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SLIDETOBER Iceie650 LAND TVBaby W-UHINI Cuda TAPPY L’Eroica


Fall/Winter W-Uhini Slidetober Records Iceie Land Cuda Tappy Standards L’Eroica 10Years

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fall winter 4


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a) C a r d i n a l C a r d i g a n , Ava l o n Te e b) A l l C a p s H o o d i e c) E n g i n e e r s Ja c ke t P rev i o u s p a g e: To r p e d o C a r d i g a n O p p o s i te: Ke t ti n g B e a n i e E x p l o re r Ja c ke t , Wa l te r A p p l i q u ĂŠ C re w

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Woolie build #18 The W-Ăœhini

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5 y e a r s o f T h e Te m p l e

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3 Days of mayhem

Canggu Bali Indonesia

Slidetober


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I n c o nve rs at i o n Wo r d s : A l l y s o n S h i f f m a n

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Brooklyn - New York

Deus Records

Tv Baby


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I would hope we foster an atmosphere where people feel free to do what they feel, whether it ’s getting buck wild or sitting silently with your eyes closed

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7” 20


H ow d i d yo u t wo m e e t o r i g i n a ll y ? B: Ma t t m ove d to my tow n i n th e 7th g r a d e . M y c h ro n o l o g i c a l m e m o r y is h a z y b u t i n s o m e o r d e r, we g ot i n to a f is t f i g h t i n th e b a c k of m a th c l as s , a n d a ls o b o n d e d ove r G u n s N ’ Ro s e s “A p p e ti te fo r D e s tr u c ti o n ,” w h i c h h a d j u s t c o m e o u t . Te ll m e a b o u t t h e t r a n s i ti o n f r o m A .R .E . We a p o n s to T V B a by - h ow d i d t h a t c o m e a b o u t ? M: We d e f i n i te l y s ti l l c o n s i d e r A .R .E . We a p o n s to b e f u n c ti o n a l - j u s t o n s l e e p m o d e , b u t I was s i n g i n g m o re a n d m o re We a p o n s s o n g s , w h i c h I re a l l y e nj oye d . I wa n te d to s i n g m o re b u t d i d n ot wa n t to c o nf l i c t w i th w h a t th a t b a n d was a l re a d y doing. B: T h is c o i n c i d e d w i th m e tu r n i n g i n to a g u i ta r g e e k a l l a ro u n d th e re c o r d i n g of [ A .R .E . We a p o n ’s fo u r th a l b u m] M o d e r n May h e m . A ls o , th e m u s i c was a b i t l e s s a g g re s s i ve , p o s s i b l y re f l e c ti n g s o m e s o r t of s h i f t i n a r t /m i n d s ta te . We d o h ave a b u n c h of We a p o n s s o n g s h a n g i n g a ro u n d th o u g h ... C a n yo u d e s c r i b e t h e f i r s t ti m e yo u p e r fo r m e d a s T V B a by ? M: I p l aye d by mys e l f a t Pi a n o s o n th e L owe r E as t S i d e] . D i d a b o u t f i ve s o n g s w i th a b a c k i n g tr a c k . I s a n g a n d d a n c e d a n d h a d mys e l f a f i n e ti m e . I b e l i eve th e a u d i e n c e was a ls o e