1

Hp

f

Pno

9 8

5 4

9 8 4

2

2

2

2

2

f 4

9 8

9 8

5 4

2

9 8

5 4

9 8

5 4

# T.

9 8

5 4

9 8

Ah!

Vln 1

Vln 2

Vla

Vc.

Db.

9 8

5 4 An e cos

saise?

Ah!

Just

9 8

5 4

9 8

5 4

9 8

5 4

9 8

9 8

5 4

9 8

5 4

9 8

5 4

9 8

div.

unis.

div.

unis.

div.

unis.

5 4

9 8

9 8

5 4

9 8

5 4

9 8

5 4

9 8

9 8

5 4

9 8

5 4

9 8

5 4

9 8

9 8

5 4

9 8

5 4

9 8


112

110

1147 Fl. 1.2

Ob. 1.2

9 8

5 4

9 8

5 4

9 8

5 4

9 8

9 8

5 4

9 8

5 4

9 8

5 4

9 8

9 8

5 4

9 8

5 4

9 8

5 4

9 8

9 8

5 4

9 8

5 4

9 8

5 4

9 8

9 8

5 4

9 8

5 4

9 8

5 4

9 8

9 8

5 4

9 8

5 4

9 8

5 4

9 8

9 8

5 4

9 8

5 4

9 8

5 4

9 8

9 8

5 4

9 8

5 4

9 8

5 4

9 8

Cl. 1.2 (A)

Bsn 1

Hp

T.

say!

Vln 1

Vln 2

Vla

Vc.

Db.

For

each,

Mis ter

Tea cher,

will

be

my

joy

to

112 9 8

5 4

9 8

5 4

9 8

5 4

9 8

9 8

5 4

9 8

5 4

9 8

5 4

9 8

9 8

5 4

9 8

5 4

9 8

5 4

9 8

5 4

9 8

5 4

9 8

5 4

9 8

5 4

9 8

5 4

9 8

5 4

9 8

9 8

9 8

div.


Fl. 1.2

Ob. 1.2

111

9 8

5 4

113 9 8

98

45

98

45

98

45

9 8

5 4

9 8

5 4

9 8

5 4

9 8

5 4

9 8

5 4

9 8

5 4

9 8

5 4

9 8

5 4

9 8

5 4

9 8

5 4

9 8

5 4

9 8

5 4

5 4

9 8

5 4

9 8

5 4

5 4

9 8

5 4

9 8

1153

5 4

9 8

5 4

Cl. 1.2 (A)

Bsn 1

Hp

9 8

sim.

9 8

3

Pno

5 4

9 8

9 8

3

3

3

3

mf

3

3

3

3

5 4

9 8

3

3

3

5 4

3

3

5 4

p

3

3

The concert-cart is moving down the London streets.

T.

9 8

5 4

9 8

5 4

9 8

5 4

5 4

9 8

5 4

9 8

5 4

play!

F.

9 8

It’s

Vln 1

Vln 2

Vla

Vc.

Db.

not that

9 8

5 4

113 9 8

9 8

5 4

9 8

5 4

9 8

5 4

9 8

5 4

9 8

5 4

9 8

5 4

9 8

5 4

9 8

5 4

9 8

5 4

9 8

5 4

9 8

5 4

9 8

5 4

5 4

9 8

5 4


112 1158 Fl. 1.2

Ob. 1.2

5 4

9 8

5 4

9 8

5 4

9 8

5 4

9 8

5 4

9 8

5 4

9 8

5 4

9 8

5 4

9 8

5 4

9 8

5 4

9 8

5 4

9 8

Cl. 1.2 (A)

Bsn 1

3

Pno

9 8

5 4

3

T.

Vln 2

Vla

Vc.

Db.

5 4

9 8

3

3

5 4

9 8

5 4

9 8

so?

I

sy.

9 8

5 4

9 8

5 4 ea

Vln 1

3

3

9 8

5 4 How

F.

3

3

I’m

feel

ing

quea

sy.

5 4

9 8

5 4

9 8

5 4

9 8

5 4

9 8

5 4

9 8

5 4

9 8

5 4

9 8

5 4

9 8

5 4

9 8

5 4

9 8


113 1161 Fl. 1.2

Ob. 1.2

9 8

5 4

9 8

5 4

9 8

5 4

9 8

5 4

9 8

5 4

9 8

5 4

9 8

5 4

9 8

5 4

9 8

5 4

9 8

5 4

9 8

5 4

9 8

5 4

9 8

5 4

9 8

5 4

9 8

5 4

9 8

5 4

Cl. 1.2 (A)

Bsn 1

Hp

Pno

T.

9 8

5 4

9 8

5 4

mf

I’m

too

chro

5 4 ma

tic.

9 8

5 4

9 8

5 4

9 8

know.

F.

9 8

p

5 4 No, you’re not.

Vln 1

Vln 2

Vla

Vc.

Db.

98

45

98

45

9 8

5 4

9 8

5 4

unis.

9 8

div.

5 4

9 8

5 4

9 8

unis.

5 4

9 8

5 4

5 4

9 8

5 4

9 8

div.


114 1164 Fl. 1.2

Ob. 1.2

Cl. 1.2 (A)

Bsn 1

Hp

Pno

T.

5 4

9 8

5 4

5 4

9 8

5 4

5 4

9 8

5 4

5 4

9 8

5 4

5 4

9 8

5 4

5 4

9 8

5 4

5 4

9 8

5 4

5 4

9 8

5 4

mf

9 8

5 4

Vln 2

Vla

Vc.

Db.

Cl. 1.2 (A)

Hp

5 4 10

7

10

7

7

5 4 5 4

what?

5 4

9 8

5 4

5 4

9 8

5 4

5 4

unis.

div.

9 8

5 4

5 4

9 8

5 4

5 4

9 8

5 4

5 4

9 8

5 4

5 4

9 8

5 4

5 4

9 8

5 4

5 4

9 8

5 4

5 4

9 8

1166 Fl. 1.2

p

9 8 Then

Vln 1

7

Pno

mf

7

p

9 8

5 4

5 4 10

7

10

7

5 4

7

F.

The

Vln 1

Vln 2

Vla

Vc.

Db.

5 4

9 8

5 4

pia

no

should

5 4

9 8

5 4

5 4

9 8

5 4

5 4

unis.

9 8

div.

5 4

5 4

9 8

5 4

5 4

9 8

5 4


Fl. 1.2

Cl. 1.2 (A)

Cbsn

5 4 5 4

115

114 9 8

1168

1.

5 4

5 4

9 8

5 4

9 8

5 4 mf

1.2

mf

Hn 3.4

5 4

9 8

5 4

5 4

9 8

5 4

mf

Tbn. 1-3

5 4

9 8

5 4

mf

Tba

5 4

9 8

5 4

mf

Timp.

5 4

9 8

5 4

mf

5 4

9 8

5 4

9 8

5 4

9 8

5 4

9 8

5 4

9 8

Hp

Pno

T.

A

F.

5 4 f

5 4 5 4

f

5 4 5 4

Stein

way?

9 8

5 4

5 4

114 9 8

5 4

5 4

9 8

5 4

9 8

5 4

5 4 be...

Vln 1

Vln 2

Vla

5 4

unis.

f

Vc.

5 4

9 8

div.

5 4

f

Db.

5 4

9 8

arco

f

5 4


116 1170 Cbsn

1.2 Hn 3.4

Tbn. 1-3

Tba

Timp.

Hp

5 4

9 8

5 4

9 8

5 4

9 8

5 4 mf

5 4

mf

5 4

mf

5 4

5 4

9 8

5 4

9 8

5 4

9 8

5 4

9 8

5 4

9 8

5 4

5 4

9 8

5 4

5 4

9 8

5 4

45

98

45

9 8

5 4

9 8

5 4

5 4

9 8

5 4

5 4

9 8

5 4

mf

5 4

mf

5 4

mf

5 4

Pno

Vln 1

Vln 2

Vla

Vc.

Db.

f

5 4

f

5 4

1172

5 4

9 8

5 4

5 4

9 8

5 4

5 4

9 8

Pno

F.

(slowing her down)

No.

Vln 1

Vln 2

Vla

5 4

9 8

5 4

9 8

5 4

9 8

2

2

Just

sta

tic.

5 4 p

5 4

p

5 4

p

1174 Freely

5 4

f

Pno

5 4

5 4

9 8 10

10

10 10

10

9 8


117 1176 Fl. 1.2

115

9 8

5 4

9 8

5 4

5 4

9 8

5 4

5 4

9 8

5 4

5 4

9 8

5 4

p

Ob. 1.2

9 8

p

9 8

p

Cl. 1.2 (A)

9 8

p

Bsn 1

9 8

5 4

5 4

9 8

5 4

5 4

9 8

5 4

5 4

9 8

5 4

5 4

9 8

5 4

9 8

p

Hn 1

9 8 p

9 8 Hp

9 8

mp

7

9 8

7

7

Pno

9 8

mp

7 7

7

9 8

5 4

5 4

7

T.

9 8

F.

7

(speeding away again)

Cure,

9 8

5 4 Mis ter

5 4

Tea cher,

All

the

de

fects you

9 8

5 4

9 8

5 4

The

si

tu

de

5 4 a

tion

115 arco

Vln 1

Vln 2

9 8

9 8

p

arco

p

5 4

9 8

5 4

5 4

9 8

5 4

div. Vla

9 8

5 4

9 8

unis.

5 4

p unis. Vc.

9 8

5 4

9div. 8

5 4

5 4

9 8

5 4

p

Db.

9 8

pizz.

p


118 1181 Fl. 1.2

Ob. 1.2

5 4

9 8

5 4

9 8

5 4

9 8

5 4

9 8

5 4

9 8

5 4

9 8

5 4

9 8

5 4

9 8

5 4

9 8

5 4

9 8

5 4

9 8

5 4

9 8

5 4

9 8

5 4

9 8

5 4

9 8

5 4

9 8

5 4

9 8

5 4

9 8

5 4

9 8

5 4

9 8

5 4

9 8

5 4

9 8

5 4

9 8

5 4

9 8

5 4

9 8

5 4

9 8

5 4

9 8

5 4

9 8

5 4

9 8

Cl. 1.2 (A)

Bsn 1

Hn 1

Hp

7

7

Pno

T.

5 4

9 8

5 4

9 8

7

In

is

Vln 1

Vln 2

not

i

spire

5 4

9 8

5 4

9 8

me,

Ah!

5 4

9 8

5 4

7

7

tect.

F.

7

deal.

7

7

And move

me!

9 8

5 4

9 8 This

Ah!

re

lo

ca

tion

5 4

9 8

5 4

9 8

5 4

9 8

5 4

9 8

5 4

9 8

5 4

9 8

9 8

5 4

9 8

5 4

9 8

5 4

9 8

5 4

9 8

5 4

9 8

5 4

9 8

5 4

9 8

5 4

9 8

div. Vla

5 4 unis.

Vc.

Db.


119

116 1186 Fl. 1.2

Ob. 1.2

9 8

5 4

9 8

5 4

9 8

9 8

5 4

9 8

5 4

9 8

9 8

5 4

9 8

5 4

9 8

9 8

5 4

9 8

5 4

9 8

9 8

5 4

9 8

5 4

9 8

9 8

5 4

9 8

5 4

9 8

9 8

5 4

9 8

5 4

9 8

5 4

9 8

5 4

9 8

5 4

9 8

5 4

9 8

Cl. 1.2 (A)

Hn 1

Hp

7

9 8

7

7

Pno

9 8

7

9 8

5 4

7

7

7

T.

9 8

5 4

9 8 Un

F.

7

lock

me,

Ah!

Im

9 8

5 4

9 8 has

no

ap

prove

me!

Ah!

5 4

9 8

peal.

116 Vln 1

Vln 2

Vla

Vc.

Db.

9 8

5 4

9 8

5 4

9 8

9 8

5 4

9 8

5 4

9 8

9 8

5 4

9 8

5 4

9 8

9 8

5 4

9 8

5 4

9 8

9 8

5 4

9 8

5 4

9 8


120 1190 Fl. 1.2

Ob. 1.2

9 8

5 4

9 8

5 4

9 8

5 4

9 8

5 4

9 8

5 4

9 8

5 4

9 8

5 4

9 8

5 4

9 8

5 4

9 8

5 4

9 8

5 4

9 8

5 4

9 8

5 4

9 8

5 4

5 4

9 8

Cl. 1.2 (A)

Hn 1

Hp

7

9 8

7

7

5 4

7

Pno 7

98

7

98

45

45

7

T.

7

9 8

5 4

9 8

5 4 Ah!

F.

It’s

Vln 1

Vln 2

Vla

9 8

5 4

9 8 too

sur

Ah! Ah!

5 4

real.

Sur

9 8

5 4

9 8

5 4

9 8

5 4

9 8

5 4

9 8

unis.

9 8

div.

div.

9 8

5 4

unis.

5 4

unis. Vc.

Db.

9 8

5 4

9 div. 8

5 4

5 4

9 8

5 4


121 1193 Fl. 1.2

Ob. 1.2

5 4

9 8

11 8

5 4

9 8

11 8

5 4

9 8

11 8

5 4

9 8

11 8

5 4

9 8

11 8

Cl. 1.2 (A)

Cbsn

mp

Hn 1.2

Tbn. 1-3

5 4

1.

9 8

11 8

mp

11 8

9 8

5 4

mp

Tba

11 8

9 8

5 4

mp

Timp.

11 8

9 8

5 4

mp

9 8

5 4 Pno

T.

5 4

9 8

5 4

9 8

11 8

gliss.

mf

The piano careens down the street and away

L.H.

11 8

11 8

Ah!

F.

9 8

11 8

5 4

9 8

11 8

5 4

9 8

11 8

5 4 real.

Vln 1

Vln 2

div. Vla

9 8

arco, unis.

11 8

5 4

9 8

arco, div.

11 8

5 4

9 8

arco

11 8

5 4 unis.

Vc.

Db.


122

Scene Six

117 1196 B. Cl.

Gently moving q = 72

11 8 pp

11 8 Bsn 1.2

pp

11 8

pp Tbn. 1-3

11 8 ppp

11 8 Hp

p

ppp

pp

11 8 We meanwhile see a very furtive MARX, case in hand, approach the door of a PAWNBROKER.

M.

Vc.

Db.

MARX

11 8 117 Gently moving 11 unis. 8 11 8

And

q = 72

is

this night

now

the

na

dir

of

my nar ra tive?

pp

pp

1201

2 2

B. Cl.

2 2 Bsn 1.2

2 2 2 2

Cbsn pp

2 2

Tbn. 1-3 ppp

p

ppp

2 2 Hp

2 2 2 2

M. And

Vc.

