DIGIMAG 51 - FEBRUARY 2010

Page 65

touched and the approval behavioral issues of which we are subjected to constant monitoring of our actions, of solitude is met before the submission of the manipulated body, forced, of transience, the static nature of the fall, attempted flight of perfection and its opposite, the grinding of the images of the breach of identity. Per Figura Sola This study has served to build publicly exposed . While I thought this new job I realized that I had to work for subtraction, rather than adding – as he would Fibonacci. Those numbers are internal accounts to the choreography. Remains the golden rectangle drawn on the floor. I wanted to achieve the essential, I wanted there to be a deep sense of that path, which I believe is the solitude of the figure in a predetermined area.

Massimo Schiavoni: Per Figura Sola come from yourVisioni Irrazionali, after studying and thinking for years about Fibonacci’s numbers and the golden section. Explain the relationship between these visions and measures, with the staging of the performance. Why does a figure remain on stage alone? The definition and the acceptance of a sort of helpless loneliness – I think – of mutations remained in the throat, exhausted space without being filled. Paola Bianchi: The Visioni Irrazionali study was on scene, the public display of the thoughts that instead of merely filling my notebooks, filled and inhabited spaces, with freedom of form. Short site specific work, from installation to performance, usually in the form of itself. Investigating the series of Fibonacci numbers and the golden section went beyond the immediacy of the number and perfection. With so many performers who have lived my Visioni were

Here the patterns on the floor becomes like snakes and ladders. A fixed circuit in which the change is only possible within the box. We worked on fiction. On the transformation, or rather on attempts to transform. On being on the scene, about loneliness, with no way out. We investigated the space. Space with no way of escape. A space that does not provide freedom of decision. A kind of bleak and desolate area, inhabited by custom. “

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