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Abstract:

As new wireless communications are developed daily, our personal electronic devices allow us to focus our attention on a particular bandwidth of the electromagnetic spectrum and perceive its saturation of the air around us. While general practice often focuses on a singular bandwidth, millions of electromagnetic frequencies saturate the environment and consequently our bodies. This installation indexes the physical attributes of FM radio broadcasts, however is positioned within a larger framework of wireless network abundance in the continued growth of an invisible infrastructure. The installation is constructed as a sort of enormous chandelier, a set of open aluminum boxes strung together from the center of the ceiling that act as Faraday Cages, preventing the radios from receiving a signal. Each enclosure’s aggregation and directionality is determined through the installation’s spatial orientation to the source of the broadcast, disrupting the signal’s reception and creating a field of static noise. Because EMFs are absorbed by the body, the radio may connect to the signal by placing one’s hand within close proximity of the radio while remaining inside the enclosure. This engagement with the installation exposes a realization of the affects that bodies and

wireless signals impose upon one another. While this experience remains confined to a single broadcast, the multitude of signals can be experienced simultaneously with each of the radios being exposed in a single pulley actuation. With this, the dense saturation of the environment is exposed through an eruption of sound, revealing the wonderment of experiencing the multiplicity of signal presence at any given moment.


Saturation [Video]

Saturation was exhibited at SIGGRAPH 2012 in Los Angeles, California from August 5-9th and published in Leonardo August 2012, Vol. 45, No. 4: 374–375, MIT Press. Additionally, it was presented at the Critical Themes Conference in New York, NY.

Independent Research

on Vimeo.


In April, 2011, Cloud Busking was selected as a short listed project in the Fujitsu International Design Competition for “a new lifestyle for 2020 that makes use of network-accessing computing technologies...�

Independent Research

Cloud busking is a holographic communications service set in the year 2020. It serves two mobile users of the near future: nomadic street musicians in developing countries and their metropolitan listener-donors. Globally-conscious citizens of metropolitan streets are provided with performances of indigenous neo-nomads through a holographic telepresence. This immersive experience provides excitement and joy within the audience while global awareness and sensations of fulfillment are attained through directly assisting individuals of impoverished nations. Donations made through mobile devices and gesture recognition establish a line of microcredit through the promotion of old musical, urban traditions within contemporary societies.


Gravity Screens: Project by Omar Khan, Project Role: Research Assistant/ Design + Fabrication Gravity Screens is a part of the traveling exhibition Reflexive Architecture Machines.

Work Experience

Gravity Screens are surface constructions whose form results from gravity’s effect on their material patterning. They are composed from elastomers of different Shore hardness that allow the screen to alter its shape from flat to extended. Rubber’s elasticity and high weight to volume ratio make it particularly problematic as a self-supporting material. However, the compounded effect of excessive weight on a stretchable material results in it stiffening. By crisscrossing hard and soft rubbers, Gravity Screens use this property to create a controlled stretch. This is shifted by a motor in response to environmental sensing of people’s movement in the space.


Great Lakes Basin:

Personal Vehicle International Border Station Crossing Statistics

Annual International Personal Vehicle Border Crossings (2010)

0

75

150

300 Miles

3rd Coast Border Crossings: Traffic / Land / Emissions

Passengers in Personal Vehicles: Incoming Traffic : United States

Area of Reclaimable Land: USA/ Canadian Customs Stations

< 500,000 < 1,000,000 < 1,500,000 < 2,000,000 < 2,500,000 < 3,000,000 < 3,500,000 < 4,000,000 < 4,500,000 < 5,000,000 < 5,500,000