Db.

is

this dark

ness

as

deep

as

Karl

can

fall?

2 2 2 2


118

123

With mystery h = 56

1205 Vibraslap Vsp

2 2

p

5 4

p

mp

HARMONIUM

5 4

2 2 Harm.

2 2

p

mf

p

5 4

A bell tinkles as MARX pushes open the door which leads him into the gloomy world of the pawn-shop. P.

(appearing from the darkness)

PAWNBROKER

2 2

My

118

5 4

friend,

With mystery h = 56

pizz., div. Db.

5 4

2 2 p

119 5 4

1213 Vsp

Moving q = 92

pp

5 4 Hp

5 4

pp

5 4 Harm.

P.

pp

5 4 5 4 Here both mas ter and

ser

vant come to

1220

call,

for

here

we

wel

come one and

all.

1.

Fl. 1.2 pp Cl. 1.2 (A) pp B. Cl. pp Glock. pp Vib. pp

Harm.

M. Your 3

3

gold.

Be 3

3

P. What do you want with me?

What do you have for me?


120

124

Broader q = 80

1225

5 8

5 4

5 8

5 4

5 8

5 4

5 8

5 4

5 8

5 4

5 8

5 4

5 8

5 4

5 8

5 4

5 8

5 4

5 8

5 4

5 8

5 4

f

5 8

5 4

f

5 8

5 4

5 8

5 4

58

45

5 8

5 4

5 8

5 4

5 8

5 4

5 8

5 4

5 8

5 4

5 8

5 4

5 8

5 4

5 8

5 4

5 8

5 4

5 8

5 4

Picc. f a2 Fl. 1.2 f 1. Ob. 1.2 f

Cl. 1.2 (Bb)

f

f B. Cl. f

Bsn 1.2

f

f Cbsn f 1.2 f

Hn 3.4

Tbn. 1-3

Tba f Timp. f Mark tree M.tree f Glock. f

Vib. f

Hp

ff

MARX again opens the case, and the eerie light falls on the astonished PAWNBROKER’s face.

M. hold.

120

Broader q = 80

non div. Vln 1 f non div. Vln 2 f

non div.

Vla f

non div.

Vc. f arco, unis. Db. f


125 1227 Picc.

5 8

5 4

5 8

5 4

mf

Fl. 1.2

5 8

5 4

5 8

5 4

mf

Ob. 1.2

C. A.

Cl. 1.2 (Bb)

Tpt 1-3

M.tree

5 4 5 4 5 4 5 4

f

5 8

5 4

5 8

mf

f

5 8

5 4

5 8

mf

5 8

f

5 4

5 8

5 4

5 8

5 4

5 8

mf

5 8

f

mf

5 8

5 4

mf Glock.

5 8

5 4

5 8

5 4

mf

Vib.

5 8

5 4

5 4

5 8

5 4

5 8

mf Vln 1

5 8

5 4

mf Vln 2

5 8

5 4

5 8

5 4 mf

Vla

5 8

5 4

5 8

5 4 mf

1230 Picc.

Fl. 1.2

Ob. 1.2

C. A.

M.tree

5 8 5 8

p

p

5 8 5 8 5 8

p

p

5 4

5 8

4 4

3 4

5 4

5 8

4 4

3 4

5 4

5 8

4 4

3 4

5 4

5 8

4 4

3 4

5 4

5 8

4 4

3 4

58

44

43

5 8

4 4

3 4

5 8

4 4

3 4

5 8

4 4

3 4

p

Glock.

58

45 p

Vln 1

5 8

5 4 p

Vln 2

5 8

5 4 p

Vla

5 8

5 4 p


126

Scene Seven

121 1234 Picc.

3 4 3 4

Ob. 1.2

MARX’s house. JENNY and HELENE are in the study, getting drunk.

Gently moving h. = 66 p

p

3 4

p

3 4 Cl. 1.2 (Bb)

3 4

p

p

3 4 Hp

J.

3 4

p

JENNY

3 4

A no ther lit tle drink!

121 Vla

3 4

arco, div.

Gently moving h. = 66

pizz.

p

Vc.

p pizz.

3 4 p

1243 Picc. p

p

Fl. 1.2

p

p

Cl. 1.2 (Bb)

p

Hp

J. On

the

brink

Of

de

feat,

One

last

treat!

A no ther lit tle drink!

One

last

treat!

A no ther lit tle drink!

HELENE H.

Vln 1 p Vln 2 p

unis. non stacc.

Vla (p) Vc.


127

122

1252 Picc.

Fl. 1.2

C. A. p

p

Cl. 1.2 (Bb)

p Bsn 1 p J. We’ll be

high!

A no ther lit tle drink!

We’ll be

high!

A no ther lit tle drink!

Let the

clink Of our

glas ses

re

sound...

H. In

the

blink Of

an

eye

122 Vln 1

Vln 2

Vla

Vc.

1263

p

Fl. 1.2

p

p

Ob. 1.2

p

Cl. 1.2 (Bb)

J. By the

glo

ri

ous

sound

Of...

A

Of...

A

H. As our

Vln 1

Vln 2

Vla

Vc.

sor rows are

drowned...


128

123

1274

Fl. 1.2

rit.

A tempo

p

p C. A. p Cl.1 (Bb) p Bsn 1 p Hn 1 p Hp p

p

J. no ther lit tle drink!

A

no ther lit tle drink!

no ther lit tle drink!

A

no ther lit tle drink!

Why should we give in,

When gin

H.

123

Vln 1

Vln 2

Vla p Vc. pizz. Db. p

1284 C. A.

Cl. 1.2 (Bb)

p

p Bsn 1

Hn 1

Hp

J. bright en

us?

H. Is n’t it a

Vln 1

Vln 2

Vla

Vc.

Db.

boon,

How

soon

It

soothes?

Can


1295

129

124 mp

Cl. 1.2 (Bb)

Bsn 1

St. mutes Tpt 1.2 p

p

Hp

mp

p

J. Help ing us for

get

That we e ver met

A ny one as gruff And un kempt, and Un gra cious as He can be

H. (And to for

124 Vln 1 mp

p

mp

p

Vln 2

pizz. Vla mp

p

mp

p

Vc.

Db. mp

p

get how Sus cep ti ble We can be.)


130

125

126

rit.

A tempo

1308 Fl. 1.2 mf

pp

mf

pp

Ob. 1.2

C. A. p Cl.1 (Bb) p B. Cl. p

Bsn 1.2 p

Cbsn mf

pp

mp

pp

mp

pp

mf

pp

1.2 Hn 3.4

Tpt 1.2

Tbn. pp

mp

pp

Timp. mp

mf

Hp

p

J. Ah!

A no ther lit tle

dram!

H. Ah!

125

126

rit.

A tempo

Vln 1 mf

pp

mf arco div.

pp

mf

pp

Vln 2

Vla

arco Vc. mf

pp pizz.

arco Db. mf

pp

p

I say damn All

those


131 1319 C. A.

Cl.1 (Bb) to Cl. B. Cl. 1. Bsn 1.2 p harmon mute Tpt 1 p Hp

J. men Who say

when!

H. A no ther lit tle glass!

Flesh is

grass, So make

hay While you

may!

(arco) Vln 1 p (arco) Vla p (arco) Vc. p Db.

127

1330 Fl. 1.2

p p

Ob. 1.2

cresc. p

C. A. p

cresc.

p

cresc.

Cl. 1.2 (Bb)

Bsn 1 (harmon mute)

1. Tpt 1.2

p p Hp

J. A no ther lit tle sip!

Let

us

trip The fan

dan go

or

jig

H. For

127 Vln 1

Vla pizz. Vc.

Db.

we

don’t

give

a

fig...


132

128

1340 Fl. 1.2

mf

1. Ob. 1.2 mf

C. A.

Cl. 1.2 (Bb) mf

Hn 1.2 mf

cresc.

Tpt 1.2 p

mp Tbn. 1-3

mp

Timp. mp

Hp

J. While

we

still

have

a

swig

Of

A

no ther lit tle drink!

A

no ther lit tle drink!

Of

A

no ther lit tle drink!

A

no ther lit tle drink!

H.

128 Vc.

Db. mf


129 Broader

accel.

133

rall.

1348 Picc. f

mp

f

p

f

mp

f

p

f

mp

f

p

f

mp

a2 Fl. 1.2

Ob. 1.2

Cl. 1.2 (Bb) f a2 Bsn 1.2 f

mp

p

Cbsn mp

f

f

p

1.2 Hn

f

mp

f

mp

f

f

mp

f

f

mp

f

p

f

mp

f

p

mp

f

f

3.4

Tpt 1.2 mf

Tbn. 1-3

Tba f

p

Timp. f

mp

f Flexatone

mp

Snare Drum S. D.

f

p

pp

f

p

pp

Flex. f

mp

J. A

no ther lit tle drink!

A

no ther lit tle drink!

H.

129 Broader

accel. rall.

Vln 1 f

mp

f

f non div.

mp

f

Vln 2

Vla f

mp

f arco

Vc. mp

f

p

f

p

arco Db. f

mp


130

134

131

1359 Slower h. = 52 Fl. 1.2 p Ob. 1.2

p C. A. p Cl. 1.2 (Bb) p Bsn 1.2 p

p

Hp

J. Why

HELENE tries to stand, up but is too tipsy. The mood slackens into self-pity. H. How

were we sad dled

With such a

man?

This was

hard ly my

plan.

130

131

Slower h. = 52

1 solo

Vln 1 p pizz. Vla p

p

pizz.

Vc. p

1372 Ob. 1.2 (harmon) Tpt 1.2 p

Hp

J. did I

set tle

For such a

fate?

How did

I

come to This low ly, Un

Vln 1

Vla

Vc. p

ho ly es

tate?

I

am


135

1385 132 Even slower h. = 46 Bsn 1 p (harmon) Tpt 1 p

Hp

p

pp

J. Jen

ny Von

West pha len

Born to

a

life

of

ease!

How was

Jen

ny Von

West pha len,

1396 rall. C. A. p

Tpt 1

Hp

J. With one

blow,

Brought so

low?

H.

To

her

shame...

To

her

knees...

rall. 1 solo arco Vla p

1 solo arco

Vc. p


133

136

accel.

rall.

1405 Picc. p

f

p

a2

Fl. 1.2 p

f

p

Ob. 1.2 p

f

p

Cl. 1.2 (Bb) p

f

p

f

p

f

p

a2 Bsn 1.2 p

Cbsn p

Tpt 1.2 mf

p

Tba pp

f

pp

J. A

H. A

133

accel.

rall.

tutti Vln 1 p

f

p

p

f

p

f

p

f

p

f

p

Vln 2

tutti

Vla p

tutti Vc. p

Db. p


134

137 A tempo

1414

to Fl.

Picc. p Ob. 1 p Cl. 1.2 (Bb) p Bsn 1.2 p

p

Hp

Eยง Fยง

J. no ther lit tle drink!

Let

them

think

What

they

will

While

we

swill!

no ther lit tle drink!

Let

them

think

What

they

will

While

we

swill!

H.

134

A tempo

A no ther lit tle

pizz.

Vla p pizz. Vc. pizz.

p

Db. p

135

Slower

rit.

1422 C. A. pp

Hp

pp

J. A no ther lit tle

H. drink!

135 Vln 1 pp arco Vla pp

Slower

While

we

sink

In

to

deep

rit.

Not

quite

sleep.


136

138

1429

Fl. 1-3

A tempo h. = 72

accel.

mp

cresc. poco a poco

mp

cresc. poco a poco

mp

cresc. poco a poco

Ob. 1.2

mp

cresc. poco a poco

C. A. mp

cresc. poco a poco

Cl. 3 (Bb) mp

cresc. poco a poco

2. Bsn 1.2 mp

cresc. poco a poco

J. drink!

Till

we

stink

Like

a

jol

ly

jack

tar

H. In

136

a

Ber

mond

sey

accel.

A tempo h. = 72

Vln 1 p

cresc. poco a poco

Vln 2 p

cresc. poco a poco

div. Vla p

cresc. poco a poco

arco div. Vc. cresc. poco a poco (pizz.) Db. p

cresc. poco a poco


139 1437

Fl. 1-3

Ob. 1.2

C. A.

Cl. 1.2 (Bb) mp cresc. poco a poco Cl. 3 (Bb) f

Bsn 1.2

Cbsn mp

Hn 1.2 mp (harmon) Tpt 1.2 mp

mf

are...

A

J. And

H. bar,

Vln 1

Vln 2

Vla

Vc.

Db.

for

get

who

we


137

140

1445 Fl. 1.2 f

Ob. 1.2 f

Cl. 1.2 (Bb) f

Bsn 1.2 f

Cbsn f

1.2 mf

Hn 3.4

mf

Tbn. 1-3 mf

Tba mf

Timp. mf

J. no ther lit tle drink,

A

no ther lit tle drink,

A

no ther lit tle drink,

A

no ther lit tle drink!

H. A

137 Vln 1 f

Vln 2 f unis. Vla f unis. Vc. f

Db. f

no ther lit tle drink,

A

no ther lit tle drink,

A

no ther lit tle drink,

A


138

Moving h. = 88

141

1452 Fl. 1-3 ff

f

ff

f

Ob. 1.2

C. A. ff

f

Cl. 1-3 (Bb) ff

f

Bsn 1.2

Cbsn

1. 1.2

ff

Hn 3.

3.4

ff

open Tpt 1-3 ff

f

Tbn. 1-3

Tba

Timp.

H. no ther lit tle drink!

ENGELS has suddenly appeared at the door, holding in each hand a pair of handsome-looking bottles. At first, the TWO WOMEN do not see him, but he now strides forward. ENGELS

E. La

138

Moving h. = 88

div., non stacc. Vln 1 ff

f

div., non stacc. Vln 2 f

ff non stacc. Vla ff

f div.

Vc. f

Db.


139

142 1463 Fl. 1-3

mf

Ob. 1.2 mf

C. A. mf

Cl. 1-3 (Bb) mf

Bsn 1.2 mf mf

(1.)

1.2

f

mf

Hn 3.4

(3.)

f

mf

Tpt 1-3 mf

E. dies!

The

Ge ne ral has

joined

139 Vln 1 mf

Vln 2 mf div. Vla mf

Vc. mf


140

143

1474 Fl. 1-3 p

Ob. 1.2

C. A.

Cl. 1-3 (Bb)

Bsn 1.2

Cbsn mf 1.2 Hn 3.4

Tpt 1-3

Tbn. 1-3 mf Tba

mf Timp. mf Triangle Tri. p Vib. p

p

Hp

(cheerily) J. En

gels!

