urban studies | race and ethnicity | art and activism
Youth, Race, and the Gentrifying City
The Creative Underclass Youth, Race, and the Gentrifying City
TYLER DENMEAD “Tyler Denmead offers a far-reaching look into the complexities of creative communities, implicating factors involving labor, economics, race, the arts, education, urban planning, and politics, all while joyfully, lovingly, and thoughtfully describing stories from young people’s lives. Denmead describes these multiple perspectives and what young people taught him and his change of perception with humility. His book’s credibility and power are even more compelling because of his capacity to comprehend and critique an institution he himself constructed. I’m in awe of all the intricacies and implications that Denmead has revealed.”—REBEKAH MODRAK, author of Reframing Photography: Theory and Practice
December 224 pages, 10 illustrations paper, 978-1-4780-0659-6 $25.95/£20.99 cloth, 978-1-4780-0593-3 $99.95/£83.00
Tyler Denmead is University Lecturer of Arts and Creativity in Education at the University of Cambridge and a Fellow at Queens’ College.
“Since the early 2000s we have regarded the creative class as those with the greatest access to capital, technology, and robust economic environments. Tyler Denmead reveals a portion of the creative class that is dynamic and generative and forgotten— low-income youth in underserved communities. This is a must-read for reimagining the creative talents of today’s urban youth.”—GLORIA LADSON-BILLINGS, Professor Emerita, University of Wisconsin–Madison
As an undergraduate at Brown University, Tyler Denmead founded New Urban Arts, a nationally recognized arts and humanities program primarily for young people of color in Providence, Rhode Island. Along with its positive impact, New Urban Arts, under his leadership, became entangled in Providence’s urban renewal efforts that harmed the very youth it served. As in many deindustrialized cities, Providence’s leaders viewed arts, culture, and creativity as a means to drive property development and attract young, educated, and affluent white people, such as Denmead, to economically and culturally kickstart the city. In The Creative Underclass, Denmead critically examines how New Urban Arts and similar organizations can become enmeshed in circumstances where young people, including himself, become visible once the city can leverage their creativity to benefit economic revitalization and gentrification. He points to the creative cultural practices that young people of color from low-income communities use to resist their subjectification as members of an underclass, which, along with redistributive economic policies, can be deployed as an effective means with which to both oppose gentrification and better serve the youth who have become emblematic of urban creativity.
The Fall & Winter 2019 catalog from Duke University Press.