USA/ Canadian Customs Stations

Area (Canadian): 1964070 sq ft

Area (Canadian): 618260 sq ft

Area (Canadian): 9265028 sq ft

Area (Canadian): 1457628 sq ft

Area (Canadian): 5076095 sq ft

Area (American): 1508043 sq ft

Area (American): 1529092 sq ft

Area (American): 10658280 sq ft

Area (American): 1104193 sq ft

Area (American): 11035125 sq ft

Area (Canadian): 217679 sq ft

Area (American): 517792 sq ft

Site 2: Pigeon River Bridge N 0 05.180 W 89 35.100

Site 3: Sault Ste. Marie International Bridge N 30 30.360 W 84 21.633

Site 4: Blue Water Bridge N 59 55.320 W 82 25.400

Site 5: Detroit-Windsor Tunnel N 9 23.550 W 83 02.450

Site 6: Ambassador Bridge N 18 42.530 W 83 04.433

Area (Canadian): 12612099 sq ft

Area (Canadian): 1073565 sq ft

Area (Canadian): 6261300 sq ft

Area (Canadian): 2221371 sq ft

Area (Canadian): 5292397 sq ft

Area (Canadian): 4454500 sq ft

Area (American): 6139763 sq ft

Area (American): 1281131 sq ft

Area (American): 8243977 sq ft

Area (American): 4850286 sq ft

Area (American): 5940089 sq ft

Area (American): 1127622 sq ft

Site 7: Peace Bridge N 54 24.900 W 78 54.350

Site 8: Rainbow Bridge N 5 24.620 W 79 04.050

Site 9: Lewiston Queenston Bridge N 9 10.830 W 79 02.667

Area (Canadian): 79359 sq ft

Area (Canadian): 293167 sq ft

Site 10: Thousand Islands Bridge N 20 50.270 W 75 59.000

Area (Canadian): 4683657 sq ft

Toll crossings and pass control stations are last century’s familiar polyps in road development, the ubiquitous spots where two lanes expand to ten. Inverse diagrams of automotive speed on the ground, these add up to surprisingly vast tracts of sacrificial lands at the gateways of cities and, indeed, of nations. Yet thanks to the gradual introduction of radio frequency identification (RFID) tags, Nexus Cards and other electronics for toll payment and border services, these lands are now open to being rethought... Area (American): 227383 sq ft

Area (American): 116994 sq ft

Site 13: Unnamed (QC 138 - NY 30) N 59 31.680 W 74 18.483

Site 14: Unnamed (QC 219 - NY 22) N 0 16.100 W 73 36.167

Area (American): 5184619 sq ft

Site 15: Blackpool Border Crossing N 0 31.540 W 73 27.133

Site 11: Prescott Ogdenburg International Bridge N 44 00.180 W 75 27.483

Site 12: Seaway International Bridge N 59 25.940 W 74 44.367

Area (Canadian): 1425121 sq ft

Area (Canadian): 191219 sq ft

Area (Canadian): 3271983 sq ft

Area (American): 1948129 sq ft

Area (American): 299885 sq ft

Area (American): 2908066 sq ft

Site 16: Unnamed (QC 221 - NY 276) N 0 35.380 W 73 24.000

Site 17: Unnamed (QC 225 - VT 225) N 0 41.600 W 73 17.783

Site 18: Unnamed (QC 133 - I-89) N 0 53.720 W 73 05.083

Area (Canadian): 134885 sq ft

Area (Canadian): 2040150 sq ft

Area (Canadian): 299870 sq ft

Area (Canadian): 912519 sq ft

Area (Canadian): 136298 sq ft

Area (Canadian): -sq ft

Area (American): 147193 sq ft

Area (American): 934622 sq ft

Area (American): 231418 sq ft

Area (American): 328377 sq ft

Area (American): 111849 sq ft

Area (American): 102240 sq ft

Site 23: Unnamed (Rue des Moulins - Boise Cascade) N 32 44.100 W 70 01.733

Site 24: Unnamed (Rang de la Frontiere - Frontier Rd) N 26 58.700 W 69 14.083

Site 19: Unnamed (Vallée-Missisquoi Glen Sutton) N 0 41.980 W 72 35.250

Site 20: Unnamed (QC 143 - US 5) N 0 19.860 W 72 05.950

Site 21: Unnamed (QC 253 - VT 253) N 0 48.090 W 71 30.300

Site 22: Armstrong-Jackman Border Crossing N 48 21.630 W 70 23.833

104 United States Border Crossings: 7494 Miles of Border: 0

75

150

300

450

600 Miles

Work Experience

Site 1: Fort Frances International Falls Bridge N 36 26.610 W 93 24.083

Microboundary : Un-tolled Plazas: Project by Jordan Geiger, Project Role: Research Assistant/ Graphic Designer Forthcoming publication in 3rd Coast Atlas, Princeton Architectural Press, 2012. jordangeiger.com/Microboundary-Un-tolled-Plazas

Reclaimable Land Area:


Table of Contents, Intersight V14.11 Cover, Intersight V14.11

The University at Buffalo’s School of Architecture and Planning interSIGHT V14.11

UB

The University at Buffalo’s School of Architecture and Planning

iS interSIGHT V14.11


Intersight is an annual publication embodying the discourse on design undertaken at the University at Buffaloâ&#x20AC;&#x2122;s School of Architecture and Planning. The content is framed through a synthesis of student work and seeks to represent the current trends of academia portrayed through the pedagogy of the university. Intersight is a student journal coordinated and produced through the Fred Wallace Brunkow Fellowship.