(cheerily) H. En

gels!

(raising the bottles) E. you,

So

be

of good

cheer!

My mo dest do

na

140 Vln 1 p Vln 2 p unis. Vla p

Vc. arco, div. Db. mf

non div.

tion


141

144 1487 Fl. 1-3

Ob. 1.2 p

C. A. p

Cl. 1-3 (Bb) p

Tpt 1-3 p

Tri.

Vib.

Hp

(dejectedly) J. En

gels!

(dejectedly) H. En

gels!

E. To brigh ten the

par

ty!

A

lit tle li

ba

141 Vln 1

Vln 2

Vla

unis. Vc. p unis. Db. p

tion

To

aid re hy

dra

tion!


145

142

1500 Ob. 1.2

C. A.

Cl. 1-3 (Bb)

Tpt 1-3 pp (trying to mask their sadness) J. You’re

a

dear!

H. You’re

a

dear!

I’ve

e

nough

E. (There’s far

more

Down the

hall, Have

no

fear.)

of

the

stuff

To

keep

half

Of

the

com rades Sup

142 Vln 1

Vln 2

Vla

Vc.

Db.

1509

Freely

22

Tpt 1-3

2 2

J. En

2 2

H. En

Engels notices the absence of furnshings.

pressed For the

rest Of

the

year.

What the

Freely

Vln 2

Vla

Vc.

Db.

gels!

2 2

E.

Vln 1

gels!

hell hap pened

here?

2 2 2 2 2 2 2 2 2 2


143

146

1520 J.

Animated h = 96

2 2 His pub li shers...

H.

Vln 1

Vln 2

Vla

Vc.

Db.

My fur ni ture...

The ba

ker!

The pia no!

2 2 His

143 Animated h = 96 2 unis. 2 2 2

p

2 2

p

2 2

p

e di tors...

His cre di tors...

The pew

ter!

The tu

tor!

pizz. p pizz.

2 2

p

rall.

1526

3 4

Ob. 1 pp

3 4

C. A. pp

3 4

Cl. 1-3 (Bb) pp

(urgently)

The shame of it, the shock of it, the slow ly tak ing stock of it, the gin.

We need

J. Whole

sa lers!

Where do we be gin

3 4

H. Tai

lors!

Where do we be gin

The shame of it, the shock of it, the slow ly tak ing stock of it, the gin.

rall.

3 4

Vln 1

3 4

Vln 2

3 4

Vla

3 4

Vc.

3 4

Db.

1533 144 Steady h. = 54 C. A.

Cl.1 (Bb)

3 4

p

3 4

p Bsn 1.2

Cbsn

J.

3 4 3 4

p p

3 4 mo ney.

E.

3 4

To mor row night.

A hun dred pounds?

At a guess...

3 4 By

when?

How

much?

That

might...

...prove ra ther tight.

(May be less.)


145

rall.

1542

147

Slower h. = 46

1.

pp 2.3

Fl. 1-3

p

2.

3. to Picc.

pp

Glockenspiel

p

Glock. p She goes sadly to a trunk, the only object still in the room. J. One thing a

lone.

E. And is there no thing left at all

to call

your own?

145

rall.

Slower h. = 46

1 solo

Vln 1 p pizz. Vla p

1552

Fl. 1.2

C. A. pp

J. All

that

re

mains

me

on

this

dark

and

emp

ty

day;

Com plete

but for one ti ny thing,

This

Vln 1

Vla

1562

rall.

to Ob.

146

A little slower

C. A.

Cl.1 (Bb) pp

pp

Hp

(tragically) J. trea sure

seems

to

say:

rall.

She was

Jen ny Von West pha len,

146

Bred for

A little slower

Vln 1 1 solo arco Vla pp

a

ďŹ

ner

life...

She was


147

148 rall.

1574

Slow q = 60

3 4

4 4

Picc.

ff

3 4

4 4

Fl. 1.2

ff

3 4

4 4

Ob. 1-3

ff

3 4

4 4

Cl. 1-3 (Bb)

ff

3 4

4 a2 4

Bsn 1.2

4 4

Cbsn

ff

3 4

ff

4 4

1.2

flutter.

3 4

ff

Hn

4 flutter. 4

3.4

3 4

ff st. mute

3 4

4 4

Tpt 1-3

ff

4 4

Tbn. 1-3

4 4

Tba

4 4

Timp.

flutter.

ff

3 4 3 4

ff

3 4

ff Snare Drum

4 4

S. D.

3 4

ff

4 4

Rt.

Ratchet

3 4

ff

Hp

4 4

3 4

4 4

3 4

She opens the trunk. Her body shakes. Her eyes roll. Then an unarticulated scream comes out of her mouth. Clearly something is very much amiss.

3 4

4 4

J. Jen ny Von West pha len,

Born in bliss,

(1 solo) Vla

1 solo pizz. Vc. pp

Now brought to this:

A spoon,

rall.

a

fork,

a...

147 4 4 4 4

Slow q = 60

3 4 3 4


149

Scene Eight 1587 Gently moving q = 72 Glock.

3 4

pp

Simultaneously, the PAWNBROKER is gazing transfixed at MARX’s offering.

M.

MARX

3 4

Does it mat ter?

P.

PAWNBROKER

3 4

What

Vln 2

3 4

is

this?

Who

are

you?

Gently moving q = 72

pp

Vla

3 4

tutti

pp tutti Vc.

div.

3 arco 4 pp

Db.

3 4

div.

arco

unis.

pp

1592

4 4

Glock.

4 4

M. Hush your chat ter.

My

4 4

P. How did you come

Vla

Vc.

Db.

wife.

by them?

Yet you would

4 4 4 4 4 4

unis.


150 1596

2 4

Bsn 1.2

2 4

1.2

148 2 2

Twice as fast h = 72 sfz

mf

2 2

sfz

Hn

2 4

3.4

2 4

Timp.

2 4

Glock.

2 4 Harm.

(sighs) M. That’s

2 2 2 2 2 2 2 2

2 4

2 2

2 4

2 2

sfz

mf

pp

mp

Harmonium

pp

f

life.

(suddenly fierce)

2 4

P. part

a2

2 2

with them?

Tra

Vla

Vc.

Db.

2 4

148 2 2

2 4

2 2

2 4

2 2

der in mis chief!

Twice as fast h = 72

1601 Bsn 1.2 f

f

mf

1.2 Hn

(a2)

mf

mf

3.4 open

mf

mf

Tpt 1.2 f

f

Timp.

Harm.

P. Traf fick er in sin!

This ho nest soul

will not


151

149

1607 Bsn 1.2 f

mf

mf

mf

1.2 Hn

p

3.4 p Tpt 1.2 f

Timp.

f

Harm.

(grabbing his arm) M. You mis un der stand me.

P. be ta ken in.

Un hand me.

The crest a lone be

lies you, friend.

West pha len?

You?

1615 1.2 Hn

p

mf

p

mf

3.4

Timp. mp

Harm.

p

mf

mf

f

M. But these...

Po

(suddenly slamming the case shut and calling to the back of the shop)

(interrupting) P. I doubt it.

Jew.

Oh, please! Let’s not pre

div.

tend.

My boys!

Sum mon the po lice!

pizz.

Vla p

mf

div. Vc. p

mf

p


150

152

MARX grabs the suitcase and flees, as we once again see the SPY typing.

1622 Picc. ff

mf

a2 Fl. 1.2 ff

mf

Ob. 1-3 ff a2 Cl. 1.2 (A) mf a2 Bsn 1.2 ff Cbsn ff

1.2 ff

Hn 3.4

ff (open) Tpt 1-3 ff Tbn. 3 ff Tba ff Timp. ff

M. lice?

tutti pizz.

Po lice?

Will hor rors ne ver cease?

150

Vln 1 p

pizz., div. Vln 2 p arco, unis. Vla mf unis. Vc. ff Db. ff


151 1627

153

3 2

Picc. mf

2. to Picc.

3 2

Fl. 1.2 mf

f

3 2

Ob. 1.2 mf

3 2

Cl. 1.2 (A)

f

151 arco

3 2

Vln 1

pizz.

f

mf arco, unis.

3 2

Vln 2

pizz.

f

mf

3 2

Vla

p

p

pizz. f p pizz.

3 2

Vc.

p

3 2

Db.

pizz.

f

p

1631 Bsn 1.2 3

p

Cbsn p TYPEWRITER

p

Kbd

SPY

3

S. Four teenth

Vln 1

Vln 2

Vla

Vc.

Db.

Au gust,

Eigh teen Se ven ty one.

The do er

un done.

In


154

152 2 4

1634 Picc. 1.2

Slightly more hurried h = 80

2 4

6 8 mf

2 4

6 8

2 4

Fl. 1

mf

2 4

Ob. 1.2

6 8

2 4

6 8

2 4

mf

2 4

Ob. 3

mf

2 4

Cl. 1.2 (A)

6 8

2 4

6 8

2 4

6 8

2 4

6 8

2 4

6 8

2 4

mf

2 4

Bsn 1.2

mf

2 4

Cbsn

mf

2 4

1.2

mf

Hn

2 4

3.4

mf

6 8

2 4

Tpt 1-3

st. mute

2 4

mf

S. D.

Xyl.

2 4

6 8

2 4

6 8

2 4

mf Xylophone

2 4

mf

Kbd

S. debt

Vln 1

and on

2 4

6 8

2 4

42

68

42

the run.

152 2 4

Slightly more hurried h = 80

6 8

div. (pizz.)

2 4

f Vln 2

6 8

2 4

(pizz.)

2 4

f arco, div. Vla

2 4

6 8

2 4

6 8

2 4

6 8

2 4

mf

Vc.

Db.

2 4 2 4

(pizz.)

mf (pizz.)

mf


155 1639 Picc. 1.2

Fl. 1

Ob. 1.2

Ob. 3

Cl. 1.2 (A)

Bsn 1.2

Cbsn

1.2

2 4

6 8

2 4

6 8

2 4

2 4

6 8

2 4

6 8

2 4

2 4

6 8

2 4

6 8

2 4

2 4

6 8

2 4

6 8

2 4

2 4

6 8

2 4

6 8

2 4

2 4

6 8

2 4

6 8

2 4

2 4

6 8

2 4

6 8

2 4

2 4

6 8

2 4

6 8

2 4

2 4

6 8

2 4

6 8

2 4

2 4

6 8

2 4

6 8

2 4

2 4

6 8

2 4

6 8

2 4

2 4

6 8

2 4

6 8

2 4

2 4

6 8

2 4

6 8

2 4

2 4

6 8

2 4

6 8

2 4

2 4

6 8

2 4

6 8

2 4

2 4

6 8

2 4

6 8

2 4

2 4

6 8

2 4

6 8

2 4

Hn 3.4

Tpt 1-3

S. D.

Xyl.

Vln 1

Vln 2

Vla

Vc.

Db.


156

153 1647

Picc. 1.2

Fl. 1

Ob. 1.2

Ob. 3

Cl. 1.2 (A)

Bsn 1.2

2 4

6 8

2 2

2 4

6 8

2 2

2 4

6 8

2 2

2 4

6 8

2 2

2 4

6 8

2 2

2 4

6 8

2 a2 2

2. to Fl.

p

f Cbsn

2 4

6 8

2 2 p

f

1.2

2 4

6 8

2 2

Hn 3.4

Tpt 1-3

2 4

6 8 6 8

2 2

2 4

6 8

2 2

Tbn. 1-3

Tba

Timp.

2 4 2 4

6 8 6 8 6 8

p

f

p

f

p

f

p

f

p

2 2

2 4

2 4

f

2 2 2 2 2 2 f

S. D.

Xyl.

Vln 1

2 4

6 8

2 2

2 4

6 8

2 2

6 8

153 2 2

2 4

arco, unis.

p

Vln 2

Vla

2 4 2 4

6 8 6 8

arco

2 2

p pizz., unis.

2 2

p

Vc.

2 4

6 8

2 arco 2

6 8

arco

f Db.

2 4

2 2

f

p

p


157 1653 Bsn 1.2 p

f

Cbsn p

f

1.2

f

p

f

p

f

p

Hn 3.4

Tbn. 1-3

p

f

Tba p

f

Timp. f

div. (non stacc.) Vln 1 f

p

f

f

div. (non stacc.) Vln 2 f

p

f

f

p

f

f

Vla f

Vc. f

p

Db. f

p


158

154

1658 Picc.

f

a2 Fl. 1.2 f

f

f

a3 Ob. 1-3 f

f

a3 Cl. 1-3 (A) f

f f

1.2

f

pp

f

f

pp

f

f

pp

f

Hn 3.4

Tbn. 1-3

f

f

Tba f

f

Timp. f

154

f

unis.

Vln 1 f

f

f

f

unis. Vln 2 f

f

f

f

arco Vla f

f

f

f

Vc. f

f

f

f

Db.


159 rall.

1662 Picc.

4 4

f

4 4

Fl. 1.2 f

4 4

Ob. 1-3 f

p

4 4

Cl. 1-3 (A) f

p

f

4 4

(a2) Bsn 1.2 f

4 4

Cbsn f

1.2

4 4 pp

f

Hn

4 4

3.4 pp

f

open

4 4

Tpt 1-3 f a2

pp

4 4

f

Tbn. 1-3

4 4 f

4 4

Tba

f

4 4

Timp. f

rall.

4 4

Vln 1 ff

4 4

Vln 2 ff

4 4

Vla ff pizz. 3

4 4

3

Vc. f

p

pizz. Db. f

p

4 4


160

Scene Nine

155 1669 Fl. 1.2

4 4

Spacious q = 60

3 4

pp Ob. 1.2

pp

3 4

4 4 pp

Cl. 1.2 (A)

3 4

4 4 pp

Bsn 1

pp

3 4

4 4 pp

Cbsn

1.2

4 4

pp

3 4

pp

Hn 3.4

3 4

4 4

4 4

3.

3 4

pp Glockenspiel

Glock.

3 4

4 4

pp Vib.

3 4

4 4 pp

3 4

4 4 pp

Hp

3 4

4 4 Back at the house. freely J.

JENNY

4 4

He’s gone too

H.

3 4 far

This time.

This is the end!

HELENE sotto voce

4 4

3 4

May God de fend

E.