n te r ta i n e d , b u t w h o c a n k n ow a n oth e r m a n ’s m i n d . I h ave p re te n d e d to l i ke m a ny th i n g s I d i d n ot c a re fo r a n d I b e l i eve s c o re s of p e o p l e h ave l o o ke d m e r i g h t i n th e e ye b a l l a n d l i e d w i th o u t f l i n c h i n g . B: F i r s t ti m e we p e r fo r m e d to g e th e r…I ’m b l a n k i n g . Ma t t is th e m o re a c c u r a te ke e p e r of th e o r a l h is to r y. H ow d o yo u t h i n k t h e b a n d h a s c h a n g e d /evo l ve d f r o m t h a t f i r s t s h ow - p a r ti c u l a r l y i n te r m s of t h e p e r fo r m a ti ve a s p e c t ? M: B r a i n c o m i n g o n b o a r d i m m e d i a te l y m a d e i t m u c h b e t te r. T h e p e r fo r m a ti ve as p e c t h as evo l ve d as th e m u s i c h as g ot te n s tro n g e r. W h e re o n c e we m ay h ave fe l t th e n e e d to g e t by p r i m a r i l y o n r aw e n e rg y, n ow th e m u s i c d o e s a l ot m o re of th e wo r k fo r u s a n d we c a n u s e th e e n e rg y m o re s tr a te g i c a l l y to b e t te r e f fe c t , w h i c h g i ve s u s a l o o s e r fe e l a n d m o re ro o m to b o n d to th e a u d i e n c e . B: T h e re was fo c u s o n r aw f re a k e n e rg y. We m ay, a n d I s tre s s m ay, b e m o re m u s i c a l n ow. We d e f i n i te l y h ave m o re m ove s . W h e re d o e s t h e n a m e c o m e f r o m a ny way ? B: Ma t t ’s c a l l o n th a t o n e . I l i ke to th i n k i t c o m e s f ro m th e l i n e a t th e e n d of D r u g s to re C ow b oy, b u t i d o n ’ t th i n k Ma t t d o e s . I t ’s a ls o a n A l l e n Gi n s b e rg b o o k /p o e m ... a n d p ro b a b l y a b u n c h of oth e r s tu f f. M: I was a l a tc h ke y k i d . I s p e n t a l ot of ti m e a l o n e g row i n g u p wa tc h i n g T V. T h a t is b as i c a l l y w h e re th a t n a m e c o m e s f ro m c u l tu r a l l y, s o i t f i ts m e . B u t I l i ke u s i n g i d e as th a t h ave m u l ti p l e m e a n i n g s a n d p o s s i b l e s o u rc e s . I was awa re of th e Gi n s b e rg b o o k a n d th e c h a r a c te r f ro m D r u g s to re C ow b oy, b oth of w h i c h a re d r aw i n g f ro m th e s a m e l o o s e i d e a as m i n e . I a ls o a l ways l i ke d th e p o s s i b l e c o n n e c ti o n to tr a n sve s tis m fo r s eve r a l re as o n s , c h i e f of w h i c h is as a n o d e to L o u Re e d ’s i n c l u s i o n of th a t i m a g e r y i n s o m e of h is wo r k . Pe o p l e a l ways as k m e a b o u t th e oth e r [m e a n i n g s] b u t n o o n e eve r p i c ks u p o n th a t o n e , e xc e p t fo r tr a n sve s ti te s , w h i c h j u s t g o e s to s h ow th a t s o l i p s is m is th e g ro u n d f l o o r of h u m a n n a tu re . M a t t , yo u h ave k ill e r d a n c e m ove s a n d a lways d o awe so m e / h il a r i o u s /u n e x p e c te d s tu f f o n s t a g e - i s a ll of t h a t s p o n t a n e o u s o r d o yo u t h i n k a b o u t h ow i t ’s g o i n g to g o b e fo r e h a n d ?

