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On behalf of the Board of Directors, welcome to the Wagner Noël Performing Arts Center and the 2023-2024 season of your West Texas Symphony!
Our mission is to enhance the quality of life in our West Texas community through professional music performance and through music education. In How Music Works, David Byrne wrote “You can’t touch music—it exists only at the moment it is being apprehended—and yet it can profoundly alter how we view the world and our place in it.” Music has power. Early involvement in music education has been shown to improve literacy, mathematical achievement, and social and emotional wellbeing and connection. Studies show that in adults, just listening to music can play a role in reduction of anxiety and pain, and improvement in sleep quality and memory and recall. Music crosses barriers of language, politics, and culture, and creates and strengthens communities. We are thrilled that you have joined us tonight to see and hear the power of live symphonic music, and we hope that you share this experience with your friends and family!
This 61st season has something for everyone. Our Masterworks Series begins with a birthday tribute to Sergei Rachmaninoff in September. Veterans Day brings a Salute honoring service members and featuring popular Americana repertoire. In February, we shine a Spotlight on WTS Co-Principal Trumpet Ben Fairfield, and the Masterworks Series ends with a Brahms performance featuring local student musicians.
The Pops and Family Series kicks off with Cirque Musica Symphonic – a beautiful combination of live symphonic music and some of the greatest circus performers in the world! You’ll also get to see renowned jazz pianist Wally Minko and have an evening of fantasy on May the 4th. As ever, we will open the December season with West Texas’ best holiday tradition, our Sounds of the Season concert that will feature not only the West Texas Symphony, but all chamber ensembles, choral groups, and a return appearance by the Baker Family!
In addition to these wonderful shows with the full orchestra, don’t forget the West Texas Symphony Chamber Chorale, the West Texas Winds, Permian Basin String Quartet, Lone Star Brass, and the Voices of the Permian Basin. Your program book is a wealth of information on each specific performance (be sure to read all of the program notes for special details and insights). Make sure you are following the West Texas Symphony on your preferred social network and our website (www.WTXS.org) for the most up-to-date news and announcements.
Finally, thank you – to our patrons, our sponsors, our donors – for your continued support. You make it all happen!
Jessica Bexley 2023-2024 Board PresidentWelcome to tonight’s performance in the Cultural Capital of West Texas!
Whether you are a long-time subscriber, first time patron, or visiting our beloved Midland-Odessa for the weekend, tonight’s orchestra - in our world-class Wagner Noël Performing Arts Center - will surround you with a superior acoustic. Lead by Maestro Gary Lewis, the musicians of the West Texas Symphony deeply enjoy playing great music, with great virtuosity, with you.
With you: By experiencing the symphony in person, not only do you demonstrate your commitment to music, but you enhance the potential of a magical and memorable experience. Your cheer at a ‘knockout note’, your applause at the end of a movement, your silence in those extremely quiet, vulnerable musical passages, all play a part in making our symphony one of the best in Texas!
So again, welcome! We trust you will enjoy tonight’s experience with your West Texas Symphony.
The West Texas Symphony is fundamental to our local music and arts community. With over 17 events on our sellable season, performances with local arts nonprofits and touring groups, and educational outreach to our K-12 schools, ticket revenue only covers a small part of our annual expenses. We rely on concert sponsorships, fund drive donations, guild donations, endowment distributions, and grant revenue to serve our mission. To ensure the highest level of musicianship stays in West Texas, we hope that you will consider donating to the annual fund drive or providing a Legacy gift to our endowment. As a 501(c)(3) organization, your support through all our giving opportunities is tax-deductible. You can make a donation by visiting our website at wtxs.org or contact Violet Singh, West Texas Symphony’s Development Director.
Greetings and welcome to the 2023-2024 season of your West Texas Symphony Orchestra! We are delighted you can join us for this incredible season of great music. We will get things started by continuing our celebration of Rachmaninoff’s 150th birth anniversary with his epic and final composition, Symphonic Dances. This exciting program will also include Christopher Theofanidis’ Viola Concerto, performed by Richard O’Neill, violist for the renowned Takács Quartet. Richard won a Grammy for his recording of this work just last year and we are delighted to welcome him to the Permian Basin to share it with us! Our November Masterworks concert falls on Veterans Day this year and we are honored to perform “An Americana Salute” to our Veterans including the music of Aaron Copland, John Williams, and a number of patriotic selections. In January we will again present one of our own as the featured soloist with Ben Fairfield performing the timeless Haydn Trumpet Concerto. Also on the program will be Schubert’s lovely Fifth Symphony. Our Masterworks series comes to a close in April with an exciting program featuring several works by Johannes Brahms – one including a return of last year’s successful side-by-side performance - along with the beautiful Violin Concerto by Samuel ColeridgeTaylor.
Our first Pops and Family Series program will prove to be an amazing experience. Cirque Musica blends the grace and thrills of the world's greatest cirque performers with stunning symphonic music and will have you on the edge of your seats in awe of the beauty, thrills, and majesty the troupe provides. It will be a full sensory experience you don’t want to miss. December brings our annual “Sounds of the Season,” still the very best way to ring in the holiday season! In March we are thrilled to present world-renowned jazz artist, composer, and arranger Wally Minko with a brand-new show specially crafted for the West Texas Symphony and our patrons. Finally, a truly “fantastic” program, “Fantasy,” will bring the season to a close featuring music from “Harry Potter,” “Jurassic Park,” “Fantastic Beasts”, great music from popular video games, and many others.
We are so very grateful for your support and patronage as we simply cannot bring this great music to the Permian Basin without your help. Please be sure to also attend the many wonderful performances by the outstanding ensembles of the WTS, the Chorale, our youth choir the Voices of the Permian Basin, along with the West Texas Winds, Lone Star Brass, and Permian Basin String Quartet. These programs are always inspiring and engaging and you don’t want to miss them!
We hope you will subscribe to all of these wonderful series of concerts. Plan to bring a friend and let’s fill up the Wagner-Noël for this season of great music as we continue our mission to change lives in the Permian Basin through great music. I look forward to meeting you at the concert!
Sincerely,
Gary Lewis Music Director & ConductorGary Lewis is the Music Director and Conductor of the West Texas Symphony orchestra. This is his 17th year with the orchestra and his 16th as Music Director. He is also Director of Orchestral Studies and the Bob and Judy Charles Professor of Conducting in the College of Music at the University of Colorado Boulder, where he conducts the University Symphony Orchestra and oversees the entire orchestra program.
Mr. Lewis is equally at home with professional, university, and youth ensembles. In addition to his regular posts with the West Texas Symphony Orchestra and the University of Colorado Boulder, he serves as Principal Guest Conductor for the Boulder Philharmonic Orchestra and was the founding Artistic Director of the Greater Boulder Youth Orchestras. He has also appeared with the Colorado Symphony Orchestra, the Sichuan Philharmonic Orchestra (Chengdu, China), the Colorado Music Festival Orchestra, the Lubbock Symphony Orchestra, the Quad Cities Symphony Orchestra, the New Symphony Orchestra (Sofia, Bulgaria), and the Western Plains Opera Theater. Lewis served as the Resident Conductor of the Pine Mountain Music Festival (opera and symphonic) for seven years and was the founding conductor of the Caprock Pro Musica. His work with summer music festivals has also been noteworthy including the Interlochen Center for the Arts, Pine Mountain Music Festival (opera and symphonic) and Rocky Ridge Music Center.
At CU Boulder Mr. Lewis also leads the graduate program in orchestral conducting including both the masters and doctoral level. His former students are currently enjoying success as conductors with professional orchestras and opera companies, university and public school ensembles, and youth orchestras.
As a strong advocate of music education, Mr. Lewis has presented many in-service workshops for public school educators, as well as numerous presentations at state and regional music education association conferences. In addition, he has conducted All-State Orchestras and Bands in over 20 states along with the ASTA National Honor Orchestra and the Honor Orchestra of America. In 2010, Mr. Lewis became the founding Artistic Director of the Greater Boulder Youth Orchestras and he continues to serve as conductor of the Symphony Orchestra.
Mr. Lewis is also a strong proponent of new music. He has been instrumental in the development and production of contemporary music festivals and his interest in new music has led him to collaborations with composers such as Dan Kellogg, Carter Pann, George Crumb, William Bolcom, John Harbison, Chen Yi, Michael Daugherty, Stephen Paulus, and many others.
Gary Lewis is a Yamaha Master Educator.
For information regarding instrumental teachers, or to hire an ensemble, please contact WTS at 432-563-0921 or marketing@wtxs.org
The Permian Basin String Quartet is the resident string quartet of the West Texas Symphony, whose members are the principal string players of the orchestra. They strive to share classic and current works of the string quartet repertoire in an engaging and approachable way while championing underrepresented composers. The quartet has a loyal audience and has built a reputation as a leading ensemble in the Permian Basin.
Formed in 1981, the Lone Star Brass is the resident brass quintet of the West Texas Symphony. The Lone Star Brass presents concerts that display the consummate technical skill of each performer and the expertise involved in working together as an ensemble. The group has recorded two albums, “Lone Star Christmas,” and “Western Fanfare.” They performed in Carnegie Hall with the Symphony Chorale and have toured the country performing shows for all ages. From New York to New Mexico, this seasoned ensemble offers programs of classical music, jazz, original works, and even opera. They perform to have fun, and it rubs off on their audiences at every concert.
As the resident woodwind quintet of WTS, the West Texas Winds are active throughout the year presenting audiences young and old with performances full of energy and refinement. The ensemble has a significant repertoire of classic standard woodwind quintets and groundbreaking new music, having presented both U.S. and world-premiere performances by living composers from around the globe. West Texas Winds are always working to present something new and exciting to their listeners.