ENGELS

4 4

Our bu shy beard ed friend.

Vln 1

4 4

3 4

sotto voce

May God de fend

155

Oh,

Our bu shy beard ed friend.

Spacious q = 60 div.

3 4

pp

Vln 2

4 4

div.

3 4

pp div. a 3 Vla

3 4

4 4 pp arco, div.

Vc.

Db.

3 4

4 4 4 4

pp arco pp

3 4


161

156

Moving q = 92

1675 Fl. 1.2

Ob. 1

Cl. 1.2 (A)

Bsn 1

Cbsn

1.2

3 4 3 4

p

pp

3 4 3 4 3 4 3 4

Hn 3.4

Glock.

Vib.

3 4 3 4 3 4

3 4 Hp

J.

p

3 4

3 4 man

H.

E.

3 4 3 4

Moving q = 92

unis.

p

Vln 2

3 4

3 4

Vc.

pp

div. a 2

p

3 4

pp

unis. p

Vla

Pro tec tor of the poor!

3 4

156 Vln 1

of the peo ple!

pp pizz., unis.

pp

Db.

3 4

pizz. pp

Will you one day Re

call

Who gave her

all?

Will you be


157

162

Cor Anglais

1687 C. A.

p

pp

Cl. 1.2 (A)

pp

p Bsn 1.2

pp

Cbsn pp distinct Timp. pp Marimba Mar. p

Vib. p

mp

Hp

p

J. sure

Of those you

did It for?

H. Voice

of

the

vic

tim!

Their

a

gent

Their

a

gent and their

E. Oh,

voice

157 div. Vln 1 pp

mp

div. Vln 2 pp

mp

unis. Vla mp

pp arco

Vc. mp pp arco Db. mp pp

of the vic

tim!


163 1696 C. A. mp

Cl. 1.2 (A)

mp

mp

mp Bsn 1.2

mp

Cbsn mp

Timp. mp

Mar. mp Vib. mp

mp

Hp

H. and

their

aid!

Do

not

for

get

the

sa

The

sa cri ďŹ ce

cri

ďŹ ce

We

three

have

E. aid!

Do not for get

The

price,

We

three have

made,

Vln 1 mp

Vln 2 mp

Vla mp

Vc. mp

Db. mp

And


164

158

1705

Very gradually moving forward . . .

C. A. pp

pp Cl. 1.2 (A)

pp

pp Bsn 1.2

pp

Cbsn pp

Timp. pp

pp

Mar. mp

pp Vib. pp

pp

Hp

H. made.

E. how we were Re paid.

I’ve had to

158

set tle Ev ’ry

o ther debt

For him.

Very gradually moving forward . . .

Vln 1 pp unis. Vln 2 pp Vla pp

Vc. pp

Db. pp

pp


165

159

1712 Bsn 1.2

pp

p Cbsn mp

pp

p

1.2 Hn 3.4

pp

p

3.

pp

p

Tbn. 1-3 p Tba p

Timp. p

p

p

mf

mf

Bass Drum B. D.

p

Mar. mf

mp

Hp

J. I’ve had to

sweat

For him.

Could I

to herself H. I’ve been con

fined.

159 Vln 2 mp

p

pp

mp

p

pp

Vla

div. Vc. p

mp

pp

Db. mp

p

pp

have been

a


166 1723 C. A. pp

mp

Bsn 1.2 mp

Cbsn mp

Tbn. 1-3 mp

Tba mp

Timp. pp

p

Mar. mf

J. More

de

vo

ted

wife

To him?

H. I

gave my

life

To him.

E. I

unis. Vln 1 pp

mp

Vln 2 mp

Vla mp unis. Vc. mp

Db. mp

gave my


167

160

1733

. . . always getting faster . . .

Ob. 1 mf

C. A. mf

Cl. 1.2 (A) mf

Bsn 1.2 mf 2. 1.2

pp

mp

pp

mp

Hn 3.4

Timp. pp

p

mp

mf

Mar.

J. What did he do

For those Who saw

him

through?

Fobbed us

off.

H. What did he do

For those Who saw

him

through?

Fobbed us

off.

E. mind.

What did he do

160 Vln 1 mf

Vln 2 mf

Vla mf

div. Vc. mf

Db. mf

. . . always getting faster . . .

For those Who saw him through?

Fobbed us


168

161

With movement h. = 48 a3

1742 Fl. 1-3 poco f

Ob. 1 poco f

C. A. poco f a3

1.2 Cl. 1-3 (A)

poco f

Bsn 1.2 poco f Cbsn poco f

(2.) 1.2 Hn 3.4

Tbn. 1-3 poco f Timp. poco f

poco f

Hp

J. Robbed us

blind.

Oh,

man

of

the

peo

ple!

H. Robbed us

blind.

Oh,

voice

E. off.

Robbed us

blind.

161

With movement h. = 48

div.

Vln 1 poco f

div.

unis.

Vln 2 poco f div. Vla poco f

Vc. poco f div. Db. poco f


169 1751 Fl. 1-3

Ob. 1

C. A.

Cl. 1-3 (A)

Bsn 1.2

Cbsn

Hn 1 poco f Tpt 1 mp

Tbn. 1-3

Timp.

Hp

sim.

J. Pro

tec

tor

of

the

poor!

Will

H. of

the

vic

tim!

Their

a

gent

and

their

aid!

Their

a

E. Oh,

Vln 1

Vln 2

Vla

Vc.

Db.

voice

of

the

vic

tim!

gent

and

their


162

170 1760 (a3) Fl. 1-3

Ob. 1

C. A.

(a3) Cl. 1-3 (A)

Bsn 1.2

Cbsn

Hn 1

Tpt 1

Tbn. 1-3

Timp.

Hp

J. you

one

day

Re

call

Who

gave

her

all?

The

price,

Will

you

be

sa

cri

ifce

We

sa

cri

ďŹ ce

H. Do

not

for

get

Do

not

The

E. aid!

for

get

The

price,

162 Vln 1

Vln 2

unis. Vla

Vc.

unis. Db.

div.

The


163

1770 Fl. 1-3

Ob. 1

C. A.

Cl. 1-3 (A) a2

1.

Bsn 1.2

Cbsn

Hn 1

Tpt 1

Tbn. 1-3

Timp. mp

Hp

J. sure

Of

those

you

did

It

for?

H. three

have

made,

And

how

we

we

were

Re

were

Re

paid.

E. We

three

have

made,

And

how

paid.

163 unis. Vln 1 div. Vln 2 unis. Vla

unis. Vc.

Db.

171


172 1781 Ob. 1.2 poco f

to Ob.

C. A. 3. to Bass Cl. Cl. 1-3 (A) (1.) Bsn 1.2 pp Cbsn pp

1.2 p

Hn

3.

3.4 p Timp. pp JENNY sinks to the floor and falls asleep.

She prods Jenny. No response.

4

H. Is she a

sleep?

He was

E. I’d

say so.

Vln 1 pp unis. Vln 2 pp div. Vla pp Vc. pp Db. pp

1793

165

164

Cl. 1.2 (A) pp B. Cl. pp Bsn 1 pp

Hp

pp

CELESTE

f

Cel.

H. here.

The boy.

I’m sure.

I saw the nap kin ring.

(unsettled) E. You’re sure of it?

You saw

the


173

166

1805 Cl. 1.2 (A)

B. Cl.

Bsn 1

Hp

to Pno

Cel.

H. I

saw

the

nap

kin

ring.

Need I say more?

I’m sure of it.

E. nap

kin

ring?

The

nap

kin

ring?

He’ll re ap pear, The boy.

1815

He

9 8

Cl. 1.2 (A)

9 8

B. Cl.

9 8

Bsn 1

9 8 Hp

9 8

Lights fade on them. H. He can’t know

a ny thing.

Pray

God

he

9 8

goes.

9 8

E. knows.

Does Marx know

a ny thing...

Do you sup pose?

Pray

God

he

goes.


174

Scene Ten In the streets of London, TUSSI and FREDDY are still on the cart.

167

Dancing q. = 96

1825 Fl. 1.2

Ob. 1.2

9 8 9 8

mp

9 8

9 8

5 4

5 4

9 8

5 4

9 8

5 4

9 8

5 4

9 8

5 4

5 4

9 8 Cl. 1.2 (A)

5 4

mp

5 4 mp

(Tussi playing the piano)

9 8 9 8

Vln 1

Vln 2

Vla

Vc.

Db.

7

mf

Pno

PIANO

167 9 8

pizz. mp pizz.

mp pizz., unis.

9 8

9 8

5 4 7

8

7

7

8

5 4

9 8

5 4

5 4

9 8

5 4

5 4

9 8

5 4

5 4

9 8

5 4

5 4

9 8

5 4

5 4

9 8

5 4

Dancing q. = 96

9 8

9 8

p

pizz. mp pizz.

mp

mp

1828 Fl. 1.2

Ob. 1.2

Cl. 1.2 (A)

Pno

5 4

9 8

5 4

9 8

5 4

9 8

5 4

9 8

5 4

9 8

5 4

9 8

5 4

9 8

5 4

9 8

5 4

9 8

5 4

9 8

5 4

9 8

5 4

9 8

5 4

9 8

7

7 7

T.

5 4

9 8

TUSSI

Oh,

Vln 1

Vln 2

Vla

Vc. Db.

Mis

ter

Tea

cher,

5 4

9 8

5 4

9 8

5 4

9 8

5 4

9 8

5 4

9 8

5 4

9 8

5 4 5 4

9 8 9 8

5 4 5 4

9 8 9 8


Fl. 1.2

Ob. 1.2

Cl. 1.2 (A)

175

9 8

5 4

168 9 8

9 8

5 4

9 8

5 4

9 8

9 8

5 4

9 8

5 4

9 8

9 8

5 4

9 8

5 4

9 8

5 4

9 8

5 4

9 8

5 4

9 8

5 4

9 8

1831

7

9 8

7

7 7

5 4

9 8

5 4

9 8

7

7

7

T.

9 8 How I’ll

F.

wor

sen,

if

un checked!

Oh,

I FREDDY

9 8

5 4

9 8

how

need

Vln 2

Vla

Vc.

Db.

Ob. 1.2

Cl. 1.2 (A)

main

im

prove ment would be

to

9 8

5 4

168 9 8

5 4

9 8

9 8

5 4

9 8

5 4

9 8

9 8

5 4

9 8

5 4

9 8

9 8

5 4

9 8

5 4

9 8

9 8

5 4

9 8

5 4

9 8

1835 Fl. 1.2

9 8

5 4

The

Vln 1

9 8

7

Pno

9 8

5 4

9 8

5 4

9 8

5 4

9 8

9 8

5 4

9 8

5 4

9 8

9 8

5 4

9 8

5 4

9 8

9 8

5 4

9 8

5 4

9 8

5 4

9 8

5 4

9 8

5 4

9 8

5 4

9 8

(Tussi) (Freddy trying to play)

9 8 Pno

ff

9 8

5 4

7

9 8

mf

7

5 4

9 8

7

7

T.

9 8 A

F.

9 8

guide

to

lead

Vln 2

Vla Vc.

Db.

the

way!

9 8

5 4 halt.

Vln 1

9 8

5 4

This

con

stant

move

ment

is

like

a

phy si cal as sault.

9 8

5 4

9 8

5 4

9 8

9 8

5 4

9 8

5 4

9 8

9 8 9 8

5 4 5 4

9 8 9 8

5 4 5 4

9 8 9 8

9 8

5 4

9 8

5 4

9 8


176 1839 Fl. 1.2

Ob. 1.2

9 8

5 4

9 8

5 4

9 8

98

45

98

45

98

9 8

5 4

9 8

5 4

9 8

9 8

5 4

9 8

5 4

9 8

Cl. 1.2 (A)

(Tussi)

9 8

(Freddy trying to play)

9 8

9 8

5 4

7

9 8

5 4

4

5 4

7

mf

ff

Pno

7

5 4

(Freddy trying to play)

ff

9 8 9 8

7

T.

Teach,

F.

9 8

Mis

ter

Tea

5 4

5 4

9 8

5 4

9 8

cher,

Yes,

teach

9 8

(sea-sick)

this

9 8 girl

to

5 4

9 8

Ah!

Vln 1

Vln 2

Vla

Vc.

Db.

9 8

5 4

9 8

5 4

9 8

9 8

5 4

9 8

5 4

9 8

9 8

5 4

9 8

5 4

9 8

9 8

5 4

9 8

5 4

9 8

9 8

5 4

9 8

5 4

9 8


177 1843 Fl. 1.2

Ob. 1.2

Cl. 1.2 (A)

9 8

5 4

9 8

9 8

5 4

9 8

9 8

5 4

9 8

9 8

5 4

9 8

5 4

9 8

(Tussi)

7

9 8 7

f

mf

Pno

10 7

5 4

9 8

5 4

9 8

9 8

5 4

9 8

9 8

5 4

9 8

9 8

5 4

9 8

9 8

5 4

9 8

9 8

5 4

9 8

9 8

5 4

9 8

9 8

10

7

T.

9 8 play!

F.

Vln 1

Vln 2

Vla

Vc.

Db.

169 12 8

1846 Fl. 1

Playful q. = 144 p 9

12 8

Cl. 1 (A)

mf

p 9

12 8

Hp

mf

p

12 8

Pno p 2

4

T. So...

F.

Not a

She grabs his lunchbox. FREDDY is horrified.

12 8

pia no tea cher?

And what’s in your bag?

12 8 No.

Vln 1

169 12 8

Playful q. = 144 arco

9

mf

Vln 2

12 8

p

arco

9

mf

Vla

12 8

p

arco

mf

9

p

9


178 1851

Fl. 1.2

to Picc. p

Vib. p With a shrug, FREDDY pulls out a brown-paper package. TUSSI gasps. T. Yes, in

your bag.

I hate

to nag,

but I’ve

a hunch

it’s more

than lunch.

F. What’s in my bag?

See for your

pizz. Vln 2 p pizz. Vla p (pizz.) Vc. p

170

1855 Cl. 1 (A)

p B. Cl. p Bsn 1.2 p He pulls out a bun. T. I’ll see

my self...

A Chel sea bun.

F. self.

A Chel sea

170 Vla

Vc.

bun.


179

171 Agitated q. = 160

1859 Picc. 1.2 pp Fl. 1

ff

Ob. 1-3 ff 1. Cl. 1.2 (A) ff

B. Cl.

a2

5

Bsn 1.2 ff 5

Cbsn ff

1.2 ff

Hn 3.4

ff 1.2 Tpt 1-3 ff 5

Tbn. 3 ff 5

Tba ff

Timp. ff

sffz

5

B. D.

f

f A vast collective gasp, as TUSSI pulls out a heavy revolver. She stares at it in incredulous horror, as ALL ELSE shrink away.

