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This is Cambridg e University Press's second volum e of studies based o n th e work of Heinric h Schenker, no w recognized as this century's mos t influential figure in th e areas of musi c theor y an d analysis The first section of th e boo k contain s archival studies tha t derive from th e content s of Schenker's Nachlass, recently mad e available t o scholars Schenker's unpublishe d paper s also supplemen t several of th e analytical studies in th e second, larger, section of th e book . These essays fall int o four groups : studies in th e Classic an d Romanti c repertory, studies in twentieth-centur y music , rhythmi c studies, an d studies in th e theor y of Schenker's fundamental analytical constructs , th e Urlinie an d th e Ursatz.
Carl Schachter is Distinguished Professor Emeritu s of Queen s College of th e City University of New York, an d o n th e faculty of th e Manne s College of Music, New York. He is co-autho r of Counterpoint in Composition an d Harmony and Voice Leading. Hed i Siegel is Adjunct Associate Professor at Hunte r College of th e City University of New York She is editor of th e first volum e of Schenker Studies.