For more information visit WTXS.ORG
The Chamber Chorale is the principal choral ensemble in West Texas. Instrumental to the founding of the West Texas Symphony organization in 1962, the Chorale presents masterworks of the choral repertoire, ranging from Handel’s Messiah and the Brahms’ Requiem, to Duke Ellington’s Sacred Concert and music from the Broadway stage.
Membership in the Chorale is open to all singers high school age and older.
If you are interested in auditioning, please email the Chorale Director at chorale@wtxs.org
The Voices of the Permian Basin is the West Texas Symphony’s youth choir. The group features approximately 75 singers ages 2nd - 8th grades, who rehearse weekly and enjoy performing two concerts per season and at other community events.
To schedule an audition for your child, please email the VPB Director at voicespb@wtxs.org
MASTERWORKS CONCERTS ADULTS STUDENTS
Orchestra/Dress Circle $60 $12
Mezzanine/Parterre $48 $12
Gallery (Not Available)
POPS & FAMILY CONCERTS ADULTS STUDENTS
Orchestra/Dress Circle $60 $12
Mezzanine/Parterre $48 $12
Gallery $33 $12
CHAMBER CONCERTS ADULTS STUDENTS
General Admission $25 $12
Student tickets are available with paying adult or valid college ID. Price is for any seat, any level.
Groups of 10 or more receive a 20% discount per concert.
All tickets are sold through the Wagner Noël Performing Arts Center. Venue ticketing policies apply. Fees may apply.
Romina Dimock, Concertmaster Endowed in memory of Dorothy Croft by the Midland Symphony Guild
Turner Partain, Assistant Concertmaster
Laurel Lawshae, Associate Principal
Gabriella St. James, Principal Second
Kevin Crutchfield
Nikesha Hailey-Hicks
Amanda Hernandez
Lowell Hohstadt
Karen McAfee
Robert Meinecke
Jason Snider
Erin E. Weber
Conrad Sclar, Principal Endowed by Mary de Compiegne & Rosalind
Redfern Grover
Laura Peña, Associate Principal
Beau Garza
Jean Gómez
Kathy Hohstadt
Suyeon Kim, Principal Endowed in memory of Walter Osadchuk by Dr. and Mrs. Michael Miller
Danny Mar, Associate Principal
Ilia De la Rosa
Aurelia Rocha
David Thomas
Mark Morton, Principal
Bill DeLavan, Associate Principal
Christopher Arcy Endowed in memory of Mary June Rasmussen by Mr. Kenneth Anderson and Dr. Anne Acreman, MD
Nodier Garcia
Lyndsay Eiben, Principal
Kate Martin, Associate Principal
Susanna Self, Piccolo
OBOE
Caryn Crutchfield, Principal
Ann Hankins
Chris Chance, Principal
Tyler Webster, Associate Principal & E-flat
Mande Gragg, Bass Clarinet
Philip Hill, Principal Bill Harden, Associate Principal
Sonja K. Millichamp, Co-Principal
Scott Millichamp, Co-Principal
Norma Binam
Derek Wright
Eric Baker, Co-Principal
Ben Fairfield, Co-Principal
Endowed in honor of Michael J. Santorelli by Karen & Spencer Beal
John Irish
Stewart Rhodes, Principal
Darin Cash
Jon James, Principal
TUBA
Arturo Galvan, Principal
TIMPANI
Tim Mabrey, Principal
Matt Richards
PIANO
LuAnn Lane, Principal Endowed in honor of Shari Santorelli by Karen & Spencer Beal
Jessica Bexley, President
Dee Anna Arellano, Executive Vice President
Thomas W. Elrod, Immediate Past President
Rebecca Bell, Vice President Finance
Jacy Lewis, Vice President Fundraising
Mary Dawson, Vice President Sponsorships
Sophie Edwards, Secretary
Gabriel Almendarez
Amy Azarov
Alice Beckstrom
Gregg Blain
Mary Blain
Lindi Bridges
Maridell Fryar
Beau Garza
Allison Gray
Dr. Aaron Hawley
Angie Hurt King
Melanie Lively
Billye Louder
Diann McKee
Megan Pausé
Stephanie Rivas
Mrs. Leland Croft (dec’d)
Mrs. James A. Fowler (dec’d)
Mr. Don Williams (dec’d)
Mr. Josh H. Parr (dec’d)
Mrs. Ellen Noël (dec’d)
Floyd Rountree
Deb Shaw
Gregory Smith
Nancy Stout
Paul Strouhal
Leslie Uchytil
Mrs. Lois Rochester (dec’d)
Ms. Mary Harrington (dec’d)
Mr. Don Williams (dec’d)
Mr. Fred Trout Jr. (dec’d)
Gary Lewis, Music Director & Conductor
Ethan Wills, Executive Director
Violet Singh, Development Director
Crystal Radford, Marketing Director
Deanna J. Russell, Office Administrator
Bailea Woodall, Production Manager
Leslie Delgado, Personnel Manager
Scott Millichamp, Music Librarian
Dr. Juan Hernandez, Chorale Director
Emily Baker, Voices of the Permian Basin Director
For contributions and/or services that have significantly advanced the mission of the West Texas Symphony.
Frank A. Bell - May 21, 1997
The Beal Family - May 19, 1999
Robert E. Hunt - August 31, 2000
Mary Harrington - May 16, 2001
Ted Hale - April 14, 2007
Grace Osadchuk - October 13, 2007
Scott W. Long - May 18, 2013
Rino Irving - March 4, 2023
The Odessa Symphony Guild is thrilled to serve the West Texas Symphony and the arts in the Permian Basin for the 65th year. Odessa Symphony Guild began in 1958 with a group of women who were dedicated to their community. The OSG was formed to help provide both financial and volunteer support to the arts and music programs across the Permian Basin. Since its inception, the Odessa Symphony Guild has raised thousands of dollars and members have volunteered many hours to continue the mission of the founders. Odessa Symphony Guild has greatly enriched the communities of Midland and Odessa by helping the West Texas Symphony provide educational programs and concerts to the West Texas Area.
The Odessa Symphony Guild is made up of members who volunteer their time and give financially to our community. We currently have 82 members of OSG who have served over 400 hours throughout the community this past year. The Odessa Symphony Guild Belles and Beaux are made up of 9th – 12th graders who have spent time ushering concerts, hosting receptions, serving musicians lunches, working the pre-concert dinner ‘Symphony Soundbites’, and attending concerts for the West Texas Symphony. The Belles and Beaux also put in numerous hours volunteering within the community at St. John’s Kooky Karnival, many local schools, Permian Orchestra, Hope House, Salvation Army, Ellen Noël Art Museum, Jesus House, Salvation Army, Odessa College and West Texas Food Bank.
The Odessa Symphony Guild is proud to continue investing even more in our local community. In addition to the financial support and hours given to the West Texas Symphony, the Odessa Symphony Guild will be awarding four scholarships to commendable high school seniors each year. The Guild will also be donating to various organizations around our community to help bring and keep the arts here in the Permian Basin. We are extremely excited to start the process of making this grant available. We look forward to coming along side these organizations to help build and better their programs to help keep the arts going strong in Odessa.
Our annual fundraiser, The Symphony Ball, will be held in February. This event is for all our Belles and Beaux and will honor our seniors who have served in the guild the past four years. We also celebrate the countless hours that our Freshman, Sophomores and Juniors have served. It is especially inspiring to see these students give of their time and observe these students strive to be leaders in our community. We invite you to join us for this great event.
I look forward to leading our wonderful organization that helps bring culture and talent to our community. Our city is a better place because of the wonderful volunteers of the Odessa Symphony Guild. We are excited to serve alongside the West Texas Symphony for the coming years.
Lindi Bridges 2023-2024 President Odessa Symphony GuildThe Midland Symphony Guild (MSG) is excited to begin its 61st year of supporting the West Texas Symphony. The MSG began with the goal of supporting and raising funds for our local symphony music program. Over the past six decades, that effort has grown into a self-sustaining non-profit organization that provides financial and volunteer support to the West Texas Symphony and the various productions and events that it produces. The West Texas Symphony enriches the communities of both Midland and Odessa by showcasing world-class performers, local artists and musicians, and featured presentations.
The MSG comprises members who invest time and money in their local communities. Annually, the MSG donates thousands of volunteer hours contributed by our Symphony Belles, who are the daughters of our MSG members. Each Belle is required to complete 15 volunteer events or placements in their years in the MSG program (8th-12th grades), many of which include performances presented by the West Texas Symphony. This requirement of service fosters a sense of giving back to the community and appreciation for the work ethic and commitment demonstrated by the talented artists and musicians. In addition to the West Texas Symphony, our Belles volunteer at community organizations such as Safe Place, Midland Festival Ballet, Museum of the Southwest, Midland Food Bank, Midland Community Theater, and the Wagner Noël Performing Arts Center. We are so proud of our Belles!
It is my privilege to serve as president of the Midland Symphony Guild this year. I look forward to working with many wonderful men and women while encountering exceptional musical and fine arts performances. For our Belles, friendships will be formed, a spirit of service instilled and a love of the arts encouraged. Thank you to the West Texas Symphony for enriching our lives for another season.
Billye Louder2023-2024
President Midland Symphony GuildCongratulate
SEPTEMBER 9, 2023
Richard O’Neill, Viola
Dance of the Comedians | BEDRICH SMETANA
Symphonic Dances | SERGEI RACHMANINOFF
Concerto for Viola & Chamber Orchestra | CHRISTOPHER THEOFANIDIS
Featuring Grammy Award Winner Richard O’Neill, and continuing our celebration of Rachmaninoff’s most popular works for orchestra!
NOVEMBER 11, 2023
Join us on Veterans Day to honor our service members and showcase popular Americana repertoire such as Copland, John Williams, and Gould.