T. Ha!

To think that I

could think

it was

a...

WORKMEN W. Gun!

pizz.

171 Agitated q. = 160

Vln 1 pp (pizz.) Vln 2 pp

Vla

arco

5

Vc. ff arco Db. ff

5


180 1864

2. to Fl.

15 8

Picc. 1.2 ff

15 8

Fl. 1

15 8

Ob. 1.2

15 8

Cl. 1.2 (A)

(a2)

1.

15 8

Bsn 1.2

p

15 8

Cbsn

15 8

Timp.

15 8

B. D.

15 8

T. Gun!

I knew it!

(It pays

you to

in tui it.)

15 8

F.

Out

15 8

arco Vln 1 f

p

arco

15 8

Vln 2 f

p

arco Vla f

Vc.

div.

15 8 p

mp

15 8 mp

Db.

15 8 mp


181 1868 Picc. p

Fl. 1.2 2. to Picc.

p Ob. 1.2 p

Cl. 1.2 (A)

p

Bsn 1.2

p Cbsn p 2. Hn 1.2 p

Tpt 1.2 p

FREDDY grabs the gun and runs off. TUSSI jumps down from the cart.  Panic.

T. Catch him!

Catch him! He’s a spy!

He’s a

F. foxed!

Out played!

It may

be time

I ran...

So catch

me...

Catch me if

Catch him!

Catch him!

Catch him!

Catch him!

Catch him!

W.

Vln 1 mp

Vln 2 mp Vla

Vc.

Db.

you


182

172 2 4

1872 1. Picc. 1.2

Same speed q = 160

2 4

6 8 f

f

2 4

6 8

2 4

Fl. 1

f

f

2 4

Ob. 1.2 p

6 8

2 4

6 8

2 4

f

2 4

Ob. 3

f

2 4

Cl. 1.2 (A)

6 8

2 4

6 8

2 4

6 8

2 4

6 8

2 4

6 8

2 4

6 8

2 4

f

2 4 f

Bsn 1.2

2 4 f

2 4

Cbsn

f (2.)

2 4

1.2

f

Hn

2 4

3.4

f 1.2

6 8

2 4

Tpt 1-3

st. mute

2 4

f

mf

S. D.

Xyl.

2 4

6 8

2 4

6 8

Snare Drum f Xylophone

2 4 2 4

f He flees, the OTHERS in hot pursuit. Shouting and confusion.  Meanwhile MARX hurtles on, clutching to his chest the precious case.

6 8

2 4

2 4

6 8

2 4

2 4

6 8

2 4

2 4

6 8

2 4

2 4

T. spy!

F. can!

W.

Catch

him!

Catch

Catch

him!

him!

Catch

Catch

him! Catch

him!

him!

172 2 4

Vln 1

Same speed q = 160

6 8

f

6 8

2 4

Vln 2 f Vla

Db.

f pizz.

2 4 2 4

f

2 4 f

Vc.

pizz., div.

2 4 2 4

pizz.

f

pizz.

f

6 8

2 4

6 8

2 4

6 8

2 4


183 1877 Picc. 1.2

Fl. 1

Ob. 1.2

Ob. 3

Cl. 1.2 (A)

Bsn 1.2

Cbsn

1.2

2 4

6 8

2 4

6 8

2 4

2 4

6 8

2 4

6 8

2 4

2 4

6 8

2 4

6 8

2 4

2 4

6 8

2 4

6 8

2 4

2 4

6 8

2 4

6 8

2 4

2 4

6 8

2 4

6 8

2 4

2 4

6 8

2 4

6 8

2 4

2 4

6 8

2 4

6 8

2 4

2 4

6 8

2 4

6 8

2 4

2 4

6 8

2 4

6 8

2 4

2 4

6 8

2 4

6 8

2 4

2 4

6 8

2 4

6 8

2 4

2 4

6 8

2 4

6 8

2 4

2 4

6 8

2 4

6 8

2 4

2 4

6 8

2 4

6 8

2 4

2 4

6 8

2 4

6 8

2 4

2 4

6 8

2 4

6 8

2 4

Hn 3.4

Tpt 1-3

S. D.

Xyl.

Vln 1

Vln 2

Vla

Vc.

Db.


184

173 1885

Picc. 1.2

Fl. 1

Ob. 1.2

Ob. 3

Cl. 1.2 (A)

Bsn 1.2

2 4

6 8

2 2

2 4

6 8

2 2

2 4

6 8

2 2

2 4

6 8

2 2

2 4

6 8

2 2

2 4

6 8

2 2

both to Fl.

a2

p

Cbsn

2 4

6 8

2 2 p

1.2

2 4

6 8

2 2

Hn 3.4

Tpt 1-3

2 4

6 8 6 8

2 2

2 4

6 8

2 2

Tbn. 1-3

Tba

Timp.

2 4 2 4

6 8 6 8 6 8

p

f

p

2 2

2 4

2 4

f

f

p

f

p

f

p

2 2 2 2 2 2 f

S. D.

Xyl.

Vln 1

2 4

6 8

2 2

2 4

6 8

2 2

2 4

6 8

173 2 2

arco, unis.

p

Vln 2

2 4

6 8

arco

2 2

p

Vla

Vc.

pizz., unis.

2 4

6 8

2 2

2 4

6 8

2 arco 2

p

f Db.

2 4

6 8

p

2arco 2 f

p


185 1891 Bsn 1.2 p

f

Cbsn p

f

1.2

f

p

f

p

f

p

Hn 3.4

Tbn. 1-3

p

f

Tba p

f

Timp. f

div. (non stacc.) Vln 1 f

p

f

f

f

div. (non stacc.) Vln 2 f

f

p

f

f

p

f

f

Vla f

f

Vc. f

p

Db. f

p


186

174

1896

a2

Fl. 1.2 f

f

f

f

f

f

f

f

f

f

f

f

f

f

f

Fl. 3 f

a3 Ob. 1-3 f

f

Cl. 1-3 (A) f

f

f (a2) Bsn 1.2 f

f

f

f

Cbsn

1.2 Hn

f

pp

f

pp

f

3.4 f

open Tpt 1-3

Tbn. 1-3

f

pp

f

f

pp

f

f

f

Tba f

f

Timp. f

174

f unis.

Vln 1 f

f

f

f

f

f

f

f

f

unis. Vln 2 f

f

f

arco Vla f

f

f

Vc. f

f

f

f

Db.


187 1900

5 8

9 8

2 2

5 8

9 8

2 2

5 8

9 8

2 2

5 8

9 8

2 2

9 8

5 8

9 8

2 2

9 8

5 8

1.

9 8

2 2

9 8

5 8

3.

9 8

2 2

9 8

5 8

9 8

2 2

9 8

5 8

9 8

2 2

9 8

5 8

9 8

2 2

9 8

5 8

9 8

2 2

9 8

5 8

9 8

2 2

9 8

5 8

9 8

2 2

9 8

5 8

9 8

2 2

5 8

9 8

2 2

5 8

9 8

2 2

9 8

5 8

9 8

2 2

9 8

5 8

9 8

2 2

9 8

5 8

Fl. 1.2

ff

ff

9 8

5 8

Fl. 3

ff

ff

9 8

5 8

Ob. 1-3

ff

ff a3

9 8

5 8

Cl. 1-3 (A)

ff

ff

5 8

Cbsn

ff

1.2 Hn

1.

5 8

ff

pp

3.

5 8

3.4

ff

pp

5 8

Tpt 1-3

ff

pp

5 8 pp

ff

Tbn. 1-3

5 8 ff

5 8

Tba

ff

5 8

Timp.

ff

Bass Drum

5 8

B. D.

ff

5 8

Vln 1

ff

ff

9 8

5 8

Vln 2

ff

ff

9 8

5 8

Vla

ff

ff

Vc.

5 8 ff

Db.

5 8 ff


188

Scene Eleven The British Museum reading-room.

1909 Ob. 1-3

175 2 2 2 2

Cl. 1-3 (A)

Exhausted, MARX staggers in, making his uncertain way to a secluded corner, still furtively clutching the strange and precious case. Finding a suitable seat, at a long, leather-clad partner’s desk, he attempts to settle into a padded chair, but has difficulty finding a comfortable position. Something is causing him physical discomfort. He pulls from out of his frock-coat a jumble of notes, through which he starts to sift. But his attention is soon drawn to a far reference book nearby, into which he hungrily delves.

rall.

p

4 4

to Bb Clarinets

4 4

p

2 2

Bsn 1

4 4

p

1.

2 2

1.2 Hn

p

4 4

pizz.

4 4

p

2 2

Db.

rall.

pizz.

2 2

Vc.

4 4 pp

175 2 2

Vla

pp

p

2 2

3.4

4 4

pizz.

4 4

p

1917 Bsn 1.2

Cbsn

1.2 Hn 3.4

Tpt 1-3

Tbn. 1-3

176 4 4

Slow q = 48

Recitativo

fff

pp

fff

pp

fff

pp

fff

pp

4 4 4 4 4 4

pp

fff

fff

pp

fff

st. mute

(open)

4 4

pp

pp

fff

4 4 Ratchet

Rt.

4 4

pp

ff

ff

pp (reading)

M.

MARX

4 4

3

Aaargh!

176 Vln 1

Vln 2

Vla

Vc.

4 4 4 4 4 4 4 4

div.

Aaargh!

Car bun cle.

Slow q = 48

4 4

pp

fff

pp

fff

pp

ff

pp

ff

pp (in pain)

(reading)

Aaargh!

One.

Recitativo

ppp

ppp

ppp

ppp

ppp

ppp

arco, div.

ppp Db.

pp

st. mute

4 4

fff S. D.

fff

ppp

arco, div. ppp

ppp

An e pi der mal


1924 Ob. 1-3

Cl. 1-3 (A)

Tpt 1-3

2 4

177 4 4

2 4

4 4

2 4

4 4 4 4

2 4

Cym.

3

M. boil. Brought on by sub jec tion to bac te

ri

al in

fff

pp

pp

ff

(He turns a page.)

Aaargh!

2 4

4 4

2 4

4 4

2 4

4 4

2 4

4 4 3

2 4

Re lieve with black seed oil.

2 4 2 4

4 4

2 4

4 4

4 4

Car bun cle.

4 4

2 4

4 4

2 4

Vc.

pp

177 4 4

2 4

Vla

fff

fec tion.

2 4

Vln 2

pp

4 4

2 4

Vln 1

fff

Susp. Cymb

2 4

3

189

ppp

4 4

ppp

4 4

ppp

4 4

ppp

1929 Ob. 1-3

Cl. 1-3 (Bb)

Bsn 1.2

Cbsn

1.2 Hn 3.4

Tpt 1-3

Tbn. 1-3

M.

Vln 2

Vla

ppp

fff

pp

fff

pp

fff

pp

4 4 4 4 fff

pp

fff

pp

4 4 4 4 4 4

fff

pp

fff

pp

4 4 44

open

4 4

pp

ff

pp

4 4

3

Aaargh!

Vln 1

4 4

2 4

4 4

fff

S. D.

4 4

2 4

Db.

Two.

A

rus set

co loured gem.

3

Re nowned for

its

bril liance

Aaargh!

and pe

4 4 ppp

ppp

ppp

ppp

ppp

ppp

4 4 4 4


190

178

1933 Fl. 1-3 pp Cl. 1 (Bb) pp

p

Hp

He manages to sit, and turns his attention to his work. But soon he is drifting off into a daydream.

(in a reverie) M. cu li ar re si lience.

Would mine were more like them....

This year in

178

Pa ris

the com mune I fore told

unis.

Vln 1 ppp Vln 2 ppp arco

pizz. Vla pp

ppp

pizz. pp

arco ppp

Vc. (arco) ppp

Db. ppp

179 1939

3 2

4 4

2 4

Gently moving h = 72

p

Fl. 1.2

3 2

4 4

2 4

p

Hp

M. day.

Vln 1

Vln 2

Vla

Vc.

Db.

2 4

4 4

3 2

2 4

4 4

3 2

2 4

4 4

3 2

Will

Pa ris prove the

place which paves the

way?

2 4

4 4

179 3 2

2 4

4 4

3 2

2 4

4 4

3 2

2 4

4 4

3 2

2 4

4 4

3 2

Gently moving h = 72

unis.

saw light

of


191 1946

Fl. 1-3

p

p

Ob. 1.2

p

p Cl. 1.2 (Bb)

p

Vln 1 pp

Vln 2 pp

180 1952

Fl. 1-3

Ob. 1.2

Cl. 1-3 (Bb)

p Vibraphone Vib. p

p

Hp

CHORUS OF WORKERS

p

S. p

Soon,

A. Soon,

180

pizz.

Vln 1 p pizz. Vln 2 p


192 1957

Fl. 1-3

Ob. 1-3

p

Cl. 1-3 (Bb)

p

Bsn 1.2

p Marimba Mar. p Vib.

Hp

S. soon,

soon,

A. soon,

soon,

soon,

p T. Soon,

p B. Soon,

Soon,

Vln 1

Vln 2 pizz. Vla pizz. Vc. p

p


193 1962

Fl. 1-3

Ob. 1-3

Cl. 1-3 (Bb)

Bsn 1.2

Mar.

Vib. sim.

Hp

S. soon,

soon,

A. soon,

soon,

T. soon,

soon

B. soon,

Vln 1

Vln 2

Vla

Vc.

soon,

soon


181

194

1967

Fl. 1-3

Ob. 1-3

Cl. 1-3 (Bb)

Bsn 1.2

Cbsn ppp

p

ppp

ppp

p

ppp

ppp

p

ppp

ppp

p

ppp

ppp

p

ppp

1.2 Hn 3.4

3.

Tbn. 1-3

Tba

Mar.

Vib.

Hp

S. Each

man

will

play

his

part,

Soon

A. Each

man

will

play

his

part,

Soon

T. Each

man

will

play

his

part,

Soon

B. Each

man

will

play

his

181 Vln 1

Vln 2

Vla

Vc.

Db. ppp

p

ppp

part,


182

195

1971

Fl. 1-3

Ob. 1-3

Cl. 1-3 (Bb)

Bsn 1.2

Cbsn ppp

p

ppp

ppp

p

ppp

ppp

p

ppp

ppp

p

ppp

ppp

p

ppp

1.2 Hn 3.4

Tbn. 1-3

Tba

Mar.

