DIGIMAG 51 - FEBRUARY 2010

Page 68

action, to the moment in which it occurs. Indecipherability of signs. Slipping in doubt of not definite doing. UNO is an act without solution, without the game.

Uno is a breakdown, a complaint of difficulty, an inability of being. Yet in these many difficulties there’s room for a smile and for sarcasm that I found to be more appreciated and understood in the Nordic countries than here. Uno is in desolation, disaster waiting to happen, the scene of errors after errors (the use of space for use of lights, created by Paul Chicken Rodighiero, lighting designer I have worked with for a very long time, a master of lighting) , is the decline of our time, our land, the beautiful country. There is the silence of our imperfect time. Illiteracy aesthetic evidential. This creation of a desolation and this helps keep struggle of a text item from the book written by Giuseppe Genna wrote ITalia De Profundis, one of the most interesting writers of the Italian scene, who with his cultured prose and never banality devastates our hearts.

Expectations and plans for the future….I prefer not answering the first question. When it comes to future projects instead continue to rise and follow each other seamlessly. Now I am focused on the new job, UNO, that after the debut at the Milan PIM February 6 will be in Vienna for a week on tour, then in Frosinone, Castiglioncello, Bologna and hopefully not stop there … I’m working on parallel a show for children (age range 3-5 years). A job that should not be ignored, a different approach, lighter, but no less important. And then there’s the attempt to spread the culture of contemporary dance in Rimini (where I have lived for the past 8 years). Virgin territory. A job I have been doing a few months with a group c_a_p.

www.paolabianchi.com http://collettivocap.blogspot.com/

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