Work Experience

Intersight Website

Fred Wallace Brunkow Fellowship: Buffalo school of architecture + planning Editor and Designer of Intersight V14.11 (published June, 2011), Editor and Designer of Intersight website (launched March, 2012)

intersight.ap.buffalo.edu


Musical elements written and performed by: Daniel Barry, Adam Laskowitz, Yang â&#x20AC;&#x153;Hummusâ&#x20AC;? Lee Composer: The Internet

Abstract:

Invisible Orchestra is an interactive mapping system which provides the listener with orientation within the invisible archipelago of the WiFi hotspots. An initial investigation into spatial orientation revealed a keen reliance on temporal relationships between nodes, and in turn inferred a particular similarity to the ways in which songs provide orientation with in time itself. Here, the two cognitive mapping systems are utilized in harmony in order to provide orientation within an intangible network.

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on YouTube

Graduate Media Studio

Invisible Orchestra [Video]

In April 2011, Invisible Orchestra was exhibited as a part of MASS Potential in Buffalo, NY. This project was completed in the course “Network Landscapes” (fall 2010) under the guidance of Teri Rueb.

Invisible Orchestra

This Android Application allows one to experience the densification of Daniel Barry WiFi signals throughout the landscape by translating WiFi signals into 2010 instrumental figures. As base stations begin to intersect with one another, the composition of musical elements equally reacts to the surrounding environment. A linear relationship is established through a recursive method in which a single signal’s presence enacts a single musical element while the presence of a dozen WiFi signals enables a dozen musical elements within the track. Here, the role of headphones is reversed through revealing aspects of the landscape to the listener rather than removing them from it.


CONED CITY Daniel J. Barry

C O F F E E

5

DETAIL PLAN @ 4’6” ABOVE GRADE: SCALE: 1-1/2” = 1’

DETAIL PLAN: ROOF SCALE: 1-1/2” = 1’

4

3

B

2

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1

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PLAN: SITE SCALE: 1/2” = 1’

CONSTRUCTION DETAILS

1. Main Steam Line from Manhole 2. Breakout Line for Steam Cleaner 3. Computer 4. RFID Dispenser 5. RFID Scanner 6. Coffee/ Tea Dispensers 7. Coffee Brewers 8. Hot Water Tank 9. Steam Condenser 10. Excess Release Valve

10

9

8

7

C O N E

6

SECTION: MAIN VALVE @ 12’ BELOW GRADE SCALE: 1/2” = 1’

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CONED CITY Daniel J. Barry

5

4

3

1

DETAIL SECTION ‘A’: SCALE: 1-1/2” = 1’

CONSTRUCTION DETAILS 1. Hydraulic Steam Lift 2. Elevator 3. Luggage Storage 4. Bed 5. Steam Controls 6. Release Valve 7. Heating/ Privacy Steam Lines 8. Rigid Hollow Frame/ Steam Line 9. ETFE Hollow Core Steam Inflated Tubes 10. Desk

PLAN: SITE SCALE: 1/2” = 1’

10

9

C O N E

8

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DETAIL SECTION: HYDRAULIC STEAM LIFT PROCESS SCALE: 1/2” = 1’

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C U L I N A R Y

Daniel J. Barry

5

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DETAIL PLAN @ 4’6” ABOVE GRADE: SCALE: 1-1/2” = 1’

4

3

2

1

DETAIL SECTION ‘A’: SCALE: 1-1/2” = 1’

PLAN: SITE SCALE: 1/2” = 1’

CONSTRUCTION DETAILS

1. Main Steam Line from Manhole 2. Refrigerator 3. Radiant Heating Lines 4. RFID Dispenser Station 5. RFID Scanner 6. Cooking Surface 7. Prepared Food Display/ Service Station 8. Hood Vent 9. Release Valve 10. Exhaust Fan

10

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C O N E

Harnessing the resources of ConEdison Steam Company, ConEd City provides an array of public amenities throughout the streets of New York City. The system remains reconfigureable to new designs and amenities through the provision of a simple ‘plug-in’ interface at the level of the street through the juncture of manholes. The access provided here to the receedingly utilized resource of steam encourages the accommodation of existing street amenities while also promoting the potentials for the growth and development of new public services to which the subterranean steam network may accommodate.