Vib.

Hp

S. Each man

will play

his

part,

Each

man

will play

his

part,

O

A. Each

man

will play

his

part,

Each man

will play

his

part,

T. Each man

will

play

his

part,

Each man

will

play

his

part,

B. soon

Each man

will play

his

part,

Each

man

will play

182 Vln 1

Vln 2

Vla

Vc. Db. ppp

p

ppp

his

part,


196 1976

Fl. 1-3

Ob. 1-3

Cl. 1-3 (Bb)

mp Bsn 1.2

mp

Mar.

Vib.

S. bey

ing

no

op

pres

O

bey

sor,

A. ing

no

op

pres

sor,

mf T. O

bey

ing

no

op

pres

sor,

But

the

mf B. O

bey

ing

no

op

pres

sor,

But

arco, div. Vln 1 p arco, div. p Vln 2 p arco, div. Vla p arco Vc. mp

the


197

183 1981

mf

Fl. 1-3 mf

mf

mf Ob. 1-3 mf

mp

mf Cl. 1-3 (Bb) f

mf

mp

Bsn 1.2

Cbsn mp Tbn. 1-3 pp Tba pp mf S. But

the

prompt

ings

of

his

heart,

prompt

ings

of

his

heart.

the

prompt

ings

of

his

heart,

prompt

ings

of

his

heart.

mf A. But

T. prompt

ings

of

his

heart,

prompt

ings

of

his

heart.

And

prompt

ings

of

his

heart,

prompt

ings

of

his

heart.

And

B.

183

unis.

Vln 1 mp unis. Vln 2 mp unis. Vla mp

Vc.

Db. mp


184

198

1986

f

Fl. 1-3 f

f

f Ob. 1-3 f

mf

f Cl. 1-3 (Bb)

mf

Bsn 1.2 mf Cbsn mp Hn 1.2 mp

open

f

open

Tpt 1-3 f

open

f Tbn. 1-3 mp Tba mp S. And

Pa

ris

will

be

seen

as

just

the

start.

Pa

ris

will

be

seen

as

And

Pa

ris

will

be

seen

as

just

the

start.

Pa

ris

will

be

seen

as

A.

T. Pa

ris

will

be

seen

as

just

the

start.

Pa

ris

will

be

seen

as

just

the

start.

Pa

ris

will

be

seen

as

just

the

start.

Pa

ris

will

be

seen

as

just

the

start.

B.

184 Vln 1 mp

mf

mp

mf

Vln 2

Vla mf

Vc. mf Db. mf


199

185

1991

p Fl. 1-3 p

p

p Ob. 1-3 p

p

p Cl. 1-3 (Bb)

Bsn 1.2

Cbsn

Hn 1.2

Tpt 1-3

Tbn. 1-3

Tba

(2 or 3 voices, ad lib.) S. just

the

start.

just

the

start.

By

day

A.

T.

B.

185 Vln 1 p

Vln 2 p

Vla p Vc.

Db.

I

hunt,

By night

I

sew.


200 1996 Fl. 1-3

Ob. 1-3

1. Cl. 1-3 (Bb) p

Bsn 1 p

Hn 1 p

S.

(2 or 3 voices, ad lib.) T. By

day

I

hunt,

by night

I

sew.

(2 or 3 voices, ad lib.) B. By

Vln 1

Vln 2

Vla

div.


201

186 2001 Cl. 1-3 (Bb)

Cbsn

2 2

3 2

2 2

3 2

2 2

3 2

2 2

3 2

2 2

3 2

2 2

3 2

2 2

3 2

pp 1. 1.2

pp

Hn 3.4 pp

Tbn. 1-3 pp Tba pp

(All) S. By

day

I

3 2

2 2

A. By

day

I

herd,

by night

I

weave.

By

I

3 2

2 2

(All) B. day

3 2

2 2

(All) T. By

I

day

day

I

186 Vln 1

Vln 2

2 2

3 2

2 2

3 2

2 2

3 2

2 2

3 2

2 2

3 2

2 2

3 2

Vla

Vc. p Db. p


187

202 2007

Fl. 1-3

3 2

2 2

3 2

3 2

2 2

3 2

p

2 2

3 2

2 2

3 2

2 2

3 2 3 2

p

Cl. 1 (Bb)

Cbsn

1.2

3 2

2 2

3 2

3 2

2 2

3 2

2 2

3 2

2 2

3 2

2 2

2 2

3 2

3 2

mp

Hn 3.4

mp

3 2

mp Tbn. 1-3

Tba

Crot.

3 2 3 2 3 2

mp

mp

mf

Vib.

3 2

2 2

3 2

2 2

3 2

2 2

3 2

2 2

3 2

2 2

3 2

2 2

3 2

2 2

3 2

2 2

3 2

mf

2 2

3 2

2 2

3 2

2 2

3 2

mf

mf

Crotales

p Glock.

p

mf

2 2

3 2

p

3 2

2 2

3 2

3 2

2 2

3 2

Glockenspiel p

p

S.

2 2

3 2 milk

A.

or

2 2

3 2 milk

T.

3 2 or

2 2

3 2 milk

B.

3 2

3 2 or

2 2

3 2 milk

3 2 or

f

mp

mow.

By

f

mp

mow.

By

f

mp

mow.

By

f

mp

mow.

By

night

I

2 2 night

3 2 I

2 2 night

3 2 I

2 2 night

3 2 I

187 div. Vln 1

Vln 2

3 2 3 2

mp

mp

2 2

mf

2 2

3 2

2 2

3 2

2 2

3 2

2 2

3 2

2 2

3 2

2 2

3 2

p

3 2

mp

2 2 p div.

3 2 mf

2 2

3 2

3 2

mf

Vla

2 2

3 2 Vc.

Db.

3 2 3 2

mp

mp

mp

2 2 2 2

3 2 3 2 3 2

mf

mf

mf

pizz.

p


203 2013

Fl. 1-3

Ob. 1-3

3 2

2 2

3 2

2 2

3 2

3 2

2 2

3 2

2 2

3 2

3 2

2 2

3 2

2 2

3 2

3 2

2 2

3 2

2 2

3 2

3 2

2 2

3 2

2 2

3 2

2 2

3 2

p

p

Cl. 1-3 (Bb)

3 2

2 2

3 2

3 2

2 2

3 2

2 2

3 2

3 2

2 2

3 2

2 2

3 2

2 2

3 2

2 2

3 2

3 2

2 2

3 2

2 2

3 2

3 2

2 2

3 2

2 2

3 2

3 2

2 2

3 2

2 2

3 2

3 2

2 2

3 2

2 2

3 2

p

p

3 2 p Crot.

Glock.

Vib.

S.

cook,

A.

make

2 2

3 2 cook,

T.

make

cook,

B.

cook,

Vln 1

Vln 2

Vla

cloth,

make

or

or

pots,

or

or

cloth,

pots,

or

or

pots,

or

2 2

3 2

2 2

3 2

3 2

2 2

3 2

2 2

3 2

2 2

3 2

2 2

3 2

2 2

3 2

2 2

3 2

div. a 3

p

Vc.

3 2

I

am

dough.

For

I

am

dough.

For

I

am

dough.

For

I

am

3 2

3 2

3 2

For

3 2

2 2

3 2

dough.

3 2

2 2 cloth,

make

pots,

2 2

3 2

2 2

3 2

or

3 2

2 2

3 2

cloth,


188

204

2019

cresc. poco a poco

Fl. 1-3 cresc. poco a poco

cresc. poco a poco

cresc. poco a poco Ob. 1-3 cresc. poco a poco

cresc. poco a poco

cresc. poco a poco Cl. 1-3 (Bb) cresc. poco a poco

cresc. poco a poco Cbsn pp

cresc. poco a poco

1.2 mf

Hn 3.4

mf Tpt 1.2 pp

cresc. poco a poco

pp

cresc. poco a poco

Tbn. 1-3

Tba pp

cresc. poco a poco

S. herds

man

or

hunts

man,

and

pot

ter

or

herds

man

or

hunts

man,

and

pot

ter

or

herds

man

or

hunts

man,

and

pot

ter

or

herds

man

or

hunts

man,

and

pot

ter

or

A.

T.

B.

188 unis. Vln 1 cresc. poco a poco unis. Vln 2 cresc. poco a poco unis. Vla cresc. poco a poco arco Vc. cresc. poco a poco Db. cresc. poco a poco


205

189

2024

2 2

3 2

2 2

3 2

2 2

3 2

2 2

3 2

2 2

3 2

2 2

3 2

2 2

3 2

(mf)

Fl. 1-3 (mf)

(mf)

(mf) Ob. 1-3 (mf)

(mf)

(mf)

3 2

2 2

Cl. 1-3 (Bb)

(mf)

3 2

2 2 (mf)

3 2

a2

2 2

mf

2 2

3 2

2 2

3 2

2 2

3 2

2 2

3 2

2 2

3 2

2 2

3 2

2 2

3 2

Bsn 1.2

Cbsn mf 1.2 p

Hn 3. 3.4

p

1.2 Tpt 1-3 mf Tbn. 1-3 mp

p

Tba mp

p

S. wea

ver,

or

cook.

I

am the

wel

der

of

the

wheel,

I

am

the

3 2

2 2

A. wea

ver,

or

cook.

I

am the

wel

der

of

the

wheel,

I

am

the

3 2

2 2

T. wea

ver,

or

cook.

I

am the

wel

der

of

the

wheel,

I

am

the

3 2

2 2

B. wea

ver,

or

cook.

I

am the

wel

der

of

the

wheel,

I

am

the

189 Vln 1

2 2

3 2

2 2

3 2

2 2

3 2

2 2

3 2

2 2

3 2

2 2

3 2

mf Vln 2 mf

Vla

div.

mf

mf Vc. mf Db. mf


206 2030

190 3 2

2 2

3 2

very gradually moving forward

5 4

2 2

5 4

2 2

5 4 5 4

2 2 2 2

5 4 5 4

2 2 2 2

5 4

2 2

5 4

2 2

f Fl. 1-3

Ob. 1-3

Cl. 1-3 (Bb)

Bsn 1.2

Cbsn

1.2 Hn 3.4

3 2

2 2

3 2

3 2 3 2

2 2 2 2

3 2 3 2

3 2 3 2

2 2 2 2

3 2

2 2

3 2

3 2

2 2

3 2

3 2 (a2) 3 2

2 2 2 2

3 2 3 2

5 4 5 4

2 2 2 2

3 2

2 2

3 2

5 4

2 2

3 2

2 2

3 2

5 4

2 2

3 2

2 2

3 2

5 4

2 2

5 4

2 2

5 4

2 2

5 4

2 2

5 4

2 2

f

f

f

f

f

3 2 3 2

f

f

mp

mp Tpt 1-3

3 2

2 2

3 2

mp Tbn. 1-3

Tba

S.

A.

3 2

2 2

3 2

3 2

2 2

3 2

3 2

3 2

2 2

3 2 buil

der

of

the

buil

der

of

the

buil

der

of

the

wall.

mp

mp

No

B.

3 2

2 2

wall.

buil

der

of

the

Vln 2

Vla

Vc.

Db.

ver

will

e

ver

task,

how

e

ver

small,

2 2 will

e

ver

5 4 No

task,

how

e

ver

small,

2 2 will

e

ver

5 4

3 2 No

wall.

small,

5 4

190 Vln 1

e

3 2

wall.

2 2

3 2

how

3 2

2 2

No

T.

task,

task,

how

e

ver

small,

2 2 will

e

ver

very gradually moving forward

3 2

2 2

3 2

5 4

2 2

3 2

2 2

3 2

5 4

2 2

3 2

2 2

3 2

5 4

2 2

3 2

2 2

3 2

5 4

2 2

3 2

2 2

3 2

5 4

2 2

3 2

2 2

3 2

5 4

2 2


207 2035

Fl. 1-3

Ob. 1-3

Cl. 1-3 (Bb)

2 2

3 2

5 4

3 2

2 2

2 2

3 2

5 4

3 2

2 2

2 2

3 2

5 4

3 2

2 2

3 2

5 4

3 2

2 2

2 2

3 2

5 4

3 2

2 2

2 2

3 2

5 4

3 2

2 2

2 2

3 2

5 4

3 2

2 2

2 2

3 2

5 4

3 2

2 2

3 2

5 4

3 2

2 2

2 2

3 2

5 4

3 2

2 2

2 2

3 2

5 4

3 2

2 2

2 2

3 2

5 4

3 2

2 2

5 4

3 2

f

2 2 Bsn 1.2

Cbsn

1.2 Hn 3.4

2 2

mf

3 2

mf Tpt 1-3

Tbn. 1-3

Tba

2 2

3 2

mf

3 2 mf

3 2

mf S.

A.

T.

2 2

pall.

3 2

pall.

3 2

3 2

5 4

mp

5 4

3 2

5 4

3 2

2 2

mf

2 2 2 2

mf

2 2 2 2

mf

3 2

5 4 No

task,

how

e

ver

No

task,

how

e

ver

No

task,

how

e

ver

small,

will

e

ver

small,

will

e

ver

small,

will

e

ver

5 4 5 4

task,

how

e

ver

small,

3 2 3 2

2 2 pall.

pall.

will

e

2 2 2 2

pall.

3 2

5 4 No

mf

2 2

mf

3 2

2 2 pall.

Vln 1

mp

3 2

pall.

B.

mp

mp

2 2 2 2

f

mp

2 2 2 2

f

to Picc.

ver

2 2 pall.

3 2

5 4

3 2

2 2

3 2

5 4

3 2

2 2

3 2

5 4

3 2

2 2

3 2

5 4

3 2

2 2

3 2

5 4

3 2

2 2

5 4

3 2

2 2

f

Vln 2

2 2 f

2 2 Vla

Vc.

Db.

f

2 2 2 2 2 2

f

3 2

f

f


208 2040

Fl. 1-3

Ob. 1-3

Cl. 1-3 (Bb)

Bsn 1.2

Cbsn

1.2 Hn 3.4

Tpt 1-3

2 2

3 2

2 2

3 2

2 2

3 2

2 2

3 2

2 2

3 2

2 2

3 2

2 2

3 2

2 2

3 2

2 2

3 2

2 2

3 2

2 2

3 2

2 2

3 2

2 2

3 2

2 2

3 2

2 2

3 2

2 2

3 2

2 2

3 2

2 2

3 2

2 2

3 2

2 2

3 2

2 2

3 2

2 2

3 2

2 2

3 2

2 2

3 2

2 2

3 2

2 2

3 2

2 2

3 2

2 2

3 2

2 2

3 2

2 2

3 2

f

f

f

Tbn. 1-3

Tba

Timp.