M: S o fa r i t ’s c o m p l e te l y of f th e c u f f. I re p e a t th i n g s s o m e ti m e s b u t n ot by d e s i g n . I a l ways i n te n d o n p l a n n i n g th i n g s o u t a n d eve n p r a c ti c i n g , l i ke , a ro u ti n e , b u t tr u th b e to l d I a m , i n m a ny re s p e c ts , a l a z y, l a z y m a n . Yo u a l so h ave so m e d i e h a r d f a n s t h a t a re eve n m o re i n s a n e t h a n yo u a r e . W h a t ’s t h e c r a zi e s t t h i n g a m e m b e r of t h e a u d i e n c e h a s d o n e a t o n e of yo u r s h ows? M: B e t we e n th is b a n d a n d A .R .E . We a p o n s I h ave s e e n s o m e g re a t a u d i e n c e p a r ti c i p a ti o n (w h e e l c h a i r d a n c i n g , s tr i p p i n g , ro l l i n g i n b ro ke n g l as s , h u g g i n g a n d k is s i n g , d o u s i n g th e m s e l ve s i n a l c o h o l ) I wo u l d h o p e we fo s te r a n a tm o s p h e re w h e re p e o p l e fe e l f re e to d o w h a t th e y fe e l , w h e th e r i t ’s g e t ti n g b u c k w i l d o r s i t ti n g s i l e n tl y w i th yo u r e ye s c l o s e d . I a m re a l l y n ot th e k i n d to te l l oth e r s w h a t to d o , I ’m j u s t g l a d th a t th e y a re th e re . I t h i n k T V B a by i s a N ew Yo r k B a n d (w h e re a s so m e o t h e r b a n d s a re s i m p l y b a n d s f r o m N ew Yo r k). Wo u l d yo u a g re e t h a t T V B a by i s i n h e re n tl y N ew Yo r k-y ? W hy o r w hy n o t ? B: Ve r y m u c h s o. We ’re N e w Yo r k g u ys , w i th N e w Yo r k ‘ tu d e s . I b e l i eve i n m a k i n g m u s i c th a t fe e ls l i ke /s o u n d s l i ke yo u r re a l i t y a n d g e o g r a p hy. M: B r a i n a n d I a re t wo p e o p l e w h o g r av i ta te d to a s p i r i t th a t is h is to r i c a l l y as s o c i a te d w i th N e w Yo r k , e s p e c i a l l y th e e th o s th a t d rove th e a r t h e re i n th e l a t te r h a l f of th e 2 0 th c e n tu r y. In th a t way we a re N e w Yo r k to th e b r i c ks , as th e y u s e d to s ay. T h a t b e i n g s a i d we a re n ot n o s ta l g is ts tr y i n g re l i ve s o m e i m a g i n e d g l o r i o u s p as t a n d I a m n ot s u re h ow we f i t i n o r re p re s e n t th e re a l i t y of w h a t th e c i t y is to d ay. H ow d i d yo u g u ys f i r s t m e e t [ T h e R a p tu re ’s] G a b r i e l A n d r u z zi ? W h a t d o yo u t h i n k h e b r i n g s to t h e n ew re c o r d ? B: We m e t Ga b e i n th e 9 0 s i n D C. We h a d m ove d th e re , h e was f ro m th e re b u t h a d m ove d to C h i c a g o. H e b ro u g h t a l ot to th e n e w re c o r d: c o o l sy n th a n d d r u m p ro g r a m m i n g , a n e xa c ti n g a t te n ti o n to d e ta i l , a n d s m a r t s o n g w r i ti n g a r r a n g e m e n t m ove s . M: Hav i n g h i m p ro d u c e th is re c o r d was l i ke h av i n g a n oth e r m e m b e r of th e b a n d . H e u n d e r s ta n d s u s p re t t y we l l a n d was a b l e to g e t u s to fo c u s o n th e b e s t p a r ts of w h a t we d o. B: A ls o , h e ’s a f u n g u y a n d i t was c o o l h av i n g s o m e o n e to ke e p th e v i b e l o o s e . N e i th e r m e o r Ma t t a re e s p e c i a l l y l o o s e i n th e re c o r d i n g e nv i ro n m e n t . H ow d i d yo u c o m e to b e wo r k i n g wi t h t h e D e u s g u ys a n d w hy d i d yo u t h i n k t h ey we re a g o o d f i t fo r t h i s re l e a se? M: J u s ti n Mi l l e r, w h o is s ta r ti n g D e u s Re c o r d s , b ro u g h t u s i n . I th i n k th e e x p e r i e n c e th a t eve r yo n e a t D e u s h as e x p a n d i n g th e re a c h of th e th i n g s th e y a re p as s i o n a te a b o u t g i ve s m e c o nf i d e n c e i n o u r a b i l i t y to s u c c e s s f u l l y s h a re o u r m u s i c w i th as m a ny p e o p l e as p o s s i b l e to g e th e r. I a m i m p re s s e d by th e way th a t th e y f u l l y p a r ti c i p a te i n r a th e r th a n c o - o p t th e c u l tu re s of th e p ro d u c ts th e y s e l l . T h e fa c t th a t th e y a re a b l e to d o th a t i n th e wo r l d s of re a l s u r fe r s a n d m oto rc yc l e r i d e r s , w h e re b u l ls h i t to l e r a ti o n is e x tre m e l y l ow te l ls m e th a t th e y o p e r a te w i th a l eve l of i n te g r i t y th a t is r a re . B: Eve r yo n e we ’ve m e t o n th e D e u s te a m is s u p e r rad. W h a t ’s o n e t h i n g a b o u t e a c h of yo u p e o p l e wo u l d b e s u r p r i se d to l e a r n d e s p i te yo u r “o n s t a g e p e r so n a s? ” B: Ma t t fo l l ows F l u f f y Pa c k , is a tr i v i a w h iz , a b as ke tb a l l n e r d , a n d a s o m e w h a t av i d k a re o k i e r. M: B r a i n c o o ks a m e a n s te a k .

