Page 1


My name is António Salazar Antunes, I’m 27 and currently finishing my Master Degree in Graphic Design, through Instituto Politécnico de Castelo Branco at Escola Superior de Artes Aplicadas. The following Portfolio is the result of my work as a communication designer, both in school and outside of it. Apart from that I’ve also developed some work in the fields of 3d, Illustration and Audio-visual, all of them I believe can make a significant contribute to my experience as a professional designer.

antoniosalazarantunes@gmail.com


Ant贸nio Salazar Resume

Corporate Identity

Layout

Imaginative

Art

M

Means of Production

English

World

Simple Hard Worker

Languages

Attributes

Sports

Spanish

Portuguese

In Design

3DS Max

Video Editing

Pr茅miere After Effects

Leaflets

French

Sense of humor

Ponctual

Billboards

Graphic Design

Responsible

E

Flyers

Photoshop

Software

Illustrator

Image Editing

3D

Motion Graphics

Multimedia

Digital Illustration


Gradiva


concept

specs

This project’s aim was to concieve a whole new graphic mark for Gradiva Bookstore. This company is known for promoting books somehow connected to science or investigation. Thus, I came up with a logo based on atoms, which generate images connected with the different subjects: politics, mathematics, fiction, philosophy and investigation.

Area: scientific bookstore Duration: 2/3 months Year: 2010 Type: Baskerville Old Face, Gil Sans MT Colors: C:0 M:0 Y:0 K:30, C:31 M:100 Y:100 K:45 Software: Adobe Illustrator


Tristania


concept

specs

This is a logo I’ve designed for one of my favourite bands, as a personal initiative. Black and white to reinforce the feeling of sadness and heavy atmosphere. T and A blending to express identity

Area: Music Band Duration: 1 month Year: 2011 Type: Sansation Colors: C:0 M:0 Y:0 K:100 Software: Adobe Illustrator


ConvergĂŞncias


concept

specs

specs II

During our first year of Master’s Degree, we were asked to concieve a layout for the school’s scientific magazine. This was my proposal, which was based on the concepts of simplicity and coherence, considering how professional a scientific magazine should look like.

Type of Project: School Project Area: Scientific Magazine (layout) Duration: 4 months Year: 2011 Software: In Design, Adobe Illustrator

Type: Minerva Modern Colors - Cover: 4 colors - Middle: 2 (C:0, M:0, Y:0, K:100 and C:0, M:100, Y:0, K:0)

Paper: Couché Mate

- Format: A4 - Grammage: 120 gr (middle), 250 gr (cover)


Minerva modern bold Size: 14 points Kerning: optical Color: C:0, M:0, Y=0, K:100

Indice Artigos

Design Gráfico

3 - «Citor» - Novas ideias e conceitos para tecno-imaginário da cibercultura - Hugo Martins Gonçalves Ferrão

Minerva modern regular Alignment: left Size: 12 points Kerning: optical Color: C:0, M:0, Y=0, K:100 Minerva modern bold Alignment: left Size: 12 points Kerning: optical Color: C:0, M:0, Y=0, K:100

6 - In the Mirror of Others - Karl Schawelka 9 - Os abobadamentos pétreos na arquitectura tardo-medieval do Ciclo Bracarense - a influência do Norte de Espanha (Burgos). - Ricardo Jorge Nunes da Silva

Diseñar: es transformar las cosas en signos

12 - O processo de criação como evocação de memórias Mónica Romãozinho 16 - Raízes Portuguesas no Design Têxtil/Moda - Ana Margarida Fernandes

3

19 - Sistemas Sinaléticos - João Vasco Matos Neves 21 - Música entre 0 e 1 - Carlos Guedes

4

24 - Um olhar crítico sobre algumas edições modernas de música polifónica portuguesa dos séculos XVI e XVII - José Filomeno Martins Raimundo 27 - A Música de Tradição Oral de Castelo Novo - Miguel Nuno Marques Carvalhinho

Eduardo Herrera Fernandéz Espanha//Bilbau

30 - Software RISCO - José Miguel Gago da Silva 33 - Encuesta sobre la función social del Diseño, hoy - Joan Costa

36 - Fotografismo, Fotografía y Diseño - Joan Costa 39 - Offenbach em Lisboa no Ano de 1868: A recepção na imprensa lisboeta - José Francisco Pinho

Minerva modern regular Alignment: left Size: 6 points Kerning: optical Color: C:0, M:0, Y=0, K:100

42 - Diseñar es transformar las cosas en signos - Eduardo Herrera Fernández e Leire Fernández Iñurritegui

Ficha Técnica

Conselho Editorial

Propriedade

45 - O espírito Deutsche Werkbund na Identidade Corporativa do século XXI - Daniel Raposo

· Escola Superior de Artes Aplicadas do Instituto Politécnico de Castelo Branco

Especialistas doutorados nas diversas áreas de especialidade da revista, que avaliam os artigos de forma anónima.