2 2

3 2

2 2

3 2 3 2

2 2

f

f

f

S.

3 2

2 2 For

A.

Vln 2

Vla

Vc.

Db.

I

am

3 2

2 2 I

am

of

I

am

these,

and

all.

3 2

2 2 none

of

none

of

these,

and

all.

3 2

2 2 these,

and

all.

3 2

2 2

3 2

2 2 For

Vln 1

none

3 2

For

B.

am

2 2 For

T.

I

none

of

these,

and

all.

2 2

3 2

2 2

3 2

2 2

3 2

2 2

3 2

2 2

3 2

2 2

3 2

2 2

3 2

2 2

3 2

2 2

3 2

2 2

3 2

2 2

3 2

2 2

3 2


191

209

With movement h = 80

2046 Picc. mp

Fl. 1.2 mp

Ob. 1.2 mp

Ob. 3 mf

Cl. 1-3 (Bb) mp 1. Bsn 1.2 mp

mf

Glock. mp con ped. Vib. mp

Hp

mp

f S. Which e ver trade

I

ply,

mf A. Which

e

ver trade

I

ply,

mf T. Which e

f B. Which e ver trade

191

With movement h = 80

Vln 1 mp

Vln 2 mp

unis. Vla mp

I

ply,


210 2051 Ob. 1.2 mf

Ob. 3

Bsn 1.2

Tpt 1 p

Vib.

Hp

mf S. Which

e

ver

trade

I

ply, which

e

ver,

which

e

ver

trade

I

ply

Which

e

ver

I

ply,

which

e

ver

part

I

play,

f A. which

e

ver

part

I

play,

ver

trade

I

ply,

which

e

Which e ver part

I

play,

T. ver

part

I

play,

trade

f B. Which e ver part

Vln 1

Vln 2

Vla

pizz., div.

Vc. mf

I

play,


192

211

2055 Picc. mf

Fl. 1.2 mf

Ob. 1.2 mf

Ob. 3 mf

mf

Cl. 1-3 (Bb) mf 1. Bsn 1.2 mf

mf

Hn 1 mp

Tpt 1 mp

Glock. mf

Vib. mf

Hp

mf

f S. Which e ver trade

I

ply,

f A. Which e ver part

I

f T. Which

e ver trade

I

ply,

f B. Which

192 Vln 1 mf

Vln 2 mf

Vla mf


212

193

2060 Picc.

f Fl. 1.2 f Ob. 1.2 f Ob. 3 f Cl. 1-3 (Bb) f Bsn 1.2 f Cbsn 1.

f

1.2 f

Hn 3.4 a2

1.

Tpt 1-3

f

3. f

p

f

p

Tbn. 1-3 f Tba f Timp. mf Bass Drum B. D.

mf Tam-tam

T.-t. mf Vib. f

f

Hp

f S. which e ver trade

I

ply,

I have a voice,

f A. play,

Which e ver part

I

play,

f

I have a voice,

T. Which

e ver trade

I

ply,

I have a voice,

f B. e ver part

I

play,

Which e ver part

I

play,

I have a voice,

193 div. Vln 1 f div. Vln 2 f div. Vla f

arco

Vc. mf

f

Db. f


213 2064 Picc.

Fl. 1.2

Ob. 1-3

Cl. 1-3 (Bb)

Bsn 1.2 f Cbsn f 1.2 Hn 3.4 a2

Tpt 1-3

f

p

f

p

Tbn. 1-3 f Tba f Timp. mf B. D.

mf

T.-t. mf Vib.

Hp

f S. I have a

voice,

I have a

voice,

I have a

voice,

I have a

voice,

f A.

f T.

f B.

Vln 1

Vln 2

Vla

Vc. f Db. f


214 2068 Picc.

Fl. 1.2

Ob. 1-3

Cl. 1-3 (Bb)

Bsn 1.2 mf

f

f

Cbsn f

1.2

mf

f

f

mf

f

f

Hn 3.4

Tbn. 1-3 f Tba f Timp. f B. D.

f

Vib.

Hp

S. I

have

free

dom,

I

have

choice.

I

have

free

dom,

I

have

choice.

I

have

free

dom,

I

have

choice.

I

have

free

dom,

I

have

choice.

A.

T.

B.

Vln 1

Vln 2

Vla

div. a 3 Vc. mf

f

f div.

Db. f


215

194 2073 Picc. p

Fl. 1.2 p

Ob. 1-3 p

Cl. 1-3 (Bb) p

Tpt 1-3 pp

mp S. Here

is

no

sla

ve ry

of

child

ren.

Here

p

is

no

p

A.

Here

is

no

sla

ve

ry,

no

sla

ve ry,

no sla

ve ry

of child ren,

child ren,

Here

is

no

mp T. Here

is

no

p B. Here

194 unis. Vln 1 mp

unis. Vln 2 mp

Vla p

unis. Vc. p

div.

unis.

is

no


216

195

2078 Picc.

mf

Fl. 1.2 mf

Ob. 1-3 mf

Cl. 1-3 (Bb) mf

1.2

legato

p

mf

3.

legato

p

mf

Hn 3.4

Tpt 1-3

Vib. mf

mf

Hp

S. en

mi ty

of

fa

no

en

of

fa

no

en

ther

for

son.

A

A.

en

mi

ty,

mi ty,

no en

mi ty

of

fa

ther

for

son.

A

T. en

mi ty

ther

for

son.

A

B. en

mi

ty,

mi ty,

no en

mi ty

of

fa

ther

for

son.

A

195 div. Vln 1 mf div. Vln 2 mf

Vla div.

Vc.

mf


217 2082 Picc.

Fl. 1.2

Ob. 1-3

Cl. 1-3 (Bb)

Bsn 1.2 f Cbsn f 1.2 Hn

f

mf

f

mf

3.4

Tbn. 1-3 f Tba f Timp. f B. D.

f

Vib.

Hp

S. new

and

shin

ing

day

break

has

be

gun.

A

new

and

shin

ing

day

break

has

be

gun.

A

new

and

shin

ing

day

break

has

be

gun.

A

new

and

shin

ing

day

break

has

be

gun.

A

A.

T.

B.

Vln 1

Vln 2

Vla

Vc. f unis. Db. f


218 2087 Picc.

Fl. 1.2

Ob. 1-3

Cl. 1-3 (Bb)

Bsn 1.2

Cbsn

1.2 f

Hn 3.4

f Tbn. 1-3 f Tba

Timp. f B. D.

f

T.-t. f Vib.

Hp

S. new

and

shin

ing

day

break

has

be

gun.

new

and

shin

ing

day

break

has

be

gun.

new

and

shin

ing

day

break

has

be

gun.

new

and

shin

ing

day

break

has

be

gun.

A.

T.

B.

Vln 1

Vln 2

Vla

Vc. f Db. f


196

219

2091 Picc. mp

f

mp

f

mp

f

mp

f

mp

f

mp

f

Fl. 1.2

Ob. 1.2

Cl. 1-3 (Bb) mp

Bsn 1.2 mp a2 Hn 1.2 f 1.

f Tpt 1-3 2. f 1.

2.

f

f

Tbn. 1-3

Vib. mp

mp Hp

f S. A rise!

A rise!

f A. A

rise!

f T. A

rise!

A rise!

f B. A rise!

A rise!


220

197

2097 Picc.

ff

Fl. 1.2 ff 1.2 Ob. 1-3 ff Cl. 1-3 (Bb) ff a2 Bsn 1.2 ff Cbsn (a2)

ff

1.2 ff

Hn 3.4

ff

(1.)

Tpt 1-3

ff (2.)

ff

ff

Tbn. 1-3

ff Tba ff Timp. ff B. D.

ff

Vib.

Hp ff S. A ff

wake!

A

wake!

A

wake!

A

wake!

A ff

wake!

A

wake!

A

wake!

A

wake!

A

wake!

A

wake!

A

wake!

A

wake!

wake!

A

wake!

A

wake!

A

wake!

A. A rise!

T.

ff B. A

197 Vln 1 ff Vln 2 ff Vla ff unis. Vc. ff Db. ff


221

198

2101 Picc.

Fl. 1.2

Ob. 1-3

Cl. 1-3 (Bb)

Bsn 1.2

Cbsn

1.2 Hn 3.4

Tpt 1-3

Tbn. 1-3

Tba

Timp.

B. D.

S. A

wake!

A

wake!

Karl

Marx!

A

wake!

A

wake!

A

wake!

Karl

Marx!

A

wake!

A

wake!

A

wake!

Karl

Marx!

A

wake!

A

wake!

A

wake!

Karl

Marx!

A

wake!

A.

T.

B.

198 Vln 1

Vln 2

Vla

Vc.

Db.


222 2106

15 8

Picc.

15 8

Fl. 1.2

15 8

Ob. 1-3

15 8

Cl. 1-3 (Bb) (a2)

15 8

Bsn 1.2

15 8

Cbsn sffz

p

15 8

1.2 Hn

15 8

3.4

15 8

Tpt 1-3 a2

Tbn. 1-3

sffz

15 8 p

15 8 sffz

p

15 8

Tba sffz

p

15 8

Timp. sffz

p

B. D. MARX wakes and looks around in horror. The FIGURES have disappeared. So has his case. gasping MARX M.

15 8 15 8

No!!!

15 8

S. A

wake!

Karl Marx!

A wake!

A wake!

A wake!

15 8

A. A

wake!

Karl Marx!

A wake!

A wake!

A wake!

15 8

T. A

wake!

Karl Marx!

A wake!

A wake!

A wake!

15 8

B. A

wake!

Karl Marx!

A wake!

A wake!

A wake!

unis.

15 8

Vln 1 ff unis.

15 8

Vln 2 ff unis.

15 8

Vla ff

15 8

Vc. sffz

p

15 8

Db. sffz

p


199 2114 Ob. 1-3

Cl. 1-3 (Bb)

Bsn 1.2

Cbsn

1.2

15 8

p

15 8 p

15 8

Tpt 1-3

Tbn. 1-3

p

mf

p

mf

p

mf

p

mf

15 8 15 8 15 8

M.

Db.

1.

p

mf

p

mf

p

mf

mf

p

mf

mf

mf

15 8 15 8 No!

Vc.

mf

15 8 p

Timp.

mf

15 8

Hn 3.4

223

Agitated h. = 80

199 15 8

No!

No!

My sil ver!

My sil ver!

Where is my pre cious sil ver?

Agitated h. = 80

15 8

2119 Picc. f Fl. 1.2 f 3. to C. A. Ob. 1-3 f Cl. 1-3 (Bb) f Cbsn pp

ff

1.2 Hn

f

3.4 f 2.3 a2 Tpt 1-3 f

3.

Tbn. 1-3 f

pp

ff

pp

ff

Tba

Timp. f

ff

f

ff

Vc.

Db. f

ff


224

Scene Twelve

200 2123 Ob. 1 p Cbsn p Tba p The streets and houses of London, inside and out...

TUSSI

T. Run, Tus si, run!

Your

200 Vln 1 p Vln 2 p Vla p Vc. p pizz. Db. p

2126 Ob. 1

T. man has a

Vln 1

Vln 2

Vla

Vc.

Db.

gun!

He

has it,

and

he means

to use

it!

(Still

I won

der, who’s

it who’s

in


225

201

2129 Picc.

p Fl. 1 p Ob. 1

1.2 Hn

p

3.4

p

T. charge?)

Go, Tus si, go!

Or you

201 Vln 1

Vln 2

Vla

Vc.

Db.

2132 Picc.

Fl. 1

T. may ne ver know

Vln 1

Vln 2

Vla

Vc.

Db.

the

out

come

of

this thril

ling thril ler,

not

while there’s

a

kil ler

still

at


226 2135

to Fl.

202

Picc.

Fl. 1

a2 Ob. 1.2 p

Cor Anglais C. A. p

Cl. 1-3 (Bb) p

Bsn 1.2 p

Cbsn p

1.2 Hn

p

3.4

p TYPEWRITER

p

Kbd

T. large!

SPY S. Four

202

teenth

pizz.

Vln 1 (p)

pizz. Vln 2 (p) pizz., div. Vla (p)

pizz. Vc. (p)

Db. (p)

Au

gust,


227 2138 (a2) Ob. 1.2 f C. A. f

Cl. 1.2 (Bb) f Cl. 3 (Bb) f

Bsn 1.2 f Cbsn f

Kbd

S. Eigh

teen se ven ty one.

The

do

er

un

done.

In

debt

and on

the run.

Vln 1 f Vln 2 f Vla f Vc. f Db. f

2141 Ob. 1 mp Cl. 1.2 (Bb) mp Cl. 3 (Bb) mp MARX M. My sil

Vc. mp Db. mp

ver!

My sil

ver!

Where is

my pre cious sil

ver?

My sil

ver!

My sil

ver!

Where is

my sil

ver?

It was my


228 2145 Ob. 1.2 mf

Cl. 1.2 (Bb) mf

Cl. 3 (Bb) mf

Bsn 1.2 mf

Cbsn mf

Hn 1.2 mp

Timp. mp

Hp

mf

M. one

re main

arco, div. Vln 1 mf

arco, div. Vln 2 mf

arco (div.) Vla mf

arco Vc. mf

arco Db. mf

ing

hope!

Now I

have none!

My

one

re main

ing

hope!


203

229

2148 Fl. 1-3 f 1. Ob. 1.2 f 1. Cl. 1.2 (Bb) f Cl. 3 (Bb)

a2 Bsn 1.2 f Cbsn f Hn 1.2

Tpt 1-3 mp Timp.

Hp

TUSSI T. Run, Tus si,

run!

JENNY J. Oh,

Marx!

M. Now I

have none!

203 Vln 1 f

Vln 2 f

Vla f

Vc. f Db. f

Oh,


230 2151 Fl. 1-3 f

f

Ob. 1.2

f C. A. f

f Cl. 1-3 (Bb) f

f (a2) Bsn 1.2

Cbsn

1.2 Hn

mf

3.4

mf Tpt 1-3 mp (Typewriter)

f

Kbd

T. Run, Tus si, run!

J. Marx!

Mis

for

tune’s

S. Four teenth

Au

gust, Eigh

teen

se ven ty

M. My

Vln 1

Vln 2

Vla

Vc.

Db.


