Page 1

Contemporary

Dove The Pied Piper for Narrator, Clarinet, Recorders, Children’s Voices and Piano Education Pack

No. 72232a


jonathan dove

THE PIED PIPER for Narrator, Clarinet, Recorders, Children’s Voices and Piano

Full Score

EIGENTUM DES VERLEGERS

·

ALLE RECHTE VORBEHALTEN

ALL RIGHTS RESERVED

PETERS EDITION LTD A member of the Edition Peters Group FRANKFURT/M. · LEIPZIG · LONDON · NEW YORK


Words by Robert Browning

Instrumentation Narrator (may be spoken by clarinettist) Clarinet in BRecorders (easy parts and consort players): sopranino, descant, treble, tenor and bass Children’s Voices (may be sung by the recorder players) Piano

Duration c.25 minutes

Commissioned by Turner Sims, Southampton, with support from Southampton Music Services and Southampton Schools Music Association

This score reflects the state of editorial work and correction as at January 2012


The Pied Piper for Narrator*, Clarinet, Recorders, Children’s Voices and Piano

Words by Robert Browning

Steadily moving q = 112

   

Narrator Clarinet in Bb

 

Music by Jonathan Dove

   

   p

 

   



                               p

Piano

3

    

  

con ped.

 

 

3

 

 

3

 

  

 



  

 

*Narration may be spoken by clarinettist. 4

    

  



    

          

     

  

 

 

8

   

 

                   3

   

 

 

  

    

Edition Peters No. 72232 © Copyright 2012 by Hinrichsen Edition, Peters Edition Ltd, London

 

p

f

                 

 

  

   

    

 

    

    

    

           

   

p3

f

 



   f

           

f

 

 

 


4

Lively q = 132

58

  

                

p

 

p

   

     63

          

     67

    

 

 

Rats!

          71

   

f

  

 

 







       

               f

sfz





 

  

Rats!

                    f

     

cresc.

sfz

   3                      3

 

Rats!

sfz

f



     

 

sfz

Dancing q = 152



               

                     f

         

                       cresc.

   



 





 





 





 



 

 

 


464

 3

 

471



         3

 



  

     

3



      





   

  





   

 

 3



3



        3

3



3

 

   

3

3



        

 

 3

 

  



3

          

3

3

 

         3

 



 

 



 

 

    



3

3

3

  

        

3

3



3



3

478

 

 

31

3

3

3

475

                

  

        3





3

3

 


 S. 

32

482

D SOPRANINO

 

 

 

 

DESCANT 1

D.

DESCANT 2 (EASY)

TREBLE 1

 Tr.

TREBLE 2

 Ten.

TENOR 1

p

TENOR 2 (EASY)

B.



 BASS   p



p

 

p

stagger breathing

 

 





 

 

 

 

 

p

 

stagger breathing

stagger breathing

stagger breathing

 

 

 

 

 

 

































p



stagger breathing

stagger breathing














Slightly faster q = 88

      S.   f      D.  f    492

  

Tr.

 

 S.    D.   498

Tr.

Ten.

B.



 

   







 

 

 





   

 





 





      

  

Ten.

B.

 

33

      

 

     

               

 











    







   





     

                                                                                                                  


34 504



  

f

   S. 

  

f

  

  

D.

  







  





  







  







   





  

  





       





      

 





     





    

 





     





    

 





   





  

 

   

  

Tr.

Ten.

B.

3



   f

           3

3

3

3

 



   

           3

3

3

  


508



   S.    

D.

  

35

 

 

 

 

 

   

   

  

 

 

    

  

 

    

   





   





        

  





   





        

 







  







       

 







  







       

 





   





        

Tr.

Ten.

B.

    3

    

        3



  

3

3

3

  

        3



       

3

3

 


36 511

 S.    D.  

Ten.

  

  













    









 





     

 





     

 







  

Tr.

B.

 

 3

 



   

 

515

3

 

3

p

 

 



 

             

 

        

 

 





 

3

 

      







3

3

 

With movement q = 144

         

 





         

3



 

    

      



 

         

3





 

And ere he blew three notes

           

 

 


66

J  S.  

       

863

solo

  

  

     

  

pp

 S.  

   

p

   

p

   

  

   

  

     

   

  

   

 

  

       

871

879

  

  

   

  

  



   

  

  

  

  

  

   

   

   

  

  

  

  

      

   

  

        

mf

mf

  

  

 

f

  

f

  

   

  

   

ff

       


Photo © Andrew Palmer

Jonathan Dove studierte bei Robin Holloway an der Universität Cambridge Komposition und arbeitete als freischaffender Korrepetitor und Arrangeur. Erste größere Werke entstanden in Zusammenarbeit mit dem englischen Glyndebourne Festival, darunter die Oper Flight – ein Auftragswerk der Glyndebourne Touring Opera, das ihm zum Durchbruch verhalf. Sein Opernschaffen umfasst außerdem The Adventures of Pinocchio, Swanhunter, die Kinderoper The Hackney Chronicles, When She Died – das die Reaktionen auf den Tod von Prinzessin Diana beleuchtet – sowie Man on the Moon. Zu seinen Orchesterwerken zählen das Posaunenkonzert Stargazer sowie Moonlight Revels für Trompete und Saxofon. 2008 erhielt Dove den Ivor Novello Award für klassische Musik, und 2010 bildete A Song of Joys den Auftakt zur „Last Night of the Proms“.

Edition Peters No. 72232a

w w w.e d i t i o n p e t e r s .c o m

The Pied Piper (Education Pack)

Jonathan Dove studied composition with Robin Holloway at Cambridge and worked as a freelance repetiteur, animateur and arranger. His first major projects came via Glyndebourne, including his breakthrough commission, the opera Flight, for Glyndebourne Touring Opera. Other operatic works include The Adventures of Pinocchio, Swanhunter, children’s opera The Hackney Chronicles, When She Died – examining the response to the death of Diana, Princess of Wales – and Man on the Moon. Works for orchestra include the trombone concerto Stargazer, and Moonlight Revels for trumpet and saxophone. Dove was presented with the Ivor Novello Award for Classical Music in 2008, and in 2010 A Song of Joys opened the Last Night of the Proms.

Dove

Jonathan Dove

EP 72232a Jonathan Dove The Pied Piper  
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