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Woolie build #17 The Iceie 800

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L A ND is the c reative visio n of Austin - base d ar tists C ale b Eve r it t and R yan Rh o d es . To g ethe r they have b e e n instr ume ntal in pro du cing ar t and d esign fo r D eus E x Machina ove r many years - almost sinc e the dawn of the Te mple in C anggu .

Ryan Rhodes

Land Boys A u s t i n - Te x a s

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spir itual sy mb olism . Re cur r ing the mes f ro m m o r talit y to nature and industr ializ atio n weave through their wo r k with a pr imitive nuanc e and inef fable vo o d o o. T his sp e cial c olle ctio n of gar me nts is a c ele bratio n of the c ollab o rative alche my that is D eus E x Machina and L A ND.

Caleb Everitt

T heir signature aesthetic sh owc ases a d e e p af f init y with d e par te d d esign traditio ns , time - wo r n patinas and fo rg ot te n


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Deus’ latest track car Mopar Me

1966 Plymouth Barracuda

Cuda


Our new track car has rumbled into life. Its owner and builder – Mat t Har t grew up with Mopar music ringing in his ears but graduated from his pushrod youth and went on to build some ver y tast y Porsche lßf tgekuhlt runners over the last few years. His Mar tini striped SC is an example of a really well executed retro mod.

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However the siren song of a V-angled donk drew him back to the bent eighters club and this Cuda proves those Mopar tat toos don’t rub of f. His latest creation is this might y series one 66 Plymouth Barracuda with 4 80 hp 273 on a 4 speed.

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It ’s been built for racing but wears street boots (se mi slicks) so no doubt he’ll be setting of f car alarms through the week in Camperdown and collecting trophies in the Historics on the weekends.

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Ta k u y a ‘ Ta p p y ’ Yo s h i k a w a

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A conversation with the shaper

Deus snowboards for Fall Winter 16

Tappy


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I n t r o d u c ti o n & b a c kg r o u n d o n Ta p py In my you th I fre qu e nte d many b oard facto r ies fro m the ag e of 15 and by 16 , I shap e d my f irst sur f b oard b e hind the back of the adults . I have b e e n shaping fo r ab ou t 20 years in my 3 0 - year sur f ing c are e r. I ’ ve pro babl y shap e d ove r 5 , 0 0 0 b oards in total. H ow l o n g h ave yo u b e e n s h a p i n g ? T he of f icial d e bu t of my snowb oard ou tline d esign was fo r the D eus f ish b oard in 2014 . Pe rso nall y I have b e e n snowb oarding fo r 20 years and have d o ne my initial ou tline shaping o n an uncu t blank that my g o o d fr ie nd pro du c e d himself 2 years ag o. Graphic all y I wo r ke d fo r Bur to n headquar te rs in A pr il 2014 to d esign 9 b oard graphic s fo r their Famil y Tre e c olle ctio n fo r W 16 . T his was a simultane ous glo bal release ( in sto re now). W h a t i s t h e p o i n t of d i f fe re n c e wi t h t h e D e u s b o a r d s? F irst of all , these are all o r iginal ou tlines and ro c ke r shap es . A s a sur f b oard shap e r I g ot the inspiratio n fro m the ro cke rs of f ish sur f b oards mak ing the D eus b oards uniqu e and impressive. Re c e ntl y notable shap e rs like Chr is Chr iste nso n and May he m have also d esigne d a numb e r of snowb oards . W h a t a re t h e of fe re d s h a p e s a n d d i f fe re n c e b e t we e n e a c h? We are of fe r ing 3 shap es in the 1st c olle ctio n . You c an sele ct o ne base d o n your st y le o r snow c o nditio ns . T H E PI K E : inspire d by Ge nte mstic k b oards . Fo cuse d m o re o n fre est y le than the Ge nte m f ish . It not o nl y fo r p owd e r snow as you c an also e njoy Sur f- like riding like switch stance or spins on banks. T H E M U L E : N ew d esign fo cuse d o n high - sp e e d tr ic ks o n p owd e r o r gro o me d snow. It has an o r iginal ou tline and an o r iginal p owd e r c amb e r, whic h gives you an amazing f low - r id e o n p owd e r. D RI F T E R : T his is a c ollab o ratio n with Japan’s D eath L ab el b oards . T his is o ne of their b est selling shap es , whic h I fell in love with and use d myself fo r 2 seaso ns . T he 3D nose and k ic k tail allows fo r easy maneu ve r ing in d e e p p owd e r and allows fo r so me big sprays! T h e re se e m s to b e a n i n c re a se i n r e t r o s t y l e d b o a r d s . W h e re d o yo u t h i n k t h e s c e n e i s h e a d e d ? D o yo u t h i n k t h e re will b e a m ove m e n t of h o m e m a d e h a n d s h a p e d b o a r d s a n d e x p e r i m e n ti n g li ke s u r f i n g ? Yes , you se e a lot of c o mpanies now pu t ting ou t p owd e r b oards with dif fe re nt graphic s and shap es (esp e ciall y fo cusing mo re o n shap es) sinc e last year. Hand shap e d snowb oards have b e e n a par t of Japan’s snowb oard st y le fo r a while now. Fo reign c o mpanies have star te d tak ing inte rest in this tre nd latel y and re c e ntl y I se e it inc o r p o rate d into their own pro du ct line. It ’s now a glo bal move me nt ! H oweve r hand shap e d b oards have no ste el e dg es and are t y pic all y limite d to o nl y p owd e r o r the sof t snow in ear l y spr ing . A s a make r I think many use these b oards to test shap es and r id es b efo re launc hing a new d esign o r c olle ctio n c o mme rciall y. I like c reating and pro du cing a o ne of a k ind in the wo r ld shap e.