231 2154 Fl. 1-3

f

Ob. 1.2

f C. A. f

Cl. 1-3 (Bb) f

f Bsn 1.2

Cbsn

1.2 mf

Hn 3.4

mf

Tpt 1-3

Kbd

J. son!

What

have

you

done?

What

have

you

done?

S. one.

Four teenth

Au

gust, Eigh

teen se ven ty

one.

M. one

Vln 1

Vln 2

Vla

Vc.

Db.

re main

ing hope! Now I

have none!

My

one

re main

ing hope! Now I

have none!


204

232

2157 Fl. 1-3 p

mp

p

mp

p

mp

p

mp

p

mp

p

mp

C. A.

p

Hp

Kbd

J. Done?

Done?

HELENE H. There’s

no

need

for

a

ny

whin

ing,

S. The do

er

un done, the do

er

un done,

In debt

and on

the run.

The do

er

un done, the do

er

un done,

M. None!

None!

204 pizz., unis. Vla mp

p

p

2160

mp

p

mp

3. to Picc.

Fl. 1-3 p

mp

p

mp

C. A.

Cl. 1.2 (Bb) p Hp

Kbd

T. Run, Tus si, run!

Run, Tus si, run!

Run, Tus si, run!

J. Done?

H. while

you’re

win

ing.

In debt and on

the run.

(If you’ll

for give

the

pun,

if you’ll

for give

S. The do er un done, the do er un done,

The do er un done, the do er un done,

M. None!

None!

Vla p

mp

p

None!

the


233

205

2163 Picc.

p

Fl. 1.2 p Ob. 1 p C. A. p Cl. 1.2 (Bb)

Bsn 1 p Hn 1 p

Hp

Kbd

T. Run, Tus si, run!

Your man has a gun!

J. Mis

for

tune’s

H. pun.)

If you’ll for give

the

pun.

S. Four teenth

M. Now I

205 Vln 1 p

Vln 2 p arco, div. Vla p pizz. Vc. pizz. Db. p

p

have none.

Au

gust, Eigh teen se ven ty


234 2167

9 8

Picc.

9 8

Fl. 1.2

9 8

Ob. 1

9 8

C. A.

9 8

Bsn 1

9 8

Hn 1

9 8 Kbd

9 8

9 8

T. Run, Tus si, run!

Your man has a gun!

Gun!

9 8

J. son!

What

have

you

If you’ll

for give

the

pun.

The do er un done.

Four

Now I

Db.

Pun.

teenth

Au

gust, Eigh

teen se ven ty

one.

The do er un

done.

9 8

M.

Vc.

have

9 8 one.

Vla

What

Pun.

S.

Vln 2

done?

9 8

H.

Vln 1

Gun!

have none.

None!

9 8 9 8 9 8 9 8 9 8

None!


235

206 15 8

2171

p Fl. 1.2

15 8 p

15 8

Ob. 1

p

15 8

Cl. 1.2 (Bb)

p

15 8

Cl. 3 (Bb)

p Glockenspiel

15 8

Glock.

p

15 8

T. Gun!

Gun!

Gun!

Gun!

Gun!

Gun!

Gun!

15 8

J. you

done?

What

have

you

done?

15 8

H. Pun.

Pun.

Pun.

Pun.

15 8

S. Run.

Done.

Run.

Done.

Run.

Done.

Run.

15 8

M. None!

Vln 1

Vln 2

Vla

Vc.

Db.

Done.

None!

None!

None!

My sil

206 15 8

15 8

15 8

15 8

15 8

ver!

My sil

ver!


236 2176

Fl. 1.2

Ob. 1

Cl. 1.2 (Bb)

Cl. 3 (Bb)

Bsn 1 p

Hn 1 p

Glock.

Hp p

ENGELS E. A

no

ther

knot

for

En

gels

to

un

M. Where is

Vc.

Db.

my pre

cious sil

ver?

My sil

ver!

My sil

ver!

Where is

my pre

cious sil

ver?


237 2179

Fl. 1.2

Ob. 1

Cl. 1.2 (Bb)

Cl. 3 (Bb)

Bsn 1

Hn 1

Glock.

Hp

T. Run, Tus si,

run!

E. tie!

Whose

life

long

lot

is

not

to

rea

son

M. My sil

Vc.

Db.

ver!

My sil

ver!

Where is

my pre cious sil

ver?

My sil

ver!

My sil

ver!

Where is

my pre cious sil

ver?


238

207

2183

Fl. 1.2

Ob. 1

Cl. 1.2 (Bb)

Cl. 3 (Bb)

Bsn 1 1. 1.2 pp

Hn 3.4

pp

Glock.

Hp

T. Run, Tus si,

run!

E. The more

why!

than thor

M. My sil

ver!

My sil

ver!

Where is

my pre

cious sil

ver?

207

pizz., unis.

Vln 1 pp pizz., unis. Vln 2 pp pizz. (div.) Vla pp Vc. pp Db. pp

ny is

sue of

one’s


239 2186 1.2 mp

Hn 3.4

mp E. is

sue re

ap pear

ing

is

sure

ly

no

one’s

i

dea

of

fun.

Vln 1 mp Vln 2 mp Vla mp Vc. mp Db. mp

2189 2. Ob. 1.2 pp C. A. pp a2 Cl. 1.2 (Bb) pp

a2

Bsn 1.2 pp Cbsn pp 1.2 Hn

pp

3.4 pp Tpt 1 pp

Kbd pp S. Four

teenth

Au

gust,

Eigh

teen se ven ty one.

The

do

er

un

done.

In

E. The more

Vln 1 pp Vln 2 pp Vla pp Vc. pp Db. pp

than thor

ny is

sue of

one’s

is

sue re

ap pear

ing

is

sure

ly

no

one’s

i


240

208

2192 Picc.

mf

Fl. 1.2 mf

Ob. 1.2 mp

mf

mp

mf

C. A.

Cl. 1.2 (Bb) mp Bsn 1.2 mp Cbsn mp 1.

1.2 mf

mp

Hn

3. 2. 4.

3.4 mp

mf

Tpt 1 mp

mf

Timp. mf B. D. mf Kbd mp FREDDY F. I’m now

re gret

ting

this

fa

est

fear

ble

I’ve

spun.

How

S. debt

and on

the run.

dea

of

fun.

E. The

great

208 arco Vln 1 mp

mf arco

Vln 2 mp

mf arco

Vla mp

mf arco

Vc. mf arco Db. mf

of

a


241 2195 Picc.

Fl. 1.2

Ob. 1.2

C. A.

Cl. 1.2 (Bb) mf Cl. 3 (Bb) mf

1.2 Hn 3.4

Tpt 1

Tbn. 1 mf Timp.

B. D. Tambourine Tamb. mf

F. aw

ful let ting her think

I’m

work

ing for

the Hun.

I’m now

re gret

ting

this

E. lo

ver

is

one

day

WORKMEN W. We’re now

Vln 1

Vln 2

Vla

Vc.

Db.

re gret

ting

this


242 2198 Picc.

Fl. 1.2

Ob. 1.2

to Ob. C. A.

Cl. 1.2 (Bb)

Cl. 3 (Bb)

(1.) 1.2 Hn (3.2.4) 3.4

Tpt 1

Tbn. 1

Timp.

B. D.

Tamb.

F. fa

ble

I’ve

spun.

How

aw

ful

let ting her think

I’m

work

ing for

the Hun.

E. to

dis

co

ver

W. con

Vln 1

Vln 2

Vla

Vc.

Db.

tract

we’ve

won.

This bloo

dy Bech

stein

weighs

a

ton.


243 2201

9 8

p Fl. 1.2

9 8 p

9 8

1. Ob. 1 p

9 8

Cl. 1.2 (Bb) p

9 8

Cl. 3 (Bb) p

Marimba

9 8

Mar. p

9 8 Hp

p

9 8

9 8

F. Work ing for

the Hun.

Work ing for

the Hun.

9 8

E. The

ex is

tence

of

a long

lost

son.

The

ex is

tence

of

a long

lost

son.

9 8

W. Weighs a ton.

Weighs a ton.

9 8

Vc. p

9 8

Db. p


209

244

2205

9 8

Fl. 1.2

cresc. poco a poco

9 8 cresc. poco a poco

Ob. 1

9 8 cresc. poco a poco

Cl. 1.2 (Bb)

9 8

Cl. 3 (Bb)

98

cresc. poco a poco

cresc. poco a poco

9 8 Bsn 1.2

Cbsn

Hn 1

p

9 8

cresc. poco a poco

p

cresc. poco a poco

9 8 9 8

p

cresc. poco a poco

p

cresc. poco a poco

Glockenspiel

Glock.

9 8

cresc. poco a poco Mar.

9 8 cresc. poco a poco

9 8 Hp

T.

mp

9 8

mf

9 8 Gun!

J.

9 8 Son!

H.

Done!

pun

pun

pun

hun

hun

run

pun

pun

pun

pun

pun

hun

hun

hun

hun

hun

hun

done

run

done

run

done

run

done

run

son

son

9 8 none

none

none

none

none

none

none

9 8 209 9 8 cresc. poco a poco

Db.

pun

son

ton

Vc.

pun

9 8

none

W.

pun

hun

son

M.

Son!

9 8 done

E.

Done!

9 8 hun

S.

Son!

9 8 Pun

F.

Run!

9 8 cresc. poco a poco

ton

ton

ton

ton

ton

ton


245

210

2210 Picc.

mf

mf

Fl. 1.2

mf

1. Ob. 1-3

mf Cl. 1.2 (Bb) mf Cl. 3 (Bb) mf

mf

Bsn 1.2

mf Cbsn mf

1. 1.2 Hn

3.

mf

3.4 mf Glock. Mar.

Hp

T. Gun!

Run!

Run Tus si, run!

J. Done!

Son!

Done!

Mis for

tune’s

son,

what have you

H. pun

pun

pun

pun

pun

pun

For

give

the

F. hun

hun

hun

hun

hun

Ah!

S. done

run

done

run

done

run

The do er, the

do er un done,

un done,

un done,

In

E. son

son

No one’s i dea

of

fun,

no one’s i

dea

of

fun,

M. none

none

none

none

Now I have none.

Now I have none.

W. ton

ton

ton

ton

ton

Weighs

210 Vln 1 mf Vln 2 mf unis. Vla mf Vc. mf Db. mf

a

ton!

Now

I have


246 2215 Picc.

Fl. 1.2

Ob. 1-3

Cl. 1.2 (Bb)

Cl. 3 (Bb)

a2 Bsn 1.2

Cbsn

1.2 Hn

(3.)

3.4

T. Run Tus

si, run!

Run Tus

si, run!

Run Tus si, run!

J. done?

Mis for

tune’s

son,

what have you

done?

H. pun

For

give

the

pun

F. Ah!

S. debt

and on

the

run.

lost

son.

The do

er, the

do

er

un

done,

un done,

un done,

In

debt

and on

the

run.

lost

son.

E. a long

No one’s i

dea

of

fun,

no one’s i

dea

of

fun,

a long

M. none.

Now I have none.

Now I have none.

Now I have none.

W. Weighs

Vln 1

Vln 2

Vla

Vc.

Db.

a

ton!

Now

I have none.

Now I have none.


247

211

2219 Picc.

f

Fl. 1.2 f Ob. 1.2 f Ob. 3 a2

f

Cl. 1.2 (Bb) f Cl. 3 (Bb) f Bsn 1.2 f Cbsn f 1.2 f

Hn 3.4

f Tpt 1-3 f Tbn. 1-3 f Timp. f B. D. f T. Run Tus si, run!

Run Tus si, run!

J. Mis for

tune’s

son,

what have you done?

H. For

give

pun

the

F. Ah!

S. The do er, the

do er un done,

un done,

un done,

In debt

and on

the

run.

lost

son.

E. No one’s i dea

of

fun,

no one’s i

dea

of

fun,

a long

M. Now I have none.

Now I have none.

Now

I have none.

Now I have none.

W. Weighs

a

ton!

211 non div.

Vln 1 f

non div.

Vln 2 div. Vla f Vc. f Db. f

f


At this moment, A MAN – is it the SPY? -- appears suddenly and hurries across. He is carrying the missing case. 

248 2224

15 8

Picc. cresc.

ff

15 8

cresc.

ff

Fl. 1.2

15 8

cresc.

15 8 15 8

Ob. 1-3

15 8

ff

ff

ff

ff

cresc.

15 8 15 8

Cl. 1-3 (Bb)

15 8 (a2)

ff

ff ff

15 8

Bsn 1.2

ff

15 8

Cbsn

15 8

1.2 cresc.

Hn

15 8

3.4 cresc.

ff

ff

15 8

Tpt 1-3 cresc.

15 8

Tbn. 1-3

ff

ff

15 8

Tba

15 8

Timp. Tambourine B. D.

15 8 15 8

Glock. Tubular Bells Tub. B.

ff

15 8

ff

ff ff

ff

ff

15 8 Hp

Vln 1

Vln 2

Vla

Vc.

Db.

15 8

fff

15 8 15 8

ff

ff

15 8 15 8 15 8

ff

ff

ff


212

249

2229 Picc.

Fl. 1.2

p

p

Ob. 1-3

Cl. 1-3 (Bb) p

p Bsn 1.2

Cbsn

1.2 Hn 3.4

Tpt 1-3

Tbn. 1-3

Tba

Timp.

Tamb.

Glock.

Tub. B.

Hp

p

MARX notices him and calls out. 2

2

M. Not

212 Vln 1 p Vln 2 p pizz., unis. Vla p Vc.

Db.

so

fast!

Don’t


250

Blackout. End of Act One.

2232

pp

Fl. 1.2

Cl. 1-3 (Bb)

2.

pp

3.

pp

fff

pp

fff

Bsn 1.2 fff Cbsn fff 1.2 fff

Hn 3.4

a3 fff Tpt 1-3 fff Tbn. 1-3 fff Tba fff Timp. fff Bass Drum B. D. fff Hp 2

T. Black out.

End of Act One.

2

J. Black out.

End of Act One.

2

H. Black out.

End of Act One.

2

F. Black out.

End of Act One.

2

S. Black out.

End of Act One.

2

E. But in dashing after him, MARX slips and falls, and the FIGURE eludes him.

2

4

2

Black out. (He writhes in pain.)

End of Act One.

M. run!

2

I think I’ve put my back out...

W. Black out.

pizz.

End of Act One.

arco

Vln 1 p pizz.

fff arco

Vln 2 p fff arco Vla p

fff

Vc. fff Db. fff


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Dove - Marx in London  

Full Score Act 1

Dove - Marx in London  

Full Score Act 1