FEBRUARY 3, 2024
Ben Fairfield, WTS Co-Principal Trumpet
Trumpet Concerto | JOSEPH HAYDN
Symphony No. 5 | FRANZ SCHUBERT
This annual event features one of your very own orchestra musicians, WTS Co-Principal Trumpet Ben Fairfield!
APRIL 13, 2024
Reuben Kebede, Violin
Violin Concerto | SAMUEL COLERIDGE-TAYLOR
Variations on a Theme by Haydn, Hungarian Dances, & Academic Festival Overture | JOHANNES BRAHMS
Side-by-side with UTPB Orchestra & Local Students
Featuring violinist Reuben Kebede, with the resident graduate string quartet at Juilliard, and favorites for orchestra by Brahms.
PROUDLY
BY WOOD FAMILY FOUNDATION
OCTOBER 14, 2023
Performing live with the West Texas Symphony, witness today’s greatest circus acrobats and aerialists in spellbinding grace and daredevil athleticism for a spectacular and majestic show!
DECEMBER 2, 2023
West Texas’ favorite holiday tradition! Featuring your symphony orchestra, instrumental chamber ensembles, choral groups, and the Baker Family!
MARCH 2, 2024
Wally Minko, Jazz Pianist
A world premier show, from a world-renowned composer and arranger, that showcases the best of your West Texas Symphony!
MAY THE 4TH, 2024
All ages are welcome to this fun and exciting concert of popular works from movies, gaming, and the fantasy realm!
WEST TEXAS WINDS – FALL RECITAL
SEPTEMBER 21, 2023 | 7:30PM
REA-GREATHOUSE RECITAL HALL WNPAC
CHORALE – FALL RECITAL
OCTOBER 24, 2023 | 7:30PM
WAGNER & BROWN AUDITORIUM MIDLAND COLLEGE
PERMIAN BASIN STRING QUARTET – FALL RECITAL
NOVEMBER 3, 2023 | 7:30PM
WEST TEXAS SYMPHONY HALL, 3100 LAFORCE BLVD.
LONE STAR BRASS – A BASIN BRASS CHRISTMAS BONANZA
DECEMBER 19, 2023 | 7:30PM
ST. ANN’S CATHOLIC CHURCH
WEST TEXAS WINDS – SPRING RECITAL
JANUARY 18, 2024 | 7:30PM
FIRST METHODIST MIDLAND
LONE STAR BRASS – SPRING RECITAL
MARCH 21, 2024 | 7:30PM
ARTS COUNCIL MIDLAND (OUTDOOR VENUE)
PERMIAN BASIN STRING QUARTET – SPRING RECITAL
APRIL 21, 2024 | 3:00PM
WAGNER & BROWN AUDITORIUM MIDLAND COLLEGE
CHORALE – SPRING RECITAL
MAY 19, 2024 | 3:00PM
LOCATION TBA
Scheduled programs and individuals are subject to change.
Presents
HAPPY 150TH, RACHMANINOFF!
Richard O’Neill, Viola
Saturday, September 9, 2023 7:30 p.m.
Wagner Noël Performing Arts Center
THIS CONCERT IS PROUDLY SPONSORED BY Dr. Charles & Melanie Lively
Ann & Ken Hankins, Jr.
7:30 p.m.
Saturday, September 9, 2023
Wagner Noël Performing Arts Center
Gary Lewis, Conductor
Richard O’Neill, Viola
“Dance of the Comedians” from The Bartered Bride .............................................................................Bedřich Sme tana
Concerto for Viola and Chamber Orchestra ......................................................................... Christopher Theofanidis INTERMISSION
Symphonic Dances ............................................................................... Ser gei Rachmaninoff
*Program subject to change.
b. March 2, 1824, in Litomysl, modern-day Czech Republic.
d. May 12, 1884, in Prague, modern-day Czech Republic.
Composed: Smetana wrote The Bartered Bride on and off from 1862-1866. Premiered: May 30, 1866, in Prague.
• 1862: The United States issues its first paper money.
• 1863: The Emancipation Proclamation becomes law.
• 1864: Dutch farmers begin cultivating rubber trees in Java and Sumatra.
• 1865: Robert E. Lee surrenders to Ulysses S. Grant, ending the Civil War.
• 1866: The SPCA is founded, The Bartered Bride premieres
Bedřich Smetana was a Czech nationalist composer, active in the mid 19th century. In his country, he is regarded as the father of Czech music. Smetana’s father was a brewer and an amateur musician, and his mother was a dancer. Smetana began learning music at a young age, studying piano and violin. As a kid from the country, Smetana was mocked for his accent and manners when he went to school in Prague at age 15. He frequently cut school to attend concerts, but his father did not support music as a practical career choice. His father eventually was convinced that his son had a future in music, so Smetana moved to Prague where he taught lessons and continued to study. He continued to teach as his composition career slowly gained traction.
The 1850s were a challenging decade for Smetana, with three of his four daughters dying in childhood, and his wife passing away in 1859. In 1861, a national opera house was built in Prague, and Smetana saw this as an opportunity. After some success with his first opera, The Brandenburgers, Smetana solidified his reputation with The Bartered Bride. Although the premiere was not a success (due to a heat wave and an imminent war), by 1870 the final form of the work was a smashing success.
The Bartered Bride tells the story of a young women whose family has arranged a wealthy marriage, but she is in love with someone else. After many twists and turns and false identities, Marenka ends up happily married, though not to the person she expected. The opera is comic and light-hearted, set amongst average people in a small town. Dance of the Comedians is dance music from Act III of the Bartered Bride. The setting is on the village green in front of the town’s inn. A traveling circus has arrived, and some of the performers offer a preview show for the gathered townspeople. The music is upbeat, airy, and above all, fun.
Christopher Theofanidis
b. December 18, 1967, in Dallas, Texas
Concerto for Viola and Chamber Orchestra
I. black dancer, black thunder
II. sorrow
III. the center of the sky
IV.
IV. lightning, with life, in four colors comes down
Premiered: January 2002, Pro Arte Chamber Orchestra, Kim Kashkashian, soloist.
• 1999: Boris Yeltsin resigns as president of Russia, leaving Vladimir Putin as “acting president.”
• 2000: Elian Gonzalez seized by federal agents, returns to Cuba with his father.
• 2001: The September 11 terrorist attacks kill over 3000 people.
• 2002: In Pakistan, journalist Daniel Pearl is kidnapped and murdered, Concerto for Viola premieres.
Christopher Theofanidis is a prominent American composer. Born in Dallas, he studied at the University of Houston, the Eastman School of Music, and Yale University. He has won many major awards for composition, including the Prix de Rome, a Guggenheim Fellowship, a Fulbright Fellowship, and the American Academy of Arts and Letters Charles Ives Award. His works have been performed by the London Symphony Orchestra, the Philadelphia Orchestra, the National Symphony, the Detroit Symphony, and many others. He has served on the faculty of the Peabody Conservatory and the Julliard School. He currently teaches composition at the Yale School of Music.
Concerto for Viola was written in collaboration with Kim Kashkashian, the viola soloist who premiered the work. Kashkashian is one of the most prominent violists in the classical music scene today. She sent the composer a collection of Native American poems she had been reading, many of which the authors were unknown. The texts were very compact with no words wasted, and Theofanidis used some of these lines as the inspirations for the four movements of the concerto. The composer was also inspired by Kashkashian’s intensity and focus as a performer. The first movement is based on a three-note figure at the beginning. The composer conceived of this movement as militaristic and thought of fire and earth as he wrote the piece. The second movement is slow and melancholy, with the mournful viola part heard over very still music in the orchestra. The third movement is the most songlike of the piece, the melodies feature long phrases, and there are often very large intervals between the voices. The last movement is short, turbulent, and highly chromatic. This last movement most features the virtuosity of the soloist.
Sergei Rachmaninoff
b. April 1, 1873, on the family estate near Staraya, Russia.
d. March 28, 1943, in Beverly Hills, California.
Symphonic Dances
I. Non allegro
II. Andante con moto
III. Lento assai—Allegro vivace—Lento assai come prima—Allegro vivace
Composed: Written in the summer of 1940, while the composer was spending the summer in Long Island.
Premiered: Premiered January 3, 1941 by the Philadelphia Orchestra, conducted by Eugene Ormandy.
The Work in Context
• 1938: US geologists find oil in Saudi Arabia while looking for water.
• 1939: Albert Einstein writes to FDR about developing a uranium atomic bomb.
• 1940: Leon Trotsky murdered in Mexico by a Soviet agent.
• 1941: Hitler breaks his treaty and invades the USSR, Symphonic Dances premieres.
Sergei Rachmaninoff was a Russian composer, piano virtuoso, and conductor. He was one of the last Russian composers who wrote in a Romantic style and was one of the very best concert pianists of the first half of the 20th century. Born into an aristocratic family who
had a tradition of musicianship, Rachmaninoff began to study piano at the age of four, eventually studying at the Moscow Conservatory, the top music school in Russia. When he graduated in 1892, he had already completed several compositions. In 1897, his Symphony No. 1 was a spectacular failure, with famous musicians such as Cesar Cui panning the work. Some of the issues may have come from the conductor, Alexander Glazunov, allegedly being drunk during rehearsals. Either way, stung by the work not meeting his standards, Rachmaninoff descended into depression with accompanying writer’s block. He made his living by teaching and conducting, but he didn’t write music again until after working with physician and amateur musician Nikolai Dahl. Dahl led Rachmaninoff through hypnotherapy and talk therapy until, after about six months, Rachmaninoff began composing again. He even dedicated his first work after depression, is Piano Concerto No. 2, to Nicolai Dahl. Rachmaninoff’s career continued to bloom, but turmoil in Russia presented difficulties for him and his family. Because Rachmaninoff’s family was from the aristocracy, they were very much at risk during the Bolshevik Revolution in 1917. Rachmaninoff had the opportunity to tour Scandinavia in December 1917, and he left and never returned to Russia. He eventually moved to the United States, where he easily supported his family through performance tours.