W h a t a re t h e f u tu re p l a n s fo r t h e s n ow b o a r d s , will we se e m o re d e s i g n s a n d s h a p e s? I want to ke e p pursuing my o r iginal d esign to c atc h up with Ge nte m as mu c h as p ossible bu t in a dif fe re nt way of c ourse. W h a t i s t h e c u l tu r a l s i g n i f i c a n c e of s n ow b o a r d i n g to D e u s? Japan is paradise fo r p owd e r snow and of te n refe r re d to as the M e ntawai fo r snowb oarding . T he re is no way we would miss that o pp o r tunit y, r ight ? D o yo u se e a s i m il a r i t y b e t we e n s u r f i n g a n d s n ow b o a r d i n g ? (C u l tu r a ll y, Phys i c a ll y/ R i d i n g) S nowb oarding takes an approach ve r y similar to sur f ing esp e ciall y with snow - sur f st y le b oards . T he o nl y dif fe re nc e is the motio n o n the sur fac e. A g o o d sur fe r fo r sure c an also b e a g o o d snowb oard e r. W h a t h ave b e e n t h e b i g g e s t c h a ll e n g e s wi t h t h i s p r oj e c t ? I had to use C A D fo r the facto r y to make my b oards rathe r than drawing fre e hand as I usuall y d o fo r hand shaping sur f b oards . T hat ’s it . W h e re a re yo u d r awi n g yo u r i n s p i r a ti o n f r o m a n d w h o a re yo u r i n f l u e n c e s? Mr. Taro Tamai f ro m Ge nte mstick . If it we re n’ t fo r him the move me nt would pro babl y neve r have happ e ne d . H e will ke e p leading the sc e ne and I want to follow him bu t with my own approach . H ow i s t h e s c e n e d i f fe re n t i n Ja p a n to t h e re s t of t h e wo r l d Twin tip b oards are still the mainstream in weste r n c ountr ies bu t we d o n’ t se e as many t win tips in Japan esp e ciall y in H o k kaid o these days . Bu t I b elieve Ge nte mstic k is play ing a role in spreading snow sur f culture to the wo r ld . W h i c h i s yo u r f avo r i te re so r t a n d w hy ? H o k kaid o is the b est by far. W hy ? Powd e r p owd e r p owd e r ! Powd e r paradise ! A nd h ot spr ings! ! A ny ti p s fo r r i d i n g b a c kc o u n t r y i n Ja p a n? T he re have b e e n increasing mountaine e r ing ac cid e nts amo ng newc o me rs shif te d fro m sur f ing in re c e nt years . D o n’ t eve r und e restimate the mountain . T he b est way is to hire a guid e wh o is well aware of the te r rain . W h a t i te m s yo u c a n ’ t g o u p t h e m o u n t a i n wi t h o u t ? S eve ral t y p es of b oards and an avalanche g ear set . L ike mind e d fr ie nds . W h a t m u s i c d o yo u li s te n to w h e n s n ow b o a r d i n g ? M y re c e nt favo r ite is Royal Blo o d . S t y li s h m e t h o d g r a b o r h u c ke d 10 8 0 ? M eth o d Grab of c ourse. O ld sch o ol! Yeah!

