e. The spaces are often h feelings, emotions: motions she may feel c skills, she can “add” to r effect is through the dow, of course, but I like hts and emotions of an ” specifics to the scene, point of view, do not
s this: the scene is the artist gives through o thanks to the work’s lings, her thoughts.
Melusina explains her work saying things speak to their creators, communicate a thought or a feeling. She says, when capturing an image, she is a “slave” of catching objects with photography, it is the objects that communicate an emotion, that suggest one thing.This is as if to say that the artist is not an active part of the creation process, but passive: a receptor of information and sensations that she merely captures. In this sense, in my opinion, its minimalism is her (particular) meaning: not only the minimalism of the subjects depicted, but the minimal intervention by the artist is merely “to grasp” what the scene communicates.
ECLIPSE July 2017 | Page 161