Symphonic Dances was written towards the end of Rachmaninoff’s life. While his career had consisted of mostly performing, his compositional output had drastically slowed. However, as Rachmaninoff gradually slowed the brutal pace of his tours, he began to compose more again. He wrote Symphonic Dances while spending the summer on Long Island. The work premiered in 1941, at a concert which Rachmaninoff attended. This work would be Rachmaninoff’s final composition, as he passed only two years after the premiere. The work is infused with Russian themes, perhaps out of a sense of nostalgia for the country he hadn’t seen since 1917. The work was originally titled Fantastic Dances, with movements titled “noon,” twilight,” and “midnight,” but the composer settled on less programmatic titles for the final version. The music features wide contrasts, shifting harmonies, and the use of a variety of colors in the orchestration. The first movement is striking for its use of saxophone in the middle lyrical section. The opening and closing sections are in the style of a march with a very ominous feeling. The second movement is in the style of a waltz, preceded by a slow introduction. The finale, after an introduction, is slow and quotes the Dies Irae, the Gregorian chant theme of the Mass for the Dead. Rachmaninoff also quotes a melody from his All-Night Vigil which describes Christ’s resurrection. The music writing for this uplifting text brings the music to a glorious and optimistic close.
Program notes by Martin D. KingAn active performer and teacher, Martin D. King is on the faculty of Washington State University, where he teaches horn and music education. Dr. King maintains a busy performance schedule, holding positions in three orchestras in Eastern Washington and touring with his quintet, the Pan Pacific Ensemble. For more information, please visit. www.martinking.music.com
Praised by the London Times as "ravishing" the New York Times for his "elegant, velvety tone" the Los Angeles Times as "energetic and sassy...exceptional" and Seattle Times as "sublime" VIOLIST RICHARD
O'NEILL has distinguished himself as one of the great instrumentalists of his generation. Winner of both a GRAMMY and EMMY Award, and recipient of an Avery Fisher Career Grant, he has achieved recognition and critical acclaim not only as a champion of his instrument but as a social and musical ambassador as well. He has appeared as soloist with the London, Los Angeles, Seoul, and Euro-Asian Philharmonics; the Albany, BBC, KBS, Hiroshima and Korean Symphonies; the Moscow, Vienna, and Wurttemburg Chamber Orchestras; Alte Musik Koln, Kremerata Baltica and Sejong with conductors Andrew Davis, Miguel Harth Bedoya, Vladimir Jurowski, Nicholas McGegan, Eiji Oue, Francois Xavier Roth, Vassily Sinaisky, Leonard Slatkin, Osmo Vanska and Yannick Nezet-Seguin. In June 2020, he joined the world renowned Takacs Quartet.
As recitalist he has performed in many of the greatest halls of the world including Carnegie, Alice Tully, David Geffen, the Kennedy Center, Disney, Herbst Theater, Wigmore, Salle Cortot, the Louvre, Madrid National Concert Hall, Teatro Colon, Hong Kong Cultural Center, Shanghai Concert Hall, Tokyo International Forum and Opera City, Osaka Symphony Hall, Seoul Arts Center and LOTTE Concert Hall. For many years an Artist of the Chamber Music Society of Lincoln Center as well as Principal Violist of Camerata Pacifica, he has frequently collaborated with the world's greatest musicians including Emanuel Ax, Jeremy Denk, Leon Fleisher, Gidon Kremer, Warren Jones, Garrick Ohlsson, Menahem Pressler, Daniil Trifonov, James Ehnes, Kyung-Wha Chung, Augustin Hadelich, Boris Giltburg, Mischa Maisky, Steven Isserlis, Edgar Meyer and The Juilliard, Emerson, Borromeo, Syzmanowski String Quartets, among many others. Festival appearances include Marlboro, Aspen, Bridgehampton, Casals, Chamber Music Northwest, Dresden, Evian, Great Mountains, Hatfield House, La Folle Journee, La Jolla, Leicester, Mecklenburg, Menlo, Moritzburg, Mostly Mozart, Music Academy of the West, Prussia Cove, Saint Barthelemy, Saratoga, Seattle and Tongyeong.
A UNIVERSAL/Deutsche Grammophon recording artist, he has made ten solo albums which have sold more than 200,000 copies. He has remained one of the best selling South Korean recording artists for over a decade with multiple platinum disc awards. His recordings of Schoenberg were twice nominated for a GRAMMY in 2006 and 2010, and his recording of Christopher Theofanidis’s Viola Concerto has earned him his third nomination and first GRAMMY in the Best Instrumental Solo Category.
Dedicated to the music of our time, he has worked with composers Lera Auerbach, Mason Bates, Elliott Carter, Paul Chihara, Unsuk Chin, Mario Davidovsky, John Harbison, Jo Kondo, Chris Paul Harman, Matthias Pintscher, Huang Ruo, Christopher Theofanidis, George Tsontakis, Melinda Wagner, John Zorn, and has premiered works commissioned and composed for him by Carter, Harbison, Ruo, and Chihara. In 2018 he premiered composer Lera Auerbach 24 Preludes with the composer at the piano for Camerata Pacifica, in 2019 he recorded Huang Ruo’s Viola Concerto “In Other Words” at the Bavarian Radio, and in 2022 premiered Paul Chihara’s Concerto for Viola and Orchestra with the Seoul Philharmonic and Osmo Vanska.
A popular figure in South Korea, he has appeared on major television networks, newspapers and publications. His 2004 appearance in the KBS Documentary Series, Human Theater was viewed by over 12 million and led to a second series and his popularity with the Korean public. In 2013, he led a documentary series featuring his work with a multicultural youth orchestra for MBC, "Hello?! Orchestra" which led to an International Emmy in Arts Programming and a feature length film that debuted at the Busan International Film Festival. For thirteen seasons, he served as artistic director of DITTO, introducing tens of thousands to chamber music in South Korea and Japan. On DITTO’s two international tours, he sold out both Tokyo's International Forum and Osaka Symphony Hall as well as the Shanghai Concert Hall.
The first violist to receive the Artist Diploma from Juilliard, he holds a Bachelors of Music from The USC Thornton School of Music magna cum laude and a Masters from The Juilliard School: Donald McInnes, Karen Tuttle and Paul Neubauer were his mentors. In 2006 he was honored with a Proclamation from the New York City Council for his achievement and contribution to the arts. He serves as Goodwill Ambassador for the Korean Red Cross, The Special Olympics and UNICEF, runs marathons for charity and serves on the faculty of the CU Boulder College of Music and the Music Academy of the West in Santa Barbara.
He performs on two rare violas: one made by Matteo Goffriller of Venice, the ex-Trampler, made in 1727, and the other, a Gasparo da Salo, ex-Iglitzin, the Counts of Flanders. Richard is a Thomastik-Infleld artist.
Saturday, October 14, 2023
7:30 p.m.
Performing live with the West Texas Symphony, witness today’s greatest circus acrobats and aerialists in spellbinding grace and daredevil athleticism for a spectacular and majestic show!
POPS & FAMILY SERIES IS PROUDLY UNDERWITTEN BY
THIS CONCERT IS PROUDLY SPONSORED BY Steven Palma – Right At Home Midland
Carolina & Ronnie Keith
Dr. Charles & Melanie Lively
CIRQUE
Saturday, October 14, 2023
7:30 p.m.
Wagner Noël Performing Arts Center
Gary Lewis, Music Director & Conductor
Selections may include, but not limited to:
Mephisto Waltz No. 1S.110………………………………………................................…………Franz Liszt
Violin Concerto ………………………………................................……………..Pyotr Illyich Tchaikovsky
Flight of the Bumblebee ………………………................................……….Nikolai Rimsky-Korsakov
‘Mars’ from The Planets ……………………………………….................................…………Gustav Holst
Das Rheingold ‘Entrance of the Gods into Valhalla’.......................Wilhelm Richard Wagner
Night on Bald Mountain……………………………….................................…….. Modest Mussorgsky
‘Hoedown’ from Rodeo………………….……………………….................................……Aaron Copland
William Tell Overture ……………………………..………….................................…..Gioachino Rossini
“Entry of the Gladiators” …………….………….......………..................................…………Julius Fučík
Symphony No. 5 ……………………………………………...................................Ludwig van Beethoven
*Program subject to change.
Cirque Musica is produced by TCG Entertainment. WWW.CIRQUEMUSICA.COM
WEST TEXAS SYMPHONY’S MISSION is to enhance the quality of life in West Texas through professional music performances and music education.
Each year WTS reaches over 13,000 young people through a variety of music education programs designed to offer meaningful music experiences. Our goal is to foster a love for music starting at a young age. These programs include...
This special WTS symphony concert is performed annually for 5,000 students at the world-class Wagner Noël Performing Arts Center. The musical programming is tailored to school age children! Students experience exciting melodies by great composers that engages them through repetitive rhythms, by expressing a particular feeling or idea, or by being recognizable and easy to sing.
Students attending MISD and ECISD elementary schools have the opportunity to experience a live chamber music concert in the comfort of their own school buildings.
WTS offers the greatly reduced ticket price of $12 for all students!
Diann & John McKeeHELP SUPPORT MUSIC EDUCATION TODAY! CALL 432-563-0921
Since 1989, Permian Basin Area Foundation has served as this region’s community foundation The Foundation partners with generous donors to leave a lasting impact in communities throughout a multi-county region of West Texas. Permian Basin Area Foundation builds permanent endowments to respond to emerging and changing needs, and to sustain existing nonprofit organizations in the fields of education, arts and culture, health, social services, community development, and civic affairs.