47 - The Program in Electronic Music Composition and Musical Production at the School of the Arts of the Polytechnic Institute of Castelo Branco - Carlos Guedes 50 - O “consumidor” de moda - um estudo de segmentação de mercado - Arminda Maria Finisterra do Paço 55 - Entrevista a Alexandre Wollner

1

Artigo

Revisão Director · João Machado · José Filomeno Raimundo Gestão de conteúdos Comissão Científica · Doutor Fernando Moreira da Silva (CIAUD da FA.UTL) · Doutor Eduardo Herrera (FBA.UPV) · Doutor Joan Costa (Costa.Com) · Doutor Karl Schawelka (BUW) · Doutor Raul Cunca (FBAUL/ESART.IPCB) · Doutor Hugo Ferrão (FBAUL) · Doutor José Filomeno Raimundo (ESART. IPCB) Direcção de Projecto Editorial · Daniel Raposo

· Miguel Ferreira · Tiago Marques · Daniel Raposo Contactos convergencias@ipcb.ptTelef. (00351) 272 340 800 Fax. (00351) 272 340 809 Escola Superior de Artes Aplicadas Instituto Politécnico Castelo Branco Quinta da Sr.ª de Mércules 6000-909 Castelo Branco Portugal

Leire Fernández Iñurritegui Espanha//Bilbau

El diseño de un signo tipo-iconográfico de Identidad Visual Corporativa —IVC— supone el proceso de clarificar los objetivos comunicativos y de organizar el contenido en función de dichos objetivos. La disciplina del diseño gráfico es responsable, en este contexto, de construir un imaginario referencial que permita la identificación de la Corporación. Es, asimismo, un instrumento comunicador, generador de identidad y configurador del panorama gráfico de nuestro entorno visual, en el que su función principal es la comunicación — poner en común— por medio de la combinación de textos verbales y textos visuales. En este panorama gráfico, la necesidad estratégica de diferenciación y competencia de nuestra sociedad industrial recurre a los signos tipo-icono-gráficos de Identidad Visual Corporativa —logotipos, imagotipos, etc.— como mediadores de un discurso que intenta comunicar los valores propios de la Corporación: valores sociales, valores asociativos, valores de identidad, valores de diferenciación, etc. Dado que estos signos, por su inmediatez, son el

lenguaje que protagoniza de forma indiscutible gran parte de las actuales relaciones económicas, culturales, políticas, de ocio, etc., el diseño gráfico ha adquirido tal relevancia que parece obligado realizar una reflexión constante sobre su adaptación a las inesperadas exigencias y derivas sociales. A través del proyecto de investigación titulado El diseño gráfico como forma de lenguaje: el “por qué” de los signos de Identidad Visual Corporativa en relación al “para qué” [1/UPV 00158.320H-15884/2004] realizado en la Facultad de Bellas Artes de la Universidad del País Vasco – Euskal Herriko Unibertsitatea, se ha abordado un estudio sobre los aspectos que construyen y vehiculan el significado a través de los signos de IVC. En este proyecto se parte del principio genérico de que toda realidad aprehendida sensorialmente —sobre todo la percibida por los ojos— necesita ser comprendida; se trata de una necesidad vital, pues lo que no se entiende no es significativo, no representa nada para el ser humano

Minerva modern italic Size: 16 points Minerva modern bold Size: 80 points Color: C:0, M:0, Y=0, K:5

Minerva modern italic Alignment: left Size: 30 points Spacing: 36 Kerning: optical Color: C:0, M:0, Y=0, K:100

minerva modern bold Alignment: justified Size: 8 points Spacing: 9 points Color: C:0, M:0, Y=0, K:69 Minerva modern regular Alignment: justified Spacing: 13,8 points Size: 12 points Kerning: optical Color: C:0, M:0, Y=0, K:100


specs

specs

specs

Theme: Surrealist exhibition Duration: 2 days Year: 2010 Software: Photoshop, Illustrator

Theme: Awareness camapign to promote culture among handicapped people Duration: 3 days Year: 2012 Software: Photoshop, Illustrator

Theme: exhibition about Manuel Cargaleiro, portuguese plastic artist Duration: 2 weeks Year: 2009 Software: Illustrator

Posters


concept

specs

Contest for a kitesurf cloth brand, with the purpose of designing a t-shirt, with the maximum of three colors. With this in mind I looked for inspiration on the actual logo, and came with the ideia of adapting its forms to a mascot.

Type of Project: Contest Area: Cloth brand t-shirt Duration: 1 week Year: 2012 Software: Adobe Illustrator

Kitaddict


concept

specs

Contest to design a lottery ticket, whose inspiration had to portray somehing related with Portugal. I picked one of our finest writters from the XIX century, Eça de Queirós, and made his portrait using pastel pencils.

Type of Project: Contest Area: Lottery ticket Duration: 2 weeks Year: 2012 Software: Adobe Illustrator

Lotaria à portuguesa


specs Type of Project: Personal initiative Duration: 4 days Year: 2010


specs

specs

Type of Project: Shcool avaliation Duration: 2 hours Year: 2009 Software: 3Ds Max

Type of Project: Personal initiative Duration: 4 hours Year: 2009 Software: 3Ds Max

3D


specs Type of Project: Shcool project Duration: 2 months Year: 2009 Software: 3Ds Max Co authroed with: Jo達o Oliveira, Rui Moura e Suse Santos


specs

specs

specs

specs

Theme: Trailer for Fight Club Type of Project: Shcool project Duration: 1 week Year: 2007 Software: Adobe Premiere, After Effects Songs: Where is my mind (Pixies) Main Titles (Fight Club O.S.T) Footage: Fight Club

Theme: Music video Type of Project: Shcool project Duration: 1 week Year: 2007 Software: Adobe Premiere Songs: Instrumental (Linkin Park) Footage: American History X

Theme: Music video Type of Project: Shcool project Duration: 1 week Year: 2007 Software: Adobe Premiere Songs: Sleeping Awake (P.O.D) Footage: The Gladiator

Theme: Short Documentary about Onycophagy Type of Project: Shcool project Duration: 3 months Year: 2008 Software: Adobe Premiere, After Effects

Videos


the end for now...

My Portfolio  

My nenewed portfolio, containing some of my best works so far

Advertisement