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“I got the inspiration from the rocker ’s of fish sur f boards making the Deus boards unique and impressive” 54


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The Mule

The Drifter

The Pike


Designed by Jim Thompson

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Behind the basics

The Deus Essentials

Standards


A r my B o m b e r, Ra l p h O ve r d ye d S h i r t , Fo r d Pa n t

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Tay l o r Wo r k Ja c ke t

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Vintage Bicycle Nostalgia

Cycleworks goes to Tuscany

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“ The routes are true, tough, and var y from a minimum of 4 5 kms to a maximum of 205” L’ E roic a isn’ t a rac e, the re ’s nothing to b e wo n , he re ’s o nl y passio n , st y le and so me Tusc an g oliard y. It ’s rac e d with vintag e bicycles and clothing (eve r y thing ’s admit te d: fro m e nd of the X I X c e ntur y velo cip e d es to bicycles of 19 87 ), the rou tes are tr u e, tough , and they var y fro m a minimum of 4 5 k ms to a ma ximum of 205 k ms , with br u tal r ises and falls mixe d b et we e n gravel and so me small se ctio ns of pave me nt . T he tr u e pr ize, apar t fro m the f inal me dal , are “r ib ollita” c o mbine d with lite rs of Chianti wine at the refreshme nt statio ns . T hat ’s e nough to c o nvoy at “Gaiole in Chianti ” mo re than 6 K cyclists f ro m all ove r the wo r ld , fro m Japan to S ou th A me r ic a , almost eve r y natio n had its f lag c ar r ie d . O n S unday D eus C yclewo r ks sh owe d up at the star ting line with a team mad e of 20 fr ie nds , eve r y o ne of the m read y to give it all in the saddle bu t mostl y to g o big at the refreshme nt statio ns . A lread y at the star t , whic h is at dawn , we we re b o mbard e d by a day lo ng se r ies of sto r ms that tur ne d the b eau tif ul and histo r ic al gravel roads to mud streams , mo re similar to an e nduranc e track ; Bu t no b o d y c o mplaine d , we we re all mo re than happy c o mpleting the rou te…mo re than he roic , e pic!

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10 years in the House

O n the 2 8 th of O cto b e r 20 05 in a subur b of inne r weste r n S ydney a skeleto n crew of f un f u ele d re pro bates ar me d o nl y with the c ourag e of their c o nvictio ns , a bag f ull of scr ibbles and a d o g - eare d S R5 0 0 wo r ksh o p manual threw o p e n the gates to the o r iginal Te mple of E nthusiasm . T he reactio n was seismic and the e nsuing explosio ns of excite me nt eve r y day in the H ouse of S imple Pleasures prove d that this was bigg e r than a brand , it was our way of life and ple nt y we re willing to g et the tat to o to prove their pro clivit y fo r f un D eus st y le. W hat has grown glo ball y fro m the se e ds we sc at te re d te n years ag o in the dust y subur b of C amp e rd own makes us ve r y proud . T he far f lung D eus diasp o ra around the planet c o ntinu es to pro du c e an eve r evolving and multifar ious c o r nu c o pia of stunning custo m cycles and b oards , incre dible apparel , inspir ing ar t , d elicious fo o d and unfo rg et table exp e r ie nc es . T his ove r f lowing p ot of creativit y e mphatic all y proves that the most vibrant and e ngaging brand in the wo r ld has many mo re d e c ad es lef t in the tank . To all the r id e rs , dream e rs , give rs and gr if te rs , ar tists , fr ie nds and famil y wh o have mad e this jour ney the b est ad ve nture of our lives . Happy 10 th bir thday D eus , may the g o o d tim es roll o n!

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Creative Dire ction C a r by Tu c k we ll A r t Dire ction S a xo n S hin g Photography T homas Walk Woo d y Goo c h Tom Hawk ins Printing Sp otp ress T hanks to Jaz Daly V ivie n’s Six Wolves IMG

THE HOUSE OF SIMPLE PLEASURES 9 8 - 1 0 4 Pa r r a m a t t a R o a d C a m p e rd o w n S y d n e y N S W 2 0 5 0 AU ST R A L I A

THE TEMPLE OF ENTHUSIASM Jalan Batu Mejan No.8 Canggu 80361 INDONESIA

THE EMPORIUM OF POSTMODERN ACTIVITIES 1 0 0 1 Ve n i c e B l v d , Ve n i c e , C A 9 0 2 9 1 U SA

T H E P O R TA L OF POSSIBILITIES V i a Th a o n D i R e v e l 3 , 2 0 1 5 9 M i l a n , I TA LY

THE RESIDENCE OF IMPERMANENCE 3-29-5 JINGUMAE H A R A J U K U To k y o, J A PA N © D E U S E X M AC H I N A 2 0 1 5

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B a c k c ove r) Tay l o r Wo r k we a r ja c ke t , Ma x we l l D o by O ve r s h i r t


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Nh fall winter 16 brandbook