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Presents
AN AMERICANA SALUTE TO OUR VETERANS
Saturday, November 11, 2023
7:30 p.m. Wagner Noël Performing Arts Center
THIS CONCERT IS PROUDLY SPONSORED BY Carol & Tom Chandler
Diann & John McKee
7:30 p.m.
Saturday, November 11, 2023
Wagner Noël Performing Arts Center
Gary Lewis, Conductor
Selections including...
…………..…………………………………..............................……………
I. Very slowly.
II. Fast/Allegro.
III. Moderate/Moderato.
IV. Quite fast.
V. Still faster/Subito Allegro.
VI. Very slowly.
VII. Calm and flowing/Doppio Movimento.
VIII. Moderate. Coda/Moderato—Coda.
b. December 10, 1913, in Richmond Hill, New York.
d. February 21, 1996, in Orlando, Florida.
American Salute
Composed: written in 1942 for a radio program producer who requested a “salute to America.”
The Work in Context
1939: Germany annexes Czechoslovakia.
1940: In the USSR, Lavrentiy Beria executes his predecessor Yeshov and becomes the new head of the NKVD, the internal police of the USSR.
1941: Hitler orders the extermination of communists inside Germany.
1942: Germany invades Russia, Gould writes American Salute.
Morton Gould was a multi-talented American musician whose skills were apparent at the age of 6. His first professional musical work was playing piano in silent movie and vaudeville theaters in New York when he was just a teenager. At age 19, he was hired as the first staff pianist of Radio City Music Hall, and soon after he was conducting and arranging music that was heard on the radio nationwide. He began conducting radio orchestras and writing music for variety shows and later movies and Broadway shows. This work led to more classical commissions from ensembles such as the American Ballet Theatre, the New York City Ballet, and orchestras across the country. He won a Pulitzer Prize, a Grammy Lifetime Achievement Award, and was on the board of the National Endowment of the Arts. Gould’s output spanned a wide variety of genres, and the recordings he made as a conductor are still studied to this day.
American Salute is an exciting short overture for orchestra written using the tune “When Johnny Comes Marching Home.” Gould wrote the piece in 1942, in the early days of America’s involvement in World War II. The piece was commissioned for radio, with the producer literally asking Gould for a “salute to America.” Gould thought he was just writing another piece; he didn’t know the work was destined to become a classic. According to the composer: “It was years before I knew it was a classic setting. What amazes me is that critics say it is a minor masterpiece, a gem. To me, it was just a setting. I was doing a million of those things.” As an experienced commercial musician, Gould
worked at head-spinning pace. He composed the piece in 8 hours, starting at 6 pm and ending at 2 am the next morning. The piece was rehearsed that evening and broadcasts the next day. American Salute is classic Morton Gould. It is a perfect blend of popular appeal and compositional sophistication.
Aaron Copland
b. November 14, 1900, in Brooklyn, New York.
d. December 2, 1990, in Sleepy Hollow, New York.
Appalachian Spring
I. Very slowly.
II. Fast/Allegro.
III. Moderate/Moderato.
IV. Quite fast.
V. Still faster/Subito Allegro.
VI. Very slowly.
VII. Calm and flowing/Doppio Movimento.
VIII. Moderate. Coda/Moderato—Coda.
Composed: Copland was commissioned to write a ballet with and American theme in 1942. He did most of the composing in 1943-1944.
Premiered: October 30, 1944, at the Library of Congress in Washington D.C.
Lincoln Portrait
Composed: Copland was commissioned to write a portrait of an “eminent American” for the New York Philharmonic in 1941.
Premiered: May 14, 1942, by the Cincinnati Symphony Orchestra, William Adams narrating.
• 1941: President Roosevelt begins sending weapons to the Allies through the Lend Lease Act.
• 1942: Japanese submarine shells an oil refinery in California, one of the only attacks on the US mainland in WWII. Lincoln Portrait premiered.
• 1943: Hitler is defeated at Stalingrad.
• 1944: The Allies land at Normandy in the D-Day invasion. Appalachian Spring premieres.
Known as the “Dean of American Composers,” Aaron Copland was the youngest of five children in a Jewish family who had emigrated from Russia. He began composing at a young age and studied composition with the American composer Rubin Goldmark. Upon graduating high school, Copland moved to Paris and, like several young American composers, studied with composition teacher Nadia Boulanger. Copland greatly enjoyed his studies with Boulanger and felt at home in the American expatriate community of artists and writers which included Ernest Hemmingway and Sinclair Lewis. After Copland moved back to the United States in 1925, his work gradually transitioned from modernist and intellectual to more populist and accessible. His works such as El Salon de Mexico and Appalachian Spring helped Copland rise to prominence and provided him with a level of financial security during the Great Depression. A proponent of “music for use,”
Copland wrote music for school ensembles and music that could be useful outside of the traditional concert hall. His signature open, slow-moving harmonies have come to be seen as quintessentially American, evoking the vast and wide-open American landscape.
Lincoln Portrait was commissioned by Andre Kostelanetz, the conductor of the New York Philharmonic, in 1941. He asked for a portrait of an “eminent American,” and Copland’s first choice was Walt Whitman. Kostelanetz wanted a more popular and political figure, so the composer’s second choice was Abraham Lincoln. The text of the work was taken from Lincoln’s major speeches and letters. The music of the piece represents Copland’s American style. In the 1930s, Copland began to move from writing music in the esoteric, classical style of the day to a more vernacular style that made use of folk music, popular programmatic themes, and simple melodies. By the time he wrote Lincoln Portrait, Copland was well established in this new musical style. Many famous Americans have narrated this work, including James Earl Jones, Neil Armstrong, Walter Cronkite, and Julius “Doctor J” Erving.
Copland wrote the following program notes for the first performance of the work by the Boston Symphony: "The first sketches were made in February, and the portrait finished on 16 April 1942. I worked with musical materials of my own with the exception of two songs of the period: the famous 'Camptown Races' which, when used by Lincoln supporters during his Presidential campaign of 1860, was sung to the words, 'We're bound to work all night, bound to work all day. I'll bet my money on the Lincoln hoss…,' and a ballad that was first published in 1840 under the title 'The Pesky Sarpent,' but it is better known today as 'Springfield Mountain.' In neither case is the treatment a literal one. The tunes are used freely in the manner of my use of cowboy songs in Billy the Kid. The composition is roughly divided into three main sections. In the opening section I wanted to suggest something of the mysterious sense of fatality that surrounds Lincoln's personality. Also, near the end of that section, something of his gentleness and simplicity of spirit. The quick middle section briefly sketches in the background of the times he lived. This merges into the concluding section where my sole purpose was to draw a simple but impressive frame about the words of Lincoln himself."
Appalachian Spring was originally a ballet, written for a chamber orchestra of only 13 instruments. The ballet was commissioned by the dancer and choreographer Martha Graham with funds from the Coolidge Foundation. The premiere was given in the Library of Congress in Washington D.C., with Graham dancing the leading role. The performance was a stunning success, with Copland going on to win the 1945 Pulitzer Prize for his work.
The genesis ballet was somewhat abstract, with Graham’s first script she sent to Copland reading: “This is a legend of American living. It is like the bone structure, the inner frame that holds together a people.” Copland was not fazed by this unique approach to scripting a ballet, so he gave the piece the working title Ballet for Martha and started writing. The plot developed into a story of a bride and bridegroom who gradually get to know one another and settle into the rituals of daily life in a small American town. The work was written at a similar time to Lincoln Portrait, and so the listener will hear music written in a very similar style. The most famous passage of the work is the final set of variations on the fold tune “Simple Gifts.” Copland wrote the following descriptions of each section, which can be a helpful guide to listening to this monumental work:
I. Very slowly. Introduction of the characters, one by one, in a suffused light.
II. Fast/Allegro. Sudden burst of unison string arpeggios in A major start the action. A sentiment both elated and religious gives the keynote to this scene.
III. Moderate/Moderato. Duo for the Bride and her Intended—scene of tenderness and passion.
IV. Quite fast. The Revivalist and his flock. Folksy feeling—suggestions of square dances and country fiddlers.
V. Still faster/Subito Allegro. Solo dance of the Bride—presentiment of motherhood. Extremes of joy and fear and wonder.
VI. Very slowly (as at first). Transition scene to music reminiscent of the introduction.
VII. Calm and flowing/Doppio Movimento. Scenes of daily activity for the Bride and her Farmer husband. There are five variations on a Shaker theme. The theme, sung by a solo clarinet, was taken from a collection of Shaker melodies compiled by Edward D. Andres, and published under the title “The Gift to be Simple.” The melody borrowed and used almost literally is called “Simple Gifts.”
VIII. Moderate. Coda/Moderato—Coda. The Bride takes her place among her neighbors. At the end the couple are left “quiet and strong in their new house.” Muted strings intone a hushed prayerlike chorale passage. The close is reminiscent of the opening music.
John Williams
b. February 8, 1932 in Queens, New York.
Hymn to the Fallen (from Saving Private Ryan)
Composed: Williams wrote the score, and the soundtrack was recorded in 1998. Premiered: The soundtrack was released July 21, 1998.
The Work in Context
• 1995: Yahoo is founded in Santa Clara, California.
• 1996: Ted Kaczynski, the Unabomber, is arrested in Montana.
• 1997: Princess Diana is pronounced dead following a car crash in Paris.
• 1998: NATO authorizes air strikes in response to atrocities in Kosovo. Hymn of the Fallen recorded and published.
•
The name John Williams has become synonymous with epic film scores for the last several generations of Americans. Williams was born in Queens to hard working parents. His father was a jazz drummer, so he was exposed to music at a young age. His family later moved to Los Angeles, where he studied composition privately and attended Los Angeles City College for a semester before joining the Air Force, where he played piano and trombone, conducted, and arranged music. Upon leaving the Air Force, he attended Juilliard and Eastman Conservatories, and following his studies he moved to Los Angeles and began working as an orchestrator in film studios.
