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Jennifer Schwartz, wrote an article that appeared in Issue 2.) For artists, the benefit of participating in a community supported art program is clear: their work is essentially pre-sold to the C.S.A.’s shareholders, guaranteeing them between $1,000 and $1,500 in return for creating a new piece in an edition of 50. Perhaps more importantly, they connect with local arts patrons who are receptive to new artists and willing to put their money into their local art community. After discovering an artist through a C.S.A., a shareholder may want to collect more of that artist’s work. Such connections have the potential to create beneficial and long-lasting relationships. Equally important, participating in a community supported art program allows the artists themselves to connect with fellow artists in their area, adding to the vi-

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DON’T TAKE PICTURES

brancy of their creative community.

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Springboard for the Arts CSA For budding collectors, buying into a C.S.A. can serve as a means to begin a collection or to easily get a flavor of the local talent. However, these rationales do not lend themselves to repeat subscriptions. If the goal is to fill wall space and learn about a region’s art scene, then receiving six pieces a season will soon become overwhelming. Although rather few well-known artists have participated in C.S.A.’s to date, the low price of a share allows budget conscious collectors to get their hands on a small work by an artists they admire or acquire a piece by an upand-coming artist before they “make it big.” Established collectors are more likely motivated by the community and social benefits of C.S.A.’s rather than the art it will bring to their doorstep. Serious community art

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Springboard for the Arts CSA CSA+D Brooklyn

Don't Take Pictures Issue 3  

Don’t Take Pictures is a photography magazine published in print twice-yearly (March, September) that celebrates the creativity involved wit...

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