6

SECTION: MAIN VALVE @ 12’ BELOW GRADE SCALE: 1/2” = 1’

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Graduate Arc Studio

C O Z Y

DETAIL PLAN @ 14’ ABOVE GRADE: SCALE: 1”= 1’

This project was completed in the course “Atmospheric Urbanism” (spring 2010) under the guidance of Mark Shepard.

2

DETAIL PLAN: ROOF SCALE: 1”= 1’


This project was completed as a part of the spring 2008 Jr Yr Undergraduate Architecture Design Studio under the guidance of Omar Khan.

Undergraduate Arc Studio


This project was completed as a part of the fall 2008 Senior Yr Undergraduate Architecture Design Studio under the guidance of Bonnie Ott.

Undergraduate Arc Studio


These construction detail drawings of the Reid House were developed in the course â&#x20AC;&#x153;Construction Technologiesâ&#x20AC;? (Spring 2008) under the guidance of Annette LeCuyer.

Construction Technologies


This project was completed as a part of the Fall 2007 Jr Yr Undergraduate Architecture Design Studio under the guidance of Erika Abbondanzieri.

Undergraduate Arc Studio


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The Buffalo Bus Blog is a proposed service for the public transit users of the Buffalo- Niagara region. Through an analysis of public transportation systems, it may be seen that passengers are subjected to extended periods of isolation with one another, yet often times experience relatively little social exchanges with their cohorts. Through utilizing the subversive communication techniques of text messaging, BBB provides passengers with the ability to communicate with one another through an indirect means. A message’s inclusion of a hash tag denotes which bus the passenger is currently on. The message is then referenced with an online NFTA bus schedule, cross-referenced for current time and location, and saved into a database. Future passengers may then receive the message along their bus route, respond through commenting, or simply start new conversations. Here, passengers may select to listen to a particular passenger’s posts, the most recent posts made along a specific bus route, or simply post a string of messages which compose an extended narration throughout the journey.

Graduate Media Studio

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This project was completed in the course “Media Urbanism” (spring 2010) under the guidance of Mark Shepard.

Track the blogs made on your bus route Follow posts made by authors you enjoy See what people are saying in other parts of the city Respond to posts, start a conversation Make your voice heard!

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This thesis develops an analytical investigation into mobile communications technologies and their defining nature within our cities and society. The work revolves around two primary contingencies: the exploration of wireless networks as ephemeral architectures which have come to invisibly occupy and refine spatial relationships and the emergence of mobile communications devices as prosthetic sensory apparatuses which allow for the perception of these invisible landscapes. The embedded sensors in mobile devices are used within the project to translate information about encompassing wireless networks into experiential phenomena, extending their roles as not only tools for the consumption of information, but for inscribing a level of tangibility to the biologically imperceptible landscapes of wireless networks. Mobile devices are utilized throughout the project to develop mappings of wireless networks of several varieties including responsive audio outputs to index the materiality of wireless networks, generative audio compilations which index the embedded protocol for information exchange within the network, live aerial mappings as a part of an installation indexing the ephemeral nature of geolocation processes, and video compilations which simulate this relationship between location and locating and the emergence of a doppelganger effect. Concentric to the notions of computational prosthetics, written portions of the work investigate the ways in which mobile communications devices may allude to an emergent posthumanism. The project itself may be seen as materializing the intangible qualities of immaterial constructions through developing the spatial qualities of wireless networks as experiential phenomena. With this, mobile communications devices focus the thesis on the continued tension between a posthuman emergence and a diminishing state of embodiment. In a sense, the thesis seeks to invert the invisibilities of evolving communication networks (which may range from material, to social and political inferences) within a contemporary society while asking: in what ways might an inscribed tangibility of these networks come to refine the ways in which we perceive, evaluate, and design their spaces?


Architecture Thesis Chair: Jordan Geiger, Committee: Omar Khan Media Study Thesis Chair: Teri Rueb, Committee: Erik Conrad

Masters Thesis : MArch, MFA (fall 2011-spring 2012)


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