After years of writing arrangements and orchestrations for Henry Mancini, Williams began to achieve notoriety for his own music with the scores for The Poseidon Adventure and the
John Wayne film The Cowboys. His breakout success was the movie Jaws, the score of which is now probably ringing in the ears of everyone reading this. After Jaws, John Williams wrote the score to Star Wars, widely considered the greatest film score of all time. Williams has continued to write some of our most well know music, including E.T., Indiana Jones, NBC’s Olympics theme music, and music for the Harry Potter films.
Hymn to the Fallen is a selection from the soundtrack of Saving Private Ryan, the epic World War II film directed by Steven Spielberg. The soundtrack was recorded in Symphony Hall in Boston by the Boston Symphony Orchestra. Spielberg chose symphony hall for the warmth of the sound this famous venue brings out of the orchestra. Hymn to the Fallen is the only music in the entire score that uses voices, but the chorus is used more as an instrument than to sing text. The hymn melody in the choir is set off with military drums and solemn fanfares in the brass. The work gives a sense of solemn remembrance and causes the listener to reflect on the price paid by soldiers who have fallen in the line of duty.
Program notes by Martin D. King
An active performer and teacher, Martin D. King is on the faculty of Washington State University, where he teaches horn and music education. Dr. King maintains a busy performance schedule, holding positions in three orchestras in Eastern Washington and touring with his quintet, the Pan Pacific Ensemble. For more information, please visit. www.martinking.music.com
Saturday, December 2, 2023
7:30 p.m.
Wagner Noël Performing Arts Center
Celebrate the holidays with West Texas Symphony’s annual Christmas concert event!
POPS & FAMILY SERIES IS PROUDLY UNDERWITTEN BY
THIS CONCERT IS PROUDLY SPONSORED BY Claire & Jim Woodcock
POPS & FAMILY SERIES UNDERWRITER
Wood Family Foundation
DIAMOND $10,000
SAULSBURY
GOLD $5,000
Community National Bank
Midland Symphony Guild & Odessa Symphony Guild
Claire & Jim Woodcock
SILVER $3,500
Brazos Door & Hardware
Cotton Bledsoe Tighe & Dawson P.C.
Innovex Oil & Gas
REXCO POLY SUPPLY
Plains All American Pipeline, LP
Carol & Tom Chandler
Dr. Charles & Melanie Lively
Diann & John McKee
Ann Parish & Betty Ann Prentice
BRONZE $2,500
Aghorn Energy
West Texas National Bank
Dee Anna Arellano EXP Realty & Permian Basin Radio LLC
City of Odessa
Martha & Paul Crump
Denise & Thomas W. Elrod
Ann & Ken Hankins, Jr.
Steven Palma, Right At Home Midland & Kool Katz Air Conditioning & Heating
Apirra Abstract & Title, LLC & Carolina & Ronnie Keith
CHAMBER $500
Ernie Angelo
Theresa & Gregg Blain
Maridell Fryar
Andrew Hernandez State Farm Agent
Diann & John McKee
Ann Parish & Betty Ann Prentice
MEDIA, LODGING & TRANSPORTATION SPONSORS
DoubleTree by Hilton Hotels Midland Plaza
Odessa Marriott Hotel & Conference Center
LaQuinta Inn & Suites Odessa North
Sewell Midland
Odessa American
Midland Reporter-Telegram
PROGRAM BOOK SPONSOR
Midland College Foundation, Inc.
Basin PBS
CBS7
KMID ABC BIG2
West Texas Radio Group
The Odessan
West Texas Symphony is pleased to acknowledge the generosity of those who place a high value on the presence of live symphonic, chamber, and choral music in West Texas. Through their monetary commitment or other unique forms of support, they enable us to fulfill our mission of enriching lives through music for a 61st season!
Listed Below are the gifts and pledges for the 2023-2024 season as of July 19, 2023.
DIAMOND BATON SOCIETY
J.C. Ferguson Foundation
Midland Symphony Guild
Odessa Symphony Guild
GOLDEN BATON SOCIETY ($5,000+)
Julia Z. Edwards
Diann & John McKee
SILVER BATON SOCIETY ($2,500+)
Brazos Door & Hardware
Dana & Michael Ashton & Mr. Marc Capellini
Jessica & Heath Bexley
Drs. Roberta & Richard Case
C. Richard (Dick) Sivalls
Kay & George Smith
Rosemary & Max Wright
FORTISSIMO ($1,000+)
Markwest Hydrocarbon, LLC
Gayle & Michael Banschbach
Cliffy & Barry Beal
Theresa & Gregg Blain
Suzie & Kirk Boyd
Denise & Thomas W. Elrod
Maridell Fryar
Rosalind Redfern Grover
May & Nam Kim
A. Lee Miller
Doris Redfern
Doris Casey Mason
Robin Richey & Gary Brednich
Audra & J.B. Whatley
Rachel & Ethan Wills
FORTE ($500+)
Ernie Angelo
Rebecca Bell
Leslie George Millichamp
Margaret Purvis
Juandelle Lacy Roberts
Floyd & Kathy Rountree
Nancy & John Stout
Dr. Carol Ann Traut
MEZZO FORTE ($250+)
Tierra Company, L.P. / Bill Musar
Jeff & Lou Nelle George
Megan & Paul Pausé
Bob & Ruth Price
Violet & Mark Singh
CRESCENDO ($125+)
Mary Blain
Sophie Edwards
Judith Hayes
Barbara Kurzynski
Anne & Jont Tyson
Deeann & Richard Werner
PIANO (BELOW $125)
Kathy Anderson
Dee Anna & Johnny Arellano
Pat & Julie Canty
Allison Gray
Jesse Grimes
Allison Morrison
Dawn Nichols
Crystal Radford
Tim Rosborough
Nick Taylor
Established in 1992 to help provide a financial cushion when economic activity in the Basin declines, the WTS Endowment Fund currently accounts for about 6% of the annual budget. As you consult with your tax advisor, financial planner, or attorney, please consider West Texas Symphony as a beneficiary of your planned giving or of your estate. Your legacy will continue to Enrich Lives Through Music for generations to come.
For further details on how you can play your part in assuring that WTS concerts and programs continue well into the future, please contact:
Violet Singh, Development Director 432-563-0921 or development@wtxs.org
For over 60 seasons, the music of West Texas Symphony has not just endured, but grown. What a testament to residents of this community and their determination to include live symphony, chamber, and choral music as part of the cultural landscape of West Texas!
By donating to the WTS Endowment Fund, you join generous contributors whose gifts immediately work to provide critical funding for the quality programming WTS offers season after season, now and into the future.
For further details on how you can play your part to assure that WTS continues to Enrich Lives Through Music well into the future, please contact Violet Singh, Development Director at 432-563-0921.
Mrs. Keleen Beal Mr. & Mrs. Louis Rochester
Millennium Club ($25,000+)
MEMORIALS:
Walter Osadchuk
Dr. & Mrs. Michael S. Miller
Mary June Rasmussen
Mr. Kenneth Anderson & Anne Acreman, MD
Anonymous
Karen & Spencer Beal
Davidson Family Charities
Estate of Dollie Neal Ballenger
Mary de Compiegne
Estate of Lewis Merle O’neal
Estate of Mary Louise Gilmour
Rosalind Redfern Grover
William Randolph Hearst
Endowment for Music Education
Midland Symphony Guild
MOSC Board of Directors
Harvey & Harriet Herd
John & Doris Mason
Estate of Alice B. Moxey
David Austin Stephens
Beethoven Society ($10,000-$24,999)
MEMORIALS
Justin Andrew Fregia
Martha Fregia
Charles Tracy Sivalls
Mrs. C.T. Sivalls
In Honor of Ruth McFarland
Midland Symphony Guild
Estate of Mary Harrington
Anonymous (2)
Nancy & Buddy Anguish
Drs. Terry & Elvira Burns
Dr. & Mrs. J. Terry Carpenter
Mr. & Mrs. Nance G. Creager
Marion E. Luper, Jr.
Dr. & Mrs. William L. McGavran III
Beverly Pevehouse
Mr. & Mrs. T.G. Roden
Mr. & Mrs. Earl Rodman
Mozart Society ($5,000-$9,999)
In Honor of Ted Hale
Anonymous
MEMORIALS:
Nelson Allison
Marion E. Luper, Jr.
Jared A. Barlage
Marion E. Luper, Jr.
Roy E. Campbell
Mrs. Viola Campbell
HONORARIUMS:
Ted Hale
Anonymous
Michael J. Santorelli
Modesta and Clayton Williams
J.C. Ferguson Foundation
The Midland Musicians Club
Drs. Richard & Roberta Case
Mr. & Mrs. Robert H. Cole
Roger B. Corzine
Dr. & Mrs. Bart Mayron
Phil & Susan Parker
Mr. & Mrs. C. Richard Sivalls
Mr. & Mrs. George S. Smith
Mr. & Mrs. Mark D. Wilson
Bach Society ($1,000-$4,999)
MEMORIALS:
Anne K. Anson
Robert D. Anson
Robert D. Anson
Drs. Richard & Roberta Case
Tyler T. Burns
Bobby & Denise Burns
Johnny “Cactus Jack” Dowdle
Nash Dowdle
Marguerite W. Davis
Ludie & Eben Warner
John M. Grimland, Jr.
Mrs. John M. Grimland, Jr
Neal H. Johnson
Berniece Johnson
Vera Osadchuk
Bea & Bob Angevine
Walter Osadchuk
Mr. & Mrs. Jerry Covington
Josh H. Parr
Anne & Jim McLaughlin
Victoria Parr Ehrlich
Mary June Rasmussen
Dr. & Mrs. Terry Unruh
Fred A. Stout, Jr.
