Piers Hellawell - Inside Story

Page 1

HELLAWELL Inside Story for Violin, Viola and Orchestra Score

EP 71327a



Inside Story orchestra flutes 1 & 2 (2nd d. pice.) oboes 1 & 2 clarinets in Bb 1 & 2 (1st dEb, 2nd d b-Clt) bassoons 1& 2 contrabassoon horns 1 - 4 in F trumpets 1 & 2 in Bb jlugelhorn trombones 1 & 2 bass trombone tuba percussion 1-3 Player 1 Marimba, Vibraphone, CowBell, Glockenspiel, 3 Blocks, Snare drum, Steel drum, Stirred bowl of chickpeas (with chopstick to stir)

Player 2 Tubular bells, Tam-tam, Bath chimes*, Bell tree, Triangle, Suspended cymbal, Clash cymbals, 3 Tom-toms, Tambourine, Rain stick, Toy trumpet*, Chickpea rattle*

Player 3 Marimba, Glockenspiel, Cowbell, Mark tree, Crotales, Triangle, Suspended cymbal, Clash cymbals, Bass drum, Snare drum, 3 Tom-toms, Guiro, 3 Blocks.

harp Solo Violin Solo Viola Strings (1 2 10 8 8 6 players min.)

* may be supplied by composer if necessary

Maecenas Music


Special Techniques STRINGS:

Beyond Bridge

tRf Tap/Knock

~

Pluck/bow the section of open string beyond the bridge. CrosPL.s. a-or Small note heads denote open string to be used (E, G) etc but not the expected pitch! Cello/Bass to tap tailpiece with bow in alternation with the knocking of instrument body with knuckles at a resonant spot.

Screech

A sforzando gliss to highest pitch possible - always very clipped, even when not loud.

Chopstick....::; Tremolo

Basses to sound tremolo open E string with chopsticks either side of string.

Repeat . Boxes

String players should treat boxes for repetition of a phrase individually, with no attempt at coordination with the section as a whole. Many boxes allow for individual pauses ad lib.

v

E

:II~ PERCUSSION:

Chickpea Bowl ~

Stir c 30 chickpeas in china mixing bowl with chopstick. The ringing sound may be improved by resting bowl on a hard surface.


Piets Hellawell

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Inside Story

Piers Hellawell (b.  1956) has worked with the Schubert Ensemble of London, Hilliard Ensemble, RTÉ Vanbrugh Quartet and BBC Scottish Symphony Orchestra, for whom he wrote Dogs and Wolves (2006), among others worldwide. Works include: Cors de chasse, a concerto commissioned for Håkan Hardenberger (trumpet) and Jonas Bylund (trombone) by the Philharmonia Orchestra; Degrees of Separation, commissioned for the opening of The Sage Gateshead (2004); and Syzygy, premiered in Sweden by Swedish Chamber Orchestra and Stockholm Chamber Brass in 2013. More recent collaborators include Paul Watkins (cello), who premiered atria in 2013, and Fenella Humphreys (violin), for her ‘Bach to the Future’ project. Hellawell is currently Professor of Composition at The Queen’s University of Belfast.

Hellawell

Photo © Gerry Hellawell

Piers Hellawell

Piers Hellawell (*1956) hat mit vielen internationalen Ensembles zusammengearbeitet, darunter das Schubert Ensemble of London, das Hilliard Ensemble, das RTÉ Vanbrugh Quartet sowie das BBC Scottish Orchestra, für das er Dogs and Wolves (2006) schrieb. Daneben entstanden Cors de chasse – ein Konzert für Håkan Hardenberger (Trompete) und Jonas Bylund (Posaune) im Auftrag des Philharmonia Orchestra –, Degrees of Separation zur Eröffnung des Kulturzentrums The Sage im englischen Gateshead sowie Syzygy, das 2013 in Schweden vom Schwedischen Kammerorchester zusammen mit Stockholm Chamber Brass uraufgeführt wurde. In jüngster Zeit folgten atria (uraufgeführt 2013) für den Cellisten Paul Watkins sowie ein Beitrag zum Projekt „Bach to the Future“ für die Geigerin Fenella Humphreys. Piers Hellawell ist Professor für Komposition an der Queen’s University Belfast.

Edition Peters 71327a

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