Kathlene N. Stout
Martha Tompkins
Dianne & Mark Tompkins
Bob Winkler &
Clayton Taylor Winkler
Carolyn Winkler
HONORARIUMS:
Dorothy Davis
Dr. & Mrs. Terry Unruh
Rino Irving
Mary Lou Cassidy
Michael J. Santorelli
Penny and Ernest Angelo
Carole V. Warren
Shari Santorelli
Penny and Ernest Angelo
Betty Rae and Paul Davis
The MOSC Chorale
Carole V. Warren
Estate of Joyce Ann Bradley
ExxonMobil Foundation
Marshall & Winston. Inc.
Mobil Foundation, Inc.
Shinn Industrial Sales/Barbara & Don Shinn
TXU Electric
The Midland Musicians Club
Anonymous (3)
Nelson Allison
Dollie Neal Ballenger
Dr. & Mrs. John E. Bauman
Karen & Spencer Beal
Mr. & Mrs. Robert L. Boothe
Mrs. M.O. Boring, Jr.
David and Vicki Brown
Bob & Julia Chandler
Mr. & Mrs. K. Michael Conaway
Paul & Martha Crump
Betty & Albert Dale
Mr. & Mrs. Roy H. Davidson
Mary & Henri de Compiegne
Kimberly B. Dollens
Betty & Don Ewan
Celeste Fasken
Frances Gilliland
Elizabeth A. Greaves
Elizabeth Harvey
Karl & Cathy Herzog
Mr. & Mrs. Lloyd Innerarity
Mrs. Stan Jacobs
Mr. & Mrs. Bob L. Jones
Marian & Charles E. Jones
V. Wayne & Joann Jones
Dr. & Mrs. Nam Kim
Mr. & Mrs. James W. Lacy
Dr. Ron Larson & Pat Paxton Larson
Stephanie Latimer
Jane C. Lea
Robert M. & Prudie Leibrock
Scott W. Long
LaNelle McBee
Mr. & Mrs. Stephen McHaney
Rusty & Alyson McInturff
Mr. & Mrs. James D. McLaughlin
Walter & E. Grace Osadchuk
Dr. E. Grace Osadchuk
Mr. & Mrs. Josh H. Parr
Dr. & Mrs. Jess Parrish
Margaret L. Peer
Mr. & Mrs. Charles R. Perry
Mr. & Mrs. Robert Pollard
Mike and Sue Potter
Mr. & Mrs. Robert R. Rice
Mr. & Mrs. A.W. Rutter, Jr.
Rick & Debbie Schneider
Violet & Mark Singh
Dr. Roger M. Traxel
Bill & Patti Watson
Harold & Jacquelyn Williams
Rachel & Ethan Wills
Jane Wolf
Mr. & Mrs. Max Wright
Contributors (Up to $999)
HONORARIUMS:
Bea Angevine
Jane & Don Samples
Katherine Bash & Duncan Kennedy
Harriet A. & Gene Motter
Jack “Dug” Belcher
Dortha & Ronald Bennett
Dortha & Ronald Bennett & Barbara Shinn
Ms. Judy DeWees
Brad Bullock
MOSC Board of Directors
Eddie Montoya
Marin & Ashlin Bullock
Brad & Crista Bullock
Chris Chance
Pamela Howell
Carol Chandler
MOSC Board of Directors
Jo Ann Collett
The Midland Musicians Club
Kimberly Corman
Janet Williams Pollard
Ann Countryman
Larry & Gwen Roberts
Mrs. D. Pat Darden
Betty M. Scott
Gary Edmiston
Employees of Security State Bank
Karen Elliott
Jane Wolf
Trisha Faubion
Karen Watson
Maridell Fryar
Bea Angevine
Jane & Don Samples
Sue Solari
Louise M. Garay
Bill & Mary Garay
Luis de la Garza, III
Pamela Howell
Richelle Gengler
The Midland Musicians Club
Dr. Ted Hale
Anonymous
Carol, John & Caroline Deats
Edith C. Hardy
The Midland Musicians Club
Lee Harley
Flo White
Sharon Hickox
Mark & Janet Krause
Dr. Thomas A &
Anne B. Hyde
Violet and Mark Singh
Rino Irving
Ann Parish
Betty Ann Prentice
Violet & Mark Singh
Jane Wolf
Peggy C. Jones
The Midland Musicians Club
Abigail Kauffman
Mary Macferran
Carolina Keith
MOSC Board of Directors
Jeannette Kolokoff
MOSC Board of Directors
Crystal Radford
Ann Parish
Betty Ann Prentice
LaDoyce Lambert
MOSC Board of Directors
David Lauritzen
MOSC Board of Directors
Martha Lewis
The Midland Musicians Club
Karen McAfee
Carole Symonette
John and Melissa Madura
Violet and Mark Singh
Reba McHaney
Mr. & Mrs. Stephen H. Parker
Tim Young & Sharon Hickox
Edward McPherson
Jeannette & Mark Kolokoff
Charles & Brenda Nail
Bill Harden
Vera Osadchuk
The Midland Musicians Club
Dr. Henry Page
The Midland Musicians Club
Mr. & Mrs. Walter Pope
Midland Symphony Guild
Richy Puga
Jennifer & John C. Harper
Gregory Pysh
Chapter Gd P.E.O.
Connie May
Russell J. Ramsland
Midland Symphony Guild
Jay Reynolds
MOSC Board of Directors
Red & Juandelle
Lacy-Roberts
Violet & Mark Singh
Elizabeth Roweck
The Midland Musicians Club
Jane Samples
Bea Angevine
Michael J. Santorelli
Violet and Mark Singh
Janet Stafford
Carol Symonette
Shari Santorelli
Craig and Doris Anderson
Connie May
Violet and Mark Singh
Janet Stafford
Carol Symonette
Cliff & Joyce Sherrod
Violet & Mark Singh
Violet Singh
Alynda Best
Joanie Holt
Rev. Jon & Dale Stasney
The Midland Musicians Club
Sue Smith &
Jim Huddleston
Alathea & Jim Blischke
Violet and Mark Singh
Sue Solari
Jane & Don Samples
Mark & Jeannette Kolokoff
Bill & Mary Garay
Herb and Pat Stanley
Violet and Mark Singh
Cindy Walton
Amy A. Walton
Jane Wolf
Memorial Christian Church
Billy T. Schulze
Beverly Wise
The Midland Musicians Club
Gene & JoAnn Wyatt
Risa Brown
Nelson Allison
Michael & Dana Ashton
Bob & Kay Bivens
Karl & Cathy Herzog
Joan McCown
Sue & Buddy McDonald
Violet & Mark Singh
Dr. & Mrs. Steve Wiehle
Anne Anson
Mr. & Mrs. Kevin D. Durham
Arlen Edgar
Betty & Clem George
Robert D. Anson
Thomas K. Anson
Ms. Francene Breckenridge
Edith Libson
Andrew W. Austin & Cynthia K. Stewart
Carol Ann Wilkinson Bascom
Jane Wolf
Eldon Basney
Midland Symphony Guild
Ms. Beverly K. Cunningham
Dr. E. Grace Osadchuk
Mr. & Mrs. Michael Tandy
Frank Bell
Betty Ann Prentice
Emma Burnett
Violet and Mark Singh
Jane Wolf
Jack E. Brown
Jeannette and Mark Kolokoff
Warren Burnett
Paula & Ruff Ahders
Ms. Judy DeWees
Mr. & Mrs. Jim Leeton
Mr. & Mrs. Michael Tandy
Jane Wolf
Anne Caldwell
Mr. & Mrs. Charles E. Jones
Clarence E. Cardwell, Jr.
Eric Leibrock
Mrs. Ethel Chapman
Truman & Doreen McCreless
Viola Campbell
The Midland Musicians Club
J. Dan Carpenter
Alan and Susan Leshnower
Marcella Christensen
Katherine Grella
Doris Cooper
Cowan Hill Bond Agency
Mullis Newby Hurst
Ronald Bennett
Howard Cowan
Janet Hayes
Bob & Pam Leibrock
Violet & Mark Singh
Mary Nixon Tighe
Dorothy Croft
Caroline Ater Howard
Chancy & Toni Croft
Barbara Davis
Alan & Susan Leshnower
Mary McKeown Davis
Pat & Herb Stanley
Lynn Davis
LaDoyce Lambert
Perry Davis
Melissa Burnett & Wayne Warren
Jean Grisham Dean
Jeff & Lou Nelle George
Opal Dobbs
Ludie & Eben Warner
Gretchen Estes
The Midland Musicians Club
Marie Finical
Chris Newman
John Foster
Kay & Robert Bivens
Kathleen Freeman
Lyn Fishman
Maridell Fryar
Ann Parish
Betty Ann Prentice
Fay Griffin
Betty & Stuart Awbrey
Betty Louise Gulledge
Lou Nelle & Jeff George
Martha Savage
Marshall C. Gulledge
Marilyn J. Craig
Mr. & Mrs. Robert M. Neill
Frankie Simmons
Mary Harrington
Odessa Council for the Arts & Humanities
Odessa Symphony Guild
Nancy Anguish
Karen & Spencer Beal
Bobby & Denise Burns
Emma H. Burnett
Melissa Burnett & Wayne Warren
Karl & Cathy Herzog
Tim Young & Sharon Hickox
Melissa Hirsch
Mr. & Mrs. Charles E. Jones
Charles Milby Hartwell
Barbara Hartwell
Mayor Dan Hemphill
Melissa Burnett & Wayne Warren
Harriet Herd
Midland Symphony Guild
Alathea & Jim Blische
Jeannine Donnelly
Kenneth Herrick
Elizabeth & Preston Black
Myrna Herrick
The Preston Black Family
Mayor Bill Hext
Bobby & Denise Burns
Jacque Nell Hunder Holland
Marc and Kay Maddox
Dr. Thomas Hohstadt
Jane Wolf
Rose Ann Houghton
Joanie Holt
Robert Hudson
Jane Wolf
Billie Hunt
Pam & Bob Leibrock
Pat Innerarity
Jim & Barbara Clack
Mary B. Kennedy
Rebecca Sawyer
Janet & Paul St.Hilaire
Dr. Thomas A. Hyde
The Midland Musicians Club
Neal Johnson
Ms. Judy DeWees
Marian Jones
Bob & Nancy Dott
Betty & Harvey Dunn
Alan & Susan Leshnower
Sally McGuffey
Esther D. Bird
Jane Knox
Jeannette & Mark Kolokoff
LaDoyce Lambert
Phyllis Kvasnicka
Beverly Muire & Family
Dick Lambert
LaDoyce and Gloria Lambert
Gloria Lambert
Barry and Mary Beck
Jeannette and Mark Kolokoff
Lynn Mashburn
Violet and Mark Singh
Jane Wolf
LaDoyce Lambert
Martha & Paul Crump
Lynn Mashburn
Margaret Purvis
Jane Wolf
Merceda Layton
Audrey Chartier
Katherine Leeton Fowler
Melissa Burnett & Wayne Warren
Ed Leps
Audra & J.D. Whatley
Katherine Linehan
Mr. & Mrs. W.R. Berger
Mr. & Mrs. Jack E. Blake
Alva D. Butler
Mr. & Mrs. Frank Cahoon
Elinore Chase
Harvey & Harriet Herd
Patty & Tevis Herd
Sue Houghton
Dan M.Leonard
Jan & Bill Setzler
Mrs. E.M. Seydell
Barnie Snure
Mrs. George Lovett
Audrey Chartier
Geraldine MacCabe Chastain
Jheri Fleet
Marjorie Sue McLelland
Emma H. Burnett
Maurice “Mo” Martel
W.M. Champion
Sammie K. Rogers
Mary Elizabeth Newman
Carole Symonette
Grace Osadchuk
Jan Artley,
Jane Samples, Patty Smith,
Lucinda Windsor, Maridell Fryar
Melissa Burnett & Wayne Warren
Mr. & Mrs. D. N. Ewan
Chris & Fred Newman
Rebecca Sawyer
Schatzie & Charlie Tighe
Vera Osadchuk
Rino Irving
Pam & Bob Leibrock
Lynch Chappel Alsup
Ed Magruder
Suzanne Martin
Bill & Sheila Morrow
Violet & Mark Singh
Sue Solari
Bill Stella
Jan & Paul St.Hilaire
The Midland Musicians Club
Jane Wolf
Walter Osadchuk
Vera Osadchuk
Barbara Parr
Anonymous
Rebecca Atwood
Victoria Ehrlich
Mr. & Mrs. Charles E. Jones
Josh H. Parr
Anonymous
Rebecca Atwood
Mrs. Coy Best
Victoria Ehrlich
Delia Griffin
V. Wayne & Joann Jones
Mr. & Mrs. James D. McLaughlin
John O’Hern
Dr. Jess Parrish
Kay and Bob Bivens
Harold Rasco
Audrey Chartier
Victor Rede
Melissa Burnett & Wayne Warren
Charles H. Rentz
Mary Rentz
Charles Roberts
Mr. & Mrs. George F. Harley
Betty Lloyd Ross
Frank & Getchen Bell
Rebecca Bell
Mr. & Mrs. Frank Cahoon
Ms. Sarah C. Hardwick
Dr. & Mrs. Charles Simmons
Violet and Mark Singh
Russell F. Sanders
Emma H. Burnett
Sue Bob Smith
Drs. Roberta & Richard Case
Jeannette Kolokoff
Elizabeth Prentice
Violet and Mark Singh
Junia Stoddard
Helen Parsons Adhers
Sally Stella
Chris Newman
David Austin Stephens
Davis, Gerald & Cremer
Stubbeman, McRae, Sealy, Laughlin & Browder
Mary Lou Cassidy
Permian Basin
Landmen’s Association
Violet & Mark Singh
Nan & Alan Zeman
Deane Stoltz & Susan Stoltz Tirey
Kay & Robert Bivens
Emma H. Burnett
Wanda Campbell
Kathleen Stout
Midland Symphony Guild
Twentieth Century Study Club
Capt. & Mrs. William E. Clark
Berniece Johnson
Charlene Shults
Kay & Robert Bivens
Ronald Thomas
Ann Parish
Violet Singh
Sheila Thompson
The Midland Musicians Club
Naomi Tillett
Mary & Barry Beck
Alva D. Butler
Mr. & Mrs. Frank Cahoon
Elinore Chase
Capt. & Mrs. William E. Clark
David & Sarah Lew Grimes
Sue & Ted Kerr
LaDoyce & Gloria Lambert
Mary Ann McRae
Mr. Mrs. Charles L.Tighe
Earl Van Stavern
Midland Symphony Guild
Thomas Welch
Schatzie & Charles Tighe
Bill J. Whitfield
Dee Griffin
Rita Williams
Ronald & Dortha J. Bennett
Berniece Johnson
Dr. & Mrs. Paul H. Johnson
AT&T Foundation
The Bosworth Company
Chapter Gd P.E.O.
The Midland Musicians Club
Tierra Company / Bill Musar
Stanton Music Club
Twentieth Century Study Club
Anonymous (4)
Dr. & Mrs. Clayton Alred
Jim & Sandra Alsup
Mr. & Mrs. George Alther
Mr. & Mrs. John F. Armstrong
Joyce R. Barthelemy
Cliffy & Barry Beal
Helen B. Beal
Chrys & Kelly Beal
Cheryl Becker
Frank & Gretchen Bell
Mr. & Mrs. Stanley Bellows
Virginia Berry
Elizabeth & Herb Blankinship
Berry & Jane Breining
Ken & Cathy Burgess
Mr. & Mrs. William C. Bynum
Mr. & Mrs. Frank Cahoon
Mr. & Mrs. Jack C. Cartwright
Edward & Cassandra Cheek
Mr. & Mrs. Bill Clifton
Mr. & Mrs. Robert S. Cooke
Margaret Cowden
Enid W. Davis
Tom & Dorothy Davis
Bill & Mary Anne Dingus
Mary Margaret Donelson
Mr. & Mrs. Lynn D. Durham, Jr.
Mr. & Mrs. Curtis Erwin, Jr.
Paul Feit
Iris & John Foster
Mr. & Mrs. Robert H. Frazer
Jeff & Lou Nelle George
Richard D. & Iola Gillham
Dan Green
Sarah & David Grimes
Mr. & Mrs. M.C. Gulledge, Jr.
Barbara Hales
Mr. & Mrs. Robert H. Halpert
Billie C. Halstead
Mrs. Thornton Hardie
Phil & Judy Hayes
Patty & Tevis Herd
Dr. & Mrs. William M. Hibbitts
Melissa Hirsch
Brittie N. Holster
Dr. Jim Huddleston & Sue Smith
Dr. & Mrs. James Humphreys
Patricia & Leon Jeffcoat
Barbara J.H. Johnson
Maureen Johnson & Todd Torczon
Jo Ann Jonsson
Al & Elayne Karickhoff
Sherry Keisling
Niran E. Kellogg
Lee & Bob Kennedy
Mary B. Kennedy
Mr. & Mrs. William D. Kleine
Jane Knox
Sarah & David Lauritzen
Pam & Bob Leibrock
Edith H. Libson
Buddy & Anita Lintzen
Mr. & Mrs. J.K. Lytle
Beverly Martin
James H. Miller, D.D.S.
Darla V. Mueller
Kelvie Williams Muhlbauer
Mr. & Mrs. Charles E. Nail
Mr. & Mrs. Jim Nelson
Mr. & Mrs. Fred Newman
James & Jerri Nickel
Ann Parish
Steve & Diane Parker
Bill Peyton
Rod & Jane Phares
Margaret & James H. Purvis
Jane B. Ramsland
Randee and Jack Rathbone
Lynn Renaud
Jane & Ray Riddle
Mary G. Ritchie
Mr. & Mrs. Larry J. Roberts
Mr. & Mrs. Hal Roegner
Mrs. Donald A. Ross
Rita Rusnak
Dee Ann & Jeff Salehi
Rebecca Sawyer
Lisa and Geoffrey Schaffer-Harris
Mrs. Suzanne Seright
James & Alison Small
Sally & Bill Stella
Harley R. Stimmel
Mary & Paul Summersgill
John & Barbara Swart
Mr. & Mrs. Phillip Szenasi
Mr. & Mrs. Michael Tandy
John J. Taylor
Mr. & Mrs. L.B. Terrell
Mr. & Mrs. Charles L. Tighe
William A. Townsend
Julia E. Vaughan
Mary Edith Waddell
Orin Wade
Mr. & Mrs. Edward Wallace
Rev. & Mrs. Robert Walter
Jenna H. Welch
Mr. & Mrs. Richard Werner
Jann & Dr. Stephen Wiesenfeld
Mike Willson
West Texas Symphony offers world-class guest artists, beloved classical composers, and fun family music experiences!
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Our new logo features a wave design representative of a five-line music staff and the winds of West Texas. The centerline of the wave is indicative of an f-hole on a string instrument while also paying homage to the connectivity of two cities. The cascading colors represent our beautiful West Texas sunsets while conversing with palettes of other local organizations, and the dark blue font retains the color pallet that was used in our previous logo which is an acknowledgment to our 60+ year history.